It’s me again, with another of my periodic reminders that submissions for Tūhono 2021, our poetry journal for children and teens, are still open! You’ve got plenty of time to write something (in fact, we’ve just extended the deadline to the 14th of November!) and send it in to be published — and we will publish everything, as long as it meets our guidelines.
In case you’re searching for inspiration, we thought we would share with you some of our favourite poems written by teens for last year’s volume, Tūhono 2020. Read on to be wowed, inspired, jazzed, and just overall motivated to contribute your masterpiece to our new collection.
Note: Submissions to Tūhono 2021 have now closed. Thank you to everyone who submitted.
1. Passage of History — Deanna, age 15
Passage of History
Through a thread we all hold
Through this thread all is told
Down it’s passed young from old
This thread echoes war it carries the mourning of our ancestors
Here every language is told all our traditions we hold
In our hands
In our hands we hold precious memories other than ours
Although we encounter troubles we take it on as one
Because this thread connects us all
This thread is nothing more thing less
I feel blessed
To hold this thread for my passed grandparents
Thank you for this thread I will cherish
I swear an oath I won’t let it perish
Through this thread I’m proud to hold
Through this thread all our stories are told— Deanna, age 15
2. [Untitled] — Nadezhda, age 17
Pushing at risk teeth
Killing at risk teensYour mother is wrong
Because all the time I knew you, you knew I would do itI am only lying
But I am only lying to you
I am lying stretched out like a cat in the sun on the hood of your car
Black stockinged legs hanging over the edgeKicking at the rain and chewing up the gravel
Right in front of you………………There is blood in your teeth boy, and on my hands
What if I turn out to be something that makes your mother right?
You might just turn away
And walk into her outstretched arms— Nadezhda, age 17
3. Included Components: Notes to My Past Self in the Form of a Contents List — Thyme, age 16
Included Components: Notes to My Past Self in the Form of a Contents List
CONTENTS:
ASSORTED COMPONENTS: BLOOD, CONNECTORS, BONES, ETC.
Factory Settings: Standard. Possibility of inherited deficiency.
(blood tests aren’t as bad as you’d expect them to be, and you won’t regret getting them)BRAIN, 1 COMPONENT
Factory Settings: Open to programming. Runs best when fully charged.
(you’ll want to be proud of this, and that’s fine, but remember it’s okay not to be the best. it’s okay to get lower marks. let yourself fail sometimes)CHEST, RIBS, TORSO
Factory Settings: Standard breathing. Growth in chest area expected and normal.
(you won’t like how it changes. look after your ribs when you work this out)ARMS, 1 PAIR
Factory Settings: Standard flexibility. Bones will remain malleable for approximately 12 years.
(you’ll break them three times, but don’t worry, it doesn’t hurt as much as you think. don’t worry about your first cast’s awful colour — you’ll have plenty more opportunities)LEGS, 1 PAIR
Factory Settings: Average length, standard flexibility.
(you might not like these either, but understand there’s nothing wrong with them. standard sizing is frustrating but you will find yourself a pair of pants that fit properly)EYES, 1 PAIR
Factory Settings: Slight nearsightedness, standard cone cells. Optic nerves also included.
(you’ll get them tested, and think that they’re okay, but don’t be afraid to test them again later. school is easier when you can read the board)HANDS, 1 PAIR
Factory Settings: Standard flexibility, multiple fingers, opposable thumbs. Useful for grasping.
(they won’t always feel like they belong to you — they do. they’ll learn to create nice things, and sometimes not so nice things as well, but I promise to you the scratches will fade eventually)— Thyme, age 16
4. Tap Tap Malu — Katie, age 15
Tap Tap Malu
Tap, Tap
ink in blood out
absorbing, blending
weaving together
responsibilities of a Samoan woman
in Samoan societyTap, Tap
ink in blood out
the bittersweet burn of the au
bleeding the ink to the surface
mapmaking the path to your ancestorsTap, Tap
the sting on skin stretched tightly
a compact canvas freshly inked
a single colour pallette
sourced from the candlenut tree
a lama landscape
of oceans that will not wash awayTap, Tap
O le Gafa o le Tatau,
chants of two sisters
Taema ma Tilafaiga
who swam the vasa wide
with a song and ‘ato au and echoed chant
‘only women get tattooed, not men’
‘only women get tattooed, not men’Tap, Tap
O le Gafa o le Tatau
chants of two sisters
Taema ma Tilafaiga
who dove the vasa deep
for a faisua near the shores of Falealupo
breaking the ocean’s surface,
gasping for air
an old chant was forgotten
a new chant echoed
‘only men get tattooed, not women’
‘only men get tattooed, not women’Tap, Tap
Malu
Tap, tap thigh
Tap, tap hand
Tap, tap arm
Tap, tap back
Tap, tap feet
Tap, tap ankles
Tap, tap face
Tap, tap neck
Tap, tap, tap…….
When is it still a Malu?— Katie, age 15
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