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Tūhono 2024: We Want Your Poems!

Tūhono, Wellington City Libraries’ poetry journal for children and teens, will soon be opening for submissions! From 1 April – 12 May, we will be accepting submissions of poetry from young writers aged 5 – 18 in Wellington City. In previous years we have published more than 200 young poets in Tūhono — so this year we’ll again be splitting it into two books, one for kids and one for teens.

Unlike some other poetry journals, having your work accepted in Tūhono is not a competition — as long as you follow the rules of submission, every piece of work that gets sent to us will be published. Tūhono itself will be published as an eBook on OverDrive, and in a limited print run for our libraries, so that everyone with a library card can borrow it and bask in your talent and glory! Check out previous editions of Tūhono on our catalogue here.

Let your poetic thoughts take wing!

Here is all the information you need in order to submit a poem for inclusion in Tūhono 2024:

When?

  • Submissions are open from 1 April – 12 May 2024.
  • The journal will be published and available to borrow from the library in late 2024.

Where?

  • Submissions may be entered here from the 1st of April.

Who?

  • Anyone between the ages of 5 and 18 who lives in the Wellington region may participate.
  • You may submit as an individual or as a group.

What?

  • Theme: We want you to write a poem on the theme of “Tūmanako | Hope.” The kupu Māori ‘tūmanako‘ has a wide range of meanings, including the act of hoping or wishing for something to happen, as well as hope as an object — something that you greatly desire, yearn for, or wish to be so. When you are writing your poem, you might like to think about some of the following questions, but as always with Tūhono, there is no one way we expect you to respond to this theme:
    • Act of hoping — how does hope make you feel? What does hope help you to achieve? What does hope mean to you? When you are hoping for something to happen, what thoughts and feelings come into your mind? How does the act of hoping make your body feel?
    • Hope as an object — Do you hope for something tangible, like a new thing to own? What does that thing look like, smell like, taste like, sound like, or feel like? Do you hope for something intangible, like world peace? What does that look like, smell like, taste like, sound like, or feel like? When you have gained (or not) the thing that you have hoped for, what do you think that will feel like?
  • Length: Your poem should not be longer than one A4 page typed, with size 12 font and 1.5 line spacing. Only one poem per person will be accepted.
  • Language: Your poem may be written in English or te reo Māori.
  • Format: Your poem should be submitted as a .doc, .docx, or .txt file.

Why?

  • We want to give all young people in Wellington the opportunity to have their work published on an accessible platform. We think everyone deserves a platform and the chance to see something they created be part of the library’s collection, alongside all the other great authors and poets represented on our shelves. Tūhono aims to be a uniquely Wellington collection of writing, capturing the thoughts and emotions of kids and teens from all over the city and region across time. We consider ourselves lucky to be able to provide this platform for your creativity to take wing.

Throughout the months of April and May, we will be posting regular updates on this blog providing inspiration for your writing — so keep your eyes peeled! If you would like more information about Tūhono, you are more than welcome to contact the editors here. Happy writing, everyone! We are so excited to see what you come up with.

Be Baffled ‘Bout Brilliantly Bad Ballads! Nonsense Verses for National Bad Poetry Day!

I  know
how
to write
Poe-
Try good
Just press ent-
er a whole bunch at
random point-
s
It looks super
✨fancy✨

It’s another day
It’s another holiday
Who woulda thunk it?

Dear God! The blogger
Is writing verse once again!
TREMBLE YE MORTALS!

Let’s celebrate art
The most fançioux: poetry
but not the good stuff

drop the pretention
rake those nails on the chalkboard
make fun, not good, stuff

just stop counting
abandon the thesaurus
who cares if a haiku is supposed to have a specific amount of syllables? rules? what are those? oh im “breaking the rules” who are you? my dad? hah i can does what me wantses irregardless!

It is national bad poetry day
Where we celebrate creativity
By making and reading poems that may
not exactly be “literary”
There’s so much pomp and circumstance in it
You’d think you could only read poetry
With a lordship and some prestige degree
But anyone can read ’em, they’re fun, try it
Here’s my suggestion: write some pretty words
They don’t have to be good, but maybe they’ll be.
Do whatever you want, follow rules or don’t
I’m sure there’s many a poem in ye.

“But alas”, you cry, “I doth not know how!”
Worry not, the librarian me knows all about crappy poetry

Rhyme is sublime. It’s a crime, I’mma chime, anytime the paradigm of rhyme goes bye. Similar sounds bound together incur profound purr renowned all-around. Astound year-round you crowned amateur litterateur!

Alliteration: an amazing action an author attempts, attracting attention among audiences. Bundling beginnings breaklessly becomes bountiful by bewitching bodies, banishing boredom.

Sibilance: certain s/c sounds said surplus, structured so somehow specialises sufficiently so sibilance stays separate. Sibilance starts sounds ampersand simultaneously starts inside some sounds.

Meter is not just a form of measure.
Iambic pentameter; what Shakespeare
Wrote requires ten syllables in five “feet”.
Feet is a unit, the Bard used iambs

Unstressed then stressed, a meter of two sylls
But I’ll tell you a secret: it’s nonsense,
Gobbledygook! Pick a random number
Of syllables and stick to it. Pretend!

People assume you know what you’re doing.
One format to try: Old Shakespeare’s sonnet
Three groups of four lines, rhyme A B A B
Ten syllables: Iamb pentameter

End it with a rhyming couple of lines,
A couplet, if you will, wrapping it up

Limericks are fun don’t you know
Rhyme A A B B A like so
Write li’l shorter here
For reasons we’ll veer
Answers? Nah, just enjoy the show

Haikus are classic
A sandwich of funny words
It’s easy as pie

Five syllables up
Seven syllables between
Five syllables down

So there it is, go poetry right now
If creativity is hard, then I suggest thou

Should pick up a book, read some nonsense poetry.
Where silly people make silly sounds sillily


The complete nonsense of Edward Lear / Lear, Edward
King and Queen of the Pelicans we;
No other Birds so grand we see!
None but we have feet like fins!
With lovely leathery throats and chins!
Ploffskin, Pluffskin, Pelican jee!
We think no Birds so happy as we!
Plumpskin, Ploshkin, Pelican jill!
We think so then, and we thought so still!”
(Edward Lear, The Pelican Chorus)

The musician Cosmo Sheldrake has turned one of these poems into a song, it’s worth a listen


Fox in socks / Seuss
“Knox in box.
Fox in socks.
Knox on fox in socks in box.
Socks on Knox and Knox in box.
Fox in socks on box on Knox.”
(Dr. Seuss, Fox in Socks)

There’s a very fun video of this book as a rap from the Dr. Seuss YouTube channel


Old Possum’s book of practical cats / Eliot, T. S.
Macavity, Macavity, there’s no one like Macavity,
He’s broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime—Macavity’s not there!

(T.S. Eliot, Macavity: The Mystery Cat)

(Also it inspired the brilliant musical Cats and its… less brilliant movie adaptation Cats)


Jabberwocky / Carroll, Lewis
“’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

(Lewis Carroll, Jabberwocky)


Cautionary verses / Belloc, Hilaire
And is it True? It is not True.
And if it were it wouldn’t do,
For people such as me and you
Who pretty nearly all day long
Are doing something rather wrong.
Because if things were really so,
You would have perished long ago,
And I would not have lived to write
The noble lines that meet your sight,
Nor B. T. B. survived to draw
The nicest things you ever saw.

(Hillaire Belloc, Introduction)


Michael Rosen’s book of nonsense / Rosen, Michael
“The seagulls think we live at the seaside:
the tower blocks are their cliffs;
they swoop for fish in the gutter
but are happy that it’s last night’s fried rice.”

(Michael Rosen, The Seagulls)

 

Fun fact: this book’s written by the guy behind this meme:

via GIPHY
Forgive me, I meant to do it : false apology poems / Levine, Gail Carson
“This Is Just to Say
If you’re looking for a nice happy book
put this one down and run away quickly
Forgive me sweetness and good cheer are boring”(Adapted from Catalogue)

Wit and Whimsy! Celebrating National Limerick Day!

There once was a man from library
Who thought that just prose was dreary
He wrote all in verse
But soon did he curse
All this rhyme made him so weary

But he had to conquer his fear
For the day of limerick was near
Give them some books
With whimsical looks
And then all the masses shall cheer

Are they all up to snuff?
I mean they sound good enough
Poetry is hard
I’m hardly a bard
So here’s some whimsical stuff:


Tress of the Emerald Sea / Sanderson, Brandon

On a treacherous green sea of spores
So she can save the boy she adores
A sorceress to beat
On a pirate’s fleet
Through the Midnight Sea she explores


Frogkisser / Nix, Garth

A prince turned to frog by saboteur
Must be saved by his love’s sister,
Wizards, dog astute,
Newt of ill repute,
And now a great quest must occur

The princess bride / Goldman, William

A tale told, only the best parts
There’s adventure, a hero with smarts,
Beasts, miracles, fights
And dangerous plights
A love story to capture our hearts


Six crimson cranes / Lim, Elizabeth

A wicked stepmother casts a curse
Taking her ability to converse
Brothers become cranes
She will take great pains
Finding how to make the spell reverse

The amazing Maurice and his educated rodents / Pratchett, Terry

A cat pulls a pied piper con
A plague of rats to be led on
In comes the “piper”
A wee lil minor
And suddenly all the rats are gone

The girl who circumnavigated Fairyland in a ship of her own making / Valente, Catherynne M.

A girl from our world so bland
Is transported into fairyland
Through enchanted woods
To get Marquees’ goods
Must return with talisman in hand


Cryptid Club / Andersen, Sarah

The normal lives of the cryptid
Who from humans often will be hid
They are just like us
They don’t like the fuss
Seek this kooky knowledge they forbid


I’ve shared some silly nonsense
So why not join in this madness hence
Make sure you rhyme
Follow beat and time
May your poetry writing commence!

Tūhono 2022: We Want Your Poems!

Tūhono, Wellington City Libraries’ poetry journal for children and teens, are open for submissions for the next issue! Until December 14th, we will be accepting submissions of poetry from young writers aged 5 – 18 in Wellington City. In previous years we have published more than 200 young poets in Tūhono — so this year we’ll again be splitting it into two books, one for kids and one for teens.

Click this button to enter!

Click this button to enter!

Unlike some other poetry journals, having your work accepted in Tūhono is not a competition — as long as you follow the rules of submission, every piece of work that gets sent to us will be published. Tūhono itself — the collection of poetry from young people all over Wellington — will be published as an eBook on OverDrive, and in a limited print run for our libraries, so that everyone with a library card can borrow it and bask in your talent and glory! Check out previous editions of Tūhono on our catalogue here.

Let your poetic thoughts take wing!

Here is all the information you need in order to submit a poem for inclusion in Tūhono 2022:

When?

  • Submissions are open from 1 November – 14 December 2022.
  • The journal will be published and available to borrow from the library in early 2023.

Where?

Who?

  • Anyone between the ages of 5 and 18 who lives in the Wellington region may participate.
  • You may submit as an individual or as a group.

What?

  • Theme: We want you to write a poem on the theme of “Whakangā | Breath.” Whakangā refers to the taking in of breath, or to the process of breathing. It also calls to mind the idea of inhaling from the world; taking a breath to create calm; taking time to stop, slow down, relax, be.Exactly what you write about in relation to this theme is up to you. You could write a poem about times when you feel calm or things that help you to feel relaxed; or, you could write about things or feelings you experience when you might feel the need to whakangā.We recommend you look up the definitions of the words ‘whakangā‘ and ‘breath‘ in a dictionary to find out all the hidden meanings before you start writing. They don’t mean exactly the same thing — and that is intentional, to give you a wider range of stuff to write about. We can’t wait to see what you come up with!
  • Length: Your poem should not be longer than one A4 page typed, with size 12 font and 1.5 line spacing. Only one poem per person will be accepted.
  • Language: Your poem may be written in English or te reo Māori.

Why?

  • We want to give all young people in Wellington the opportunity to have their work published on an accessible platform. We think everyone deserves a platform and the chance to see something they created be part of the library’s collection, alongside all the other great authors and poets represented on our shelves. Tūhono aims to be a uniquely Wellington collection of writing, capturing the thoughts and emotions of kids and teens from all over the city and region across time. We consider ourselves lucky to be able to provide this platform for your creativity to take wing.

Throughout the month of November, we will be posting regular updates on this blog providing inspiration for your writing — so keep your eyes peeled! If you would like more information about Tūhono, you are more than welcome to contact the editors here. Happy writing, everyone!

 

 

National Talk Like Shakespeare Day

Well met by blog-light dear reader! This morn thou shalt transpose thy common tongue from the likes of rude mechanicals to the lofty and joyous discourse of the sage Bard himself!

In other words, Happy National Talk Like Shakespeare Day!

Following the tradition started in 2009 by the Chicago Shakespeare Theatre, NTLS Day celebrates Shakespeare’s birthday on the 23rd April (1564) by encouraging people to break out into their best Bard-ish slang. They even include a few pointers on their website, including:

  • Adding “eth” to the ends of verbs (e.g. she liveth, she laugheth, she loveth)
  • Bulk up your word count by adding “methinks”, “mayhaps”, or “forsooth”
  • Upgrade your insult repertoire with the occasional “fiendish codpiece”, “beef-witted lout”, or – if you’re really wanting to knock them down a peg – “the rankest compound of villainous smell that ever offended nostril” (The Merry Wives of Windsor, 3:5)
  • Alternatively, you might aim to woo a prospective suitor with a flowery sonnet or blazon (a poem that lists the admirable features of its subject), but BE FOREWARNED – Shakespeare’s own characters have found this to be something of a challenge.

“I can find no rhyme to ‘lady’ but ‘baby’, an innocent rhyme; for ‘scorn’ ‘horn’, a hard rhyme; for ‘school’ ‘fool’, a babbling rhyme: very ominous endings. No, I was not born under a rhyming planet, nor I cannot woo in festive terms.”                 
                         – Benedict (Much Ado About Nothing, 5:2:26-30)

Shakespeare’s Elizabethan audience might have equally struggled, since the majority of people actually spoke very differently to the characters in his plays! Despite the prevailing myth that Shakespeare’s dialogue reflected the everyday style of conversation, the Bard actually used a sort of ‘stage voice’ in order to give the play a more romantic and grandiose impact.

via GIPHY


Take a look here for more information on National Talk Like Shakespeare Day, or browse our impressive collection of Shakespearean or Bard-inspired works!

These violent delights / Gong, Chloe
“In 1926 Shanghai, eighteen-year-old Juliette Cai, heir of the Scarlet Gang, and her first love-turned-rival Roma Montagov, leader of the White Flowers, must work together when mysterious deaths threaten their city.– Provided by Publisher.” (Catalogue)


William Shakespeare’s Much ado about mean girls / Doescher, Ian
“On Wednesdays we array ourselves in pink! Mean Girls gets an Elizabethan makeover in this totally fetch comedy of manners about North Shore High’s queen bees, wannabes, misfits, and nerds. Written in the style of the Bard of Avon, William Shakespeare’s Much Ado About Mean Girls tells the story of Cady Heron’s rise from home-schooled jungle freak to one of the most popular girls in school. ” (Adapted from Catalogue)

Hamlet : a novel / Marsden, John
“This wonderful book, by one of Australia’s most loved and most read writers, takes Shakespeare’s famous play and makes it into a moving and full-blooded novel. John Marsden follows the contours of the original but powerfully re-imagines its characters and story lines, rather as Shakespeare treated his sources.” (Catalogue)

Much ado about nothing. / Shakespeare, William
“This exciting new series, produced in partnership with the RSC, is designed to introduce students to Shakespeare’s plays. Using trusted and established RSC approaches and vibrant RSC performance photographs, the series brings Shakespeare’s plays to life in the classroom and establishes a deeper understanding and lasting appreciation of his work.” (Catalogue)

The diary of William Shakespeare, gentleman / French, Jackie
“Part comedy, part love story, this book threads together Shakespeare’s life drawn from his plays. Could the world’s greatest writer truly put down his pen forever to become a gentleman? He was a boy who escaped small town life to be the most acclaimed playwright of the land. A lover whose sonnets still sing 400 years later; a glover’s apprentice who became a gentleman. But was he happy with his new riches? Who was the woman he truly loved? The world knows the name of William Shakespeare. This book reveals the man – lover, son and poet.” (Adapted from Catalogue)

Ophelia thinks harder / Betts, Jean
“These 19 characters can be played with a minimum of 9 actors doubling, if preferred. A riotous reworking of Shakespeare’s Hamlet. Featuring Ophelia, her maid, St Joan and a couple of locals — Rosencrantz and Guildenstern. (7 male, 12 female).” (Catalogue)

Third witch / French, Jackie
“A searing story of passion, betrayal, battles and love, this is Shakespeare’s ‘Macbeth’ stripped of superstition, and its power and beauty refined into fewer words where good balances the evil and there is a happy ending – for some. Annie is not a witch, but when her mistress Lady Macbeth calls for a potion to ‘stiffen Macbeth’s sinews’, Annie is caught up in plots that lead to murder, kingship and betrayal. ” (Adapted from Catalogue)

Shakespeare : the world as stage / Bryson, Bill
“William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. ” (Adapted from Catalogue)

YOLO Juliet / Wright, Brett
“Two families at war. A boy and a girl in love. A secret marriage gone oh-so-wrong. What if those star-crossed lovers Romeo and Juliet had smartphones? The classic Shakespeare play told through its characters texting with emojis, checking in at certain locations, and updating their relationship statuses” (Catalogue)

The book of Shakespearean useless information / Montague, Bruce
“This amusing but instructive book assembles many of the legends, lies, the imputations, and a host of uncommon facts from the late Tudor and early Jacobean period, loosely arranged in chronological order to establish William Shakespeare in his literary and historical setting. In doing so, it shows us the man and his time, thereby illuminating the greatest playwright who ever lived.” (Catalogue)

William Shakespeare’s Get thee back to the future! / Doescher, Ian
“Teenaged Marty McFly travels back in time from the 1980s to the 1950s, changing the path of his parents’ destiny…as well as his own. Now fans of the movie can journey back even further—to the 16th century, when the Bard of Avon unveils his latest masterpiece: William Shakespeare’s Get Thee Back to the Future!” (Adapted from Catalogue)

Tūhono 2021: Submissions Closed

Well folks, that’s it — submissions to Tūhono 2021, our poetry journal for the kids and teens of Wellington, are now closed. We’ve received well over 200 poems this time around, all of which are going to be included in the final publication.

At this very moment, our hard-working editorial team is hard at work formatting, proof-reading, and adding all of your poems into our design templates. If we say so ourselves, we’ve chosen a particularly fetching colour scheme this year, and we’re pretty jazzed with how it’s all looking.

We’re also excited to let you know that this year we are actually producing not one, but two volumes of Tūhono. One will be for the kids, and feature poems written by people aged 5-12. The other will be for teens, and will feature the poems written by you lot, poets aged 13-18. That’s right! No longer will your meticulously-thought-out rumination on the nature of life, death, and the chaos in between be forced to rub shoulders with the sunny-faced and uncomplicated acrostic poems of the 8-year-olds of Wellington. Not that there’s anything wrong with a good acrostic poem! But we think it makes sense to do a bit more sorting this time around so the poems of generally more mature themes can stick together. We hope you enjoy this change!

Nothing to do now but wait for the journal to be out, hopefully some time in mid-late December this year. In the meantime, have you read the O.G. Tūhono 2020? If not, pick up your copy today, online or in-person!

Tūhono. a journal of poetry by children and teens / 2020
“Tūhono : connection. This is the theme that binds together all 197 poems you are about to read, which were contributed by young Wellington writers aged 5-18 and collected by Wellington City Libraries throughout the month of November 2020. The year 2020 was challenging for many people. Some had to spend time apart from their friends and the people they love. Some had to find ways to live with uncertainty and the sense that everything might not be okay in the world. But taken together, these poems represent a constellation of thoughts, ideas, worries, anxieties, hopes, loves, and dreams about how we find ways to connect, even in the face of adversity.” (Catalogue)

Last Chance to Submit to Tūhono!

Today is the 10th of November, which means you only have four more days to submit your poetry to Tūhono 2021, our poetry journal for kids and teens in Wellington! If you’re still desperately looking for somewhere to start, check out our poetry starter kit here. For some introspective inspiration, we shared with you some of our favourite poems of Tūhonos past here. We also put together a list of excellent poetry collections for young people here. What better way to unwind (or distract yourself) from your exams than to write us a wee poem? We don’t normally encourage procrastination, but in this case we are in full support of any responsibility-avoiding actions you might choose to take in the name of poetry.

To find out more about Tūhono, check that your work meets our criteria, and submit your poem for inclusion in the journal, check out this post.

Note: Submissions for Tūhono 2021 have now closed. Thank you to everyone who submitted.

 This could be you! We believe in you!

Tūhono 2021 — Submission Deadline Extended

It’s still Tūhono season, and the poems have been rolling in — we love to see it! However, we’ve been hearing that after the school holidays (and a recent, brief outage of our submissions page) some people might need just a little bit more time to pull their poems together before they’re ready to be submitted.

Here at Wellington City Libraries, we understand that sometimes good art takes time — so we’ve decided to extend the submission deadline for Tūhono 2021 for an extra two weeks, until 11.59pm on Sunday 14 November.

We hope you appreciate the additional time you now have to complete your masterpieces — and don’t forget to check out our other blog posts if you need inspiration!

Note: Submissions for Tūhono 2021 have now closed. Thank you to everyone who submitted.

Tūhono: Get Yourself Some Inspiration!

It’s me again, with another of my periodic reminders that submissions for Tūhono 2021, our poetry journal for children and teens, are still open! You’ve got plenty of time to write something (in fact, we’ve just extended the deadline to the 14th of November!) and send it in to be published — and we will publish everything, as long as it meets our guidelines.

In case you’re searching for inspiration, we thought we would share with you some of our favourite poems written by teens for last year’s volume, Tūhono 2020. Read on to be wowed, inspired, jazzed, and just overall motivated to contribute your masterpiece to our new collection.

Note: Submissions to Tūhono 2021 have now closed. Thank you to everyone who submitted.

1. Passage of History — Deanna, age 15

The full text of this poem is written below.

Passage of History

Through a thread we all hold
Through this thread all is told
Down it’s passed young from old
This thread echoes war it carries the mourning of our ancestors
Here every language is told all our traditions we hold
In our hands
In our hands we hold precious memories other than ours
Although we encounter troubles we take it on as one
Because this thread connects us all
This thread is nothing more thing less
I feel blessed
To hold this thread for my passed grandparents
Thank you for this thread I will cherish
I swear an oath I won’t let it perish
Through this thread I’m proud to hold
Through this thread all our stories are told

— Deanna, age 15

2. [Untitled] — Nadezhda, age 17

The full text of the poem is written out below.

Pushing at risk teeth
Killing at risk teens

Your mother is wrong
Because all the time I knew you, you knew I would do it

I am only lying
But I am only lying to you
I am lying stretched out like a cat in the sun on the hood of your car
Black stockinged legs hanging over the edge

Kicking at the rain and chewing up the gravel
Right in front of you………………

There is blood in your teeth boy, and on my hands
What if I turn out to be something that makes your mother right?
You might just turn away
And walk into her outstretched arms

— Nadezhda, age 17

3. Included Components: Notes to My Past Self in the Form of a Contents List — Thyme, age 16

The full text of this poem is written out below.

Included Components: Notes to My Past Self in the Form of a Contents List

CONTENTS:

ASSORTED COMPONENTS: BLOOD, CONNECTORS, BONES, ETC.
Factory Settings: Standard. Possibility of inherited deficiency.
(blood tests aren’t as bad as you’d expect them to be, and you won’t regret getting them)

BRAIN, 1 COMPONENT
Factory Settings: Open to programming. Runs best when fully charged.
(you’ll want to be proud of this, and that’s fine, but remember it’s okay not to be the best. it’s okay to get lower marks. let yourself fail sometimes)

CHEST, RIBS, TORSO
Factory Settings: Standard breathing. Growth in chest area expected and normal.
(you won’t like how it changes. look after your ribs when you work this out)

ARMS, 1 PAIR
Factory Settings: Standard flexibility. Bones will remain malleable for approximately 12 years.
(you’ll break them three times, but don’t worry, it doesn’t hurt as much as you think. don’t worry about your first cast’s awful colour — you’ll have plenty more opportunities)

LEGS, 1 PAIR
Factory Settings: Average length, standard flexibility.
(you might not like these either, but understand there’s nothing wrong with them. standard sizing is frustrating but you will find yourself a pair of pants that fit properly)

EYES, 1 PAIR
Factory Settings: Slight nearsightedness, standard cone cells. Optic nerves also included.
(you’ll get them tested, and think that they’re okay, but don’t be afraid to test them again later. school is easier when you can read the board)

HANDS, 1 PAIR
Factory Settings: Standard flexibility, multiple fingers, opposable thumbs. Useful for grasping.
(they won’t always feel like they belong to you — they do. they’ll learn to create nice things, and sometimes not so nice things as well, but I promise to you the scratches will fade eventually)

— Thyme, age 16

4. Tap Tap Malu — Katie, age 15

The full text of this poem is written out below.

Tap Tap Malu

Tap, Tap
ink in blood out
absorbing, blending
weaving together
responsibilities of a Samoan woman
in Samoan society

Tap, Tap
ink in blood out
the bittersweet burn of the au
bleeding the ink to the surface
mapmaking the path to your ancestors

Tap, Tap
the sting on skin stretched tightly
a compact canvas freshly inked
a single colour pallette
sourced from the candlenut tree
a lama landscape
of oceans that will not wash away

Tap, Tap
O le Gafa o le Tatau,
chants of two sisters
Taema ma Tilafaiga
who swam the vasa wide
with a song and ‘ato au and echoed chant
‘only women get tattooed, not men’
‘only women get tattooed, not men’

Tap, Tap
O le Gafa o le Tatau
chants of two sisters
Taema ma Tilafaiga
who dove the vasa deep
for a faisua near the shores of Falealupo
breaking the ocean’s surface,
gasping for air
an old chant was forgotten
a new chant echoed
‘only men get tattooed, not women’
‘only men get tattooed, not women’

Tap, Tap
Malu
Tap, tap thigh
Tap, tap hand
Tap, tap arm
Tap, tap back
Tap, tap feet
Tap, tap ankles
Tap, tap face
Tap, tap neck
Tap, tap, tap…….
When is it still a Malu?

— Katie, age 15

Poetry is extremely cool, OK?

If you’ve visited our blog recently, you’ll know that we are now accepting submissions for Tūhono, Wellington City Libraries’ poetry journal for kids and teens. You have until the 14th of November to submit, and more info about that can be found here.

Note: Submissions for Tūhono 2021 are now closed. Thank you to everyone who submitted.

Perhaps you would like to start writing/reading poetry, but you’re not sure where to start? Maybe you’ve never been introduced to poetry that was written after, I don’t know, Netflix stopped sending PHYSICAL DVDS IN THE ACTUAL MAIL. The sad truth is that the poetry taught in schools is old, dusty and almost always about landscapes for some reason. Don’t get me wrong, I love a poem about the hills being cool, but sometimes it’s easier to jump into poetry that speaks more about the here and now.

With that in mind, to inspire any future poets out there, here’s a selection of poems to enjoy! 

All my plants are dead and I’m pretty sure it’s your fault – Dani Yourukova

Can I Still Come Crash at Yours? – Tayi Tibble

Icarus – Kate Tempest

Gremlin in sundress – Rebecca Hawkes

Wormhole – Sinead Overbye

Spacious Family Home ($960 PW) – Rhys Feeney

An-odúne – Liam Hinton

The ordinary poem – Ursula Robinson-Shaw

jasmine – Emily Zuberec

in the end we are humanlike (Blade Runner 2049) – Nina Mingya Powles

Drokpa – Cynthia Miller

My Brother at 3 A.M – Natalie Diaz

to the notebook kid – Eve L. Ewing

Now get writing those poems! Here are some books on writing, if you need some ideas to get you going 🙂


The exercise book : creative writing exercises from Victoria University’s Institute of Modern Letters
“Contains writing prompts to help beginning writers and to help tackle writer’s block. In between are exercises from a host of New Zealand and international writers that explore the nuts and bolts of craft – in poetry, fiction and scriptwriting – along with others that tap into sources of inspiration or show the value of revision and editing.” (Catalogue)


Steering the craft : exercises and discussions on story writing for the lone navigator or the mutinous crew / Le Guin, Ursula K.
“One of the great writers of the twentieth century offers an exhilarating workout for writers of narrative fiction or nonfiction. With her sharp mind and wit and a delightful sense of playfulness, Le Guin has turned a successful workshop into a self-guided voyage of discovery for a writer working alone, a writing group, or a class. Steering the Craft is concerned with the basic elements of narrative: how a story is told, what moves it and what clogs it. This book does not plod through plot, character, beginning-middle-and-end. Nor does it discuss writing as self-expression, as therapy, or as spiritual adventure. Each topic includes examples that clarify and exercises that intensify awareness of the techniques of storytelling.” (Catalogue)


Rip the page! : adventures in creative writing / Benke, Karen
“Here are the ideas, experiments, and inspiration to unfold your imagination and get your writing to flow off the page This is the everything-you-need guide to spark new poems and unstick old stories, including lists of big, small, gross-out, and favorite words; adventurous and zany prompts to leap from; dares and double dares to help you mash up truths and lies into outrageous paragraphs; and letters of encouragement written directly to you from famous authors, including: Annie Barrows, Naomi Shihab Nye, Lemony Snicket, C. M. Mayo, Elizabeth Singer Hunt, Moira Egan, Gary Soto, Lucille Clifton, Avi, Betsy Franco, Carol Edgarian, Karen Cushman, Patricia Polacco, Prartho Sereno, Lewis Buzbee, and C. B. Follett. This is your journal for inward-bound adventures–use it to write, brainstorm, explore, imagine–and even rip” (Catalogue)


Write : a 30-day guide to creative writing / Quigley, Sarah
“This book is designed for the aspiring fiction writer who needs to kick start their imagination. The author is a respected novelist, poet, short story writer and columnist, and in this book she shares some of the ‘tricks of the trade’ she has learned, and offers insights into the creative process, demystifying writing as a form of expression. This is a useful, practical and highly readable guide for the huge and growing market of aspiring writers. Includes a range of charming pen and ink drawings by Gustav Hellberg.” (Catalogue)

Tūhono Submissions Are Now Open!

Well, the 1st of October has finally arrived, and so we have officially opened submissions for Tūhono 2021, our annual poetry journal for children and teens! Visit wcl.govt.nz/tuhono to read the guidelines and submit your poem on this year’s theme of “Whakaata | Reflection.” Submissions will close at 11.59pm on Sunday 14 November.

Note: Submissions to Tūhono 2021 have now closed. Thank you to everyone who submitted.

Yes, you are!

In the meantime, you should definitely check out some of these rad collections of poetry by and for teens (and some by awesome local poets as well). You might just find your inspiration!

Tūhono. a journal of poetry by children and teens / 2020 :
“Tūhono : connection. This is the theme that binds together all 197 poems you are about to read, which were contributed by young Wellington writers aged 5-18 and collected by Wellington City Libraries throughout the month of November 2020. The year 2020 was challenging for many people. Some had to spend time apart from their friends and the people they love. Some had to find ways to live with uncertainty and the sense that everything might not be okay in the world. But taken together, these poems represent a constellation of thoughts, ideas, worries, anxieties, hopes, loves, and dreams about how we find ways to connect, even in the face of adversity.” — SP, SC, and LH, Tūhono editors

Ink knows no borders : poems of the immigrant and refugee experience
“An important collection of sixty-four poems sharing the experiences of young adult immigrants and refugees from all over the world.” — SP, Tūhono editor

I am a human being / Nieuwland, Jackson
“A truly awesome collection of poetry by local poet (and beloved librarian!) Jackson Nieuwland, this book is by turns funny, poignant, profound, and irreverent, but always, always, transformational. Read this to feel bewildered, but complete.” — SC, Tūhono editor

Voices in the air : poems for listeners / Nye, Naomi Shihab
“Young People’s Poet Laureate and author Naomi Shihab Nye has written nearly 100 poems in honour of the artists, writers, poets, historical figures, ordinary people, and diverse luminaries from past and present who have inspired her.” — SP, Tūhono editor

Poems to live your life by / Riddell, Chris
“In this gorgeous anthology, award winning illustrator (and friend to libraries) Chris Riddell has selected 46 poems to live your life by. Poems by both classic and modern poets sit alongside each other, and include Shakespeare, Carol Anne Duffy, Neil Gaiman, Nick Cave and W.B. Yeats. The poems are divided into sections covering, musings, youth, family, love, imaginings, nature, war and endings.” — SP, Tūhono editor

he’s so MASC / Tse, Chris
“Look, all I’m saying is if you’re a queer young person, a queer old person, or just a person of any type, you’ve gotta read this collection. You won’t be the same afterwards. Or, you’ll be the same, but more of yourself. Self-loathing, self-expression, self-identification — Tse holds himself up to the light and you see yourself reflected in the prismatic splitting that follows. If you don’t quite understand that sentence, read the book and you will.” — SC, Tūhono editor

You don’t have to be everything : poems for girls becoming themselves
“Sixty-eight diverse poets, including Amanda Gorman, Mary Oliver, Maya Angelou, Elizabeth Acevedo and Kate Baer address the complex feelings of growing up in this poetry collection. Poems are arranged around the themes of ‘seeking’, ‘loneliness’, ‘attitude’, ‘rage’, ‘longing’, ‘shame’, ‘sadness’ and ‘belonging’, ultimately offering a message of self-acceptance and giving permission to let go of shame and perfectionism.” — SP, Tūhono editor

Young Kiwi voices. a collection of poems from young New Zealanders / Vol. 2
“This locally published collection brings together poems written by New Zealand teens aged between 12 and 18. Well worth a look to get ideas and inspiration for your own work.” — SP, Tūhono editor

Tūhono 2021: We Want Your Poems

Tūhono, Wellington City Libraries’ poetry journal for kids and teens, is now open for submissions until 14 November 2021! All throughout the month of October, we are accepting submissions of poetry from young writers aged 5 – 18 in Wellington City. Last time we had so many poems that it was hard to fit them all into a single book — so this time, we’ll be publishing two volumes — one for kids, and one for teens.

Unlike some other poetry journals, having your work accepted in Tūhono is not a competition — as long as you follow the rules of submission, every piece of work that gets submitted will be published. Tūhono itself — the collection of poetry from young people all over Wellington — will be published as an eBook on OverDrive, and in a limited print run for our libraries, so that everyone with a library card can borrow it and bask in your talent and glory! Check out Tūhono 2020 on OverDrive here.

Let your poetic thoughts take wing!

Here is all the information you need to submit a poem for inclusion in Tūhono 2021:

When?

  • Submissions will be open from 1 October – 14 November 2021.
  • The journal will be published and available to borrow from the library in December 2021.

Where?

  • Submissions for Tūhono 2021 have now closed. Thank you to everyone who submitted. The journal will be published in late December 2021.

Who?

  • Everyone between the ages of 5 and 18 who lives in the Wellington region may participate.

What?

  • Theme: We want you to write a poem on the theme of “Whakaata | Reflection.” Exactly what this means to you is up to you — you could write a poem reflecting on something that has happened to you, you could write about a literal reflection in a mirror, window, or lake. The world is your oyster. We recommend you check out the definitions of the words ‘whakaata‘ and ‘reflection‘ in a dictionary to find out all the hidden meanings before you start writing. They don’t mean exactly the same thing — and that is intentional, to give you a wider range of stuff to write about.
  • LengthYour poem should not be longer than one A4 page typed, with size 12 font and 1.5 line spacing. Only one poem per person will be accepted.
  • Language: Your poem may be written in English or te reo Māori.

Why?

  • We want to give all young people in Wellington the opportunity to have their work published on an accessible platform. We think everyone deserves a platform and the chance to see something they created be part of the library’s collection, alongside all the great authors and poets represented on our shelves. The last edition of Tūhono proved itself to be a uniquely Wellington collection of writing, capturing the thoughts and emotions of kids and teens from all over the city and region across time. We are so excited to see what you come up with this time!

Throughout the month of October, we will be posting regular updates providing inspiration for your writing — so keep your eyes peeled! If you would like more information about Tūhono, you are more than welcome to contact the editors here. Happy writing, everyone!

Tūhono 2: Electric Boogaloo

A cool breeze blows across our fair city, bringing with it the scent of rain. Branches stir, a cat’s tail twitches — something is in the air. Well folks, it’s Phantom National Poetry Day, and that mysterious something you feel in the air is the library preparing its most joyous poetical news item of the season — sharpen your pencils and dust off those metaphors, for Tūhono is returning in October and November 2021!

Tūhono is Wellington City Libraries’ very own poetry journal for young poets aged 5-18. Unlike some other poetry journals, having your work accepted in Tūhono is not a competition — as long as you follow the rules of submission, every piece of work that gets submitted will be published. Tūhono first came into being last year, and was a roaring success, with nearly 200 of you submitting poetry on the theme of ‘connection’ during the month of November and being published in the inaugural tome (find it on OverDrive here!).

Keep an eye out here and on our social media channels for the official announcement next week of the new theme, submission deadline, and other features that will make Tūhono 2021 unique and unmissable. In the meantime, why not get the creative juices flowing by checking out some of the awesome poetry collections on OverDrive:

Overdrive cover Tūhono 2020, Wellington City Libraries (ebook)

Tūhono : connection. This is the theme that binds together all 197 poems you are about to read, which were contributed by young Wellington writers aged 5-18 and collected by Wellington City Libraries throughout the month of November 2020. The year 2020 was challenging for many people. Some had to spend time apart from their friends and the people they love. Some had to find ways to live with uncertainty and the sense that everything might not be okay in the world. But taken together, these poems represent a constellation of thoughts, ideas, worries, anxieties, hopes, loves, and dreams about how we find ways to connect, even in the face of adversity. (Overdrive description)

Overdrive cover The Realm of Possibility, David Levithan (ebook)

Enter The Realm of Possibility and meet a boy whose girlfriend is in love with Holden Caulfield; a girl who loves the boy who wears all black; a boy with the perfect body; and a girl who writes love songs for a girl she can’t have.
These are just a few of the captivating characters readers will get to know in this intensely heartfelt new novel about those ever-changing moments of love and heartbreak that go hand-in-hand with high school. David Levithan plumbs the depths of teenage emotion to create an amazing array of voices that readers won’t forget. So, enter their lives and prepare to welcome the realm of possibility open to us all. Love, joy, and these stories will linger. (OverDrive description)

Overdrive cover Poems to Save the World With, Chris Riddell (ebook)

In Poems to Save the World With, Chris Riddell has selected and illustrated his very favourite classic and modern poems to galvanize, uplift and inspire you through these interesting times we live in.
This gorgeously illustrated collection, Chris’s follow-up to Poems to Live Your Life By and bestselling anthology Poems to Fall in Love With, will ignite your inner activist. Covering a wealth of subjects these insightful poems are brought to life with Chris’s exquisite, intricate artwork. (Overdrive description)

Overdrive cover Please Excuse This Poem, Brett F Lauer (ebook)

One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. (Overdrive description)

Overdrive cover SLAM! You’re Gonna Wanna Hear This, Nikita Gill (ebook)

It’s time to reclaim poetry. Collected by international poetry sensation Nikita Gill, SLAM! You’re Gonna Wanna Hear This is a joyful celebration of the ground-breaking poets making their voices heard in the spoken word scene. Empowering, inspiring and often hilarious, SLAMs are a platform for well-known and emerging talent from all walks of life where every style of poetry has a home. With poets such as Raymond Antrobus and Dean Atta guest starring alongside up-and-coming poets in the SLAM scene, this is the perfect introduction to world of modern poetry. Each poet will introduce their poem, tell you a little bit about themselves and give you a tip for preparing brilliant poetry for SLAMs. (Overdrive description)

Tūhono: It Lives!

Poets, readers, fellow champions of the written and spoken word — hark, and listen well. The day has finally come — Tūhono, our poetry journal for young Wellingtonians, has officially been released into the world as of the 11th of January 2021. And what a world it has arrived into — civil and political unrest overseas, the spectre of a global pandemic still haunting our every step; and yet, sunshine over the hitherto stormy seas of our fair town. Tūhono, I think, captures all of that and more. Read it now on OverDrive and Libby.

We are having physical copies printed as well, so soon you’ll be able to find Tūhono 2020 on the shelf at your local public or school library. We will also be giving two copies to the National Library of New Zealand, where they will be preserved for the rest of time (the legal term is ‘in perpetuity‘) as part of the cultural heritage of this country. It’s big deal, yo.

A two-page spread from Tūhono, featuring work by Jasmine (16) and Lily (11).

As we say in the business, this is The Good Stuff.

There are some very important and cool people whom I would like to thank for their input — Stephanie Poulopoulos (my partner-in-crime, and the amazing librarian who buys all of the kids’ and teens’ books for our collection), Ligia Horta (who designed the book — what an amazing talent she is!), Monty Masseurs (who helped get everything set up online), Bridget Jennings (who wrote the catalogue record for the book, making sure you can actually find it online), and Celeste Mackintosh (who helped organise the online submissions throughout the month of November 2020). They are all very awesome librarians and we should all pay homage to their greatness and humility.

Friends, in this life, no one is 'just' a librarian.

Go forth and read! You’ll laugh, you’ll cry, and maybe — just maybe — you’ll feel connected with everyone else who put something of themselves into this incredible book.

Tūhono: Submissions are Closed!

Well, folks, this is it — submissions for Tūhono, our inaugural poetry journal for children and teens, are officially over. We received nearly 200 valid entries, all of which are going to be included in the final publication.

At the moment, the editorial team is hard at work adding all of the poems into our design templates, and we’re super excited with how it’s looking! We thought we might share with you some of our favourite moments reading through the poems. One of the first entries that really stood out to us was this poem by Thyme, age 16. It’s called ‘Included Components: notes to my past self in the form of a contents list.’

CONTENTS:

ASSORTED COMPONENTS: BLOOD, CONNECTORS, BONES, ETC       Factory Settings: Standard. Possibility of inherited deficiency.
(blood tests aren’t as bad as you’d expect them to be, and you won’t regret getting them)

BRAIN, 1 COMPONENT           Factory Settings: Open to programming. Runs best when fully charged.
(you’ll want to be proud of this, and that’s fine, but remember it’s okay not to be the best. it’s okay to get lower marks. let yourself fail sometimes)

CHEST, RIBS, TORSO   Factory Settings: Standard Breathing. Growth in chest area expected and normal.
(you won’t like how it changes. look after your ribs when you work this out)

ARMS, 1 PAIR       Factory Settings: Standard Flexibility. Bones will remain malleable for approximately 12 years.
(you’ll break them three times, but don’t worry, it doesn’t hurt as much as you think. don’t worry about your first cast’s awful color – you’ll have plenty more opportunities)

LEGS, 1 PAIR         Factory Settings: Average Length, Standard Flexibility.
(you might not like these either, but understand there’s nothing wrong with them. standard sizing is frustrating but you will find yourself a pair of pants that fit properly)

EYES, 1 PAIR        Factory Settings: Slight Nearsightedness, Standard Cone Cells. Optic nerves also included.
(you’ll get them tested, and think that they’re okay, but don’t be afraid to test them again later. school is easier when you can read the board)

HANDS, 1 PAIR            Factory Settings: Standard Flexibility, Multiple Fingers, Opposable Thumbs. Useful for grasping.
(they won’t always feel like they belong to you – they do. they’ll learn to create nice things, and sometimes not so nice things as well, but I promise you the scratches will fade eventually

I can reveal that we’ve chosen this poem to open the collection — but it’s just one of literally hundreds of exceptional pieces of work from Wellingtonians aged 5-18 that are making their way onto the page, all of which explore in different ways what it means to be connected, whether that’s to yourself, to others, or to something that you can’t quite see or feel, but know is there. More updates are in the pipeline as we approach publication, so keep your eyes peeled!

Tūhono: Ideas to Kick-Start Your Poetical Musings

We’re now half-way through the month of November, which means we’re also half-way through the submission period for Tūhono, our new poetry journal for kids and teens! We’ve received so many radical entries already, but we’d love to have more. If you’re experiencing some writer’s block, or just aren’t sure where to start with your next poetical masterpiece, we thought we’d give you some starters here.

Your challenge is to take one of the following single lines of poetry and include it in your work, either at the beginning or the end. All of these lines come from real poems, but it’s totally fine to use them as inspiration or as a poetic springboard. If any of them speak to you, we really encourage you to read the full poem — most of them can be found in our collection:

  • Till human voices wake us, and we drown. (T.S. Eliot, ‘The Love Song of J. Alfred Prufrock)
  • He came home. Said nothing. (Wisława Szymborska, ‘Going Home’)
  • Petals on a wet, black bough (Ezra Pound, ‘In a Station of the Metro’)
  • I gazed–and gazed–but little thought (William Wordworth, ‘I Wandered Lonely as a Cloud’)
  • Here is no water but only rock (T.S. Eliot, ‘The Waste Land’)
  • Things fall apart, the centre cannot hold (W.B. Yeats, ‘The Second Coming’)
  • here is the root of the root and the bud of the bud (e.e. cummings, ‘[i carry your heart with me(i carry it in]’)
  • This city, in plague time / knew our brief eternity (William Gibson, ‘Beloved: Voices for Three Heads’)
  • I eat men like air (Sylvia Plath, ‘Lady Lazarus’)
  • I am not the heterosexual neat freak my mother raised me to be. (Chen Chen, ‘Self-Portrait as So Much Potential’)
  • This city will always pursue you. (C.P. Cavafy, ‘The City’)
  • laughter for no cause, simply because the world is beautiful (Louise Glück, ‘Vita Nova’)
  • Maybe it’s time to stop swimming. (Porcupine Tree, ‘Stop Swimming’)
  • until the smallening world became absurd (e.e. cummings, ‘a clown’s smirk in the skull of a baboon’)
  • As light welled / that could devour water (Louise Glück, ‘The Egg’)

If you choose to put the line at the beginning, see how you can take the image and with each successive line, either expand on it, or confound it in some way. If you choose to put your quotation at the end, try to imagine what combination of images might lead up to that climactic point.

We can’t wait to see what you come up with. Don’t forget to submit your poems for Tūhono before the 30th of November to have them included in the inaugural publication!

Books to Help You Set Your Inner Poet Free!

If you’re as excited about Tūhono, our new poetry journal for young Wellington writers, as we are, you’ll have been working away furiously on your submission piece for weeks already. But we all need a bit of inspiration from time to time, so I asked the arcane sorcerers (and sorceresses) who stare into the metaphorical crystal ball of publisher summary releases and buy our books to choose some of their favourite poetry books from the YA collection for you to sink your claws into and extract whatever poetical life-force you need.

 Amen.

 

Some of these books come from the deepest, darkest depths of our collection warehouse — feel free to place a reserve, and our shelf-hopping minions will locate the book you crave and send it forth to whichever library location you choose. Some call it magic; we call it the Dewey Decimal System.


Poems to live your life by
In this gorgeous anthology, award-winning illustrator (and friend to libraries — yeah, we love this guy!) Chris Riddell has selected 46 poems to live your life by. Poems by both classic and modern poets sit alongside each other, including works from Shakespeare, Carol Anne Duffy, Neil Gaiman, Nick Cave, and W.B. Yeats. The poems are dividing into sections covering musings, youth, family, love, imagining, nature, war, and endings. A great place to start your poetic journey.


Poems to fall in love with / Riddell, Chris
Look, we admit it. We’re suckers for a good old love poem, okay? And we’re suckers for anything by Chris Riddell. This is, you guessed it, a whole anthology dedicated to LURRRVVVEEEE. Selected and edited by our boy Chris, this is another beautiful book that you won’t want to return to the library any time soon! Featuring classic love poems alongside more modern offerings, this book is an inspiring and heart-warming celebration of love in all its forms. <3


Overdrive cover SLAM! You’re Gonna Wanna Hear This, Nikita Gill (ebook)
If you’re not familiar with slam poetry, um, get enlightened, folks. It’s a form of performance poetry that combines elements of performance, writing, competition, and audience participation. In this eBook collection, Nikita Gill brings together a group of well-known and emerging poets from the spoken word scene who share their poetry and tips for creating awesome, inspiring, high energy slam poetry!


She is fierce : brave, bold and beautiful poems by women
This is a powerful collection of 150 poems written by women, that was published to celebrate the centenary of women’s suffrage. A range of different voices are represented — suffragettes, schoolgirls, slam poets, mothers, kitchen maids, and activists. We couldn’t recommend it more highly!


For everyone / Reynolds, Jason
This inspirational long-form poem was written and performed by Jason Reynolds as a tribute to Martin Luther King Jr. and Walter Dean Myers. Like the title says, though, it is for everyone — everyone who is a dreamer, who dreams of being more than they are, and wants to make their dreams come true. Sometimes your dreams take time to take shape. You just have to remember that sometimes, all it can take is a poem, a nod, a nothing to lose.


I thought I’d finish by sharing with you one of my favourite poems of all time, by the late, great Tom Leonard. Read it out loud — as all poetry should be read. Read it to someone you love. It just might change your life!

A Summer’s Day

yir eyes ur
eh
a mean yir

pirrit this wey
ah thingk yir
byewtifl like ehm

fact
fact a thingk yir
ach a luvyi thahts

thahts
jist thi wey it is like
thahts ehm
aw ther iz ti say

(© Tom Leonard, 1996)

Tūhono — We Want Your Poems!

We are excited to announce that Wellington City Libraries is launching its very own poetry journal for kids and teens — Tūhono! All throughout the month of November, we will be accepting submissions of poetry from young writers aged 5 – 18 in Wellington City. Unlike some other poetry journals, having your work accepted in Tūhono is not a competition — as long as you follow the rules of submission, every piece of work that gets submitted will be published. Tūhono itself — the collection of poetry from young people all over Wellington — will be published as an eBook on OverDrive, so that everyone with a library card can borrow it and bask in your talent and glory!

Let your poetic thoughts take wing!

Here is all the information you need to submit a poem for inclusion in Tūhono 2020:

When?

  • Submissions will be open from 1 – 30 November 2020.
  • The journal will be published and available to borrow from the library in December 2020.

Where?

  • Submissions for Tūhono have now closed.

Who?

  • Everyone between the ages of 5 and 18 who lives in the Wellington region may participate.

What?

  • Theme: We want you to write a poem on the theme of “Tūhono — Connection.” Exactly what this means to you is up to you — you could write about your family; friends; your connection with history or your place in the world; disconnection during lockdown — anything at all. We can’t wait to see what you create!
  • LengthYour poem should not be longer than one A4 page typed, with size 12 font and 1.5 line spacing. Only one poem per person will be accepted.
  • Language: Your poem may be written in English or te reo Māori.

Why?

  • We want to give all young people in Wellington the opportunity to have their work published in an accessible platform. We think everyone deserves a platform and the chance to see something they created be part of the library’s collection, alongside all the great authors and poets represented on our shelves. We hope that Tūhono grows into a uniquely Wellington collection of writing, capturing the thoughts and emotions of kids and teens from all over the city and region across time. We are so excited to see what you come up with!

Throughout the month of November, we will be posting regular updates providing inspiration for your writing — so keep your eyes peeled! If you would like more information about Tūhono, you are more than welcome to contact the editors here. Happy writing, everyone!

New Non-fiction for People Who Care About the World

Dear readers, we understand that you are people who care about things. We are also  people who care about things — things like racism, climate change, the environment, mental health, LGBTQ+ rights, art and poetry. The absolute wizards who buy books for our collections — those to whom we humble blog administrators must show all due deference — have certainly not stopped buying the good stuff during this whole pandemic situation. Here’s a selection of recently-added non-fiction for you to really sink your teeth into.

Stamped : racism, antiracism, and you. / Reynolds, Jason
“A book about race. The construct of race has always been used to gain and keep power, to create dynamics that separate and silence. This remarkable reimagining of Dr. Ibram X. Kendi’s National Book Award-winning Stamped from the Beginning reveals the history of racist ideas in America, and inspires hope for an antiracist future. It takes you on a race journey from then to now, shows you why we feel how we feel, and why the poison of racism lingers. It also proves that while racist ideas have always been easy to fabricate and distribute, they can also be discredited.” (Catalogue)

Stuff that’s loud : a teen’s guide to unspiralling when OCD gets noisy. / Sedley, Ben
“Do you have thoughts that seem loud? Do your worries spiral out of control and then suck you in? Do intrusive thoughts show up and make you scared of doing certain things – or not doing things – a certain way? Do you ever get a feeling like something bad might happen? Does this loud stuff make you feel alone, or worse, crazy?

First, you aren’t alone – even if it sometimes feels that way. And second, you are not crazy. But you might be struggling with obsessive compulsive disorder (OCD). And while OCD can be difficult, you don’t have to let it have power over you. Instead, you can live a life full of meaning, great relationships and joy with the help of this book. Life doesn’t have to stay stuck any longer.” (Catalogue)

Pandemic : how climate, the environment, and superbugs increase the risk / Goldsmith, Connie
“How close are we to having another worldwide health crisis? Pandemic epidemiologists have identified one they believe is likely to happen in the next couple decades: the flu. Learn about factors that contribute to the spread of disease by examining past pandemics and epidemics, including the Bubonic Plague, smallpox Ebola, HIV/AIDS, and Zika. Examine case studies of potential pandemic diseases, like SARS and cholera, and find out how pathogens and antibiotics work. See how human activities such as global air travel and the disruption of animal habitats contribute to the risk of a new pandemic. And discover how scientists are striving to contain and control the spread of disease, both locally and globally.” (Catalogue)

Have pride : an inspirational history of the LGBTQ+ movement / Caldwell, S. A.
“Have Pride gives an honest, chronological account of how life has changed for LGBTQ+ people and sheds light on the people that brought about this change. The heartfelt stories of LGBTQ+ revolutionaries are better understood as you realise what a revolutionary act it was to live openly as an LGBTQ+ person. In this book there is no hiding from the dark chapters of history and the persecution people faced for being true to who they were. But like Fred Rogers’ mother suggested, “Look for the helpers. You will always find people helping”, Have Pride highlights the LGBTQ+ heroes who ‘helped’ others, pushed for change and inspire pride in ourselves and our history.” (Extract from publisher review)

Hypnopompia: the thoughts of dawning minds : Re-draft’s 19th collection of writing by New Zealand’s young adults
The 19th in the brilliant Re-Draft series, Hypnopompia brings together New Zealand’s very best young writers in yet another dazzling collection. Wake up to the new world as seen by the most talented of our post-millennial writers. The 80 young writers featured in the collection have grown up with the century and Hypnopompia is their very woke report card on its perplexities, perils, passions and never ending variety. At times funny, at times dark, always engaging, their stories and poems are never less than perceptive and open-eyed. (Publisher summary)

Imaginary borders / Martinez, Xiuhtezcatl
“Pocket Change Collective is a series of small books with big ideas from today’s leading activists and artists. In this installment, Earth Guardians Youth Director and hip-hop artist Xiuhtezcatl Martinez shows us how his music feeds his environmental activism and vice versa. Martinez visualizes a future that allows us to direct our anger, fear, and passion toward creating change. Because, at the end of the day, we all have a part to play.” (Catalogue)

Trans+ : love, sex, romance, and being you / Gonzales, Kathryn
Trans+ is a growing-up guide for teens who are transgender, nonbinary, gender-nonconforming, or gender-fluid. This book explores gender identity, gender expression, gender roles, and how these all combine and play out as gender in the world. Includes chapters on medical, health, and legal issues as well as relationships, family, and sex.” (Catalogue)

From the Vaults III: World Languages

So far in our From the Vaults series, highlighting the niftiest of nifty collections held primarily in the Central collection in Johnsonville, we’ve heard about LGBTQ+ manga and had a delicious expose on some of our favourite Māori authors. Did you know that the library also holds a huge collection of books in different world languages?

That’s right: we have everything from the usual suspects (français, español, Deutsch, 汉语) to the slightly more niche (Tiếng Việt, русский, Türkçe, Tagalog) to the even nichier still (αρχαία ελληνικά, Cymraeg, српски, עִבְרִית‎). All up, there are about 40 languages (other than English and te reo Māori) with significant chunks of shelf-space represented in our collection: a polyglot’s dream. Check out our World Languages master list to find out what we have and where.

Whether you speak a different language at home, are learning one for school, or are just a general language and linguistics nerd (we know you’re out there!), let us know what you want and the finest librarians in the land will scurry to the shelves, squint at the spines of the book, figure out whether what they’re looking at is Sinhalese, Tamil or Gujarati, and send the book of your desires to whichever of our 14 locations is most convenient to you. Sound sweet? Oh yeah, it is.

While you’re at it, why not check out our selection of language-learning databases? Duolingo is great, but your library card gives you access to a huge range of options — dive in now! You can also check out publications, newspapers and magazines in over 60 languages over on PressReader, and there are also heaps of resources available on OverDrive, both for foreign language study and, if you’re learning Chinese, a large amount of Chinese fiction and nonfiction for your delectation.

Now, this wouldn’t be a From the Vaults post without some recommendations. You’ll have to forgive me for selecting only from the languages I speak (Greek and Latin, really — I think you see where this is going) — let us know what languages you speak below, and we’ll see what we can find for you!

Collected poems / Cavafy, Constantine
As far as Greek poets from the modern era go, you can’t go past the extraordinary Egyptian-Greek poet C. P. Cavafy (Κ. Π. Καβάφης). This book is a collection of his complete works in Greek and English on facing pages, spanning several decades from the 1880s to the early 1930s. His work is almost indescribably sublime — by turns nihilistic and sparking with a manic energy; dreamily, hazily introspective and bursting from the page to club you around the head with its intensity. His explorations of queer love and romance are also to die for, and very much ahead of his time. Even if you don’t speak Greek, y’all should read this, like, yesterday. Here’s a sample to whet your poetic appetite; a ghostly evocation of a city and a mind in sympathetic ruin:

You won’t find a new country, won’t find another shore.
This city will always pursue you.
You’ll walk the same streets, grow old
in the same neighborhoods, turn gray in these same houses.
You’ll always end up in this city. Don’t hope for things elsewhere:
there’s no ship for you, there’s no road.
Now that you’ve wasted your life here, in this small corner,

you’ve destroyed it everywhere in the world.

Καινούργιους τόπους δέν θά βρείς, δέν θάβρεις άλλες θάλασσες.
‘Η πόλις θά σέ ακολουθεί. Στούς δρόμους θά γυρνάς
τούς ίδιους. Καί στές γειτονιές τές ίδιες θά γερνάς
καί μές στά ίδια σπίτια αυτά θ’ ασπρίζεις.
Πάντα στήν πόλι αυτή θά φθάνεις. Γιά τά αλλού – μή ελπίζεις –
δέν έχει πλοίο γιά σέ, δέν έχει οδό.
Έτσι πού τή ζωή σου ρήμαξες εδώ

στήν κώχη τούτη τήν μικρή, σ’ όλην τήν γή τήν χάλασες.

— From C. P. Cavafy, “The City.” (1894)

Three classical poets : Sappho, Catullus and Juvenal. / Jenkyns, Richard
Okay, you knew from the general nerdy tone of this post that we’d end up in classical territory eventually. And this book bears the distinction of preventing three of the coolest classical poets in their original languages with some pretty dazzling English translations alongside. Sappho, of course, wrote in Greek and was one of the earliest known female poets whose work has survived to the present day. And oh boy, has it survived — her work is vital, breathless, exciting and alluring. Catullus and Juvenal both wrote in Latin — the former is probably the sassiest poet ever to have lived (and also one of the most soul-bendingly gorgeous lyrical poets as well), while the latter delighted in satire — his subject was The Human Experience. There’s plenty to enjoy with these three poets — scoop them up now for your reading pleasure!

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