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5 minutes with Sally Bollinger – Comicfest feature

This year’s ComicFest event was a huge success, with over 1300 attendees on the day! Thanks to all that came along, and if you couldn’t make it, podcasts of the panel discussions will be available online soon. Until then, you can enjoy the last of our 5 minutes with interviews with our guests!

Next up we have Sally Bollinger, creator of both webcomics and video webseries. At Comicfest, Sally was on the A Wellington View – Local Cartoonists panel, along with Jem Yoshioka, Giselle Clarkson and Robyn Kenealy. Find out more from Sally below:

Image by Sally Bollinger

Image by Sally Bollinger

Q: What first got you interested in comics?
A: We had a lot of Tintin books in my house as a child. And when my dad would read to us (chapter books mostly) I’d draw the scenes and characters. Then I brought a graphic novel of the Hobbit and realised I could be doing this myself. So I did.

Q: What is your average day like?
A: Sadly an average day isn’t necessarily comics related, but it is always about stories! The week is usually about webseries, and the weekend is hopefully about comics. So I’ll chat to my flatmates, answer emails, edit a script or a video, drink tea, stare at the script with a feeling of doom, tidy (because I need to “think”), actually finish the script (because it turns out I haven’t forgotten what words are). Storyboard a loose comic, then get to drawing! (Yay!) I’ll do a couple of warm-up drawings, sketch out several pages, ink, scan, maybe colour or just tidy up the image. Maybe I’ll have a meeting in the evening. Then I might play Mah Jong with my flatmates or we’ll dance to musical numbers while we make dinner.

Q: Can you tell us about a current or recent project you’ve worked on?
A: Recently I’ve been creating a zine called the “Comic of Whimsy” about the silly things my flatmates get up to. But on a bigger scale I’m embarking on a webcomic with the Candle Wasters that is a part-webseries, part-webcomic adaptation of Shakespeare’s Hamlet. Our Hamlet is a 14-year-old girl who draws angst comics in her Wellington bedroom and who’s best friend is a cactus. It’s got a lot of magic realism elements that we couldn’t pull off on screen but can do in comic form! (also I get to learn how to draw a giant, maniacal, human-faced horse.)

Image by Sally Bollinger

Image by Sally Bollinger

Q: Do you have any traditions or rituals that help you when you get to work?
A: Going for a walk before I start working, so my brain feels alive. Putting on a wash first thing. Lots of tea. Listening to music while I ink. But when I really get into the work it’ll be midnight before I think to check the time.

Q: Who/what is your biggest influence or inspiration?
A: Chris Riddell, Shakespeare, fairy tales and the opinion of my younger sister. As well as Dylan Horrocks and Tim Bollinger.

Q: What or who are your favourite NZ comics or creators?
A: I always go back to Toby Morris’ Alledaags: a year in Amsterdam and Katie O’Neill is excellent in every way.

Q: What is your dream comic project?
A: Whenever I read a really good fantasy novel I always imagine I’d make an excellent comic. So, if ever JK Rowling or Patrick Rothfuss suddenly, oddly wanted a New Zealand comic version of their works I’d be keen. Basically I’d love to explore a fantasy world, or just do a good adaptation of Hamlet.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I’m keen to have a big ol’ chat about what everyone’s favourite comics are. But also excited to talk visual storytelling across media, and I always have a few Shakespeare facts up my sleeve.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Comic book character would be Black Jack by Tezuka. Or Kvothe from The Name of the Wind.

You can find Sally’s work online in a number of places!
Online comics: quietly-exploding.tumblr.com
Online webseries: The Candle Wasters on Youtube
Hamlet webseries/webcomic pilot: on YouTube!

5 minutes with Giselle Clarkson – Comicfest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Giselle Clarkson is a Wellington-based freelance illustrator who is also interested in tramping, growing veggies and making music. She currently has a monthly comic being published by NZ website The Sapling, often featuring the influence of books on her as an illustrator. At ComicFest Giselle will be on our A Wellington View – Local Cartoonists panel along with Jem Yoshioka and Sally Bollinger, moderated by Robyn Kenealy. Come along to get an idea what it’s like to be making comics in NZ’s capital city!

Q: What first got you interested in comics?
A: There were lots of comics/cartoons on the bookshelves when I was a kid – Tintin, Asterix, The Far Side, Raymond Briggs, Spike Milligan, Rupert Bear – all things that had belonged to my parents or older brother. I loved reading them but it never occurred to me that they were a thing I could ask for more of.
It wasn’t until I was 16 or 17 and discovered webcomics that I realised what the possibilities were! But after that it was years before I started really making and sharing comics myself.

Comic by Giselle Clarkson

Comic by Giselle Clarkson

Q: What is your average day like?
A: I work freelance from home – I wake up early, make coffee, drink it at my desk, fluff around online for at least an hour and then start work. I like to take my breaks in the garden – poking around for interesting insects or something edible.
I love working in my pyjamas and having a flexible schedule, but I’m often working late at night and weekends don’t really exist. Going into town for a meeting is pretty exciting for me!

Q: Can you tell us about a current or recent project you’ve worked on?
A: I visited the New Zealand subantarctic islands last year and I’ve been making science communication comics about all the amazing stuff down there and the environmental threats the region is facing. Travelling on a ship for 19 days with a fairly small group of people was a pretty incredible – in a positive way! – experience in itself so I plan on telling a story about that too.
I’m also doing a regular comic about picture books for kids’ literature website The Sapling. Coming up with a good comic idea every month is not easy – I am in total awe of people who do it every day, or every week!

An image from Giselle's work on The Sapling

An image from Giselle’s work on The Sapling

Q: Do you have any traditions or rituals that help you when you get to work?
A: When I’m writing or plotting I need silence, or I have a fan going to make white noise. When I’m tidying up my line art or colouring it in I go into a sort of auto-pilot mode and if I don’t have something interesting to listen to and keep my mind focused I go absolutely spare with distraction. So I use podcasts to fix that problem.

Q: Who/what is your biggest influence or inspiration?
A: The NZ outdoors and the need to protect what we’ve got here. I’m really in love with all our wild places.
And people I meet, there are so many genuinely brilliant characters out there.

Comic by Giselle Clarkson

Comic by Giselle Clarkson

Q: What is your dream comic project?
A: Tagging along on scientific expeditions to remote places, drawing and writing about the environment, the science, the people and my experiences.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Hilda from Luke Pearson’s comic series! She always looks comfortable.

You can see more of Giselle’s work online at www.giselledraws.com and on Twitter at @giselledraws

5 minutes with Sam Orchard – Comicfest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Sam Orchard is the author of the popular webcomic Rooster Tails. At ComicFest, Sam will be on our panel Should we all be writing political comics? along with Toby Morris and Sarah Laing, and moderated by the National Library’s Hannah Benbow. Check out Sam’s A’s to our Q’s below:

Q: What first got you interested in comics?
A: I’ve always loved drawing – as a kid it was always a really nice way to get lost in my thoughts and feelings and imagination… it still is, actually.
I’ve always loved words and pictures together – kids books by Babette Cole, and all of the Where’s Wally books would keep me entertained for hours. But it wasn’t until I was coming out in my late teens , when I went in search of representations of queer characters, that the power of comics (and in particular webcomics) became apparent. I was trying to find people like me, people I could relate to, and people who made me feel less alone. Up until that point I had been a total TV and Film nerd, but all the representations of of LGBT folk, at that time, were all pretty negative. But on the internet I found amazing queer webcomics by people like Paige Braddock, Kris Dresen and Erika Moen, and it opened up a whole new world for me.

Comic by Sam Orchard

Comic by Sam Orchard

Q: What is your average day like?
A: Well, I work part-time as a comic artist, and part-time as a personal assistant for a guy who runs an organisation in the accessibility/disability sector. So in any given week I’ll be balancing working for my boss, and finding time to draw. Both roles work really well for me, I often get to be part of really interesting conversations in my PA role, and that helps me to think about topics I want to draw comics about. There’s a nice balance of a quite social PA role, and my solitary drawing role.

Q: Can you tell us about a current or recent project you’ve worked on?
A: At the moment my big project is finishing up a children’s book I’ve co-authored, which is being published by Flamingo Rampant (http://www.flamingorampant.com) . Flamingo Rampant is an independent book publisher who published feminist, racially diverse, LGBTQ-positive books , and I’m so excited to be working with them! Our book is a counting book about a little kid’s birthday party – it also celebrates different family structures, queerness, transness, polyamory, disability, and I’m just super proud of it.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I need a lot of noise when I work. So when I sit down for the day to draw I pop my headphones on and listen to podcasts or tv. Shortland Street is my fave to draw to – I found a youtube channel that had put up episodes from around 2003 so I’ve been making my way through the last 15 years of it. It’s perfect because the plot is fairly slow (which means it’s ok when I don’t pay attention, because they’ll repeat it), it’s pretty light (so I don’t get pulled in to the emotions) and it’s just a great show so it keeps me entertained.

Comic by Sam Orchard

Comic by Sam Orchard

Q: Who/what is your biggest influence or inspiration?
A: Ohhhh, I don’t think I have just one – I’m really influenced by Alison Bechdel, she’s been exploring queerness and queer communities for decades, and her stuff is amazing, complex, and dykes to watch out for is eerily relevant to today. Other big comic inspirations for me are Erika Moen, Lynda Barry, Lucy Knisley, and I’m really loving Blue Deliquanti’s stuff at the moment too. But I get inspired by a whole host of other people too – people like Janet Mock and Laverne Cox, but also the queer and trans activist scene in New Zealand too – people in No Pride in Prison’s, the Gender Minorities organisation, the list goes on.

Q: What or who are your favourite NZ comics or creators?
A: I’ve been a big fan of Robyn Keneally and CocoSolid for years, when I stalked them both on myspace.

Q: What is your dream comic project?
A: A few years ago I published the first three issues of my comic series ‘Family Portraits’ which is a series of short stories about queer and trans people in New Zealand. I’ve got the stories for the next book but I just haven’t had time to sit down and draw them. So that’s my dream right now – to get time and space to crack that next issue.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Steven Universe – he is my fave.

You can read Rooster Tails online here: http://www.roostertailscomic.com/
Find Sam on Twitter at @Sam_Orchard

5 minutes with Dylan Horrocks – Comicfest feature

ComicFest is back for 2017! This Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Syndetics book coverNext in our Q&A line-up is Dylan Horrocks, author of several graphic novels, his latest titled Sam Zabel and the Magic Pen. At Comicfest, Dylan will be in conversation with Sarah Laing in the Creating Graphic Novels panel from 12-1pm. Dylan is also hosting a critique session for comic creators which we’re sure will be absolutely invaluable. Spots for this workshop have already been filled, but you can email us at enquiries@wcl.govt.nz if you would like to be added to the workshop waitlist.

Q: What first got you interested in comics?
A: Apparently my first words were “Donald Duck,” so whatever it was, it happened so early I can’t remember! There were always good comics around the house, because my father has been into comics since he was a kid. So I grew up on a steady diet of Tintin, Asterix, Robert Crumb, Carl Barks, and many more. My parents were always happy to feed me more comics…

Q: What is your average day like?
A: It depends on the day, and what’s on my plate at the time. If I’m writing, I divide my time between the computer and a notebook; when I get stuck, I change media (and sometimes location), because sometimes that helps shift my state of mind and get going again. If I’m drawing, I’m usually sitting at my drawing board in the studio, lost in the process. I love the way drawing is a physical craft: you’re making something with your hands, out of paper, pencil and ink. There’s nothing like sitting back at the end of the day and looking at a page you made yourself.

From "Sam Zabel and the Magic Pen"

From “Sam Zabel and the Magic Pen”


Q: Can you tell us about a current or recent project you’ve worked on?
A: The most recent thing I’ve published is a short mini-comic called ‘Faultlines,’ which I drew in a single day in my sketchbook, a week after the November earthquake (and floods, tornadoes, Trump winning the US election, etc!). It’s about living with uncertainty in a fragile, damaged world, and it felt good to get it onto paper.

From "Faultlines"

From “Faultlines”


Q: Do you have any traditions or rituals that help you when you get to work?
A: No, and I’m open to suggestions. Sometimes it’s difficult to get started…. I have two quotes on the wall over my desk that help. One is a sticker I was given at Chromacon in Auckland last month: “We’re not here to be perfect.” The other is from a wonderful American cartoonist called Leela Corman: “We can be feral. We are the wilderness. We don’t need to go inside.” Both are excellent advice for artists and writers of all kinds.

Q: Who/what is your biggest influence or inspiration?
A: There are so many, and they wax and wane in importance over time. But some who have stayed significant for decades are Hergé (Tintin), Robert Crumb, Tove Jansson (the Moomins), Charles Schulz (Peanuts), and my family.

Q: What or who are your favourite NZ comics or creators?
A: An all-time favourite – and a big influence – is Barry Linton. There’s a big book of his comics (from the early 1970s to the present) coming out soon from Pikitia Press, and I can’t recommend it enough. Also, Bob Kerr (Terry & the Gunrunners), who I’m lucky enough to share a studio with. Tim Bollinger, a great Wellington cartoonist. Sophie MacMillan, Timothy Kidd, Karl Wills, Adam Jamieson, and so many more. There are too many great New Zealand cartoonists to mention them all! Ant Sang, Sarah Laing, Toby Morris, Cornelius Stone, Roger Langridge – all these people have inspired and influenced me at various times.

To The I Land - An appreciation of Barry Linton

To The I Land – An appreciation of Barry Linton


Q: What is your dream comic project?
A: The ones I’m working on at the moment. That’s why I’m working on them!

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: What I’m most looking forward to is seeing other people’s work at the workshop.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Sam Zabel – because all I’d have to do is take off my glasses.

Check out Dylan’s website at http://hicksvillecomics.com/
Dylan is on Twitter too – find him @dylanhorrocks

5 minutes with Jem Yoshioka – Comicfest Feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Image by Jem YoshiokaJem Yoshioka is one of the featured cartoonists on our “A Wellington View: Local Cartoonists” panel, which will take place from 1:30-2:30pm during ComicFest. Jem is an illustrator and storyteller based in Wellington, and her comics often feature autobio stories.

Q: What first got you interested in comics?
A: As a kid I was really interested in animation and picture books. I learned storytelling from a mixture of these two things, which seemed to distill into something kindof comic-y.
I got interested in making comics when I was a teenager, on the early 2000s internet. It seemed like the most efficient way to begin to share the epic fantasy stories that were brewing in my head. The internet shaped my adolescence. It gave me access to other artists – both peers and mentors – who really helped to drive my illustration and comic work forward.

Q: What is your average day like?
A: I have a day job, so I get up and go to work. This is awesome because it pays my bills and means I can eat and sleep, which are important if you want to make comics. I then tend to do 20 minutes of gesture drawing more or less as soon as I get home. Sometimes that’s all the drawing I do in a day, but other times I try and expand it out to an illustration or comic project after dinner. I’ll usually have TV on in the background while I work, and I aim to be in bed between 10pm and 11pm. Depending on the day that can mean between 1-4 hours of drawing.
The routine is really important to me. I find I’m as productive if not more productive with full time work, because it forces me to maintain a healthy schedule. Sleep and time away from drawing mean I’m at less risk of injury, less likely to overwork or get into unhealthy sleeping and eating cycles. While my output is lower than someone working full time on drawing, I’m still really pleased with what I manage to get done with this routine. It works really well for me for now.

Image by Jem YoshiokaImage by Jem Yoshioka

Q: Do you have any traditions or rituals that help you when you get to work?
A: When I get a new sketchbook I always write the date on the first page. Then when the sketchbook is finished I write the finish date. I’ll always leave a few pages at the end of the book, too. It’s like a hello and goodbye to the book. I feel like dating the first page helps to clear off any ‘blank page’ magic that might prevent me from getting my ideas down. The final date is a goodbye and a thank you for all the work and traveling the sketchbook’s done with me over the months.

Q: Who/what is your biggest influence or inspiration?
A: I think as a creator it’s important to have many influences and inspirations. I have a lot of artists I admire and whose work has influenced mine. I also love photography, video games, traditional Japanese printmaking, fashion, animation, film, fine art, dance and novels. I collect what I can together and pull the bits out that I feel work for me and what stories I’m trying to tell. I’m a selfish sponge of visual and literary information.
If you’re looking for a specific name, the one that’s stuck with me ever since I was a teen is Shaun Tan. An Australian illustrator and picture book author, Shaun’s style of storytelling’s was definitely a huge influence on me as a kid, especially how he handled the relationship between words and pictures. His sense of timing, pace, composition, and colour have all had a huge effect on me.

Image by Jem YoshiokaQ: What or who are your favourite NZ comics or creators?
A: I really love Katie O’Neill’s work. Princess Princess Ever After is a cute and sweet story, and her new webcomic The Tea Dragon Society is building up in a really interesting way. Katie’s sense of colour especially draws me into the worlds she makes with her work.

Q: What is your dream comic project?
A: I’d really love to do a comic diary project over a year in Japan. I want to get familiar with a neighbourhood, learn its streets and trees and people. I want to live in a Japanese city and be small and lost, but find something there I wasn’t expecting. I’ve had holidays in Japan, but it’s the wrong pace and speed for the kind of project I want to make. I need something longer, something with more repetition and a chance to get comfortable and familiar. And I want to write it all down in a way I can share.
But that might be more about spending a year living in Japan than the diary project part.

You can find all of Jem’s online comics at http://jemshed.com/comics/ and on social media.
Twitter: @jemyoshioka
Facebook: /jem.yoshioka.art
Instagram: @jemyoshioka

5 minutes with Ben Milsom – ComicFest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

We’ve caught up with Ben Milsom from Pukeko Pictures, Production Designer and an Episodic Director on Thunderbirds Are Go! At ComicFest, Ben will be presenting the process of re-imagining the 1960’s classic for a new generation. Catch him from 11am-12pm at ComicFest – all attendees to Ben’s talk will go in the draw to win a family pass to the Miniatures Stage Tour: Thunderbirds Are Go from Weta Studio Tours!

You can also pop in to the Central Library to see our amazing Thunderbirds Are Go display, courtesy of Ben and the Pukeko Pictures team!

Thunderbirds Are Go display

Thunderbirds Are Go display at the Central library

Q: Can you tell us about a current or recent project you’ve worked on?
A: I have been involved with Thunderbirds Are Go for over 3 years now as Production Designer and an Episodic Director. Before, I worked on a western cowboy movie called ‘Slow West’ starring Michael Fassbender, being in charge of all of the actors hand props on set. Before that, I was on the Hobbit trilogy for 3 years as the main unit Art Director.

Thunderbirds Are Go Behind the scenes

From ITV Studios / Pukeko Pictures / Weta Workshop
Pictured: A uranium mine from the episode Crosscut.

Q: Who/what is your biggest influence or inspiration?
A: I have always been massively interested in the horror/scifi genre. The most influential film for me has been Ridley Scott’s ‘Alien’. It blew my mind as a 10 year old, and sparked my interest in film making, practical effects and ‘fantasy’ environment building. Parallel to this, I have always been fascinated by the work of HR Giger, and his uniquely original style and approach to Art and Design. Other influential movies for me have been: John Carpenter’s ‘The Thing’, Clint Eastwood’s ‘Unforgiven’ and Luc Besson’s ‘Leon’ aka ‘The Professional’ to name a few.

Q: What is your average day like?
A: Generally very busy. This year is great because I can focus solely on the Thunderbirds Are Go project. Plenty of meetings and prep work as we build up to the start of the shoot. As we start to build the season 3 sets, I will get a lot more ‘hands on’ and join the art department as we create the physical miniature world of Thunderbirds Are Go. I can’t help myself!

Thunderbirds Are Go Behind the scenes

From ITV Studios / Pukeko Pictures / Weta Workshop
Pictured: Marine laboratory.

Q: Do you have any traditions or rituals that help you when you get to work?
A: We shoot live action plates, animate our characters (and many sequences). One thing I always do for every sequence, as we shoot it or animate it, is physically go through the beats of the action myself. I find this immensely helpful for timing and pacing of each sequence, dialogue notes and overall feel for a scene. The more reality and true emotion you throw into any scene, the more satisfying it is for me and hopefully our audience.

Q: What is your dream comic project?
A: I would love to re-visit the ‘Alien Vs Predator’ universe – and be involved in a darker, grittier Movie adaptation of some of the Dark Horse material. This could be SO AWESOME!

Thunderbirds Are Go!

Thunderbirds Are Go!

Find Pukeko Pictures online:
Facebook: /pukekopictures.nz
Twitter: @pukekopictures
Website: pukekopictures.com

5 minutes with Sarah Laing – ComicFest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Sarah Laing self-portraitFirst up on the blog we have an interview with Sarah Laing, who recently authored her first graphic novel, Mansfield and Me. At ComicFest, Sarah is running a character design workshop from 10-11am, and from 12-1pm Sarah will be in conversation with Dylan Horrocks discussing how they each create longform graphic novels. It’s a super exciting line-up, and we hope to see you there!

Q: What first got you interested in comics?
A: We always had comics at my house – the usual suspects – Tintin and Asterix, Donald Duck, Charlie Brown, Footrot Flats. I grew up reading them. My interest was rekindled in my 20s through Tank Girl and Julie Doucet, and later by Marjane Satrapi, coinciding with the rising popularity of graphic novels, a contentious term in comics circles! It did mean that there were more comics to get out from the library.

Q: What is your average day like?
A: I drop my kids off to school then I come home and mess about a bit – I tidy up and read stuff on social media, hating myself a bit as I do it. If I have paid work – an illustration or comics commission – I’ll work on that, or else I will draw comics for my blog or work on my big project, which right now is a kids’ comic about the houseboat and giant stingray world of post-climate-change New Zealand. I try to work on paper, since I spend too much time on screens, but I find myself using digital media all the time, whether it’s google images for picture reference or it’s spotify or my podcast list for stuff to listen to as I draw.

Page from Mansfield & Me

A page from ‘Mansfield & Me’ by Sarah Laing

Q: Can you tell us about a current or recent project you’ve worked on?
A: Last year my graphic memoir Mansfield and Me was published by VUP and I’m still recovering from that! It’s about me wanting to be a writer, and Katherine Mansfield, NZ’s most famous writer, and how our lives overlap. I like to think that Mansfield would’ve been a comics fan too.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I always feel like I should have tea and toast at 10am and when I get to the inking/colouring stage I get to binge listen to podcasts. I just finished S-town, which is a fascinating character study of an ordinary/extraordinary life in small-town America. I am also driven by a completion complex so once I get momentum up I work quite quickly. I try to update my blog weekly now that I’ve got a Patreon page, and I generally dedicate Tuesday or Wednesday to those comics.

Q: Who/what is your biggest influence or inspiration?
A: My biggest inspiration is life, observed, around me.

Flowers for the Teacher comic

Flowers for the Teacher comic from Sarah’s blog “Let Me Be Frank”

Q: What or who are your favourite NZ comics or creators?
A: I hate picking favourites! And in fact I’m not sure if I believe in the concept. There are creators whose work I always really enjoy – the obvious ones, like Dylan Horrocks, Toby Morris and Ant Sang. When I was co-editingThree Words I got to know work by lots of amazing women – Giselle Clarkson, Sophie Watson, Jem Yoshioka, Sally Bollinger, Zoë Colling for starters. Indira Neville’s comics are always hilariously irreverent, and she’s just co-curated an amazing collection of LP-sized comics that go with music, Sonic Comic. Last year I enjoyed Ross Murray’s series about anxiety, Rufus Marigold. And Jonathan King’s comics are gloriously surreal. Arrgh! So many people! I’m missing people out! I always feel a low punch in the gut when I don’t see my name on a list.

Q: What is your dream comic project?
A: I have never collaborated on comics and I think I’d really like to try that out. You know how collaborations in music always work out better? Lennon and McCartney, Morrissey and Marr… I want to find somebody or something to spark off.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I am really looking forward to talking with Dylan Horrocks about writing longform comics – his process is quite different from mine and I always find how to talks quite inspiring – they give you a fresh perspective on your niggling or roaring narrative problems.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: I don’t know, Björk? Or maybe Rachael from Blade Runner – she had the most amazing suits and hair.

You can find Sarah online in the following places:
Twitter: @sarahelaing
Instagram: @sarahelaing
Blog: https://sarahelaing.com/

An Audience With…Jon Drypnz

massage 3Jon is one of the artists behind the collaborative zine ‘Massage’ – an atmospheric urban art/graffiti zine. Find out more about Jon and his work on his website. Thanks for answering our questions Jon! 

Describe an average day:

A bus ride to Wadestown. Then cooking and delivering food. After this, you would find me in my studio drawing and painting. And if it is an extra lucky day I would probably be painting some walls with friends.

Describe your work:

You could maybe describe my work as ‘Post Graffiti Pop Surrealism, and I depict the notion of disevolved humans.  I feel like most humans are ignorant to the world around them, and lack simple self care. I believe this can be seen in most people, in yourself, I know I see it in myself.  It seems to be a universal human characteristic. This concept can also be perceived as a reflection of how I understand modern society. However, when you see my work, you may not instantly see this as an obvious regergitation of this understanding, because I want to poke a little bit of fun at our own demise.

massage

How did you first get into zines? 

It was a bit accidental. Our zine ‘Massage’ was based on creating a collective portfolio with some friends. It feels more like a collection of our work rather than a zine, which seems to be appealing to a wide audience at the moment.

What do you like about zines?

I guess like most people I like the fact that they are an easy and cheap way of sharing your personal ideas / intrests.

Is there anything you don’t like about zines as a medium?

I think a vast majority of them can be very similar.

massage 6How do you get inspiration for a zine?

We just produce work without focusing too much on the outcome, the outcome is not our main goal. The process of creating content, that then might happen to be used, is what matters the most.

Tell us about some of our favorite zine…

I do not really have a particular one. I do like Ed Templeton’s work. It is the photography and social commentary ones in particular that usually grab my attention, or zines about strange cats, especially the ones done by Wellington locals, Heather and Zach.

Do you have any last words?

I would have a single little man floating cross-legged, knowing all that he surrounds. His expression would be of sombre recognition of his surroundings, but with a hint of realization that it would all turn to custard at any moment.  He would be a simple fellow with a head larger than it should be because he began to think he knew everything once, and even though he knew better now, it was like his mother used to say  ‘Do that any longer dear and it will stay like that’. 

He will then sit hovering over the places where he wished he could always be, next to streams and beaches on the signs that reminded him of where those places were. 

He would be human but simplified, he would be human but his humanity has left him, he would be human if only he could remember what it was he was meant to do, he would be human if only it was that simple.

5 quick questions with Samuel Flynn Scott

How much of your income is derived from record sales & how much comes from touring/live gigs?

I would say record sales probably account for about %5 or less of my total income. Live gigs maybe more like %20. Most of my income as a musician comes through licenses for film and TV.

What advice would you give young musicians just starting out?

Work on your songwriting and take that side of things very seriously. Songs are what all music is based on and without good songs a great singer or guitarist will never make any impact.

How does being on a major label differ from being on an independent? In today’s musical climate is one better than the other?

I don’t think it makes much difference anymore. But I could be wrong. Certainly majors have a lot more sway with radio and they have more money to spend on advertising but there are advantages to small labels too. You usually get better deals from small labels and you get a team of people working on your product who are very passionate about what you do. Ultimately the choice between the two comes down to who is making offers and who has the best vibe. Working relationships are paramount.

Who would you cite as your biggest musical influence/influences?

That is almost impossible to answer. For me it might be the Velvet Underground who are a great 60’s underground rock band. The Beatles are pretty hard to beat when it comes to stealing great ideas off a great band!

Do you have any future projects/new recordings in the works?

Yes we are working on a new Phoenix Foundation album at the moment.

Check out Samuel Flynn Scott and Luke Buda from the Phoenix Foundation at the Wellington Central Library on Thursday 28th May 4.30-5.30pm

Zines: An audience with Matt Whitwell

photo of matt whitwellAuthor of the rather popular Hoard zines (so far we have seen his collection of library cards, stamps, and sugar packets), we always thought Matt was a shy and retiring type- dropping off his zines without so much as a hello, but he is bit chattier on the old keyboard…to quote Matt’s email: ‘Thanks for the interview, I had a bit of fun putting a few words in your mouth. I hope you have fun, too!’ [read: everything Zine Librarian says below is fictional]

Zine Librarian: Hello!
Matt: Huh!? Hi! What? Oh, it’s you. I’ve seen you around. I know you a little bit. Zine Library, Zinefest, something else… How’s life?
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