We’ve put together a list of of our favourite CDs from this year’s new releases so far, check out our staff picks below! There’s bit of everything genre wise, so we hope you find something new or something you may have missed when it first came out.
Tracey Thorn’s ageless voice returns with another album of mature pop, her first solo album of entirely original material for seven years. Her female worldview informs the 9 songs on this short album. The beats are back for the dance jam ‘Sister’, with Warpaint’s rhythm section and BVs from Corinne Bailey Rae, and closing track ‘Dancefloor’, but have a more sombre feel on tracks like ‘Face’. Topics include the on-going struggle for female equality (Sister), her musical beginnings (Guitar), motherhood (Babies) & the impact on Social Media of failed relationships (Face). (Mark)
Born in New Zealand, grew up in Australia and a London resident now, neo-soul singer Jordan Rakei first grabbed the spotlight by working with Disclosure in 2015. His sophomore album ‘Wallflower’ is surprisingly released from Nnija Tune, and is a delicately crafted, beautiful work, featuring his quality songs and silky voice. In comparison with other new-generation soul artists such as The Internet, Hiatus Kaiyote and Nick Hakim, he seems to be a more personal, introspective singer-songwriter, and it’s showcased here. (Shinji)
Singles 1978-2016 / The Fall.
Made especially relevant by Mark E Smith’s recent sad demise, this excellent box set compiles, over seven discs, every single – both A and B sides – from one of the greatest indie bands ever – The Fall. Mark E Smith was a true legend and, unlike artists like Keith Richards who similarly defied established health beliefs, Mark E Smith maintained a high artistic credibility, continuing to produce great, challenging music for close to 40 years – and there are not many artists who can lay such a claim. This set lays it all out, from 1978’s ‘Bingo Master’s Breakout’ to 2016’s ‘Wise Ole Man’. For those less in need of completism there is also a smaller box-set – ‘A-Sides 1978-2016’ which, over three discs, omits the B-Sides. (John)
Scorn of Creation.
An outstanding 8-track self-titled debut album from Wellington death metal outfit Scorn of Creation. The band pay tribute to traditional old-school death metal without compromising on a modern, fresh sound. Energetic and raw. I loved it start to finish! (Theresa)
Part 2 / Brix & The Extricated.
Fall fans who are especially fond of the slightly more rock oriented ‘Brix era’ albums will be pleased to learn that Brix Smith has got together with ex long term Fall members Steve Hanley (bass guitar), his brother Paul Hanley (drums) and Steve Trafford (guitar and vocals) to make a record that is anything but the cash-in one may dread. Featuring mostly originals plus new versions of three Fall songs, this is a great hard rocking indie record, surprisingly so from a bunch of musos in their fifties, that was described by Drowned In Sound as “One of the great indie-rock releases of 2017”. (John)
It’s very good news that he is still making music. Out of the blue, Nick Heyward, the former 80s pop sensation Haircut 100’s front man, released an album for the first time in 18 years and it’s a charmer. His genius songwriting is still up there with the best, such as Paul McCartney, offering dazzling breezy pop music. It’s perfect music for a lazy afternoon. (Shinji)
World wide funk.
Since the ‘60’s, US bass player Bootsy Collins has defined funk bass. Starting out as James Brown’s bass player, playing bass on “Get Up (I Feel Like Being a) Sex Machine”, he went on to form Parliament / Funkadelic with George Clinton, collaborated with Deee-Lite on “Groove Is in the Heart”, and in 2010 formed ‘Bootsy Collins’ Funk University’, on online music school. His first album in six years features the 67-year-old laying down grooves as cool and funky as anything he has ever done with guest appearances including Doug E. Fresh, Buckethead, Snoop Dogg, Stanley Clarke, Big Daddy Kane and Chuck D. (John)
Ponguru / Al Fraser, Phil Boniface.
Ponguru is a truly unique album fusing seamlessly the sonic worlds of acclaimed jazz bassist Phil Boniface and leading Nga Taonga Puoro player Al Fraser . The resulting album has many faces and facets its Jazz tinged rather than Jazz, ambient in places and like a complex sonic landscape in others, throughout all its pieces it’s always fiercely original , rewarding and hugely atmospheric. Phil’s bass work is of the highest calibre imbuing the whole piece with a core of beautiful rhythmic structure. And Al’s emotive, nuanced playing shows that he is rightfully regarded as one of the finest musicians working in NZ today. (Neil J.)
This re-release of UK post punkers XTC’s 1980 follow up to their chart breaking ‘Drums & Wires’ album gains a lot from Steven Wilson’s remastering. In fact it sounds like a different record from the muddy original with lovely crisp drums and excellent deep bass which allow the songs to fully breathe. The album captures the band in full flight as they played over 150 live gigs in 1980, a couple of years before they stopped playing live altogether to become a strictly studio based band. Consequently the musos are very tight, playing with real precision and fire throughout what is an excellent example of ‘80’s post punk / new wave power pop. (John)
Shadow of the sword.
Wellington based speed metal maniacs Stalker deliver a debut full-length of pure, unadulterated speed metal in all its thrashing, shrieking, shredding glory! A great listen – guaranteed. (Theresa)