New CDs for Te Awe

I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library, and pick out some interesting titles across a range of music genres to review. Our limit is a few lines only. Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is banging on about?
Read on to find out…


via GIPHY

Statler: Well, it was good.
Waldorf: Ah, it was very bad.
Statler: Well, it was average.
Waldorf: Ah, it was in the middle there.
Statler: Ah, it wasn’t that great.
Waldorf: I kind of liked it.”
-‘The Muppet Show’.

How long do you think it’s gonna last? / Big Red Machine
Mark: Big Red Machine are the National’s Aaron Dessner and Bon Iver’s Justin Vernon. This is their 2nd album under that moniker, after 2018’s S/T effort. More mellow acoustic alt-folk/pop with looping arrangements and touches of keys and electronics, a bit more straight ahead than their more experimental debut. Guest performers include Fleet Foxes, Sharon Van Etten & Folk-mode Taylor Swift. There’s a shared musical aesthetic at play in the collaborative network of all these musicians, and if you like the works of their individual bands, you’ll find comfort in the dreamy, immersive electro-acoustics on display here.
Neil: Aaron Dessner of The National and Justin Vernon of Bon Iver have joined forces before, this new project sees them playing to their strengths. So big open piano chords and chilled vocal harmonies to the fore. The result is a deliberately messy, hazy freewheeling album. It is all very pleasant without presenting many challenges to the listener a languid listening experience.

Silver ladders. / Lattimore, Mary
Mark: 2020 album from experimental LA harpist Mary Lattimore. Dreamy and relaxing. Droney synths colour the harp sound on some tracks, giving a moody soundtrack feel to certain pieces. An understated album that sneaks up on you with its relaxing vibe of solitude and contemplation. An album for afternoon ruminations on rainy days.
Neil: Recorded in a remote rural town with few distractions ‘Silver Ladders’ is an album infused with a beautiful sense of stillness, loneliness, melancholy, and a gentle pastoral eeriness. A very calming album that reminded me in places of the work of Laraaji.

Skin. / Crookes, Joy
Mark: South London singer (of Bangladeshi-Irish descent) with a distinctive voice, reminiscent of Macy Gray, or early Amy Winehouse. ‘Skin’ may seem like yet another Neo-soul album, but the songs move in unexpectedly Jazzy directions with swinging horn breaks, Jazz rhythms and cinematic strings. Soulful late night club vibes percolate across a album of strong tracks, as lovely ballads mix with cinematic trip-hop focusing on the socio-political and the personal.
Neil: British Neo soul crooner Joy Crookes’s debut album is a polished masterclass in everything a debut album for an artist looking at global stardom should be. There’s been comparisons to Amy Winehouse’s first album and there are surface similarities. ‘Skin’ is however very much Joy’s own voice, politics, and personality. Retro string stylings, sophisticated melodies, and assured song writing all shine through. This is what the debut work of a star on the rise sounds like.

Anika. / Anika
Mark: Anika has just released her sophomore album Change after 11 years, so we thought we’d check out her debut from 2010. While working as a political journalist, she met producer Geoff Barrow of Portishead who was looking for a female vocalist to work with his band Beak. Their resulting collaboration led to this album, released by Barrow’s Invada label. A bit of a Nico homage, combining post-punk & Girl group tributes, with her detached blank vocal style and distorted arrangements. Though there’s not necessarily anything wrong with that, this is definitely a bit of an acquired taste.
Neil: Right from the moody black and white photo cover down to the treatments on vocals and instruments, you can tell that a heavy influence on Anika work on this album is the Velvet Underground, and especially their German songstress Nico. The album is largely comprised of covers and features the sonic talents of Portishead’s Geoff Barrow. These influences are worn heavily on their collective musical sleeves: that said if you are going to base your sound on a band and singer, then Nico are the Velvet Underground are pretty good choices. My favourite tracks on the album are the dub influenced ones that slightly step out of this template.

Juniper. / Fredriksson, Linda
Mark: Debut solo album from Finnish Saxophone player Linda Fredriksson, a member of a couple of well regarded Finnish musical outfits. Described as a ‘Singer-Songwriter’ album, within a Jazz construct. A meditative album, created over numerous years, that incorporates field recordings, personal recordings of friends, rainfalls, humming, lo-fi acoustic guitar parts and much more. Definitely a different take on what is a Jazz album. Really nice.
Neil: Juniper is a delicate softly, evolving jazz album with emotional content in the playing that ropes listeners into its gently shifting moods. At points sounding traditional in tone and feel, at others more experimental in a chilled ambient fashion. The various elements effortlessly flow in and out of each other.

Rest in blue. / Rafferty, Gerry
Mark: This posthumous release from Gerry Rafferty was begun in 2006, and at his death in 2011, remained uncompleted. His daughter finished the project this year, filling out the album with unreleased tracks from various points in his career, removing a lot of the production to give the album a more uniform feel. A surprisingly cohesive listen, full of catchy, finely crafted, mellow AOR.
Neil: The original incantation of Rest in Blue was started by Gerry in 2006, and was still unfinished at the time of his death in 2011. This release isn’t quite that album; instead this album put together by his daughter uses elements from that projected release and unreleased songs that span his entire career indeed, some of these tracks dated back to the 1970’s. The result is remarkable coherent considering the time span involved, and provides a fitting tribute to his career, and incidentally an excellent starting point to his work if you are unfamiliar. The cover is once again provided by his long-time friend the Scottish Artist John Byrne.

Rose in the dark. / Sol, Cleo
Mark: London Soul singer, who is part of the mysterious R&B collective Sault with partner Inflo. She has just released a new solo album, ‘Mother’ (on order) so we tracked down her debut to check out. Old school R&B, with sweet lilting vibe. The intimate songs focus on individual relationships (rather the broader societal focus of Sault) and have that distinctively 70s soul groove, where it was all about love and personal connections.
Neil: There’s a sense of purpose and sensitivity both in the lyrics and playing in Cleo Sols 2020 album ‘Rose in the Dark’. Cleo Sol is a very busy individual having just released a second solo album called Mother (to be reviewed another time) and known for being a member of the R&B outfit Sault (whose album Nine is reviewed later in this Blog). ‘Rose in the dark’ is perfect example of the quality of all her work, an uplifting Neo Soul R&B outing that made it onto may peoples best of 2020 lists. Her newly released album ‘Mother’ is already being touted as a masterpiece of the genre.

La Luz. / La Luz
Mark: All female Seattle band who blend surf-rock and Garage-psych rock. This album, their third, has been tipped as a breakout for the band, with deeper personal songs and slicker production values. Lots of dreamy chamber pop, and moody psych numbers with lovely ‘Girl-group’ type harmonising.
Neil: Alt folk rock outfit La Luz return with a modern Western themed fourth album. It builds on their impressive previous albums and shows a new level of maturity and sophistication, especially with regard to the structure of their songs and their Simon & Garfunkel styled backing vocals. It’s all topped of nicely with lead vocalist Shana Cleveland’s understated indie inflected vocals.

The horses and the hounds. / McMurtry, James
Mark: The first album in 6 years from McMurtry, the son of famed novelist Larry McMurtry. As to be expected his father’s storytelling skills are deeply embedded into his DNA, so what you get here is a fine set of uptempo country rockers that continues a creative winning streak following 2008’s Just Us Kids & 2015’s Complicated Game. Like the great Country acts before him McMurtry has honed the ability to write realistically about a spectrum of characters across social and economic classes with realism, honesty and empathy. You believe in the disillusion, the struggles and the optimism of the people who inhabit his songs.
Neil: The Texan storyteller James McMurtry delivers a humane and highly accomplished collection of songs on his tenth album. His story songs are about the collapse of small-town America, good people in bad places, and down on their luck characters. The result is a modern, relevant meaningful, heartfelt Country and Western album that shows a rawness and vitality that is sadly all too often missing in the modern Country and Western genre.

Fever dreams. / Villagers
Mark: Fifth album from Villagers, the project of Irish singer/songwriter Conor J. O’Brien. Lovely mix of swirling psyche tinged pop. A musical kaleidoscope taking you on a euphoric escapist journey from the travails of modern life through a hallucinatory world of sound. It reminded me of the late 90s classic’s The Flaming Lips’ The Soft Bulletin (1999) & Mercury Rev’s Deserter’s Songs (1998) in terms of its musical scope and impact.
Neil: You can tell even from initial listening that Fever dreams was constructed over a long period of time (two years to be exact). It is an album that demands and rewards an immersive listen, rather than just a background skim. The tracks move from woozy modern psychedelic tones, to eerie surreal pop in an elegant, organic, ambitious fashion with an expansive sound pallet in constant use. Sure, to be on several best of the year lists. If you like this try In the Aeroplane Over the Sea the by Neutral Milk Hotel.

Bees. / Belly
Mark: Listening to this without knowing anything about Belly you would assume this is another in the (seemingly unending) line of bands mining that 90s Alternative-pop sound. However Belly were actually one of the bands from that scene, fronted by singer Tanya Donnelly, who had previously been a member of other cult 90’s bands Throwing Muses & The Breeders. ‘Bees’ is a belated compilation of the bands B-Sides that was initially compiled for a Record Store Day release, to celebrate 30 years of the band. A nice collection of B-sides, covers and oddities that makes you realise, despite their scant discography, their lasting influence on the sound of future bands.
Neil: Released on record store day to celebrate 30 years since the formation of the alternative rock band Belly. Bees is a collection of career spanning B sides, covers and rarities. Featuring prominently (of course) the distinctive and unmistakable vocals of Tanya Donnelly. (Who incidentally helped found two other iconic bands of the time Throwing Muses and the Breeders). This release will delight their fans. I particularly liked their cover of The Jungle Books ‘Trust in me’, originally from their 1993 EP “Feed the Tree”.

I don’t live here anymore / War on Drugs
Mark: Philadelphian band who introduced big sounding ‘FM guitar-rock’ to a new generation return with their 5th album. More blue collar rock epics in the vein of Dylan, Springsteen & Petty, with some synth bits woven in and out, to give the music a more contemporary sound. I never really got the hype around this band to be honest. Didn’t The Wallflowers & Pete Yorn already do this kind of thing in the 90s & 2000’s?
Neil: ‘I don’t live here anymore’ is the fifth studio album from stadium filling War on drugs. It utilises and refines on their previous work esp. their Grammy winning album A Deeper Understanding, the songs usually building up from deep and often deceptively simple melodies, slowly and methodically increasing up the intensity. The lyrics depict a romantic American soul-searching journey, and the album has an anthemic qualities without being too bombastic.

Coming in from the dark. / Smith, Hollie
Mark: Hollie Smith mined the solitude of lockdown to create an album blending her Neo soul stylings with the New Zealand Symphony Orchestra, Rwandan-Kiwi rapper Raiza Biza, Sol3 Mio and Teeks. Personal reflections on a relationship breakdown form the core of this introspective album, that looks at loss and healing, both within personally and outwards towards the larger issues facing New Zealanders today.
Neil: The much-loved Kiwi soul artist Hollie Smith (and close friend of our PM) releases her fourth album. It is an immaculately produced work and Hollies vocals soar. It belongs very much to that new sub section of music the Covid lockdown album (Hollie was scheduled to be Touring but like many artists has had to put those plans on hold). Hollie airs her anger and frustration with the current global and political events that threaten to overwhelm us, whilst interweaving these concerns with more intimate themes. The result is a tender, thoughtful and powerful work that is ultimately uplifting and hopeful in its vision of our future.

Nine. / Sault
Mark: This prolific R&B-rooted pseudonymous collective (helmed by producer Inflo) have released some of the most talked about & critically acclaimed music of recent years; 2 albums in both 2019 & 2002, the last of which Untitled (Rise) was nomination for the Mercury Prize in 2021. Latest album ‘Nine’ is more of the same quality, though its shorter length makes it feel a tad more fragmented than previous albums. A melange of musical styles from Rap, mellow R&B, grimy beats and spoken word segments, form a raw, gritty montage of the pressures on a young generation from the dehumanizing systems that surround them, and the weight of prejudice and limited life choices. Powerful music.
Neil: The enigmatic and mysterious music collective Sault release another vital album. Unsurprisingly as an ever-changing music collective there is a rich tapestry of sounds and approaches in ‘Nine’, the overall effect though feels totally unified and coherent. The tracks including some spoken word elements are urban, dark, and edgy with real grit. In the mix there are elements of rap, grime Afro Beat and even some Tom Tom’s club’s style funk in there. The tracks are largely about growing up in modern London. A constantly fresh and surprising album stunning in its contemporary urgency.

Geist. / Lay, Shannon
Mark: Guitarist/songwriter Shannon Lay began her music career as part of the California garage punk scene, but her solo releases moved towards a folky-psychedelic aesthetic. ‘Geist’ is her 2nd album on the Sub Pop label. She has a lovely pure voice, and while the songs may deal with inner turmoil and change, they do so in a series of relaxing, elegant meditations of quiet strength & resolve.
Neil: Shannon Lay’s Geist is deliberately wistful, transcendent, and spiritual album. Shannon uses multi tracked choral vocal and a constantly moving, flowing, and evolving acoustic guitar as its core. The effect is distinctive and expressive, quiet, and lovely. An evocative pastoral psychedelic folk work reminiscent of artists like Vashti Bunyan. I particularly enjoyed her cover of Syd Barrett’s ‘Late night’.

Segundo. / Molina, Juana
Mark: A remastered reissue of the Argentinian singers 2nd album from 1993 for it’s 21st anniversary. Quirky Spanish vocals weave over the mix of electronic and acoustic elements. Apparently she had imagined the sound of this type of new (in 2003) musical style before acquiring the synths & loops to bring it to life, and the resulting album became a cornerstone of the folktronica movement. Hazy and folkish traditional sounds merge pleasantly with bossa-nova rhythms, and robotic blips and bleeps. Deeper and more intricate than say the work of Beth Orton at the time, this is one of those albums that throws up new things with each listen.
Neil: The unique Juana Molina’s second album ‘Segundo’ was named the Best World music album in 2003. This welcome anniversary rerelease very amply demonstrates why. ‘Segundo’ see’s the Argentine artist explore and refine her approach to music, especially her use of acoustic and electronic textures. A master of the intimate and delicate moment, and of teasing out subtle joyous emotions from the music. Since its release it has become one of the defining must-listen-to albums of its kind.

Modern love.
Mark: Tribute albums like these are always understandable tricky for the artists involved. Do you play it safe with a note-for-note version, or do you try something different, shift the song into another genre or make a fast track slow and vice-versa, knowing that any changes risk altering the emotional impact of the original song. So as you may expect, a bit of a mixed bag here. I quite liked the Hics version of ‘The Man Who sold the world’ & Jonah Mutono’s take on ‘Modern Love’.
Neil: There has been a few Bowie cover albums released since David Bowie’s death and ‘Modern Love’ is one of the most smooth and polished of them. The album features cover tracks from across his entire career. However, it is Bowie’s mid 70’s plastic soul era that fares most favourably. With tracks like Khruangbin’s cover of the Young American’s track Right and Léa Sen Golden Years being standouts. That said there’s lots of other interesting covers in there too. It is noticeable though that for a covers album of an artist famed for his experimental approach to music, these tacks often sound very safe and lacking in any real experimental intention.

What we call life. / Rakei, Jordan
Mark: 4th album form the NZ Born, Australian raised, Grammy nomination, London-based Soul artist (who also records under the alias Dan Kye). More heartfelt introspective beat driven soul. A rich texture of sounds form complex tracks that his soaring falsetto weaves in and out of, with personal songs based on his recent experiences through therapy, and outward looking tracks focusing on Social injustice.
Neil: London-based New Zealand born Jordan Rakei displays a new level of musical and lyrical sophistication on this, his most intimate and emotionally vulnerable album to date. Many of the lyrics found their origin in what he discovered about himself in therapy. That said, the album isn’t downbeat Jordan takes the source emotional material and transforms it into contemplative, but often uplifting music, using equal parts soul, Jazz and R & B, underpinned by upbeat grooves. This emotional ebb and flow high and low balances the album. A song cycle album, from an ever evolving and expanding musician.

Boat. / Pip Blom
Mark: 2019 album from Dutch indie rockers with a love for 90s alt-rock & Britpop stylings [they also have a new 2021 album which is on order]. Dynamic rhythm shifts meet off beat melodies, and jangly guitars. A catchy and fun listen.
Neil: Dutch quartet Pip Blom’s debut album is a fuzz box driven, perky, upbeat, pop punk, post grunge melange. The album is a stream of catchy bouncy songs about ironically, isolation, distraction, and their daily struggle against apathy. It is unconcerned about making big complicated musical statements, instead focussing on a straight-ahead approach to make the album an enjoyable, bop along listen.

Vengeance. / Twelve Foot Ninja
Mark: Australian band that melds alternative-metal with prog and experimental rock elements. Their 3rd album ‘Vengeance’ made Allmusic’s list of the top 50 Metal albums of 2021, and it’s easy to see why. A wild mix of styles slam together everything from smooth lounge pop, to 80’s funk, horror soundtrack aesthetics and video game music, and that’s just the tip of this crazy musical iceberg. Accompanied by (if you can believe it) by a video game, a graphic novel, and a thousand-page fantasy novel, that flesh out the mythology of the album. At this point I think I can confidently say that this is the strangest album we’ve reviewed this year. I’m not much of a metal fan, but this was really enjoyable.
Neil: The church of metal is a very wide congregation with room for many voices and approaches. And Australian band Twelve Foot Ninja are an excellent case in point, known for their experimental approach. ‘Vengeance’ their latest work is their most genre mashing outing yet. The core of the album is still firmly trash metal, but amongst the other musical genres in this fusion work are cyberpunk, trip hop, industrial metal there’s even traces of bossa nova and hard disco funk!

Box Set Pick
The sun shines here : the roots of indie-pop 1980-1984.
Mark: A follow up to Cherry Red’s 2013 Scared to Get Happy: A Story of Indie Pop, ‘The sun shines here’ digs further into different musical scenes to pull out tracks by bands who went on to be well known, as well as those who disappeared into obscurity. There’s not much quality difference between the two, a testament to the sheer amount of talented artists finding consistently melodic new directions in music during this period.
Neil: The clue to the contents of this album come in the subtitle the roots of indie pop. The years 1980-1984 form the crucial point time when indie music in the UK emerged from the long shadow and scorched musical earth of punk and post punk, and became its own unique identifiable movement. It is also notable for the fact that the regional musical scenes in Liverpool, Manchester and Glasgow also become serious players, rather than all the focus being on London. The Box set is a fabulously curated, comprehensive, and well researched piece of sonic archaeology, featuring a wide selection of artists. By its very nature it is very diverse, and forms an essential listen for anyone interested in the evolution in pop music in the UK at the time, and by default beyond. The effects of this movement are still very clearly to be heard in many of the bands around today.

New DVDs for Te Awe

Here are some new DVDs added to the catalogue over November that are available at our CBD Te Awe branch and selected other locations. Also included are some of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New Material:
Agatha and the curse of Ishtar
Incitement
Peninsula.
Collective.
Biography. I want my MTV.
Above suspicion.
Respect
Old
Candyman
The colony.
Human capital
Billy Connolly : made in Scotland.
Then came you
Occupation. Rainfall.
Disclosure.

On Order:
All the sins. Season 1.













 

 

 

 

 

 

 

 

 

 

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New CDs for Te Awe

I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library and put our highlights here with some quick reviews of new titles — our limit is a few lines only.
Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is banging on about. Read on to find out…

via GIPHY

Statler: Well, it was good.
Waldorf: Ah, it was very bad.
Statler: Well, it was average.
Waldorf: Ah, it was in the middle there.
Statler: Ah, it wasn’t that great.
Waldorf: I kind of liked it.”
-‘The Muppet Show’.

Buda / Buda, Luke
Mark: Luke Buda returns with his first solo album since 2008’s Vesuvius. Organs and synths fade in and out in a set of woozy pop that focuses on the travails of aging bodies, domesticity and happiness amid global chaos. Three tracks features lyrics by author and poet Damian Wilkins & other collaborators include Don McGlashan, Joe Lindsey and Toby Laing from Fat Freddy’s Drop, Riki Gooch, and Anita Clarke from Motte, who sings on every track. A great fun, catchy, self deprecating album, whose reflective moments pull the threads of everyday life with revealing lines that stick with you. Well deserving of all the good reviews its been getting.
Neil: One of the core creative forces behind the mighty The Phoenix Foundation releases (with a lot of help from his friends) his third solo effort, this time simply called Buda. It is an impressive work, interspersed with a lot of the hallmark touches he brings to his other work in The Phoenix foundation. Wryly funny, poetic, serious when it needs to be, and it shows us why he is one of our finest musicians.

Come play the trees. / Snapped Ankles (Musical group)
Mark: Mysterious and unknown London-based post-punk band who wear ghillie suits when performing. DIY electronica meets Krautrock/Art-rock, with vintage synths underpinning the cacophony. I’m not sure what it was all about though…
Neil: Snapped Ankles 2017 debut release ‘Come Play the Trees’ sees a different side of the band from their live performances. Their well reported incendiary live performances are replaced with an experimental electronic Shamanistic vibe ,with propulsive post punk stylings that have nods to Afro-futurism. It’s a heady mix with deliberately obscure and mysterious. Lyrics rubbing shoulder by shoulder with socio political statements. All very strange and intriguing. Imagine a pagan shaman musician in an ancient forest, creating music from synthesisers he has created from the surrounding trees.

Lindsey Buckingham. / Buckingham, Lindsey
Mark: The ex-Fleetwood Mac-er returns with a delayed album – originally cut in 2018. Perhaps his most ‘pop’ outing and most FM sounding solo album yet. Mirage-era stylings, double tracked vocals, and catchy choruses surround a set of songs that focus on band & domestic disharmonies. Few artists of his generation can claim to be still making music this strong.
Neil: The first solo album in ten years for the ex-Fleetwood Mac stalwart. And he is not happy. His troubled private life has been well documented (often in music). And emergency life saving Heart surgery in 2019, not to mention Covid, have only sharpened his unease and the associated disquiet. It is all couched, as you would expect, in a very polished outing; very melodic in Buckingham’s unique fashion, with occasionally oblique & sometimes razor-sharp lyrics. An album that I suspect will be well received by fans and indeed well beyond.

Year of the spider / Shannon and the Clams (Musical group)
Mark: Melding old 50s Rock N Roll, 60s Girl group & 70s punk vibes, Oakland California’s Shannon & the Clams are one of those under the radar bands that have broken through with their latest album ‘Year of the spider’, a more polished effort produced by Dan Auerbach of the Black Keys. More lyrically personal songs, along with crafted backing, elevate their retro-stylings into something original, rather than just an exercise in nostalgia or homage.
Neil: Fuzz box welding Oakland retro rock band Shannon and the Clams really mix it up in this rip-roaring mash up of genres and styles. There are elements of 60’s doo wop, psychedelic moments gritty garage rock and a few other genres thrown in. Nearly all originating in the 60’s or early 70’s. The lyrical content is rooted in the band’s personal troubles, and there definitely individual darkness in there. And it is that dark and personal lyrical content that makes the band sound like themselves, rather than a lot of influences, and that really glues the whole album into a cohesive work.

The ballad of Dood & Juanita / Simpson, Sturgill
Mark: Bluegrass country ‘concept’ album about Civil War Military Veteran (Dood) and his trusty steed Shamrock (a donkey), who pursue an outlaw that has abducted his wife (Juanita) to seek vengeance. Another left turn for Sturgill Simpson, supposedly inspired by his Grandfather & Willie Nelson’s Red Headed Stranger. A cinematic Mini-Epic that plays out like an old Black & White Western, as a good man is forced to take up guns for a righteous cause one more time.
Neil: The title of this album, and artwork, very accurately lets you know what you are going to be listening too once you put this album on. A modern Bluegrass concept album, based on tales of Kentucky legends from America’s past. Brought to life by some of the Bluegrass scene’s finest modern exponents. Cowboy tales of feuds and gunfights, horses, and hound dogs. It is all very well-done; a modern recreation of frontier myth-making music, and lots of fun besides.

Iris / Fountain, Reb
Mark: Have to admit I haven’t listened to any of her previous albums, so can’t say if this album is indicative of her overall catalogue. To me, ‘Iris’ sounds musically a lot like Taylor Swift’s folky storytelling from Evermore, or a more moody Suzanne Vega. If Noir-ish folk is your thing, you’ll like this.
Neil: ‘Iris’ is one of those albums written and curated during lockdown. We are very fortunate to have it, as in other versions of reality Reb would have been touring the World gaining legions of fans, instead of finding herself stuck in a pandemic lockdown. ‘Iris’ is a piano driven, often dark and unsettling work, moody, romantic, dreamlike, and poetic. From the opening track ‘Psyche’, the listener is drawn into her sonic world, and Reb (one of the key players in New Zealand’s alt-folk scene) has created a complete and highly accomplished work. Highly recommended.

Old gods. / Shihad
Mark: Strong political & social commentary wrapped up in hard rocking riffs. Jon Toogood’s vocals always sounds ageless. Stradling countries and cultures has given Toogood a deeper perspective, that infuses the bands patented hard rock with added depth.
Neil: A new release from one of New Zealand’s most beloved bands. It’s an album fuelled by righteous angry frustration, and the music shows it. A riff heavy assault of huge guitars in full sonic assault mode, coupled with deep, deep, bass and carefully placed vocals that miraculously don’t get lost in the mix. This album will surely serve as the basis for a massive ear-splitting, adrenalin pumping,?; live tour sometime in the future.

Local valley. / González, José
Mark: The Swedish singer/songwriter returns after a 6 year break. Mellow pastoral folky pop that looks forward with optimism and hope, while relaxing you in the present.
Neil: The ultra-cool, mega mellow smooth as silk voiced Jose González releases his fourth studio album. There’s no radical reinvention or wild sonic exploration going on here, and why should there be? His distinctive intimate fingerpicking, spare arrangements, and honeyed voice serves his muse very well. Music that sounds like a sweet dream, like murmurs of someone trying to lull you to sleep in the nicest possible way.

If I can’t have love, I want power. / Halsey
Mark: New York singer-songwriter, and multi-instrumentalist Ashley Frangipane (AKA Halsey) returns with 4th album teaming with Nine Inch Nails duo Trent Reznor and Atticus Ross. Big names like Lindsey Buckingham guest on “Darling”, and Dave Grohl on “Honey”. This got a lot of critical attention & good reviews, but it all seems a bit over the top and dated somehow. Auto-tuned pop-punk with gothic sensibilities. A pop singer trying to make an ‘edgy’ album, rather than someone with genuine musical edge.
Neil: Pop sensibilities meet deliberately constructed Gothic, fairy-tale, music in Halsey’s fourth album, produced by Trent Reznor and Atticus Ross. The result is in places cool, clear light on water, pop production; and in others brooding, lurking, spectral, tightly controlled, under the surface intensity. The lyrics explore Halseys rise to stardom, various aspects of her recent motherhood, and destructive and chaotic aspects of life. My reservation is that it does all sound a bit contrived and over wrought, but that could just be the theatrical nature of the album. Why not give it a listen, and make up your own mind as to which side of the fence you think it falls on.

Dunedin spleen. / Verlaines
Mark: Another solid album from the Dunedin outfit. Classic jangly guitar rock combines with more arty angular tracks, that dig deep into plenty of issues current to life in NZ. Final track ‘Way To Old To Grow Up Now’ provides a musical metaphor for a band who keep finding new things to say musically & lyrically, while never resting on their laurels.
Neil: The legendary Dunedin band The Verlaine’s have just released their 10th album. And Graeme Downes, the bands long time songwriter, guitarist and lead vocalist, has built up a lot to say since their last release, this album weighing in with a hefty 19 tracks. Their distinctive trademark sound fuses elements of indie rock, Punk, and Alt Art rock into their own unique Verlaine sound. The result is as sharp and clear eyed as any of their previously works proving, as if there was any doubt, that they are still far from a nostalgia act from the past.

Sometimes I might be introvert. / Little Simz
Mark: UK rapper’s follow up to her Mercury Prize-nominated third album is a masterclass in modern Rap-Soul. Deep songs with great flow address being a black woman in the UK, the cost of success against your privacy, and issues surrounding her personal life. Plenty of interesting collaborations, with ‘Woman’ featuring Cleo Sol (Sault), ‘Two Worlds Apart’ featuring a great Smokey Robinson interpolation, and Nigerian singer Obongjayar guesting on the Afrobeat-inspired ‘Point and Kill’.
Neil: The fourth album from the British rapper Little Simz, is a dynamic balancing act between the public and the private. In places it is heavily orchestrated, featuring lush and luxurious strings, horn sections, choral flourishes, and a whole plethora of musicians; in other parts, it is a much more stripped back and intimate affair. This is rap music on the grandest of scales, yet it retains the personal aspect thanks to the confessional nature of tracks such as ‘I love you, I hate you’.

Tangaroa. / Alien Weaponry
Mark: Alien Weaponry return with their 2nd album. If you haven’t heard their debut album, imagine the Haka set to metal riffs, and that kind of sets the tone for their sophomore effort. ‘Tangaroa’ explores their Maori heritage, via native Maori stories reflecting contemporary issues, all set to a soundtrack of pummelling Metal drums and swaths of furious guitars.
Neil: The mighty Kiwi metal maniacs Alien Weaponry build on the form, shape and success of their intense debut LP outing ‘Tū’. ‘Tangaroa’, their sophomore album, is a relentless and hard-hitting call to arms and action, on a range of issues, from climate change to illegal fishing and some of the more troubled moments in Aotearoa / New Zealand’s history. Fans of their previous work will not be disappointed.

Habibi Funk : an eclectic selection of music from the Arab world. Part 2.
Mark: A follow up to the original 2017 compilation from the crate-digging Habibi label. A selection of funky, sinuous tracks that resonate with an otherworldly sense of time and soul. The bands and singers embrace, distort and offer up their own take on a surprising array of western music influences, from Reggae, Stax type soul, to 70s funk & Disco. Never a dull moment across the whole CD.
Neil: Seemingly compiled by raking through vinyl crates in record stores in the Arab world, this eclectic mixture of music features tracks from the 60’s, 70’s and 80’s. The tracks sound like music that has originated in a slightly altered parallel universe, close to our own but not quite the same. Imagine music to accompany an Arab world James Bond movie; or a Sudanese disco track that sounds vaguely like Madonna; or long-lost Arab World version of Ennio Morricone soundtracks. It all makes for a rather wonderful mixed bag of Sounds. Like a distorted mirror held up to various musical genres: at one level vaguely familiar, at another strangely Different.

Bills & Aches & Blues.
Mark: Compilation celebrating 40 years of the 4AD label, where contemporary artists put a new spin on older & newer 4AD classics. A bit hit & miss, like all compilations of this type. Perhaps functions better as a primer for a younger generation to seek out and explore the labels back catalogue.
Neil: A charity compilation album built around and celebrating 40 years of the venerable London based arty 4AD label that defined much of the best alternative music of the 80’s and 90’s. The rich diversity of the artists on the legendary label’s rota are well represented in this compilation, named after a Cocteau Twins track. And the range of tracks chosen, and the artists who cover them, is eclectic to say the least. And that basically is both the strength and weakness of this mixed bag of covers. Something for everyone, but not necessarily everything for everyone.

Back to the light. / May, Brian
Mark: Brian May Rocks You! with this Deluxe reissue of his first solo outing from 1992. He goes for a bit more of a hard rock sound than Queen at that point in time, but also tries to throw in a bit of everything else, from ballads to Country – no doubt to make a claim to his musical versatility. However this tends to pull the album down at certain points, with some weak lyrics and lightweight production on some tracks. As a singer he’s no Freddie, but he handles all the albums musical styles well enough. Definitely worth checking out if you’re a Queen fan.
Neil: A newly polished re-release of guitar god, and all-round good bloke, Brian Mays’s 1992 solo album. Perhaps not unexpectedly the result is a huge bombastic beast of an album with, surprise surprise, monstrous Queen like guitar riffs at every cut and turn. It’s a good hard rock album, but that said you can’t help having the suspicion that the whole endeavour would have had the makings of a classic rock album had the creative energies and inputs of his fellow Queen band mates been involved.

Good good feeling! : more Motown girls.
Mark: Part of the ongoing Motown Guys/Motown Girls reissue series from UK label Ace Records. These reissues round up some previously unreleased material from the vaults, along with tracks that were only available digitally as part of the ‘Motown Unreleased’ 1963-69 Copyright Extension Collections. Motown would just cut the same song on multiple artists until they felt they had a ‘hit, so there is an argument that this is just a lot of Motown filler that was never released for a reason. However, the average Motown track is still better than most of what passes for neo-soul today. Plenty of catchy & soulful grooves from familiar & lesser known Motown artists.
Neil: During its golden era from approx. 1965 to 1969 the Motown label could do no wrong, creating music that was to come to represent and become the soundtrack for a point, place, and time in American history. And this compilation from the likes of Glady’s Knight & the pips and Martha and the Vandellas, and a whole host of lesser-known female artists on the label, amply shows why, with well-known tracks alonside a few unreleased gems.

K bay. / White, Matthew E.
Mark: Third solo album for Matthew E. White and his blend of retro 60s/70s styles (reggae, vintage pop & R&B). More genres collide on his latest offering, not just within the album itself but also within tracks. A bit like someone crate-digging through their record collection, playing you something different with each track, or swapping genres halfway through a song, like the great track ‘Take Your Time (And Find That Orange to Squeeze)’, There’s a lot of musical textures at play, but it’s a testament to White’s talent that he makes it all work together in a seemingly effortless sprawl.
Neil:: Mathew E White steeps himself in the audio sensibilities of popular American music of the 1960’s and 70’s, without ever slavishly following it. Reputedly his Space Bomb studio is awash with vintage analogue equipment, and you can tell the warm analogue sound of this gear as it seeps into every pore of this release, which is also clearly infused with Mathew Whites own unique personality.

Refuge / Banhart, Devendra
Mark: Mellow instrumental album from the folky Devendra Banhart & producer/engineer Noah Georgeson. Inspired by their parents involvement in New Age culture when they were children, both artists had an interest in meditative ambient music, which they finally realized with this project during some time spent in quarantine. Soothing synthy reverbs, plucked harps and washes of strings. Atmospheric & quietly moving.
Neil: There is a but discernible thin line between the ambient artistically focussed works of people like Brian Eno or Jon Hassell, and the more meditative, mindful of the moment, relaxation music often described as New age music. And Refuge sits in the more meditative camp; long sustained chamber drones, with very slowly and sparsely placed ambient piano interwoven and intertwined amongst it. That’s not to deride this work; it is perfect background music to relax and unwind to, and I suspect that was the intent of the musicians who created it.

Directions in music, 1969 to 1973.
Mark: Every direction Jazz took after Miles Davis’ 2nd Quintet broke up in 1968 was the wrong one…
Neil: In the very late 60’s and early 70’s the ever-evolving musical medium of Jazz was at a crossroads. It had already moved through a plethora of forms since its creation: Swing and Dixieland to Trad and mainstream, on through Bebop and cool Jazz, and was now looking for a new direction a new place to expand into. Directions in music, 1969 to 1973 is a delicious snapshot of this creative cauldron of sound. And features all the key players such as Wayne Shorter, Herbie Hancock, and of course Miles Davis. It doesn’t quite reach out into the intense experimentation of the outer reaches of Jazz at the time, such as Bitches Brew, but is a slightly more gentle introduction to what was in the air at that time. And it could be said that in many senses after this creative explosion Jazz never found its way forward again, instead working around the filaments of creative energy from this moment and its past.

Box Set Pick:
Feel flows : the Sunflower & Surf’s up sessions 1969-1971 / Beach Boys
Mark: I always thought ‘Sunflower’ was a solid album, with ‘Surf’s Up’ less so. This massive 5-disc Boxset excavates the Beach Boys vaults for dozens of previously unreleased outtakes, alternate mixes, and a bunch of related tracks recorded at the same time. With Brian Wilson taking a less active role in the writing, other members of the group stepped up, resulting in a sometimes awkward melding of both forward and backward looking tracks & styles. There’s a lot of good music here that sits outside of the proper albums, but to hear it you do have to wade through quite a lot of less than good music. Perhaps one of those sets where it’s best to create your own preferred version of from the wealth of tracks on hand.
Neil: After the (well documented) fallout surrounding the events of the legendary Smile album, it is safe to say The Beach Boys were never the same again. Indeed, there are fragments from the Smile project dotted amongst these two albums. Their creative leader Brian literally went to bed and only occasionally put in appearances. That meant that the other Beach Boys had to step up to the creative plate. And this box set shows very well what that meant. There are some superb tracks (indeed some of the songs in this box set are amongst the Beach Boys best). Which is saying a lot, as they created some of the finest songs and albums of all time. However, there are also some much weaker works. The poorest pieces are sugar saccharine, middle of the road, songs that sounded dated and corny even when they were originally released. But the good stuff Wow! So, all in all a mixed bag, but if you are happy to sift through it all there are some total gems in amongst the corn.

New DVDs for Te Awe

Here are some new DVDs added to the catalogue over October that are available at our CBD Te Awe Branch, and selected other locations. Also included are some of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New Material:
Black Widow
The father
In the Heights
Free Guy
Minamata
Signed, sealed, delivered. The movie & the series
The Nest

On Order:
Botticelli, Florence and the Medici.
Antoinette in the Cévennes






Vinyl Arrives at Waitohi!

Exciting things have been happening of late at Johnsonville Library at Waitohi Hub, with this week heralding the arrival of part of the libraries’ vinyl collection at their branch. They have been working hard behind the scenes to present this collection, a majority of which has been in storage since the closure of the Central Library.

The idea of having a vinyl collection at Waitohi came about as a result of their recently established Vinyl Club, which meets on the last Saturday of each month. Vinyl Club is a place to share and appreciate music on wax and is open to all. Unfortunately, they have had to postpone meetings for the last few months in light of COVID-19 alert level changes, however they hope to resume meeting when Wellington returns to Level 1.
For further details, keep an eye on our Events Calendar.

The vinyl collection at Waitohi comprises approximately 300 records of varying genres, from Jazz to Hip Hop to local music from Wellington and around New Zealand. The collection is located on the Lower Ground at Waitohi in front of Tūhura HIVE Makerspace, which hosts their Vinyl Club sessions. Records may be taken out for $1 each for a loan period of 7 days and are issued in retro bespoke turquoise sleeves for style and ease of carriage!

Thanks to Sam from Opium Eater who generously agreed to model with one of our Vinyl satchels…

New CDs for Te Awe

I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library and put our highlights here with some quick reviews of some new titles — our limit is a few lines only to distil down why you might want to listen. Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is on about (see self-image below)? Read on to find out…

via GIPHY

Statler: Well, it was good.
Waldorf: Ah, it was very bad.
Statler: Well, it was average.
Waldorf: Ah, it was in the middle there.
Statler: Ah, it wasn’t that great.
Waldorf: I kind of liked it.”
-‘The Muppet Show’.

Doomin’ sun. / Bachelor (Musical group)
Mark: More 90’s inspired pop/rock from collaborative project Bachelor (Ellen Kempner of Palehound, and Melina Duterte AKA Jay Som). There’s nothing original happening musically but it’s sincere and well crafted, with catchy tunes and fuzzy guitars. Enjoyable.
Neil: Bachelor, named ironically after the American reality show Bachelor nation, is indie rock at its most personal and confessional. The lyrics are a vulnerable concoction of tension and joy, love and insecurity intermingled in tales of real-life queer experience. The albums sound is mostly lo-fi minimalism, with occasional bursts of guitar coming through. It reminded me in parts of early Throwing Muses releases such as the Fat Skier.

Downhill from everywhere. / Browne, Jackson
Mark: Alongside Joni Mitchell and James Taylor, Browne is one of the quintessential singer/songwriters of the ’70s, with his folky, mature take on the lives of the Baby Boomer generation. ‘Downhill from everywhere’, his first album since 2014’s Standing in the Breach, offers up more of the same sensitive, introspective, folk-rock with charismatic easy listening tracks, that tackle the nexus of personal & social struggles that the world still offers up no matter how old you are.
Neil: Jackson Browne is one of those singer signwriting legends; a hugely accomplished and acclaimed artist. This is his first release in six years, and he has dropped hints that it may be his last release, indeed one of the tracks on the album is about his life after and beyond his music career. ‘Downhill from everywhere’ finds him in exceptional vintage form. The lyrics deal in a wide and rich detailed array of subject personal and beyond. They are warm, lyrical, and articulate. His voice is undiminished by range and, unsurprisingly, the musicians backing him are of the finest calibre. Indeed, if it wasn’t for the release date on this album, you could easily mistake this for one of his albums from his golden period of the 70’s and early 80’s. It this is to be his swansong, then it is a very fitting one.

Hotel Surrender. / Faker, Chet
Mark: Australian singer/songwriter Nick Murphy resurrects his Chet Faker moniker for another album of electronica, that segues between smooth grooves and relaxed vibes. Laid back cool that drifts along with no particular destination other than chilling you out.
Neil: Chet Faker is an invented musical space in singer Nicholas Murphy’s aka Chet Fakers head. It might sound a bit pretentious, but the music has a laid back 70’s feel to it. The songs live in the moment and ask the listener to appreciate the moment for what it is. There’s a mellow breezy, sunny warmth to the end results. As if you were floating in Chet’s private pool on a warm summer’s day staring up at a perfect blue sky.

Leave love out of this. / Tonnon, Anthonie
Mark: The Whanganui musician (and also new operator of the famous Durie Hill Elevator) is back with his third album of chamber pop meets synthesized sound. Guitars sit next to synth washes and drum machines, and styles shift from ambient house to intimate ballads and swirling vocals. An ambitious piece of work that aims for epic in scale and often succeeds.
Neil: Aotearoan musician Anthonie Tonnon has been perfecting his musical art over many years. ‘And Leave love out of this’ feels like a culmination and synthesis of all this labour. Crystalline slabs of 80’s synth punctuate stylishly crafted balladeer songs, full of empathy and melodic subtly.

Mammoth WVH. / Mammoth WVH
Mark: WVH is Wolfgang William Van Halen, son of guitarist Eddie Van Halen, and the bassist for Van Halen from 2006 to 2020. His debut album ‘Mammoth’, on which he played every instrument, is very much a classic stadium rock album in the vein of classic Foo Fighters or Stone Temple Pilots. And there’s nothing wrong with that, as this album of big fun riff driven songs proves. On the basis of this album Guns N’ Roses picked him as the support act for their recent US Tour.
Neil: Being the son of rock legend Eddie Van Halen and playing bass for your fathers’ band Van Halen for the past 14 years perhaps leads to expectations about what your first solo outing might sound like. However, Wolfgang Van Halen’s Mammoth, in which he incidentally performs all instruments and vocals, is not the cookie cutter album you might have expected. Sure, its mainstream stadium hard rock at its core but there are also elements of grunge, metal, and alternative rock in there too.

Man made. / Greentea Peng
Mark: Greentea Peng is the moniker of Aria Wells, a ‘psychedelic’ R’n’B singer and songwriter from London. On the strength of her 2018 EP she made The Observer newspaper’s 20 for 2020 list of rising stars in music, media and culture. Debut album ‘Man Made’ is Hip-Hop meets dub reggae, with a political stance focusing on the voices of youth, with themes of unity & spirituality. Hazy beats surround positive matra’s and messages.
Neil: Hazy rap with slight nods to the likes of De La Soul or A Tribe Called Quest with distinctive elements of cool Jazz, psychedelia and chilled Reggae thrown in. ‘Man Made’ is still very much Greentea Peng’s unique approach to music and life, with its idiosyncratic and distinctive sound. It makes for a very hip and happening summer soundtrack without being too intense.

Peace or love. / Kings of Convenience
Mark: The indie folk-pop duo from Norway return after 12 years with a new album. A distillation of their previous albums sounds, this is a lovely tranquil acoustic set with touches of bossa-nova. Reflective easy listening of the very best kind. Great to relax to at the end of the day.
Neil: Kings of convenience are regarded as part of the “new acoustic” movement, but the Norwegian duo’s elegant, melodic, carefully constructed songs lift them well above this clumsy and lazy description. Dreamy easy listening that is delicate, relaxed, and beautiful.

Prosthetic boombox. / Cola Boyy
Mark: Cola Boyy is Matthew Urango, who was born with spina bifida, kyphosis and scoliosis, as well as a club foot. His debut album, Prosthetic Boombox, was released by the French label Record Makers & features appearances from Nicolas Godin of Air and Andrew VanWyngarden. Deliriously giddy funky disco anthems reign supreme on this debut album, that’s all about fighting for who you are. The (deliberate I’m sure) cheesiness of some of the music only adds to the fun. Sort of like the soundtrack that your cab driver in ‘Grand Theft Auto: New York in the 70’s’ would be playing as you drive to Studio 54…
Neil: Cola Boyy’s debut album sounds like his own very personal and unique take on 80’s disco funk with a slightly psychedelic twist. A playful, upbeat sugar rush of sound that also embraces elements of house. So far so good but there’s much more to Prosthetic Boombox as the title, album cover and lyrics allude to. His powerful struggle with the discrimination and prejudice associated with his disabilities feature in the lyrics often in an upbeat and factual fashion.

Sharecropper’s son. / Finley, Robert
Mark: Robert Finley is an American blues and soul singer-songwriter who released his debut album at age 63. That led to meeting Dan Auerbach of The Black Keys, who produced and co-wrote his 2nd album. This follow-up, also produced by Auerbach, is a series of autobiographical tracks based on his upbringing on a crop share in Louisiana. More southern soul than blues, Finley has a fantastically authentic voice, and the tales he tells are of real struggles and hard won successes, the triumph of spirit over circumstances.
Neil: Robert Finley possesses one of those unforgettable husky soul blues voices, that sounds straight out of the classic recordings in that genre from the 50’s or 60’s. But Robert Finlay is not an artist recreating the sound of the past; he is the real deal. He only came to a career in music in his sixties, after a lifetime of experience that included attending a segregated school, having to spend his childhood picking cotton, house fires, car crashes and going blind. He said that going blind lead him to pursue his singing late in life. His previous two albums shot him to almost immediate acclaim. You can hear this lifetime of experience seeping through every aspect of this autobiographical work. The production by Dan Auerbach from The black Keys perfectly complements. A powerful and pitch-perfect, timeless, and instant classic soul blues album.

Thirstier. / Torres
Mark: Fifth full-length album from Mackenzie Scott (Aka Torres) is a slick slice of hooky pop-grunge. She was aiming for a big sound and a larger than life scope, different from the more restrained aesthetic of her previous albums. ‘Thirstier’ delivers that in spades, with a set of uplifting indie rock throwbacks.
Neil: ‘Thirstier’ by Torres is a big sounding, riff heavy, hook laden, euphoric sounding indie rock album, with heavy guitars thrown in. It’s an exuberant upbeat outing, with a grunge rock set free rolling vibe about it. A great happy alternative sing along album for uncertain times.

I be trying. / Burnside, Cedric
Mark: Old school Mississippi country blues, with some modern touches, from the grandson of R.L. Burnside. Perseverance through life’s struggle and your own mistakes, and the power of love are the focus of this update of a storied musical style.
Neil: Cedric Burnside is on a revival and resurrection mission. His album breathes new life and makes fresh the Mississippi blues tradition of giants like John Lee Hooker. The album manages to be reverential to that tradition, whilst not sounding like a museum piece. Indeed the music sounds fresh and vibrant. The lyrics are often of self-discovery, admissions of an imperfect past and the hard lessons learned. A valuable revitalisation of a rich musical tradition that has deep roots into America’s social history.

Gas lit / Divide and Dissolve
Mark: Female Melbourne-based two-piece with Cherokee & Māori ancestry, whose 3rd album is produced Unknown Mortal Orchestra’s Ruban Nielson. Eight tracks of sludgy doom shift between quiet beauty and cacophonic noise. Dread and unease abound on these heavy tracks, that the band say are an instrumental critique of colonialism and oppression.
Neil: ‘Divide and dissolve’ has a strong dynamic going on, moving as it does from ethereal and haunting melodic moments to intense loud and full-on heavy drone doom metal. It’s quite an achievement mixing political sludge metal with avant-garde classical structured jazz. A ride full of passion and intensity both challenging and rewarding.

Jump for joy. / Louris, Gary
Mark: The 2nd solo album from the ex-Jayhawk arrives 13 years afters 2008’s Vagabonds. Louris plays every instrument on this set of songs, that range through melodic pop tracks, to darker more personal ruminations. Similar in tone to the albums made as Golden Smog, the loose collective featuring Louris and members of Soul Asylum, Wilco, the Replacements, and Big Star. Breezy jangle pop meets Americana reflections. While the Jayhawks continue on as one of the iconic Americana groups, it’s nice to hear him stepping out on his own again.
Neil: Gary Louris from The Jayhawks is very much following the radio friendly singer songwriter path in this album. ‘Jump for Joy’ is his second solo album, and it is a thoughtful and well-crafted outing. The tracks remind me of George Harrison penned Beatles tracks, or songs that would sit well on the first Travelling Wilburys album.

Oil of every pearl’s un-insides. / Sophie [VINYL ONLY]
Mark: There’s no denying the production talent and vision at play here, as Sophie creates her multi-layered tracks without using any samples. Her body of work, though small, erased genre, geographic and emotional boundaries to create a maximalist pop that’s an ongoing influence on young hyperpop Tik-Tokers and Electronic music in general. Her ‘radical futurism’ blended the experimental & the mainstream, and was the direct anthesis of the cultivated nostalgia of so much ‘modern’ music and bands. However if you are unfamiliar with her work, how much you like this album will probably depend on how much helium voices and vocal processing you can stand at one time.
Neil: The death of Sophie Xeon in January this year was a tragedy in so many ways. The personal tragedy of losing someone so young is incalculable, and the loss to music of such a unique hugely gifted pioneering artist is equally immense. We will never know or hear those albums she would have gone on to create. What we do have is Sophie’s only album ‘Oil on every pearl’s un-insides’. This is one of a very few genuine 21st century masterpieces. One of the few albums in recent decades that point to a new musical future, direction, form, and language.

Urban driftwood. / Williams, Yasmin
Mark: Lovely mellow instrumental guitar album. Made a Guardian list of the Best Albums of 2021 so far. Immersive and relaxing.
Neil: Very smooth and immersive instrumental guitar album. Described by Yasmin herself as an abstract diary of 2020. At the albums heart is Yasmin’s virtuosic, serene, and eminently relaxing guitar playing – which is both intimate and immediate. A very soothing listen.

 

Revelation. / Carn, Doug
Mark: Doug Carn was a Jazz multi-instrumentalist whose 4 albums on the short lived but influential Black Jazz label pioneered the ‘Spiritual’ Jazz sound, with its Afro-centric musical aesthetic. ‘Revelation’ was the final collaboration between Carn and his wife Jean on the label. Organ, keys & horns form the basis of modal post bop tunes, including a lovely reading of John Coltrane’s “Naima”, all surrounded and interwoven with Carn’s beautifully soulful five-octave voice. Hugely influential. Carn would later add an extra ‘e’ to her surname and go on to much success as a solo R&B artist on Kenny Gamble and Leon Huff’s Philadelphia International label & beyond.
Neil: Rerelease of the 1973 album out originally on the short lived, but hugely influential, Black Jazz label from Doug and Jean Carn. Doug’s name may have been on the cover, but this is very much a joint effort with his then wife Jean. It is quintessentially a very 70’s Jazz album with elements of spiritual and soul jazz. In many ways the album is a fascinating and perfect time capsule of a piece from that time period. Right from the arrangements, to the selection of instruments used, not to mention the subjects explored. That said, it is rather wonderful in its own unique way, and due to the current music worlds obsession with the music and sound of that time, it is bound to win lots of new fans

Memory lake. / Rivers, Colette
Mark: Classy singer/songwriter-country album similar to the work of Kim Richey or Gretchen Peters. Alt-rock elements take some tracks in a different direction and vary things up. An impressive debut from this Wgtn based artist.
Neil: American born New Zealander Colette River’s debut album has many faces, facets and sides, with Colette using a diverse and multi layered sound palette in a tailored fashion to accompany individual tracks. The whole album is underpinned by an American Indie Folk core. Her willingness to use different instrumentation and sounds gives each track its own individual feel. A very accomplished debut outing.

Run deep. / Mahal, Deva
Mark: Born in Hawaii but raised in NZ, Deva Mahal was part of the Wgtn scene in the 2000’s guesting on albums from Sola Rosa & Rhombus, and cutting a live EP. After living in the US for a while, where she released this 2018 album, she returned to NZ in 2020. Her rich voice is framed within a classicist neo-soul outing that travels a musical path of uplifting R&B, piano ballads, 70s funk & 80s pop elements, based around themes of love, heartbreak & empowerment. ‘Wicked’ & ‘Optimist’ liven things up a bit, and ‘It’s down to you’ has a lovely old-school vibe. But as a whole, the album is perhaps limited by the over familiarity of the ‘Neo-Soul’ template at this point.
Neil: Classical Soul music, enriched and revitalised, in a contemporary and modern setting by Deva Mahal in this heartfelt debut album. Echoes of greats like Aretha Franklin’s work lingers on in this strong and substantial R&B offering that feels both relevant and new, whilst also having deep connections to the rich tradition of this musical form. Deva has placed her own unique interpretation of this musical genre into every aspect of this album, much in the same way as Amy Winehouse managed to do so, integrating both her own vision and at the same time paying her dues to this rich musical heritage.

Obviously. / Lake Street Dive
Mark: 7th album from this Boston indie Music-school band who play bubbly slick pop-soul. The band is built around singer Rachael Price’s voice, which has a distinctly classic tone. I really enjoyed this. All the songs are super catchy and, while this album emulates the same genres as a lot of other albums on this list, the songs are just so much better. The arrangements all have a live uncluttered feel, you can hear each instrument in the mix, and how they work cleverly around Price’s voice. Definitely a winner.
Neil: Obviously, there’s something about the early 70’s music scene that attracts a lot of modern bands to that particular period and music. And there’s more sweet 70’s influenced musical vibes going on here, with Lake Street Dive’s seventh studio album ‘Obviously’. This time it’s the funky, soulful pop of the time that the band are taking their musical queues from. ‘Obviously’ is a good time, slightly chilled, summer concert party of an album. A retro sounding, beautifully produced and well executed album, played by highly talented musicians at the peak of their powers.

Box Set Pick:
Aretha. / Franklin, Aretha
Mark: The first career spanning Box Set for the Queen of Soul. Covers most of her well known tracks, though some are in alternate or demo form, as well as some interesting rarities from TV show appearances and the like. What more can you really say about one of the greatest voices of the 20th Century that hasn’t already been said. It’s Aretha…
Neil: Reviewing this career spanning four-disc box set is just an excuse for me to wax lyrical about how amazingly, phenomenally, wonderful Aretha Franklin was and is. The box set is packed with all the well-known tracks (though usually in alternative versions) and career highlights, as well as lost gems from the vaults. Aretha Franklin is one of the greatest singers of all time with a voice that melts, hearts, souls and reaches out and across time. It goes without saying that the music contained in this box set is unmissable and peerless, and the compilers have taken a lot of care to feature alternative takes mixes and rarities.

New DVDs for Te Awe

Here are some new DVDs added to the catalogue over September that are available at our CBD Te Awe Branch, and selected other locations. Also included are some of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New Material:
Dream horse.
Wrath of man
The vault.
June again.
A quiet place. Part II
Fast & furious. 9, The fast saga
The hitman’s wife’s bodyguard
Girls can’t surf.
The dissident
The painter and the thief
Call the midwife. Series ten ; Special delivery ; Christmas special.
Cruella
Peter Rabbit. 2
Yellowstone. Season 3.

On Order:
The sounds. Series one.
James & Isey













 

 

 

 

 

 

 

 

 

 

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Staff Pick Films – Kanopy & Beamafilm

A selection of Staff Picks movies and documentaries from our website’s DVD pages; these films are all now available on the library’s two online streaming platforms, Beamafilm & Kanopy.

Herb & Dorothy – Beamafilm
You cannot dislike this. Herb is a postal worker, Dorothy is a librarian in New York City and they are art collectors – very serious contemporary art collectors. Who would think that this ordinary (and not cool) looking couple owned more than 4000 pieces of art works mostly minimal or conceptual arts? Amazingly these variable works are somehow stored in their cramped one room apartment where they live with turtles, goldfish and a cat. They have no proper ‘Art’ education, but when this couple face art works, their eyes start glowing and get very serious as if they are hunting dogs. Their collection became so significant it was gifted to the national Gallery of Art (so they are not for money). It is an obsessive passion but utterly charming. Above all, this is the story of this extraordinary couple who complement each other. (Shinji)

The white ribbon – Beamafilm
‘The White Ribbon’ is another subversive jewel in the aloof crown of Michael Haneke, disturbed creator of other choice picks Hidden, The piano teacher and the nicely bleak The seventh Continent. It’s shot beautifully in black and white, the acting is unobtrusively spot-on and the narrative offers gradual hints that build real force and tension. To complete the compellingly grim picture I must list the themes that make one squirm – the destruction of innocence, the abuse of parental power, fascism in its many forms, violence and death. ‘The White Ribbon’ creeps its way into your subconscious and despite your best mental efforts, lingers. Scene by scene, I had the strong sense that I was involved in something significant. You may want to watch this film again. (Monty)

Scott Walker: 30 century man – Beamafilm
I enjoy music docos and have recently found a new stash of them at the end of the CD aisles under ‘Music Biographies’. There are some goodies there, one of which is this excellent film about Scott Walker. The penny finally dropped for me as to why he is considered by so many to be a living legend. His journey from 60’s pop icon, as one of the Walker Brothers, to reclusive avant-garde sound sculptor is explored and held together with excerpts from Walker’s first agreed to interview in thirty years. This is a peek inside the creative mind and it is fascinating to glimpse, amongst other things, the humour that accompanies the creation of such intense songwriting – that is if you happen to agree with Walker that his creations can actually be called songs. (John)

Continue reading “Staff Pick Films – Kanopy & Beamafilm”

“It was a simple plan…” Exciting crime thrillers from our DVD collection.

Here are some old reviews (from 2006!) of classic crime movies from our DVD collection. that we dug up from our old webpages. We still have these titles on DVD because they are not currently available on streaming platforms. And because they’re still awesome!

To live and die in L.A.
Fans of CSI’s William L. Peterson (Grissom) may well be surprised by this 1985 movie, based on the novel, by former Secret Service agent Gerald Petievich. Peterson plays Richard Chance an arrogant & cocky Secret Service agent on the trail of a ruthless counterfeiter (one of Willem Dafoe’s best roles). When Peterson’s mentor, a fellow agent about to retire, is killed by Dafoe, he becomes obsessed with bringing down the clever counterfeiter- and will do anything to do it. Directed by William Friedkin (French Connection) this cynical, yet thoroughly entertaining movie blurs the line between the law enforcement officers & the criminals, as Peterson’s character is prepared to do anything from manipulating his informant (Debra Feuer), corrupting his new rookie partner (John Pankow), stealing, & even murder to get the job done. Features one of the greatest car chases ever filmed – going the wrong way up a freeway in rush hour traffic – and a bleakly cynical ending.

Wild things
Can lurid trash ever be raised to an art form? If so this movie probably comes closer than anything else. Matt Dillon is a high-school guidance-counsellor Sam Lombardo in humid Blue Bay, South Florida. When two students turn up to wash his car for a charity drive things take the first of many turns when one of them, (Denise Richards) accuses him of rape. Soon he’s shunned by the town, fired from his job, sent pacing by his rich fiancé, & harassed by Kevin Bacon – the cop investigating the rape. Soon another girl (Neve Campbell) a white trash swamp dweller comes forward to say he raped her as well. Desperate he hires a shyster lawyer (a scene stealing Bill Murray) and the case heads to trial – where the twists start to begin. What follows is so convoluted that it’s not even worth going into, suffice to say that it involves a series of twists that you really won’t see coming. A weird cross between a soap-opera, a 50’s B-movie Film, it’s filled with amazing over the top performances, catfights and cameos. Somewhat infamous for the ‘three-way’ scene hallway through the movie, it’s actually so entertaining that even without it, it would be a classic. Don’t miss the end credits – which include scenes that cleverly explain all that has gone before. A very guilty pleasure.

Continue reading ““It was a simple plan…” Exciting crime thrillers from our DVD collection.”

New Music for your Lockdown listening!

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Luckily for you (or perhaps not) thanks to the wonders of modern technology, the musical bromance my colleague Neil & I share can continue unabated during lockdown. We sifted through some of the new material we have been buying for the Music collection at our CBD Te Awe library to do some reviews for you, so you can now check out some new music during lockdown with the confidence that it won’t all be total rubbish and a complete waste of time…
[Note: With the exception of Disc 2 of the Jimmy London album, all of these titles are on Spotify. However, if you enjoy some of them please take the time to reserve them online, and show our collection some love when the Library reopens.]

via GIPHY

For free. / Crosby, David
Mark: Another strong entry in Crosby’s late career resurgence, with a mellow AOR sheen. Guests Michael MacDonald & Donald Fagan lend further gloss to this smooth album of relaxed harmonies, and 70s vibes. A solid set of songs reflect on growing old, regret, loss and perseverance.
Neil: For an artist totally written off as a drug casualty in the 80’s, David Crosby has in the last twenty years or so staged a truly miraculous revival releasing a series of solo works that rank amongst some of his best work. And considering his output in the late 60s and 70s that is saying a lot. And ‘For Free’ stands as one of these renaissance classics it is a poignant meditation on his own mortality, AND a beautifully constructed and sung album. Songs about life, love, the past and the present, and death. The inner and outer worlds of life as he has experienced them and as he sees them now.

Bridge over troubled waters. / London, Jimmy
Mark: Cheery Red resurrects overlooked Jamaican Reggae crooner Jimmy London with his rare 1972 album reissued with 4 bonus tracks, along with a 2nd compilation disc of tracks from Trojan’s Randy’s subsidiary label. His sweet pure voice lends a wistful romantic tone to these soulful tracks of love & longing.
Neil: Very welcome release of Jimmy London’s classic 1972 album ‘Bridge over troubled waters’. A reggae rock steady masterpiece, the track “A little love” was used by the then major of London Ken Livingston to promote the city.

Quietly blowing it. / Hiss Golden Messenger
Mark: Vocalist/songwriter M.C. Taylor returns with another album under the Hiss Golden Messenger moniker. A melange of Alt-Country, Folk/Pop, and slow 70s grooves provide the backdrop for a melancholic and sometimes angry look at the world of 2021. Rootsy back porch meditations set to upbeat melodies, that aim to provide a sense of optimism going forward.
Neil: A soothing rustic chilled Americana album with country folk stylings recorded, like a lot of recent work, in isolation during the early months of the pandemic in North Carolina. A calming album for troubled times.

Stand for myself. / Yola
Mark: Yolanda Quartey is a UK singer (now based in Nashville) with a love for late 60s/70’s artists who amalgamated R&B, Pop & Country. Producer Dan Auerbach creates a lush layered vintage sound that steeps Yola’s amazing voice in classic style & grooves, built around her strong original songs addressing contemporary themes. Shades of Tina Turner, Minnie Ripperton or Bettye Swann. An impressive follow up to 2019’s acclaimed Walk Through Fire.
Neil: Yola”s sophomore album is another Covid creation in which Yola took the opportunity step away from the star making machine and instead to look deep into who she is and wants to identify herself as, and places this firmly at the core of this album. It is an accomplished and genre jumping work that reminded me in places of some of the great Disco, soul R n B albums of the 70s and 80s, mainly thanks to Yola’s voice, which is set amongst unvarnished, unprocessed musical backings.

Yacht soul : the cover versions.
Mark: This cool compilation turns the tables on white musicians appropriating black music, by gathering together a bunch of Soul artists who interpreted various white MOR 70s FM and 80’s ‘Yacht Rock’ tracks. Unsurprisingly Aretha, Chaka Khan, Billy Paul, Millie Jackson et all add a layer of funky grooves to these white bread staples. Sadly the version of Seals & Crofts ‘Summer Breeze’ is from The Main Ingredient instead of the Isley Brothers version. Still good though…
Neil: Funky, smooth, soulful cover versions of classic AOR, Laurel Canyon Hippie classics with most of the tracks originating in the 70’s and 80’s. It shouldn’t work but it does. Two very different genres looking at each other and bringing out something new and rather wonderful. Imaging sailing on a beautiful summer’s day in 1974 with friends.

Animal. / Lump
Mark: The 2018 album from this side project of Laura Marling and Tunng’s Mike Lindsay seemed a a one-off, but they are back with more weird dynamics. The aim seems to be just to see where their disparate styles take them – through dark lyrics underpinned by meandering folktronica melodies, odd shifts & time signatures. I didn’t hate it, but it didn’t seem to go anywhere. Tracy Thorn does this sort of thing far better.
Neil: Mike Lindsay (of Tunng) creates the musical settings whilst Laura Marling supplies the vocals and lyrics, The resulting album is a glittering genre mashing, boundary pushing collection of tracks, the duo are obviously well up some musical explorations, it very occasionally reminded me of Radiohead esp. some of the oblique and odd imagery employed in some of the lyrics, and also some of the angular minimalist musical settings.

Mirror II / Goon Sax
Mark: Goon Sax were still at school when their 2016 debut album Up to Anything came out. Their cute indie-pop garnered natural comparisons to the Go-Betweens, given that frontman Louis Forster is the son of Go-Betweens Robert Forster. ‘Mirror II’ is their 3rd album, following 2018’s We’re not talking, and they eschew the Beat Happening 80s sound of their previous work for a full on dive into the 90s sound with Lemonhead-esque pop, shoegazzy guitars, male/female vocals and new wavey synths. Each member now shares vocal duties and have developed their own particular style as they have grown musically over the course of 3 albums. And ‘growing up’ is really what their song are about – the awkwardness & messy discontent of being young people at this current point in time. Their best album so far.
Neil: The Brisbane dolewave trio’s latest release revels in the complexities, difficulties and embossments associated with being a twenty-something in modern day Australia. Post punk young adult angst for the 21st Century.

Outside child. / Russell, Allison
Mark: Critically lauded solo debut from Montreal native and veteran of the Roots scene with bands Po’ Girl, Birds of Chicago & roots supergroup Our Native Daughters, which also features Rhiannon Giddens. The gentle, enveloping, music with its beautiful layered arrangements frames a haunting ‘musical memoir’, re-telling an upbringing of childhood sexual abuse and street living. It all sounds a pretty heavy listen, but there is a lightness to the melodic, organic, music that enlivens the weighty backstory. Full of powerful odes to her past self and experiences, as well as the city and music that gave her new hope. Sure to be a Grammy nominee and wind up on the Best of 2021 lists at the end of the year.
Neil: French Canadian singer Allison Russell’s impressive debut album is a deep soulful work, hotly tipped by many as one of the albums of the year. It is styled a beautiful classic soul pop album that showcases her gorgeous voice in a series of melodic tracks. Behind the surface production and beauty is an album that is, on occasion, starkly dark and heart rendering. Lyrics about her own childhood abuse and recovery are set in an often-uplifting survivor context.

Exit wounds / Wallflowers
Mark: Jakob Dylan’s band The Wallflowers were essentially a revolving door of different studio & live musicians based around his writing, which led to certain conflicts along the way in terms of the ability to execute his songs. With his return after a 9 year break, Dylan sounds much more comfortable with the bands classic roots-rock sound than on previous album, 2012’s Glad All Over, which never really gelled. A nice set of solid melodic songs about life’s struggles are a reminder of why they were such a consistently good band. Shelby Lynne provides nice harmony vocals on 4 tracks.
Neil: Considering the fact that his father is Bob Dylan and his upbringing was steeped in music it is no surprise that Jakob Dylan, the self-styled cowboy troubadour, is such a gifted and highly literate musician. However, Jacob brings more than his background to the Wallflowers outfit, he also brings passion and personal reflection to his work, perhaps even most pointedly in this his latest outing ‘Exit Wounds’. If you’re a fan of classic 70’s American folk rock or highway ballads, then this album should be right up your street.

Pale horse rider. / Hanson, Cory
Mark: Melancholic folky meditations from the frontman of LA art-rockers Wand. His second solo album, after 2016’s The Unborn Capitalist from Limbo, is pure Americana. Waves of lush lilting arrangements wrap around his mellow gentle vocals. The musical equivalent of a calming walk through a meditative landscape whilst staring up at the stars.
Neil: Another isolation album this time recorded in the Mojave Desert whilst surrounded by cacti and majestic desolate nature. The resulting work is a kind of psychedelic cowboy fantasy, all plaintive steel guitars, drifting sands and sun lazy weirdness, but infused with a gentle vibe throughout.

Love drips and gathers. / Piroshka
Mark: Piroshka is an English Indie-pop supergroup with Lush’s Miki Berenyi, Elastica’s Justin Welch, Moose’s K.J. McKillop, and Modern English’s Mick Conroy, that emerged from the Lush 2015-6 reunion line-up. Following on from their 2019 debut Brickbat, their new album focuses more on their dreamy shoegaze style, rather than some of the New Wave elements introduced on their debut, with strings swirling around layered instruments and vocals. Well worth checking out of you were a Lush fan. And who wasn’t, really?
Neil: A subtle rather surreal and ethereal album, all wrapped up in warm idyllic soundscapes that evoke both beauty, and a kind off early 70’s Roxy music nostalgia.

Mood valiant. / Hiatus Kouyate
Mark: 3rd album from Australian ‘Future-soul’ Grammy-nominated alternative R&B band. Skittery beats that have a Dubstep/D&B feel, underpin neo-soul vocalising reminiscent of Eryakh Badu & Corinne Bailey Rae. The frenetic key & tempo changes, rapid fire vocals, and jittery rhythms occasionally give it too much of a ‘Music School graduates’ feel, but their third album sees them establishing a uniquely individual sound.
Neil: The Australian future soul super group’s latest release is another slick and ultra-smooth release, mixing in their own inimitable way cool jazz, neo soul and R&B. Hugely popular in hip and trendy bars and clubs globally, but perhaps just a little slightly too slick and controlled in all areas for my tastes.

Mother Nature. / Kidjo, Angélique
Mark: Beninese singer, songwriter, and activist Angélique Kidjo returns with her first album of original material since 2014’s Eve, collaborating with a younger generation of musicians like Burna Boy, and Sampa the Great, crossing continents & generations. She uses this fusion of percussive pan-African traditional styles with modern dance, Hip-Hop & trap grooves with her Fon, Yoruba, French, and English vocals, to comment on various current issues around political resistance & female empowerment. Strong messages surround by catchy funky danceable beats.
Neil:Kidjo, Angélique has been described by some reviewers as Africa’s premiere diva and now recognised across the World, thanks in part to singing at the recent Tokyo Olympics. This multi guest album expounds her vision of pan African unity. Infectious rhythms and her love of Zimbabwean township music all play a role in this potent mix. Her fabulous reimagining of the Talking Heads Remain In Light album is well worth checking out too!

Welcome 2 America. / Prince
Mark: Unreleased album from the Prince vaults recorded & mixed in 2010, but then set aside for unknown reasons. None of the songs were ever played live, so its existence & unearthing was big news for Prince fans this year. Prince created so much music in the later phase of his career, so how much you enjoy this will probably depend on how devoted you are to the independent phase of his career, with its shifting styles, and touches of genius buried within lots of filler. ‘Welcome 2 America’ has some great, catchy, tracks on social empowerment (that seem even more relevant today) and some soulful ballads, but also some of the jazz-funk filler that typified his albums from that era. Overall though it’s probably more consistently enjoyable than a lot of his albums from the 2010’s, so its good that it has finally seen the light of day at last.
Neil: Whilst there is no argument that Prince created some of the greatest albums of the 80’s it is also true that the release of material since his death has been patchy in quality. Sadly, this album of totally unreleased tracks falls into this category. It’s is a ‘state of the nation’ album originally scheduled for a 2010 release, intended as a kind of updated version of the brilliant Sign ‘O’ The Times, but it lacks that albums originality, bite and passion. Prince is always worth listening to and there are one or two good tracks on the album, but it is also clear from listening to the final overall work why he choose to leave it unrealised.

The blue elephant. / Berry, Matt
Mark: Actor-Musician Matt Berry (The Mighty Boosh, The IT Crowd) likes to deliver albums re-creating particular styles of music he is a fan of. Pastoral folk-rock for 2013’s ‘Kill the Wolf’, new age synthesizer music for 2014’s Music for Insomniacs, and country-rock (2020’s Phantom Birds). He is back with a new album square the the psychedelic realm with new album ‘The blue elephant’. All the faders are set to reverb, splashy snares hit every few seconds, chorale voices back meandering tunes as his actor-ish tones and song arrangements hit all the psych buttons you could push. One for fans of the genre. Anyone else might feel like they’ve dialled in a lost pirate radio station from the 60s…
Neil: You might be more familiar with Matt Berry’s as the award-winning actor, comedian in outings such as ‘The Mighty Boosh’ or the 2015 SpongeBob movie. However, he has always run his music career in parallel with his acting one. A prolific musician with nine studio albums to his name. In ‘The Blue Elephant’ he has made a work that is a huge homage to the music of the late 60’s. Let’s be clear this isn’t a comedy album in any sense of the word, instead it’s a serious recreation of the music of flower-power age. And if you enjoy music from this time, then I think you are onto a real winner.

Drama. / Amarante, Rodrigo
Mark: A Rio de Janeiro native who now calls Los Angeles home. Known for the rock quartet Los Hermanos (who were huge in Brazil) and his track Tuyo which is the theme song on the popular Netflix series Narcos. ‘Drama’ is his second solo outing, following 2014’s Cavalo. Lovely atmospheric laid back Brazilian samba/tango rhythms, with 4 tracks in English, shifting from the upbeat to the romantic. A perfectly relaxed, soothing album for the times we find ourselves in. Amarante apparently recorded most of the album himself, and plays no less than 10 of its instruments.
Neil: Born in Rio De Janeiro, Rodrigo Amarante uses his rich cultural heritage to fullest advantage, whilst bringing a large dollop of his own creativity to the party. It is a laid-back party, but no worse for that. It is the kind of music you can imagine taking it easy to on a long hot summer’s day. Another blissful, gentle album, this time Samba inspired with acoustic singer-songwriter elements woven in.

KG0516. / Karol G
Mark: Colombian pop singer who mixes reggaeton, hip-hop, & modern R&B. She spent a decade as a guest and backing vocalist before Ahora Me Llama with Bad Bunny in 2017 launched her solo career. KG0516 is her 3rd album and is a catchy mix of pop-reggaetón, urbano & Latin trap. The US is supposedly in the midst of a second wave of Latin crossover success after the 2000’s and this album, which has already made a Guardian list of the Best albums of 2021 so far, will no doubt place her as one of the key female artists currently in Latin music.
Neil: Colombian singer Karol G’s latest album takes its title from the format of a flight number representing her name. It’s a clever idea and well named, as each track in this album in the artists own words “is a connecting flight that takes you to a new place”. It’s Karol’s own version of a musical journey, the tango tinged modern urban sound and production overlays a versatile range of tracks, each with a slightly different emotional emphasis.

Reason to live. / Barlow, Lou
Mark: 6th solo album from this iconic indie music figure, who has been a member of Dinosaur Jr., Sebadoh, and the Folk Implosion. A homage to his early lo-fi aesthetic (but with better modern gear) he recorded this album at his home, and played everything himself except for drums on one track. Folky, introspective, searching songs that confront anxieties both personal and political. Mature and thoughtful, proof that domestic happiness hasn’t dulled his song-writing skills.
Neil: A million miles away from his Dinosaur Jnr output, Lou Barlow’s downbeat vocals and acoustic guitar driven lo fi production are in places reminiscent of Nick Drake. The lyrics mine a rich vein of heartbreak and critical self-introspection. That all said, there is undoubtedly a warmth and optimism woven through the tracks too. The result is delicate, beautiful, and slightly melancholic and well worth a listen.

After robots. / BLK JKS
Mark: We just purchased the new sophomore 2021 album ‘Abantu/Before Humans’ from BLK JKS, so we thought we would also track down their critically lauded debut from 2009. This will end up in the world section, but it is just as much an alternative rock album, as turning the tables, the South African musicians take on Western music traditions, instead of the other way round. A dense hybrid of 60’s hard rock, proggy rhythms, jazz, afrobeat, reggae and much more. Repeated listens are needed to make headway into this album, which still sounds ahead of its time 12 years on. Challenging but rewarding.
Neil: After Robots is a hugely ambitious project, with the band trying to fuse elements of prog rock, ska, jazz kwaito and reggae (and those were just the genres I spotted) into a cohesive whole. In places it is great, and their ambition pays off. In other places the weight of this ambition pulls it down, and the album loses focus and clarity, but the big sound they strive for is powerful throughout.

Get out of your own way. / Sands, Evie
Mark: Much like Jackie DeShannon, Evie Sands is a pioneering 1960’s singer, who had the bad luck of being the first artist to record a number of well know songs that went onto become big hits for others. She was the first singer to record “Angel of the Morning” for example, weeks before her label went bankrupt & the song became an massive hit for another singer. She spent most of the 70s focusing on songwriting, only releasing 2 albums before retiring completely. After a comeback album in 1999, ‘Get out of your own way’ is her first solo recording in 22 years, and it’s just great. A super catchy set of melodic country-tinged pop songs that sound timeless.
Neil: American singer songwriter Evie Sands began her career in the 60’s when she was just a teenager. Possessing a distinctive powerful and unique blue-eyed soul voice no less than Dusty Springfield described her as her favourite singer. She’s weathered the highs and lows of the music industry for the best part of 60 years. This new collection sounds like it could have been recorded at any point in career, from the mid seventies onwards. Accompanied by a strong band and her undiminished vocals, basically it is a collection of American classic pop-rock ballad songs that have soulful elements.

I know I’m funny haha. / Webster, Faye
Mark: The music photographer/indie-singer returns with a new album after the breakout success of 2019’s Atlanta Millionaires Club. She has a lovely voice, and the album is full of lovelorn ballads and sad moods, delivered in laid back washes of country-ish pedal steel and strings. Her tart lyrics often uncut the sweetness of her drowsy meditations on love & loneliness. Lead off song, the 2020 single ‘Better Distractions’ landed on Barack Obama’s annual year-end playlist. Really enjoyed this one.
Neil: The sad, plaintive and beautiful voice of Faye Webster is put to excellent use in ‘I know I’m funny ha-ha’. A lonesome, indie country, haunting, steel guitar heavy album of songs about the emotional emptiness of life’s sadder moments. It is a testament to the albums musical balance that it never sounds like a dirge, or lacking in emotional conviction.

Home video. / Dacus, Lucy
Mark: The solo artist (and member of ‘Boygenius’, a trio with fellow breakout 20-something singer/songwriters Julien Baker and Phoebe Bridgers) returns with her 3rd solo album, which looks back on coming of age in her hometown. Her warm emotive voice looks back on her childhood & adolescence with vignettes on relationships, the influence of the Church on young women, and sexuality. These poignant reflections would seem to lend themselves to a folky acoustic mileau, but Dacus rocks out with a power-pop feel to the most traks, leavened with some guitar & keys based ballads. The perspective of her 20s provides a more mature & defined worldview, that pierces the mists of nostalgic memories with sharply pointed observations. Really good.
Neil: As a young person Lucy Dacus was heavily immersed in American Christian youth culture, but as her sexuality emerged this started to raise problems in her life and faith. ‘Home Video’ is her autobiographical exploration of her younger self’s world and her subsequent growth. The songs are catchy, finely crafted and, in a deliberately post adolescent way, address young love, nostalgia, spirituality and emerging sexuality. The lyrics are direct and sharply focussed.

Blue weekend. / Wolf Alice
Mark: 3rd album from this North London band that merge vintage ’90s rock and 4AD styled dream-pop. Previous albums were all a commercially & critical success, garnering a Grammy nomination in 2015 and a Mercury prize for Visions Of a Life, and each release seems to get huger in sound & ambition, navigating multiple genres with ease. This album is even more ambitious, with the music polished to a sheen, and singer Ellie Rowsell’s voice in front, every track seems to be aiming for ‘Soaring anthem’. Already the 4th highest scored album of 2021 on Metacritic. It all sounds amazing, but I’m still not convinced they are anything more than the sum of their influences.
Neil: Back in the day some bands deliberately wrote albums designed to be played in big stadium tours or festivals. Wolf Alice’s latest outing sounds like that was their intention on ‘Blue Weekend’. This isn’t a criticism, as it’s a pristine, extravagant alt-rock/shoegaze work of big performances and sound. I think when they can get back on the road, the music encapsulated in this album will make for a showstopper stadium tour.

Tezeta /
Mark: This long-lost recording captures Ethiopian organist Hailu Mergia and the Walias Band at the Hilton Addis Ababa in 1975. The American owned Hilton was an upscale cosmopolitan refuge from the political turmoil of Ethiopia, following the mid-70s take over of the erg military regime. The Walias band held a residency at the Hilton for almost a decade and, as this rediscovered performance shows, merged traditional Ethiopian popular songs and standards with American funk, soul & Jazz grooves to great effect. Simple chord vamps form the backbone of these endlessly funky tunes that are perfect for background listening, but when you pay closer attention the complexities of his playing reveals itself.
Neil: Ethiopian keyboardist Hailu is best known for his work in the Walia’s Band that regularly played the Hilton hotel in Addis Ababa in the 1970’s, during what is often referred to as Ethiopia’s “Golden age of music”. These long-lost recordings are finally seeing the light of day. Imagine, if you can, Ethiopian cocktail lounge music that also encompasses traditional and modern aspects. Music that is simultaneously fabulous background music, and also innovative in its own way. It’s a really mesmerising mix.

Utopian ashes / Gillespie, Bobby
Mark: The Primal Scream frontman teams up with former Savages frontwoman Jehnny Beth for some duets in the vein of Lee Hazlewood and Nancy Sinatra. Apparently the album tells the tale of a doomed marriage. Grievances are aired and regret & blame intermingle, as the fictional couple sift through the ashes of their failed relationship. These narratives are set to a moody, lush stringed, country-southern soul sound, and they give the indie-rocker & the post punk icon a chance to showcase a hither-to unknown vulnerability within their respective musical personas. An unlikely pairing that results in a surprisingly effective album.
Neil: Primal Scream and Jesus and the Mary Chain legend Bobby Gillespie teams up with Jehnny Beth, and they go all dark country on us. On paper it sounds like a startling change of direction for both artists, and in less experienced & talented hands it could have gone badly astray. However, both Bobby’s and Jehnny’s instantly recognisable and distinctive voices anchor the piece, and the album does contain some low-key stylistic elements of their previous work. Dramatic and understated, in places tragedy and pain, melodrama and dark tales, are all imbedded in these songs. A highly successful collaboration & an unexpected change for all parties concerned that really delivers the goods.

Box Set Reissue Picks:
The Reprise albums (1968-1971). / Mitchell, Joni
Neil: A collection of Joni’s reprise albums. The pinnacle of her career, flawless, creatively unbounded by convention or commercial considerations, unmatched in their brilliance. The finest songwriter of our time on creative fire.

Everybody still digs Bill Evans. / Evans, Bill
Mark: Lavish & stylish box set from Concord Records speciality Craft imprint. The first detailed career retrospective from 1956—1980, through multiple labels, for the iconic Jazz pianist divides its 5 discs into themes that follow his career: 2 disc of Piano Trio performances, one of Solo performances, another of co-headlining and side-person work, and for the final disc a previously unreleased, live recording form the mid 70’s. Encased in a lovely hardbound book, with photos and a lengthy essay & session notes, the tracks have all been newly remastered. A fitting tribute to perhaps one of the most influential & pivotal figures of modern Jazz.

New DVDs for Te Awe

Here are some new DVDs added to the catalogue over July that are available at our CBD Te Awe Branch, and selected other locations. Also included are some of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New Material:
Zappa
The Glorias
Stepping out
Martha’s vineyard mystery collection. 1.
High ground.
The Brokenwood mysteries. Season 7.
Chaos walking

On Order:
Son Of The South
The Crown: Complete Season 4
CB Strike: Lethal White
Inspector Montalbano, 12
While At War
Locked Down
Finding You
No Man’s Land
Gunda










Staff Picks DVDs

Here is a mix of old and new movies (and a TV show) from our DVD shelves, storage facility, and online-streaming services, that Staff have been enjoying recently.

A beautiful day in the neighbourhood
It’s a Biographical film of Mister Rogers the American TV host of the pre-school television series Mr Rogers. A good yarn of a film with a feel-good factor about kindness, love, and forgiveness. (Maxine)

 

 

It Must Be Heaven
The Palestinian filmmaker Elia Suleiman stars himself in his first feature in ten years and goes out from his homeland Nazareth to Paris and New York as ‘a citizen of the world’. He plays a film director but no one shows the interest in his film just like Palestrina has been often ignored from the rest of the world. The film implies serious messages, but with a touch of Jacques Tati and the unique Swedish maestro Roy Andersson, Suleiman makes it a minimal yet playful comedy. A droll gem. (Shinji)

Rams
Starring Michael Caton and Sam Neill. Marketed as a comedy, this movie is actually the heartbreaking tale of two brothers on neighbouring farms, who have not spoken a civil word in 40 years. Faced with the catastrophic outbreak of disease in the region, and savage bushfires, they are forced to work together to save their tiny flock of rare-breed sheep. (Kath)

 

Dogfight
This largely unknown little gem from 1991 tells a story of an unlikely but lovely one-night stand. Set in San Francisco in the mid-60s, it unfolds when U.S marines hold a big party before being sent to Vietnam. Featuring brilliant, flesh-and-blood performances by Lili Taylor and River Phoenix, the director Nancy Savoca sensitively crafts a sweet, moving affair. Soundtracks from the 60s folk music including Bob Dylan and Odetta make it even more memorable. (Shinji)

 

Capricorn One.
Another classic 70s deep state conspiracy thriller, along the lines of The Parallax View. Due to an immanent systems failure ‘Capricorn One’ – the first crewed mission to Mars – blasts off without its crew. Another failed space mission would result in NASA’s funding being cut and private contractors losing millions in profits, so the astronauts are taken to an abandoned warehouse fitted out as a TV studio, and blackmailed into filming counterfeit televised footage during the flight. But when the spacecraft burns up during atmospheric re-entry, what happens to them now….Written and directed by Peter Hyams with Elliott Gould as a crusading journalist out to discover the truth, and James Brolin, Sam Waterston, and O. J. Simpson as the astronauts. A good solid old fashioned thriller. (Mark)

Shadow of a doubt
One of Hitchcock’s early American efforts, ‘Shadow of a Doubt’ explores the darkness lurking beneath the surface of an idyllic Californian town. Teenage Charlie is thrilled when her namesake uncle Charlie comes to stay, but soon comes to suspect he might be running away from something horrific. The cosy domesticity of the family home becomes increasingly claustrophobic as Charlie’s suspicions grow more certain, but the rest of the family remain blissfully ignorant, taken in by Uncle Charlie’s easy charm. Hitchcock called this his favourite of all his films and it’s not hard to see why – every element is pitch perfect, from the performances to the atmosphere to the undermining of the seemingly ideal nuclear family. Definitely worth a watch! (Charlotte)

Happy as Lazzaro
In this half social and half magical realism dram, new Italian auteur Alice Rohrwacher creates an enigmatic modern fable by avoiding the explanatory narrative and letting images and sounds talk. With the surprising twist at the middle point, it offers a unique cinematic experience like no other. Bewitching. (Shinji)

 

A chorus line
The classic Broadway musical, brought to the screen. Set at an audition for a Broadway chorus line, a group of young hopefuls share their hopes and dreams. Killer musical numbers and a great storyline. Directed by Richard Attenborough. (Kath)

 

 

The Undoing
Based on the Jean Hanff Korelitz’s novel You Should have known, this highly anticipated HBO’s mini-series follows a wealthy, perfect-looking New York couple who becomes the centre of the high-profile murder case. Although it’s not the best work by director Susanne Bier (After the Wedding, The Night Manager), the superb performances by the starry cast led by Hugh Grant, Nicole Kidman and the great Donald Sutherland make it a more than watchable psychological suspense. (Shinji)

I, Daniel Blake
The story of a 59 year old carpenter who finds himself out of work, trying to navigate the welfare system in the UK with dignity and respect. This film humanises welfare recipients and highlights just how punitive and discriminatory the systems in place are. Pack your tissues for this one! (Kath)

 

 

Caravaggio
I recently had the pleasure of watching Derek Jarman’s Caravaggio, which I borrowed on DVD. I saw it years back, but I went back again as I’d just read through his collected sketchbooks. I found it doubly wonderful to see his drawings and poems rendered into their final form- even more moving than before. I’d enjoyed his other films in the past, but none had made the same impact as this, hot on the heels of his personal writing. It’s a strange and sumptuous feast of a film, unexpected, anachronistic and beautiful- and I couldn’t recommend it highly enough. Our collections on his sketchbooks– and the book on his garden– make for wonderful companions! (Alex)

Bill & Ted face the music
William “Bill” S. Preston Esq. and “Ted” Theodore Logan are back, grown up, still married to the Medieval Babes and now parents of daughters that are very like them! Faced with the end of time yet again, they’re tasked with travelling through time to save the universe. And their daughters follow them on their quest. It’s silly, it’s full of call backs to the original movies, and it’s a great way to pass a couple of hours. (Kath)

 

[Bemafilm only]
Never released on DVD in Australasia ‘Time Lapse’ is an award winning indie-Sci-Fi film that has recently been added to our streaming service Bemafilm. Finn is a painter with a creative block, who lives together with his girlfriend Callie and his best friend Jasper in an apartment complex where Finn works as a manager. When they go to check on a reclusive elderly tenant they discover a strange machine in his apartment that takes Polaroid photos of their living room’s picture window—apparently 24 hours in the future, always at 8pm. Discovering the mysterious charred corpse of the tenant in his storage facility, they decide to use the machine for their own financial and artistic gain. However this means they have to make sure the events depicted in the photos come to pass or the timeline won’t be real… no matter what they show. Intriguing low-key Sci-Fi that digs into the ideas of causal loops, makes clever use of a static location and relies on a ideas rather than effects. Recommended if you like films such as Coherence & Primer. (Mark)

If Beale Street could Talk
Barry Jenkins’ follow up to the Oscar winner ‘Moonlight’ is a faithful adaption of a James Baldwin novel, and is a lyrical portrait of a young black couple who is facing injustice. The deeply rooted racial issue is the undertow of the film, but with his poetic aesthetic, Jenkins crafts a haunting yet beautiful love story. Glorious. (Shinji)

 

Nobody
If you ever watched ‘Breaking Bad’ or ‘Better Call Saul’ & wondered what the shows would have been like if Bob Odenkirk had been cast as Walter White and Bryan Cranston had been cast as the comical lawyer Saul Goodman, then this is the movie for you. This action thriller directed by Russian director Ilya Naishuller (Hardcore Henry) and written by Derek Kolstad (creator of the John Wick franchise) sees Odenkirk plays Hutch Mansell, a seemingly average middle aged office worker, who helps a young woman on the bus being harassed by a gang of thugs, only to become the target of a vengeful drug lord. However, much like John Wick, Hutch is not the mild-mannered guy he is pretending to be, and what follows is a hugely entertaining action-fest full of bonkers violence, absurdly entertaining scenes, and a good deal of tongue in cheek self-awareness. Tons of fun. (Mark)

New CDs for Te Awe

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Here is some of the new material we have been buying for the Music collection at our CBD Te Awe library. My colleague Neil & I decided to do some quick reviews of some new titles. Our limit was a few lines only. Do we actually carefully appraise & select the latest new music releases for your listening pleasure? Or do we just buy every third item on the list and hope it works out? Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is on about? Read on to find out…

Dreamers are waiting. / Crowded House
Mark: The iconic band regroup with help from Finn’s 2 sons & former producer Mitchell Froom. The immediate accessibility and edge of the early Paul Hester albums is gone, bit it’s been replaced by new blood and songwriters that help craft an album that feels warm and comforting. Tones and melodies that slowly creep up on you after repeated listens. Never really a fan of their later work, but I didn’t hate this.
Neil: Crowded House are one of the biggest and most popular in N.Z., having to date sold over 10 million albums. Their popularity with fans remains as was more than amply demonstrated by their recent series of sell-out gigs touring pretty much of all the major New Zealand stadiums. However, for me I just never got them. They just sound bland and this release didn’t change my mind. They undoubtedly have loyal passionate fans and I strongly suspect they will love this new release, as it has been widely acclaimed as a triumphant return to form, but not for me.

Live in Stuttgart 1975. / Can[VINYL]
Mark: This archival release of a 1975 90-minutes concert in Stuttgart comes from a fan’s live tape recordings that have been newly mixed and mastered. This was rated 100 by both Record Collector & Uncut, and I can confirm that it is indeed 100% noodling that takes 90 minutes to go from zero to nowhere…
Neil: Regarded as one of the Classic German Bands from the 70’s, this live recording captures them at the height of their formidable creative powers. The original, now heavily cleaned up and enhanced, recordings came from a fan recording in the audience. The resultant album finds them at their most unrestrained in a 90 minute free flow improvisational work out, powered by the hypnotic drums of Jaki Liebezeit and propulsive bass of bassist Holger Czukay. The tracks flow in and out of each other, an element popping up here, a motif there; it is one of those releases you just need to let go on, and let it wash over you.

Yol. / Altın Gün
Mark: I really enjoyed this. Turkish singers & Dutch musos meet. The female & male leads alternate the vocals, and the tracks are full of cool, catchy, sinuous Middle-East vibes set to synthy grooves. Like the soundtrack to a cool 60’s Spy Film…
Neil: Turkish psy maestros Altin Gun go all 80’s disco on us, in this audacious fabulous and highly unlikely mash up of time jumping styles. Imagine, if you can, music from the Ottoman empire made during the psychedelic 1960’s but using 80’s synths and beats!

Cavalcade / Black Midi
Mark: Chaotic post-punk jams together dissonant noise with squalling saxophones, buzzing baselines & industrial guitar – then follows it with mellow tracks of lounge era styled crooning. A melange of sound that aims to challenge. Scott Walker would probably have liked them…
Neil: An explosion of sound that effortlessly blends beautiful and melodic elements, with often heavy and frantically twisted rhythms. An anarchic, complex, and very ambitious album.

Wink. / Chai
Mark: The genre hopping Japanese female quartet shave off the guitars, pop-punk edges and mash-ups of previous albums ‘Pink’ & ‘Punk’, and go straight for the pop jugular with this album of so smooth tunes. Woozy 70s organs back tracks with whispery 90s R&B vibes, which alternate with catchy electro-pop workouts. Infectious & charming.
Neil: Chai remind me of the musical equivalent of eating a chocolate coated, frosted sugar bomb; the contagious endlessly upbeat energy of the album shines through the whole work like a sugar rush. It is less punk and more pop than the bands previous releases, but that optimistic energy is still very much present.

Be right back. / Smith, Jorja
Mark: 8 track EP supposed to be a stop gap follow up to her 2018 critically-acclaimed, Mercury Prize nominated debut album ‘Lost & Found’ – for which she won her second BRIT Award for ‘Best Female’ and earned herself a nomination for ‘New Artist’ at the Grammy Awards. Melds Jazz, R&B & Trip-Hop influences around her emotive vocals, with songs focusing of self-awareness and empowerment. Worth checking out if you enjoyed the new albums from Arlo Parks or Celeste.
Neil: Super smooth, ultra-stripped back R & B combined with emotionally vibrant lyrics. All delivered using Jorja’s rich, distinctive, mellow, and delicately phrased voice. Chilled.

Jubilee. / Japanese Breakfast
Mark: ‘Japanese Breakfast’ is the solo moniker of Philadelphian Korean-American musician, director, and author Michelle Zauner (her debut memoir debuted at number two on The New York Times nonfiction best-seller list). Her super-catchy third album delivers some sweet 80s indie-pop hooks, and shoegazzy vibes. The self-directed music video for Be Sweet is a very funny X-files homage, with Marisa “Missy” Dabice (from fellow Philly band Mannequin Pussy) and Zauner acting as FBI Agents tracking aliens.
Neil: This indie referenced album is replete with lush horn and string orchestration. A veritable smorgasbord of styles and sub genres, all harnessed to an album that ostensibly about happiness and the pursuit of happiness. It’s an album that in many ways feels like it belongs in this very moment in time. In places it reminded me of ‘War on Drugs’ or ”Wilco’.

Carnage / Cave, Nick
Mark: Deeply reflective pieces. Melancholic music underpins his cavernous voice, as it rumbles through mood pieces that reflect the fear & uncertainty of the last year.
Neil: Nick Caves recent typrich of releases has cemented (as if there was any doubt) his reputation as one of the finest songwriters and performers around. Carnage is a collaboration with long-time friend and fellow ‘Bad seed’ Warren Ellis. The album sits very comfortable within this recent golden period of intense, melancholic and on occasion terrifying works. It is a surreal, stark, and brutal meditation on grief, dark, profound, pained, and melodramatic.

Black sea golden ladder. / Kingi, Troy
Mark: Kingi is now halfway through his 10-albums-in-10-different-genres-in-10-years project. This albums genre is ‘Folk’, a collaboration with co-writer, producer and multi-instrumentalist Delaney Davidson, and sees string drenched autumnal reflections sit next to twangy, gentle guitar porch ruminations on the cycle of life, love and the human spirit.
Neil: The supremely, gifted musical chameleon that is Troy Kingi has shown his musical versatility over several wonderful albums on several occasions in recent years, but who would have thought that his latest musical incarnation would be as a mellow folk maestro? The resulting album is a calm, beautiful, and chilled outing. A fabulous mellow outing, like watching the sun go down on the fragile dream of a late autumn day. Delaney Davidson’s voice adds just a little grit and darkness to the proceedings.

Soberish. / Phair, Liz
Mark: No other singer from her era fell as far as Liz Phair did in the eye of critics, as she shifted from the alt-darling of the Girly-sound tapes & confrontational debut Exile in Guyville, to working with ultra commercial songwriters The Matrix and rapping on Funstyle, the last album she released in 2010. ‘Soberish’ reunites her with Brad Wood, who produced her early albums, and while it still has a pop sheen to it she’s no longer forcing the point as hard as she was towards the end of her initial run. There’s a casualness to the whole thing that makes some tracks & musical ideas seem half formed, but also means the more poppy melodies sit next to the lesser formed sketches with more ease. The musical landscape has shifted so much since her last album, and genres have so little meaning to modern artists, that overt pop music and indie-meandering can now co-exist side by side on albums in a credible way that differentiates todays music from the albums of the 2000’s.
Neil: Liz’s first album in 11 years is a sharply focussed slab of Alt rock. In it she delivers an honest, heart felt work about the various faces and sides of love, and the pressures and damages that can be done by early fame – such as her battle with alcohol. The album reveals a clear-eyed depth of emotional clarity. An artist perhaps for the first time really connecting with inner self on record, or perhaps rediscovering who she is.

No gods no masters. / Garbage (Musical group)
Mark: Garbage in the 2010’s only released 2 albums, which were generally seen as riding the wave of 90s nostalgia. The new album ‘No gods no masters’ has been hailed as a bit of a return to form, with it’s pounding industrial beats and anthemic tracks. Shirley Manson’s lyrics have a more political & socio-politico focus on this album, lockdown and the current social tumult taking the album in a different direction than the initial sessions from 2018. She tackles subjects like Religion, patriarchal structure, injustice, late stage capitalism, misogyny, and white supremacy, while still focusing on the personal with a couple of tracks. However, how much you enjoy this new album may just depend on how much politics you like in your musical mix.
Neil: After a long break Garbage return to their swaggering incendiary best with ‘No gods no easily masters’, their strongest album since Version 2.0. They have reconnected with their dark muses in this powerful, hook laden, anthemic, genre blending rock out of an album.

Back to the future. / Sons of Kemet
Mark: Caribbean and Afro-influenced South London jazz supergroup. Opening track “Field Negus” was recorded during the BLM protests, and the song titles that follow form a cumulative historical narrative of the Afro-centric experience. Free jazz squalls mix with Middle Eastern grooves and Afrobeat, with guest players offering up instrumental talents and raps. Melodicism and anger meet within each track. Not the kind of Jazz you mellow out to….
Neil: Black to the future is Shabaka Hutchings politically charged propulsive Jazz album. It features multiple guests, including rappers and singers from both the U.S. & the UK, and is fundamentally a collaborative piece which aims to unite the different strands of the African diaspora. A passionate, angry, and incredibly powerful album that speaks directly about collective oppression.

Laugh to keep from crying. / Nat Turner Rebellion
Mark: Early ’70s Philly soul band whose music was mostly unreleased, now unearthed almost 50 years after the band’s breakup. Sort of like Kenny Gamble and Leon Huff making an entire album of tracks like Billy Paul’s ‘Am I Black Enough for You?’. Politically charged, anti war themed, full of statements of Black pride and power. Similar to a lot of the counterculture era soul songs that Motown released in the late 60’s, that still seem as relevant now as they were then. A bittersweet release, as songwriter/leader Joe Jefferson is the only band member still alive to see time finally catching up with this great music.
Neil: This album works as a nice historical complementary listen to the previously reviewed ‘Sons of Kemet’ album. ‘Laugh to keep from crying’ was originally recorded in 1969 and with the exception of a few tracks was shelved by the record company after tensions with the label, and is only finally seeing the light of day now. It’s a funk heavy masterpiece of the Philly soul and protest music movement sound. This album isn’t a re-release like so many other albums from this time, it is actually a rediscovery of a long-lost solid gold recording.

Sour. / Rodrigo, Olivia
Mark: Who better to assess the zeitgeist of sad girl pop than two middle-aged men? But seriously.. the massive streaming juggernaut that was Rodrigo’s Drivers License is just the beginning for this Disney+ actress, as it’s easy to see from her debut album that she is a genuine musician with a great soaring voice, a clever knack for storytelling & a biting lyricist reminiscent of Taylor Swift – her biggest influence alongside 90s artists like Alanis Morrissette & Fiona Apple. Being the next generation along from artists like Swift & Lorde, there is a much edgier lyrical focus on anxiety, social media, mental health, negative emotions, toxic relationships and far more F- bombs. She is representative of a whole wave of young female artists where the emotional angst is turned up to 11, but it’s the minute specificity of character details and pop culture drops in her lyrics that give her tracks their universal appeal.
Neil: Already thrust into the public limelight as one of the stars of Disney+ channel. Olivia Rodrigo has very quickly been given the mantel of pop’s newest young star. It can be a very heavy mantel to bear as many previous newest pop stars will testify. The main focus for Rodrigo’s debut album is the subject of failed romance. Rodrigo explores the subject adopting a wide range of styles and genres as if she is trying out various musical identities to see which one suits her own best. Which for a major media superstar under the age of 20 thrust into the limelight sounds like an ideal approach to take.

Earth trip. / Rose City Band
Mark: Initially the solo project of Ripley Johnson of Wooden Shjips, the bands third album (after last year’s Summerlong) features more lilting, rambling, indie country melancholy. The cleaner production brings more of a crisper detailed sound, which drifts pleasantly along, like a gentle walk down a country road, verging into dreamy Mazzy Star/J&M Chain territory on some tracks.
Neil: Neo Psychedelic rockers the Rose City Band deliver a J.J Cale-esque, country rock, Psychedelic journey focusing on inertia and isolation.

M’berra / Khalab
Mark: Collaborative fusion of Italian DJ Khalab and the musician residents of the M’berra refugee camp in south-eastern Mauritania. Khalab fuses the acoustic side of Tuareg music with electronic beats, the voices of the musicians and the everyday sounds of daily life of M’berra. A fascinating mash up of traditional sounds and contemporary productions.
Neil: This is one of those album’s that really transports the listener to new worlds created by the musicians involved. It is a collaborative work between electronic Italian D.J. Khalab and the M’berra Ensemble a community of musicians living in the M’berra refugee camp. The resulting album, both ancient and futuristic, is a breath-taking album of fantastically sculptured tracks and diverse sounds, featuring a dazzling array of instruments from traditional Mali instruments to synth bass’s and guitar.

Afrique victime. / Moctar, Mdou
Mark: Mdou Moctar is a Tuareg singer/songwriter and guitarist from Niger, who found fame via the cell phone music-trading networks of Africa’s Sahel region, before achieving international success through a series of albums that include a Tuareg-language homage to Purple Rain, and a psychedelic album recorded in Detroit. ‘Afrique victime’ is his debut album on indie heavyweight label Matador Records. Gentle acoustic reflections sit next to explosive and driving desert rockers full of fantasticly slinky guitar lines.
Neil: Superb explosive desert rock served up with fiery Psychedelic energy. The album was recorded piecemeal while touring, and the band very deliberately avoided professional studios and engineers seeking a more organic less controlled sound. Listening to the album furthers the ever-increasing evidence that the real beating heart of rock is in African, not some vacuum wrapped L.A. studio. A vibrant, electrifying and brilliantly uplifting album.

If I could make it go quiet / Girl In Red
Mark: Debut album from the Norwegian indie pop musician, following her hit single I Wanna Be Your Girlfriend. Full of noisy punky pop with Swiftian melodies, and later in the album slower synthy R&B sounds. What differentiates her music is the assertive anthems all have a queer focus, with raw lyrics about sex, desire. confusion and self loathing. An artist to watch for future releases.
Neil: Norwegian musician Marie Ulven’s pop punk debut album release was delayed like a lot of things due to Covid 19. It is finally here (she was already an icon in her home country due to herself confessional single releases). In ‘If I could make it go quiet’, we get an album full of candour and self-examination with a maximalist production. The lyrics are often raw and honest explorations of her anxiety, queerness, and moments of depression.

Promises / Floating Points
Mark: Keyboardist and electronic music producer Floating Points melds the tenor sax of Pharoah Sanders with the violins, violas, cellos, and double basses of the London Symphony Orchestra in a series of mellow Movements. Sanders sticks to soft gauzy tones that drift in & out of Orchestral washes that often sound like the quiter scenes in Blade Runner, or shades of old Bernard Herrmann scores. Dramatic strings evokes a melancholy yearning, and a nostalgic, dreamy, cinematic vibe to relax to.
Neil: Recorded over the course of five years this hybrid very tranquil, ambient, free-form jazz and classical inflected album is elegant, refined, and full of quiet moments of sonic beauty. Although it is an experimental album, it’s an exceptionally balanced, considered, and timeless work. To really appreciate it a relaxed deep listen is highly recommended. A perfect way to unwind from the rigors of the day.

Fine anyway. / Fakhr, Rogér
Mark: Part of Berlin label Habibi Funk’s series of reissues from Arabic-speaking parts of the world, ‘Fine anyway’ is another story of great music being relegated to obscurity due to the circumstances in which it was created. While Habibi Funk boss Jannis Stürtz was working on sourcing material for other projects, the name of Lebanese guitarist, singer/songwriter Rogér Fakhr kept coming up – followed by huge praise of his music and songwriting talents. Stürtz managed to contact Fakhr who sent him some tapes of music recorded in the late 1970s in Beirut, which included tracks from ‘Fine anyway’, which had been copied onto around 200 cassettes at the time. Initially reluctant to have his music re-released, Fakhr agreed a couple of years later to have 2 songs included in a compilation Solidarity With Beirut — to raise money for the Lebanese Red Cross in the wake of the tragic explosion in a Beirut port in 2020. After his tracks were included in that album, Fakhr came around to the idea of the full album being re-released, and it really is an amazing listen. A fantastic set of acoustic ballads and jangly chamber pop-rock that sounds like it was recorded in sunny California in the 60’s or 70’s. Shades of So-Cal pop & The Left Banke. A real gem.
Neil: Another album that for all intents and purposes isn’t a release, more a recovery of long-lost music. Back in the 1970’s when Lebanon was still a major cosmopolitan city Rogér Fakhr’s music and tapes circulated round the city’s chic cafes and bars. His smooth, mellow hippy inflected singer songwriter voice and songs could have made him a major artist somewhere else in the world. But it wasn’t to be, as very sadly history and events changed the course of that city and the trajectory of Rogér Fakhr’s career. These recordings show the exceptional song writing skills Roger had, and this release has definitely got a distinct Searching for Sugar Man vibe about it in many ways.

Archive series. Volume no. 5. / Iron & Wine
Mark: Recorded while Iron & Wine’s Sam Beam was a student at Florida State University in the late ’90s, this album is a prelude to his Sub-Pop label debut, The Creek Drank the Cradle. Sparse acoustic lo-fi musings, that offer a nascent portrait of the forthcoming success that Iron & Wine would have in reviving the folk genre for an indie audience. Iron & Wine’s musical palette would broaden with each album, but the simplicity of these early songs shines through.
Neil: The mellow alt country of Iron & Wine has very understandably a huge dedicated cult following. This very early collection of archival recordings sounds more like a lost early album than a collection of discarded outtakes. Even the earliest songs sound confident and fully formed, and reveal that Iron and Wines distinctive sound was there right from the onset.

Bright green field. / Squid (Musical group)
Mark: Squid are the next big UK Art-rock band. Post-punk indie with grooves from just about every other genre mixed in. Agitated lyrics about the dystopian nature of modern life set to jagged tunes that branch off in all sorts of musical directions. Pretty crazy. Worth checking out if you want something different to challenge you.
Neil: Angular music coupled with angry off kilter lyrics that illuminate the song writers’ discomfort with the modern World. In places it sounds slightly reminiscent of an early English pre-Eno Talking Heads. Seemingly unconcerned about creating a single musical identity, they use whatever style suits that particular track throwing in punk, krautrock, dub, jazz, and funk into this potent mix of an album.

Metaphysics. / Ibn Ali, Hasaan
Mark: Enigmatic Philadelphian Jazz musician said to have been the influence behind John Coltrane’s so-called sheets of sound style. One of only two albums to feature the pianist’s unique harmonically advanced polytonal compositions and playing style. Resurrected from a recently found tape copy, after the original master was destroyed in Atlantic Records infamous 1978 Warehouse fire. Truly amazing playing by any decades standards.
Neil: An album presumed missing for 56 years, after being lost in a fire, finally sees the light of day. Hasaan Ibn Ali played piano on a few ground-breaking albums by Jazz drummer Max Roach but has subsequently been viewed as a side note in jazz history. All that may be about to change as his sole recorded work as a band leader is about to see the light of say. It’s a slab of classic jazz from what some (misguided) regard as its golden age. It’s a major and important find, and is likely to force a major reassessment of his talent and role in the evolution of jazz.

…Keyboard fantasies… / Glenn-Copeland, Beverly
Mark: Slightly ‘New-Agey’ album recorded with just a Yamaha DX7 keyboard and a Roland TR-707 drum machine. Self-released as a cassette in 1986, it remained in obscurity for decades until it was rediscovered by Japanese music collectors during the 2010s. This led to multiple reissues of the album, and made the, now septuagenarian, artist an international touring star and subject of an award winning documentary, with younger artists such as Blood Orange, Moses Sumney, and Caribou claiming him as an influence. Lovely lilting, mellow music that can float in the background, or reveal hidden layers upon close listening.
Neil: A long deleted album given a rerelease. ‘Keyboard fantasies’ is regarded as a New Age masterpiece. And that pretty much defines whether you will like it or not.

New long leg. / Dry Cleaning (Musical group)
Mark: More London Art-rock fronted by Florence Shaw, whose rambling, mundane, spoken-word non sequitur’s are supported by the band’s melodic post punk of pulsing bass and catchy guitar lines. On paper the lyrics sound laughably pretentious, but it’s weirdly compelling to listen to; her deadpan sardonic tone reeling off bizarre lines about Antiques Roadshow, platform shoes & food that make no sense. Really good. Already making lists of the best albums of 2021 so far.
Neil: I really loved this album it sounded new and fresh and vital edgy. Managing to sound quirky and surreal both approachable and also experimental all at the same time. Another release I strongly suspect will be on lots of best of 2021 releases.

Stock up on some CDs for Winter at the Te Pātaka Open Day Thursday 22nd July

Details:

What? Te Pātaka Open Days

Date: Thursday 22 July — see topics below

Location: Johnsonville (details on registration)

Please remember to bring your library card

If you’re feeling uninspired by the algorithms on Spotify, or have a hankering for some old New Zealand bands that you can’t find anywhere, why not check out the old Central Library CD collection in its new home in Johnsonville .

We’ll be opening our Te Pātaka Collection Centre to customers on two days during the school holidays. You’ll be able to browse and borrow material from our off-site storage collection. Some of the collection is on rolling stacks, so different areas of the collection will be more accessible at different times.

Please note: The area of the stacks containing the CD Collection will only be accessible from 10am-11am on the 22nd.

Spots are limited and visits are restricted to one hour, so bookings will be essential — view and book session times and topics available below.

Times and topics

As well as our music collection, these areas are available at any session:

  • Fiction
  • Large print
  • Biography
  • Science and health
  • Graphic novels
  • Teen fiction and graphic novels
  • Children’s fiction and comics
  • Picture books

Thursday 22 July — Topics and Time Slots

Time slots and topics available per time slot for Thursday 22 July
10-11am 11am-12pm 12-1pm 3-4pm
  • Social issues
  • Art / photography
  • Sports and games
  • Cooking
  • DVDs TV series
  • Popular CDs

Book for 10-11am, 22 July

  • True Crime
  • Craft
  • Poetry
  • Art/architecture
  • DVDs Movies
  • Magazines

Book for 11am-12pm, 22 July

  • Languages
  • Cooking
  • Literature
  • Songbooks
  • DVDs Movies
  • Music Scores

Book for 12-1pm, 22 July

Teen only session.

Book for 3-4pm, 22 July

Browse all sessions on our Calendar

Here are some pictures of just some of the CD shelves out at Te Pātaka to give you an idea of the scope of what’s available.

 

 

New DVDs for Te Awe

Here are some new DVDs added to the catalogue over June that are available at our CBD Te Awe Branch, and selected other locations. Also included are some of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New Material:
Promising young woman
Miss Virginia
The dry
The marksman.
It’s a sin.
Spread your wings.
Nomadland
Joanna Lumley’s trans-Siberian adventure.
Into the labyrinth.
Love, weddings & other disasters
Ammonite.
Sound of metal
Oliver Sacks : his own life
Intelligence. Season 1.
Eighth grade
Zack Snyder’s Justice League
Unforgotten. Series 4.
Nobody
Long story short.

On Order:
Six Minutes To Midnight
Only The Animals
Midsomer Murders: Season 21
His Dark Materials: Complete Season 2
French Exit
Flesh And Blood: (TV Mini-Series)
The Drowning
Triumph
Land
Defending Jacob: ; Season 1
Bram Stoker’s Van Helsing
Judas and the Black messiah
Come as you are.



























Staff Picks CDs

Staff Picks are back, with a completely random selection of new & old music that Library Staff have been listening to recently!

Invisible cities = Le città invisibili / Winged Victory for the Sullen
New music from this great ambient duo is a collaboration with the theatre production directed by London Olympics ceremony video designer Leo Warner. It’s based on the Italo Calvino’s classic novel ‘Invisible Cities’ which is a series of conversations between Kublai Khan and Marco Polo. For this project the duo, once again, creates the stunning, sophisticated score; the medieval feelings are blended masterly in their well-established ethereal, ambient musical world. Sublime. (Shinji)

The pearl / Budd, Harold
I’ve been loving Harold Budd and Brian Eno’s The Pearl- it’s a piece I always return to when I’m doing creative work. It’s a mysterious and beautiful piece of music, that creates an atmosphere of potential. I first discovered it after listening through all of Brian Eno’s Ambient series, and it was also a very wonderful introduction to Harold Budd’s work. (Alex)

Be for real: the P.I.R. recordings (1972-1975) / Melvin, Harold
Nice collection rounds up all the Philadelphia International Records albums from one of the legendary Philly Soul groups, Harold Melvin and the Blue Notes. Melvin’s group had been around as far back as the 1950’s, scuffling through a variety of labels and members, but it wasn’t until Melvin recruited new drummer Teddy Pendergrass in 1970 that their fortunes took a turn. When Melvin heard Pendergrass singing along during a performance, he realised what a fantastic voice he had and promoted him to lead singer. They soon grew popular on the local club circuit and when Kenny Gamble & Leon Huff saw them performing, they convinced them to sign with their new Philadelphia International label in 1972. What followed was a period of hits that melded Pendergrass’ gruff voice with a string of scorching ballads and socially conscious songs, including the iconic tracks ‘If You Don’t Know Me by Now’ & ‘Don’t Leave Me This Way’, which would become hits again when covered by Simply Red & The Communards in the late 80s. Nice liner notes cover the bands history with PIR and the legacy of their music. (Mark)

Californian soil. / London Grammar
With only two albums under their belt, the art-pop trio London Grammar became a hugely successful band. However, the lead singer Hannah Reid was frustrated with the male-dominant music industry and it led to the creation of this new music. The new album, which Reid calls ‘a feminist record’, finds them in a more edgy mood; melancholic but dynamic. Showing their mutuality and confidence, they seem to be heading toward a supergroup state. (Shinji)

Traveller. / Stapleton, Chris
This singer/songwriter is in Outlaw country with more of a soulful, bluesy sound. There seems to be an underlying theme of alcohol here – ‘Whiskey and You’, ‘Might as well get Stoned’ and ‘Tennessee Whiskey’. “As smooth as Tennessee Whisky, Sweet as Strawberry Wine, Warm as a glass of Brandy, Honey I stay stoned on you all the time”. Parachute is more up-tempo and passionate. I liked it a lot. (Greg)

Small moments. / Kye, Dan [VINYL ONLY]
‘Small Moments’ by Dan Kye [Ed. Dancefloor moniker of London-based NZ artist Jordan Rakei] is a really cool album! It’s funky, it’s fresh, and upbeat. Bound to get your head bopping. Great for a roadie, or when you need some tunes to blast while you do all your Sunday chores. (Emma)

 

Don’t shy away. / Loma
This project band by indie musicians such as Shearweter’s Jonathan Meiburg, Loma’s first album earned critical acclaim, partly thanks to Brian Eno who complimented their music. Intriguingly Eno Joins in on one track for this sophomore effort which is more expanded and experimental. In the vein of early Portishead or But For Lashes, it features a gloomy yet beautifully crafted ambient soundscape which perfectly goes with Emily Cross’ meditative voice. Marvellous. (Shinji)

Wildflowers & all the rest. / Petty, Tom
Finding Wildflowers (alternate versions). / Petty, Tom
In depth look at Tom Petty’s best solo outing from a prolific, creative & emotional period in his career, a ‘Pre-Divorce’ album, recorded amidst the collapse of his 20 year marriage. Petty always wanted ‘Wildflowers’ to be a double album, but the record company baulked. Some of the extra tracks surfaced in slightly different versions on the She’s The One Soundtrack, but the rest remained unreleased until now, and they’re every bit as good as the original tracks. The nicely constructed set lets you follow the evolution of the songs, from demos through to different takes, completed masters, and live versions. (Mark)

Collapsed in sunbeams. / Parks, Arlo
Growing up in West London and part Nigerian, Chadian and French; singer-songwriter and poet Arlo Parks shows a lot of potential and promise in this her debut album. It sounds like a soothing neo-soul infused bedroom-pop but the influences by Frank Ocean and her love of Sylvia Plath and Allen Ginsberg seem to give more radicalness and the depth to the sound creation and the lyrics. One to watch. (Shinji)

CD cataloguer Neil’s Recent Picks:
Flock. / Weaver, Jane
All bets are off. / Aphek, Tamar
Invisible cities = Le città invisibili / Winged Victory for the Sullen
Morricone segreto / Morricone, Ennio
As the love continues. / Mogwai
Glowing in the dark. / Django Django
On all fours. / Goat Girl
The future bites. / Wilson, Steven
Oh! Pardon tu dormais… / Birkin, Jane
Super blood wolf moon. / Brix & the Extricated
Introducing… Aaron Frazer. / Frazer, Aaron
Spare ribs. / Sleaford Mods
Lemon law. / Mousey

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New CDs for Te Awe

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Here is some of the new material we have been buying for the Music collection at our CBD Te Awe library. My colleague Neil & I decided to do some quick reviews of some new titles. Our limit was a few lines only. Do we actually carefully appraise & select the latest new music releases for your listening pleasure? Or do we just buy every third item on the list and hope it works out? Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Read on to find out…

Californian soil. / London Grammar
Mark: Shades of Beth Orton, Dido, Dot Allison, Jessie Ware. A bit too tasteful maybe, but if you liked their previous albums you’ll enjoy this one.
Neil: Lush strings wash over Massive Attack inspired electro-pop. Sumptuously done and well worth a listen, but perhaps they wear their influences too close to the surface in places.

Scatterbrain / Chills
Mark: Another album of Martin Phillipps’ melodic charm. Reflections on mortality and staying true to yourself.
Neil: The Chills have now existed in one form or another for over 40 years. Their habit of snatching defeat from the jaws of victory is well known and documented in the fabulous documentary The Chills : the triumph & tragedy of Martin Phillipps. And ‘Scatterbrain’ is definitely one of their triumphs. Whilst keeping their core root sound they have expanded it out, and ditto the lyrics which often revolve round the subjects of mysticism and Magic. If you are a long-time fan or a newbie to The Chills, I suspect you won’t be disappointed.

They’re calling me home / Giddens, Rhiannon
Mark: Lockdown album from Giddens and Turrisi, who found themselves stranded in Ireland. Authentic ruminations on homesickness and uncertainty.
Neil: Rhiannon Giddens latest album comprises of Folk songs old and new, with a good few covers thrown it. It glitters with passion and emotion, as her partner the Italian multi-instrumentalist Francesco Turrisi, is a perfect musical foil. Giddens puts her operatic training to excellent use (though it isn’t sung in an operatic style) and she is very careful to not let this training swamp, overpower or stylise the pieces. A powerful and beautiful album.

Strum & thrum : the American jangle underground 1983-1987.
Mark: Bands like R.E.M & the dB’s heralded a new strand of jangly guitar-pop in the early 80s, but lots of other followed this early template of chiming guitars with strong regional success. This compilation captures a hitherto undocumented scene in the evolution of popular music that paved the way for many future bands.
Neil: Unsurprisingly this compilation heavily bears the indelible marks of the founding fathers of the genre The Byrds. A few of the bands associated with the movement would go on to do bigger things, notably R.E.M. It’s a fascinating snapshot of the scene at the time and features a whole host of bands, most of whom didn’t stick around for very long and released only a few pieces of music.

Start walkin’ 1965-1976 / Sinatra, Nancy
Mark: Newly remastered collection from her most prolific years. Focuses more on her left field pop than the big hits. Housed in a deluxe 7″ x 7″ hardcover book, with a lavish 64-page booklet. Timeless pop music, with plenty of Lee Hazlewood duets.
Neil: Frank’s daughter was also one of the most recognisable voices and talents of the 60’s and 70’s. This compilation features all of her big hits such as ‘These boots were made for walking’, as well as some of her stranger and more offbeat tracks often done in conjunction with Lee Hazelwood such as ‘Some velvet morning’. A journey back to the late 60’s early 70’s.

Sweep it into space. / Dinosaur Jr
Mark: Another solid album from the original lineup’s reunion. Nothing really new, but their 90s College Rock sound never goes out of style…
Neil: Their distinctive distorted guitars roar to the fore in this classic Dinosaur Jnr album. Anyone with a familiarity of the band’s history will know this is basically a renaissance album from a band whose resurrection looked highly unlikely when the split up in 1995.

Till another time : 1988-1996. / Smith, Linda
Mark: Fascinating collection from an unsung Lo-fi pioneer. The influence of Marine Girls hovers over catchy melodic cassette recordings, paired with some later day tracks that incorporate a cleaner sound.
Neil: One of the most talented, leading lights of the lo fi bedroom pop movement Linda Smith gets a modern digital rerelease. These tracks were all originally recorded at her home on her trusty four track machine and largely, released and distributed by herself. But please don’t let the lo-fi bedroom production put you off, these are great, carefully crafted, jangle pop songs. The output of a highly talented and singular songwriter, and basically an essential listen if you are into lo fi music.

100 years of theremin : the dub chapter. / Gaudi
Mark: If you create a world where it’s totally legitimate to fuse any 2 musical genre’s together, this is what happens. Like the inside of Brian Wilson’s mind during a band acid trip…
Neil: An unlikely collision of the spaced out 50’s Sci-Fi sounds of the Theremin and dub Reggae. Boasting a roster of guest list of Dub producers that could easily rank amongst the finest in the world. Whether this strange mix works is largely down to the listeners musical sensibilities.

Rootz reggae dub. / Perry, Lee
Mark: More dub from Lee Scratch Perry. If you like his template of sunny good times mixed with social/political commentary you won’t be disappointed with his new album. I’m not sure I’m getting paid enough to listen to this much dub though….
Neil: Another impeccable album from one of the greatest and most eccentric artists of the modern music world. Recorded in Jamaica and the U.S.A.

Beware of the dogs. / Donnelly, Stella
Mark: Debut album from Australian songwriter that is getting a lot of critical attention. Sweet voiced, sunny, catchy, indie pop with lovely soaring harmonies, that hide some savagely biting lyrics. Critic Robert Christgau praised it as a “musical encyclopedia of [male] assholes” which pretty much sums up this set of songs, which takes on sexual harassment, rape culture and other toxic norms.
Neil: Stella Donnelly’s debut album sounds at first listen sugary sweet, but once you listen closely to the lyrical content you realise it has teeth. Stella’s precise lyrics focus their vitriol for abusive men, sexual violence, and personal abuses of power. Big topics and issues explored in a very intimate and personally musical way.


Infinite youth. / Merk
Mark: Woozy, hazy lo-fi bedroom pop. Tracks that drift through memories of slacker days and teen dreams. The musical diversity & minimal instrumentation makes the album feel like the soundtrack to a film in a lot of ways.
Neil: Merk aka New Zealander Mark Perkin’s new album ‘Infinite Youth’ almost defies definition. My best shot would be sparse pop with substance? His wistful, innocent, and intimate vocals are coupled with 80’s pop tinged minimalist synths, percussion, and other minimal orchestration.

Loleatta ; Cry to me. / Holloway, Loleatta
Mark: Her great southern soul albums for the Atlanta Aware label in the early 70’s. The 2nd album ‘Cry To Me’ features a slew of top compositions from the pen of revered soul man Sam Dees. Her fantastic voice would find fame greater fame with the Salsoul Records label in the Disco era, as well as being sampled prodigiously in various successful 80s & 90s club hits like ‘Ride on Time’ by Black Box & ‘Good Vibrations’ by Marky Mark and the Funky Bunch.
Neil: Before her transformation into a Disco diva Loleatta Holloway released two gospel inspired southern soul albums, resplendent with swirling strings and songs written by people such as the legendary Curtis Mayfield. This long unavailable album is a reissue worth hearing. Fabulous melodramatic stuff.

The moon and stars : prescriptions for dreamers. / Valerie June
Mark: Americana with tinges of modern Country, R&B & strings that still retains a timeless feel. Her beguiling twangy voice floats over everything, offering up meditations on longing and loss. Stax legend Carla Thomas features on a couple of tracks.
Neil: Multi-talented Memphis based guitarist, singer songwriter and owner of a mesmerising gospel soul voice with just a hint of gravel voice. An adventurous genre spanning album, interspersed with atmospheric tone setting ambient interludes.

The new blue : Pixie Williams reimagined.
Mark: NZ’s first number one pop song vocalist and wāhine Māori artist gets a musical tribute from contemporary NZ artists, most of them Wgtn based. Lovely faithful renditions from locals like Louis Baker, Lisa Tomlins, Kirsten Te Rito, Amba Holly etc.
Neil: Pixie William’s was one of the first ever superstars of the New Zealand music scene. She was a trailblazing pioneer, her song ‘Blue smoke’ a huge international hit in 1951 covered by many artists, including Dean Martin. A compilation of her work was recently rescued from oblivion called For the record : the Pixie Williams collection, 1949-1951 and rereleased in 2011. ‘The New Blue’ is a collection of modern NZ artists paying tribute to her and her art, and covering her best known pieces fabulously well with style and panache, faithfully recreating the feeling and mood of her music as well, as the time it was created. A perfectly executed modern nostalgic time machine of an album.

Ignorance / Weather Station
Mark: The Weather Station is the project of singer/songwriter Tamara Lindeman, who has been compared to Joni Mitchell among others. Her critically acclaimed latest album is a song cycle based around the impact of climate change. All of which sounds very po-faced, but the ‘Climate grief’ is framed alongside relationship heartbreak, and the tracks are all super catchy. Burbling synths and Jazzy Electronica surround her voice, which sounds a bit like 80s Fleetwood Mac, or 90s Sarah McLachlan in places. Destined to be on many Album of the Year lists.
Neil: This collection of heartbroken break up song’s steers well clear of the ever-present danger of falling into Cliché or self-indulgent pity. Instead Tamsara Lindeman skilfully overlays her own personal experiences, with the deep sadness at seeing our natural environment so wantonly destroyed in the name of corporate greed. Her approach makes me think of Talk Talk or some of the more melancholic Joni Mitchell albums.

The queen of Italian pop : classic Ri-Fi recordings 1963-1967. / Mina
Mark: Mina was the dominant chart figure in Italian pop for a run of nearly 15 years, and still continues to release albums with an enshrined place in the Italian music spectrum. A huge voice that can sing anything, and an enigmatic and fascinating personality. A great primer compilation that is only the tip of the iceberg that is her massive discography of music.
Neil: In Italy Mina is one of the biggest pop stars ever. Italy’s answer to Shirley Bassey or Dusty Springfield. She was a staple of Italian television variety shows and was that country’s dominant force in pop music from the 1960’s till the mid 70’s when she stopped giving public performances, though she has continued to record to this day. This a compilation of hits from the early part of her career and an excellent introduction to her work.

Chemtrails over the country club. / Del Rey, Lana
Mark: I’ve never understood why people rate her. Take 1 part Nancy Sinatra, 1 part Hooverphonic, 1 part Mazzy Star, add a dash of Julee Cruise & every James Bond theme. Shake and stir over some minimal piano, circa 2000’s Trip-hop & soaring strings. I’ll admit that her tracks are super catchy and melodic, but there is so much artifice in the lyrics and the ‘characters’ in the songs. Neil, please explain why I should listen to her…
Neil: Lana Del Rey is one of those artists who polarise opinion. ‘Chemtrails over the country club’ is her seventh studio album. It is less slick pop, and in many ways an extension of her last release Norman F******** Rockwell. In it she continues to create her own unique version of modern American of fame and fortune & torch song gothic with, of course, a veneer of 50’s Americana washed over it all. Any objective review of her output shows that, fan or not, she is clearly and undeniably one of Americas most important musical artists at the moment. The album has already been a huge critical and commercial success.

The Kugels at Breaker Bay. / Kugels
Mark: More Klezmer music from the lauded local quintet. Amazing musicianship as the Classical chamber players cut loose for these rollicking pieces.
Neil: This is the second release from the fabulous Wellington based Kugels the five-piece outfit which specialises in Klezmer and features some of New Zealand’ s finest classical musicians in their line-up. For a long time, they have been a bit of a hidden gem in the NZ music scene, but that changed recently when they did a sofa session with Bryan Crump. This latest release really shows how good they are, and includes emotive and atmospheric renditions of both traditional and original Klezmer pieces composed by arts laureate, and renown classical composer, Ross Harris. A highly recommended listen.

Something to feel. / Teeks
Mark: Debut album from the award-winning New Zealand-Māori singer-songwriter, following on from a 2017 EP. With an amazingly distinctive and arresting voice that jumps out and envelopes you immediately, this is a fantastic modern soul album. Funky and propulsive grooves, that flow into soulful meditations on how to forge a path as a man amongst a culture of toxic masculinity. Having just signed with Beyonce’s publicist this seems just the beginning of global success.
Neil: The warm, mellow, and soulful voice of New Zealander Teeks has rightfully gained him legions of fans in this country. He describes ‘Something to feel’ as the album where he opens up and shows his emotional vulnerability and self-awareness, and seeks to free and heal himself from colonised ideas of masculinity, replacing them with te ao Māori ideas, and surrendering to his emotions. As such it is obviously a very personal, introspective, album where he connects with his inner self. There is a lot of love and care put into the resulting album on all fronts, impeccably constructed and produced, and is likely to gain him a global audience.

Shore. / Fleet Foxes
Mark: Their amalgamation of previous SoCal/Folky 60’s/70’s bands was a taste I never really acquired at the time. The vocal harmonising was pleasant, it was all very beautiful sounding, and you couldn’t fault the musicianship. But it all seemed too much of a pastiche at a certain point, and Robin Pecknold’s voice never really grabbed me enough to make me get past that. The new album has a bit more sunny-pop elements to it, but the whole pastoral folk-men with beards-singing ballads about mountains was an entire genre I could never get into, so I’ll leave this one up to Neil to guide your listening.
Neil: ‘Shore’ bears all the hallmarks of the Fleet Foxes previous releases, but it also feels different. The sun kissed Californian folk dream is still there, both the light and dark side, but the music and lyrics feel more nuanced and focussed. The glorious interwoven harmonies are also still there, and just as infused with warm grace. The fact that this album was deliberately released to coincide with the autumnal equinox definitely says something about its creators’ intentions.

Kologo. / Alostmen
Mark: Ghanaian band Alostmen’s music is based around the Frafra traditions of the kologo, a stringed lute, and using traditional instrumentation in entirely new ways. Rhythmic beats weave in and out of plucked instruments, Stax styled horns, and rap interludes. Apparently more than half of Ghana’s population is under 25, and this generation is re-shaping traditional music, melding all sorts of outside influences to create something new and exciting.
Neil: An infectiously, trance rhythmic, get up and move-your-body-and-dance album from the Ghanaian outfit. Overlaid with rap and occasional strings, supplied by the bandleader Stevo Atambire’s. Kologo (his hand made two-stringed lute) is a raw, gritty, and irresistible release.

Optimisme. / Songhoy Blues
Mark: Amazingly propulsive guitar rock from this exiled Northern Mali band, who featured on the Late Show with Stephen Colbert earlier this year. Full of politically charged lyrics, incendiary solos, and anthemic tracks. Definitely worth a listen if you’re an old school rocker into Led Zeppelin or Jethro Tull.
Neil: An album that crosses musical and cultural boundaries at will. ‘Optimisme’ is a joyous explosion of an album. Driving percussion, scorching guitar riffs, political, social and personal lyrics, sung in several languages that fit in perfectly with the music, and never sound laboured or preachy. The music is exhilarating and unstoppable, and you cannot but help feel that many huge stadium acts would be jealous and in awe of the energy pouring out of this release.

New DVDs for Te Awe

Here are some new DVDs added to the catalogue over April that are available at our CBD Te Awe Branch, and selected other locations. Also included are some of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New Material:
Archenemy.
Misbehaviour
Happiest season
The deceived.

On Order:
Secret Impressionists.
Days Of The Bagnold Summer.
Agatha And The Curse Of Ishtar.
Bloodlands.
The Little Things.
The Pembrokeshire Murders (TV Mini-series)
A Friendly Tale.
Blackbird.
Life (TV Mini-Series).
Minari.
Don’t Look Back.
The Sinners.












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New CDs at Te Awe

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Here is some of the new material we have been buying for the Music collection at our CBD Te Awe library. My colleague Neil & I decided to do some quick reviews of some new titles. Our limit was a couple of lines only. Do we actually carefully appraise & select the latest new music releases for your listening pleasure? Or do we just buy every third item on the list and hope it works out? Do we actually know anything about new music? Can you encapsulate an entire album in just one line? Read on to find out…
[Ed. Sadly we could not contain Neil’s exuberance to only one line for these reviews. We apologise in advance].

All bets are off. / Aphek, Tamar
Neil: Well I have to confess I don’t know much about the Israeli music scene, but if it’s all this good I need to seek more out. This is Tel- Aviv power pop trio Tamar Aphek’s debut album. It follows the grunge loud quiet format, think a modern Zeppelin or Nirvana but fronted by P. J. Harvey.
Mark: Rising star Aphek, a key figure in the Israeli underground scene, releases her debut album on the legendary Kill Rock Stars label. Fuses emotional, social & global concerns in a melange of crooning vocals, fuzzy indie rock, distorted basslines and Jazz riffs. Catchy.

Neil Young archives. Vol. II, 1972-1976. / Young, Neil
Neil: In the early to mid 70’s Young’s prodigious creativity was at a peak it was such that he could shelve for decades fabulous albums like the only just released Homegrown. This box set of rarities, out takes, alternative versions and unreleased tracks is a fitting demonstration of just how on fire creatively he was at this period. In short, a must listen if you are a Neil Young fan.
Mark: 10-CD box set follows 2009’s The Archives Vol. 1 1963–1972, and covers a three-and-a-half-year release period from 1972–1976. 131 tracks. 63 previously unreleased, including alternate & live versions, with only 12 songs never been released in any form before. Is this value for money if you’re a Neil Young fan? Don’t worry, we bought it so you didn’t have to…

Little oblivions. / Baker, Julien
Neil: Julien Baker’s third album features for the first time a full band so it is a big departure from the acoustic alt folk roots of her previous two outings. However, the brutal personal honesty of her lyrics is still there, making this universally lauded album both a captivating and unsettling listen.
Mark: After critical breakout Matador album, 2017’s Turn Out the Lights, Baker builds a larger musical palette around her lacerating narratives of self recrimination, substance abuse, and faith.

As the love continues. / Mogwai (Musical group)
Neil: The mighty Mogwai release their tenth album and score their first UK number one album in the process. The traditional trademark slow build up to a mountainous wall of sound, starting with and tempered by sad melancholic harmony is very much in presence in this new work. Which feels like they are building on past structures and forms rather than diving into new worlds.
Mark: More atmospheric noodling. If that’s your thing you’ll enjoy this.

Collapsed in sunbeams. / Parks, Arlo
Neil: A cool, chilled, and accomplished debut by the twenty-year-old London poet Arlo Parks. Perhaps just a little bit too radio friendly for my tastes, but seemingly Michelle Obama is a big fan, so who am I to judge.
Mark: Debut studio album by British singer-songwriter Arlo Parks. ‘Next Big Thing’ status. Catchy beats, positive messages. Lily Allen meets Corine Bailey Rae.

The raw & the cooked. / Fine Young Cannibals
Neil: Rerelease of one of the eighties defining classic pop albums, packed with hits galore and memorable catchy tunes. It proved to be their last album (they only made two) but they had already left their mark on eighties pop history.
Mark: Deluxe reissues of the only 2 albums (1st album here) from the iconic Birmingham band that were huge in the 80s. 29 bonus tracks for the first album (including B-sides, remixes, BBC sessions and more) and 22 extra tracks for The Raw & The Cooked. Nice sets if you were fans of their funky soul tinged rock, and the unique voice of Roland Gift.

Flow state. / Sultana, Tash
Neil: 23-Year-old Melbourne based former busker Tash Sultana is the perfect example of the term overnight success, after posting a performance on you tube, she gained 10000 followers overnight. This is her R&B flavoured, radio friendly obviously highly commercial debut album. She plays all the instruments and sings all the vocals on the release.
Mark: Debut album from Australian singer-songwriter-multi-instrumentalist-guitar whizz. More Neo soul/RnB-ish, but she threads in enough guitar workouts to satisfy Rock fans. A myriad of styles & genres sometimes collide. A prelude of what was to follow on 2021’s Terra Firma [On Order].

Not your muse. / Celeste
Neil: Smokey atmospheric vocals are all over the heavily played artists debut album. (She’s done Christmas adverts and sport break music links) But within and behind the commercial gloss and glitz there sounds to be a great artist with real depth and heart at work. A soul singer who has the potential to be more than just a mainstream star.
Mark: British-Jamaican Celeste is a 2019 Rising Star Brit Award & BBC Sound Of 2020 winner. Another Neo-soul debut album. Perhaps too obvious with its influences in places, but has its share of stand out tracks like ‘Tonight, Tonight’ & ‘Stop this Flame’ that draw you in, and hint at something stronger at play.

That’s life. / Nelson, Willie
Neil: This album is Willie’s second album that features him covering Frank Sinatra songs. It’s a difficult feat to pull off without sounding like a bad Frank Sinatra copy or murdering the songs by losing their uniqueness, but by doing the tracks in his own inimitable style he effortlessly succeeds in making them his own. Interesting fact: Willie Nelson used to cheer up a downbeat Johnny Cash by phoning him up late at night and telling him dirty jokes.
Mark: If you liked 2018’s My Way, this is more of the same. Willie sings Sinatra. His way.

The RCA albums 1977-1985, with bonus tracks. / King, Evelyn “Champagne”
Neil: A Box set of the disco diva Queen Evelyn “Champagne” King’s RCA albums. A lot in there, with some classic disco glitterball tracks amongst them.
Mark: One of Allmusic’s Best of 2020 Archival releases. Chronicles her long run with RCA Victor highlighted by 20 charting singles and a trio of Top Ten R&B LPs through 1986. At the forefront of the evolution of post-disco soul/R&B, she worked with upcoming producers using new synth technologies & sounds that would shape the sound of 1980’s soul-Pop.

Power corruption and lies. / New Order
Neil: New Order’s second album is often regarded by fans as one of their finest. It still has tracks that definitely have Joy Division elements to them such as Ultraviolence and synth atmospheres that could easily have fitted into closer but it also has the beginnings of their new musical direction and Bernard Sumner is still trying to find his own lyric writing voice. That all said it is a brilliant album that shows the green dance shoots taht found their total reinvention in albums like the Studio 54 inspired Technique. This new release features loads of previously rare or unreleased live and other material.
Mark: Seminal dance-rock album given the Super-Deluxe treatment. Another entry from Allmusic’s Best of 2020 Archival releases. The remastered album is the first one made from the original master tapes. Unreleased tracks, a Peel session & an impressive amount of video content.

Good woman / Staves
Neil: Know as an innovative folk trio, The Staves further push the boundaries of that particular genre further out in this new release so much so that it would be difficult to still call them folk artists. Their beautiful overlocking harmonies remain, and the lyrics reveal a newly found deeper emotional honesty and rawness. A band moving towards something very new.
Mark: First original album in 6 years for England-based sisters. More soft rock than folk at this point, as lovely unison harmonies surround Laurel Canyon pop sounds that focus on rising above the emotional travails of life.

Just dropped in (to see what condition my rendition was in) / Jones, Sharon
Neil: The album sounds just like a work released by some Motown Era label, but this is actually an album of modern song covers from artists like Prince and Janet Jackson the trick is they are done by the sadly deceased soul Singer. The analogue production gives them authentic sounding 60 grit and a crackle and Sharon’s years of club singing give her the musical chops to pull it off.
Mark: Points for the clever title. A great posthumous collection of the late soul singer’s cover songs. She had that rare ability of all great singers to stamp their own personality on a song, no matter how iconic the original performance.

Magic. / Oneohtrix Point Never
Neil: Splicing, looping, sampling Daniel Lopatin’s latest album employs all his trademark tricks, just when you think a track is settling down it moves on to something else endlessly shifting and moving to great effect. An experimental album constructed from fragments and a perfect introduction to his work.
Mark: I don’t even understand the Pitchfork review about this album, let alone the music itself. Like someone working their way through a radio dial…

Time outtakes / Brubeck, Dave
Neil: ‘Time Out’ is one of the most popular, instantly recognizable, and iconic jazz albums of all time. ‘Time outtakes’ gives fans a fascinating look behind the scenes as the album slowly evolves from rough ideas and jams to slowly become the masterpiece it is.
Mark: An album of previously unheard recordings from the sessions of one of Jazz’s most iconic albums, 1959’s Time Out. Five alternate versions, and two tracks that didn’t make the final album, show the band trying to carve out the direction they wanted to go as they grapple with the rhythmic complexities of the tunes. A fascinating listen for Jazz fans.

Cuba : music and revolution : culture clash in Havana, Cuba : experiments in Latin music 1975-85. Vol. 1
Neil: The hot bed of radical, musical invention that was the Cuban music scene in this period is fully on show in this compilation. Western genres and styles are taken mutated, fused, and melded into the already vibrant Cuban scene creating unique and new sounds. You can hear the long tail echoes of this explosion all over the place.
Mark: Compiled by DJ Gilles Peterson and Soul Jazz Records founder Stuart Baker, this compilation tracks the history of Cuban music post the pre-revolutionary Buena Vista Social Club, proving a wealth of innovative and adventurous music was still being made under a repressive regime.

For the first time. / Black Country, New Road
Neil: Jagged, angular post punk debut album with nods to prog rock drumming and Jewish Klezmer music. Coupled with mercurial vocals and lyrics, it all makes for a marmite album if I ever heard one. Check it out to see what side you are on.
Mark: The genre bending (post-punk, free jazz, klezmer, math rock) 7-piece band have already been hailed as delivering one of the best albums of 2021. Only 6 tracks, but those tracks are full of genre shifts, instrumental breaks, opaque lyrics and adventurous exploration that defies expectations. Maybe not to everyone’s taste but, as the reviews say, ‘undeniably original’ which these days is a achievement itself.

Isles. / Bicep
Neil: Lush, lavish, melodic dance floor electronica with solid beats from Northern Ireland. The album pulls off that Holy grail of dance music that only a few acts like Aphex Twin can do, by being simultaneously interesting on and off the dance floor.
Mark: Northern Irish DJs keeping the dancefloor alive during Lockdown. The beats have enough edge to escape fading into a background playlist.

Love is the king. / Tweedy, Jeff
Neil: During lockdown with his family the Wilco frontman used his sons Sammy and Spencer as musical cohorts to him help create this mellow country infused album with loneliness and longing as its driver. It also celebrates human connectedness and solace in Jeff’s personal musical snapshot of our times.
Mark: More tedium from Tweedy. If you like Wilco’s post-Jay Bennett albums then probably you’ll like Tweedy’s solo efforts.

OK human. / Weezer
Neil: The fourteenth album by the American rockers is a quirky 38-piece orchestra pandemic fallout album with numerous references musical and otherwise to things like Pet Sounds, Serge Gainsbourg and even George Orwell’s 1984. Despite the heavy orchestration and shining through it, the album is undeniably and unmistakably a Weezer release.
Mark: Guitar strings are swapped for Classical ones as Rivers Cuomo gives us his unique take on living in the Covid era. Many bands choose to put strings to old songs rather than new ones, but the uplifting nature of these songs suits the change of musical pace. Moody, yet catchy at the same time.

On all fours. / Goat Girl
Neil: Swirling psychedelic guitars, accompanied by shimmering electronics coupled with angry lyrics deliberately obscured by mock cheerfulness. Make goat Girl’s album an intentionally strange, off kilter listen with discordant lyrics to match often contrasted by sweet vocal deliveries. I rather enjoyed it.
Mark: Post-punk London quartet. The follow-up to their acclaimed 2018 self-titled debut sees a more mature politicized bent that digs into topics like climate change, toxic culture, identity, and mental health, all underpinned by some great playing & confident layered vocals. As relevant and interesting as the more acclaimed punk of Fontaines D.C.

New York. / Reed, Lou
Neil: A reissue of Lou Reed’s 1989 album, described as a protest album with the background being Reagan’s America and the HIV/ AIDs epidemic but unsurprisingly this is very much a protest album on Reeds own terms. The music is bleak and the lyrics often nihilistic about futility, fear, and darkness but there is no doubt that his legendary song writing skills are used to their full effect.
Mark: Regarded as the pinnacle of his solo career, this Deluxe edition 3CD+DVD+LP package features a 2020 remaster, a live version of the entire album, and another disc non-album tracks & ‘Rough Mixes’ of tracks from the album. The DVD includes The New York Album a concert video that was originally released in 1990 on VHS and Laserdisc but has never been available on DVD. Sadly many of the themes on this album still resonate within today’s American landscape.

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New DVDs for Te Awe

Here are some new DVDs added to the catalogue over March that are available at our CBD Te Awe Branch, and selected other locations. Also included are a few of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New material:
Gauguin in Tahiti . Paradise lost.
Three identical strangers.
A bump along the way
Freaky
Tootsie
The Mallorca files. Series one.
The undoing : an HBO limited series.
The witches
Lucky grandma.
Babyteeth
Rosie.
Dreamland
Soul

On Order:
All Creatures Great & Small: Complete Season 1.
Death In Paradise: Complete Season 10.
Honour (TV Mini-series).
A Gift From Bob.
My Salinger Year.
Penguin Bloom.
Summerland.
Wild Mountain Thyme.
All My Life.
Centigrade.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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