I’ll Hum the First Few Bars : David Long in interview

David Long is one of Aotearoa’s most versatile and adventurous musicians, composers, and producers. He started his musical career performing in the Braille Collective in bands such as Six Volts and Jungle Suite in the late 1980s. In 1990 he started The Mutton Birds with Don McGlashan.

After touring extensively he began to compose for contemporary dance and film, including working on Peter Jackson’s Lord of the Rings trilogy and the soundtrack to The Lovely bones with Brian Eno. In addition to these projects David has composed for many TV series, including The Luminaries.

David has also won several Apra silver scrolls and produced for numerous bands. He also has made numerous albums with bands such as The Labcoats and Teeth not to mention  a number of his own works.

In 2017 he collaborated with Natalia Mann and Richard Nunns on what would be Richard Nunn’s last recording, the beautifully delicate Utterance. Just last year he released Ash and Bone, a gorgeously suite of pieces that defy easy generic categorisation, which David described as a work that makes “a constellation of musical styles but never quite rests in any one of them”. The same holds true for I’ll Hum the First Few Bars, a recording as texturally rich and sonically expressive as we have come to expect from this bold and inventive composer.

So, when David offered us a chance to interview him about his latest project we jumped at it!

We wish to extend our heartfelt thanks and appreciation to David for taking the time to answer our questions, for providing such an illuminating insight into his world and work, and also for giving us permission to use I’ll Hum the First Few Bars in the interview (you can hear the whole piece at the end). All music is copyright David Long and Rattle Records  and used with kind permission.

This interview was done in conjunction with Caffeine and Aspirin, the arts and entertainment review show on Radioactive FM.

For more information on Rattle records, visit their website.

You can watch David Downes’s superb, animated film created to run alongside the work here.

And to borrow just a few of the musical projects David has been involved with click below.

Envy of angels [1 CD] / Mutton Birds
“Envy of Angels could have been recorded ten years earlier considering its invocation of the new south — in particular the moodiness of Dumptruck — not to mention similarities to more commercial guitar rock of the same period […] Perhaps it isn’t a coincidence that Hugh Jones, who also worked with Dumptruck, produced Envy of Angels. He renders the Mutton Birds’ guitar strum and jangle in more solemn than bright tones, which suits the sometimes poetic lyrics and unusual chord progressions. ~ Greg Adams” ( Adapted from Catalogue)

Ash and bone. / Long, David
“Musicians David Long, synthesisers, banjo, electronics, electric guitar ; Carolyn Mills, harp ; Andrew Jarvis, tuba ; Mark Carter, trumpet ; Rachel Vernon, bass clarinet ; Pat Barry, clarinet ; Bridget Douglas, flute ; Riki Gooch, percussion, electronics. Contents Underground — Ash and bone — I follow it — You want to fight everything — The long long walk — A second glance — Wash your mouth out — Water the earth.” ( Adapted from Catalogue.)

Utterance / Long, David
“Musicians …David Long, banjo, theremin, bowed guitar ; Richard Nunns, taonga pūoro ; Natalia Mann, harp, prepared harp, zither, gongs, voice. Tracks Perilous knowledge — Old shadows — Spider shell — Upper circle, lower case — Celestial dog — Mercury — The nearest clear liquid — We died once — City of green — Hidden cameras — Begin again.” ( Adapted from Catalogue)

Flock : the best of The Mutton Birds / Mutton Birds

” Other Title Best of The Mutton Birds. Contents …Dominion Road — Nature — The heater — A thing well made — White Valiant — In my room — Anchor me — Wellington — Queen’s English — Don’t fear the reaper — While you sleep — She’s been talking — Come around — Envy of angels — As close as this — Last year’s shoes — Pulled along by love — Not to take sides.” ( Adapted from Catalogue)

The Mutton Birds. / Mutton Birds
” Dominion Road (3:55) — Your window (4:39) — A thing well made (4:39) — She’s like a city (3:56) — Before the breakthrough (4:52) — White Valiant (5:12) — Giant friend (3:15) — Big fish (4:33) — No plans for later (2:31) — Nature (3:39).” ( Adapted from Catalogue)

 

 

Salty / Mutton Birds
” The heater — Ngaire — You will return — Wellington — In my room — When the wind comes round — Queen’s English — Salty my dear — There’s a limit — Esther — No telling when — Anchor me — Too close to the sun — Don’t fight it, Marsha, it’s bigger than both of us. ” ( Adapted from Catalogue)

 

 

Riki Gooch in interview: Te Hou Nui

Riki Gooch Pirihi (Ngāti Wai/Patuharakeke/Ngāti Māhanga Hourua) is a conductor, composer, electronic musician, producer, and drummer based in Te Whanganui-a-Tara, Aotearoa.

Riki has a huge and varied musical C.V; from being a founding-member of Trinity Roots, to playing with the likes of Fat Freddy’s Drop, Shayne Carter and Ria Hall. He currently performs with a wide variety of artists and organisations, such as: Alistair Fraser, Jeff Henderson, Noa Records, AJA, Mara TK, Orchestra of Spheres, and has been known to DJ in a gigantic cat’s head as DJ Oboe.

As well as big name bands and musicians, Riki has always had a keen interest in experimental works and underground circles and his focus over the years has been more and more in this direction. In recent years Riki has undertaken a post-graduate course with the intention of developing an indigenous embodiment of conduction. He’s also started to explore new ways of  turning a drumkit into a robot.

For this years CubaDupa festival, Riki was commissioned to create a piece and came up with Te Hou Nui, mass musical composition created for a large ensemble of 200+ musicians from all backgrounds and stages of musical development. Te Hou Nui is a work that has, at its heart, this idea that the music and the collective spirit adhere to the tikanga mauri of Ngaa iwi o Ngaati Ruanui, Taranaki, Ngaati Mutunga, Ngaai Tara, Ngaati Mamoe.During its performance, Riki uses his own version musical ‘smoke signals’ to conduct and communicate with four separate ensembles of 50+ players.

It all sounds so totally fabulous that when Riki offered to give us an insight into Te Hou Nui we just had to say yes. We wish to extend our heartfelt thanks and appreciation to Riki for taking the time to answer our questions and for providing such an illuminating insight into his latest work. We’d also like to thank-you CubaDupa for arranging the interview.

You can view the full fantastic CupaDupa programme here. You can watch the video below, or on our YouTube channel.

To borrow just a small range of the musical works Riki has been  involved with  click the links below.

True / TrinityRoots
” Tracks include True,  Sense and cents, Beautiful people, Call to you, Passion , D by D,  Egos,  Just like you and Little things . Musicians : Warryn Maxwell, Rio Hemopo, Riki Gooch ; Guest artists: Steve Gallagher, Jonathan Crayford, keyboards ; Lisa Tomlins, Lisa Preston, Natalie McCormack, Stefanie Hearfield, vocals ; Dave Long, banjo ; Tim Jarrey, double bass ; Dan Yeabsley, triangle ; Kate Meade, cello ; Kerry Wood, violin.” ( Adapted from Catalogue) Also available on Vinyl.

Mirror / Orchestra of Spheres
“Orchestra of Spheres’ fourth full-length is their longest and most ambitious work to date, as well as their most hypnotic, with a greater presence of trance-inducing mantras among the genre-busting dance grooves usually heard on the group’s albums. Mirror also boasts fuller orchestration than their other efforts, with shamanic strings and colourful horns/woodwinds taking greater precedence than before. The album’s presentation makes it seem like their most honest work; the members are listed by their real names rather than their cartoonish pseudonyms, and there are fewer self-invented instruments listed in the credits. ” (Adapted from Catalogue) Also available on Vinyl.

Absolute truth / Arabia, Lawrence
“Over the course of a decade, James Milne made a quiet name for himself as a first-rate purveyor of classic McCartney-meets-Nilsson pop under the moniker Lawrence Arabia. His way with a sneaky hook, the care he puts into arrangements, and the quirky nature of his lyrical concerns all point back favorably to these twin titans of sticky-sweet songcraft. Many have followed that same path over the years; not too many have a body of work as solid and promising as Milne to show for their efforts. Released in 2016, Absolute Truth marks Lawrence Arabia’s debut for Flying Nun, the label that put New Zealand on the indie pop map. It’s also his strongest effort from top to bottom.” (Adapted from Catalogue) Also available on CD.

Ash and bone. / Long, David
“Musicians David Long, synthesisers, banjo, electronics, electric guitar ; Carolyn Mills, harp ; Andrew Jarvis, tuba ; Mark Carter, trumpet ; Rachel Vernon, bass clarinet ; Pat Barry, clarinet ; Bridget Douglas, flute ; Riki Gooch, percussion, electronics. Contents Underground — Ash and bone — I follow it — You want to fight everything — The long long walk — A second glance — Wash your mouth out — Water the earth.” ( Adapted from Catalogue.)

Big foot / Crayford, Jonathan
Jazz album featuring  musicians Jonathan Crayford, (Hammond c-3/Leslie, d-6 clavinet, Fender Rhodes, mini moog, electric bass, baritone guitar, and additional instruments) ; Riki Gooch,( drums, percussion) ; with Lisa Tomlin, vocals (tracks 3 and 9) ; Emma Paki, vocals (track 11 [i.e. 6]) ; and guest appearance by Hollie Smith. Tracks : Big foot, Can you hear the birds?, Nine,  Ganymede, Moana ,Jewel City, It’s you and Phantom. ” ( Adapted from Catalogue. ) 

Wits end / Thrashing Marlin
” Album featuring Steve Roche, David Donaldson, (vocals, various instruments) ; with Janet Roddick, Chris O’Connor, David Long, Jeff Henderson, Mike Cooper, Jonny Marks, Tim Prebble, Riki Gooch, Anthony Donaldson, Clare Cooper, Rowan Prior and  Andrew Thomson. Tracks: Forty shades of blue, Hardly a day,  Where will you be? , Tilt of the earth,  Misery’s hole, Way out, Sea of tranquility,  Ship of fools , Solomon’s song , Boo bam,  Venus and All you’ve got someday.” ( Adapted from Catalogue.) 

Pasif.ist / Mann, Natalia
“Genre/Format Art music Musicians :Natalia Mann, harp ; Izzet Kizil, percussion & drums — Sercan Halili, classic kemençe, alto kemençe ; Abdullah Shakar, fretless & electric bass ; Dine Doneff, double bass ; Richard Nunns, taonga pūoro (on Greenstones) ; Lucien Johnson, soprano & tenor saxophone (on Üç Adim) ; Riki Gooch, percussion (on Gül Çayi, Sunshine sister, Üç Adim) ; Naomi Jean O’Sullivan, co-writer, gongs (on Time) — Serdar Pazarcioǧlu, violin (on Butterfly effect) — Deniz Güngör, aqua (on Butterfly effect). Tracks : Gül çayi — Sunshine sister — Üç adim — When once the birds — Butterfly effect — Greenstones — Akşam duasi — 4.55 air — Time — Interlude for Grozda.” ( Adapted from Catalogue) 

Also Home land and sea

Jumping Sundays: Nick Bollinger in interview Part Two

Welcome to the second exclusive video of our recent interview with Nick Bollinger, talking about his new book Jumping Sundays.

In this second part, Nick talks about the influence of drugs on the counterculture, the importance of music to the movement, how his own youth was intertwined with the counterculture and why the weekly gatherings at Albert Park in Auckland are regarded as the real birth of the counterculture in Aotearoa New Zealand.

Nick will be known to many as the presenter of the music review programme The Sampler on Radio New Zealand. He has also written several books, including his fabulous coming of age musical memoir Goneville, How to Listen to Pop Music and 100 Essential New Zealand Albums.

Nick has also been part of many iconic New Zealand bands such as Rough Justice, Ducks, Pelicans, and Living Daylights, as well as Wellington’s iconic Windy City Strugglers, not to mention a distinguished career as one of NZ’s most successful rock journalists and reviewers.

This interview also showcases some of the wonderful images from that time, selected from our collection of Ans Westra photos.

The resulting interview (which we have had to split into two parts) is wide-ranging, covering the major seismic changes in culture and society at the time at almost every level. Some adult themes are covered such as sex, drugs, and rock n roll! Our  heartfelt thanks to Nick  for taking time out of his busy schedule and for such a fabulous, fascinating, and informative interview. Check out Part One of the interview here.

Wellington City Libraries wishes to thank and acknowledge Ans Westra and her agent, {Suite} Gallery for allowing us to digitise our collection of her work some of which is used in this film. Please note that the  images are under copyright to the photographer.  

View more of Ans Westra’s work on Wellington City Recollect here.

 

Jumping Sundays : the rise and fall of the counterculture in Aotearoa New Zealand / Bollinger, Nick
“A remarkable story of beards and bombs, freaks and firebrands, self-destruction and self-realisation, during the 1960s and ’70s .” (Adapted from Catalogue) Also available as an eBook.

 

 

Goneville : a memoir / Bollinger, Nick
“Goneville is at once a coming-of-age memoir and an intimate look at the evolving music scene in 1970s New Zealand. It show how this music intersected – sometimes violently – with the prevailing culture, in which real men played rugby, not rock. Nick Bollinger draws on his own experiences and also seeks out key figures and unsung heroes to reflect on the hard, often thankless and occasionally joyous life of the career musician.” (Adapted from Catalogue) Also available as an eBook.

100 essential New Zealand albums / Bollinger, Nick
“Compiled by one of New Zealand’s most popular music columnists, this listing will delight pop music fans everywhere. The choices included cover a broad range and present an eclectic taste. Each entry is accompanied by some of the most entertaining writing about music and musicians, ranging from personal accounts of youthful encounters with music legends as well as passionate responses to renowned albums. Guaranteed to surprise and intrigue, this reference is a must-have for all music lovers.” (Adapted from Catalogue)

How to listen to pop music / Bollinger, Nick
“This comprehensive and illuminating guide explores the entire spectrum of pop music, from Beatlemania and the long-playing record to Eminem and the iPod.” (Adapted from Catalogue) Also available as an eBook.

Ross Harris in conversation

The Kugels are a Klezmer group that features two former NZSO members, one Kiwi Jazz maestro, a fabulous vocalist and the New Zealand classical composer and Arts laureate Ross Harris. The members are Anna Gawn – vocals, Ross Harris – accordion, Robin Perks – violin, Debbie Rawson – clarinets xaphoon, and Nick Tipping – bass

The tunes they play include new compositions from both Robin Perks and Ross Harris as well as a selection of more traditional tunes. We were thrilled when Ross Harris agreed to be interviewed about The Kugels to tie in with the release of their second evocative CD The kugels at Breaker Bay and to tell us all about Klezmer; its history and its place in the contemporary music scene. The interview was done in conjunction with the Caffeine and Aspirin arts and entertainment review show on Radioactive FM.

Both Kugels CDs are available to borrow from the library along with a wide selection of Ross Harris compositions.

The Kugels at Breaker Bay. / Kugels
“This is the second release from the Wellington based Kugels the five-piece outfit which specialises in Klezmer and features some of New Zealand’ s finest classical musicians in their line-up. For a long time, they have been a bit of a hidden gem in the NZ music scene, but that changed recently when they did a sofa session with Bryan Crump. This latest release really shows how good they are, and includes emotive and atmospheric renditions of both traditional and original Klezmer pieces composed by arts laureate, and renown classical composer, Ross Harris.” (Adapted from Catalogue)

The Kugels play Klezmer by Ross Harris. / Kugels
“Ross Harris – The Kugels play Klezmer. … Melancholic, lyrical, delicate and beautiful , the music is played with grace and finesse by the Kugels who are the Wellington based quartet to which Ross Harris  belongs….” (Adapted from Catalogue)

 

 

Symphony no. 5 ; Violin concerto / Harris, Ross
“Ross Harris’s Symphony No.5 uses as its core poems by Panni Palasti.  The moving poems in the piece are based on the personal experiences of the poet during World War Two and the subsequent Hungarian Revolution. The work creates complex orchestral movements around these poems. This particular recording has conductor Eckehard Steir steering the orchestra and he judges well the balance between the moments of ferocity and the work’s sonic ebb and flow.” (Adapted from Catalogue)

Free Radicals / Free Radicals (Musical group)
“Wellington based Free Radicals :-Ross Harris and Jonathan Besser were active in the early 80s, described by one reviewer as ‘Eno meets industrial punk meets Stockhausen’. This compilation of archival recordings show the full range, scope and ambition of the pioneering outfit.” (adapted from Catalogue.)

 

Requiem for the fallen / Harris, Ross
“Requiem for the fallen honours the memory of soldiers who died in the First World War. Poetry by Vincent O’Sullivan is woven through the Latin of the Requiem Mass and carries many homespun New Zealand references. Horomona Horo’s taonga pūoro improvisations add a haunting beauty that could only be from Aotearoa.” (Adapted from Catalogue)