Graphic novels for NZ Music Month

One of my favourite things about the art of comics is how they depict sound. Since the medium is completely mute, comic artists have to come up with novel visual tricks to portray music.

In Ed Piskor’s Hip-Hop Family Tree, the colouring will go into a shaky ‘double-vision’, giving the panel the disorienting effect of looking at a 3D movie without the glasses, to depict the rattling bass of a sound system. In Kieron Gillen and Jamie McKelvie’s Phonogram, music fans called ‘phonomancers’ turn pop songs into magic spells to illustrate (without music) that feeling of power and invincibility you get from listening to your favourite song.

It seems more and more comic artists are going to bat for this technical challenge, as the graphic novel music biopic has become a popular subgenre in the 2010s. Sitting somewhere between documentary and written biography, it allows artists to exaggerate and caricature the details of an artist’s career. Mike Allred’s pop-art inspired drawing style is a perfect match for his most recent work Stardust, rayguns & moonage daydreamswhich gives David Bowie a cosmic career odyssey worthy of the work that he put into building the myth of Ziggy Stardust. Similarly, The Fifth Beatle sees the Fab Four through the eyes of their humble manager Brian Epstein; the comic’s colouring accentuates the efforts Epstein went through to take four lads with the marks of musical greatness from the grey pallor of Liverpool to the bright shiny vistas of international stardom. The graphic novel biography makes bands and artists seem larger than life in a way that photographs or concert films can sometimes struggle to capture.

From the mega-pop stars, to the unsung heroes of music history, to the fans that keep the passion burning, there’s a graphic novel for every audience in our collection!

The complete Phonogram / Gillen, Kieron
“Collected in a single volume for the first time, the first critically beloved work from the creators of The Wicked + the Divine. Includes RUE BRITANNIA, THE SINGLES CLUB and THE IMMATERIAL GIRL, with RUE BRITANNIA coloured for the first time. The world where Music Is Magic has never looked better.” (Catalogue)

Hip hop family tree [2] : 1981-1983 / Piskor, Ed
“The second instalment of this acclaimed graphic novel hip-hop history (originally serialized on the popular website Boingboing) covers the years 1981-1983. Hip Hop has made a big transition from the parks and rec rooms to downtown clubs and vinyl records. The performers make moves to separate themselves from the paying customers by dressing more and more flamboyant until a young group called RUN-DMC comes on the scene to take things back to the streets.” (Adapted from catalogue)

The fifth Beatle : the Brian Epstein story / Tiwary, Vivek J.
“The Fifth Beatle is the untold true story of Brian Epstein, the visionary manager who discovered and guided The Beatles — from their gigs in a tiny cellar in Liverpool to unprecedented international stardom. Yet more than merely the story of “The Man Who Made The Beatles,” The Fifth Beatle is an uplifting, tragic, and ultimately inspirational human story about the struggle to overcome seemingly insurmountable odds. Brian himself died painfully lonely at the young age of thirty-two, having helped The Beatles prove through “Sergeant Pepper’s Lonely Hearts Club Band” that pop music could be an inspirational art form. He was homosexual when it was a felony to be so in the United Kingdom, Jewish at a time of anti-Semitism, and from Liverpool when it was considered just a dingy port town.” (Catalogue)

Blue in green / V, Ram
“The dark and haunting portrayal of a young musician’s pursuit of creative genius — the monstrous nature of which threatens to consume him as it did his predecessor half a century ago. From creators Ram V (Grafity’s Wall, These Savage Shores) and Anand RK (Grafity’s Wall). BLUE IN GREEN is an exploration of ambitions, expectations, and the horrific depths of their spiraling pursuit.” (Catalogue)

Bowie : stardust, rayguns & moonage daydreams / Allred, Mike
BOWIE: Stardust, Rayguns, & Moonage Daydreams chronicles the rise of Bowie’s career from obscurity to fame; and paralleled by the rise and fall of his alter ego as well as the rise and fall of Ziggy Stardust. As the Spiders from Mars slowly implode, Bowie wrestles with his Ziggy persona. The outcome of this internal conflict will change not only David Bowie, but also, the world.” (Adapted from catalogue)

Gunning for hits. music thriller / Volume 1, Slade : / Rougvie, Jeff
“In the 80’s NYC music business, Martin Mills, a record company talent scout, jumps at the chance to make a comeback album with his favorite rock legend. When it goes sideways, Martin is forced to use deadly skills from his past” (Catalogue)

Redbone : the true story of a Native American rock band / Staebler, Christian
“Brothers Pat and Lolly Vegas were talented Native American rock musicians that took the 1960s Sunset Strip by storm. Determined to control their creative vision and maintain their cultural identity, they eventually signed a deal with Epic Records in 1969. But as the American Indian Movement gained momentum the band took a stand, choosing pride in their ancestry over continued commercial reward. Created in cooperation with the Vegas family, authors Christian Staebler and Sonia Paoloni with artist Thibault Balahy take painstaking steps to ensure the historical accuracy of this important and often overlooked story of America’s past. Part biography and part research journalism, Redbone provides a voice to a people long neglected in American history.” (Adapted from catalogue)

Total jazz / Blutch
“In these freewheeling short stories, vignettes, and sketches that originally appeared in Jazzman magazine, the famed French cartoonist examines not only the genre and its creators but the nature of the subculture. The grumpy festival-goer, the curmudgeonly collector, the anxious auditioner, and many others are his targets. As improvisional as Coltrane and Mingus, Blutch captures the excitement of live performance and of creating and listening to music.” (Catalogue)

Topp : promoter Gary Topp brought us the world / Collier, David
“As with all of Collier’s work, his latest graphic novel is a combination of memoir and biography. This time, he explores his involvement in the cultural landscape of Toronto in the 1970s and 80s, specifically focusing on the life of Gary Topp, a concert promoter and founder of the pioneering Canadian repertory cinema. Topp emerged from an immigrant background, abandoned the family textile business, and became an influential figure in the lives of an entire community. He was also Collier’s first boss and mentor. Though outspoken and opinionated, Gary Topp inspired love and devotion, not only in those who worked for him, but also in the acts he booked — including the Ramones, The Police, and the Dixie Chicks. This graphic novel looks at a rapidly disappearing past and uses Topp’s ability to see beyond the mainstream for a look at where our culture is heading.” (Catalogue)

Comics in Conversation with Cinema: Justice League – The Director’s Cuts (Part 2)

After years of fan campaigning, Zack Snyder’s Justice League has finally arrived on our screens. The newly expanded film restores the initial vision of the auteur director behind 300, Watchmen and Batman v Superman: Dawn of Justice, and is loosely based on Justice League: Origin by Geoff Johns and Jim Lee.

But there are many Justice League stories worthy of adaptation into film, just as there are many directors who would be perfect to adapt them. Here are another six picks for Justice League comics based on which directors would be best to adapt them into movies. Read the first batch of recommendations here.

The people vs. the Justice League and Justice lost

Suggested director: Spike Lee (Do the Right Thing, Blackkklansman)

What happens when the Justice League get in the way of real justice? Many writers have tried to do the ‘what if superheroes had to deal with the REAL issues’ story and failed, but in The People vs the Justice League, Christopher Priest and Pete Woods are able to make the real world/superhero world conflict compelling without one side diminishing the other. Featuring a disgruntled fanboy villain, a rival Justice League more interested in community action than punching bad guys, and a parody of Black Panther who uses the League’s downed satellite base to start a war between two African nations, this topical two volume run has plenty of material for a smart, trenchant director like Spike Lee to make into a great movie.

JLA: Trial by Fire

Suggested director: Sam Raimi (Spider-ManThe Evil Dead)

After trying to overcome his fatal weakness to fire, Martian Manhunter accidentally awakens a hostile ancestral personality in himself known as ‘Fernus the Burning Martian’, who wants nothing more than Earth’s total destruction. Trial by Fire, by writer Joe Kelly and artist Doug Mahnke, starts with a demonic possession mystery that spirals out into a world-ending threat, and it rides an interesting middle ground between horror story and superhero epic. That’s why Sam Raimi, director of both great superhero movies and great horror movies, would really make this story sing if he were the one adapting it.

Formerly known as the Justice League

Suggested director: Taika Waititi (Thor: Ragnarok, What We Do In The Shadows)

In the late 80s, Justice League was written by Keith Giffen, J.M. DeMatteis, and artist Kevin Maguire, who turned the book into a superhero ensemble comedy featuring lesser known heroes like Blue Beetle, Booster Gold and Elongated Man. Formerly Known as… has that creative team return to the characters (now called the ‘Super Buddies’) who have fallen on hard times and operate out of a strip mall. Taika Waititi is an easy pick for the only explicitly comedic Justice League, but I chose him for this story because he also excels at writing people with high opinions of themselves trying to reclaim their dignity in the face of adversity; think of the aristocratic vampires of What We Do in the Shadows reduced to living in a dilapidated flat or Thor struggling with his self-worth after his hammer is destroyed in Thor: Ragnarok.

JLA: Rock of Ages

Suggested director: Christopher Nolan (The Dark Knight trilogy, Interstellar)

Rock of Ages is another blockbuster-size JLA story from Grant Morrison and Howard Porter, in which the JLA face a crisis on two fronts: a corporate takeover-style threat from the Injustice Gang, and trying to prevent a map of all space-time from falling into the hands of the despotic alien Darkseid. Christopher Nolan is a filmmaker obsessed with time: how we fight against it (Dunkirk), what it robs from us (Interstellar), and how we could weaponise it for our benefit (Tenet). Rock of Ages has all the sort of mind-bending space-time headiness Nolan loves to play with, plus it has a lot of good Batman moments as well, so it would be a return to form for him in more ways than one.

Justice League vs. Suicide Squad

Suggested director: The Russo brothers (Avengers: Infinity War, Avengers: Endgame)

The Russo brothers had the monumental task of bringing ten years of a superhero universe to a conclusion with Infinity War and Endgame, and if fan response and box-office speaks for anything, they succeeded with flying colours. They’re the only duo who would be up to the task to adapt Justice League vs Suicide Squad, which like their previous superhero efforts features a huge and complex story, loads of characters, and centres around a villain pursuing a gem for ultimate power. They might be repeating themselves, but if they did it twice before, then third time is just another charm.

JLA: Heaven’s Ladder

Suggested director: The Wachowski siblings (The Matrix, Cloud Atlas)

One of the weirder stories from the 90s JLA run, Heaven’s Ladder (by Mark Waid and Bryan Hitch) follows the Justice League trying to save Earth after it has been stolen by immortal aliens called ‘Quantum Mechanics’ who want to build their own afterlife using the cultural ideas of Heaven from various alien worlds. It’s a far-out concept, but one that hits on a lot of the shared themes of the films of Lana and Lilly Wachowski, like the fusing of spirituality with science-fiction in The Matrix or the idea of the soul transcending cultural boundaries from Cloud Atlas.

Comics in Conversation with Cinema: Justice League – The Director’s Cuts

After years of fan campaigning, Zack Snyder’s Justice League has finally arrived on our screens. The newly expanded film restores the initial vision of the auteur director behind 300, Watchmen and Batman v Superman: Dawn of Justice, and is loosely based on Justice League: Origin by Geoff Johns and Jim Lee.

Snyder certainly had the track record to adapt DC Comics’ premiere super-team to the silver screen, having a number of comic-to-film adaptations under his belt already and a distinct aesthetic directly inspired by comic books. But there are many Justice League stories worthy of adaptation into film (particularly from JLA, the deliberately cinematic and much beloved series that ran from 1997 to 2006), just as there are many directors who would be perfect to adapt them.

So if you’re after more of the World’s Greatest Superheroes (or some great film recommendations), here are my picks for Justice League comics based on what directors would best adapt them into movies.

JLA : New world order – Roland Emmerich (Independence Day, 2012)

When Justice League was relaunched as JLA in 1997 by Grant Morrison and Howard Porter, their intent with the series was to tell big-scale stories like a blockbuster movie in comic form. The first story of their run, New World Order, delivers on exactly that, featuring an invasion by superheroes from another planet that opens with a giant spaceship over the White House (just like Emmerich’s Independence Day, coincidentally released the same year) and continues heightening the stakes from there. If they made a JLA movie in the 90s, you could absolutely see Emmerich as a front-runner for the director’s chair.

Bonus trivia: Every issue of JLA: New World Order is named after a sci-fi movie from the 1950s: THEM!, The Day the Earth Stood Still, War of the Worlds, and Invaders from Mars.

JLA : Earth 2 – Paul Verhoeven (Robocop, Starship Troopers)

A good version of Lex Luthor recruits the JLA to help him fight the Crime Syndicate of Amerika (not a typo), their evil equivalent from an parallel Earth made of anti-matter, where reality, history and morality is reversed. People’s hearts are on the right side of their body instead of the left, pirates and gangsters are worshipped as heroes, executions are televised, and the dollar bills have “In Mammon We Trust” written on them, referencing the demon of greed. It brings to mind some of Paul Verhoeven’s best satire in Robocop and Starship Troopers, where the excesses of American capitalist and military society are heightened to ludicrous absurdity.

Bonus trivia: JLA: Earth 2 was later adapted into an animated film, Justice League: Crisis on Two Earths, in 2010.

Justice –  George Miller (Mad Max, Happy Feet)

Justice hits all the beats of a great Justice League story: big action, great character moments, and deep-cut references from across DC history, but the main conceit of Justice is that the Legion of Doom, convinced that they are saving humanity from a coming apocalypse that the Justice League can’t prevent, become the story’s heroes. While George Miller would be a great choice for any superhero movie for his skill at directing action and tone, what makes Justice an ideal story for him would be the Legion of Doom as a cult of personality believing they know what’s best for society. It’s a theme that Miller has explored throughout his filmography, from the various desert demagogues of the Mad Max wastelands to the conservative penguin hegemony of Happy Feet.

Bonus trivia: In 2007, George Miller was tapped to direct a Justice League movie called Justice League: Mortal, but due to the success of Christopher Nolan’s Dark Knight trilogy, Warner Bros decided to focus on solo hero movies and the film was shelved indefinitely.

JLA: Golden Perfect – Patty Jenkins (Wonder Woman, Wonder Woman 1984)

After facing a crisis of conscience, Wonder Woman’s Lasso of Truth is destroyed, and with it, the very concept of truth itself has been fractured — and the Justice League must contend with a world capriciously redefined by the dreams and fears of the human race. When explaining her writing process for WW84, Patty Jenkins said she wanted to write a superhero movie where at the end, nobody dies and the day is saved with a conversation rather than with brute strength. Golden Perfect hits on a lot of similar themes and ideas (WW84‘s Wishing Stone also has a similar effect on the world as the Lasso of Truth breaking), and while she would be repeating herself, it would be interesting to see Jenkins’ take on the rest of the Justice League.

Bonus trivia: Wonder Woman has also appeared in a solo animated film, and appears in the DC Animated Movie Universe beginning with Justice League: War.

Justice League Dark – Guillermo del Toro (Pan’s Labyrinth, Pacific Rim)

Justice League Dark was created to highlight DC’s stable of magical and horror-influenced heroes such as John Constantine, Zatanna, Swamp Thing, and Deadman, who fight the supernatural threats that the regular flavour Justice League can’t handle. While there was an animated film that came out in 2017, Guillermo Del Toro has been trying to make a live-action Justice League Dark film since 2013. Given his experience in directing fantasy action and surreal horror (the first issue of the series has the Justice League contend with a storm made of human teeth, for starters), giving Del Toro the chance would be a no-brainer.

Bonus trivia: While Del Toro has set aside working on Justice League Dark (for now), a TV series is currently in development for HBO Max, spearheaded by J.J. Abrams.

JLA : the hypothetical woman – Kathryn Bigelow (Zero Dark Thirty, The Hurt Locker)

The Justice League of America is caught in a harrowing situation after being sent by the United Nations Security Council to intervene in a South American nation ruled by an iron-fisted dictator. In response, the world’s nations start stockpiling discarded supervillain weapons and alien spacecrafts and repurposing them into weapons out of fear the Justice League will do the same to them. An underrated Justice League story that weds traditional superhero tropes to the realism of international relations and military strategy, this is probably the only JLA story I could see Kathryn Bigelow adapting.

Bonus trivia: JLA: The Hypothetical Woman is drawn by artist Jose-Luis Garcia Lopez, who is responsible for the DC Comics Style Guide, the official reference guide book for all DC Comics merchandise.

Comics in Conversation with Literature: The Immortal Hulk

The Immortal Hulk is the newest comic to feature Dr Bruce Banner and his green alter ego and since the series’ debut in 2018, it’s become a massive hit with fans and critics. Written by Al Ewing and drawn by Joe Bennett, the series centres on a new revelation about the character: Bruce Banner can die but the Hulk cannot, which makes them, as the title suggests, immortal. Thanks to this undead twist, Ewing and Bennett use the story opportunity to turn Hulk into a horror book, closer in tone to old EC Comics or Alan Moore’s Swamp Thing, but with the same action and character drama you’d expect from a Marvel comic. The newly-minted Immortal Hulk battles such terrors as radioactive zombies, paranormal possessions, city-destroying kaiju, the Devil, the legions of Hell, and my personal favourite, Xemnu the Titan, a cyborg yeti alien who can manipulate people’s memories through smartphones.

The other unique angle to The Immortal Hulk is that every issue opens with a quote from a famous book or writer, chosen by Ewing to give thematic weight to each issue and something for the audience to ponder on a close reading. I’ve picked out some of the best opening quotations from the first three volumes of The Immortal Hulk, and linked them to the works of their respective writers so you can find them in our collection. If you want to read the comic first, you can order the first volume here or read it on Overdrive here.

 

 

 

 

 

‘My devil had long been caged, he came out roaring’ – The strange case of Dr. Jekyll and Mr. Hyde and other stories / Stevenson, Robert Louis

Out of all of the original 60s Marvel heroes, the Incredible Hulk is the only one with a literary pedigree; he was inspired by Robert Louis Stevenson’s Dr Jekyll and Mr Hyde. The influence of ‘Jekyll and Hyde’ on the Hulk is obvious, as they both tell the story of mild-mannered men grappling with a split personality that can physically transform them into a monster. Where the Hulk is usually childlike in his rage, Bruce’s new ‘Immortal Hulk’ personality is significantly more intelligent and menacing than the other Hulks, much like Mr Hyde in the book.

“One always dies too soon – or too late” – No exit, and three other plays / Sartre, Jean-Paul

For the first few issues of Immortal Hulk, Banner only transforms into the Hulk when he dies, and returns to life via a portal called ‘The Green Door’. A consistent theme of the series is how it would affect someone psychologically to come back from the dead, as comic book heroes frequently do. This pairs interestingly with Ewing’s choice to quote No Exit, a play by French existentialist Jean-Paul Sartre about three souls who are locked in a room together in the afterlife. For the characters in No Exit, death is a one-way door, whereas for Bruce and the Hulk both, death is a revolving one, a trap for which there too seems to be no exit.

‘Many names hath god given him, names of mystery, secret and terrible’ – Red cactus : the life of Anna Kingsford / Pert, Alan

In interviews, Al Ewing has said that he picked up the idea of the Green Door from the vintage pop song ‘The Green Door‘ and from theosophist writer Anna Kingsford. In her book of her religious visions, Clothed With the Sun, she wrote that the devil, rather than being an adversary for God, works for Him in many roles: a destroyer, an avenger, and as the keeper of the door to Hell who ‘sifts’ souls so that only the wicked enter. Appropriately, the Immortal Hulk takes on the name ‘Devil Hulk’ during a fight with the Avengers, as he tears through them with no effort. But the choice of Kingsford’s quote implies that the Hulk could become a force for good as well, like her conception of the devil.

“Fathers and teachers, I ponder, What is Hell? I maintain that it is the suffering of being unable to love” – The brothers Karamazov : a novel in four parts and an epilogue / Dostoyevsky, Fyodor

The main villain of the first three volumes is Bruce’s deceased father, Brian Banner, who has struck a deal with the demonic ‘One Below All’ so he can return to Earth. Brian was openly hostile to Bruce throughout his childhood, believing Bruce to be a ‘monster’ who would replace him, and Bruce’s suppressed rage at this treatment eventually coalesced into his Hulk personality. The issue where the Hulk finally confronts his father in Hell opens with the above line from The Brothers Karamazov, which follows three brothers and their respective relationships with their distant, unscrupulous father.

‘Did he who made the Lamb make thee?’ – Songs of innocence and of experience : shewing the two contrary states of the human soul, 1789-1794 / Blake, William

The Romantic poet and artist William Blake is referenced throughout the Immortal Hulk run. The above quote, from his poem ‘The Tyger’ in Songs of Experience, ponders how a creature as fearsome and stunning as a tiger could exist in the same world as an innocent lamb, and considers this a possible contradiction in God’s creation. Like Blake’s interrogation of the tiger, the ‘why?’ of the Hulk’s existence is a recurring question in Immortal Hulk; how could this monster exist within this man? Does he serve some kind of purpose that we’re not aware of? And what will he decide to do with his power?

Within the Mystery of WandaVision

After a lengthy hiatus, the Marvel Universe of films have restarted on Disney Plus with the unexpected meta-fictional world of WandaVision. Continuing on from the endgames of the last Avengers film, WandaVision eschews the usual Marvel film template with interlocking levels of mystery and deeply conflicted characters all wrapped up within a darkly satirical sitcom parody running across the decades.

Below are a selection of comics, films, TV series and books that directly influenced WandaVision’s complex world of mischievous invention, enigma and heartbreak. From comics that helped drive plot in the TV series to TV sitcoms that influence each episode’s comedy, look and feel, to the Marvel films themselves, consider this a sideways look into the many genius aspects of WandaVision

Vision : the complete collection / King, Tom
“He was created to kill the Avengers but he turned against his “father.” He found a home among Earth’s Mightiest Heroes, and love in the arms of the Scarlet Witch. It didn’t end well. Now, the Vision just wants an ordinary life with a wife and two children, a home in the suburbs, perhaps even a dog. But it won’t end any better. Tom King and Gabriel Hernandez Walta confound expectations in their heart-breaking, gut-wrenching, breath-taking magnum opus collected in all its Eisner Award-winning glory.” (Catalogue)

House of M / Bendis, Brian Michael
“The Marvel event of the decade is here! The Avengers and the X-Men are faced with a common foe that becomes their greatest threat: Wanda Maximoff! The Scarlet Witch is out of control, and the fate of the entire world is in her hands. Will Magneto help his daughter or use her powers to his own benefit? Starring the Astonishing X-Men and the New Avengers! You know how sometimes you hear the phrase: ‘and nothing will ever be the same again?’ Well, this time believe it, buster! Nothing will ever be the same again! Collects House of M #1-8, and Pulse House of M Special Edition Newspaper.” (Catalogue)

Scarlet Witch [1] : witches’ road / Robinson, James Dale
“Wanda Maximoff ‘s magical mystery tour continues on the streets of Paris; she will find the broken-hearted hero Le Peregrine. Can Wanda mend his broken wings and help him soar again? She’ll risk life and limb to try; next stop, Hong Kong, where an ancient warlock named the Dark Tongi has taken a powerful hold. Wanda must seek the help of a young witch, known as the Wu – but she has her own battle to fight. The former Avenger’s personal journey gets reflective as she explores her early memories and attempts to reconcile the sins of her past, but it’s time for a family reunion with her twin brother Pietro…but what happens when the Scarlet Witch and Quicksilver are on opposing sides? ” (Catalogue)

Overdrive cover Avengers: Disassembled, Brian Michael Bendis (ebook)
Collects Avengers (1998) #500-503. It begins with the return of a team member thought dead and by the time it’s over, everything you know about the Avengers will have changed! It’s the worst day in team history, as Earth’s Mightiest Heroes try to deal with the shocking tragedy around them. Who is behind this, and why? Will it tear the team apart? Who will fall at the hands of the Avengers’ greatest enemy? Guest-starring every Avenger…ever! (Overdrive description)

Pleasantville
“Two 1990’s teenagers find themselves in a 1950’s sitcom where their influence begins to profoundly change that complacent world.” (Catalogue)

 

 

The twilight zone : the original series. Season one. “There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call… The Twilight Zone.” (Catalogue)

 

Gilmore girls. The complete first season
“Lorelai and Rory are a mother and daughter who are sharing life’s ups and downs in a small town in Connecticut. This heartfelt, humorous drama appeals to young and old alike with it’s blend of traditional family issues and hip attitude.” (Catalogue)

 

 

Modern family. The complete first season
“Modern Family takes a refreshing and funny view of what it means to raise a family in this hectic day and age. Multicultural relationships, adoption, and same-sex marriage are just a few of the timely issues faced by the show’s three wildly diverse broods. No matter the size or shape, family always comes first in this hilariously ‘modern’ look at life, love, and laughter.” (Catalogue)

 

The office [US]. Season one
“Earnest but clueless regional manager Michael Scott, the world’s worst manager, provides hilarious examples of bad management practice at the local Dunder Mifflin Paper Company Inc. office.” (Catalogue)

 

 

Avengers. Endgame
“The grave course of events set in motion by Thanos that wiped out half the universe and fractured their ranks compels the remaining to take one final stand in the grand conclusion to twenty-two films.” (Catalogue)

 

 

Captain America : civil war
“After another incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability, headed by a governing body to oversee and direct the team. The new status quo fractures the Avengers, resulting in two camps, one led by Steve Rogers and his desire for the Avengers to remain free to defend humanity without government interference, and the other following Tony Stark₂s surprising decision to support government oversight and accountability.” (Catalogue)