Cop26: The UN Climate Change Conference

In just under two weeks, 30,000 people from across the globe will descend on Glasgow for a meeting that’s been called “the world’s best last chance to get runaway climate change under control.” But what exactly is it?

What is Cop26?

Cop26 is the 2021 United Nations Climate Change Conference, with 197 countries coming together to work out how to tackle the climate emergency. These meetings have been happening every year since 1995, with the most well known being the 2015 Cop21 in Paris, which resulted in the landmark Paris Agreement.

Why is the Paris Agreement important?

The key to the Paris Agreement is the commitment to keep global warming below an average of 2C, with efforts to limit temperature rise to 1.5C. To reach this goal, each country has decided on its own target of greenhouse gas reduction, known as Nationally Determined Contributions (NDCs). Countries are required to update their NDCs every five years, which is one of the reasons this year’s conference is so significant.

What should I look out for?

The biggest questions at Cop26 will probably revolve around updated NDCs–how much more greenhouse gas reduction will countries commit to? However there are a lot of other vital areas of discussion, including international funding to help developing countries reduce their carbon emissions.

The New Zealand delegation to Cop26 will have several areas of focus, but two to watch out for are the amplification of Pacific voices and also discussions around methane.

How do I find out more?

Cop26 will be covered by news outlets around the world, although the only New Zealand journalist going to the conference in person is business and climate reporter Rod Oram. The official Cop26 website is available here and the action can also be followed via Twitter.

Books:


This changes everything : capitalism vs. the climate / Klein, Naomi
“In This Changes Everything Naomi Klein argues that climate change isn’t just another issue to be neatly filed between taxes and health care. It’s an alarm that calls us to fix an economic system that is already failing us in many ways. Klein meticulously builds the case for how massively reducing our greenhouse emissions is our best chance to simultaneously reduce gaping inequalities, re-imagine our broken democracies, and rebuild our gutted local economies.” (Adapted from Catalogue)

All we can save : truth, courage, and solutions for the climate crisis
“Women are on the front line of the climate-change battle, and are uniquely situated to be agents of change. Today, across the world, from boardrooms and policy positions to local communities, from science to activism, women everywhere are using their voices to take leadership and call for action on climate change. This anthology is a collection and celebration of these diverse voices, asking critical questions and providing invaluable insight and solutions.” (Adapted from Catalogue)

Drawdown : the most comprehensive plan ever proposed to reverse global warming
“In the face of widespread fear and apathy, an international coalition of researchers, professionals, and scientists have come together to offer a set of realistic and bold solutions to climate change. One hundred techniques and practices are described here–some are well known; some you may have never heard of.” (Adapted from Catalogue)

The uninhabitable Earth : life after warming / Wallace-Wells, David
“It is worse, much worse, than you think. If your anxiety about global warming is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible. Without a revolution in how billions of humans conduct their lives, parts of the Earth could become close to uninhabitable, and other parts horrifically inhospitable, as soon as the end of this century.” (Adapted from Catalogue)

Doughnut economics : seven ways to think like a 21st century economist / Raworth, Kate
“Kate Raworth sets out seven key ways to fundamentally reframe our understanding of what economics is and does. Along the way, she points out how we can break our addiction to growth; redesign money, finance, and business to be in service to people; and create economies that are regenerative and distributive by design. Simple, playful, and eloquent, Doughnut Economics offers game-changing analysis and inspiration for a new generation of economic thinkers.” (Catalogue)

Braiding sweetgrass : indigenous wisdom, scientific knowledge and the teachings of plants / Kimmerer, Robin Wall
“As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Adapted from Catalogue)

The new climate war : the fight to take back our planet / Mann, Michael E.
“Recycle. Fly less. Eat less meat. These are some of the tactics that we’ve been told can slow climate change. But most of these recommendations are a result of a multi-pronged marketing campaign that has succeeded in placing the responsibility for fixing climate change squarely on the shoulders of individuals. Fossil fuel companies have followed the example of other industries deflecting blame or greenwashing.” (Adapted from Catalogue)

Library Databases:

NZ Geographic: NZ Geographic has been celebrating our people, places, wildlife and environment for two decades. Its archives hold more than 600 in-depth features about our country, natural history and culture.

Gale Environmental Studies in Context: The Global Reference on the Environment, Energy, and Natural Resources focuses on the physical, social, and economic aspects of environmental issues.

LinkedIn Learning: LinkedIn Learning is a video tutorial service providing access to over 12,000 instructional videos on many topics, including several aspects of the climate emergency.

“It was as if the sun had come out”: pukapuka paki hou

Ngā kaiporotēhie mautohe ana ki te haerenga whutupōro o Āwherika ki te Tonga, Te Whanganui-a-Tara. Evening post (Niupepa. 1865-2002): Ngā whakaahua me ngā tānga tōraro o te niupepa o te Evening Post. Tohutoro: 35mm-01392-11a-F. Alexander Turnbull Library, Te Whanganui-a-Tara, Aotearoa. /records/22543224

“It was as if the sun had come out” — Nelson Mandela, i tana rongo kua whakakorehia te kēmu ka tū ki Kirikiriroa.

Read this post in English

I roto i ā mātou kōwhiringa o ngā whiwhinga pukapuka paki hou i tēnei marama, he pakimaero e pā ana ki tētahi o ngā taiopenga whakaweherua i te tangata, nui rawa i te hītori moroki o Aotearoa.

E whā tekau tau ki muri, i taiāwhiotia a Aotearoa e te tīma whutupōro o Āwherika ki te Tonga. Ko te hua o taua haerenga, me te kaupapa tōrangapū i Āwherika ki te Tonga i taua wā, ko te weheruatanga pāpori nui, nāna te porihanga o Aotearoa i haurua, i hika ai ngā mautohe mātinitini, ngā mahi mokorea a ngā pirihimana, me te torenga mai o tētahi whāruarua puta noa i te motu. I noho te Haerenga Springbok hei tautute ā-tōrangapū nui rawa i Aotearoa i te rautau 20. Ko te pūtake o te ripi i te porihanga, ko te mahi tonu o Āwherika ki te Tonga i raro i te pūnaha whakarihariha o te whakatāuke tangata, arā te apartheid, ā, mēnā ka whai pānga tēnei ki ngā kaupapa hākinakina.

He nui ngā kōrero kua tuhia mō te haerenga nei mai i ngā taha katoa o te tohe.

Ā, mēnā e hiahia ana koe i ētahi atu mōhiohio mō te hītori o te Haerenga, kua hono tahi Ngā Whare Pukapuka o Te Whanganui-a-Tara me Te Kano Kohinga Kupu o Pōneke i tēnei tau hei tohu i ngā taiopenga o te tau 1981 i te wā i hua mai.

E tīhau mataora ana te pūkete Twitter o Tweet the Tour i ngā āhuatanga i te wā i tatū ai.

I tēnei marama, i te kōwhiringa pukapuka paki hou, kei ā mātou a Hold the line: The Springbok tour of ‘81: a family, a love affair, a nation at war: a novel nā Kerry Harrison. He kōrero paki o tēnei wā hiranga nui, e hanga whakaari ana i ngā whakatete o te haerenga.

Tērā anō ētahi atu pukapuka tino rerekē o Aotearoa i ngā kōwhiringa o tēnei marama. Ko The Piano Girls he kōrero paki hou e tino mihia ana, nā Elizabeth Smither. Ā, ko The Only Living Lady Parachutist nā Catehrina Clarke, he pakimaero i poua i runga i te pono, e hāngai ana ki te ao o Lillian, he tuawahine whakahaere poihau hauwera toremutu ākina ā-mate, nāna te iwi i whakaohooho i Aotearoa me Ahitereiria i ngā tau o te 1890.

A darker reality / Perry, Anne
“E tohu ana ngā tīpuna o Elena ki te whakanui i tētahi huringatau mā te whakarite i tētahi pāti mīharo mā rātou ko ngā hoa mananui o tōna koroua. Engari ka mutu wawe, pouri hoki ngā whakariterite i te wā ka tukia tētahi o ngā manuhiri a Lila Worth, e te motukā i te huanui i waho. E whakapono ana a Elena, i whakamātau ana a Lila ki te whāki i tētahi kaupapa ki a ia i mua i tōna matenga, ā, nō te waeatanga mai o tana rangatira mahi i te kāinga, a MI6, i whakaū he tūtei o Piritana a Lila, kātahi ka hono atu a Elene ki tētahi atu tūtei ki te rapu he aha ngā mōhiohio waiwai e puritia ana e taua wahine rā.” (He mea urutau i te Rārangi)

Hard like water / Yan, Lianke
“Nō te hokinga o Gao Aijun ki tōna pā kāinga me te hīkaka i ngā mahi angitu i roto i a Tūmatauenga, ka kite ia i te wāhine ātaahua nei a Xia Hongmei e hīkoi kore hū ana i te taha o te rerewē i te ahiahi ruhi o te rā, ā, hinga tonu atu i te aroha. I a rāua e huna ana i tā rāua hononga i ō rāua makau ake, ka kuhu mārika rāua ki ngā taukumekume ki te whakaara i te pāhoro i tō rāua pā kāinga taiwhenua. Ka tatari rāua ki te kaikaiātara i tō rāua hononga, kia oti rā anō i a Aijun te kari i tētahi anapoka o te aroha, i waenga i ō rāua kāinga, otirā ka eke tō rāua pāhoro, aroha whiwhita hoki ki tōna taioreoretanga.” (He mea urutau i te Rārangi)

The hummingbird / Veronesi, Sandro
“Ko Marco Carrera ‘te hummingbird,’ he tangata āhua tipua nei e taea e ia te nohotū i te wā e neke haere tonu ana te ao. I a ia e urungi haere ana i ngā wero o te oranga – e whakaanga ana i te matenga o tōna tuahine, me te korenga o tōna tuakana; te tiaki i ōna mātua i te wā e tata ana ki te mate; e whakatipu ana i tana mokopuna i te wā kāore e tāea e tōna whaea ake, te tamāhine a Marco, te tiaki i a tana tamaiti ake; te whakatau i tana aroha mō Luisa, he wahine manganga – ka noho a Marco Carrera hei tohu mō te toa wairua whakaiti e rauroha ana i te nui o tō tātou oranga o ia rā” (He mea urutau i te Rārangi)

The piano girls / Smither, Elizabeth
“Tokotoru tūāhine puorooro ka whakamānawa i tō rātou ia tau mā tētahi takinga piana, hei whakamaharatanga ki a ia. Ka whakataetae tētahi ki tētahi, ka whakangungu huna ki te kite ko wai te toa o rātou. I ētahi atu kōrero, ko te waiata, te kai, me ngā wharekai ngā ariā. Tērā tētahi wahine e pana ana i tētahi kaiwhakawai mā te tunu kai nui; Ka whakarite a Fire Lady i ngā kai tahu waiwaihā i tētahi wharekai. He poti e karangahia ana ko Min; He wehenga tokorua whakamamae i tētahi hōtēra hāneanea; he wahine taiohi e whakamaimoa ana ki ōna ū. Ka kapi i ngā kōrero te whānuitanga o ngā kaupapa mai i ngā rā i te kura me ngā whakangungu ori hīteki ki te taipakeketanga.”(He mea urutau i te Rārangi)

The vixen : a novel / Prose, Francine
“1953. Kātahi anō a Simon Putnam kia whiwhi mahi i tētahi umanga whakaputa whakahirahira o New York, ā, kua whai i tana kaupapa mahi tuatahi: te whakatika i The Vixen, the Patriot and the Fanatic, he kaitīhae pari mōrihariha, i poua pea i runga i te whakawātanga paetata, whakamatenga hoki o Ethel rāua ko Julius Rosenberg. He mahi auaha e takune ana ki te whakapakari i ngā ahumoni o te umanga e hinga haere ana. He hoa i te tamarikitanga te māmā o Simon nō Ethel Rosenberg; ka tangihia te matenga o Ethel e ōna mātua. Ka tūtaki a Simon ki te kaituhi o The Vixen, i a Anya Partridge he wahine pokerenoa, whakakonuka hoki, e noho tau ana i tōna rūma kakara-opiuma nei, i tētahi whare wairangi hāneanea i Hudson River. Ka tau te māramatanga ki a Simon, e whakataruna ana te katoa, e pupuri kōrero muna ana, ā, ko ngā taiopenga māori e huna ana i tētahi tāhū weriweri.” (He mea urutau i te Rārangi)

Breathe : a novel / Oates, Joyce Carol
“I waenga i tētahi horanuku tino ātaahua engari he whanokē, i New Mexico, ka noho tūturu tētahi tokorua mārena o Cambridge, MA, i tētahi whare wānanga whakahirahira. Nō te pānga o te tāne i te mate porehu, i hē te tohu i te tuatahi, ka takahurihia ō rāua ao, ā, ka takatū rāua tahi i tētahi haerenga moepapa. I te toru tekau mā whitu tau, e aro ana a Michaela ki te whakaaro whakawehi o te pouarutanga – me te ngaronga o Gerard, otirā ko tōna tuakiri tērā i tino waihanga i tōna.” (He mea urutau i te Rārangi)

Hold the line : the Springbok tour of ’81 : a family, a love affair, a nation at war : a novel / Harrison, Kerry
“Ko te tau 1981 te tau, ā, e takatū ana a Aotearoa ki te hautū i te kapa Springboks o Āwherika ki te Tonga, he whenua tāuke, mō tētahi haerenga ā-motu mō te whutupōro. E hia mano ngā kaiporotēhi i uru ki tētahi kaupapa mautohe tautoko nui, e tuki tahi ana ki tētah iwi pōrangi ki te tautoko i te whutupōro. Ahakoa te tipunga o te mautohe tūmatanui, e mārō tonu ana te kāwanatanga me te Ūniana Whutupōro ka haere tonu te haerenga. Ka hoki mai a Beth i Rānana. He kaitautoko tōna matua, he mōrehu o Te Pakanga Tuarua, o te whutupōro, ka huri tōna tungāne hei kaiporotēhi i ngā riri ā-tiriti. E ako ana ia i te ture, ā, ka tūtaki ki a Viktor, engari kāore ia i mōhio, he mema ia o rōpū rongowehi nei, te Police Red Squad. Ka ahatia tō rāua hononga tauaro i tētahi whenua e mōrearea nui ana te oranga o te nono a te tangata?” (He mea urutau i te Rārangi)

The only living lady parachutist / Clarke, Catherine
“Hei whakamātau i tōna manawanui, ka mōreareatia e te wahine manawa kai tūtae nei a Lillian tōna ake oranga, mō te rongotoa me te whairawa, mā te hekerangi i tētahi poihau hauwera i Ahitereiria me Aotearoa. Engari i te ao tauwhāinga o ngā tau 1890 o ngā tāngata tinihanga, ngā tāngata whakahīhī, me ngā tāngata totohe ā-whakaari nei, he māia anō ia ki te whakaanga i ngā kōrero pono o tōna onamata?” (He mea urutau i te Rārangi)

Matariki 2021 at your libraries!

Tēnā koutou katoa, e te whānau!

From 2 – 10 July, Wellington City Libraries is celebrating Matariki with a range of events, crafts, storytelling sessions, and experiences for whānau and tamariki all over our city. Don’t forget to also check out the Wellington City Council website to find out about the huge range of exciting activities taking place outside our libraries during Matariki.

Continue reading “Matariki 2021 at your libraries!”

The 80s called and they’ve given their magazine back

Wellington City Magazine on Recollect

Wellington City Libraries is bringing the past back to the future with the popular 1980s Wellington City Magazine now accessible online.

Not only will it showcase the big hair, shoulder pads and jazzercize of the era in the capital, but also the cool cats, clubs and cafes, and feature articles and columns from many still well-known contributors.

Wellington City Magazine on Recollect

Wellington City Magazine offers a fascinating insight into Wellington’s culture in the mid-1980s during a time of considerable societal and economic change, says Wellington City Libraries Local Historian Gabor Toth.

“Its first edition was printed at the very end of Robert Muldoon’s final term as the National Government’s Prime Minister in 1984, and came to an end after 27 issues following the share market crash in 1987.

“Published by Henry Newrick, the magazine had an enormous variety of feature articles and regular columns. Its advertising content reflected a boom in the local economy as financial regulatory controls were dropped, the share market rose to new heights and a new generation of high-earning workers, investors and entrepreneurs opened their wallets. The magazine was also highly innovative in its graphic design, page layout and high-quality photograph reproduction.

“The first five issues were called Wellington Cosmo to reflect the fact that Wellington was seen as being a particularly ‘cosmopolitan’ city, a legal threat to change the title as it violated the international Cosmopolitan Magazine trademark, and a failed appeal and injunction, saw it change its title to Wellington City Magazine.

“The magazine had three editors; Lloyd Jones, John Saker and Malcolm McSporran and attracted many talented writers and journalists who often had significant literary, academic or business backgrounds – including David Burton, Ian Wedde, Simon Morris, Lorraine Mexted, Tony Simpson and Bill Gosden.

“The magazine also took on causes, and was one of the first outlets to raise the profile of the St James Theatre when it was threatened with demolition.”

This was a labour of love for Gabor, hand scanning every page and photoshopping the gutter out of the double page spreads, says Manager of Libraries & Community Spaces, Laurinda Thomas.

“Everyone, young and old, is going to get a kick out of these magazines – it’s like a time machine, and everyone can just go online and get transported there.

“So many of the restaurants, bars, cafes, cinemas, galleries have been replaced with new ones, but some things that haven’t changed are the political, arts and cultural scene – and the Green Parrot!”

Go to wellington.recollect.co.nz and click on the ‘Collections’ button to see all 27 issues, and keep an eye on Wellington City Council and Libraries social media channels for some 1980s nostalgia to coincide with the launch.

Books at the Climate Crossroads event: recording available now

The climate crisis seeps into almost everything now – that cicada thrum of environmental shift.

Ingrid Horrocks

On a very rainy Tuesday afternoon in May, Te Awe Library was lucky enough to host Ingrid Horrocks, Turi Park, Tim Park and Rebecca Priestley for Books at the Climate Crossroads: Ngā Uruora and Where We Swim.

This fantastic panel event combined literature, science, the climate emergency, history and more as the panellists discussed these two ground-breaking New Zealand titles, as well as their own personal and familial experiences.

If you weren’t able to make it, don’t worry–we recorded it for you! Click on the links below to view or listen to the talk via YouTube or MixCloud. And for more info, check out our previous blog about this event.

Watch the talk here:

Listen to the talk here:

Vogue and the First World War

The article begins with the headline “The New Declaration of Independence”. Over the following page it goes on to examine shifting global power dynamics, explaining that “the spirit that made it impossible for the thirteen American colonies to remain vassals of Great Britain, makes it equally impossible that our nearly fifty states rest under the perpetual threat involved in Prussian militarism and imperial Pan-Germanism.” This article isn’t from the New York Times; it won’t be found in Papers Past. Instead it comes from one of Wellington City Libraries’ most interesting online resources: the Vogue Archive.

Vogue’s coverage of the First World War is significant for several reasons: for starters its variety. Just a brief search of the Archive using the keyword “War” between 1917 and 1918 brings up articles addressing everything from practical fashion advice (“Dressing on a War Income”) and the role of women in relief work (“The Woman’s Share of War”) to the importance of Liberty Loans (“If We Would Win This War”) and changes in mourning practices (“The Mode in Mourning”).

“An astonishing number of smart and individual mourning costumes are to be seen in New York at present.”

While the Archive doesn’t have any articles addressing New Zealand war experiences, it does give a unique insight into the experiences of women–especially those of the upper classes–in the U.S., U.K. and France. Articles often describe families who, up until 1914, had spent their lives moving between New York, London, Paris and Munich. As “As Seen By Him” notes, “Countless Americans are as much at home in Austria and Belgium as they are at home in America”. The same article directly addresses this assumed middle and upper class readership, noting that “however much we sympathise with our foreign friends, we have our own people to consider first, and we cannot let the working classes which depend on us, suffer because we are in mourning.”

“Peril is near you. Disaster is in the air. You must flee–flee.”

But perhaps the most surprising finds in the Vogue Archive are the in-depth articles that show why the magazine is arguably the birthplace of New Journalism. One such article appears in the August 1, 1916 edition under the title “Following the Fortune Tellers of War”, and tells the story of the rise of fortune tellers in wartime Paris.

While the author, initialled as A.S., is critical of these clairvoyants and card readers, she visits no less than ten of them, with each one describing wild futures that end in the death of husbands, the birth of twins, sea voyages and the disappearance of friends. While the claims sound outrageous to a modern reader–and, it turns out, A.S.–they were probably an accurate description of many people’s lives (and futures) in Paris at the time.

To begin your own discovery of the Vogue Archive, go to Wellington City Libraries’ eLibrary and search under “V” in the A-Z of Resources (the Vogue Archive can also be found in the Art and Design topic). You’ll need your library card number and your PIN, then you’re ready to search. Alternatively, click here to go straight to the Vogue Archive.