New DVDs for Te Awe

Here are some new DVDs added to the catalogue over April that are available at our CBD Te Awe Branch, and selected other locations. Also included are some of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New Material:
Archenemy.
Misbehaviour
Happiest season
The deceived.

On Order:
Secret Impressionists.
Days Of The Bagnold Summer.
Agatha And The Curse Of Ishtar.
Bloodlands.
The Little Things.
The Pembrokeshire Murders (TV Mini-series)
A Friendly Tale.
Blackbird.
Life (TV Mini-Series).
Minari.
Don’t Look Back.
The Sinners.












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New DVDs for Te Awe

Here are some new DVDs added to the catalogue over March that are available at our CBD Te Awe Branch, and selected other locations. Also included are a few of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New material:
Gauguin in Tahiti . Paradise lost.
Three identical strangers.
A bump along the way
Freaky
Tootsie
The Mallorca files. Series one.
The undoing : an HBO limited series.
The witches
Lucky grandma.
Babyteeth
Rosie.
Dreamland
Soul

On Order:
All Creatures Great & Small: Complete Season 1.
Death In Paradise: Complete Season 10.
Honour (TV Mini-series).
A Gift From Bob.
My Salinger Year.
Penguin Bloom.
Summerland.
Wild Mountain Thyme.
All My Life.
Centigrade.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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New DVDs for Te Awe

Here are some new DVDs added to the catalogue over February that are available at our CBD Te Awe Branch, and selected other locations. Also included are a few of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New material:
Angie
Honest thief
Saint Judy
Dinner with friends.
Irresistible
It must be Heaven
Rams.
Miss Scarlet & the duke.
Penny Dreadful, City of Angels.
Room 212
Apartment 1BR.
Vivarium.
The outpost

On Order:
Monsoon.
The South Westerlies: Complete Season 1.
Let Him Go.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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New DVDs for Te Awe

Some new DVDs added to the catalogue over December/January that are available at our CBD Te Awe Branch, and selected other locations. Also included are a few of our On Order titles to give you a taste of what’s about to be released. Note: All ‘On Order’ titles are able to be reserved via the online catalogue.

New material:
The pale horse
The secret garden
My brilliant friend. the story of a new name / Series 2 :
Of love & lies
Underwater
Taken. Season one.
I used to go here
Never look away
Who you think I am
Baby done
Savage.
Greenland
Dirt music.
London kills. Series 2.
Penance.

On Order:
Echo In The Canyon
The Mystery Of Henri Pick
The Trouble With Maggie Cole 
Stargirl: Complete Season 1
Roadkill: (TV Mini-series) 
The Bee Gees: How Can You Mend A Broken Heart
Tesla 
Us: (TV Mini-Series) 
Hope Gap

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Staff Picks – The Best of 2020: DVDs

COVID-19 impacted on the Movie & TV industry quite heavily in 2020 with many films and shows delayed, or when released, only via online streaming platforms and not on a physical format. All of this affected the Library DVD collection to some degree, however there will still a lot of quality releases that we enjoyed over the course of the year, and here are some of our favourites.

Kath’s Picks:
This town
So this film was promoted as a comedy, which it sort of is… but it’s dark. Really dark. I did laugh, but more often I found myself drawing a sharp breath and thinking “Oh no!” Written, directed and starring David White, this recent New Zealand film is the story of Sean (White), a man with a troubled past searching for love. He meets Casey (Alice May Connolly), a sweet local girl and they fall for one another. But the spanner in the works of their romance is ex-cop Pam (Robyn Malcolm) who is determined to put Sean behind bars for a crime he has already been acquitted of. There is something sweet and gentle about Sean and Casey’s relationship that I found endearing, even if they are both a bit on the gormless side. It has a really good solid twist at the end that I never saw coming.

My spy
Look it’s never going to win any Oscars and it’s the common trope of “tough guy softened by cute kid”, but it was sweet, heart-warming and fun to watch. Starring Dave Bautista (Guardians of the Galaxy) as JJ, a hard nosed CIA operative and Chloe Coleman as Sophie, the cute and smart kid who blackmails him into teaching her to be tough and cool to beat the bullies at school. Turns out that Chloe isn’t quite as vulnerable as she thinks and JJ isn’t the tough guy he tries to project to the world. It’s funny and endearing, and a great movie for the whole family.

Gus’s Pick:
Tenet
Christopher Nolan’s latest heady blockbuster had to clear a lot of hurdles to reach screens this year, namely the worldwide pandemic, and once viewers were finally able to watch the film safely, it was met not with relief but with an exasperation not seen since the release of Nolan’s earlier film Inception. Part Primer and part Bond movie, Tenet follows a secret agent who uncovers the mysterious TENET organisation, whose members can harness the “inversion” of time and undo potential catastrophes before they happen. The appeal of the backwards time gimmick is at turns both delightful and frustrating, as bullets returning into guns and car chases conducted entirely in reverse eventually grow into whole battles conducted backwards and forwards in time that leave you more confused than entertained. But if you’re willing to roll with its admittedly cool premise (and maybe consult a few message boards), you’ll find TENET to be another action-packed high-concept romp from one of cinema’s most engaging populist auteurs.

Neil J.’s Picks:
The gentlemen/
Ritchie back on form doing what Ritchie does best snappy, sharp and twisty a film that rattles along!

 

 

 

Bill & Ted face the music
Surprisingly faithful to the originals fun, funny, goofy with a great heart.

 

 

 

Color out of space
Nic Cage goes Bonkers as only Nic Cage can in this Lovecraftian horror. Totally OTT pulpy B movie in feel, look out for the Llamas!!!!! (if you like try Mandy, which is Cage out there where the buses don’t run).

 

 

The booksellers.
A documentary about booksellers what could be more perfect!! Engaging, comfy and entertaining.

 

 

 

The invisible man
The umpteenth remake of the HG Wells novel (my fav is the 1933 James Whale version starring Claude Rains) but this version is pretty good too for very different reasons. This time it is as a modern day edge of the seat horror thriller.

 

 

Farmageddon : a Shaun the Sheep movie
A really well made family movie where the love and care of the animators can be seen in every frame right down to their fingerprints on the clay, a sweet and adorable film.

 

 

The personal history of David Copperfield ,
Quirky, offbeat, historical comedy. Fabulous comic performances all round, a film bursting with warmth and humanity. At the polar opposite of Iannucci’s previous film outing the hugely enjoyable The Death of Stalin, in which the humour is as pitch black as it comes.

 

 

Shinji’s Picks:
Sorry we missed you.
A compelling portrait of courier driver Ricky, who wants to be self-employed, and his family. Their struggle highlights the injustice that ‘working poor’ people are facing today, particularly in the gig economy. It might make you feel depressed, but like its brilliant predecessor I, Daniel Blake, Ken Loach’s masterful direction makes it a powerful yet warm, sensitive drama. A stellar work.

 

Pain and glory.
Pedro Almodovar usually entertains us with unpredictable, twisted plots, but this semi-autobiographical film is rather low-key by his standard. His most trusted actor Antonio Banderas superbly plays a successful old filmmaker who looks back on his life and career. It’s about love and memory, and depicted in a very personal, almost confessional way. The 70-year-old Almodovar probably had to make this film to finish up the chapter he has been in to move on. Deeply affecting.

Portrait of a lady on fire
A slow burning period drama by the new French auteur Celine Sciamma (Tomboy, Girlhood) about two women; a noble bride-to-be and an artist who is commissioned to paint her portrait. It’s a subtly nuanced love story of these women but deep emotions lie underneath, which come out at the moving ending scene. Brilliantly performed by two leading actors, it’s a gracefully crafted, captivating work. Sublime.

 

Monos
Set in an astonishing looking mountainous landscape, it follows a group of teenage soldiers and an American female hostage, who is captured by their ‘organisation’. This slightly bizarre tale – somewhere between Lord of the Flies and Apocalypse Now – is all about survival. The film left us with more questions than answers, but it’s a vigorous, uncompromised work by the Colombian filmmaker Alejandro Landes. Impressive.

 

Queen & Slim.
Their first date was a rather forgettable one. A young black man and woman, Slim and Queen, just wanted to go home but when the white policeman stopped their car, everything changed. A Thelma & Louise like runaway saga begins from there but it has a serious ‘Black Lives Matter’ spin. The debut director Melina Matsoukas, who has made fine music videos for the likes of Beyonce and Rihanna, offers a dark but sharp, stylish drama with a great soundtrack. Brilliant.

For Sama.
Watching multi-award-winning documentary ‘For Sama’ is not easy. It’s a report from a war zone; the city of Aleppo, Syria. The city is under siege, Russian planes come and bomb. Eight out of the nine hospitals in East Aleppo had been destroyed. From the one hospital left, a student journalist turned filmmaker, Waad Al-Kateab shows us the devastating but most intimate, insightful realities of war. She married a doctor and became a mother during the battle of Aleppo (2012-2016). The film is dedicated for her daughter ‘Sama’ and is also a love letter to the city and its people. Incredibly touching.

Monty’s Picks:
Watchmen
Hugely enjoyable, unpredictable romp through the Watchmen comic-book universe that only occasionally borrows from the Alan Moore comics. The alternative earth of Watchmen is slightly removed from the United States now, but the fascist society, hidden and obvious racism reflected within the plot point towards the awfulness of Trump’s America. Despite the larger agenda, the human story portrayed across generations is beautifully told and amazingly acted especially by Regina King, Louis Gossett Jr and Jeremy Irons.

The dead don’t die
Jim Jarmusch has made a Zombie film finally – what took him so long?? Full of knowing in-joke asides, laid back performances, laconic dialogue and deliberate pacing, this may not be for everyone but will satisfy Jarmusch completists, and anyone wanting to see Bill Murray and Adam Driver driving together forever.

 

 

Des
David Tennant is very believable as mild mannered yet unpredictable serial killer Dennis Nilsen in this UK production of the famous murder case from the 1980’s. Des transcends other police procedurals by reversing the whodunnit tradition – we know who-did-it in the first half hour and the effective tension in the rest of the series results from how he’ll be convicted, and what toll it will take on the police, the media and those around the oblivious, destructive serial killer.

 

Wellington paranormal. Season 2.
New Zealand’s premier horror-comedy set in Wellington featuring a secret police squad dealing with everyday kiwi-monsters. Familiar, brilliant and occasionally unnerving.

 

 

Mark’s Picks:
Homecoming. Season one.
TV series based on the popular Podcast starring Julia Roberts & directed by Mr Robot’s Sam Esmail. Playing out both in the past & the present, Roberts is a social worker at the Homecoming Transitional Support Center, a live-in facility run by the mysterious Geist Group that helps soldiers transition to civilian life; and also 4 years later a waitress with little memory of her previous life and job. Just what happened at Homecoming is slowly teased out in this slow moving, enigmatic & engaging drama.

Billions. Season four.
Former enemies Bobby Axelrod (Damian Lewis) Chuck Rhoades (Paul Giamatti) and Wendy Rhoades (Maggie Siff), the chief counselor to each, come together to form an uneasy alliance aimed at the eradication of all their rivals. Horrible rich people doing rich people things to each other. There’s no one to really like anymore as everyone is just as corrupt and vicious as everyone else, but that’s probably the point. An indictment of 21st century capitalism and the nexus of finance, power and the law.

Unhinged
Russell Crowe packs on the pounds and channels his inner angry Nic Cage self, as an angry white man who decides to hand out a lesson in manners. Bonkers B-movie fun!

 

 

Mr. Robot. the final season. Season_4.0 :
How to end a show that saw itself as a diatribe against modern capitalism & the power of corporations, a cold thriller focusing on ‘hacks’ the way that other prestige shows & movies take on ‘heists’; yet also at certain points a dreamy weird non-linear Twin Peaks of Tech, full of surreal characters & labyrinthine plotlines that often don’t seem to work, or even make sense. After a somewhat ponderous 3rd season creator Sam Esmail manages to pull everything (including protagonist Elliot’s multiple personalities) together, by making the focus of the last season the characters need to step away from the world of their screens and connect face to face emotionally with one another and with themselves. At times a frustrating show, even as it was fascinating, the final episodes managed to provide a cohesion & closure to the epic 4 season narrative.

Pauline’s Pick:
This town

 

 

 

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New DVDs at Te Awe

Here are some new movies & TV Shows recently added to our collection and available at our CBD Te Awe Library and selected Branch locations.

Laurel Canyon
Mulan
Treadstone. Season one
The crown. The complete third season
Where’d you go, Bernadette
Military wives (Television)
Westworld. Season three, The new world
Between two worlds. Season one
Monos
Radioactive
Cosmos : possible worlds
Inspector Montalbano. Volume 11




 

 

 

 

 

 

 

 

 

 

 

Staff Picks CDs & DVDs

Staff Picks are back, with a completely random selection of new & old material that Library Staff have been watching & viewing recently!


Punisher. / Bridgers, Phoebe
When I reminisce about the apocalyptic hellscape that has been 2020, this album makes a fitting soundtrack. Flitting between jubilant and despondent, edgy and soft, this is a sophisticated offering which will appeal to those who spent their adolescence in the grip of emo pop rock, but who now prefer a bit more nuance. (Cassie)

Ghosts of West Virginia / Earle, Steve
Singer/Songwriter/Activist Steve Earle is involved in a project concerning a coal mining explosion that killed 29 miners. He wrote the music for this public theatre project in conjunction with documentary playwrights, who interviewed the families of the dead and the few survivors. He has a distinctive voice and writes powerful lyrics. Also includes 3 songs not in the play, but of a similar theme. I particularly liked Black Lung. (Greg)

The shocking Miss Emerald. / Emerald, Caro
Dutch chanteuse Caro Emerald’s Retro, Big Band singing style will get your toes tapping and your mood uplifted! These jazzy pop songs may be the Perfect hot (Hopefully) summer) soundtrack. (David)

Baduizm. / Badu, Erykah
I’ve been doing a deep dive into the murky waters of the music of my adolescence lately. There are so many classic records in the 90s and any deep drive into this decade brings you to the glory that is Erykah Badu’s “Baduizm”. Released in 1997, this record was Badu’s debut album that crowned her the high priestess of neo-soul. This record is uniquely Badu, mixing the singing style of Billie Holiday with soul, R&B, jazz and hip-hop. It’s songs of heartbreak speak of higher issues than a first listen can provide so is worth a good listen. (Dani)

England is a garden. / Cornershop
I hadn’t listened to the band for many years, but Cornershop came back into my life right after my family and I moved to New Zealand in late 2019. Those days were joyous, yet at the same time some of the most tiring moments that I have ever lived through, immigrating to a new country and getting adjusted to a very different way of life. Cornershop squeezed its way back in during all of this, when they announced a new album coming out in March 2020 titled “England Is A Garden”. In the time of Covid-19, I can’t think of a better band and album to spend lots of my time with. From start to finish, “England Is A Garden” is a gem to listen to, but it also makes you feel good things. You think about your place in the world as you listen to the album, you realise just how wonderful and special it is to be alive, no matter what is going on all around you. Certain music connects you to things happening, while at the same time providing an escape, and “England Is A Garden” is a perfect example of this. (Justin)

The kingdom. / Bush
Supposedly inspired by being the only Rock band playing at a bunch of Metal Festivals, ‘The Kingdom’ is a surprisingly heavy return to form for the English post grunge-rockers. Frontman Gavin Rossdale brings ex-Helmet guitarist Chris Traynor up in the mix for a twin near-metal attack that showcases an album of hugely catchy riffs and soaring vocals, anchored by some of his best song-writing in years. If you enjoyed the pummelling track ‘Bullet Holes’, that played out over the credits of John Wick 3, then you’ll enjoy the sound of this follow-up album. (Mark)

American head / Flaming Lips
The Flaming Lips are a bit wacky, an acquired taste, sort of cosmic, ethereal, spacey and this latest is no different to previous albums like Yoshimi battles the pink robots. So that’s good because they offer a mix of light and heavy sounds filled with simple melodies and complex noises. The lyrics on this album can teeter on the simplistic, but there are a lot of lovely harmonies and rhythms with eclectic patterns. So, something both soothing and slightly offbeat at the same time, which is great! (Martin)

The new abnormal / Strokes
The Strokes return after 7 years with one of those great albums that rewards after repeated listens; revealing a new level of emotional maturity and shifting musical contours, that play off their previous trademark style while adding in new elements. Diverging from the shorter pop ‘verse/chorus/verse’ construct of previous albums, the songs stretch out for longer and it takes a few listens before all the inherent melodies sink in. Julian Casablancas’ lyrics are more political and mature, befitting someone now in their 40s, the songs more brooding and reflective. The band sounds more together and focused than on the last couple of albums, and you once again marvel at the level of musicianship they provide to underpin Casablancas’ vocals, culminating in the epic closing track ‘Ode To The Mets’ which ranks as one of their best tracks ever. (Mark)

Endeavour. Complete series seven.
This is a great series and has kept us captivated since season 1. This latest series is set in the ’70’s and takes me back to the fashions and foibles of my childhood. Another set of Oxford murders to solve as well as an intriguing new relationship for Endeavour Morse keeps you guessing. (Raewyn)

Mystery Men. 
Oh the 90’s, what a time for movies! Possibly one of the most 90’s movies ever made (it’s soundtrack even has Smash Mouth’s All Star), this ridiculous tale of ridiculous superheroes is lots of silly fun. All the usual names are there, Ben Stiller, Hank Azaria, Paul Reubens, Janeane Garofalo but you also get bonus Tom Waits (a mad scientist who builds non-lethal weapons, like the Blame Thrower) and Eddie Izzard (one of the villainous Disco Boys henchmen). Not to mention that the villain is named Cassanova Frankenstein. Yes, you read that correctly, Cassanova Frankenstein. It’s camp, it’s silly, Hank Azaria throws forks at people and there’s an invisible boy who can only be invisible when nobody is looking. It’s just lots of fun. (Kath)

This town
So this film was promoted as a comedy, which it sort of is… but it’s dark. Really dark. I did laugh, but more often I found myself drawing a sharp breath and thinking “Oh no!” Written, directed and starring David White, this recent New Zealand film is the story of Sean (White), a man with a troubled past searching for love. He meets Casey (Alice May Connolly), a sweet local girl and they fall for one another. But the spanner in the works of their romance is ex-cop Pam (Robyn Malcolm) who is determined to put Sean behind bars for a crime he has already been acquitted of. There is something sweet and gentle about Sean and Casey’s relationship that I found endearing, even if they are both a bit on the gormless side. It has a really good solid twist at the end that I never saw coming. (Kath)

Velvet goldmine
If you’re a fan of 70’s glam rock, like Bowie, Marc Bolan, Lou Reed, Iggy Pop etc, this film is a fictional story made up of a lot of glam rock legends… that might be true, or they might not. Christian Bale plays a young English journalist Arthur Stuart (the biggest flaw of the movie – I found him terrible and his English accent even worse) chasing the story of what happened to glam rock superstar Brian Slade (Jonathan Rhys Meyers) whose career failed after he faked is own assassination on stage. Interviewing the people closest to Slade, like his ex-wife Mandy (Toni Collette, brilliantly doing her best Angie Bowie impersonation) and reported ex-lover American glam rocker Curt Wild (Ewan MacGregor, who steals the movie in every scene he appears) finds himself disappearing down a rabbit-hole of sex, drugs and rock n roll which never quite brings him any closer to Slade’s whereabouts. Don’t let Christian Bale’s performance put you off, the rest of the cast more than make up for it. Fantastic costuming and make-up, the soundtrack is glam rock heaven and it’s one of the iconic alternative films from the late 90’s. (Kath)


The Lost Aviator A Beamafilm Documentary (Australia)
Against his families wishes Documentary maker Andrew Lancaster unveils his pioneer aviator’s uncle’s life of adventure, obsessive love and involvement in a sensational murder trial. An intriguing story with a curiously moving and haunting ending. (David)

Queens of mystery. [Series 1]
Newly promoted Detective Sergeant Matilda Stone investigates offbeat murders in a quaint English Village. Her 3 crime-writing aunts lend her their expertise, as well as unwanted dating advice. They may solve the murders, but the unexplained disappearance of Matilda’s mother 25 years ago will be harder to crack “a quality production- Very well written and acted. The whole family enjoyed it”. (Roseanne)

Neil P’s Picks:
As the WCL CD Cataloguer, these are some of my favourite new CDs…
Andy Bell – The view from halfway down
Thurston Moore – By the fire
Drab City – Good songs for bad people
Dead Famous People – Harry
Magik Markers – 2020
Heliocentrics – Telemetric sounds
Hen Ogledd – Free humans
Garcia Peoples – Nightcap at wits’ end
Fenne Lily – Breach

Shinji’s Picks:
DVD’s:
Queen and Slim
Sorry We Missed You
The End of the Golden Weather
For Sama
Homecoming (TV show)

CD’s:
Blue Nile – High[Bonus Disc]
Sault – Untitled (Black is)
Bela Fleck – Throw Down Your Heart
Julianna Barwick – Healing Is a Miracle
Aaron Parks – Little Big II: dreams of a mechanical man


New DVDs at Te Awe

Here are some new movies & TV Shows recently added to our collection and available at our CBD Te Awe Library and selected Branch locations.

Why didn’t they ask Evans?
This town
Doctor Who [2005]. The complete twelfth series.
The hunting. Season one.
Pain and glory.
Partners in crime. The complete collection.
The high note
Yellowstone. Season 1.
A million little things. The complete first season.
Love Sarah
Watchmen
El camino : a Breaking bad movie

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Fear Factor: DVDs for Halloween

Test your Fear Level (Low, Moderate or High) with this selection of classic & lesser known Horror films & TV shows from our DVD collection at Te Awe & our offsite Storage Branch Te Pataka.

Halloween (1978)
Fear Factor: Moderate
Mark: Moody. Tense. Created its own cult & changed modern Horror forever.
Neil: John Carpenter‘s low budget masterpiece spawned a million imitators, but none as good as the original.

 

 

Gremlins (1984)
Fear Factor: Low
Mark: Great family fun that never dates.
Neil: One of the Halloween at Christmas movies. Hugely entertaining fun in a twisted & dark way.

 

 

Near dark (1988)
Fear Factor: High
Mark: Grimy & violent with Vampires as soulless spree killers. The anti-Twilight.
Neil: Kathryn Bigelow‘s genre redefining Vampire movie set in the American Midwest is a joy to watch for Horror film fans.

 

The hole (2009)
Fear Factor: Low
Mark: Intelligent YA film has 3 teens discover a mysterious bottomless pit, unleashing something that forces them to confront their own deepest fears.
Neil: No idea. Joe Dante usually makes a great film.

 

 

The cabin in the woods (2011)
Fear Factor: Moderate
Mark: A meta tribute to Horror films. Great fun. Helped to launch the career of Chris Hemsworth.
Neil: Joss Whedon reverses every horror trope in this twisty film. Super clever.

 

 

The birds (1963)
Fear Factor: Moderate
Mark: Hitchcock works out more issues.
Neil: Daphne du Maurier’s short story is given the Hitchcock treatment in this dated but truly disturbing movie which utilises Tippi Hedren‘s real life fear of Birds.

 

The descent (2005)
Fear Factor: High
Mark: The caving is super scary even before the true horror begins. Tips the whole female-bonding trope on its head.
Neil: Do not watch this if you suffer from claustrophobia!

 

 

Eden Lake (2008)
Fear Factor: High
Mark: Brutal ‘Hoddie-Horror’ sees Kelly Reilly on the run from local nasties.
Neil: A frightening version of Deliverance set in the British countryside.

 

 

The evil dead (1981)
Fear Factor: High
Mark: Sequels. A TV Show. Bruce Campbell. Enough said.
Neil: Classic schlock horror. If you’ve seen it, go back and watch it again. If you haven’t, watch to to understand the DNA of horror films.

 

 

Fright night (1985)
Fear Factor: Low
Mark: Another inspiration for Stranger Things. Teens fight monsters that adults don’t believe are real.
Neil: If you want to see mainstream American Horror was like in the 80s this is a great place to start.

 

The haunting of Hill House. (TV Series, 2018)
Fear Factor: High
Mark: Gripping. Atmospheric. Psychological. One of the best Horror TV shows ever.
Neil: Shirley Jackson‘s reputation as a master writer of Horror makes this a TV show worth watching.

 

The wicker man : the final cut (1973)
Fear Factor: Moderate
Mark: A classic inspiration for the recent Midsommar.
Neil: This was Christopher Lee‘s favourite performance. The detailed pagan ritual & rural Scottish setting give it a truly unsettling atmosphere.

New DVDs at Te Awe

Here are some new movies & TV Shows recently added to our collection and available at our CBD Te Awe Library and selected Branch locations.

New Movies:
Photograph
“A struggling street photographer in Mumbai, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develop a connection that transforms them in ways they could not expect.” (Catalogue)

 

 

Why didn’t they ask Evans?
“During a round of golf on a cliff-top course in Wales, Bobby Jones discovers a man lying gravely injured on the rocks below. His last words, “Why didn’t they ask Evans?,” leads Bobby and his friend on a quest to find out what happened to the man.” (Catalogue)

 

 

A White, White Day
“The powerful new film by Hlynur Plmason centres on a grieving police officer in rural Iceland (Ingvar E. Sigursson) who turns his vengeful sights on a neighbour he suspects may have had an affair with his now-deceased wife.” (Catalogue)

 

 

New TV Shows:
Shakespeare & Hathaway : private investigators. Season one.
“Private inspector Frank Hathaway has always worked alone. But Frank isn’t doing so well. He’s out of shape and low on cash. Frank needs a partner. Frank needs ex-hairdresser and people-person Lu. He just doesn’t know it yet. The two eventually join forces and form a highly unlikely and hugely entertaining detecting duo. Frank and Lu quickly discover that all is not as peaceful as it seems in their pretty theatre town. The mayor is murdered, vengeful lovers stalk the streets and a magician’s trick fatally misfires. Welcome to Stratford-upon-Avon, where low life criminals get caught up in deliciously high drama.” (Catalogue)

Ray Donovan. Season seven.
“While Ray makes progress in therapy, there are dangers from the past that require the Ray Donovan of old. Between NYC mayor Ed Feratti, an unrelenting NYPD officer hunting for the truth and clients old and new, Ray struggles to find the balance between fixing for clients and fixing himself. And when Feratti’s corruption brings a piece of Mickey’s past back to New York, Ray is forced to seek answers to long-buried questions.” (Catalogue)

 

Occupied. Series 3.
“A new parliamentary election is due, and the campaign reignites old conflicts between the Norwegians. Seeing himself as the liberator of Norway, interim Prime Minister Jesper Berg is confident of winning the election. But the public is divided. Who are the real liberation heroes? How should traitors be treated? How will relations with Russia develop? And has Russia actually withdrawn from Norway? To complicate matters, Jesper is confronted by a group of young eco-scientists desperate to remind him of his original reason for entering into politics: His deep commitment to clean energy. Ambassador to Norway, Sidorova is torn between her wish to start a new life in Norway and her loyalty to Russia. Security Services Director Hans Martin Djupvik investigates the assassination of former Prime Minister Anita Rygh. And Bente takes her daughter to Moscow to escape the prosecution of traitors.” (Catalogue)

Homecoming. Season one.
“Good intentions. Erratic bosses. Mounting paranoia. Unforeseen consequences spiralling out of control. Heidi (Julia Roberts) works at Homecoming, a facility helping soldiers transition to civilian life. Years later she has started a new life, when the Department of Defense questions why she left Homecoming. Heidi soon realises there’s a whole other story behind the one she’s been telling herself.” (Catalogue)

 

Tom Clancy’s Jack Ryan. Season two.
“In the second season after tracking a potentially suspicious shipment of illegal arms in the Venezuelan jungle, CIA Officer Jack Ryan heads down to South America to investigate. As Jack’s investigation threatens to uncover a far-reaching conspiracy, the President of Venezuela launches a counter-attack that hits home for Jack, leading him and his fellow operatives on a global mission spanning the United States, UK, Russia, and Venezuela to unravel the President’s nefarious plot.” (Catalogue)

His dark materials. The complete first season.
“A young girl is destined to liberate her world from the grip of the Magisterium, which represses people’s ties to magic and their animal spirits known as daemons.” (Catalogue)

 

 

The boys. Season 1.
“The Boys is an irreverent take on what happens when superheroes – as popular as celebrities, as influential as politicians and as revered as gods – abuse their superpowers rather than use them for good. It is the powerless against the superpowerful as The Boys embark on a heroic quest to expose the truth about “The Seven” and their formidable Vought backing.” (Catalogue)

 

Belgravia. Season one.
“On the eve of the Battle of Waterloo, two young lovers forge a legacy that will create scandal for generations to come. Years later, when the humble Trenchards (Tamsin Greig and Philip Gleinster) move to Belgravia, they find themselves mixing with the venerated Brockenhursts (Harriet Walter and Tom Wilkinson). The families share a history that threatens inheritances and reputations and there are those who would do anything to ensure secrets remain buried. Pride and loyalty will be tested as forbidden love blossoms amongst the rivalry and lives hang in the balance.” (Catalogue)

Good girls. Season two.
“Good Girls Season 2 opens with Beth (Christina Hendricks) dealing with her failed plan to get Rio (Manny Montana) arrested, while evidence about their crimes end up on Agent Turner’s (James Lesure) desk. Throughout the season, Ruby (Retta) and Beth deal with the new status of their relationships with their husbands Stan (Reno Wilson) and Dean (Matthew Lillard), now aware of their secret criminal life; meanwhile, Annie (Mae Whitman) and her daughter have a hard time getting along. However, with the threat of a conviction looming over them, they can’t afford to make any mistakes with any of their activities.” (Catalogue)

Striking out. Complete series one & two.
“Tara Rafferty is a high-flying solicitor living an apparently charmed existence with her good-looking law-partner fiancé Eric. But when she discovers Eric is cheating on her with a colleague, she decides to go it alone and start her own law firm.” (Catalogue)

 

 

New Amsterdam. Season two
“Inspired by the oldest public hospital in America, this unique medical drama follows the brilliant and charming Dr. Max Goodwin, the institution’s newest medical director, who sets out to tear up the bureaucracy and provide exceptional care. How can he help? Not taking “no” for an answer. Dr. Goodwin must disrupt the status quo and prove he will stop at nothing to breathe new life into this understaffed, underfunded, and underappreciated hospital.” (Catalogue)

Elementary. The final season
“Having lied and confessed to a murder he did not commit in order to protect Watson, Holmes moves back home to London in order to avoid jail time, so Watson follows.” (Catalogue)

The full Central Library DVD collection is now available to borrow!

It has been a huge job to relocate all our Central Library collections to a new home at Te Pātaka, our new collection and Distribution Centre located in Johnsonville. However we are very happy to announce that the Central Library DVD collection is available to be borrowed again in its entirety. Items can be reserved via our online catalogues from Te Pātaka to be collected from any of our other Branch Libraries.
We have decided to remove any fees for reserving items from Te Pātaka. However we have introduced a $2 charge per item if people do not pick up their reserved items within 10 working days of being notified they are available for pick up. This is to help keep the items in the collection circulating for everyone to access.

We have also curated a core collection of ‘Essential Viewing’ titles from our large Central AV collection, many of which are unavailable on streaming services in New Zealand. All our ‘Essential Viewing’ titles are taken from 1001 movies you must see before you die. They are also tagged on our catalogue. Just type in Essential Film Viewing & Essential Television Viewing as a search and you can check them out from home, your device, or on our online catalogues in the library.

 

 

 

 

 

 

 

Here are some pictures of just some of the DVD shelves out at Te Pātaka to give you an idea of the scope of what’s available. We will be posting some videos of us amongst the collection soon, as we start to highlight some genres and titles for you!




Music & Film is back in the CBD at our new Te Awe Library!

Exciting news for Film & Music lovers with large sections of the Wellington Central Library Audio Visual collection now available once again at our newest CBD library, Te Awe, on Panama and Brandon streets.

Some of our DVD collection, as well as a very small CD collection, were previously located in the Arapaki Branch on Manners Street following the closure of the Central Library building. We have added lots of core film titles to the DVDs, greatly expanded the CD collection, and brought them all together in a fresh new location, a cosy corner upstairs at the spacious new Te Awe library.

We have also curated a core collection of ‘Essential Listening’ & ‘Essential Viewing’ titles from our large Central AV collection, many of which are unavailable on streaming services in New Zealand. Watch out for our new blue stickers!

 

 

 

 

 

 

All our ‘Essential Viewing’ & Essential Listening’ titles are taken from titles such as 1001 movies you must see before you die, ‘1001 albums you must hear before you die’ & Nick Bollinger’s 100 essential New Zealand albums. They are also tagged on our catalogue. Just type in ‘Essential Film Viewing’, ‘Essential Television Viewing’ & ‘Essential Listening’ as a search and you can check them out from home, your device, or on our online catalogues in the library.

Details on the library’s location and hours are on the Te Awe branch page. See you there!

Staff Pick DVDs: July Part Two

With the closure of the Cemtral Library our AV loving staff haven’t been sitting idly by. Our first pop up at Arapaki has been open a couple of months and we have been digging into the DVD collection there, watching some old favourites and checking out some new releases. There is a bit of everything here, from modern classics to new docos and TV shows, as well as some brand new titles hot off the processing trolley. Our staff have been watching so much that we’ve had to split it into two lists, part one is here!


Shoplifters
One of the most consistent filmmakers of today, Japanese master Hirokazu Kore-eda has never made a bad film but his latest work is an exceptional work even by his standard. He questions what family really means by gracefully portraying vulnerable people who live in a shabby house in the edge of society. The narrative is gentle and atmospheric but it’s, in fact, almost Ken Loach-like social realism drama. (Shinji)

Kusama : infinity : the life and art of Yayoi Kusama.
The history, evolution and development of Kusama’s core themes, concepts and the ideas behind her work are well covered. While her conservative upbringing and her life story are covered in this documentary, for me this is one of the film’s weaker elements. By end of this well made and highly informative movie we know a lot about Yayoi Kusama’s art and practice and her position in the modern art world but perhaps a little less about the artist herself. (Neil J)

Ngati
Director Barry Barclay theorised a “fourth cinema” that would be made by indigenous film-makers, from an indigenous perspective with the primary intended audience being indigenous peoples. He achieved his goals with the beautiful Ngāti, the story of a young Australian doctor exploring his Māori heritage. The first feature film to have a Māori writer and director is one of the masterpieces of New Zealand cinema. (Joseph)

Bohemian Rhapsody
This is the biographical story of the life of Freddie Mercury from his youth through to Queen’s 1985 Live Aid performance (of which this movie contains the entire performance). As a matter of course, this has all the wonderful Queen music that we know and love. Giving a wonderful ‘behind the scenes’ look at how they came to write their songs, Raimi Malek is wonderful as Mercury. (Brigid)

Informer
Tense drama as Raza Shar, a young charismatic second generation Pakistani from East London, is coerced by a Counter-Terrorism officer’s DS Gabe Waters (Paddy Considine) and DC Holly Morten’s into going undercover as an informer. As the stakes get higher Raza’s life slowly spins out of control, while Considine’s new partner begins to probe his undercover past and drag up some secrets he’d prefer to stay buried. (Mark)

Annihilation.
The husband of an ex-soldier now biologist goes missing on a deep secret mission in the Shimmer (a mysterious part of the world where strange things happen). Lena’s husband suddenly returns sick and minus his memory, so she and her team must enter the Shimmer to find out what happened. A good story. and reminiscent of The Fog. (Brigid)

Atomic Blonde
Atomic Blonde isn’t just set in cold war Berlin. It’s set in the end of days of cold war Berlin. Which is different. Something is about to happen. I can’t remember if this movie actually features the song Atomic by Blondie. But it doesn’t matter because the whole situation oozes Blondie and Atomic and crumbling trust, following crumbs, spies, hair follicles and sun bleached Charlize Theron as the most powerful American spy. (Tim)

Instant family
A great comedy starring Mark Wahlberg, and Rose Byrne, a professional couple who suddenly realise they are missing something in their lives. Children. After a discussion and doing a course they are all set to become foster parents! When matched with a Spanish-speaking rebellious teenager, they find out she has siblings and Pete and Ellie suddenly go from 0 to 3 children overnight. (Brigid)

The little drummer girl.
Adaptation of the novel by John le Carré, set in the ’70s in which Charlie is recruited by charismatic agent Gadi, to play a part in operation to ensnare a serial bomber for Mossad spymaster Kurtz. A Palestinian terror cell has been responsible for the killing of a number of prominent Jews in western Europe, and the aim of the mission is to embed Charlie within the cell so she can draw out its elusive leader. (Mark)

You were never really here
Lynne Ramsay is a poet of the visual cinema with a distinctive vision – You Were Never Really Here is a real departure in some ways from her previous films. In places it feels like a modern day Taxi Driver and as such it is a powerful, brutal, visceral and violent watch not for the faint hearted. Yet Ramsay’s trademark visual style is still there, only this time it’s the harsh neon city or the sheen of light on blood. (Neil J)

American honey
Shot on warm, saturated film, the viewing experience is an absolute pleasure. The soundtrack rattles with dance pop, 21st century hip-hop and country. The narrative rises and falls, resembling life; full of risk, sorrow and joy. Sasha Lane proves her acting chops in the lead role and Shia LaBeouf delivers his best performance. Director Andrea Arnold has bottled the spirit of youth in these economically precarious times. (Joseph)

The old man & the gun
Based on the story of Forrest Tucker, who had a unique leisurely style of bank robbery and escaped from prison 16 times, director David Lowery turned it into a witty laid-back outlaw tale. The centre of the movie is, of course, Redford who plays Tucker, and it is obvious that he loves playing this character. The chemistry between Redford and legend Sissy Spacek, who plays his love interest, is simply wonderful, and lifts the whole thing to another level. A perfect swansong. (Shinji)

The Happytime Murders
Melissa McCarthy stars in this Brian Henson alternative production about a place where puppets and people live and work together. A detective (McCarthy) is teamed with her ex-partner, a puppet, to investigate a series of murders of puppets from the Happytime movie series. Don’t be fooled by the puppets as this movie is very definitely R rated – most definitely NOT Sesame Street. (Brigid)

Bad times at the El Royale
A group of mysterious strangers show up at a once posh but now slightly run down hotel in the late 1960’s, but it soon becomes apparent that not everything or everyone are who or what they seem. There is much to be enjoyed about ‘Bad Times at the El Royale’ as it has a twisty, compelling plot, it is very stylishly filmed and sports a stellar cast. (Neil J)

Inside Llewyn Davis
The Coen brothers are always a directing duo to watch, and this Oscar Isaac starring feature is one of their finest. Set in the early 60s folk music scene in Greenwich Village, the snow and solemn environments provide the backdrop to the road rambling of a failing folk musician. (Joseph)

Staff Pick DVDs: July Part One

With the closure of the Cemtral Library our AV loving staff haven’t been sitting idly by. Our first pop up at Arapaki has been open a couple of months and we have been digging into the DVD collection there, watching some old favourites and checking out some new releases. There is a bit of everything here, from modern classics to new docos and TV shows, as well as some brand new titles hot off the processing trolley. Our staff have been watching so much that we’ve had to split it into two lists!


Unforgotten. Series 3.
When human remains are found on the central reservation of a motorway near London, DCI Cassie Stuart (Nicola Walker), DI Suni Khan (Sanjeev Bhaskar) and their team of detectives are assigned the case. A doctor, a television presenter, a failing salesman, and an artist are a close-knit group of old school friends who hold the key to what happened. (Mark)

First man
First Man is a film centred round the build up to the Apollo moon landings and in particular Neil Armstrong. It is a film that both aims to show simultaneously how we touched the stars through these missions and also be a close examination of Armstrong’s personal life. These two cleverly interwoven threads show that his domestic life and his historic role as first man on the moon are in fact part of the same thing. (Neil J)

Wildlife
“I feel like I need to wake up, but I don’t know what from or to”, a housewife named Jeanette, played by Carey Mulligan who is the anchor of the film, tells her son. The actor Paul Dano (Little Miss Sunshine, There Will Be Blood) has turned director, and his debut feature ‘Wildlife’ is a quiet portrait of the painful process of an idyllic young family gradually falling apart. (Shinji)

Broken
This is based on an early Maori story from the 1800’s when a young girl was murdered by a marauding tribe. The girl always carried the gospel of Luke with her and the book was stolen by the murderer, who read it and was then filled with remorse. Our story starts in present day New Zealand with an ex-gang leader who has pulled out to raise his daughter after the death of his wife. (Brigid)

Lady Bird
Greta Gerwig’s directorial debut is a marvellously sensitive portrait of teenage-hood, self-discovery, friendship and family. Saoirse Ronan performs excellently in the lead role of a disaffected high-schooler who dreams of going to college in New York. One of the greatest coming of age films to be made, whilst never falling into the traps and tropes of the genre. The dialogue is true; believable, relatable and piercing. (Joseph)

Counterpart. Season one.
Howard Silk is a low-level bureaucrat in a Berlin-based UN agency called the Office of Interchange, where he works exchanging coded call-and-response messages with another agent. However one day all this changes, as he is drafted into an urgent meeting… and finds himself face to face with his double. The ‘other’ Howard now needs this worlds Howard to help with a new mission. (Mark)

The breaker upperers
This is a funny New Zealand movie starring Madeleine Sami and Jackie Van Beek. It is set in Auckland and features many cameos of famous New Zealand actors. The two ladies in question discover they are being two timed by a man, but instead of getting bitter they become friends and set up a company which helps people break up with each other. Great for a laugh. (Brigid)

Vice
If there was ever a movie award for the most perfectly named film then Vice must be a strong candidate to take that prize. It is the story of the unassuming Vice president Dick Cheney and his terrifying and amoral pursuit of power, money and influence ably assisted by his wife Lynne Cheney (the Lady Macbeth of the piece). It is described as a comedy and if you like the darkest type of satire that holds but for many people it will watch as a shocking indictment of American politics. (Neil J)

Summer 1993
Watching the Catalan writer-director Carla Simon’s debut feature ‘Summer 1993’ is like watching the most exquisite home video; very personal yet universal. Based on Simon’s childhood experience, it follows 6-year-old Frida who is moved from Barcelona to Catalan countryside to live with her aunt and uncle after her mother’s death. Avoiding dramatization, it’s a sensitively crafted, beautiful filmic memoir. (Shinji)

Searching
After David Kim’s (John Cho) 16-year-old daughter goes missing, a local investigation is opened. 37 hours later and without a single lead, David decides to search the one place no one has looked yet…online. A thriller told exclusively via screen shots seems like a total bore, but this hyper-modern thriller utilises character dialogue recorded through webcams, apps, security camera footage, as well as key moments portrayed through YouTube clips to generate as much suspense as a traditional narrative. (Mark)

Finding your feet
Great movie with a superb cast including Celia Imrie, Imelda Staunton, Timothy Spall, Joanna Lumley. When Lady Sandra Abbot discovers that her husband has been having a long term affair with her best friend she leaves and renews her friendship with her sister (Celia Imrie). These two make an unlikely pair and with time, love and lots of laughs Lady Sandra starts to discover herself and life and love again. It is a funny movie but does have some sad and poignant moments in it. (Brigid)

Ryuichi Sakamoto : CODA
How do great artists face their own mortality? These huge questions rather than a career overview is what you get in this poignant documentary about the iconic Japanese musician, Ryuichi Sakamoto. This film is almost a meditation on Ryuichi Sakamoto’s current creativity, a powerful and moving piece delivered in a gentle and sad way. (Neil J)

Lean on Pete
This film is about a 15-year-old boy, Charlie, who lives in poverty and runs away with a racehorse he takes care of to save it from the slaughterhouse. Blending a human-animal special bond story with a road movie and a coming of age tale, the movie shows a harsh slice of America; a dysfunctional family, poverty, placelessness etc., and a lot of events – mostly unfortunate, tormenting ones – unfold. (Shinji)

Sorry to bother you
This is an unusual story set in an alternative reality version of Oakland, where a poor but ambitious salesman starts working as a telemarketer. Cassius Green finds he has a real gift for sales and has a meteoric rise in the company. However, Cassius discovers his workplace is not what he thinks it is when he accidentally enters the wrong door. A very unusual story. (Brigid)

Frances Ha
Greta Gerwig stars as the loveable and exasperating Frances as she rambles through New York, facing technical homelessness and creative frustration. A tale of optimism in the face of adversity. The black and white cinematography is virtuosic and deeply satisfying. (Joseph)

The guilty
Alarm dispatcher and sidelined police officer, Asger Holm (Jakob Cedergren) answers an emergency call from a woman, that he soon ascertains has been kidnapped. When the call is suddenly disconnected, the search for the woman begins. With the phone as his only tool, Asger enters a race against time to save the endangered woman, but soon realises that there is more to the situation that first appears. (Mark)

Staff Picks DVDs: Best of 2018

Some more of our favourite Films & TV Shows from last year. Hopefully you will something you missed the first time around.

Shinji’s Picks:
Faces places.
This is a celebration of people and places as well as creativity. A legend of French new wave cinema, 88 year old Agnes Varda teams up with a photographer and muralist JR, who is 55 years her junior, to hit the road on a tour of rural France. On the way, they learn the histories of communities, some of which are long abandoned, and of people they encounter, and bring new lives to them with gigantic mural photos. This odd couple makes a great team and their friendship, curiosity and vision make it wonderfully charming. Life is beautiful.

Leave no trace.
A remarkable new film from an American indie filmmaker Debra Granik (Winter’s Bone), ‘Leave No Trace’ is a subtle but powerful portrait of a post-traumatic-stress-disorder father and his teenage daughter, who cut themselves off from the world and have been living in the forests. Featuring the superb performances by Ben Forster and our very own Thomasin Mckenzie as the father and the daughter, Granik carefully presents just enough information and gracefully brings out deep emotions between them. This haunting tale will be remembered one of the best father-daughter relationship films in years to come.

The other side of hope
Seeing just one frame of a film, you can tell whose work it is. It doesn’t happen very often but Finnish veteran auteur Aki Kaurismaki is such a filmmaker. ‘The Other Side of Hope’, which nicely integrates stories of a Syrian refugee and a Finnish restaurateur, is his response to the humanitarian crisis in Europe. It treats the serious topic with warm humanism; it’s presented with his distinctive style; deadpan characters, droll humours, unique texture and hue based on blue, bluesy nostalgic rock played by old men etc. This is another memorable work but what is believed to be his final film. What a shame.

Sweet country.
The new Australian auteur Warwick Thornton’s marvellous ‘Sweet Country’ dominated the Australian Academy Awards (AACTA) of 2018, winning 6 awards including the best film, director, cinematography and actor. In the typical western-like setting, this manhunt drama exposes the dark side of Australian history; racism. It’s uneasy to watch at times but taking the majestic outback scenery as a part of narrative, it offers lyrical, mesmerising moments as well. Unique flash-forwards are also very effective. Poignant.

Lady Bird.
Actress-turned-writer/director Greta Gerwig’s first feature is a lovely adolescent tale.
With the mother-daughter relationship as its core, it’s about a17-year-old Christine ‘Lady Bird’ (dazzling Saoirse Ronan) who is eager for an escape to a big city after graduating from a Catholic school. Gerwig’s smart screenplay and unique aesthetic make it a charming, beautifully layered coming-of-age drama. It’s sweet, funny and affecting.

Blackkklansman.
Ironically the current state of the divided America seems to get Spike Lee; arguably the most important African-American filmmakers of our time, back in top form. This, his finest film in years, tells the incredible true story of the first black detective in the Colorado Spring, who infiltrated the KKK in the early 70s. This is heavy stuff and not surprisingly, it contains chilling moments, but Lee masterfully put them into a comedic narrative, and makes it a gripping yet entertaining drama. Denzel Washington’s son John David Washington shines as the detective. Invigorating.

Twin Peaks: a limited event series.
David Lynch’s ground-breaking series is back after 25 years’ absence, and it’s a much larger scaled extraordinary journey, which offers everything Lynch has made for cinema. At times it’s almost impossible to comprehend and mysteries bring more mysteries, but there are always humours. This nearly 1000-hours marathon epic can be challenging and demanding to consume, but gives you a joyous, rewarding watch. It’s another landmark work by this one-and-only filmmaker.

Neil J’s Picks:
Lucky.
Lucky was Harry Dean Stanton’s last work, it’s a wry and very deceptive piece. On the surface nothing that much happens it’s just a couple of days in the life of a fictional Harry Dean Stanton; true they are quirky, laconic and slightly strange days . However whilst the film is slender in narrative it is large in underlying meaning and through this strange domesticity of the main characters life the movie becomes a poignant meditation on life, memory, loss, accepting fate and coming to terms with one’s impending demise, all done in a light offbeat fashion. It is a truly marvellous performance by Harry Dean Stanton it might even just be his career best and all made the more remarkable since he was aware that this would probably be his last film. Which it turned out to be.

Lady Bird.

 

 

 

The death of Stalin.
Caustic, pitch black humour of the highest calibre is delivered in Armando Iannucci latest comedy. Set around the events and chaos surrounding the death of Stalin this star studded movie was so controversial that the Russian government banned it. Its wicked, hilarious, merciless and definitely not for the faint hearted. However if you enjoy satire of the very darkest and blackest in nature then this movie is a must watch. And the ever wonderful Jason Isaacs is mercurial as Field Marshal Zhukov.

Three billboards outside Ebbing, Missouri.
The starting point and in a strange way the catalyst for all the action in the film are three billboards by a road put up by a grieving mother with messages demanding justice for her murdered daughter. This multi award winning movie is occasionally funny, but more often it’s a bleak, raw look at loss, grief and vengeance. It boasts several fantastic performances from the lead Frances McDormand as well as Woody Harrelson, Peter Dinklage and several other cast members. It doesn’t take the easy path plot wise and contains several unexpected twists and turns. All in all the plaudits that have been heaped on it are well deserved.

Faces places.

 

 

 

McQueen.
McQueen is a career spanning but intimate documentary exploring the life and work of the iconic British fashion designer Alexander McQueen. Mc Queen rose from humble beginnings to become the enfant terrible of the fashion world his initial rise was I through hard work, native ability, desire to shock and raw talent. ( Though he did get more formal training as he went along ). He was the bright burning super star of the fashion world creating his own fashion house and courting controversy everywhere he showed, His fashion work was often closely inter linked with his own inner demons which were eventually rise up and tragically destroy him. The documentary makes for a fascinating, riveting watch and is a real insight into what drove and created one of the most important and controversial fashion designers of our time.

She shears
It goes without saying that in some areas of New Zealand sheep searing is an obsession, but historically this obsession has always been a very male dominated one. She Sears is a fabulous compelling documentary about a very small group of women shearers trying to break that mould. However what really makes this film work is the fact that it transcends its subject matter the film is far more than just a look at female shearers, it’s more about the shearers as complex individuals, as fully rounded people who shear for a whole range of different reasons, their back stories, their motivations, their drivers both as shears and beyond and the reasons they do what they do. It’s a great watch, a really well-crafted film and like any good documentary less about shearing and more the individuals involved.

Mark’s Picks:
The Good Place. The complete first season.
What actually happens when you die? For Eleanor Shellstrop (Kristen Bell) she finds the afterlife is a shiny happy friendly neighbourhood of frozen yogurt shops, amazingly accomplished people and pre-determined soulmates, all run by the super nice immortal architect Michael (Ted Danson). However the only problem is that she is the wrong Eleanor Shellstrop, and is in fact a very bad person, who scammed old people for a living and generally lived a completely reprehensible life. As she struggles to hide her true self from all around her and cope with her ‘soulmate’, university ethics professor Chidi, her true nature starts to affect the cosmic balance at play. Currently the funniest show on TV. Just genius.

Radius.
A man (Diego Klattenhoff, Homeland, The Blacklist) wakes from a car crash with no memory. Seeking help he soon discovers that anyone who comes within a certain radius of him instantly drops dead. Retreating to his home he attempts to avoid all contact until a woman (also suffering from amnesia) finds him. She is immune to what is happening and they soon realize that she can nullify the effect he has on others – but ONLY if she remains within 50 feet from him at all times. Together they attempt to get help and find out what has happened to them. The best indie Sci-Fi of the year proves that all you need is a really intriguing idea and a good script. Continue reading “Staff Picks DVDs: Best of 2018”

Staff Picks DVDs – Nov/Dec.

The last lot of Staff Pick DVDs for the year features a mix of Foreign films, indie Sci-Fi, new TV shows and a poignant tribute to actor Harry Dean Stanton.

Foxtrot.
Israeli filmmaker Samuel Maoz’s bold first feature Lebanon (2009) shocked the world, depicting warfare exclusively through the gunsight view from the tank. Eight years down the line, his new work appears slightly more conventional but equally impressive. A Tel Aviv couple are devastated to learn that their son, who is serving in the military, has been killed, but it turns out to be misinformation. Then, the story, which uniquely divided into three parts, unfolds with an unexpected twist. Without the scenes of conflicts or gun battles, Maoz deftly highlights the tragedy of war from the different angle. With a superb cinematography, it’s an immaculately crafted, flawless work. The only criticism may be the fact that the whole movie is too perfect and too structured. Nevertheless, it’s a remarkable achievement. (Shinji)

Radius.
A man (Diego Klattenhoff, Homeland, The Blacklist) wakes from a car crash with no memory. Seeking help he soon discovers that anyone who comes within a certain radius of him instantly drops dead. Retreating to his home he attempts to avoid all contact until a woman (also suffering from amnesia) finds him. She is immune to what is happening and they soon realize that she can nullify the effect he has on others – but ONLY if she remains within 50 feet from him at all times. Together they attempt to get help and find out what has happened to them. Tense and low key with minimal use of effects, this is another great indie Sci-Fi film that proves that all you need is a really intriguing idea and a good script. Klattenhoff excels at straight arrow good guys, and is perfectly cast. Has a nasty twist at the end that you may not see coming. Solidly entertaining. (Mark)

Captain Fantastic.
This film came out about 2 years ago and went around the film festival circuit winning great reviews all around. If you are anything like me, one look at the cover and the story line will have you interested, yet will fill you with hesitation, this movie screams hard hitting. Rest assured this film is hard hitting, and at times intense, filled with big emotions and questions about life, how we live it and we view and judge each other for the choices they make. Put aside your understandable hesitation and make the time to watch Captain Fantastic. You are bound to be blown away! (Jess)

Upgrade.
More indie Sc-Fi with ‘Upgrade’ a mix of cyberpunk tech stylings and action. Logan Marshall-Green (Quarry) is Grey, an analogue guy in a near-future digital world, a mechanic who fixes classic cars for rich clients while his wife works for an advanced Tech company. When his wife’s self-driving car malfunctions one day in a deserted part of town they are attacked, his wife is murdered and he ends up as a wheelchair-bound quadriplegic. After a suicide attempt by overdosing on medication, he is visited by a famous young tech innovator who offers to illegally surgically implant his latest creation, an AI chip called STEM, into his spine and restore motor functions to his body. Healing faster than expected Grey is surprised to hear STEM speak into his mind. STEM says it can help identify his wife’s attackers, and using his new found ‘upgraded’ abilities he decides to take revenge…’Upgrade’ comes off as a more action orientated take on a Black Mirror episode, depicting a world of human-computer augmentation and ubiquitous police drones that doesn’t seem that far off, however like most things in a Black Mirror type world, there is a price for everything… (Mark)

Lucky.
His career spanned more than six decades. Harry Dean Stanton appeared in countless movies, but played a rare substantial role – probably the first time since the memorable ‘Paris, Texas’ – in his final movie ‘Lucky’. In fact, the whole movie pays tribute to Stanton, who was 90 years old when it was shot and died not long after. Following an old man Lucky (Stanton), who lives alone in a small desert town, it’s a subtle study of facing mortality. Although nothing much happens in the movie, Stanton still has a remarkable screen presence, exquisitely expressing the complexity of the character, from loneliness to stubbornness to tenderness. Some of the casts are played by Stanton’s real life friends including David Lynch, who is the best supporting actor here. Harry Dean Stanton wasn’t the biggest name in the industry, but no one was given as good a send-off in this wonderful fashion. Well-deserved. (Shinji)

Rick and Morty. Season 3.
Anarchic animated comedy from the creator of Community, that follows the adventures of an eccentric alcoholic scientist and his good-hearted but fretful grandson across an infinite number of realities, with the characters travelling to other planets and dimensions through portals and Rick’s flying car. Hilariously sick and depraved. (Mark)

Room / a film by Lenny Abrahamson.
The heart-breaking story of a young woman and her five year old son who are kept prisoner in a shed, and what happens to them when they are ultimately freed. (Belinda)

 

The Americans. The complete final season.
Things seem grim at the outset of the final season of ‘The Americans’ set in 1987, three years after the last season, and nine weeks before the pivotal Reagan-Gorbachev summit. Philip has quit intelligence work and is now full-time travel agent, while Elizabeth is still a zealous operative, fulfilling increasingly dangerous missions and training Paige to follow in her footsteps. The cracks in their marriage are becoming increasingly wider, and only worsen as Elizabeth is recruited for a secret Mission by the anti-Gorbachev Soviet Military, and then Philip is asked to return to intelligence work to monitor what she is doing. As the summit deadline approaches can they move past their increasingly separate ideologies to save their marriage and, as FBI Agent (and neighbour) Stan Beeman’s suspicions start to solidify, can they even save themselves? A lot of series fail in the last episodes, but ‘The Americans’ delivers a fitting wrap up for each of its characters, though perhaps not always what you expect, and ends on the same level of high quality that sustained its entire run. Recommended. (Mark)

Staff Pick DVDs – Aug/Sep

A collection of new Staff Pick DVDs & TV Shows. From indie Sci-Fi, to Art intrigue, coming-of-age drama, and savage political satire.

Breath.
Australian writer Tim Winton is regarded by many as one of the finest writers in the world at this moment in time. His collection of coming of age short stories The Turning has already been adapted into a very fine celluloid feature. This latest film adaptation Breath is another coming of age story which was recently one of the highlights of the 2018 NZIFF and it has now been released on DVD. The book and film are about two teenagers on the cusp of adulthood learning about life, death and love through their shared passion for surfing and their occasionally troubled friendship. The surfing scenes are superbly done, and short of donning a wet suit and going out into the ocean yourself the experience and emotion of interacting with this primal force of nature is brilliantly portrayed and realised. The lead performances by the boy actors has a depth, maturity and believability than many actors strive for all their career and the cinematography is of the highest order. All in all it amounts to a thoughtful, nuanced and well-crafted movie. (Neil J)

Waru.
This is a New Zealand DVD. It is 8 (waru) stories that is told by 8 different Maori female directors. It is set in the same moment in time around the time of a Tangi of a young boy who was killed by a caregiver. Very different stories but connected and very poignant. Very sad and powerful. Briar Grace-Smith, Casey Kaa, Ainsley Gardiner, Katie Wolfe, Renae Maihi, Chelsea Cohen, Paula Jones, Awanui Simich-Pene, and Josephine Stewart Te Whiu. All names to keep an eye out for. (Brigid)

Rampage.
In recent years Dwayne “The Rock” Johnson has almost become his own movie genre. And Rampage is perhaps one of the finest examples of what he does best and why he is so popular. It’s a monster movie with The Rock playing a tough but kind wisecracking primatologist looking after his best mate who just happens to be an albino Gorilla recently infected by a dangerous pathogen. Its big, it’s silly, there’s lots of banging and smashing, it makes no sense at all but boy is it fun. If you are looking for a funny, action packed popcorn blockbuster that is just about pitch perfect then Rampage could be the ideal movie. (Neil J)

Peter Rabbit.
A lovely movie very loosely based on Peter Rabbit by Beatrix Potter. Old Macgregor dies and leaves his farm to a young great nephew (Domnall Gleeson- this Irish actor plays famous Englishman a lot) who finds out that not only has he inherited a farm but some very naughty and active mischievous rabbits. Lovely story told with both actors and animated cartoon characters. I found it funny in parts and enjoyed it. Very little kids might need parental guidance when watching it. Rose Byrne plays Beatrix Potter. Sam Neill is Old MacGregor. (Brigid)

Sweet country.
Set in the Outback in the 1920s, an aboriginal worker shot a white farmer. Although it was self-defence and the white farmer was a vicious racist, a massive manhunt was undertaken. This may sound like a typical western story, but this second feature by the Australian auteur Warwick Thornton, who impressed us with his debut Samson and Delilah; a compelling love story of the aboriginal teens, offers a much deeper, poignant drama exposing the dark side of the Australian history. It’s a harsh, devastating story with the colonialist psyche, but taking the majestic scenery as a part of narrative, Thornton manages to deliver lyrical, mesmerising moments. This is a remarkable work by a highly individual filmmaker, and although it doesn’t make you happy, it gives you a profound affection, which only great films can offer. (Shinji)

The death of Stalin.
Caustic, pitch black humour of the highest calibre is delivered in Armando Iannucci latest comedy. Set around the events and chaos surrounding the death of Stalin this star studded movie was so controversial that the Russian government banned it. Its wicked, hilarious, merciless and definitely not for the faint hearted. However if you enjoy satire of the very darkest and blackest in nature then this movie is a must watch. And the ever wonderful Jason Isaacs is mercurial as Field Marshal Zhukov. (Neil J)

Riviera. The complete season one.
There is a lot of money up on the screen in this Art based drama set amongst the Riviera’s rich set. After just a year of marriage to billionaire philanthropist, art collector, and Banker Constantine Clios (Anthony LaPaglia), the immaculate life of ex-Art Curator Georgina (Julia Stiles) is blown apart when her husband is killed in an explosion aboard the yacht of a Russian oligarch. Believing there to be more to the tragedy, she sets out to uncover what happened. Dark truths about Constantine’s dealings emerge, as she begins to realise who she was really married to, but just how far will she go to find out the truth… Stiles is excellent in this stylish but overblown drama. A good escapist watch, reminiscent somewhat of the potboiler novels that were popular in the 70s & 80s by writers such as Sidney Sheldon. (Mark)

The endless.
Two brothers return to the cult they fled from years ago to discover that the group’s beliefs may be more sane than they once thought. Endless is an independent, science fiction, thriller, horror cross genre movie that has as its literary DNA the writings of H P Lovecraft. (Though the film has a contemporary American setting). It’s well-made, well filmed and obviously done on an independent film budget. What makes it really worth watching is the mind bending storyline that deals with concepts of time, memory and space in an often genuinely creepy fashion . This is very much an underground cult film but if you like thought provoking, original and clever movies of the cult variety then this movie comes highly recommended. (Neil J)

A quiet place.
This is a thriller set on earth after Aliens come through and destroy most of the humankind. The Aliens have acute hearing but no sight so the remaining Human kind have to live their lives in silence. The moment they make a sound the Aliens appear and eat them. The story revolves around a young family who have to carry on their lives out on a farm, around these devastating turn of events It is a really good thriller. Lots of suspenseful parts. It stars Husband and wife team Emily Blunt and John Krasinski as the screen couple. Brilliant story and great acting. Contains violence. This movie is classed as both a thriller and a horror. (Brigid)

Faces places.
From the opening credit, it’s a delightful affair. A legend of French new wave cinema, 88 year old Agnes Varda teams up with a photographer and muralist JR, who is 55 years her junior, hit the road on a tour of rural France. On the way, they learn the histories of communities, some of which are long abandoned, and of people they encounter, and bring new lives to them with gigantic mural photos. It’s a celebration of people and places as well as creativity. This odd couple makes a great team and their friendship, curiosity and vision make it wonderfully charming. At the end of the film, another French new wave giant Jean-Luc Godard makes a cameo in his peculiar way and adds the unique dimension and the depth. Young at heart. (Shinji)

The man who invented Christmas.
This is a movie about the life of Charles Dickens and the events leading up to the writing of A Christmas Carol. It showed well what 19th Century life in England was like. It had dark parts and gave a real insight into the workings of his mind. Creepy in parts. Good character acting although hard at times to work out when he was imagining and what was real. (Brigid)

Manifesto.
Transformed to a feature film from an art installation, German artist and filmmaker Julian Rosenfeldt’s Manifesto is an intelligent, elaborate work. All dialogues in the film are excerpted from published artistic and political manifestos such as communism, futurism, dadaism, situationism, and pop art, and these historical statements are delivered by the 13 fictional characters; from a homeless man to a choreographer to a punk rocker, all performed by Cate Blanchett who displays an astonishing virtuosity. It still gives an impression of the visual art rather than the feature film, but under Rosenfeldt, Berlin’s outstanding talents come together here, including Christoph Krauss who provides magnificent cinematography and two prominent musicians; Nils Frahm and Ben Lukas Boysen who create impressive soundtracks. Germany’s got talent. (Shinji)

Goodbye Christopher Robin.
This movie is the story of the life of A.A. Milne around the time of his writing Winnie the Pooh. It shows his life from coming home from the first world war with PTSD. And his writing block after seeing the horrors he had seen. The sanctuary he sought in the country with his wife and son Chris. It is a lovely movie but shows the reality he was living. Brilliant actor Domhall Gleeson plays A.A.Milne. The story goes through the life of the child Christopher. This movie showed the beautiful relationship between A.A. Milne and his son and the creation of Winnie and the other animals. A really good watch. (Brigid)

New DVDs in our collection

Plenty of great DVD choices this month from comedy gold, to cold war tensions, to true life stories and coming of age drama.

Detectorists. Series three.
“Having returned from Africa, Andy and Becky (Rachael Stirling) have moved in temporarily with her mother (Diana Rigg) with all the challenges that come with the territory. Lance is trying to kick-start his relationship with Toni (Rebecca Callard), but her living on a barge makes him queasy and his daughter staying at the flat leaves it all rather precarious with none of this being helped by the re-appearance of his ex-wife. Meanwhile Lance and Andy’s search for gold continues as they face enemies old and new. This delightful comedy continues to unearth the hidden depths of those who call themselves detectorists.” (Syndetics Summary)

Film stars don’t die in Liverpool
“Based on Peter Turner’s memoir, the film follows the playful but passionate relationship between Turner (Bell) and the eccentric Academy Award-winning actress Gloria Grahame (Bening) in 1978 Liverpool. What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.” (Mightyape.co.nz)

The mercy.
“The incredible true story of Donald Crowhurst (Colin Firth) an amateur sailor who competed in the 1968 Sunday times Golden Globe Race in the hope of becoming the first person in history to single-handedly circumnavigate the globe without stopping. With an unfinished boat and his business and house on the line, Donald leaves his wife, Clare (Rachel Weisz) and their children behind, hesitantly embarking on an adventure on his boat the Teignmouth Electron.” (Catalogue)

Game night
“A group of friends who meet regularly for game nights find themselves trying to solve a murder mystery.” (Catalogue)

Lady Bird
“Christine “Lady Bird” McPherson is a high school senior from the “wrong side of the tracks.” She longs for adventure, sophistication, and opportunity, but finds none of that in her Sacramento Catholic high school. Lady Bird follows the title character’s senior year in high school, including her first romance, her participation in the school play, and most importantly, her applying for college.” (Catalogue)

Vikings. Season 5, Volume 1
“This season is full of startling alliances and unbelievable betrayals as the Vikings fight to rule the world. Jonathan Rhys Meyers (The Tudors) joins the cast in season five as Bishop Heahmund along with series regulars Katheryn Winnick (Lagertha), Gustaf Skarsgård (Floki), Alexander Ludwig (Bjorn) and Alex Høgh Andersen (Ivar the Boneless).” (Mightyape.co.nz)

Ready player one
“Set in 2045, with the world on the brink of chaos and collapse, but the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt through a fantastical universe of mystery, discovery and danger.” (Mightyape.co.nz)

The Americans. The complete fifth season.
“Danger, disillusionment, and betrayal reach an all-time high in the suspense-laced fifth season of The Americans. KGB agents Philip and Elizabeth Jennings’ unwavering dedication to their work comes at even more of a personal cost than before. And as Paige is drawn deeper into the reality of her parents’ secret job, she realizes she will never have a normal life. Meanwhile, as Cold War tensions continue to escalate, Philip and Elizabeth are suspicious of Stan’s new romance, and they become more acutely aware of the vast disparity between American abundance and Russian scarcity.” (Catalogue)

City of ghosts
“A documentary that follows the efforts of “Raqqa Is Being Slaughtered Silently,” a handful of anonymous activists who banded together after their homeland was taken over by ISIS in 2014. With deeply personal access, this is the story of a brave group of citizen journalists as they face the realities of life undercover, on the run, and in exile, risking their lives to stand up against one of the greatest evils in the world today.” (Catalogue)

A new batch of Staff Pick DVDs

The Good Place cover

Peruse the latest selections from library staff, from superheroes to sci-fi to coming of age drama, and crime told backwards.

The shape of water.
The Shape of Water takes its initial inspiration from the 1954 B movie Creature from the Black Lagoon, but this is definitely not a cash in sequel to an old monster movie. Instead it is a cleverly constructed complex film which straddles effortlessly multiple genres including romance, cold war thriller, body horror and a straight down the line cult Guillermo Del Toro movie. It is obviously a project the director had a great deal of affection for and it looks great in a shabby downbeat Americana way, and Sally Hawkins in the lead puts in a storming performance. Arguably Guillermo Del Toro’s best movie so far and since he directed Pan’s Labyrinth that is praise of the highest order. (Neil J)

Justice League.
Move over Avengers! There’s a new team of superheroes in town. The world of DC comics and superheroes collides when a great a great evil in the form of Stepphenwolf wants to unleash hell on earth and the heroes, (Superman, Batman, Wonder Woman, The Flash, Aquaman and Cyborg), must come together – and put aside their differences to save the day. Overall a different but satisfying take on all the DC superheroes, with a well balanced mix of action, adventure, comedy and serious moments. The Flash, in particular is hilarious with his one liners, ladies will drool and fall in love with Aquaman and Superman, especially when Aquaman shows his “sensitive side” and as always the heroes saving the day “superhero” style from start to finish. (Katie)

Rellik.
‘Rellik’ (‘killer’) is a story told backwards for the first 5 episodes, with the final episode reverting to normal forward progression starting from where the first episode left off. This, understandably, makes for a confusing watch initially as it needs a fair bit of concentration, and thus the show’s reviews were somewhat polarized. It’s hard to say in the end if the backwards narrative is just a stylistic gimmick or if it really adds anything to the story which is a shame, as it is a quite good slice of gritty UK crime. The 2 leads (Jodi Balfour and Richard Dormer) are both excellent, with Dormer as Met detective, Gabriel Markham at the centre of an obsessive hunt for a serial killer who left a mark on him both physically and mentally. Worth persevering with. (Mark)

Downsizing.
Could this be a solution to the problem of overpopulation and climate change? American auteur Alexander Payne’s (Nebraska, The Descendants) new film is a futuristic fable where people can choose to be shrunk to one-fourteenth of their size and live in a miniature ‘self-sustainable’ heavenly community called ‘Leisureland’. Featuring Matt Damon as an ordinary Omaha resident who takes this experimental opportunity, it offers a unique mixture of sci-fi comedy, political satire, and a cross-cultural love story. Apparently Payne had been thinking about this project for quite some time. Although not everything worked out perfectly, it’s certainly intriguing. (Shinji)

The disaster artist.
The Disaster Artist is much like Tim Burton’s Ed Wood insofar as it is a clever, well made, superbly acted and thoroughly entertaining film about one of the worst films ever made – Tommy Wiseau’s The Room has been dubbed the Citizen Kane of bad movies and since its release in 2003 has gained a fanatical cult following who like to dress up, shout out lines from the film and have a liking for throwing plastic cutlery. The original film was supposedly meant as a serious movie but the outright strange storytelling and truly bizarre acting have lead it to being regarded retrospectively by the director as a black comedy. The Disaster Artist is about the making of the film and the dreams, friendships and dramas surrounding its creation. The Disaster Artist is fine movie about a terrible movie. Just don’t shout SPOON. (Neil J)

Doctor Doctor. Series 2.
Hugh Knight, (Rodger Corser), the heart surgeon/heartthrob turned country doctor you love to either hate or… just plain love is back! And as usual breaking more hearts than fixing them. But things take a dramatic turn for Hugh when his teenage son/foster brother decides to marry his high school sweetheart; Hugh having to donate a kidney to save his dad; his American and troubled ex-wife turning up, having a near death experience to make him realise what/who is important in his life and the icing on the cake – he is in love with his boss, Penny and has various opportunities to finally make his move! The question is will they finally get together or will Hugh stuff it up with his playboy antics? Overall this series is in one word… FANTASTIC! An entertaining TV series and Aussie drama from start to finish! I especially loved the Mustang car race scene with ‘Are You Gonna Be My Girl?’ by Jet playing in the background. Look forward to the third season. (Katie)

Hard sun. [Season 1].
Charlie Hicks (Jim Sturgess) and Elaine Renko (Agyness Deyn) are detectives who, while investigating a murder in the inner city, stumble upon proof that the world faces certain destruction – in five years. They find themselves pursued by MI5, trying to silence them in order to keep secret the truth, and they must use every bit of their ingenuity to protect themselves and those they love. The relationship of the two leads plays against type, as they both try to secure the upper hand with each other and with ruthless Security Services Officer Nikki Amuka-Bird, which is a positive as the latest offering from the pen of Neil Cross (Luther) seems to falter a bit in the telling, as if Cross wasn’t really sure how he wanted the story to play out. Intriguing and gripping in places, clichéd and muddled in others. Still worth a look, as Cross apparently has ideas for further seasons. (Mark)

Twin Peaks: a limited event series.
After 25 years, David Lynch and Mark Frost’s ground-breaking series is back. Most of the beloved characters are also back but this time, a lot of events unfold outside Twin Peaks while time is back and forth. With numerous additional characters, some of whom are played by prominent names including Naomi Watts, Laura Dern, Amanda Seyfried and Harry Dean Stanton, it’s a much larger scaled extraordinary journey which offers everything Lynch has made for cinema. At times, it’s almost impossible to comprehend and mysteries bring more mysteries but he never forgets humour. This marathon epic can be challenging and demanding to consume, but will be remembered as a landmark work by the one-and-only filmmaker. (Shinji)

The Good Place. The complete first season.
From producer/screenwriter Michael Schur (The Office, Parks & Recreation, Brooklyn Nine-Nine) The Good Place addresses the age old question of what actually happens when you die? For Eleanor Shellstrop (Kristen Bell) she finds the afterlife is a shiny happy friendly neighbourhood of frozen yogurt shops, amazingly accomplished people and pre-determined soulmates, all run by the super nice immortal architect Michael (Ted Danson). However the only problem is that she is the wrong Eleanor Shellstrop, and is in fact a very bad person, who scammed old people for a living and generally lived a completely reprehensible life. As she struggles to hide her true self from all around her and cope with her ‘soulmate’, university ethics professor Chidi, her true nature starts to affect the cosmic balance at play… To say any more would give away some of the plotlines of this hugely enjoyable series. Great performances from Bell and Danson. A great antidote to the Winter blues. Recommended. (Mark)

The greatest showman.
This movie just filled me with a sense of the wonders of humanity, and the songs! Well a musical isn’t a musical without good songs. If you are looking for some new additions to your sing-a-long playlist then this is the movie for you! I recommend a double check out, both the soundtrack and the movie. You won’t be sorry! (Jess)

Electric dreams. Season one.
Anthology collection of 10 stand-alone episodes based on Philip K. Dick’s work, written by British and American writers and set in both the UK & the US. This bunch of Dick’s short stories were written in the early to mid 1950’s, so all have undergone some degree of tinkering – from large to small – to reimagine their themes within a modern day context. Executive produced by Ronald D. Moore and Bryan Cranston there is certainly a high degree or production values up on the screen, as well as some quality acting (including Cranston himself), the problem perhaps lies in the fact that so many of Dick’s short stories have already been adapted into films (Screamers, Paycheck, Imposter, Minority Report, Next, The Adjustment Bureau, Total Recall) that those that are left are more straightforward in nature, lacking the same level of layers or ideas. Having said that there are some nice adaptations here, even the one that are more heavily reworked like Safe & Sound or Real Life work in themes common to Dick’s oeuvre. Definitely worth a watch if you are a fan of the author, and also if you fancy something along the lines of Black Mirror but not as grim. (Mark)

Lady Bird.
Known as a comedic actress (Frances Ha, Maggie’s Plan etc.), Greta Gerwig also seems to be a natural director. Her debut feature Lady Bird is a likable little gem. Set in her hometown, Sacramento, California in 2002, it follows 17-year-old Christine ‘Lady Bird’ (brilliant performance by the Irish star Saoirse Ronan) who is eager for an escape to a big city on the East Coast after graduating from a Catholic school, against her mother’s wishes. It may sound like another often-told adolescent drama but this is something special thanks to Gerwig’s smart screenplay and unique aesthetic. With the mother-daughter relationship as its core, she crafts a beautifully layered story. It’s sweet, funny and affecting. (Shinji)

Staff pick DVDs for the year so far

Loving Vincent

Plenty of gritty police drama in this lot of Staff Pick DVDs for the first few months of the year. Also featured is the adaptation of James Corey’s Expanse novels, a unique film that uses thousands of original oil paintings based on Vincent Van Gogh’s works to create an animated feature about the artist, the Italian social critique Perfect Strangers, and historical drama from books by Peter Ackroyd & Thomas Cullinan.

The expanse. Season one.
It has vastly superior production standards, it looks fabulous and is way better acted, but for many reasons ‘The Expanse’ reminds me of Babylon 5 . They both take a little while to get going but they eventually lead somewhere and once they get there they both deal with really intriguing ideas, they both contain a big secret plot device not immediately apparent for the outset and perhaps most noticeable they both contain complex Chandleresque characters. If these elements appeal to you then ‘The Expanse’ is well worth checking out. [Based on the novels by James Corey]. (Neil J.)

The sinner. Season one.
‘The Sinner’ follows a young mother (Jessica Biel) who, while on a day trip with her husband and son to a public beach, stabs a man to death has no idea why. She confesses immediately and is charged with murder, but dogged investigator (Bill Pullman) finds himself obsessed with uncovering the woman’s buried motive, and together they travel a harrowing journey into the depths of her psyche and the violent secrets hidden in her past. The story is tense and intriguing, a different and surprising take on a crime story. Biel is excellent. Based on a novel by a little translated German female crime writer. (Mark)

Baywatch.
If you were a fan of Baywatch back in the 90s and you miss that level of action and cheese you will not be disappointed! Dwayne “The Rock” Johnson and Zac Efron are a ridiculously hilarious combination of abs and humour that will have you shaking your head with laughter. This movie is exactly what it claims to be utterly outrageous and funny. (Jess)

Loving Vincent.
Dorota Kobiela and Hugh Welchman’s ‘Loving Vincent’ is clearly a labour of love a seven year labour of love at that. The film is unique in that it uses thousands of original oil paintings based on Vincent Van Gogh’s works to create an animated feature about the artist. The film skilfully avoids just being a swirling, visually stunning piece of Vincent Van Gogh eye candy (which it is). By examining different perspectives on Vincent’s life from his close friends, family and colleagues and the many questions surrounding his death. (Neil J.)

Bosch. Season three.
The 3rd season of this American police-procedural adapts Michael Connelly’s novels The Black Echo and elements of A Darkness More Than Night. The story involves multiple plot lines as Bosch is involved in the upcoming trial of a wealthy movie director accused of murdering a woman during sex, as well as investigating the death of a homeless Military Vet that takes on a greater complexity. In his personal life his daughter is now living with him and, having solved his mother’s murder in the preceding season, he now struggles to contain the anger that has always fuelled him. The added characterisation of the supporting cast has strengthened the show beyond the tropes of the first season, and while there may be nothing that is really innovative about the show, or the plots, it is all so expertly acted and written (helmed by Eric Overmyer — who worked on the final two seasons of The Wire and then co-created Tremé) that it sets a new benchmark in TV Cop shows. (Mark)

The Andromeda strain.
Just recently the very welcome rerelease on DVD of the 1971 alien virus Robert Wise, Michael Crichton science fiction classic The Andromeda strain occurred. Despite its age and slightly corny 70’s fashion sense this film remains a flawlessly acted, brilliantly scripted, chillingly realised and thoroughly engaging work. And what’s more there isn’t a CGI effect anywhere to be seen as they were at that point just a glint in George Lucas’s eyes. (Neil J.)

Line of duty. Series four.
If ‘Bosch’ is currently the best US Police-procedural on TV, then ‘Line of Duty’ is certainly the best English one. An anti-corruption drama it follows the exploits of AC-12, a unit that investigates suspicious activities within the Police itself. In a career-defining case, DCI Roz Huntley (Thandie Newton), is under intense pressure from her superiors to apprehend a serial murderer after months of fruitless investigation. When a young man is charged doubts around his guilt lead the chief forensic investigator to AC-12. Is Roz ignoring forensic evidence that might prove the young man’s innocence? As AC-12 pile on pressure from the outside, Roz is forced to act to stop her life from unravelling, but just how far will she go? Totally gripping crime drama, with Newton in top form. Highly recommended. [Note: Season 1 of this show was released in NZ, and we were able to have Season 4 cross-rated from Australia due to its lower classification Rating. However Seasons 2-3 have not been distributed for release in this country]. (Mark)

Murder on the Orient Express.
Kenneth Branagh’s recent remake of Murder on the Orient express had many admirers and made a ton of money (and is available to borrow here). However for me the 1974 Sidney Lumet version (recently rereleased ) is the definitive celluloid adaptation of this much loved classic. It features a truly Stella cast including amongst others Albert Finney, Lauren Bacall, Ingrid Bergman and Sean Connery it positively glitters with Hollywood glamour. It’s a warm, friendly, comforting, old fashioned kind of a film that reminds me of lazy Boxing day afternoons with my family. (Neil J.)

Perfect strangers.
Sharing cell phone messages and calls with others doesn’t sound like a good idea but at the eclipse night, seven friends (three couples and a man whose new partner is not able to attend) agree to do it over the course of dinner party, because they are long-time best friends and have nothing to hide. Italian director Paolo Genovese’s loquacious ensemble comedy is a study of morality in the iPhone era. Inevitably their ‘secrets and lies’ are revealed one after another and their relationships are severely tested. Genovese’s clever plot, together with fantastic performances by all actors, makes it a funny yet touching, wonderfully entertaining drama. Brilliant. (Shinji)

The tunnel. Series 2, Sabotage.
The Anglo-French adaption of the Danish/Swedish series ‘The Bridge’ was the first series in British and French television to be bilingual, a collaboration of British broadcaster Sky and French broadcaster Canal+. The first season (essentially a remake of the Swedish/Danish production) is still enjoyable, if you have watched the original, due to the quality of the production and the talent of the 2 leads, Stephen Dillane and Clémence Poésy as British and French police detectives Karl Roebuck and Elise Wassermann.
Season 2 of ‘The Tunnel’ however is where the series diverges with a completely different storyline. Following the events of the first series, Karl & Elise are reunited to investigate the kidnapping of a small child from the Channel Tunnel train, which soon evolves into a domestic terrorist investigation after a planes autopilot system is hacked, forcing it to crash into the English Channel, killing all on board. The 3rd and final series of the show has just been completed. An overlooked show, perhaps due to the ‘remake’ nature of the first season which can’t really compete with the Swedish/Danish tour-de-force, but this is quality TV and deserves to be judged on its own merits. Recommended. (Mark)

The Limehouse Golem.
There is no sign of restraint in Juan Carlos Medina’s adaptation of Peter Ackroyd’s fantastic book Dan Leno and the Limehouse Golem. This is a lurid, melodramatic and gory retelling of this Victorian, gothic, murder, mystery tale. If however you are a fan of the theatrical bloody period piece epitomised by some of the best Hammer Horror films, or enjoyed the more recent Crimson Peak then there is much to be enjoyed here in this Grand Guignol over the top production. (Neil J.)

The beguiled.
During the American Civil War, a wounded Union Army corporal is brought to the seminary for young ladies in the enemy territory Virginia, leading to sexual tension and crushes. Sofia Coppola’s latest work is a Civil War setting period drama based on Thomas Cullinan’s novel, and it’s a subtle study of shifting the power balance in a closed environment. Although it’s bleak and rather atmospheric, Coppola still offers her characteristic aesthetic; gorgeous – if Vogue featured ‘Southern Gothic’ it would be like this – production design, costume and camerawork elegantly using both natural and artificial lights, with a starry cast (Nicole Kidman, Kirsten Dunst, Elle Fanning and Colin Farrell). This is Coppola’s most low-key work but it proves that she is one of the best American auteurs today. (Shinji)

Cardinal. The complete first season.
Another strong police-procedural, this one differentiated by its setting of Algonquin Bay in rural Ontario, Canada. This six episode Canadian TV crime drama is an adaptation of Giles Blunt’s award winning novel Forty Words for Sorrow, the first entry in his series about Police Detectives John Cardinal and Lise Delorme. Demoted Detective John Cardinal (Billy Campbell) is brought back into Homicide when the hunch he wouldn’t let go is proven correct, and a young Native American girl is found encased in ice. Now, as he relentlessly tracks a serial killer who preys on missing young people he must keep a watchful eye on his new partner, Detective Lise Delorme (Karine Vanasse), who he believes may have a secret agenda that leads back to one of his past cases, while coping with his wife being institutionalised after a bi-polar episode. Atmospheric, intense and intriguing. Definitely something different. Recommended. (Mark)

Staff Picks DVDs: The best of 2017

A round-up of our favourite library DVDs from last year (plus a couple from early this year that made the cut). We hope you find something new, or something you missed from last year.

Mark’s Picks:
Billions. Season two.
Billions sees Damian Lewis as Bobby Axelrod, a billionaire hedge fund manager and Paul Giamatti as U.S. Attorney Chuck Rhodes, determined to bring him down. Season 2 begins with Bobby attempting to rebuild Axe Capital after the events of Season 1. Meanwhile Rhodes is under scrutiny from the Attorney General for his previous investigation into Axelrod’s business dealings. Each manoeuvre’s to gain the upper hand and destroy the other amidst a background of inside deals, political gameplay, money, and influence. Season 2 is all about short stocks and long cons, but who is playing who? Machiavellian brinkmanship taken to it’s end point with millions of dollars, reputations and careers to be won or lost.

Homeland. The complete sixth season.
Homeland is back for another season taking place several months after Season 5. The season features the results of a presidential election of a female candidate, and takes place between Election Day and inauguration day, as CIA operatives Saul Berenson and Dar Adal begin to suspect that the new President Elect has an anti-intelligence bias and that Carrie may be helping shape her policy. A more personal season as the attacks on Carrie become more insidious, the show also follows an eerie parallel to the current US political climate, and a fascinating look at the topical political manipulation via Social Media platforms.

Trapped. The complete series one.
A ferry carrying 300 passengers from Denmark pulls into an Icelandic town’s small port, just as a heavy snow storm begins. Then a mutilated and dismembered body washes on the shore, an unidentifiable man murdered only hours ago. The local police chief, Andri, realizes a killer has descended into his town.The local police are told to wait until a crack police team can arrive from the capital city of Reykjavik to do the investigations, but then the corpse goes missing and dead bodies start to turn up – all linked to a mysterious fire that destroyed an abandoned factory & killed a local teenage girl 15 years previously… More great Scandi-Noir.

Salamander.
Sixty-six safes belonging to high-level members of industry, finance, the military, the magistracy, politics, & unions are robbed during a spectacular and heist on an influential private Bank in Brussels. Soon an unparalleled blackmail scheme is underway to destroy the country’s entire political system. Doggedly honest Euro-cop Inspector Paul Gerardi catches a rumour of the bank robbery from an informant, and when his informant later turns up dead from an apparent ‘suicide’ he knows he is onto something big. He has to stay one step ahead of people from his own Government out to silence him, and protect his family from a mysterious group called Salamander whose origins lie in a botched operation during WW11. Excellent self-contained Belgian series grips over 12 episodes.

Christine’s Pick:
Wonder Woman.
I don’t go to the cinema much any more, but as a 70s kids who spent a fair chunk of her time spinning on the spot and leaping off her bed wearing a cardboard headband and bracelets, Wonder Woman had an irresistible appeal. My memories of the Lynda Carter era were hazy enough to avoid any real comparison, however, so nostalgia remains untainted by the absolute freaking awesomeness of the newest incarnation.

Neil J’s Picks:
Maudie.
Sally Hawkins extraordinary portrayal of the arthritic Nova Scotian housekeeper Maud Lewis who becomes in the face of fierce adversity a much loved and celebrated artist is sublime, touching ,harrowing and heart-warming all at once . The films sense of brutal occasionally uplifting realism and its depiction of Maud Lewis’s inner spirit that somehow manages to rise above it all is vividly and startlingly realised. This film shows beyond any doubt that Sally Hawkins is one of the finest actresses in film today.

Blade runner 2049.
I suspect it will take several years before Blade Runner 2049 can be viewed in its true light. Until then I think it can still safely be said that it is a startling, visually masterful and striking vision of a future that deals with complex and profound ideas and that it also contains career best performances from some of its cast. An astonishing work that I am sure will be regarded as a future classic.

The red turtle.
A shipwrecked sailor has to survive on a desert island and comes across a red turtle that changes his life. This studio Ghibli co production is as you we have come to expect an exquisitely animated and very beautiful film in places it’s like watching a dream. The story is deceptively simple with the narrative instead driven by the visuals. In tone it’s like an adult version of the studio Ghibli classic Ponyo. If you are enjoying the new golden age of animated film we are in then this is a must. (Neil J)

Guardians of the galaxy. Vol. 2.
A technicolour explosion in a glitter factory. The cinematic equivalent of a long soak in a huge luxurious bubble bath, sound tracked by an ace, superb. guilty pleasure music mainly “from the 1970s” with wise cracking, funny well rounded characters you love or loathe. Basically just a jolly fun retro romp. In a sharp, well-paced, slick, action packed science fiction story. ‘Guardians of the Galaxy 2’ is everything you want it to be and totally lives up to its predecessor. So get out the popcorn, turn off the lights settle down on the sofa you are in for a real treat. (Neil J) Continue reading “Staff Picks DVDs: The best of 2017”

Our favourite DVDs in the final leg of 2017

Our last lot of Staff Picks DVDs for the year has plenty to keep you entertained over the Christmas period. Our picks feature blockbuster visuals with ‘Atomic Blonde’, ‘Baby Driver’ & ‘Valerian and the city of a thousand planets’; foreign drama with ‘Land Of Mine’ & ‘Things to Come’; noir-ish crime with ‘Wind River’ & ‘A Conspiracy of Faith’; and quality foreign television shows with ‘Trapped’, ‘The Frozen Dead’ & ‘Salamander’.

A conspiracy of faith.
Another solid entry in the Department Q series from the novel by Jussi Adler-Olsen, that is setting Danish Box Office records. An old note is found in a bottle in Jutland which has been in the sea a long time, but its suspicious nature leads it to land on the desk of Department Q. The note is hard to decipher, but analysis seems to suggest it is a note from a kidnapped child who went missing 14 years before. Carl & Assad track the missing child to a remote Religious community, and with the disappearance of another pair of siblings realise they are tracking a killer who targets the faith of others. Intense, gripping and dark. Recommended for fans of the Sandi-noir genre. (Mark)

Valerian and the city of a thousand planets.
I loved the Fifth Element Luc Besson’s previous Science Fiction mega blockbuster science fiction movie I loved its quirky, idiosyncratic, humorous distinctly non Hollywood style. And like that movie Valerian and the city of a thousand planets is chock full of bonkers, wildly inventive, weird candy coloured neon eye popping visual effects. Besson has stated it’s his labour of love movie and it shows. On its release it got very mixed reviews and fared poorly at the box office largely due to its weak script and the lack of chemistry between the lead actors. For me though it has a very 30s/40s Flash Gordon serial style and feel and at its core is basically an innocent, good natured, action packed romp with a truly unique French comic book sensibility and stunning stylish visuals. (Neil J)

The wrong girl. Season one.
Probably one of the funniest Aussie comedies to date! The Wrong Girl is Bridget Jones’ Diary for Aussie TV! Poor Lily Woodward is approaching 30 and can’t seem to catch a break whether it is climbing up the career ladder, finding Mr. Right and is the epitome of a walking disaster. My favourite moment is her mad dash across Melbourne to intercept a hate email slamming the new hot chef on her TV segment that she sent to her boss in the heat of ‘burn out’ moment – Hilarious! Further complications arise when she has to ‘make nice’ and work with the chef, Jack and ends up falling in love with him! Another moment is when she talking to her best friend about how she feels about Jack… while the microphone is on, hence all her work colleagues know! Haha! Lily is adorable, lovable and relatable to women. She is the type of character that women feel better about themselves. So if you are interested in drama-based show with spice of a comedy, but which highly focuses on emotions and emotional conflict, this show is for you! (Katie)

Atomic Blonde.
From director David Leitch (John Wick) based on the 2012 graphic novel The Coldest City this action spy-thriller is set in Berlin in 1989 against the backdrop of the rising chaos that preceded the collapse of the Berlin Wall. Charlize Theron is a lethal MI6 agent sent on a covert mission to recover a microfilmed list with the identities of all Western agents operating in Berlin. Theron is nothing short of fantastic and the gritty action sequences rival anything from the Jason Bourne series. Super stylish fun. (Mark)

Baby driver.
Edgar Wrights slick, smart and incredibly cool film Baby driver watches in a way like one of car chases that are central to its plot. One moment it’s the still before the storm the next full pedal to the metal adrenalin .It also sports an ace soundtrack that is central to the storyline. In many ways it’s also a homage to films like ‘Vanishing point’ or Walter Hill’s 1978 film The Driver both well worth checking out but that for me and a lot of other people is in itself no bad thing. (Neil J)

Things to come.
A leading young French auteur Mia Hansen-Love has dealt with ‘devastating loss’ in a variety of stages of life – loss of a father (Father of my Children), first love (Goodbye first Love), creative young days (Eden) – in her works. It continues in her latest effort and a 50-something female philosophy teacher is the subject this time. Nathalie (played by delightful Isabelle Huppert) has what appears to be a good life which suddenly becomes turmoil; her long-time husband leaves her for a younger woman, she is confronted with professional setbacks and her mother’s death. Showing her fine aesthetic and intelligence, Hansen-Love tackles this potentially melodramatic material in a modest manner, just subtly constructing small moments of everyday life, and thanks to its light tempo and Huppert’s effortless performance, it appears that almost nothing happens while everything happens. In fact, in her film’s ‘loss’ is the starting point of ‘new hope’, and this film ends with the lovely scene; Nathalie cradles her new born grandchildren, accompanied by The Fleetwoods’ ‘Unchained Melody’. Life goes on. (Shinji)

The frozen dead.
Adaptation of French crime writer Bernard Minier’s debut novel, which became a bestseller, the first in his Commandant Servaz series. A thoroughbred horse is found hanging from a cable car station in a Pyrenees town, St Martin de Comminges. The horse belongs to Eric Lombard, one of the richest men in France and so Commandant Martin Servaz is sent from Toulouse to investigate. He is not happy to be there, and things gets progressively worse as the dead horse is just the beginning in a complex set of crimes that lead back to a mysterious mass suicide in the towns past and one of his former colleagues, a murderer now housed in a local asylum for the criminally insane near the town. Servaz is perhaps a bit too much of a typical hard drinking, ruffled middle aged cop with a messy personal life, but the story is a tense and the location atmospheric. Shades of Hannibal Lector echo in the shows manipulative villain. Worth a watch. (Mark)

Broadchurch. Series 3.
UK crime/drama, Broadchurch ends with a bang with the third and final season! Three years has passed since the last season of Broadchurch. The peace and tranquillity of the town is disrupted once again when a gruesome crime, (Sexual assault) has been committed. Once again Hardy and Miller, (David Tennant and Olivia Coleman), are on the case, where they will both be tested, professionally, personally and emotionally. This season was heart-breaking. It will leave you emotionally wrecked and paint a vivid picture of modern masculinity gone wrong. However there were humorous moments in the form of playful banter between Hardy and Miller. As always their partnership, banter and bickering, mainly on Hardy’s part, is funny, entertaining and the embodiment of mutual trust and respect. It was nice to see a different of Hardy in this series. Normally portrayed as an emotionally unavailable, rigid, by-the-book police detective, you get see a loving, empathetic and emotional side. I loved the moments where he takes the “initiative” of “instructing” teenage boys on how to treat young women after they ‘disrespected’ his teenage daughter and comforting Miller when they finally catch the culprit, gently telling her that the rapist is an aberration and does not represent all men. Overall this season was a great to finish an entertaining and gripping crime series. (Katie)

Continue reading “Our favourite DVDs in the final leg of 2017”

WCL staff recommend these DVDs

The latest instalment of Staff pick DVDs has a bit of everything from political drama, sci-fi adventure & monster movies, to Oscar winning coming of age, and foreign crime stories.

Guardians of the galaxy. Vol. 2.
A technicolour explosion in a glitter factory. The cinematic equivalent of a long soak in a huge luxurious bubble bath, sound tracked by an ace, superb. guilty pleasure music mainly “from the 1970s” with wise cracking, funny well rounded characters you love or loathe. In a sharp, well-paced, slick, action packed science fiction story. ‘Guardians of the Galaxy 2’ is everything you want it to be and totally lives up to its predecessor. So get out the popcorn, turn off the lights settle down on the sofa you are in for a real treat. (Neil J)

The missing. Season two.
Excellent stand-alone follow up to the first season. In 2014, a young British woman stumbles through the streets of her German hometown and collapses. Her name is Alice Webster, and she has been missing for 11 years. Alice’s return sends shock waves through the small community. Told in dual timelines, flitting between 2014 and the present day, we follow Alice’s family as they are thrown back into a turmoil on her return. French detective, Julien Baptiste (from Series 1) becomes embroiled in the mystery when it is revealed that she holds vital clues about another missing girl, a case in which he was the lead detective 12 years previously. Retired & suffering a health crisis he struggles to gain access to Alice and unlock the mystery of her reappearance. As good, if not better, than the first season. Full of great acting and creepy plot twists. (Mark)

High-rise.
This is 1970s dystopian science fiction at its best, all exaggerated and exuberant bleakness concrete and chrome, hessian and wood, except for one thing this film was made in 2015. Its retro futuristic Science Fiction at its best and a total blast. The kind of film Ken Russell or Nicholas Roeg might have made back in the day. (Neil J)

Paterson.
A small quiet movie with a big warm heart – Jim Jarmusch depicts a week in the life of a bus driver and a poet named Paterson who lives in Paterson, New Jersey. Not much happens plot-wise, just following his everyday orbit and routine with his wife and their English bulldog. However, Jarmusch is a ‘master of variation’. Along with Paterson’s poems, he offers subtle but intriguing twists throughout creating slightly odd people and offbeat humours. It’s about love and creativity, and through the minimal but wonderfully spontaneous performances by Adam Driver and Golshifteh Farahani (and the dog Marvin!), reminds us that love is not only giving but, more importantly, accepting others. It’s a beauty of less-is-more. (Shinji)

Sherlock. Series four.
This season is shocking, brutal, heart pounding, will have you glued to the screen and as always, has some clever twists that you never coming. Sherlock and Watson are back in the new season, where their friendship and partnership is put to the test. This season also sees the return of old characters, the departure of a much beloved character and the appearance of new characters, one character that constantly makes multiple appearances in all three episodes. A character that is so deeply connected to Sherlock in a way you don’t see coming and is hell bent on destroying him to the point of psychological and emotional torture where another side of Sherlock is unleashed. More of an emotional, caring, loving and vulnerable side. Overall a fantastic season that had me glued to the screen, not to mention had me on edge from start to finish. Bring on Season Five! (Katie)

Homeland. The complete sixth season.
Homeland is back for another season taking place several months after Season 5. Carrie (Claire Danes) is back in the United States, living in Brooklyn and working at a foundation whose efforts are to provide aid to Muslims living in the United States. Peter Quinn is alive but has suffered a major stroke and is incapacitated and his personality has changed significantly. The season features the results of a presidential election of a female candidate, and takes place between Election Day and inauguration day, as CIA operatives Saul Berenson and Dar Adal begin to suspect that the new President Elect has an anti-intelligence bias and that Carrie may be helping shape her policy. A more personal season as the attacks on Carrie become more insidious, the show also follows an eerie parallel to the current US political climate. Definitely worth reconnecting with if you have found the last few seasons patchy. (Mark)

Colossal.
Colossal is a very different type of monster movie from the usual Hollywood or Japanese blockbuster. Anne Hathaway plays a woman who has to leave her urban life and return home due in part to issues she has with alcohol abuse. There she falls into an abusive relationship with someone from her past. At this point a giant creature emerges in Seoul and she slowly comes to the realisation that this is connected in some way to her and events in her past. It’s a quirky odd American indie film and more about the female lead than the monsters. Think of a version of Cloverfield directed by Jim Jarmusch rather than Godzilla directed Ishiro Honda. (Neil J)

Schitt$ Creek. Series 1, 2 & 3.
Written, produced and starring two veterans of Christopher Guest movies like ‘A Mighty Wind’ and Best in Show, Schitts Creek is very funny and well worth watching. No one says what they mean, no one hears any responses they don’t like and the main characters take forever to hear the sarcasm directed their way. The series features a great cast, led by Catherine O’Hara and Eugene Levy, Schitts Creek and has a very well-written script. (Belinda)

Moonlight.
Chiron is too sensitive in a macho black community. His mother is a drug addict and his best and only friend Kevin is the one he loves. It’s just too hard for him to be true to himself. In this exquisite coming of age tale which is uniquely divided into three chapters, the newcomer Berry Jenkins portrays Chiron’s lonely heart brilliantly. Showing the shadows of modern auteurs such as Claire Denis, Hou Hsiao- Hsien and Wong Kar-Wai, Jenkins displays his enormous talent and fine aesthetic, particularly in immaculately crafted poetic images, and makes it a beautifully intimate, humanising drama. This may be the most unusual Oscar winner – non-white, small art-house movie dealing with a sexual minority – but will be long remembered for its quality. (Shinji)

American Gods. Season 1.
‘American Gods’ is one of the latest mega budget T.V. series to follow in the wake of the success of Game of Thrones it’s been showered by critical acclaim and attracted a huge loyal fan base and when you watch it it’s easy to see why. Eye popping visuals that swoop from macro stunning landscapes to microscopic detail in seconds, a wildly inventive plot based on the Neil Gaiman’s bestselling novel. It’s surreal, provocative, and in some circles controversial and has even been called blasphemous. It’s brilliantly acted. I esp. like Ian McShane as a God. I personally can’t wait to see what they do in series two. (Neil J)

A dog’s purpose.
A heart-warming movie about the eight life journey of Bailey/Ellie/Tino/Waffles/Buddy and Bailey… again as he tries to find himself and his purpose in life. This movie will make you laugh, make you cry, feel warm and fuzzy, and will make you develop an appreciation, as well as respect for the aptly named man’s, as well as woman’s best friend, which Bailey/Ellie/Tino/Waffles/Buddy and Bailey proves time and time again throughout the movie, finding his purpose in life and teaching a few lifelong lessons along the way. Be prepared to have tissues on hand. I haven’t seen a better movie dogs since Red Dog. A librarian’s choice all the way! (Katie)

The disappearance.
Francois-Xavier Demaison is Bertrand Molina the new Police Commandant in Lyon’s national police station. As soon as he arrives for his new job a young teenage girl disappears at a music festival. With the grieving family pressing for answers, it’s not long before Molina uncovers a number of shocking secrets in a case that pushes everyone to breaking point. A combination of police procedural and drama, with the central focus is on a grieving family it naturally evokes comparison to the first season of Danish series The Killing, and is apparently inspired by the award-winning Spanish series Desaparecida. While not quite at the same level as The Killing it is well constructed, believably acted and worth a look if you are a fan of shows like Witnesses & Broadchurch. (Mark)

The red turtle.
A shipwrecked sailor has to survive on a desert island and comes across a red turtle that changes his life. This studio Ghibli co production is as you we have come to expect an exquisitely animated and very beautiful film in places it’s like watching a dream. The story is deceptively simple with the narrative instead driven by the visuals. In tone it’s like an adult version of the studio Ghibli classic Ponyo. If you are enjoying the new golden age of animated film we are in then this is a must. (Neil J)

Manchester by the sea.
Manchester’s gloomy winter sky sets the mood. Kenneth Lonergan (You Can Count on Me, Margaret)’s new film is a deeply emotional, haunting drama. Following the taciturn, solitary man Lee (superb Casey Affleck), it’s a study of grief, and the story unfolds with elaborate flashbacks as if reading a compelling novel. Lonergan seems to learn a lesson from the previous work Margaret, which was potent but terribly messy, and weaves a beautifully balanced, coherent drama in which every detail has a meaning. Cassy Affleck received numerous awards and deservedly so but under masterful direction, all characters, including wonderful Michelle Williams, shine here. Marvellous. (Shinji)

John Wick. Chapter 2.
More bonkers action with the taciturn John Wick (Keanu Reeves in great form), who is forced out of retirement again to honour a blood ‘marker’ from a former associate wanting to seize control of a shadowy international assassins’ guild. As sequels go this is pretty good. It sets up the background for ‘one more comeback’ nicely and fleshes out the underground world & rules of the mysterious guild. But John Wick is all about the high octane action and once this hits the ground it never lets up. Is it completely daft? Yes. Is it also totally enjoyable? Definitely. (Mark)

T2 trainspotting.
Begbie and the boys are now having to deal with middle age and the ghosts of their past. This sequel is nowhere near as bleak and unrelenting as the original. It’s much funnier (in a very dark way) and fairly rattles along . As sequels go pretty much everything you could wish it to be. If you prefer the original try the other recent Welsh film adaptation Filth (the title in a way says it all). (Neil J)

Toni Erdmann.
Slightly bizarre, certainly unique and definitely wonderful- the German filmmaker Maren Ade’s father-daughter relationship drama Toni Erdmann offers a delightful cinematic experience like no other. It takes a while for the narrative to get going but evolves superbly with a plenty of surprises after the prankster father visits his all-business daughter in Romania. Although it appear an improvised, free-flowing affair, Ade, in fact, meticulously prepared for this project; researching many comedians particularly Andy Kaufman, writing the script for two years (even biographies for every characters), a year casting and countless rehearsals, and succeeded to bring out a deep melancholic emotion from the comedy. Enthralling. (Shinji)

Shin Godzilla.
Godzilla movies are for me one of my ultimate guilty pleasures. I know they are cheesy and corny but there is just something about watching a person in a rubber suit trashing a model city that deeply appeals. In ‘Shin Godzilla’ the effects are now CGI but in many other ways this is a back to basics Godzilla movie the terror, the fear, awe and wonder at this unstoppable raw force of nature are all there and to top it all the final destruction scene is ace. A proper top notch GUILTY PLEASURE. (Neil J)

Librarians’ favourite DVDs of the month

A wide range of movies & TV shows curated by our avid AV fans on staff for the first half of the year. We hope you find something new to enjoy.

Beauty and the beast.
Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in his castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the beast’s hideous exterior, recognising the kind heart and soul of the true prince that hides on the inside. Overall it was an interesting revamp of the original animated 1992 classic. I found there was more depth to the characters: Belle and the beast, and perhaps more of a back story as to how their background, experiences and personalities shaped the people that they came to be. As always, the story encourages viewers to look beyond the superficial and to be compassionate, curious, humble, and generous. This movie is a must see and has been worth the long wait. A film that the entire family can enjoy on a night out on the town– especially on a Saturday night! 9/10 all the way! (Katie)

The girl on the train.
Rachel (Emily Blunt), devastated by her recent divorce, spends her daily commute fantasising about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds. Solid adaptation of Paula Hawkins novel which, given it largely consisted of the main characters internal monologue, must have proven difficult to adapt. The location is changed to the States like High Fidelity, and like a spate of recent adaptations would probably have benefitted from being a BBC or ITV mini-series rather than a feature film. Probably, as with Gone Girl, more enjoyable if you haven’t yet read the book, but if you have it’s still an entertaining watch. (Mark)

I, Daniel Blake.
Always defending the socially vulnerable, Ken Loach’s career has spanned five decades and at the age of 80, he delivers one of his finest works. Obviously he is furious about the British welfare state and the heartless bureaucracy but with as little drama as possible, masterfully depicts the struggles of widowed carpenter Daniel Blake who has suffered a heart attack and a young single mother of two Katie. With the help of the excellent screenplay by his long-time collaborator Paul Laverty, there are lovely moments of humour and warmth in this harsh social realism drama and makes it even more memorable. A small triumph. (Shinji)

Finding Dory.
This movie is in a word, FANTASTIC! Finding Dory reunites the friendly but forgetful blue tang fish, Dory, along with her friends, Marlin and Nemo on an epic quest to find Dory’s family. The questions that hangs on everyone’s lips are what does she remember? Who are her parents? And where did she learn to speak whale? Even the Pixar short film, Piper that was released alongside Finding Dory is beautiful and heart-warming. Two movies for the price of one, you can’t go wrong. Overall, I loved the film! It will make you laugh, it will make you cry and it will make you want to watch it over and over again. It is truly unforgettable. A well-deserved 9/10. (Katie)

Sully.
Clint Eastwood helms this adaptation of the events of January 15, 2009, the Miracle on the Hudson, when Captain “Sully” Sullenberger (played by Tom Hanks) glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. It would be easy to downplay this as ‘solid’ or ‘straight-forward’ but after a recent span of bloated and overly arty biographical adaptations this 96 minutes is a perfect example of solid Hollywood film-making. If it seems underplayed or lacks that ‘larger than life’ factor of most biopics it’s a deliberate move, the no-nonsense storytelling a perfect match for the cool, collected nature of its subject. (Mark)

Captain Fantastic.
Ben, a father of 6, is raising his kids “off grid” and teaching them how to survive in the wild as well as feeding their amazing minds with his own home schooling techniques. Each child is unique and the viewer sees how Ben has tailored their learning to incorporate each one as well as “the whole”. When tragedy strikes he is forced to take them away from their known environment into the frightening modern world. The children’s grandparents disagree with the way he is raising his children and arguments ensue and lead him to question his beliefs. This movie made me laugh and cry and gave insights into modern child rearing and how it can be scary no matter where you bring your children up. 5 out of 5 stars. (Raewyn)

The man from U.N.C.L.E..
Set in the 60’s and at the height of the Cold War, a mysterious criminal organization plans to use nuclear weapons and technology to upset the fragile balance of power between the United States and Soviet Union. So in typical Superhero style, CIA agent Napoleon Solo (Henry Cavill) and KGB agent Illya Kuryakin (Armie Hammer) are forced to put aside their hostilities and work together to stop the bad guys in their tracks. The duo’s only lead is the daughter of a missing German scientist, Gabby (Alicia Vikander), whom they must find soon to prevent a global catastrophe. In typical Ritchie fashion, there is plenty of fast moving (and perhaps violent) action sequences, memorable one liners, cameos by very famous actors and sporting figures (infamous cameo from David Beckham! – Whoohoo!), plenty of twists and turns that you don’t see coming. Overall a great film filled with action, comedy, romance and suspense. (Katie)

Arrival.
When mysterious spacecraft’s touch down across the globe, an elite team, led by expert codebreaker Louise Banks (Amy Adams), is brought together to investigate. As various countries respond differently to the situation an ‘attack’ on the new invaders seems immanent, as Banks and the team (Jeremy Renner, Forest Whitaker) race against time to crack a way of communicating with the aliens to learn just what their purpose in coming to Earth is. Marketed as a sci-fi film, it’s more philosophical in nature, similar to Jodie Foster’s ‘Contact’, Solaris or the recent wave of films like Ex-Machina or Coherence that focus more on the cerebral rather than spectacle. Perhaps not for everyone, but definitely different than the usual Hollywood approach. (Mark)

Indignation.
This directorial debut of James Schamus, who is well known as a producer particularly for Ang Lee’s works, is a faithful adaptation of Philip Roth’s late novel of the same title. Set in the 50s, it’s a bitter coming of age tale about the intelligent but complex Jewish student Marcus (Logan Lerman). Schamus transformed it into a solid, sophisticated work which features some impressive acting, including a16-minute-long verbal spar scene between Dean and Marcus. Apparently Roth was pleased with the film. It’s a relief for the director and the audience alike. (Shinji) Continue reading “Librarians’ favourite DVDs of the month”

TV series exclusives: The WCL Ratings Project #13

With this next update of new DVDs enabled by our Ratings Project we have the latest season of historical Australian drama ‘A Place To Call Home’, adaptations of Joanne Fluke’s bestselling series of books with ‘Murder She Baked’, the Tina Fey produced hit comedy ‘Unbreakable Kimmy Schmidt’, crime thrillers ‘One Of Us’ & ‘The Level’ and the historical fashion & glamour of ‘The Collection’ & ‘The Halcyon’.

A place to call home. Season 4.
“Marta Dusseldorp leads the cast of this sweeping romantic drama set in 1950s rural Australia. The season follows the lives of the Blighs, a wealthy and complicated pastoralist family, who live in Inverness, NSW. With George now married to Regina, Sarah is seemingly separated from him forever but still they struggle to move on from the deep love that they feel for each other; Anna and Gino’s new marriage is tested again; jack tries to prove to Carolyn, full of self-doubt, that she’s worthy of him; and Elizabeth shocks the family with her new attitude to life.” (Syndetics Summary)

Murder, she baked : 4 movie collection.
“A CHOCOLATE CHIP COOKIE MYSTERY: When the milkman is found murdered behind her bakery, Hannah Swensen, the heroine of Joanne Fluke’s bestselling series of books, sets out to track down a killer. If she doesn’t watch her back, Hannah’s sweet life may get burned to a crisp. A PLUM PUDDING MYSTERY: This holiday season, Hannah Swensen is making plum pudding and trying to solve the murder of a man in his own office. A PEACH COBBLER MYSTERY: With The Cookie Jar, Hannah Swensen has a mouth-watering monopoly on the bakery business of Lake Eden, Minnesota. But when a rival store opens, and one of the owners is found shot to death in the store, Hannah is determined to prove that she wasn’t the only one who had an axe to grind with the Quinn sisters. A DEADLY RECIPE: Hannah discovers the body of Sheriff Grant–bludgeoned while holding one of her homemade fudge cupcakes.” (From Amazon.co.uk description)

Unbreakable Kimmy Schmidt. Season one.
“Rescued after fifteen years in an underground doomsday cult, Kimmy decides to rebuild her life in New York City armed with only a fifth-grade education and a firm belief that truly anything is possible. She quickly finds a roommate, Titus Andromedon, a job working for a spoiled Manhattan mom, Jacqueline Voorhees, and a new beginning.” (Syndetics Summary)

Unbreakable Kimmy Schmidt. Season two.
“She’s back, she’s only slightly more informed, and she’s ready to take life by storm! From the executive producers of 30 Rock (Tina Fey and Robert Carlock), Unbreakable Kimmy Schmidt returns for a second season that’s “as ridiculous and fun as ever” (Tim Goodman, The Hollywood Reporter). As Kimmy (Primetime Emmy nominee Ellie Kemper) continues to learn the ways of New York City, she’s got her roommate Titus (Primetime Emmy nominee Tituss Burgess) and socialite Jacqueline (Primetime Emmy nominee Jane Krakowski) by her side to tackle all social matters that are hashbrown: relevant.” (Description from Amazon.com)

Rectify. Season four.
“In the fourth and final season, Daniel has moved away from his hometown in Georgia and is beginning his new life at a halfway house in Nashville. Separated from his family, Daniel continues his struggle to manage life after prison. The family that he left behind is fractured, but not completely broken. Can they find ways to move forward?” (Syndetics Summary)

The collection.
“A gripping entrepreneurial fable set in France just after the Second World War. An ambitious designer is tasked to restore Paris’ supremacy as the haute couture capital. His fresh vision will usher in a new romantic era lifting the post-war gloom and paving the way for optimism and romance. But can this business, spearheaded by two clashing brothers survive meteoric success? The staff of the atelier survived one devastating war, but another looms, where personal battles and passionate love stories set family against family and the past against the future.” (Syndetics summary)

Rizzoli & Isles. The complete sixth season.
“Best friends and work colleagues Detective Jane Rizzoli and Medical Examiner Dr. Maura Isles use the best of their expert skills and unique personalities to solve Boston’s deadliest crimes. Hundreds of threatening emails. Credit accounts hacked. Her apartment burned. A death message found inside a murder victim. Someone has it out for Detective Jane Rizzoli in Season Six, and she’s consumed with finding out who. As clues keep coming and Jane is assigned a bodyguard, Boston’s finest are put on the case in a race against time…until medical examiner Dr. Maura Isles disappears, victim of a possible kidnapping. As the investigation grows more dangerous and more puzzling, it will take everything the two women have to get themselves out of trouble and back into the arms of friends and family.” (Description from Amazon.co.uk)

One of us.
“Grace Douglas and Adam Elliot grew up side by side in remote rural Scotland. Recently married, they are full of hope for the future – until their young lives are cut short by a brutal murder. The Douglases and Elliots are fiercely different families, split by old rifts but forced together in rage and grief when the man who killed Grace and Adam crashes into their lives, they face a choice that will have dark consequences for all of them. As they stumble down the path they have chosen, truth and morality become obscured. The death of Grace and Adam is just the start of this dangerous journey, one that will twist and turn until its devastating end…” (Description from Amazon.co.uk)

The Level.
“Nancy’s exemplary police career masks a covert attachment to shady businessman and drugs trafficker, Frank Le Saux. Inextricably linked to Frank from childhood as the father of her best friend, Hayley and the father figure she herself craved, Nancy has been playing a dangerous game – ensuring that Frank always remains off the police radar. When Frank is murdered Nancy finds herself at the centre of an investigation which will put her at risk of exposure and see her stalked by a killer intent on destroying her…” (Syndetics summary)

My mother & other strangers.
“Moybeg is home to Englishwoman Rose, her Irish husband Michael Coyne and their three children: Emma, Francis and Kate. With her English accent and her London ways, Rose is the only ‘stranger’ in the community. That is until 4,000 American servicemen and women arrive along with the handsome Captain Dreyfuss. As Rose finds herself acting as peacekeeper between the disgruntled locals and the airbase, she is also drawn to the engaging young captain”… (Syndetics summary)

The Halcyon. Season one.
“The Halcyon is the story of a bustling and glamorous five star hotel at the center of London society and a world at war. Set in 1940, series shows London life through the prism of war and the impact it has on families, politics, relationships and work across every social strata–set to a soundtrack of the music of the era”… (Syndetics Summary)