Listen to Al Fraser on our Music Ad Lib podcast

Putorino3aWellington City Libraries has a monthly radio show on Wellington Access Radio. For a recent show (16th April), we interviewed Al Fraser, maker of beautiful taonga puoro (maori musical instruments) and multi-talented Wellington musician.

He’s a musician on the The Woolshed Sessions, Tahu, Reo and Rosy Tin Teacaddy and we chat about music, making music and making musical instruments…

PutorinoSongs featured in the podcast came from these albums:
The Woolshed Sessions – “Our World”, Tahu – “Mataa”, plus “Te Take o Te Raku” and “Reo” by Reo

Listen to the interview here

An Audience With…Isobel Rose Cairns

Isobel writes the awesome and lovely zines – Things We Have in Common and I Like the Light in Here. They are both beautifully designed and packed full of interesting goodness that we think you should read right away!

ionlyclosedHow did you first get into zines? Did someone suggest you to make one?

I made my first zine at the first Zinefest event in Wellington. I spent all day at the zine making table and struggling with the photocopier and finally I had my first little zine, which I called Upset. And then I realised that zines were the perfect thing for doing writing AND drawing!

Photocopying zines can be tedious, hard work while making illustrations can be lots of fun… What parts of the zine making process do you like and dislike the most?

Yes, I think I would have to say that I’m not too good with the photocopier. I’m a bit better than when I first started but something always seems to get messed up! With some of my zines I’ve put them together the night before Zinefest so I don’t have time to do illustrations, but I like them! And I like interviewing people, and also getting glue on my fingers. I don’t like spending ages typing everything out on my typewriter though.

What do you like and dislike about zines in general? And what do you think about them as a medium?

I like that they’re so very versatile and that they can be used for so many things. I like that they’re self produced and compact. I like being able to draw and write, and it’s good that they’re cheap to produce, although I would like to start experimenting with nicer papers. It’s sometimes hard to make them interesting to other people; I think that I just have too much fun making them and don’t think about who will read them.

Continue reading “An Audience With…Isobel Rose Cairns”

An Audience With…Hayden Currie

BookHayden produces the awesome zine comic ‘Book’ along with Matt Henley and James Rowsell. We have numbers one and three of Book in the zine library waiting eagerly for you to discover (sorry we have no idea what happened to two!). Thanks for answering our questions Hayden!

Describe an average day:

Since I’ve got a new job I wake up really early. My current job is pretty brainless; I just have to stick posters around the city. I only focus on getting them straight. Before the zine fest I was working very hard on Book, our latest zine. We really wanted to get the zine finished and it was hard work but lots of fun. Soon after the zine fest I started this new job, so I have been really tired for the last few weeks because I did not get a chance to rest in between. I tend to do some illustrations before going to work. To do so I have to wake up really early. But I think it is really important for me to draw, even if I need to wake up so early.

Describe your work:

I would say that it is mainly a satire or really crude humour. For example, the stuff in Book is a kind of cartoony and funny as well as a raw critique of our society.  But I think other people would be better than me at describing my work.

How did you first get into zines?

It was a bit accidental. James and I started to print out our first zine in an A5 format because it was cheaper. Then we sold it at the 2008 zine festival and it went really well. So I guess we just wanted to make a comic and distribute it in a cheap way and the result was a zine.

What do you like about zines?

I really like the fact that they are small and easy to carry. They are a great cheap form of showing your own work. The zines I like the best are the ones that manage to combine good illustrations and entertaining stories. Overall I tend to prefer zines with really nice art.

Is there anything you don’t like about zines as a medium?

Yes, I think many of them do not show a lot of thought about entertaining other people. It looks like they have been written as a personal diary and then turned it into a zine. The final product seems to be a compilation of personal stuff, interests and thoughts. I find this very boring and superficial.

steph book photo

How do you get inspiration for a zine?

I think I get inspiration from a basic reaction to things from popular culture. I find inspiration in everyday culture and I think most things in life are quite funny and ridiculous.  Let’s take for example Miss Green Consumer, a character from Book, who tries to make a difference through consumer’s choice. I personally find the idea that you can save the world by buying something eco-friendly quite ridiculous. Miss Green Consumer goes through a series of accidental adventures, it is actually really funny.

monsters 1

Tell us about some of your favorite zines…

Monsters by Ken Dahl is one of those zines that has a great story and really nice drawings. I highly recommend it.

– Carla

We talk with Wellington Zinefest organiser Kim Gruschow

Kim from the Wellington Zinefest Committee 2010 (also Lady Fest co-organiser) very kindly answered some of our questions about all things zinefest.

How did Wellington Zinefest get started?

In New Zealand there had been zine events, such as Auckland’s Small Print, Zinefestbut never much in Wellington. In  2007  Kylie Buck was working at the Wellington City Library, they had just started their zine collection and she and I organised the first Wellington Zinefest, which was also a nice welcome platform for the Library Zine Collection.

What is most challenging about organising an event like Zinefest?

There hasn’t been any notable struggles this year really, there are four of us on the team this year, three of us have organised Zinefest in previous years, so we know or at least sort-of know what to do now. The first time round was the hardest probably because everyting was new

What are zine people like to work with?

Zinemakers are all kinds of people, there are nice reserved thoughtful types, but there are also those who got into zines through punk music like me….

What cool things will be happening on the day?

There is a workshop about interesting zine construction methods and a chat about the history of zine events, distros and people in New Zealand over the last few years. The Comics Show, which is a documentary about comics in New Zealand will also be screening throughout the day, and once again the lovely folk of Wellington City Libraries will be present with some of their zine collection. There is also an afterparty at Watusi with bands Teen Hygiene, Widows, Paper Ghost & Natural Glow all of whom have close ties with zine-making and self-publishing.

Why do you think there has been such a revival of zine culture?

I think there has been a real turn towards DIY culture in general, particularly with crafts but also with music production and other creative arts. People realize that it is an easy and empowering and inexpensive way of sharing what they do. I think the presence of zines in Wellington, through the library collection, the annual Zinefest, and shops in New Zealand like the High Seas (sadly about to close ) must be very encouraging too.

Are there any zines you are hanging out to see/buy at the Fest?

I’m looking forward to the third Book, a comic made here in Wellington which is being unleashed at Zinefest. Infinity Bag has new work that I am really excited about seeing too.

Thanks Kim!

Wellington Zinefest Committee 2010. Left to right:  Matt Whitwell, Bryce Galloway, Claire Harris and Kim Gruschow
Wellington Zinefest Committee 2010. Left to right: Matt Whitwell, Bryce Galloway, Claire Harris and Kim Gruschow

Zines: An Audience with… Yelz

Yelz-interviewSo it’s been a looong time since our last zine interview, but Carla was lucky enough to catch up with Yelz recently (of Around 21 fame) and asked him a few ziney questions.

Describe an average day:

After a hearty and oaty breakfast with lots of honey and raisins I tend to doodle some stickers to loosen me up and prep me for the day.

If I’m working a full day at ‘work’ I usually don’t get too much drawing or painting done, and I spend the day daydreaming about what I want to be doing the rest of the week. This might involve looking for walls to paint, and sketching and painting if I have a commission or there’s a show coming up.  I like street-art missions the best during summer and tend to paint more in the studio during winter.

How did you first get into zines?

I don’t know if I’m that ‘into’ zines yet. Lately my girlfriend has been getting them out of the library though, and she has great taste so they are a growing sensation. I get very excited about the little wee booklets now.
Also this year my friend drypnz started creating his ‘massage’ zines with PNTR. This immediately spoke out to me and I realised I had something public and personal to illustrate as well, so the zine process began.

What do you like about zines?

Raw thoughts, poetry, pictures and doodles

Is there anything you don’t like about zines as a medium?


How do you get inspiration for a zine?

I have to feel like something that I’m doing is vital to public interest or appeal, or to my own I guess. For “around” it was very easy to get inspired, when your doing an arty info zine about endangered animals, those feeling fuel you through the process pretty easily. I’d like to keep collecting data and doing sketches, and do an ‘around’ zine perhaps for every country I reside in for a while. It seems it’s a good way to learn about a place and its natural history.

Tell us about some of our favorite zines…

There’s some pretty cool zines lying around at the mo –
‘The Ultimate questions’ – a collection of humorous and sadistic Kiwi collages.
‘Massage magazine’ filled with the best upcoming NZ street artists, photographers and the like
‘The weakly mushroom’ is also present in my room, filled with philosophical thoughts and doodles.

And there’s some issues of  ‘around’ left, if you would like a copy send me a mail at

Kia ora.

Thanks for the ad!!


Zines: An Audience with… Alex Mitcalfe Wilson

cupcakemonstersDescribe an average day:

First thing:  I get up at about 7 am and have some fruit for breakfast or leftovers, if it’s a weekend. Then I get dressed and either go to some school or other if I’m teaching, or attend university if I have classes.

Once I’ve made that choice, I do nerd stuff and talk about inclusive teaching and science for a few hours because I’m training to be a teacher (my two degrees are in Maori Studies, Environmental Studies and Chemistry). Once I’m done with learning I usually try to hang out with some of my friends, I often try and do this over dinner, because cooking is rad. People are my new thing and a great way of avoiding reclusiveness when one lives alone.

Notwithstanding marking and/or homework, I then work on my music or art and email people about their interviews or writing for my zines. Actually, that stuff usually happens after about one in the morning, if at all. I’m pretty busy at the moment.

How did you first get into zines?

My mum is most excellent and had heaps of small-press comics in the house when I was young, stuff like Tim Bollinger’s early strips and the original Pickle series by Dylan Horrocks. Continue reading “Zines: An Audience with… Alex Mitcalfe Wilson”

Zines: An Audience with… Justine Telfer

For the sixth in our interview series with zinesters from around the globe, we have Melbourne-based Justine Telfer, mastermind behind the incredibly popular Mixtape zine…

Describe an average day:

Have breakfast with the family, check emails and try and answer as many as possible, check my fav blogs, try and get some sewing done, all this while raising a 4 yo! Continue reading “Zines: An Audience with… Justine Telfer”

An audience with Pinktricity

Pinktricity coverThird up in our series of interviews with our favourite zine producers, we have Kim Gruschow. Kim is the author of the trivia filled Pinktricity, member of two or three punk bands, notorious karaoke microphone stealer and general sassy lady about town.

Describe an average day:

Up, coffee, bus, bookshop, coffee, bookshop, snack, bookshop, bus, gossip, read, mope, homework, wine, bands, karaoke, sleep.

How did you first get into zines?

Punk music & the wonderful red letter zine distro.

Describe your work:

I make zines concerning the stuff I love most and the stuff I loathe most. Sometimes I use a computer but sometimes a biro. I am fond of pictures. I like lists and reviews. I like to cover fads and people that have long since gone. This may be because I take a long time to make a zine.

What do you like about zines?

They are cheap & accessible to produce and have uncensored, uncompromising charm. I have total control.

Is there anything you don’t like about zines as a medium?

I struggle with photocopier margins ruining my fun.

How do you get inspiration for a zine?

I hang around at karaoke bars a lot of the time.

Tell us about some of your favourite zines:

Murder Can be Fun is all about death and disaster arranged by subjects including Disneyland and sports. Craphound is a joy for magpie-like picture scouts who like to geek out over hundreds of similarly themed pictures. I also love music zines with extensive review sections. I like to sit around ticking off bands that I may be interested in, should I ever seek them out or hear them by chance.

To borrow Kim’s zines, come up to the Zine Collection on the first floor of the Wellington Central Library.

For more info about the WCL Zine Collection, please visit

An audience with Bryce Galloway

Second in our series of interviews with our favourite zine producers, we have Bryce Galloway, author of the longest running zine we know of, with one of the longest names: Incredibly Hot Sex With Hideous People. The WCL Zine Collection holds 30 issues, so come check them out on the first floor of the Central Library.

Describe an average day:

Exceptional. It’s all in my zine. Check it out.

How did you first get into zines?

I wanted to promote the release of a CD I’d put out and I wasn’t getting much help from the music press so I figured why not just print something myself.

Describe your work:

My zine work is autobiographical with a penchant for the embarrassing moment and everyday crisis. There’s also a bit of musing on the things that have immediate impact on my life, like parental gender roles and loss of youthful mojo.

What do you like about zines?

I like the immediacy and I like the modesty and pathos of the media. More “substantial” magazines can be so MOR (middle-of-the-road). There’s real personality in zines. The advertising and editorial pressures of the regular press can make for boring reading.

Is there anything you don’t like about zines as a medium?

No. I’m little surprised if a zinester tries to sell their $1’s worth of photocopying for $10 as there’s a bit of an ethic of accessibility which usually equals affordability.

How do you get inspiration for a zine?

I just stare at my navel, or my wife and kids, or my own expectations.

Tell us about some of your favourite zines:

Arlo Heynes is a local twelve-year old comic artist who draws great loopy narratives with titles like The Adventures of Steve and Human Buzz Fly.

Wellington musician Stephen Clover once made a zine called ‘Looking For A Fish-Drying Plant?’ It was so brilliant, he invested so much in it, that he hasn’t made a zine since. I wish he would. In one great piece of journalistic invention he flew around the country posing different dietary requirements like vegan and kosher so he could write airline-food reviews.

Auckland artist/musician Glen Frenzy has made some wonderfully dark tribute CD + zine combos about the late junky musician GG Allen, following those up with a tribute to Billy Joel!!! He inspired my own John Lennon tribute and a Madonna one that I have in the pipeline.

For more info about the WCL Zine Collection, please visit /zines

An Audience with Kerry Ann Lee

What is it that makes the world of Zines so exciting, creative and diverse? It’s the people that make them! We decided to ask some of our favourite zine producers some questions in a new series.

First up we have Kerry Ann Lee, renowned zine maker, distro runner, artist, designer and all round amazing woman…

Describe an average day:

Average days are such a rarity. They tend to start off the same. I get up approximately half an hour after my alarm. I have three different alarm clocks next to my bed and choose which one to set depending on how I best feel like waking up. One sounds like a bull-horn, one sounds like the X-files theme tune and the other one is an androgynous 80’s talking robot voice. I will most likely have coffee and cereal and read something. I will then either go and teach an art class or answer emails and keep abreast of current affairs on the internet. I will have a project I’m working on. This will probably be design work, zine making or making something. I may be writing a letter or putting together a care package I need to post to the other side of the world – that’s if my friends don’t catch me accidentally online on the internet and we start chatting about the weather in Italy, the traffic in Beijing or gigs in New York. My day often involves some form of caffeinated socialising, maybe some curly fries, veggie sushi, or mock deep fried drumstick (and if I’m lucky a game of chinese checkers with Sam). All the while I will be crossing off things on my ever-growing ‘to-do’ list like returning comics, zines and music to the City Library or purchasing everyday household items. Evening times are filled with either lots more work, hang-outs or the occasional smelly punk show. The later also entails late night eats and lots more slang talk til the wee hours.

How did you first get into zines?

Reading DIY NZ comic zines and anarcho punk fanzines like Profane Existence as a surly teenager. My friends started making zines in the mid 90s and I wanted in.

Describe your work:

angular, scratchy, furry, bountiful and green.

What do you like about zines?

The fact that the artist/author is also the maker, that they can be made by anyone, for anyone about anything, anywhere and the materiality of these things made from scratch. I also like that although many zines share common themes or interests, they tend to be very individualistic and often tend to defy category or cliques.

Is there anything you don’t like about zines as a medium?

Cost is always a mitigating factor in production and distribution. Also having been making these things for over 11 years, it is sometimes tiring having to still explain what they are and their value. I find I’m doing less of this now due to having an amazing public zine library and lots of inspired and enthusiastic people involved. 🙂

How do you get inspiration for a zine?

Hearing crazy stories and bad jokes, reading lots of books and zines, watching old horror movies, meeting interesting people, encountering odd occurances. Wanting to learn more and share things to possibly amuse, educate and irritate others. I used to just hide away and emerge with a zine, but now I find I talk about it enough,involve other people through collaboration, submissions or interviews and then it has to happen.

Tell us about some of your favourite zines:

Radical! Cometbus, Scenery, Punk Planet, Doris, Dharma Punks, Child that Mind, Helter Skelter, Maximum RockNRoll, Thriftscore, Girlyhead, Flying Fox, Bamboo Girl, Keep in Touch, Incredibly Hot Sex with Hideous People, Hodgepodge, Choice Guy, Ladyfriend, I Hate this Part of Texas, Enobled Mind, Burn Collector, HeartattaCk, Foodgeek, Is Not Magazine, This is Not a Comic, Johnny America, the list goes on…

Draw (or collage or photograph) a picture of yourself: