Launching City Voice: News you can use

One of Wellington’s most significant independent media outlets of the 1990s has been fully digitised and is now available to view on Wellington City Recollect.

City Voice Collection on Recollect

For just over eight years City Voice dominated Wellington’s alternative media scene. More than twenty years after its last issue was printed, the library’s archived collection of the weekly newspaper has been fully digitised and is available to view and search on our heritage platform Wellington City Recollect.

Andy Foster as a young city councillor on the cover of the oldest copy held in the collection

City Voice was founded by its editor Simon Collins and the journalist Jeremy Rose. They were soon joined by journalists Nick Bollinger, Mark Cubey & Rachel Woodley, the photographer David Gurr, the artist Chris Healey as well as a core of advertising, administration and distribution staff. The newspaper soon became the regular outlet for dozens of reviewers, columnists and journalism students and began the concept of a ‘paper within a paper’ where several pages would be regularly handed over to local communities who until then had few opportunities to have their voices heard.

Beginning at a time when access to the internet was still largely confined to universities and government institutions, City Voice distilled the talents of many local writers in a single publication before such output became diluted across a multitude of different online forums and websites.  It also provided a mouthpiece for a new generation of activists before the introduction of social media as well as holding the city council and local body politicians to account. Operating out of offices in Cuba Mall, it was owned by the Te Aro Publishing Cooperative Ltd with shares being held by around 160 people who had invested a total of $165,000 as core capital but the newspaper principally operated on its advertising revenue in an era before the widespread growth of the online advertising absorbed much of this income stream.

‘Humourbeasts’ Jermain Clement and Taika Waititi (aka Taika Cohen) appear on the cover of a 1999 issue

Every Thursday a new edition would hit the streets with 21,000 copies being delivered free to every letterbox in the CBD & the inner-suburbs and another 7000 copies available to be picked up in cafes or from newsstands scattered throughout the city. It soon became the go-to place to find out what was happening in the arts and theatre scene with extensive listings and reviews published every week.

However, it was with its news coverage that City Voice had its biggest impact. It avoided the crime, violence and scandal stories that often dominated main-stream media and instead covered local stories where it felt that the public could make a difference with issues such as the planned development of the waterfront or the inner-city motorway bypass. Controversial neo-liberal reforms which had become common within central-government in the early 1990s were starting to have an impact at a local level with various proposals to introduce user charges for social & community services and the paper helped galvanise opposition to many of these. City Voice became a democratic alternative to commercial media where the perceived need to ‘sell’ news was turning people (particularly youth) away from consuming it.

Later to become a city councillor, Laurie Foon states her views on the proposed ‘bypass’ through Te Aro in 1998

The newspaper became a ‘hot-house’ for young journalism students, many of whom went on to have notable careers in the media and communications industries. Volunteers gained experience in the field, assisting staff writers to research and write stories as well as helping out with page layouts and sub-editing. Regular columns provided an alternative take on main-stream staples such as car, fashion and restaurant reviews, the emphasis being on what most Wellingtonians actually consumed rather than expensive aspirational products and services which were often well beyond what many people could afford. Graphic design was also an important part of the newspaper and improvements in computer & printing technology over its eight-year run can be seen in the manner in which its ‘look’ developed.  Advertising ‘reps’ worked hard to constantly sell space in the paper to bring in the revenue required to pay staff and to keep the presses rolling. However, roles were not siloed and someone employed to sell advertising was welcome to try their hand at writing reviews while a journalist who had written an investigative article was just as likely to be helping with page layouts as print deadlines approached. 

Illustrating how some issues never change, this cover from 2000 details the concern of the city potentially losing ownership of its water assets.

However, despite its editorial success and impact, advertising revenue never fully met its costs, eventually resulting in capital reserves being drained. Investigative articles became too narrowly focussed on a small range of subjects and the arrival of the internet also started to have an impact following the launch of several local ISPs which drew readers away from print media as they discovered new online sources of news and information. In late 2000 the board of directors, aware of the personal liability they would be subject to if accused of ‘reckless trading’, decided to wind up the cooperative. After a brief hiatus, a new company was formed called City Voice Media Ltd which raised new capital and continued to publish the newspaper with a new look. However, it soon became apparent that the newspaper was no longer financially sustainable and its final issue was printed on 5th July 2001.  

City Voice on Recollect

Some of the information in this blog has come from the article “City Voice, an alternative to the corporate model” by Simon Collins & Jeremy Rose, published in Pacific Journalism Review, Vol.  10, No. 2 (2004).

The Aotearoa Reference collection is now available

NZ collection sign

Our NZ reference collection can now be requested. These items can be identified in the catalogue as held at the Offsite NZ Collection. We regret the time taken to make this large collection available. Our preparations were interrupted more than once by factors outside our control. We are still working through the process to stock-check all the books that were brought out of the Central Library. As soon as books are checked they will be made available on our online catalogue. If you have a particular request which you can’t find in the catalogue, please let us know, and we will make this a priority.

Please use this email address heritagequeries@wcc.govt.nz to make your request and one of our team will retrieve it for you. Don’t forget to let us know your library card number and which branch you would like to view the book at. You will receive two emails, one confirming the request, and the second when the book has arrived at the branch. This is a free request service.

Most books will be available for you to consult for three weeks at the library branch. If you don’t need the books for three weeks, just let the staff in the branch library know and they will return the book for you.

If you need to renew the item for a further 3 weeks, make a request through the same email heritagequeries@wcc.govt.nz and the library team will check if there is another customer waiting.

The photography of Derek Smith

Wellington City Libraries is proud to host a remarkable collection of photographs on Recollect that capture the vibe of our city from three decades ago.

Green Door Dairy, Park Road, Miramar, c.1991

Derek Smith was born in the United Kingdom but immigrated to New Zealand with his family at the age of six. He grew up in the East Coast Bays area of Auckland’s North Shore in the 1960s and 70s where he developed an interest in photography as a teenager. After working a series of odd-jobs, in his early 20s he got a job as a meter reader for the Auckland Gas Company. Discovering that if he worked hard, he could normally complete his daily round within five hours, he took the opportunity to use his camera to document the city and his mild interest in photography became a passion.

Woolworths store, Rongotai

He began to use the resources in the library of the Elam School of Fine Arts which featured an excellent collection of photography books and found particular inspiration in the work of the American photographers Edward Weston, Stephen Shore, Walker Evans and William Eggleston. He also befriended John B. Turner, a legendary senior lecturer sometimes called “the father of modern NZ photography” who gave him advice and encouragement even though Derek was not formally enrolled in the school.  He also joined the PhotoForum collective that Turner had co-founded in 1973. By this stage he had purchased a Mamiya 645 medium-format camera which uses 120 roll film to create huge 6 x 4.5 centimetre negatives or transparencies. With an individual frame being more than 2.5 times larger than the standard 35mm film common at the time, when combined with Mamiya’s excellent lenses this camera was capable of rendering extremely high quality images that still rival most of the high resolution DSLR and mirrorless digital cameras available today.

Continue reading “The photography of Derek Smith”

Design and Living by E. A. Plischke

Now digitised on Wellington City Recollect, ‘Design and Living’ published in 1947 offers pertinent solutions to our current housing issues nearly 75 years later.

Ernst Anton Plischke (1903 – 1992) was one of the most notable architects ever to work in New Zealand. Though he produced only a limited number of buildings while living here, his influence on the path that NZ architecture and design would follow in the subsequent decades was considerable. He arrived in Wellington in 1939 from his native Vienna just four months before the start of World War II, having fled here with his Jewish wife and stepson following Nazi Germany’s ‘Anschluss’ with Austria.  Settling in Brooklyn,  it was in the capital that his influence had its greatest impact. He had impeccable credentials having studied & worked under the legendary German Modernist Peter Behrens, knew Le Corbusier, met Frank Lloyd Wright and had personally designed domestic and commercial buildings in the 1920s and 1930s in Austria that still look contemporary today.

Continue reading “Design and Living by E. A. Plischke”

The 80s called and they’ve given their magazine back

Wellington City Magazine on Recollect

Wellington City Libraries is bringing the past back to the future with the popular 1980s Wellington City Magazine now accessible online.

Not only will it showcase the big hair, shoulder pads and jazzercize of the era in the capital, but also the cool cats, clubs and cafes, and feature articles and columns from many still well-known contributors.

Wellington City Magazine on Recollect

Wellington City Magazine offers a fascinating insight into Wellington’s culture in the mid-1980s during a time of considerable societal and economic change, says Wellington City Libraries Local Historian Gabor Toth.

“Its first edition was printed at the very end of Robert Muldoon’s final term as the National Government’s Prime Minister in 1984, and came to an end after 27 issues following the share market crash in 1987.

“Published by Henry Newrick, the magazine had an enormous variety of feature articles and regular columns. Its advertising content reflected a boom in the local economy as financial regulatory controls were dropped, the share market rose to new heights and a new generation of high-earning workers, investors and entrepreneurs opened their wallets. The magazine was also highly innovative in its graphic design, page layout and high-quality photograph reproduction.

“The first five issues were called Wellington Cosmo to reflect the fact that Wellington was seen as being a particularly ‘cosmopolitan’ city, a legal threat to change the title as it violated the international Cosmopolitan Magazine trademark, and a failed appeal and injunction, saw it change its title to Wellington City Magazine.

“The magazine had three editors; Lloyd Jones, John Saker and Malcolm McSporran and attracted many talented writers and journalists who often had significant literary, academic or business backgrounds – including David Burton, Ian Wedde, Simon Morris, Lorraine Mexted, Tony Simpson and Bill Gosden.

“The magazine also took on causes, and was one of the first outlets to raise the profile of the St James Theatre when it was threatened with demolition.”

This was a labour of love for Gabor, hand scanning every page and photoshopping the gutter out of the double page spreads, says Manager of Libraries & Community Spaces, Laurinda Thomas.

“Everyone, young and old, is going to get a kick out of these magazines – it’s like a time machine, and everyone can just go online and get transported there.

“So many of the restaurants, bars, cafes, cinemas, galleries have been replaced with new ones, but some things that haven’t changed are the political, arts and cultural scene – and the Green Parrot!”

Go to wellington.recollect.co.nz and click on the ‘Collections’ button to see all 27 issues, and keep an eye on Wellington City Council and Libraries social media channels for some 1980s nostalgia to coincide with the launch.

From the Rare Book Collection: Queen Victoria’s signed copy of her published journals

Only a few British monarchs have ever written books. As a young king, Henry VIII published an attack on the Protestant reformer Martin Luther many years before his own split with the Catholic church.

Eight decades later, James IV of Scotland (later to become James I of the newly formed United Kingdom) wrote a variety of works including an epic poem, a treatise against tobacco and a study of witchcraft and demonology which was later used by William Shakespeare as one of his main sources for Macbeth. However, only one monarch has ever published what essentially is an autobiography during their life; Queen Victoria and her book Leaves from the Journal of Our Life in the Highlands.

Queen Victoria’s book in the library’s Rare Book Collection

Queen Victoria reigned for nearly 64 years following her coronation in 1837.  In 1842 when she was aged 23, she and Prince Albert travelled to Scotland for a holiday shortly after marrying. Their experiences on that trip made a lasting impression on them both and she soon became the first monarch since Charles I to have a home in Scotland. Victoria and Albert returned in 1844 and again three years later. In 1848 Albert acquired a lease on Balmoral Castle and its associated estate of 17,400 acres in the Deeside region, about 80 km west of Aberdeen and then purchased it using his own inherited wealth in 1852. In due course this isolated area was to become Victoria’s spiritual home and she returned there with her family almost every year for the rest of her life. These retreats allowed the royal couple to cast off much of the rigid formality of court protocol and to gain some sense of what it might be like to live a ‘normal’ life. Victoria and her family would roam the hills and explore the wild mountain streams as they chose. Continue reading “From the Rare Book Collection: Queen Victoria’s signed copy of her published journals”