We’ve been watching a wide variety of films & TV shows so here are some of our favourites from last year. Plenty of different genres, so hopefully you will find something to enjoy that you may have missed the first time around.
Blindspot. The complete first season.
A new crime/drama/thriller TV series that focuses on a mysterious tattooed woman dubbed Jane Doe who has lost her memory and possesses unique hand to hand combat skills. She then works with the FBI when they realize her tattoos hold the key to solving certain crimes that take place throughout the series. However the question on everyone’s lips throughout the series, is who is Jane Doe and whose side is she on. I think she is the most mysterious, unique and captivating character I have ever encountered. Just when she learns something new about herself and her identity, and you think you have her figured out, something new always arises and leaves you wondering. This is an amazing series that will have you glued to the screen, that will keep you on the edge from start to finish, with a gripping season finale that will encourage you to watch season two.
Eye in the sky.
A unique and heartbreaking thriller that provides insight into the moral implications and the cost of modern warfare. What should sound like a walk in the park for the military minds in the US and the UK when they together to capture terrorists in Nairobi goes pear shaped when a girl enters the kill zone. This then triggers an international dispute over the implications of modern warfare over whether the girl should be sacrificed to save the lives of many and prevent imminent disaster. This film will leave you crying tears of frustration and agony, as well as hanging in moral knots and pondering over questions such as “Does conscience still figure in modern warfare?”, and perhaps make you think twice about people working in military roles. I was particularly by the late Alan Rickman’s performance, especially during the last scene where he gives a touched by a passionate and moving declaration about what a military man really knows of war, that will also get you thinking. Overall, a fantastic film worth watching!
Billions. Season one.
In this Showtime drama about power politics in the world of New York high finance Damian Lewis is hedge fund king Bobby “Axe” Axelrod, while Paul Giamatti is the shrewd & ruthless U.S. Attorney Chuck Rhoades who is out to bring him down – a task made more complicated by the fact that Rhodes’ wife (Maggie Siff) works for Axelrod’s company as an in-house therapist. Rhodes believes that Axelrod & his Wall Street associates are nothing but criminals who are destroying America and and soon the two alpha-males are on an explosive collision course, with each using all of his considerable smarts, power and influence to outmanoeuvre the other. Fast paced and full of complex shady financial & political dealings and fantastic performances from the three main leads.
Mr. Robot. Season 1.
‘Mr. Robot’ stars Rami Malek as Elliot a socially-awkward cyber-security engineer by day and vigilante hacker by night, who finds himself approached by the enigmatic ‘Mr. Robot’ (Christian Slater), the mysterious head of an underground hacker collective who want to bring down the major corporation that Elliot’s company provides security for. However Elliot is also a very troubled young man with a ‘history’ of breakdowns, is currently undergoing court-mandated therapy, & has recently stopped taking his medication. ‘Mr. Robot’ pushes zeitgeist buttons on everything from wealth inequality, the power & control of corporations, social media, data breaches & hackers in new & interesting ways. The cast is uniformly excellent, especially Malek & Slater.
Occupied. Series 1.
Set in the near future, where a catastrophic hurricane fuelled by climate change, has led to the rise of the Norwegian Green Party into political power. Idealistic Prime Minister Jesper Berg, has plans for thorium-based nuclear energy, and cuts off all fossil fuel production. With the Middle East in turmoil, Europe is suffering an energy crisis, and in retaliation the EU asks Russia to initiate a ‘velvet glove’ invasion of Norway. Russian special forces kidnap Berg, insisting that he submit to EU demands or face a full-scale invasion. What follows is told from the perspective of several characters as the effects of a ‘non-violent’ occupation begin to insidiously colour the lives and undercut the political processes of the Norwegian people.
The night of.
Critically acclaimed HBO drama starring John Turturro and Riz Ahmed. New York student Naz (Ahmed) embarks on a wild night of drugs and sex with a mysterious woman after picking her up in his father’s cab. The next morning he wakes to find her stabbed to death in her bed. With no recollection of the previous night’s events, Naz flees the scene but is quickly brought in by the city’s police and identified as the main suspect for the murder. Scuffling precinct- crawling defence lawyer John Stone (Turturro) finds himself in the right place at the right time to take Naz’s case, and after initially thinking of it as a way to lift his own fortunes, he comes to believe in his clients innocence. Based on the UK series Criminal Justice.
The night manager. The complete series.
British-American television miniseries adaptation of the 1993 novel of the same name by John le Carré, adapted to the present day starring Tom Hiddleston, Hugh Laurie, and Olivia Colman. Hiddleston is the titular ‘Night-Manager’, a loner and former soldier who crosses paths with the beautiful mistress of a powerful man in the Cairo hotel where he works. After she passes some documents to him for safe keeping, he in turn passes them onto a contact in the British Embassy & thus on to British Intelligence. A leak ensues, and blaming himself after she is killed, he drifts through several courtiers, eventually ending up 4 years later in a small hotel in Zurich. One night he learns a guest is coming to stay, an English arms dealer (Laurie) whom he believes was one of the people responsible for the death of the woman years ago. Seeing a chance for revenge he re-instigates a contact at British Intelligence (Coleman) and thus begins a plan to infiltrate Laurie’s organisation.
Iranian master director and activist Jafar Panahi has been banned from making films since 2010. However, he is somehow still doing what he is genius at. In this film, the director himself drives a taxi through the city of Tehran and picks up various passengers, and cleverly turns the taxi into a mirror of Iranian society, social morals and politics. The message implied in the film is powerful and serious but he does it with a droll, playful manner. Ingenious.
In the painting of Edward Hopper’s like milieu, Douglas Sirk-esque gorgeous melodrama unfolds. Adapted from Patricia Highsmith’s The Price of Salt, Todd Haynes weaves an impeccable love story of two women in the 50s. The milieu of the era is exquisitely recreated and every element shapes the film, such as cinematography, art design, wardrobe and music, contribute marvellously to this forbidden but distained encounter. Divine. (Shinji)
This meticulously crafted film is better to be watched on a big screen, but Taiwanese master Hou Hsiao-Hsien’s first wuxia (martial hero) film in his long career is a sublime, breathtakingly beautiful film in which every scene is a work of art. The story is told in ‘read between the lines’ style and it may be a good idea to go into the film with some prior knowledge of the plot. Nevertheless, it’s a bliss. (Shinji)
Our little sister.
With the exquisite tempo and the graceful camera work, Japanese auteur Hirokazu Kore-eda crafts an intimate, slowly savoured family drama about four Japanese sisters, one of whom has been adopted by the other three. One of the most consistent filmmakers of today, Kore-eda offers beautiful tenderness and emotion though successive small moments of everyday life. Maybe everything is too nice and a little soppy, but this ‘sweet and loveliness’ is hard to resist. (Shinji)
Soundbreaking : stories from the cutting edge of recorded music.
This is an 8-part documentary series about the evolution of music production and recording, mainly in the form of interviews with people from the industry – artists, writers, and producers (the unsung heroes!). Fascinating and informative, it tells how various innovations led from one recording method to the next and covers genres from disco to hiphop to rock – a trip down memory lane for us older music lovers and for the younger ones, a real eye-opener, I would imagine. I particularly enjoyed listening to well-known musicians talking about the artists who influenced them.
Outlander. Season two.
The witch: a New-England folktale.