Category: Lists

Staff Pick CDs – Best of 2016

John, Axel & Jonathan weigh in with their favourite library CDs from last year…Lots of different genres here so hopefully a bit of something for everyone, and the possibility of discovering something new from last year that you missed at the time.

John’s Picks
Cover imageThe catastrophist. Tortoise
Featuring characteristically complex, shifting arrangements, not quite jazz and not quite rock, it is a pleasure to hear these precise and playful musos creating such compelling music 20 years into their career.

Cover imageWhy choose. Shopping
This post punk inspired London trio present 12 songs, average length 2.5 mins which, while danceable, have an edgy urgency about them, and dealing with consumerism, confusion and post-modern relationships, as they do, offer a taut, smart and refreshingly familiar take on indie-pop.

Cover imageHuman performance. Parquet Courts
Despite the obvious influences of The Fall and Wire, it’s a relief to know that bands are making smart, spiky slacker rock like this in our troubled post-millennial times and this may well be the perfect soundtrack.

Cover imageBig black coat. Junior Boys
Junior Boys bring the romantic institution of the suave, lovelorn playboy firmly into the 21st Century with their fifth album, which extends their sleek, minimal electro pop onto the dancefloor.

Cover imageIs the is are. Diiv
New York based Diiv have an obvious love for indie rock and make music that has the ability to remind keen listeners of the power, beauty and pure pleasure that the simple line-up of bass, drums and guitars can summon.

Cover imageThe ship. Brian Eno
Brian Eno’s 25th solo release is a strange, captivating and enthralling journey that stands as a highlight of his later career.

Cover imageVoid beats/invocation trex. Cavern of Anti-Matter
Former Stereolab main man, guitarist and synth boffin Tim Gane, and his long term drummer, Joe Dilworth, have a new band, and offer an absorbing journey into a range of contemporary krautrock and experimental compositions.

Cover imageGood luck and do your best/ Gold Panda (new copy arriving soon!)
Electronic producers such as Gold Panda from the UK do a great job of keeping the IDM flag flying and on his fourth album he excels with an off-beat but very catchy work, great for both the dancefloor and the armchair, and that’s no small achievement.

Cover imageLife of pause. Wild Nothing
While the sound of a talented outsider finally getting his turn in a state of the art studio can often take a few listens to get used to, here the effort is rewarded, as lurking within the highly polished arrangements featuring grand pianos, marimbas, backing vocals, and saxophones surrounding Tatum’s plaintive vocals, the songs are as good as ever, they just require a little more perseverance to reveal themselves.

Cover imageA moon shaped pool. Radiohead
Featuring outstanding production, dense and detailed arrangements, electronics, strings, grand pianos and acoustic and electric guitars swirling around Thom Yorke’s vocals that sound better than ever, this is an immersive listening experience capturing a band that has matured yet continues to explore and expand. (more…)

Sound & Vision: New Vinyl

Check out some of these newly catalogued Vinyl in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

National The National
Beatles Live at the Hollywood Bowl
Rolling Stones Blue & lonesome
Leonard Cohen You want it darker
Temple of the Dog Temple of the Dog
Kinks Everybody’s in show-biz

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Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Human League A very British synthesizer group
Chocolate Watchband Melts in your brain… not on your wrist! : the complete recordings 1965-1967
Gillian Welch Boots no. 1 : the official Revival bootleg

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Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Sting – 57th & 9th
Kate Bush – Before the dawn
Public Image Ltd – Album [Super deluxe edition]

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Cars and Transport, recent titles

As well as cars, from the 250F Maserati to Cuba’s and driverless, this time we feature transport to space and around the Earth!

The New Zealand shipping and transport directory 2017.

Untangling the mystery : New Zealand and the 250F Maserati / Terry Collier.
“”International histories of the 250F Maserati, and these continue to be published internationally incorrectly record the events and cars that were actively racing in New Zealand. This history attempts to correct these records for the benefit of New Zealand’s automotive racing history and future records”–Publisher information.” (Syndetics summary)

Syndetics book coverA space traveler’s guide to the Solar System / Mark Thompson.
“Have you ever dreamed of being an astronaut, traveling through the universe on your very own space mission? What would it be like to tour the solar system, visiting the sun and the planets, taking in everything from moons to asteroid belts along the way? What would you see, and how would you feel? What would you eat? How would you navigate and produce fuel? How would you survive?On this epic voyage of discovery, astronomer Mark Thompson takes you on that journey. From how to prepare for take-off and the experience of leaving Earth’s atmosphere, to the reality of living in the confines of a spaceship and the strange sensation of weightlessness, this is an adventure like no other. Suit up, strap in, and enjoy the ride!” (Syndetics summary)

Syndetics book coverBeyond Earth : our path to a new home in the planets / Charles Wohlforth and Amanda R. Hendrix, Ph.D.
“…Beyond Earth does not offer another wide-eyed technology fantasy: instead, it is grounded not only in the human capacity for invention and the appeal of adventure but also in the bureaucratic, political, and scientific realities that present obstacles to space travel–realities that have hampered NASA’s efforts ever since the Challenger disaster. In Beyond Earth, Charles Wohlforth and Amanda R. Hendrix offer groundbreaking research and argue persuasively that not Mars, but Titan–a moon of Saturn with a nitrogen atmosphere, a weather cycle, and an inexhaustible supply of cheap energy, where we will even be able to fly like birds in the minimal gravitational field–offers the most realistic and thrilling prospect of life without support from Earth.” (adapted from Syndetics summary)

Syndetics book coverCuba’s car culture : celebrating the island’s automotive love affair / Tom Cotter and Bill Warner ; foreword by Sir Stirling Moss.
“Before writing his first book, Tom Cotter had long been involved in nearly every end of the automotive and racing industries. From mechanic and auto salesman to heading the public relations department at Charlotte Motor Speedway, Cotter formed his own racing and automotive PR and marketing agency, Cotter Group. The agency represented some of the largest clients in NASCAR, IndyCar/CART, drag racing and road racing.” (from Author Notes & Sketches, Syndetics)

Syndetics book coverHow to Make a Spaceship: A Band of Renegades, an Epic Race, and the Birth of Private Space Flight.
“…Peter Diamandis was the son of hardworking immigrants who wanted their science prodigy to make the family proud and become a doctor. But from the age of eight, when he watched Apollo 11 land on the Moon, his singular goal was to get to space. When he realized NASA was winding down manned space flight, Diamandis set out on one of the great entrepreneurial adventure stories of our time. If the government wouldn’t send him to space, he would create a private space flight industry himself…” (Syndetics summary)

Syndetics book coverThe crash detectives : investigating the world’s most mysterious air disasters / Christine Negroni.
In The Crash Detectives, veteran aviation journalist and air safety investigator Christine Negroni takes us inside crash investigations from the early days of the jet age to the present, including the search for answers about what happened to the missing Malaysia Airlines Flight 370. As Negroni dissects what happened and why, she explores their common themes and, most important, what has been learned from them to make planes safer. Indeed, as Negroni shows, virtually every aspect of modern pilot training, airline operation, and airplane design has been shaped by lessons learned from disaster.” (adapted from Syndetics summary)

Syndetics book coverDrones : teach an Arduino to fly / David McGriffy.
Make: Drones will help the widest possible audience understand how drones work by providing several DIY drone projects based on the world’s most popular robot controller–the Arduino. The information imparted in this book will show Makers how to build better drones and be better drone pilots, and incidentally it will have applications in almost any robotics project. Why Arduino? Makers know Arduinos and their accessories, they are widely available and inexpensive, and there is strong community support. Open source flight-control code is available for Arduino, and flying is the hook that makes it exciting, even magical, for so many people.” (adapted from Syndetics summary)

Syndetics book coverRobots / John Jordan.
“…offers a guided tour of robotics today, describing the components of robots, the complicating factors that make robotics so challenging, and such applications as driverless cars, unmanned warfare, and robots on the assembly line. Robots will be neither our slaves nor our overlords; instead, they are rapidly becoming our close companions, working in partnership with us — whether in a factory, on a highway, or as a prosthetic device. Given these profound changes to human work and life, Jordan argues that robotics is too important to be left solely to roboticists.” (adapted from Syndetics summary)

Syndetics book coverZero to 60 : from a wooden caravan to a multi-millionaire dollar business empire / Tony Quinn with Robert Tighe.
“”On a frosty and clear morning in the small, Central Otago town of Cromwell, 2012, Tony Quinn and his son Klark stood with an iPad at the edge of an expansive basin of scrub and grass sketching the curves, corners and chicanes of an imaginary race-track. Less than 18 months later, Cromwell was abuzz at the inaugural Highlands 101, with visitors from all over Australasia flocking to Highlands Motorsport Park for the opening of the new 25-million-dollar racing circuit. To some people, building a racetrack in the middle of nowhere might have seemed like an impossible dream, but not to Tony Quinn.”” (adapted from Syndetics summary)
“This is a laugh-out-loud and fast-paced story of a man who started out with nothing, made his fortune from pet food and is now set to reshape the motorsport industry in New Zealand” (Book jacket)

Syndetics book cover1001 bicycles to dream of riding / general editor, Guy Kesteven ; foreword by Chris Boardman.
“Lavishly illustrated, comprehensive, and authoritative, this guide to the 1,001 most important and groundbreaking bicycles is the perfect book for cycling enthusiasts and bike experts alike. 1001 Bicycles to Dream of Riding celebrates the designs and individual stories behind the world’s most influential and high-profile models from every discipline, including mountain and road biking as well as BMX and track racing.” (adapted from Syndetics summary)

Staff Pick DVDs – Dec/Jan….

Some staff DVD picks to round out the year- an acclaimed HBO drama, Italian comedy, Japanese animation, German horror, and an in depth examination of the Cimemax oeuvre. We will be back early next year with the picks of our favourite DVDs of 2016.

Cover imageThe night of.
Critically acclaimed HBO drama starring John Turturro and Riz Ahmed. New York student Naz (Ahmed) embarks on a wild night of drugs and sex with a mysterious woman after picking her up in his father’s cab. The next morning he wakes to find her stabbed to death in her bed. With no recollection of the previous night’s events, Naz flees the scene but is quickly brought in by the city’s police and identified as the main suspect for the murder. Scuffling precinct- crawling defence lawyer John Stone (Turturro) finds himself in the right place at the right time to take Naz’s case, and after initially thinking of it as a way to lift his own fortunes, he comes to believe in his clients innocence. Based on the UK series Criminal Justice, it had initially been a passion project of James Gandolfini, who was to play the part of lawyer Jack Stone before his untimely death. However Turturro steps up instead and delivers a knockout performance. Scripted by novelist Richard Price, it succeeds on every level. Recommended. (Mark)

Cover imageOur kind of traitor.
A civilian couple (Ewan McGregor & Naomie Harris) on vacation in Marrakesh to work on their marriage befriend a flamboyant and charismatic Russian named Dima (Stellan Skarsgard), who, unbeknownst to them, is a financial wizard/money launderer for the Russian mafia. When Dima confides to his new friends that he plans to escape from the mob, they agree to be the go-between for him with MI6. He promises the accounts and names of prominent British Politicians receiving bribes to open a new London based bank that will be a front for Russian Mob money, in exchange for asylum for himself and his family. But with MI6 officer Damien Lewis running an operation unsanctioned & opposed by his political bosses, how can they get Dima and his family out? While it perhaps lacks the gravitas of The Constant Gardener, or A Most Wanted Man, this is a solid adaptation of the John Le Carré novel from 2010. McGregor & Harris are good as the ordinary couple, Skarsgard chews scenery as the larger than life Dima, and Damien Lewis is excellent as the clinical upper-crust MI6 agent. Definitely worth a watch. Perhaps the main issue it has, is that it had the misfortune to be made/released around the same time as the excellent The Night Manager, which showed just how much Le Carre’s tales benefit from a longer running time and a more detailed approach. (Mark)

Cover imageMy Mother = Mia madre.
Margherita is a renowned film director but struggling to complete her latest film. She’s broken up with her partner and doesn’t have the slightest idea what her daughter has been up to. Her life is in tatters, and furthermore and most importantly, her beloved mother is dying. Italy’s leading film maker Nanni Moretti (The Son’s Room, We have a Pope)’s new film is about facing mortality. The theme is naturally sombre but Moretti, who is one of the unique auteurs of today, shows his flair of comedy and ingenious skill to make it a tender, charming family drama. It’s a perfectly constructed film in which every detail is in the right order, and has a beautiful balance of melodrama and comedy. Before we know it, we share the story rather than watching it. After all, we are all someone’s children. (Shinji)

Cover imageGoodnight mommy.
Eerie German ‘horror’ film sees 9 year old twins Lukas & Elias living in an idyllic isolated summer cottage waiting for their Mother to return from having plastic surgery. When she returns her face is covered in bandages, and slowly little things emerge about her seem that seem off. Gradually their suspicions increase… Is that really their mother under the bandages? Some have criticised that the twist is telegraphed far too early & easy to guess. Maybe so, but the film isn’t really about the twist, it’s about the insular nature of the world of ‘childhood’ , the slow build of tension & atmosphere. More for those who are into the new ‘wave’ of non-slasher horror films as represented by films like It Follows, Babadook & Under The Skin. (Mark)

Cover imageGreen room.
Down-on-their-luck punk rockers ‘The Ain’t Rights’ agree to a last-minute gig in a backwoods Oregon roadhouse. The gig soon takes a sinister turn as the band members stumble upon a grisly murder scene and find themselves trapped in the Roadhouse, targeted by a ruthless club owner and his associates, determined to eliminate all witnesses. Effective indie thriller sees the talented Anton Yelchin in one of his final roles, and a nasty turn from Patrick Stewart as the leader of a bunch of Neo-Nazi’s. Makes the most of its claustrophobic setting. Definitely worth a watch. (Mark)

Cover imageThe tale of the Princess Kaguya.
Watching at home last week, I found ‘The Tale of the Princess Kaguya’ to be an absolute revelation. The film retells one of the earliest recorded Japanese folk-tales, a story of love and obligation which plays out between humans and the denizens of other realms. It blends the fantastic with the everyday, and handles both with deftness and great emotional charge. Coming from the famous Ghibli studios, its elegant design and thoughtful storytelling are a cut above even its famous stable-mates; the animation style is particularly striking, drawing on traditional modes of brush painting and contemporary digital techniques to produce some startlingly expressionistic and charged moments. The sound design is likewise exceptional, building an elegiac mood of dreamlike fantasy around the film’s stunning images. I have rarely been more moved by any film than by ‘The Tale of the Princess Kaguya’, which manages to draw memorable moments of great lightness, sublimity and humour, and weighty human realities, into one perfectly formed whole. Due to the film’s length, I wouldn’t recommend it for the smallest people, but it’s excellent for the thoughtful older child who loves a strong story, as well as adults of all ages. (Alex)

Currently riding high with the success of the adaptation of Max Allan Collins’ gritty Quarry crime novels which is getting favourable comparisons to the first season of True Detective, the following reviews are a look at the guilty pleasure of some of Cinemax’s (or ‘Skinemax’ as it is better known) attempts at legitimate TV programming…
CoverimageHunted.[Series one].
Melissa George helms this Spy drama, created by X-Files alumni Frank Spotnitz, a joint production between the BBC & Cinemax. George plays Sam Hunter an operative for a private Intelligence/Security firm called ‘Byzantium’, who is ambushed after a rescue operation in Tangiers. Barely managing to survive she recuperates for a year in secret before returning to Byzantium, where her new assignment is to infiltrate the family of a wealthy British criminal who has leveraged his entire fortune into winning the bid on a Dam construction project in Upper Khyber. Paralleling this, Sam attempts to uncover which of her Byzantium colleagues was behind her assassination attempt, and why it seems to tie into a traumatic incident from her childhood. At only 8 episodes this slick spy show throws in a lot of plot, sometimes becoming overly convoluted, and most of the secondary characters don’t make much impact. However it’s entertaining enough if you’re looking for a post-Spooks spy fix with plenty of action. Dropped by the BBC after this series.

Cover imageStrike back. Cinemax season one.
Two things are clear from then first moments of Cinemax’s ‘Strike Back’ Season 1. The first is that it has incredibly high production values, and the second is that it has almost zero intellectual content. The Cinemax series is technically Season 2 of this show, as it was originally a BBC Sky 2010 UK mini-series entitled Chris Ryan’s Strike Back (Reviewed here) which starred Richard Armitage in the lead role as John Porter, a member of Section 20 a secretive branch of the British Defence Intelligence service. Supposedly envisioned as a continuing role, that idea came to an end when Armitage left to work on the Hobbit movies. However American channel Cinemax decided to continue the series, rebooting it as a joint US/UK production with two new leads, Philip Winchester (an American playing a Brit) & Sullivan Stapleton (an Australian playing an American – who would later turn up as the lead in Blindspot). When Porter is kidnapped & killed by mysterious Pakistani terrorist Latif, who is masterminding a upcoming terror plot, Michael Stonebridge (Winchester) is tasked to find dishonourably discharged Delta Force operative Damian Scott (Stapleton), who is the only other person who can positively identify Latif. Scott is soon recruited into Section 20, and the five stories (10 episodes) are essentially stand alone, but all connected by the unifying search to find Latif. Sort of 24 minus the moral questions & hand-wringing, and with more gun fights & gratuitous sex scenes. Strike back would go on for 3 more Cinemax seasons: Cinemax Season Two, Cinemax Season Three & Cinemax Season Four before wrapping up.

Cover imageBanshee. The complete first season.
Of the Cinemax series’ before Quarry ‘Banshee’ was the most critically & commercially successful. Created by writer Jonathan Tropper & produced by Alan Ball (creator/EP of True Blood) ‘Banshee’ is, if anything, more lurid and violent than ‘Strike Back’. It begins with a thief (Kiwi Antony Starr) just released from jail after serving fifteen years of hard time. He persuades his foul mouthed drag queen/computer expert friend (a hilarious Hoon Lee) to track down his ex-flame and partner-in-crime Anna (Ivana Milicevic), and the diamonds she got away with. Arriving in a crooked Pennsylvania town called Banshee he soon finds her living under an assumed name and married with 2 children, one of which could be his. Seeking solace in a bar on the outskirts of town he and bartender and ex-con Sugar (Frankie Faison) witness the brutal death of Banshee’s incoming sheriff Lucas Hood, whom no one in town knows. He then decides, while burying the body, that assuming Hood’s identify is this best way to disappear off the grid and stay near his ex-girlfriend [No spoilers, as this all takes place within the first 30 minutes]. This pretty much sets the tone for the rest of the show: in that it’s somewhat preposterous, but also addictive & incredibly intense. Each episodes is stuffed full of action, with brutally realistic fight scenes, gratuitous sex and intense character interactions. The arrival of ‘Hood’ causes decidedly mixed feelings in Milicevic’s Anna (now married to the local D.A) in that she still harbours feelings for him but is scared his presence will cause the mysterious Mr. Rabbit, the Ukrainian mob boss whose diamonds they stole, to find her. In turn Hood finds that the corrupt town, controlled by Amish overlord Kai Proctor (Ulrich Thomsen) is the perfect vehicle to dilute his barely contained anger, and proceeds to dispense some distinctly non-by-the-book Policing. Starr is excellent as Hood, his wounded countenance the perfect balance to the American Gothic hardboiled noir of the story. The hidden secrets, relationships, shifting alliances between the characters, Hoods Deputies, the local Indian Tribe, the Amish community & criminal factions all provide enough backdrop & character arcs for Banshee Season Two, Three & Four.
For more Cinemax see also The Knick Season 1 & Season 2, and the upcoming release of Robert Kirkman’s Outcast. (Mark)

Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Metallica Hardwired… to self-destruct
Jean Michel Jarre Electronica 1 : the time machine
Alicia Keys Here
Margaret Glaspy Emotions and math
Frank Zappa The lumpy money project/object
Neil Young Peace trail
Miles Davis Freedom jazz dance
Keith Jarrett A multitude of angels
Bill Evans Some other time : the lost session from the Black Forest

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Staff Pick CDs for the holiday season

Some new CD picks from our staff. Plenty of different genres, and lots of local music, to give you something new to explore over the holiday season. We will be back in January next year with a roundup of our favourite music from 2016.

Cover imageC87.
On the cover notes to this three disc set, NME’s Neil Taylor confesses that he always wished that NME had done a follow up to the wildly popular C86 cassette that helped spawn an entire future genre. This lovingly compiled collection represents that compilation that never was, assembling 74 tracks from as many bands, some of whom, such as the Shamen and PWEI, went on to greater things, but most of whom never made it past a couple of singles. In 1987, at the tail end of Post-punk, before Britpop, before Baggy and before the term ‘indie’ went mainstream, there was a fervent underground scene in the UK comprised of disaffected young musicians armed with guitars, drums and songs of love and naïve aspiration and this collection captures that time perfectly. (John)

Cover imageRadio gnome invisible trilogy.
Australian poet, muso and visionary, Daevid Allen, passed over to that great teapot in the sky last year leaving behind an intriguing and inspiring body of work. A key member of the original Soft Machine, he formed Gong with local French musicians after becoming stranded in France in 1967. They quickly gained a reputation for their highly original sound and commune based lifestyle. Daevid Allen was committed to keeping the playful aspects of the ‘60’s alive through the ever more serious ‘70’s, and this trilogy of Gong albums, originally released in 1970-71 and now available as a 4-disc box set, fully capture that playful spirit. Featuring the Pot Head Pixies who run a telepathic pirate radio station broadcasting from a flying teapot, it would be easy to dismiss these albums as whimsical novelty records, but these highly accomplished musicians, who mix up everything from free jazz, rock, pop, prog and electronics through cabaret and poetry to full blown psychedelic trance, create a bewildering and seductive sound that is quite unlike anything before or since. (John)

Cover imageGive up on your health.
Teeth & Tongue is the moniker of Melbourne based, Wellington raised songwriter and musician Jess Cornelius. Her family moved to Wellington when she was 11, and music was the one constant, her parent’s record collection played a huge role in fuelling her desire to make music. She entered a couple of local “battle of the bands” comps while at school, but it wasn’t until a move to Melbourne at 19 that she fully tapped into her musical potential. 2008 debut record Monobasic received critical acclaim from Australian media, and her 3rd album Grids led to three The Age Music Victoria Award nominations, for Best Band, Best Album and Best Female Artist. Latest album ‘Give up on your health’ is a swirl of Giorgio Moroder 80s synths, but underneath the fantastic production is a set of serious songs that focus on fracturing relationships, isolation, and past regrets. Electro-pop tends to veer towards cool beats, hip choruses and emotional detachment, but Cornelius and her backing band plunder the digital sounds to record the messy analogue organics of real human interaction. (Mark)

Cover imageThe last panthers.
UK electronic artist, Chris Clark, has become one of Warp Records leading electronic producers, alongside Aphex Twin, Autechre and Plaid. A fiercely creative artist, each of his seven albums since 2001 have displayed a clear musical development, while fine tuning his excellent production skills. His latest project is a fully ambient work, being the soundtrack to the moody UK crime mini-series – The Last Panthers. The sound designs he creates, using piano, strings and electronics are suitably sparse and foreboding, yet possess a strange beauty, complementing the film perfectly. For this CD Clark teased out and reworked the incidental soundtrack music into complete tracks for a stand-alone album and has created an excellent immersive ambient experience. (John)

Cover imageLevitate.
Young UK producer Matt Cutler, aka Lone, is representative of a new generation of electronic producers who have grown up on dance music and ‘Levitate’ is his seventh album in as many years. His last two releases, 2014’s Reality Testing and 2012’s Galaxy Garden received high critical praise and here he shifts focus slightly, paying tribute to the early ‘90’s rave scene, exploring a breaks based sound to drive his subtle and intelligent take on dance. His distinctive ambient flourishes and synth pads and patches are still evident alongside classic ‘90’s snare rolls which combine to create 33 mins of beautifully produced uplifting electronica. (John)

Cover imageGolden sings that have been sung.
He has only two albums under his belt but Ryley Walker has already gained quite a reputation as a singer and a guitarist. His jazzy folk sound, based around his acoustic guitar- playing and characteristic voice, reminds us of Tim Buckley and John Martyn, and with this third album, produced by former Wilco’s Leroy Bach, he made great stride. Walker was born in Illinois but began his career in Chicago playing everything from punk to experimental music, and takes the sonic milieu of Chicago’s post rock band, such as Gastr Del Sol, Isotope 217 and Tortoise, into his music, which makes his music very unique. Showing tremendous confidence and originality, this could be his first masterpiece. (Shinji)

Cover imageSummer 08.
The fifth Metronomy album finds the project reverting back to the solo venture of UK synth obsessive Joe Mount’s debut album. Using old skool drum machines, post acid house synths and irresistibly funky bass lines to accompany his ironic hipster lyrics, Mount creates a cool seductive electro funk pop that sits comfortably alongside other left of centre UK funksters like Hot Chip and Fujiya and Miyagi. Sounding at times like a white, post millennial version of Prince, the earnestness of the songs, the quality of the production and the sheer confidence of delivery serve to frame the retro influences as homage to rather than imitation of music that recaptures the fun of dancing. (John)

Cover imageHeads up.
The third album from the LA based female quartet finds them further exploring their downtempo art-rock, influenced this time around, in the bands own words, by artists like Q-Tip, Erykah Badu, OutKast, and Kendrick Lamar. The result is moody, atmospheric, densely layered post rock that features their distinctive sound loosely presented within the bruised modern pop idiom of bands like the XX. With surprising grooves lurking beneath the reverb drenched harmonies and distorted guitars and electronics, the sound of Warpaint is tight and confident as they successfully incorporate several styles into an original sound that rewards deeper listening. (John)

Cover imageHumid nights.
Great new album from Eva Prowse, that forsakes the violin country/folk of her first album I can’t Keep Secrets and jumps right into the electro-pop world of bubbly midi’s, bouncy pop tunes, and fond musical memories of growing up in the 80s. She first explored this territory in 2013 with Henry Marks as the duo ‘H & Eva’ and the EP Crazy Eyes but this time it’s her voice & songs that are at the forefront, and that EP now sounds like a tentative stab in a new direction that is now fully formed with ‘Humid Nights’. Sits comfortably alongside any of the many international artist’s working within this retro synthy sound. Definitely one of the best ‘Wellington Releases of the year. (Mark)

Cover imageEmerson, Lake & Palmer.
This double disc version of the first album from the ‘supergroup’ formed in 1970 that unfairly gets blamed for all the excesses of prog rock , features a remastered original and an ‘alternate’ mix by Steven Wilson. With Keith Emerson’s recent death it only seems fair that his works become fairly appraised and this stands up well. The sounds he created with the moog synthesiser were state of the art at the time and still impress, his classically trained piano playing is beautiful and, backed by the very sharp rhythm section of Greg Lake on bass and vocals and Carl Palmer on drums, this is a great snapshot of an exciting time in music when musicians were actively tearing down genre barriers. (John)

Cover imageCheetah EP.
Richard James, aka Aphex Twin, continues his return after a ten year hiatus with a 7 track ep, made with, and named after, one of his favourite instruments – the Cheetah MS800 Synthesiser, that has been described as “one of the most unfathomable instruments ever made.”. Following the experimental Computer Controlled Acoustic Instruments Pt2 EP and the frenetic Orphaned Deejay Selek (2006-2008) EP , yet another facet of this prolific electronic producer is featured here – the tunes being relatively slow paced, the beats simple and the sounds surprisingly warm and user friendly. Throughout these instrumental pieces his exploration into rich timbres and woozy frequencies creates pretty much perfect electronic listening music. (John)

Cover imageEast west moon / Jonathan Crayford, Ben Street, Dan Weiss.
The previous album Dark Light (2014) was a fantastic achievement by the jazz pianist Jonathan Crayford who was born and raised in Wellington. Teaming up once again with New York’s top-notch rhythm section; Ben Street (Bass) and Dan Weiss (drums), he presents another stellar album. Like its predecessor, all music is composed by Crayford, and the trio seems to dig deeper and evolve larger artistically. It’s a melancholic, akin to ECM, ambient jazz, and the shadow of the likes of Bill Evans and Bobo Stenson is evident, but Crayford seems to just stay true to himself. There is no showing off here. He simply crafts his music from his heart and this dark lyricism is something rare. Exquisite. (Shinji)

Cover imageVarmints.
The looped brass fanfare that begins this CD is a fitting introduction to this strikingly original work by Scottish composer Anna Meredith which finds her entering the world of pop and electronica after 20 years in the classical world. Using acoustic instruments, electronics, guitars, drums and vocals she moves through a range of styles from indie pop to gorgeous strings based instrumentals to sweet electro pop to wildly deranged sequencer driven grooves. Her classical commissions have included making music inspired by MRI scanners and performing body percussion pieces at the BBC Proms and ‘Varmints’, her first attempt at contemporary popular music is, while like nothing you have ever heard before, quite accessible and oddly satisfying. (John)

Cover imageLa araña es la vida.
Those lucky enough to have seen this band play in Wellington recently will need no convincing to check out the latest release from Kid Congo Powers, who is, arguably, the coolest dude on the planet. Veteran guitarist of legendary bands, The Cramps, The Gun Club and The Bad Seeds, Kid Congo now tours the world keeping the lo-fi, trashy surf guitar, garage rock, Chicano punk flag flying. On the fifth album with his latest band, The Pink Monkeybirds, they have really hit their stride, incorporating electronics alongside the reverb drenched guitars and primal drums to deliver a wildly varied raucous, joyous noise that has to be played loud to be really appreciated. (John)

Cover imageThe 11th sky.
Just when you think Electric Wire Hustle can’t get any better they (or rather Mara TK, the last man left of the original three piece band) up their game yet again. His fantastic voice sits comfortably in that late period Marvin Gaye/Leon Ware pocket, but the sound of ‘The 11th Sky’ is harder and fuller. Moving away from the patented psychedelic Neo-soul of the last 2 albums they move into a sonic realm of darker, heavier, beats that envelop Mara TK’s analogies to Maori mythology, and metaphysical concerns on the pressures of money, love and expectations that weigh down peoples journey towards a better place within themselves. A real sense of searching for meaning pervades the album, and the benefits of being a one man band include the freedom to add whatever you want into the final mix, such as a harpist on ‘Golden Ladder’, lovely strings on ‘I Light A Candle’, and vocalist Deva Mahal (the sister of Ahmed Mahal aka. Imon Star of Olmecha Supreme, who is now based in New York) on ‘March’. (Mark)

Cover imageXiu Xiu plays the music of Twin peaks.
In 2015 Californian experimental noise group Xiu Xiu were invited by The Queensland Gallery of Modern Art to perform a series of Twin Peaks soundtrack covers for a David Lynch exhibition. The marriage of Xiu Xiu’s experimental sound with original composer Angelo Badalamenti’s unsettlingly surreal noir soundtrack works perfectly, bringing an uber contemporary slant to a now classic suite of music. The arrangements incorporate the feel of the originals and actually manage to enhance them using ambient industrial noise, xylophone, guitar pulses, synths and keyboards to not merely create a darkly surreal and engaging homage, but, paradoxically, also a strikingly original work. (John)

Cover imageI, Gemini.
There’s no need for UK duo ‘Let’s Eat Grandma’ to put on sweet little girl vocals because these two 17 year olds really are not much more than sweet little girls! Playing all instruments, including saxophone, glockenspiel, synthesisers, bass, ukelele and keyboards, they weave sweet harmonies around their dark, fragmented hallucinatory songs that can be sickeningly sweet and disarmingly dissonant at the same time. Sounding a bit like Bjork’s gothic love children, they have been described as ‘somewhere in between the child-like innocence of Hansel and Gretel and the spectral qualities of the twins from The Shining’ but despite their youth these teenagers have created a unique take on electro pop that is unusual and occasionally bewildering – they even rap on one track. An interview and video can be found here. (John)

Cover imageFrom patterns to details.
The second album from Wellington electronic producer Oliver Peryman, aka Fis, has been released worldwide on Bristol label, Subtext. Inspired by the organic patterns that occur in nature, Peryman explores a similar textural soundworld to artists such as Tim Hecker and Ben Frost, who, although not using beats, create dramatic and, at times, unsettling music that cannot be described as ambient, demanding the listener’s full attention. With little room for melody and at times a difficult listen that could be compared to sharing the room with a wild animal, this is nevertheless an impressive work of powerful and visceral electronic sound production. (John)

Cover imageSoft Hair.
‘Soft Hair’ is the self-titled collaboration (long in the making apparently) of Connan Mockasin and Sam Dust (La Priest, Late of the Pier), with the album cover making a pretty good motif for the music within. If Prince’s early 80s backing band crashed on a deserted island populated by decadent, slinky, long haired natives who liked to get down & dirty, this is the kind of music that would probably result. Proto-Indian rhythms, cheesy synths, burbling electronic noodling, pervy lyrics. Is it all a knowing pastiche? A sly nod at the homo-erotica of tough guy rock bands? It’s hard to tell if they’re serious about any of it, from the sometimes deliberately creepy lyrics to the 80s PC game music, but that doesn’t mean there isn’t a hell of a lot of fun to be had in listening to all the weirdness. Hailed as part of a wave of New-Bromantic bands. (Mark)

Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Bruno Mars XXIVk magic
Tribe Called Quest We got it from here… thank you 4 your service
Jethro Tull Stand up : the elevated edition

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Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

C Duncan The midnight sun
Rumer This girl’s in love : a Bacharach & David songbook
Radio Dept Running out of love

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