Tag: Waitohi Hub

NZMM Reviews: Part 1 – Wellington Vinyl

Mark

A lot of bands choose vinyl now as the sole ‘physical’ format for an album release. For New Zealand Music Month, we checked out some recent vinyl exclusives for Wellington artists that we have added to the collection over the last year or so.

New Zealand Music Month logo - May 2023

Jazz from the underground nightclubs of Aotearoa. Vol. 5 / Devils Gate Outfit
Mark: An improvisational jazz collective comprised of some of Wellington’s most well known experimental music figures (Anthony Donaldson, Steve Roche, Daniel Beban, Cory Champion etc). Recorded at Meow in 2021, it was nominated for 2022 Jazz Album of the Year at the NZMA. Full of improvisations that take their cue from Wellington’s rugged coastal landscape with sonic textures resembling bird life, cascading crashing streams, and conflicting, driving, waves and winds.
Neil: This is volume five of a series of Aotearoa jazz albums by the Devils Gate Outfit. This live release from Wellington’s very own Meow venue features some of Wellington’s best improvisational jazz musicians. The music has the feel of the 70’s experimental jazz albums of that time, rugged with lots of sonic explorations, deep grooves and tonal changes.

Saturn return / Soft Plastics
Mark: ‘My World/Your Girl’ was a epic slice of Twin Peaks styled dream-pop/shoegaze balladry from 2020, and now leads off Soft Plastics’ debut album 3 years later. The layered, reverby, billowing guitar lines perfectly wrap around Sophie Scott-Maunder beautiful voice, but the band also pulls in traces of new-wave, punk and surf rock, all refracted through a modern lens. As good as anyone internationally mining this genre.
Neil: Soft Plastics are one of the most hotly tipped NZ bands of recent years, already internationally acclaimed. The music is perfectly formed. Fuzzy, shoegaze indie-rock with dark atmospheric, gothic, lyrical content.

+ Other colours / Wallace
Mark: ‘Future-soul’ singer Wallace, previously based in Sydney, returned to Wellington for the release of her debut album ‘+ Other Colours’, following on from her 2017 EP Pole to Pole. Tipped by industry insiders as NZs next big international music star. Slinky beats and a series of eclectic styles meld a visual and emotional sense of personal experiences grief and vulnerabilities. pair this with feminist themes and nostalgic dance-bop groves, you get an album that channels a smooth late night club vibe, where the past meets the future.

Being alone / Wiri Donna
Mark: Wiri Donna began as the indie-folk alter-ego of SOG’s Bianca Bailey, before becoming a fully fledged band. Lo-fi, jangly indie-pop meets heavier melodic guitars, and touches of cello and violin. Confessional, and sometimes confrontational, the songs focus on finding strength in independence and self-honesty, and navigating a male-dominated world.
Neil: Wiri Donna’s independently released EP is a work that amply demonstrates the quality of current NZ musicians’ output and the state of music scene in NZ. It’s really well produced, doesn’t have a weak track from beginning to end, and showcases her strong voice and her emphatic energetic riff rock vibe, resplendent with summery sweet tones and very personal lyrics. In decades past it would have attracted major record label interest, but these days this sort of corporate interest doesn’t seem necessary.

Big fresh / Richter City Rebels
Mark: Richter City Rebels return with ‘Big Fresh’, another unique mix of jazzy big band grooves, squalling brass, funky reggae dance rhythms, soulful vocals, and rap breaks. Raw Deezy, Chris CK, Moira Jean are on vocal duties, along with Troy Kingi on top track ‘Through My Venetians’. The propulsive energy of the music probably better translates in a live context rather than a studio one, but great music to put on to get your party night started.
Neil: The Richter City Rebels’ music is a soulful and heavy blend of funk, RnB, jazz and hip-hop, held together by a torrent of vibrant brass and pounding bass. This is a good album and gives you a feel for what they are like, but their live performances are totally knock-out and the album doesn’t quite catch the lightning in the bottle of their exhilarating live shows.

Goodnight My Darling / Goodnight My Darling
Mark: The music project of Maxine Macaulay. One of the first graduates from Massey University’s Bachelor of Commercial Music, she shifted from electronic music to a more full band indie-pop sound, and wrote the material for her self-titled debut during a seven month lockdown in Berlin, early 2021. Lovely, reflective, lilting, soft-pop with elements of shoegaze. Introspective and haunting, themes include love and loss and integrating life’s experiences. She described the lush tracks as representing ‘an evolution of self…’.
Neil: A perfectly executed album of laid back and chilled out indie-rock, with elements of shoegaze and even very occasionally psychedelia. Maxine Macaulay’s voice soars in a crystal-clear fashion hovering over the music. A very fine album, and a band to keep an eye on.

No drama / Hans Pucket
Mark: The sophomore LP from Wellington’s indie stalwarts Hans Pucket. Melodic, literate, cleverly written indie rock, it functions as a sort of a concept album about modern twenty-something anxiety. Meeting new people, nervous talking, the pressures of socializing, looking back a the past while trying to find a future. Catchy, dancey tracks, feature everything from strings and guitars, to synths and horns.

Journey to freedom / Welch, Devon
Mark: Recent vinyl reissue of Kapiti musician Devon Welch’s 2021 debut. A multi-instrumentalist, he blends a funk infused feel with elements of reggae, hip hop and soul in this series of instrumentals and vocal tracks. Plenty of tasty guitar lines frame that smokey, laid-back, soulful sound that seems to permeate music from the Kapiti Coast. It must be something in the air up there…

Dreaming of the future again / Womb
Mark: The sophomore album from Womb is another slice of beautiful, warm, ethereal dreamy pop, full of layered strings and gentle melancholy. The immediate reverby sound of the album gives it an intimate ‘live in the studio’ feel. The beautiful vocals wash over you, but there’s a muscular tension at play beneath all the smooth dreaminess, a restrained intensity that underpins all the tracks.

Solar eclipse / Clear Path Ensemble
Mark: More jazz from Clear Path Ensemble, which is the jazz project of Cory Champion, who makes electronic music as Borrowed cs. ‘Solar Eclipse’ follows on from 2020s self-titled debut, and contributors include Daniel Hayles, Johnny Lawrence, Michelle Velvin and Ruby Solly, among others. Fully integrated electronics frame an atmospheric melodic groove fest that takes its launch off point from classic 70s fusion & ECM noodling. The jam-like pieces incorporate elements of ambient, experimental, house and funk, synthy hooks and moody soundscapes that all merge into a retro cosmic journey.

Break / Fazerdaze
Mark: Last year Fazerdaze (AKA Amelia Murray) returned with her first new music in 5 years. Burnt out after the success and touring following Morningside, writer’s block, anxiety, and the break up of a long-term relationship; she embarked on a long period of self-realisation and rediscovery. Returning to music with a new found freedom, she eschews a lot of the dreamy, fuzzy pop associated with previous work and delivers an EP of edgier tracks with bigger riffs and samples; it’s full of uncertainty and tension, but still distinctly melodic.

Wax///wane / Johnson, Lucien
Mark: The sound of critically acclaimed local saxophonist Lucien Johnson is a thread that weaves through many Wellington and international albums and projects. His sophomore album, inspired by the lunar cycles of the Southern hemisphere, has a lovely drifty feel. His shimmering saxophone lines are surrounded by the cascading, dreamy tones of vibraphonist John Bell and harpist Michelle Velvin. Searching in places, but always centred, this is a powerful take on the ‘spiritual jazz’ genre that easily stand alongside anything that has come before.

The blessed ghost / Voodoo Bloo
Mark: The sophomore album from this local post-punk outfit, helmed by Rory McDonald who gained a lot of attention with previous band Lucifer Gunne. Debut album, Jacobus, was a deeply personal reaction to the passing of a close friend, and while ‘The blessed ghost’ is less specific, it’s no less intense, presenting the cathartic journey of its fictional narrator. His voice really is massive, easily navigating between power and fragility, as the emotional tones of the album shift in turn with the various styles on display from post-punk, to indie and pop elements.

Hang low / Dawson, Elliott
Mark: The debut album from Doons lead singer Elliott Dawson. Full of programming, weird drums and grooves that the songs are shaped around, rather than the other way round. ‘CEO’ channels UK post-punk art-rock, with it’s squalling saxophones and in-your-face lyrics, but the rest of the album has a more considered, almost cinematic vibe, set to an often jarring mix of heavy sounds with smooth laid back jazz vibes. The juxtaposition of the pretty with the abrasive frames a series of character sketches that seem to revolve around the breaking of personal cycles of one sort or another.

Orbit I / Recitals
Mark: Recitals are a local 7 piece ‘supergroup’, consisting of members from the bands Fruit Juice Parade, Yukon Era, Soda Boyz, and Courtney Hate. Formerly known as Prison Choir, they released their debut single, ‘Tongue’, in 2020, and their debut album ‘Orbit I’ dropped last year. Vocals are mixed with unusual instrumentation – trumpet features prominently, as does cello – giving the album a unique sprawling feel. With the juxtaposition of heavy alt-rock indie elements, ethereal folk-pop, and new London jazz stylings; it pulls all the musical influences of the band together, delivering something different with its fusion of the chaotic and the calming.

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South Asian Voices: Diwali celebration at Johnsonville Library

Neil

To celebrate Diwali, Wellington City Libraries and The Cuba Press have brought together some of Aotearoa’s finest award-winning writers to talk about their work.

The second of two events will be held at Waitohi Johnsonville Library, Thursday 27 October from 5.30–7pm. The event is free but capacity is limited, you can save your spot by registering through Eventbrite here. The first event in this series will happen at Newtown Library with a slightly different line-up, you can find information about that event here.

Brannavan Gnanalingam – (Winner Best Novel prize at the Ngaio Marsh Awards and shortlisted for the 2021 Ockham New Zealand Book Awards.) Brannavan Gnanalingam is also a lawyer and the author of seven novels, three of which have been listed for the Ockham NZ Book Awards. His latest novel is Slow Down, You’re Here.

Rajorshi Chakraborti – Rajorshi Chakraborti was born in Kolkata and grew up there and in Mumbai, and now lives in Wellington with his family. He has published six novels and a collection of short fiction – The Man Who Would Not See was longlisted for the Ockham NZ Book Awards and his latest novel is Shakti.

Sudha Rao – Sudha Rao was originally from South India before migrating to New Zealand. She trained in classical South Indian dance and established Dance Aotearoa New Zealand. Sudha participated in the International Bengaluru Poetry Festival in 2019 and her first collection of poems On Elephant’s Shoulders was published this year.

romesh dissanayake – romesh dissanayake is a chef, poet, writer and artist from Korea, Kazakhstan, and Sri Lanka. He is currently working on his first novel as part of an MA at the International Institute of Modern Letters.

Rupa Maitra – Rupa Maitra is a fiction writer born in New Zealand to Bengali parents. Her book of short stories, Prophecies, was published in 2019.

Ronia Ibrahim – Ronia Ibrahim is a writer and multi-disciplinary artist of Bengali–Taiwanese heritage. Her poetry and non-fiction have featured on Starling, Pantograph Punch and Newsroom, while her first play, The Colours of Our Katha, had a script reading produced by Proudly Asian Theatre.

All these authors have very different voices, with very different things to say about language, home and belonging. All are of the highest calibre, many of whom are already multi-award winning authors, and so this event this bound to be entertaining, stimulating and a fabulous way to celebrate Diwali.

This event is run in conjunction with Cuba Press. For more information about Cuba Press  click HERE. 

 

 

Slow down, you’re here / Gnanalingam, Brannavan
“Kavita is stuck in a dead-end marriage, and is juggling parenting two small kids while also being the family’s main breadwinner. When an old flame offers a week away in Waiheke, she agonises but decides to accept. When she steps onto the ferry she knows she has left her family behind – but she’s not sure for how long.” (Adapted from Catalogue)

 

Sprigs / Gnanalingam, Brannavan
“It is Saturday afternoon and two boys’ schools are locked in battle for college rugby supremacy. Priya – a fifteen year old who barely belongs – watches from the sidelines. Then it is Saturday night and the team is partying. Priya’s friends have evaporated and she isn’t sure what to do. In the weeks after ‘the incident’ life seems to go on. But when whispers turn to confrontation, the institutions of wealth and privilege circle the wagons.”(Adapted from Catalogue)

 

Small Deaths / Das, Rijula
“In Calcutta’s notorious red-light district, Lalee aspires to a better life. Her unfailingly loyal client Tilu Shau has dreams too. A heady romantic and marginal novelist, Tilu is in love with the indifferent Lalee and wants to liberate her from her street life with marriage. But when a fellow sex worker and young mother is brutally murdered, the solicitous madam of the Blue Lotus invites Lalee to take the woman’s place “upstairs” as a high-end escort. The offer comes with the promise of a more lucrative life but quickly spirals into violence, corruption, and unfathomable secrets that threaten to upset the fragile stability of Lalee’s very existence. ” (Adapted from Catalogue)

“This book bridges two anniversaries. Ulysses by James Joyce was published in 1922. Venice was founded in 421. The title Breach of All Size is Joyce’s pun on Venice landmark Bridge of Sighs but could as easily describe his sprawling modernist classic, which clocks in at 265,222 words. To celebrate both anniversaries, 36 Aotearoa writers were asked to write love stories set in Venice and inspired by words from Ulysses, but to steer the opposite course and keep them short. How short? 421 words, of course.” (Adapted from Catalogue)

Shakti / Chakraborti, Rajorshi
“Amid a climate of right-wing, nationalist politics, three Indian women find themselves wielding powers that match their wildest dreams. There is one catch: they come with a Faustian price.” (Adapted from Catalogue)

Also available as an eBook. 

 

The man who would not see / Chakraborti, Rajorshi
“As children in Calcutta, Ashim and Abhay made a small mistake that split their family forever. Thirty years later, Ashim has re-entered his brother’s life, with blame and retribution on his mind. It seems nothing short of smashing Abhay’s happy home will make good the damage from the past. At least, this is what Abhay and his wife Lena are certain is happening. A brother has travelled all the way from small-town India to New Zealand bearing ancient – and false – grudges, and with the implacable objective of blowing up every part of his younger brother’s life. ” (Adapted from Catalogue) Also available as an eBook.

On elephant’s shoulders / Rao, Sudha
“With themes of longing, transition and memory, ‘On elephant’s shoulders’ explores the poet’s South Indian heritage relocated to New Zealand and tries to unlayer the complexity of the migrant experience. For Sudha this has meant experiencing the riches of a new culture and a new landscape while managing the realities of marginalisation. And ultimately a transformation into a person of the Pacific, still grounded in her family and her Hindu beliefs.” (Adapted from Catalogue)

A vase and a vast sea
” This Poetry and prose collection includes contents collected from 15 years of 4th Floor journals : An island by  Rata Gordon, Blocks by  romesh dissanayake, Beloved: a timeline by  Tina Regtien , Ten years by  Kathy McVey,   That summer by Maggie Rainey-Smith,  Tuesdays by  Tim Jones , Hot cross lovers by Kristina Jensen ,  The latitude of fat by Cushla Managh,  Dear Grandmother by Renée,  Swimming by Rachel Kleinsman ,  Eclipse of the moon at Hotel St. Marie by Miriam Sagan,  Pearls by  Lynn Davidson,  Two women by Marion Jones and many others. ” ( Adapted from Catalogue) 

Prophecies / Maitra, Rupa
“Rupa Maitra’s debut collection of short stories lures us into diverse worlds. Some of her stories spring from her background in music and medicine, some from her Bengali heritage – and all from a vivid imagination.” (Adapted from Catalogue)