Join us online for ComicFest 2022 – Saturday 7 May!

ComicFest logo

Join us online on Saturday 7 May for this fantastic – and totally free – national celebration of all things comics-related in New Zealand! Follow the livestream on the day on our YouTube channel, and register your interest in ComicFest at the link below and we’ll send you updates and reminders ahead of the day.

Register your interest in ComicFest

ComicFest this year features a whole galaxy of Aotearoa’s finest graphic artists and authors, and we’re so excited to share the programme with you! A big thank you to our all-important sponsors – National Library, Graphic comics, Gecko Press, Unity Books and Wellington Zinefest.

For more information on all the events at ComicFest, scroll further down the page for our complete programme, but expect panel discussions, presentations, workshops and loads of fun!


Full ComicFest 2022 Programme


Saturday 7 May

ComicFest 2022 logo

9 – 9:15am | Welcome to ComicFest 2022!

A welcome and overview of ComicFest, our exciting guests and options for streaming. We’re so excited to bring ComicFest 2022 to you! Meet your hosts and hear about what we have planned for the day.

Kay's comic self-portrait

9:15 – 10:15am | Meet Everybody’s Favourite Axolotl, Dewdrop — with Creator Kay O’Neill

Kids (and big kids) are welcome to join the Eisner and Harvey Award-winning illustrator and graphic novelist Kay O’Neill (author and illustrator of The Tea Dragon Society series) to help create friends old and new for their character, Dewdrop the Axolotl.

Suggested for: ages 4+

10:15 – 10:30am | Announcing the ComicFest drawing competition winners

Join us as we announce the winners of our ComicFest drawing competition!

Winners will be announced for the four age-based categories: 0–8, 9–12, 13–17 and 18+

Michel's comic self-portrait

10:30 – 11:30am | How to Draw Heroes — a Masterclass with Michel Mulipola

A how-to masterclass with Michel Mulipola who will show you he goes about drawing and creating heroes. Crack the code of superhero creation in this live workshop!

Michel Mulipola is a Samoan comic book artist who has two big passions in life — comics and wrestling — and who, when he gets the chance, likes to combine the two. His works often feature Pasifika wrestling heroes and recent historical heroes.

Michel will demonstrate the tools he uses to digitally create whilst drawing live (and live streaming) on the big screen! Bring pen and paper, and join in with Michel as he provides story-telling tips, panel composition ideas and illustration guidance.

Suggested for: ages 8+

Jem's comic self-portrait

11:45am – 12:45pm | Weekly Webcomics — Tips and Tricks with Jem Yoshioka

Join Jem Yoshioka, the talented webcomic artist behind Circuits and Veins and Folk Remedy as she takes you through the tools of the trade, and provides tricks and tips for getting your webcomic online.

Photo of Jonathan

12:50 – 1:20pm | Storytelling with Jonathan King

Jonathan King until very recently was best known as the acclaimed film director of films such as the hugely successful dark horror comedy Black Sheep and the remake of the NZ Children’s classic film Under the Mountain starring Sam Neill.

But that all changed when he released his first ever graphic novel in 2020 — The Inkberg Enigma. Aimed at children eight and up, it’s hugely enjoyable for adults too.

Come along and hear more from Jonathan about storytelling — from all his different creator perspectives.

1:30 – 2:30pm | New Voices, New Perspectives — a Panel Discussion

Featuring Mary Guo, Tara Black, Jem Yoshioka, and chaired by Sam Orchard

The world of graphic art is changing at an amazingly rapid pace — a veritable revolution has been happening in recent years. Developments have included: new definitions of what comprises a graphic work, new platforms with global reach for people to view your work and new high-tech tools to create your works.

This panel features some of the New Zealand artists at the vanguard of these changes, discussing the new opportunities for artists, the challenges inherent in these changes, and — finally — how artists go about taking full advantage of these new frontiers.

Giselle's comic self-portrait

2:45 – 3:45pm | Giselle Clarkson — from commission to ComicFest artwork

Once you get a commission, how do you go about generating creative ideas that meet that brief? Indeed, how do you get a commission in the first place? And what do briefs usually entail?

All will be revealed in this event with the incredibly talented graphic illustrator Giselle Clarkson.

Giselle’s illustrative works include: The Gobbledegook Book: A Joy Cowley Anthology, Egg and Spoon: An Illustrated Cookbook, Secret World of Butterflies and Hazel and the Snails.

Suggested for: ages 8+

Dylan's comic self-portrait

3:50 – 4:10pm | Dylan Horrocks — Comics in New Zealand and Memoir

Dylan Horrocks is a cartoonist best known for his graphic novel Hicksville and his scripts for the Batgirl comic book series. His works are published by the University of Auckland student magazine Craccum, Australia’s Fox Comics, the current affairs magazine New Zealand Listener from 1995 to 1997, the Canadian publishers Black Eye Comics and Drawn and Quarterly, and the American publishers Vertigo and Fantagraphics Books. He currently serialises new work online at Hicksville Comics.

Hear what Dylan has to say about comics in New Zealand and memoir.

Sarah's comic self-portrait

4:15 – 4:45pm | Sarah Laing — Comics and Memoir

Sarah is a Wellington-based writer and illustrator who has had novels, short stories and the graphic memoir Mansfield and Me published. Her collection of comics from the past ten years, Let Me Be Frank, was published by VUP in late 2019. She also the co-editor of Three Words: An Anthology of Aotearoa/NZ Women’s Comics and has illustrated a number of children’s books.

Hear what Sarah has to say on comics and memoir.

4:45 – 5pm | ComicFest wrap-up and thank yous!

And that’s a wrap from us for 2022! Hear all our thank yous to our wonderful guests, and to you, our very excellent audience. We hope you enjoyed ComicFest 2022!

5 minutes with Jonathan King

ComicFest 2022 is Saturday 7 May — and this year will be fully online! Find the full programme on our ComicFest website. ComicFest is a joint venture between Wellington City Libraries and the National Library of New Zealand.

ComicFest 2022 website

Jonathan King makes comics and films in Wellington, New Zealand. He wrote and directed comedy horror Black Sheep, co-wrote and directed an adaptation of Maurice Gee’s classic Under the Mountain, co-wrote supernatural thriller The Tattooist and directed sci-fi thriller Realiti.

His comics have featured in Faction Comics (2012–2014), From Earth’s End: the Best of New Zealand Comics (Random House, 2013), High Water, a climate change anthology (2015), and in a collection of his comic works Perplexing Stories (Eel Noir, 2015). His story Holiday featured in Gecko Press’s Annual in 2016, and another, Docking Season appears in Annual 2 in 2017. His graphic novel The Inkberg Enigma was published by Gecko Press in 2020.

Website: jking.nz
Twitter: @MrJonathanKing

Q: What first got you interested in comics?

When I was four years old I got Hergé’s The Black Island and The Shooting Star for my birthday. They remain two of my favourite Tintin books, and set me on a lifelong love of adventure comics. Superman, Batman and Marvel comics were next. This was in the 1970s — and it’s funny to see these same storylines turn up in the movies today. I haven’t really kept in touch with superhero comics since then, but still love kids adventure comics — made today and as far back as the 1930s.

Q: What is your average day like?

At the moment I’m teaching film at Massey University in Wellington, overusing Third Year students’ own film and game projects. So I’m either meeting with students, reading their work … or keeping my own ‘research’ going — which at the moment is writing a feature film script, exploring animation in Blender and Unreal Engine and editing a film I shot for a friend earlier this year.

Q: Can you tell us about a current or recent project you’ve worked on?

My first graphic novel The Inkberg Enigma was out last year – after several years of Workington it. I’ll definitely get back to comics soon … but I both need to earn some (not comics) money, and keep things like film — which I’m still passionate about — moving.

Q: Do you have any traditions or rituals that help you when you get to work?

Napping / thinking / lying around is a super important aspect for me — particularly those few moments when you’re halfway between sleep and awake. I really do find I make huge creative progress on ideas when my conscious brain is disengaged and the creative brain is floating free … Then I just need to remember it all to write to down when I wake up!

Q: Who/what is your biggest influence or inspiration?

Artistically my biggest influences were / are Hergé, Yves Chaland — who was a young French cartoonist, himself influenced by Hergé, who tragically killed in a car accident at a young age, American Darwyn Cooke — who died much too young too, Milton Caniff and Frank Robbins — greats from the golden age of newspaper adventure comics.

Q: What or who are your favourite NZ comics or creators?

My favourite NZ comics creators include Dylan Horrocks — who was hugely supportive to me (and so many others) when I started making comics; Roger Langridge – whose work is supernaturally great; Sharon Murdoch, who has such an effortlessly light touch with thoughtful content; Giselle Clarkson, whose playful style I just love.

Q: What is your dream comic project?

My dream project would be a serialised adventure story — that unrolled at a strip a day (or maybe a page a week) in the newspaper — if such thing still existed!

5 minutes with Tara Black

ComicFest 2022 is Saturday 7 May — and this year will be fully online! Find the full programme on our ComicFest website. ComicFest is a joint venture between Wellington City Libraries and the National Library of New Zealand.

ComicFest 2022 website

Photo by Ebony Lamb

Tara Black is a Pōneke based cartoonist and art school drop-out. She can often be found in the front row of book events, illustrating authors and their ideas. You can find her work on The Sapling, Stasis Journal, The Spinoff and her website, taracomics.com. Her first graphic novel, This Is Not a Pipe, was published by Victoria University Press in 2020.

Website: taracomics.com
Twitter: @taracomics
Instagram: @tara_comics

Q: What first got you interested in comics?

Probably Calvin and Hobbes but it’s hard to tease that out from my love of animation and picture books. I used to collect clippings of Calvin and Hobbes from newspapers and paste them into a scrapbook. Dad would bring them home from work for me and I ended up with double-ups. When I was old enough to get a paper run, I systematically bought all of the collected editions. My favourite one is the 10th anniversary edition, where Bill Watterson annotates some key strips with his process. That was my first insight into what it might mean to be a practising cartoonist.

Q: What is your average day like?

I work on comics in the evenings and the weekend. I aim to put out a page of my webcomic, Book Dragons, each week so I will often script and do a draft during weekday evenings before drawing and scanning the comic on a Saturday or a Sunday. On Monday evenings I have a drawing club which gets me started. Some weeknights I will go to book launches and live draw the speeches.

Q: Can you tell us about a current or recent project you’ve worked on?

My first graphic novel, This is Not a Pipe, came out with Victoria University Press late last year. At the moment I’m working on Book Dragons and getting into short fiction and poem comics. Poem comics are a satisfying puzzle – they let me play with the interaction between text and picture in a more abstract way than narrative comics.

Q: Do you have any traditions or rituals that help you when you get to work?

I drink a lot of tea. I find it helps me get up and move around but also tea is good. Twinings. Earl Grey. Occasionally chai.

Q: What or who are your favourite NZ comics or creators?

That’s kind of a cruel question. There are so many great comic creators in NZ and if I start listing them I’m bound to leave out someone cool and regret it. If I had to choose one, I’d choose Li Chen. Her blend of humour and stunning artwork is always a treat. Have you played exocomics 500? If you haven’t, go do it now.

Q: What is your dream comic project?

A comic project that could pay enough to live on but also solve climate change. Yes, a sentient comic that solves climate change and social inequality and rolls back colonialism while it’s at it. No pressure, sentient comic.


5 minutes with Mary Guo

ComicFest 2022 is Saturday 7 May — and this year will be fully online! Find the full programme on our ComicFest website. ComicFest is a joint venture between Wellington City Libraries and the National Library of New Zealand.

ComicFest 2022 website

Mary has been living in Wellington for seven years. She has been working in the game and animation industry for over a decade.  In her spare time, she works on various illustration and comic projects. Check out her personal art and comics at maryguo.com. Follow weekly updates on instagram: @totoroguo.

Website: maryguo.com
Instagram: @totoroguo

Q: What first got you interested in comics?

I was born in 1980’s China. There wasn’t much entertainment for kids back then, but there were comics, particularly Japanese manga. For me, the eighties and nineties were Japan’s comic golden age, and I was growing up reading Doraemon, Battle Angel Alita, Monster, and more.

Q: What is your average day like?

I work full-time for an animation company as a visual dev artist. Most days, I’m working from home, sometimes in the library or a coffee shop. During the evenings and weekends, I’m working on personal projects. In my leisure time, I like to attend all kinds of events, like shows, festivals, markets, galleries, etc.

Q: Can you tell us about a current or recent project you’ve worked on?

Currently, I’m working on two personal projects: Lonely Artist with co-creator TBun, and my Wellington Coffee Shop illustrations. Lonely Artist is a series of silent comic strips that we’ve just compiled into a book.

Q: Do you have any traditions or rituals that help you when you get to work?

I like to take walks for inspiration. I find that ideas naturally come to me while I’m alone, walking around the town belt and through the city.

Q: Who/what is your biggest influence or inspiration?

Many comic artists inspire me, too many to name! My biggest influence has always been Studio Ghibli. Nowadays, I also take inspiration from many other media, like video games, fine art, and animation.

Q: What or who are your favourite NZ comics or creators?

I enjoyed Ross Murray’s new book, Rufus Marigold. It was great! There are many incredible murals around Wellington by artists like T Wei and others. Michael McCormack, a painter with a studio in Island Bay, is probably my favourite local artist.

Q: What is your dream comic project?

I’m very excited to explore transmedia storytelling. I’m interested in how players take on the role of their characters in video games. I want to explore these ideas in my next project, a comic-video-game hybrid with a long-form narrative (working title: Concrete Jungle).

5 minutes with Sarah Laing

ComicFest 2022 is Saturday 7 May — and this year will be fully online! Find the full programme on our ComicFest website. ComicFest is a joint venture between Wellington City Libraries and the National Library of New Zealand.

ComicFest 2022 website

Sarah Laing is a fiction writer and cartoonist. Her first collection of short stories, Coming up Roses, was published in 2007, and followed her win of the 2006 Sunday Star Times Short Story Competition. She published the novel Dead People’s Music in 2009, followed by an illustrated novel The Fall of Light, published in 2013. She is a co-editor of Three Words: An Anthology of NZ/Aotearoa Women’s Comics, the author of Mansfield and Me: A Graphic Memoir and Let Me Be Frank, and has a regular comic strip in Woman Magazine.

Website: sarahelaing.com
Twitter: @SarahELaing
Instagram: @SarahELaing

Q: What first got you interested in comics?

I always really loved illustrated books. I remember being entranced by the swirling 1970s illustrations in Margaret Mahy’s The Lion in the Meadow and immersed in Robert McCloskey’s meticulously rendered world of One Morning in Maine. My step-grandmother had a 1960s book about kids who transformed a garden and I remember wanting to swim in that pthalo green and wear a little white wool mini-coat whilst planting tulip bulbs. My dad grew up in the baby boomer generation where they sold weekly war comics down at the local dairy, and he made sure we were well stocked with Tintin, Asterix, Garfield and Charlie Brown. I remember the Far Side book arriving at our house in the mid-eighties, to be read until the spine split, and later, a visiting American scientist gifted us a few Calvin and Hobbes collections. I discovered Julie Doucet, Alison Bechdel and Tank Girl in the 90s, but it wasn’t until the 2000s that I really began seriously seeking out comics and thinking that it was something that I’d like to write.

Q: What is your average day like?

I have a 3-day-a-week job as a graphic designer for the government, and I often use my cartooning and illustration skills there. The other two days of the week I am either working on my Woman cartoon strip, due every second Thursday, or else I am drawing comics for a backyard bird rescue book I am working on with my friend, Jo Emeney.

Q: Can you tell us about a current or recent project you’ve worked on?

My most recent book was a collection of comics made during lockdown, The Covid-19 Diaries, and before that I selected comics from my blog for a collection called Let Me Be Frank. Although my regular Woman comic treads familiar ground, this time I have invented an alter-ego, Nomi, who is somewhat like me but has permission to have entirely invented adventures. I have recently switched from drawing on paper to using Procreate on my iPad. This makes things faster and the colours brighter, but I do worry that I am losing something – that raw, messy, spontaneous quality – by working digitally.

Q: Do you have any traditions or rituals that help you when you get to work?

At the moment I am very time-poor so my method is to wait until I am as close to the deadline as humanly possible and then blitz the comic with a little adrenalin. I do semi-regularly generate new comics in a notebook, although I am always losing notebooks, and half-formed ideas. I hope the ones that I remember are the ones that actually have potential. I also find myself making a lot of coffee and toast with peanut butter. I also really like Everything butter by Fix and Fogg.

Q: What is your dream comic project?

At the moment, because I am so deadline driven, and also working digitally, my dream comic project is to use watercolours and to be subconsciously and aesthetically driven. I’d like to live in a cottage by the sea, take long blustery walks, come back to my light-filled studio and then paint until a narrative emerges. I think I need some Scandy linen frocks, a wood burner and a bunch of wild flowers for this particular fantasy too. And a day bed for reading and naps.

Q: What are you excited to share with ComicFest attendees? Just a taster!

I’m excited to see the incredible line-up of panellists! I guess my idea about comics is that you need to keep your eyes and ears open, as there are stories everywhere. Also, don’t worry too much about whether you are the world’s best drawer. Just as long as people get your meaning, it doesn’t matter. Your own style is unique. Lots of practice – that’s a good idea. If you look at the early days of my blog in 2010, and then now, you will see that I got better at drawing. I wouldn’t say practice makes perfect, but it does make you more fluent and better at perspective.

Sam Orchard talks about his practice

ComicFest 2022 is Saturday 7 May — and this year will be fully online! Find the full programme on our ComicFest website. ComicFest is a joint venture between Wellington City Libraries and the National Library of New Zealand.

ComicFest 2022 website

Sam Orchard is the Assistant Curator for the Cartoons and Comics archive at the Alexander Turnbull Library and one of the co-curators for ComicFest. Sam writes comics, and creates art that celebrates difference. His ongoing web comic ‘Rooster Tails’ has been running for over 10 years. Written from his life as a queer transgender man, the comic explores themes of mental health, fat embodiment, nerd culture and trans lives.

Sam is also the author of ‘Family Portraits’, a series of short comic stories that amplify the stories of intersectional identities within Aotearoa’s rainbow communities. Sam’s comics and resources about sexuality, sex and gender have been used internationally by SOGI advocates. Sam is currently working on his first full-length graphic novel.

Website: thesamorchard.com
Twitter: @sam_orchard
Instagram: @roostertails

We last year had the pleasure of interviewing Sam  in conjunction with Caffeine and Aspirin arts and entertainment review show on Radioactive FM. The interview was conducted by Caffeine and Aspirin host Liam Wild.

And below is the podcast of that interview for your enjoyment: