5 minutes with Jem Yoshioka — ComicFest 2017

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Image by Jem YoshiokaJem Yoshioka is one of the featured cartoonists on our “A Wellington View: Local Cartoonists” panel, which will take place from 1:30-2:30pm during ComicFest. Jem is an illustrator and storyteller based in Wellington, and her comics often feature autobio stories.

Q: What first got you interested in comics?
A: As a kid I was really interested in animation and picture books. I learned storytelling from a mixture of these two things, which seemed to distill into something kindof comic-y.
I got interested in making comics when I was a teenager, on the early 2000s internet. It seemed like the most efficient way to begin to share the epic fantasy stories that were brewing in my head. The internet shaped my adolescence. It gave me access to other artists – both peers and mentors – who really helped to drive my illustration and comic work forward.

Q: What is your average day like?
A: I have a day job, so I get up and go to work. This is awesome because it pays my bills and means I can eat and sleep, which are important if you want to make comics. I then tend to do 20 minutes of gesture drawing more or less as soon as I get home. Sometimes that’s all the drawing I do in a day, but other times I try and expand it out to an illustration or comic project after dinner. I’ll usually have TV on in the background while I work, and I aim to be in bed between 10pm and 11pm. Depending on the day that can mean between 1-4 hours of drawing.
The routine is really important to me. I find I’m as productive if not more productive with full time work, because it forces me to maintain a healthy schedule. Sleep and time away from drawing mean I’m at less risk of injury, less likely to overwork or get into unhealthy sleeping and eating cycles. While my output is lower than someone working full time on drawing, I’m still really pleased with what I manage to get done with this routine. It works really well for me for now.

Image by Jem YoshiokaImage by Jem Yoshioka

Q: Do you have any traditions or rituals that help you when you get to work?
A: When I get a new sketchbook I always write the date on the first page. Then when the sketchbook is finished I write the finish date. I’ll always leave a few pages at the end of the book, too. It’s like a hello and goodbye to the book. I feel like dating the first page helps to clear off any ‘blank page’ magic that might prevent me from getting my ideas down. The final date is a goodbye and a thank you for all the work and traveling the sketchbook’s done with me over the months.

Q: Who/what is your biggest influence or inspiration?
A: I think as a creator it’s important to have many influences and inspirations. I have a lot of artists I admire and whose work has influenced mine. I also love photography, video games, traditional Japanese printmaking, fashion, animation, film, fine art, dance and novels. I collect what I can together and pull the bits out that I feel work for me and what stories I’m trying to tell. I’m a selfish sponge of visual and literary information.
If you’re looking for a specific name, the one that’s stuck with me ever since I was a teen is Shaun Tan. An Australian illustrator and picture book author, Shaun’s style of storytelling’s was definitely a huge influence on me as a kid, especially how he handled the relationship between words and pictures. His sense of timing, pace, composition, and colour have all had a huge effect on me.

Image by Jem YoshiokaQ: What or who are your favourite NZ comics or creators?
A: I really love Katie O’Neill’s work. Princess Princess Ever After is a cute and sweet story, and her new webcomic The Tea Dragon Society is building up in a really interesting way. Katie’s sense of colour especially draws me into the worlds she makes with her work.

Q: What is your dream comic project?
A: I’d really love to do a comic diary project over a year in Japan. I want to get familiar with a neighbourhood, learn its streets and trees and people. I want to live in a Japanese city and be small and lost, but find something there I wasn’t expecting. I’ve had holidays in Japan, but it’s the wrong pace and speed for the kind of project I want to make. I need something longer, something with more repetition and a chance to get comfortable and familiar. And I want to write it all down in a way I can share.
But that might be more about spending a year living in Japan than the diary project part.

You can find all of Jem’s online comics at http://jemshed.com/comics/ and on social media.
Twitter: @jemyoshioka
Facebook: /jem.yoshioka.art
Instagram: @jemyoshioka

5 minutes with Sarah Laing: ComicFest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Sarah Laing self-portraitFirst up on the blog we have an interview with Sarah Laing, who recently authored her first graphic novel, Mansfield and Me. At ComicFest, Sarah is running a character design workshop from 10-11am, and from 12-1pm Sarah will be in conversation with Dylan Horrocks discussing how they each create longform graphic novels. It’s a super exciting line-up, and we hope to see you there!

Q: What first got you interested in comics?
A: We always had comics at my house – the usual suspects – Tintin and Asterix, Donald Duck, Charlie Brown, Footrot Flats. I grew up reading them. My interest was rekindled in my 20s through Tank Girl and Julie Doucet, and later by Marjane Satrapi, coinciding with the rising popularity of graphic novels, a contentious term in comics circles! It did mean that there were more comics to get out from the library.

Q: What is your average day like?
A: I drop my kids off to school then I come home and mess about a bit – I tidy up and read stuff on social media, hating myself a bit as I do it. If I have paid work – an illustration or comics commission – I’ll work on that, or else I will draw comics for my blog or work on my big project, which right now is a kids’ comic about the houseboat and giant stingray world of post-climate-change New Zealand. I try to work on paper, since I spend too much time on screens, but I find myself using digital media all the time, whether it’s google images for picture reference or it’s spotify or my podcast list for stuff to listen to as I draw.

Page from Mansfield & Me
A page from ‘Mansfield & Me’ by Sarah Laing

Q: Can you tell us about a current or recent project you’ve worked on?
A: Last year my graphic memoir Mansfield and Me was published by VUP and I’m still recovering from that! It’s about me wanting to be a writer, and Katherine Mansfield, NZ’s most famous writer, and how our lives overlap. I like to think that Mansfield would’ve been a comics fan too.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I always feel like I should have tea and toast at 10am and when I get to the inking/colouring stage I get to binge listen to podcasts. I just finished S-town, which is a fascinating character study of an ordinary/extraordinary life in small-town America. I am also driven by a completion complex so once I get momentum up I work quite quickly. I try to update my blog weekly now that I’ve got a Patreon page, and I generally dedicate Tuesday or Wednesday to those comics.

Q: Who/what is your biggest influence or inspiration?
A: My biggest inspiration is life, observed, around me.

Flowers for the Teacher comic
Flowers for the Teacher comic from Sarah’s blog “Let Me Be Frank”

Q: What or who are your favourite NZ comics or creators?
A: I hate picking favourites! And in fact I’m not sure if I believe in the concept. There are creators whose work I always really enjoy – the obvious ones, like Dylan Horrocks, Toby Morris and Ant Sang. When I was co-editingThree Words I got to know work by lots of amazing women – Giselle Clarkson, Sophie Watson, Jem Yoshioka, Sally Bollinger, Zoë Colling for starters. Indira Neville’s comics are always hilariously irreverent, and she’s just co-curated an amazing collection of LP-sized comics that go with music, Sonic Comic. Last year I enjoyed Ross Murray’s series about anxiety, Rufus Marigold. And Jonathan King’s comics are gloriously surreal. Arrgh! So many people! I’m missing people out! I always feel a low punch in the gut when I don’t see my name on a list.

Q: What is your dream comic project?
A: I have never collaborated on comics and I think I’d really like to try that out. You know how collaborations in music always work out better? Lennon and McCartney, Morrissey and Marr… I want to find somebody or something to spark off.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I am really looking forward to talking with Dylan Horrocks about writing longform comics – his process is quite different from mine and I always find how to talks quite inspiring – they give you a fresh perspective on your niggling or roaring narrative problems.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: I don’t know, Björk? Or maybe Rachael from Blade Runner – she had the most amazing suits and hair.

You can find Sarah online in the following places:
Twitter: @sarahelaing
Instagram: @sarahelaing
Blog: https://sarahelaing.com/

Comicfest 2015 roundup – the podcasts!

Sadly Comicfest is over for another year, but you can relive it right here! We mentioned in our last post that you could listen to podcasts of the panel discussions on Mixcloud, but we thought it would be good to have them all here on the blog too, for your convenience. We had a great turnout to the panels, and some exciting discussion came out of them, thanks to the input of our fantastic Comicfest guests. Have a listen below!

Thursday 30th April 2015: Cartoons to comics: Sharon Murdoch, Toby Morris, Cory Mathis, Tim Bollinger & Melinda Johnston

Friday 1st May 2015: Panel: On NZ comics with Jonathan King, Tim Gibson, Matt Emery and Tim Bollinger

Saturday 2nd May 2015: New Zealand Women’s Comics with the editors of Three Words – Rae Joyce, Indira Neville and Sarah Laing, with Matt Emery

ComicFest 2015 is over. Thanks everyone!

2015 was our second year hosting a ComicFest extravaganza at the Central Library to coincide with Free Comic Book Day on Saturday the 2nd of May. Building on our previous year’s success, there was an impressive line-up of high calibre guests for our comics workshops, discussion panels and presentations. Thank you to all who came to take part in our drawing workshops, cosplay and manga competitions, and came to listen to comic artists, curators and historians.

A big thank you for the wonderful help and sponsorship from the NZ Book Council, Alexander Turnbull Library, NZ ComicCon, Pikitia Press, Unity Books and Weta Cave; and to GRAPHIC Comics who sponsored over 1000 comics on Free Comic Book Day.

To revisit these three great days, have a browse through our ComicFest 2015 photo galleries on our Flickr page. You can also listen or re-listen to the discussions that are now available as podcasts on Mixcloud.

Here is a small selection of images from the events :

5 minutes with Tim Gibson – Comicfest feature

Comicfest 2015 is almost here! Head over to the Facebook event for all the details and to receive event updates. There are panels and workshops for comic-lovers of all ages, and don’t forget to come along to the Central Library on Saturday 2nd May to pick up a free comic book on Free Comic Book Day, courtesy of GRAPHIC!

Tim GibsonToday we’re talking to Tim Gibson about his comic work, and what we can look forward to at his Comicfest panel and workshop. Tim Gibson has produced illustrations for clients as diverse as Garage Project to the School Journal, Peter Jackson to Steven Spielberg. In 2012 he was awarded Creative New Zealand funding to write and illustrate his debut comic series ‘Moth City’ which has since gained a substantial digital readership, the support of leading American creators and was named as one of Comixology’s Top Comics for 2013. This year he took part in the Le Monde’s COMICS ZUR LAGE DER WELT exhibition in Berlin, and visited Taiwan as part of a comic residency exchange.

What is the first significant comic related job or project you remember working on?
I did some comic book colouring (painting under someone else’s pencils) for Christian Gossett’s Red Star comic series when I worked at Weta Workshop. It was my first professional taste of making comics, and it was a long time between drinks before I got another one.

Tim GibsonCan you tell us about your current, or most recent project?
I completed the art for a small comic project for the School Journal last year which told the story of front-line Kiwi miners in WWI. It was interesting not being responsible for the story as a whole, but artists still have to make very ‘directorial’ decisions with regard to placing the viewpoint, the expressions (or acting) of the characters and the general pace and flow of things.

It was great to be included in a piece of NZ reading history like the School Journal, so a bit of a milestone there.

What is your favourite part of your working process?
Playing with the characters in my head, having them interact with one another or their world. The further the story gets to being readable by others, the less avenues and options the characters and I have, so there’s always a bit of a bittersweet conclusion to finishing something. There’s nothing better than having an idea that changes the entire world that exists in your head.

What are you excited to share with ComicFest attendees? Just a taster!
I’m hoping to share my passion for digital comics and animation during my Digital Comics Workshop. It should give people a few tools to tell comic stories differently now that creators don’t have to default to paper. That said, there’ll still be tree-flesh at the workshop, so bring pens.

Do you have another job outside of comic creation, or any significant hobbies you enjoy?
I subsidise my modest life-style with freelance illustration and design work, and the two worlds play very well together and often influence each other. It probably means that my commercial work is more vibrant and experimental, and my experimental comic work is more polished and commercial looking than it might be otherwise.

You can catch Tim at his Comicfest workshop and panel at these times:
Friday 1st of May 5 – 6.30pm – Digital comics workshop with Tim Gibson
Friday 1st of May 7 – 8.00pm – Panel: The current and future state of New Zealand comics
Tim Gibson

5 minutes with Toby Morris – Comicfest feature

Comicfest 2015 is almost here! Head over to the Facebook event for all the details and to receive event updates. There are panels and workshops for comic-lovers of all ages, and don’t forget to come along to the Central Library on Saturday 2nd May to pick up a free comic book on Free Comic Book Day, courtesy of GRAPHIC!

Toby Morris self portraitToday we’re talking to Toby Morris about his comic work, and what we can look forward to at his Comicfest panel. Toby Morris is an illustrator, designer and comic artist who currently draws a monthly non-fiction comic series called The Pencilsword for The Wireless. He has drawn and published his own comics since the age of 13 and now juggles comics, illustration work and parenting two young sons. He has written and illustrated two books and created concert posters for many of New Zealand’s top bands.

What is the first significant comic related job or project you remember working on?
My first comic was terrible – it was called The Amazing Adventures of Okapi and was a really corny story about a superhero crime fighter set at a grunge concert. I was 13, and made a few copies for my friends at school, but really I didn’t know anything about superheroes or grunge concerts. Or comics really, apart from Tintin or Asterix. I think i was just trying to emulate what I assumed a ‘cool comic’ might be like.

At 15 I started a new series called Span that was more personal. I had actually gone to the comics shop by then and discovered some New Zealand comics like Pickle and Absolute Heroes that set me on a better path.

Toby MorrisCan you tell us about your current, or most recent project?
These days my big project is the ongoing non-fiction comics series The Pencilsword which appears monthly on thewireless.co.nz. I’m trying a few new things (for me at least) with it – I’m trying to walk a line between personal and political, and then technically the comics have a little animation on them which has been interesting to experiment with also. It’s the first comic I’ve done that is designed from the start to be read and shared online rather than in print, which is new and exciting for me.

What is your favourite part of your working process?
There is a great daydreamy state you can get into sometimes with drawing that I love where it’s almost unconscious. Time just goes by in a blur, you get really swept up and lost in it. You can’t try to do it – it’s trying but not trying and you can totally tell the difference between drawings where you’ve done it and not. I think of it as ‘the joyous line’. I think the closest description I’ve found to it is the way that Phillip Pullman describes how the Subtle Knife works in the book of the same name. Drawing is like dancing maybe.

What or who are your favourite NZ comics or creators?
So many! Dylan Horrocks was very inspirational for me, still is. His series Pickle was one of the first things I read that really made me want to write in my own voice. Tim Bollinger was another one I read early on that lit a fire for me. Barry Linton was and is the king. I loved the Wellington anthology Pistake in the 90s – Emond, Morse, Dayglo etc – so much attitude. These days there is so much going on, it’s incredible. Hard to start naming people because there are so many. Mat Tait, Robyn Keneally, Sarah Laing, Ned Wenlock, Lauren Marriott/Ralphi, Mary Tamblyn and Alex McCrone, Tim Kidd, Ross Murray, Sam Orchard are a few current favourites that spring to mind. I’ll be forgetting people I bet. I loved Jem Yoshioka’s recent one about the Kimono. I really enjoyed Sarah Lund’s Snap. It’s a great time for NZ comics. There is so much great stuff coming out, more than there ever has been.

Do you have another job outside of comic creation, or any significant hobbies you enjoy?
These days I work as an advertising designer and art director for my day job. It’s a funny thing to balance those two very different worlds. My comics and my job started off as two very different paths – what I love doing on one hand and what I get paid to do on another – but over the years those two paths are slowly getting closer to each other and starting to cross over.

You can catch Toby at his Comicfest panel at the following time:
Thursday 30th of April 6 – 7.00pm – Panel: From cartoons to comics
Toby Morris