5 minutes with Sally Bollinger: Comicfest feature

This year’s ComicFest event was a huge success, with over 1300 attendees on the day! Thanks to all that came along, and if you couldn’t make it, podcasts of the panel discussions will be available online soon. Until then, you can enjoy the last of our 5 minutes with interviews with our guests!

Next up we have Sally Bollinger, creator of both webcomics and video webseries. At Comicfest, Sally was on the A Wellington View – Local Cartoonists panel, along with Jem Yoshioka, Giselle Clarkson and Robyn Kenealy. Find out more from Sally below:

Image by Sally Bollinger
Image by Sally Bollinger

Q: What first got you interested in comics?
A: We had a lot of Tintin books in my house as a child. And when my dad would read to us (chapter books mostly) I’d draw the scenes and characters. Then I brought a graphic novel of the Hobbit and realised I could be doing this myself. So I did.

Q: What is your average day like?
A: Sadly an average day isn’t necessarily comics related, but it is always about stories! The week is usually about webseries, and the weekend is hopefully about comics. So I’ll chat to my flatmates, answer emails, edit a script or a video, drink tea, stare at the script with a feeling of doom, tidy (because I need to “think”), actually finish the script (because it turns out I haven’t forgotten what words are). Storyboard a loose comic, then get to drawing! (Yay!) I’ll do a couple of warm-up drawings, sketch out several pages, ink, scan, maybe colour or just tidy up the image. Maybe I’ll have a meeting in the evening. Then I might play Mah Jong with my flatmates or we’ll dance to musical numbers while we make dinner.

Q: Can you tell us about a current or recent project you’ve worked on?
A: Recently I’ve been creating a zine called the “Comic of Whimsy” about the silly things my flatmates get up to. But on a bigger scale I’m embarking on a webcomic with the Candle Wasters that is a part-webseries, part-webcomic adaptation of Shakespeare’s Hamlet. Our Hamlet is a 14-year-old girl who draws angst comics in her Wellington bedroom and who’s best friend is a cactus. It’s got a lot of magic realism elements that we couldn’t pull off on screen but can do in comic form! (also I get to learn how to draw a giant, maniacal, human-faced horse.)

Image by Sally Bollinger
Image by Sally Bollinger

Q: Do you have any traditions or rituals that help you when you get to work?
A: Going for a walk before I start working, so my brain feels alive. Putting on a wash first thing. Lots of tea. Listening to music while I ink. But when I really get into the work it’ll be midnight before I think to check the time.

Q: Who/what is your biggest influence or inspiration?
A: Chris Riddell, Shakespeare, fairy tales and the opinion of my younger sister. As well as Dylan Horrocks and Tim Bollinger.

Q: What or who are your favourite NZ comics or creators?
A: I always go back to Toby Morris’ Alledaags: a year in Amsterdam and Katie O’Neill is excellent in every way.

Q: What is your dream comic project?
A: Whenever I read a really good fantasy novel I always imagine I’d make an excellent comic. So, if ever JK Rowling or Patrick Rothfuss suddenly, oddly wanted a New Zealand comic version of their works I’d be keen. Basically I’d love to explore a fantasy world, or just do a good adaptation of Hamlet.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I’m keen to have a big ol’ chat about what everyone’s favourite comics are. But also excited to talk visual storytelling across media, and I always have a few Shakespeare facts up my sleeve.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Comic book character would be Black Jack by Tezuka. Or Kvothe from The Name of the Wind.

You can find Sally’s work online in a number of places!
Online comics: quietly-exploding.tumblr.com
Online webseries: The Candle Wasters on Youtube
Hamlet webseries/webcomic pilot: on YouTube!

5 minutes with Giselle Clarkson: Comicfest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Giselle Clarkson is a Wellington-based freelance illustrator who is also interested in tramping, growing veggies and making music. She currently has a monthly comic being published by NZ website The Sapling, often featuring the influence of books on her as an illustrator. At ComicFest Giselle will be on our A Wellington View – Local Cartoonists panel along with Jem Yoshioka and Sally Bollinger, moderated by Robyn Kenealy. Come along to get an idea what it’s like to be making comics in NZ’s capital city!

Q: What first got you interested in comics?
A: There were lots of comics/cartoons on the bookshelves when I was a kid – Tintin, Asterix, The Far Side, Raymond Briggs, Spike Milligan, Rupert Bear – all things that had belonged to my parents or older brother. I loved reading them but it never occurred to me that they were a thing I could ask for more of.
It wasn’t until I was 16 or 17 and discovered webcomics that I realised what the possibilities were! But after that it was years before I started really making and sharing comics myself.

Comic by Giselle Clarkson
Comic by Giselle Clarkson

Q: What is your average day like?
A: I work freelance from home – I wake up early, make coffee, drink it at my desk, fluff around online for at least an hour and then start work. I like to take my breaks in the garden – poking around for interesting insects or something edible.
I love working in my pyjamas and having a flexible schedule, but I’m often working late at night and weekends don’t really exist. Going into town for a meeting is pretty exciting for me!

Q: Can you tell us about a current or recent project you’ve worked on?
A: I visited the New Zealand subantarctic islands last year and I’ve been making science communication comics about all the amazing stuff down there and the environmental threats the region is facing. Travelling on a ship for 19 days with a fairly small group of people was a pretty incredible – in a positive way! – experience in itself so I plan on telling a story about that too.
I’m also doing a regular comic about picture books for kids’ literature website The Sapling. Coming up with a good comic idea every month is not easy – I am in total awe of people who do it every day, or every week!

An image from Giselle's work on The Sapling
An image from Giselle’s work on The Sapling

Q: Do you have any traditions or rituals that help you when you get to work?
A: When I’m writing or plotting I need silence, or I have a fan going to make white noise. When I’m tidying up my line art or colouring it in I go into a sort of auto-pilot mode and if I don’t have something interesting to listen to and keep my mind focused I go absolutely spare with distraction. So I use podcasts to fix that problem.

Q: Who/what is your biggest influence or inspiration?
A: The NZ outdoors and the need to protect what we’ve got here. I’m really in love with all our wild places.
And people I meet, there are so many genuinely brilliant characters out there.

Comic by Giselle Clarkson
Comic by Giselle Clarkson

Q: What is your dream comic project?
A: Tagging along on scientific expeditions to remote places, drawing and writing about the environment, the science, the people and my experiences.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Hilda from Luke Pearson’s comic series! She always looks comfortable.

You can see more of Giselle’s work online at www.giselledraws.com and on Twitter at @giselledraws

5 minutes with Sam Orchard: Comicfest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Sam Orchard is the author of the popular webcomic Rooster Tails. At ComicFest, Sam will be on our panel Should we all be writing political comics? along with Toby Morris and Sarah Laing, and moderated by the National Library’s Hannah Benbow. Check out Sam’s A’s to our Q’s below:

Q: What first got you interested in comics?
A: I’ve always loved drawing – as a kid it was always a really nice way to get lost in my thoughts and feelings and imagination… it still is, actually.
I’ve always loved words and pictures together – kids books by Babette Cole, and all of the Where’s Wally books would keep me entertained for hours. But it wasn’t until I was coming out in my late teens , when I went in search of representations of queer characters, that the power of comics (and in particular webcomics) became apparent. I was trying to find people like me, people I could relate to, and people who made me feel less alone. Up until that point I had been a total TV and Film nerd, but all the representations of of LGBT folk, at that time, were all pretty negative. But on the internet I found amazing queer webcomics by people like Paige Braddock, Kris Dresen and Erika Moen, and it opened up a whole new world for me.

Comic by Sam Orchard
Comic by Sam Orchard

Q: What is your average day like?
A: Well, I work part-time as a comic artist, and part-time as a personal assistant for a guy who runs an organisation in the accessibility/disability sector. So in any given week I’ll be balancing working for my boss, and finding time to draw. Both roles work really well for me, I often get to be part of really interesting conversations in my PA role, and that helps me to think about topics I want to draw comics about. There’s a nice balance of a quite social PA role, and my solitary drawing role.

Q: Can you tell us about a current or recent project you’ve worked on?
A: At the moment my big project is finishing up a children’s book I’ve co-authored, which is being published by Flamingo Rampant (http://www.flamingorampant.com) . Flamingo Rampant is an independent book publisher who published feminist, racially diverse, LGBTQ-positive books , and I’m so excited to be working with them! Our book is a counting book about a little kid’s birthday party – it also celebrates different family structures, queerness, transness, polyamory, disability, and I’m just super proud of it.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I need a lot of noise when I work. So when I sit down for the day to draw I pop my headphones on and listen to podcasts or tv. Shortland Street is my fave to draw to – I found a youtube channel that had put up episodes from around 2003 so I’ve been making my way through the last 15 years of it. It’s perfect because the plot is fairly slow (which means it’s ok when I don’t pay attention, because they’ll repeat it), it’s pretty light (so I don’t get pulled in to the emotions) and it’s just a great show so it keeps me entertained.

Comic by Sam Orchard
Comic by Sam Orchard

Q: Who/what is your biggest influence or inspiration?
A: Ohhhh, I don’t think I have just one – I’m really influenced by Alison Bechdel, she’s been exploring queerness and queer communities for decades, and her stuff is amazing, complex, and dykes to watch out for is eerily relevant to today. Other big comic inspirations for me are Erika Moen, Lynda Barry, Lucy Knisley, and I’m really loving Blue Deliquanti’s stuff at the moment too. But I get inspired by a whole host of other people too – people like Janet Mock and Laverne Cox, but also the queer and trans activist scene in New Zealand too – people in No Pride in Prison’s, the Gender Minorities organisation, the list goes on.

Q: What or who are your favourite NZ comics or creators?
A: I’ve been a big fan of Robyn Keneally and CocoSolid for years, when I stalked them both on myspace.

Q: What is your dream comic project?
A: A few years ago I published the first three issues of my comic series ‘Family Portraits’ which is a series of short stories about queer and trans people in New Zealand. I’ve got the stories for the next book but I just haven’t had time to sit down and draw them. So that’s my dream right now – to get time and space to crack that next issue.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Steven Universe – he is my fave.

You can read Rooster Tails online here: http://www.roostertailscomic.com/
Find Sam on Twitter at @Sam_Orchard

5 minutes with Dylan Horrocks: Comicfest feature

ComicFest is back for 2017! This Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Syndetics book coverNext in our Q&A line-up is Dylan Horrocks, author of several graphic novels, his latest titled Sam Zabel and the Magic Pen. At Comicfest, Dylan will be in conversation with Sarah Laing in the Creating Graphic Novels panel from 12-1pm. Dylan is also hosting a critique session for comic creators which we’re sure will be absolutely invaluable. Spots for this workshop have already been filled, but you can email us at enquiries@wcl.govt.nz if you would like to be added to the workshop waitlist.

Q: What first got you interested in comics?
A: Apparently my first words were “Donald Duck,” so whatever it was, it happened so early I can’t remember! There were always good comics around the house, because my father has been into comics since he was a kid. So I grew up on a steady diet of Tintin, Asterix, Robert Crumb, Carl Barks, and many more. My parents were always happy to feed me more comics…

Q: What is your average day like?
A: It depends on the day, and what’s on my plate at the time. If I’m writing, I divide my time between the computer and a notebook; when I get stuck, I change media (and sometimes location), because sometimes that helps shift my state of mind and get going again. If I’m drawing, I’m usually sitting at my drawing board in the studio, lost in the process. I love the way drawing is a physical craft: you’re making something with your hands, out of paper, pencil and ink. There’s nothing like sitting back at the end of the day and looking at a page you made yourself.

From "Sam Zabel and the Magic Pen"
From “Sam Zabel and the Magic Pen”

Q: Can you tell us about a current or recent project you’ve worked on?
A: The most recent thing I’ve published is a short mini-comic called ‘Faultlines,’ which I drew in a single day in my sketchbook, a week after the November earthquake (and floods, tornadoes, Trump winning the US election, etc!). It’s about living with uncertainty in a fragile, damaged world, and it felt good to get it onto paper.

From "Faultlines"
From “Faultlines”

Q: Do you have any traditions or rituals that help you when you get to work?
A: No, and I’m open to suggestions. Sometimes it’s difficult to get started…. I have two quotes on the wall over my desk that help. One is a sticker I was given at Chromacon in Auckland last month: “We’re not here to be perfect.” The other is from a wonderful American cartoonist called Leela Corman: “We can be feral. We are the wilderness. We don’t need to go inside.” Both are excellent advice for artists and writers of all kinds.

Q: Who/what is your biggest influence or inspiration?
A: There are so many, and they wax and wane in importance over time. But some who have stayed significant for decades are Hergé (Tintin), Robert Crumb, Tove Jansson (the Moomins), Charles Schulz (Peanuts), and my family.

Q: What or who are your favourite NZ comics or creators?
A: An all-time favourite – and a big influence – is Barry Linton. There’s a big book of his comics (from the early 1970s to the present) coming out soon from Pikitia Press, and I can’t recommend it enough. Also, Bob Kerr (Terry & the Gunrunners), who I’m lucky enough to share a studio with. Tim Bollinger, a great Wellington cartoonist. Sophie MacMillan, Timothy Kidd, Karl Wills, Adam Jamieson, and so many more. There are too many great New Zealand cartoonists to mention them all! Ant Sang, Sarah Laing, Toby Morris, Cornelius Stone, Roger Langridge – all these people have inspired and influenced me at various times.

To The I Land - An appreciation of Barry Linton
To The I Land – An appreciation of Barry Linton

Q: What is your dream comic project?
A: The ones I’m working on at the moment. That’s why I’m working on them!

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: What I’m most looking forward to is seeing other people’s work at the workshop.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Sam Zabel – because all I’d have to do is take off my glasses.

Check out Dylan’s website at http://hicksvillecomics.com/
Dylan is on Twitter too – find him @dylanhorrocks

5 minutes with Hannah Benbow: Comicfest feature

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Comicfest image

Hannah Benbow is the cartoon librarian at the National Library. During ComicFest Hannah will be hosting a breakout session called From Where We Started: Reading NZ Comic History, to be held at the National Library. There, you’ll be able to look at all kind of archival NZ comic material, an opportunity you won’t often have the chance to experience. Hannah will also be moderating discussion at our last panel of the day, titled Should we all be writing political comics? featuring the likes of Toby Morris, Sam Orchard and Sarah Laing. It should be a fantastic end to a jam-packed day! Check out Hannah’s answers to our Q’s below.

Q: What first got you interested in comics?
A: My older cousin’s drawings, which I thought were super cool. He was heavily inspired by Beavis and Butt-head …

Q: What is your average day like?
A: I’m a cartoon librarian, so my days are a mix of reading new cartoons as they come in, helping researchers to find cartoons and comics, and looking for new and better ways to promote and provide access to the NZ Cartoon Archive collection.

Q: Can you tell us about a current or recent project you’ve worked on?
A: Ludicrous likenesses: The fine art of caricature. An exhibition opening at the New Zealand Portrait Gallery in August and chock-full of amazing works by New Zealand cartoonists and caricaturists, co-curated by Dr Oliver Stead and myself.

New Zealand Cartoon Archive Collections website
New Zealand Cartoon Archive website

Q: What is your dream comic project?
A: Anything that gets more people making and reading political comics and cartoons.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I’m excited to explore some of the older comics we have in the collection, and to share my favourite ever zine – Fission Chips.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Mrs Tiggy-Winkle, to relive the greatest cosplay experience of my childhood.

Find the NZ cartoon archive online: https://natlib.govt.nz/collections/a-z/new-zealand-cartoon-archive
and find Hannah on Twitter: @MrHannahleeb

5 minutes with Jem Yoshioka — ComicFest 2017

ComicFest is back for 2017! On Saturday May 6th at the Central Library there will be panels and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on the day and celebrate Free Comic Book Day, courtesy of GRAPHIC! Head over to the ComicFest Facebook event for all the details, and to receive event updates.

Image by Jem YoshiokaJem Yoshioka is one of the featured cartoonists on our “A Wellington View: Local Cartoonists” panel, which will take place from 1:30-2:30pm during ComicFest. Jem is an illustrator and storyteller based in Wellington, and her comics often feature autobio stories.

Q: What first got you interested in comics?
A: As a kid I was really interested in animation and picture books. I learned storytelling from a mixture of these two things, which seemed to distill into something kindof comic-y.
I got interested in making comics when I was a teenager, on the early 2000s internet. It seemed like the most efficient way to begin to share the epic fantasy stories that were brewing in my head. The internet shaped my adolescence. It gave me access to other artists – both peers and mentors – who really helped to drive my illustration and comic work forward.

Q: What is your average day like?
A: I have a day job, so I get up and go to work. This is awesome because it pays my bills and means I can eat and sleep, which are important if you want to make comics. I then tend to do 20 minutes of gesture drawing more or less as soon as I get home. Sometimes that’s all the drawing I do in a day, but other times I try and expand it out to an illustration or comic project after dinner. I’ll usually have TV on in the background while I work, and I aim to be in bed between 10pm and 11pm. Depending on the day that can mean between 1-4 hours of drawing.
The routine is really important to me. I find I’m as productive if not more productive with full time work, because it forces me to maintain a healthy schedule. Sleep and time away from drawing mean I’m at less risk of injury, less likely to overwork or get into unhealthy sleeping and eating cycles. While my output is lower than someone working full time on drawing, I’m still really pleased with what I manage to get done with this routine. It works really well for me for now.

Image by Jem YoshiokaImage by Jem Yoshioka

Q: Do you have any traditions or rituals that help you when you get to work?
A: When I get a new sketchbook I always write the date on the first page. Then when the sketchbook is finished I write the finish date. I’ll always leave a few pages at the end of the book, too. It’s like a hello and goodbye to the book. I feel like dating the first page helps to clear off any ‘blank page’ magic that might prevent me from getting my ideas down. The final date is a goodbye and a thank you for all the work and traveling the sketchbook’s done with me over the months.

Q: Who/what is your biggest influence or inspiration?
A: I think as a creator it’s important to have many influences and inspirations. I have a lot of artists I admire and whose work has influenced mine. I also love photography, video games, traditional Japanese printmaking, fashion, animation, film, fine art, dance and novels. I collect what I can together and pull the bits out that I feel work for me and what stories I’m trying to tell. I’m a selfish sponge of visual and literary information.
If you’re looking for a specific name, the one that’s stuck with me ever since I was a teen is Shaun Tan. An Australian illustrator and picture book author, Shaun’s style of storytelling’s was definitely a huge influence on me as a kid, especially how he handled the relationship between words and pictures. His sense of timing, pace, composition, and colour have all had a huge effect on me.

Image by Jem YoshiokaQ: What or who are your favourite NZ comics or creators?
A: I really love Katie O’Neill’s work. Princess Princess Ever After is a cute and sweet story, and her new webcomic The Tea Dragon Society is building up in a really interesting way. Katie’s sense of colour especially draws me into the worlds she makes with her work.

Q: What is your dream comic project?
A: I’d really love to do a comic diary project over a year in Japan. I want to get familiar with a neighbourhood, learn its streets and trees and people. I want to live in a Japanese city and be small and lost, but find something there I wasn’t expecting. I’ve had holidays in Japan, but it’s the wrong pace and speed for the kind of project I want to make. I need something longer, something with more repetition and a chance to get comfortable and familiar. And I want to write it all down in a way I can share.
But that might be more about spending a year living in Japan than the diary project part.

You can find all of Jem’s online comics at http://jemshed.com/comics/ and on social media.
Twitter: @jemyoshioka
Facebook: /jem.yoshioka.art
Instagram: @jemyoshioka