WCL interview: Acclaimed artist Robèrt Franken

Portrait of Robèrt Franken in a studio with his painting.

Wellington artist Robèrt Franken was born in 1946 in The Hague, into a family with a long and rich artistic heritage. He grew up in the studios of Mesdag, connected with the Panorama Mesdag Museum, and is a sixth-generation artist.

Franken has lived in the Wellington region since the late 1960’s. Robèrt Franken and his work have travelled extensively, with exhibitions in Switzerland, The Netherlands, Australia, New Zealand, Japan, and China over many years. His works are also held in numerous national and international collections, including Wellington’s very own Te Papa.

“The Messenger” © Robèrt Franken

Franken works in a wide variety of mediums, such as glass engraving, ceramics, mosaic and oils. He was responsible for the sparklingly, colourful mosaics at the bottom of shallow ponds between the old Town Hall and the Michael Fowler Centre. His works have been described as Surrealist, but Franken walks to much an individual path to be pigeonholed so easily.

“Into the day” © Robèrt Franken

To illustrate this point, here are a couple of quotes from Franken which clearly demonstrate his unwavering commitment to following his own unique artistic path. “As an artist, one tries to invent a language for which I have no words.” and “Perhaps the true measure of an artist is their ability to see things differently, to redefine reality.”

We are thrilled to be interviewing Franken about his practice and, in particular, his new show Reflections in a pond which just opened at the PATAKA Art + Museum in Porirua. Reflections in a pond runs until the 20th of March. If you can’t make it out to Porirua, Franken regularly exhibits at the  Walrus gallery in Wellington.

Follow this link for details of Reflections in a pond at PATAKA Art + Museum, and here for details about the Walrus gallery.

We are absolutely thrilled to announce that you can watch our interview with Robèrt Franken below! Or, if you are more a podcast fan, there is also a podcast version of the interview. We wish to extend our heartfelt thanks to Robèrt Franken for his time and giving us such a fabulous interview.

Franken: “My special thanks to Jonathan and Alice Milne for being my sponsor over the past 25 years as Artist in Residence at the Learning Connextion, and to Michelle Homer at Walrus Gallery for my Framing and hanging my works.”

All photographs used in the video and displayed above are © Robèrt Franken (All rights reserved).



10.98 seconds of Wellington artists / Maschmeyer, Lennart
“Wellington, like any other place, is made unique by its people. And Wellington is made a unique place especially by its community of artists. Inside these pages are photographs of musicians on stage or painters at work, capturing both their artistic and private sides. Altogether, the amount of time captured by photographs in this book adds up to just over ten seconds, as is the title. “…an intelligent, empathetic and unique record of the contemporary artistic community within the Wellington region.” -Avenal McKinnon (Director New Zealand Portrait Gallery)” (Adapted from Catalogue)

Interview: Sam Duckor-Jones on his new work ‘Gloria’

Image of the very pink inside of Gloria


The fabulous local poet and artist Sam Duckor-Jones made waves across international headlines recently, following his ongoing five-year transformation of an 83-year-old church in Greymouth. Designed as a “queer place of worship”, Duckor-Jones is in the process of turning the church into an innovative, immersive work of art. The space, which Duckor-Jones refers to as Gloria, is coloured in a resplendent, veritable explosion of pink hues and tones. It also, delightfully, includes a huge pink neon “Gloria” sign over the altar. The work also features a unique congregation of 50 Papier-mâché people.

Sam says in the Guardian piece about the work that he wants Gloria to “belong to the community”. It has already become a destination for visitors within our shores, and one suspects that when our borders eventually open will attract a lot of visitors from further afield. We were very fortunate to be able to interview Duckor-Jones last year (in conjunction with Radioactive FM), when he talked to us about his poetry and his plans for Gloria (long before word of the work had reached the international media).

You can listen to that interview conducted by Liam Wild below, and read the Guardian piece here.  If you’d like to know more about Duckor-Jones’ work, you can follow this link to his profile at Bowen Galleries.

As well as his artistic practice, Duckor-Jones is also an acclaimed poet. You can borrow his poetry collections from us, which we have collated into a handy booklist at the end of this blog post.

We wish to extend our heart felt thanks to Sam Duckor-Jones and interviewer Liam Wild for this wonderful interview. All photographs in this blog are copyrighted and reproduced with the kind permission of Sam Duckor-Jones


Party legend / Duckor-Jones, Sam
“Sam Duckor Jones’s first poetry collection was a tour of small towns, overgrown lawns, and giant clay men. In Party Legend he turns once again to questions of existence but at an even bigger scale. These are poems about creation, God, intimacy, the surreality of political rhetoric, misunderstandings at the supermarket – and they are fearless in form and address. Though Party Legend is often wildly funny, it is also, in its Duckor-Jonesian way, tender-hearted and consoling.” ( Adapted from Catalogue)

People from the pit stand up / Duckor-Jones, Sam
“This is the voice of someone who is both at home and not at home in the world. Sam Duckor-Jones’s wonderfully fresh, funny, dishevelled poems are alive with art-making and fuelled by a hunger for intimacy. Giant clay men lurk in salons, the lawns of poets overgrow, petrolheads hoon along the beach, birds cry ‘wow-okay, wow-okay, wow-okay’.” (Adapted from Catalogue)

 

Out here : an anthology of Takatāpui and LGBTQIA+ writers from Aotearoa
“A remarkable anthology of queer New Zealand voices. We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you’re hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn’t know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum .” (Adapted from Catalogue) Also available as an eBook.

Short poems of New Zealand
” Funny, startling, poignant, illuminating, and always succinct, this anthology celebrates the many moods and forms of the short poem and demonstrates its power in holding our attention. Included here are famous names like Manhire, Glover, Hulme, Bethell, and Cochrane, amongst many new and rediscovered gems.” (Adapted from Catalogue)

 

Annual. 2
“Annual 2 contains all-new material for 9- to- 13-year-olds. The result is a highly original, contemporary take on the much-loved annuals of the past – all in one beautiful package. Alongside familiar names publishing for children – Gavin Mouldey, Sarah Johnson, Ben Galbraith, Barry Faville, Giselle Clarkson, and Gregory O’Brien – you’ll find the unexpected, including a new song by Bic Runga, a small-town mystery by Paul Thomas, and a classic New Zealand comic illustrated by new talent Henry Christian Slane. Smart and packed with content, a book for the whole family.” (Adapted from Catalogue)

Interview with Professor Anne Noble, Arts Foundation Laureate

Professor Anne Noble

Professor Anne Noble is one of the most highly regarded and acclaimed art photographers and conceptual artists working in Aotearoa New Zealand today. We are absolutely thrilled to announce that you can watch our interview with Professor Noble below!

All photographs used in the video and displayed below are © Anne Noble (All rights reserved) and Massey University Press and are reproduced with kind permission.

Professor Noble’s photographic and conceptual works have gained her a major international reputation. Her work has been exhibited globally and is held in numerous national and international collections. Her practice spans various mediums — including moving image, still photography, sound, and installation work.

Professor Noble’s previous bodies of work have to this point included pieces examining Antarctica, her own daughter’s mouth, pieces on the significance of memory and imagination to personal and cultural narratives of place and belonging, and most recently, forests.

Dead Bee Portrait #01, by Anne Noble

The video interview above particularly focuses on her various bodies of work surrounding her interest in bees. This interview was shot at Professor Noble’s recent exhibition at the Bartley & Company Art Gallery, and covers her practice — in particular this exhibition and the associated book Conversātiō – in the company of bees, recently published by Massey University Press.

More about Professor Anne Noble and her practice

Professor Noble also has another exhibition coming up — “In a forest dark…” (25 November – 18 December 2021), at Bartley & Company Art Gallery.

And below is the full extended uncut version of the interview  for anyone who wishes to delve deeper into Professor Nobles work!

Conversatio : In the company of bees / Noble, Anne
“Lavishly illustrated book to accompany Professor Anne Noble’s Bee themed exhibitions staged internationally over the course of several years. With guest essayists commenting and illuminating various points and themes explored in these bodies of work.” (Adapted from Catalogue )

Find more by Professor Noble on our Catalogue:

Spoolhenge Antarctica / Noble, Anne
“Catalogue of an exhibition held at the Cube3 Gallery, Peninsular Arts, University of Plymouth from 19 May-25 June, 2011. Includes bibliographical references.” (Adapted from Catalogue )

No vertical song / Noble, Anne
“Catalogue of an exhibition held Friday 24 March – Sunday 7 May 2017, at the Centre for Contemporary Photography, Melbourne.” (Adapted from Catalogue )

Slow release : recent photography from New Zealand : Fiona Amundsen, Gavin Hipkins, Anne Noble, Fiona Pardington, Peter Peryer, Ann Shelton, Yvonne Todd
“Catalogue of an exhibition at the Heide Museum of Modern Art, Bulleen, Victoria 10 August – 22 September 2002; the Gippsland Art Gallery Sale 16 November – 15 December 2002; and the Adam Art Gallery, Victoria University of Wellington, 2003.Supported by the Chartwell Trust. And including bibliographical references.” (Adapted from Catalogue )