Looking back on things: New art books

A selection of books for your new year reading, these books reflect on the role of art; in its classical halls and chapels, in our reflections upon childhood and on the very streets we walk. Also included are some practical books for those ready to make a mark or stich that should help point you in the right direction.

Picturing joy : stories of connection / Lange, George
“Whether he was shooting a movie star or a family member, he saw his own search for joy reflected in the images. While growing up in Pittsburgh, Lange cherished his happy childhood, and he found himself unconsciously yearning for that feeling in his adult life. Through intimate stories and more than eighty photos, Picturing Joy invites readers to appreciate life with all their senses and to change their perspective by being open to new things.”– Provided by publisher.” (Adapted from Catalogue)

All things move : learning to look in the Sistine Chapel / Marshall, Jeannie
“A writer studies a famous work of art and finds herself and her own cultural moment revealed at its heart. Jeannie Marshall lived in Rome for ten years without visiting the Sistine Chapel: she didn’t want to have a superficial experience of the frescos, but she wasn’t sure how, amidst the crowds of tour groups and the noise of pop culture allusions, she could have anything but. All Things Move is a quietly sublime meditation on how art, once invested with the power to save our souls, can enlarge our lives if only we learn how to look.”– Provided by publisher.” (Adapted from Catalogue)

Street art’s rising stars : 24 artists you should know / Mattanza, Alessandra
“Making their statements on the walls of the world’s major cities, these emerging artists are also making their way to the forefront of an increasingly crowded genre. As street artists move from the fringe to the mainstream, it’s hard to know who is a true talent and who’s just a flash in the pan. Whether rebelling against the establishment or bringing communities together; highlighting important issues or expressing a unique creative vision; these artists are living proof of street art’s lasting influence, infinite adaptability, and remarkable diversity” — Provided by publisher.” (Adapted from Catalogue)

The printmaking bible : the complete guide to materials and techniques / D’Arcy Hughes, Ann
“With its stunning array of full-color images, The Printmaking Bible is the ultimate guide to the ins and outs of every variety of printmaking practiced today-from intaglio to monotype.  Originally published in 2008, this comprehensive handbook has been revised and updated for this edition, which incorporates new artists, methods, and technologies from all over the world”– Provided by publisher.” (Adapted from Catalogue)

Seeing it all women photographers expose our planet / Rubinstein, Rhonda
“Eleven visionary photographers–who happen to be women–focus upon moments of profound beauty and peril on our planet. These intrepid individuals use photography to expose how we–humans, animals, nature–are living together in these precipitous times. Each photographer provides a concise manifesto arising from their commitment to life on the planet, which is accompanied by a short profile and behind-the scenes insights into their activities.”–Publisher.” (Adapted from Catalogue)

The untamed thread : slow stitch to soothe the soul & ignite creativity / Woods, Fleur
“The Untamed Thread takes you inside Fleur Woods’ contemporary fibre art studio in rural Aotearoa New Zealand, where her practice is as untamed as the natural landscape that inspires her. Taking you on a journey through colour, texture, flora, textiles and stitch, alongside the magical moments, happy accidents, perfect coincidences and ridiculous randomness of the artistic process, this is a book for anyone wanting to connect with their inner creative self”–Provided by publisher.” ( Adapted from Catalogue)

Holidays Work: Artist interview with Brendan O’Brien

 

Brendan O’Brien has been a major name in the Aotearoa art world for over twenty years, an artist who  specialises in hand-printed books and collage art.

At his Wellington art workshop Fernbank Studio, he creates exquisitely designed and printed handmade books and works of art. Over the years he has collaborated with some of the most important artists and authors in Aotearoa, such as Colin McCahon, Bill Manhire, Selina Tusitala Marsh, Vincent O’Sullivan and Ralph Hotere among many others.

He has also been an artist in residence at the Rita Angus Cottage in Thorndon and the Otakou Press in Dunedin. His work also includes individual prints which have been exhibited widely both here in Aotearoa / New Zealand and wider afield,  many of them finding their way into some of our countries most important art collections . These print pieces often show Brendan’s interest in the Surrealist collage technique pioneered by artists such as Max Ernst and Rene Magritte.

Brendan’s work is frequently exhibited in the Bowen Galleries in Ghuznee Street. He is currently exhibiting in a group show at the Bowen Galleries called Holidays Work which runs till the 19 February 2023. Find more information about called Holidays Work at the Bowen Galleries here.

So, when we got the opportunity to interview the Brendan about his work, we jumped at it! We wish to extend our heartfelt thanks and appreciation to Brendan for taking the time to answer our questions, and for providing such an illuminating insight into his world and work.

This interview was done in conjunction with Caffeine and Aspirin, the arts and entertainment review show on Radioactive FM. We would like to thank Brendan for giving us his  time and such a fabulous interview.

You can hear the full interview below.

Horse with hat / Smith, Marty
“The poems in “Horse with Hat” cover family feuds; the familial effects of World War II; and horses, both in general and in poet Marty Smith s childhood experience. Some poems look at the long relationship between horse and man and the thousands of years the horse has stood as an icon of speed, power, and civilization. Her father, who made his children learn to ride bareback, is also the subject of many poems. Her family appears as characters throughout the collection, including her father and grandmother who lived on the same farm but never spoke. Illustrated by Brendan O’Brien.” (Adapted from Catalogue)

Millionaire’s shortbread : poems / Duffy, Mary Jane
“”Millionaire’s Shortbread is both book and cake. Meeting at a cafe table in downtown Wellington, sustained by their favourite treat and gathering in an illustrator along the way, the poets put together this selection of their work over three years. It seemed inevitable that the book should be named after the cake, and the distinctive voices of the poets become its flavoursome ingredients. Illustrated by Brendan O’Brien. “(Adapted from Catalogue)

Contemporary Masterpieces: new art books

For a fix of the latest contemporary New Zealand art, look no further than the Print Council of Aotearoa New Zealand’s recently released book Proof: Two Decades of Printmaking. We recently had the privilege of hosting the Wellington book launch at Karori Library, and visited the studios of local artists Basia Smolnicki, Kirsty White and Carrie Carey in the lead-up to the event. You can take a sneak peek into their printmaking processes by watching their recorded interviews on our YouTube channel. The book is a visual delight that celebrates 20 years of homegrown printmaking. This stunning complication displays the vast array of talented artists practicing and living right here on our shores.

Over across the pond, Tracey Emin, one of Britian’s preeminent living artists, continues to leave an indelible mark on the contemporary art scene. Her creative output has ranged from controversial bedsheets to neon-light exposés, that often polarise audiences and critics alike. Emin’s works exhibit scathingly raw and honest reflections in both visual and text form, on deeply personal issues such as sexuality and ageing, and in more recent years her battle overcoming cancer. Pick up a copy of Tracey Emin: Art into Life to read a selection of essays on Emin’s significant contributions to not only the British art scene, but also the global contemporary art world. 

Dive hundreds of years back into art history with Making a Masterpiece and Botticelli’s Secret, to discover the age-old tales and modern revelations behind the worlds most infamous artworks. These newly released books uncover the often scandalous lives of the artists who epitomised the Renaissance, and created the artworks that are cemented into the history books.

Proof: Two Decades of Printmaking
“A superb showcase of some of the best examples of contemporary fine art printmaking in Aotearoa New Zealand today. With 180 works by 127 artists, Proof covers a huge breadth of printmaking processes and display the incredible diversity of this artform, from traditional woodcuts and etchings to those pushing the boundaries of print. This is the first book on fine art printmaking ever to be published in New Zealand.” (Adapted from Catalogue)

Tracey Emin : art into life
“Tracey Emin has undergone an extraordinary metamorphosis from a young, unknown artist into the ‘bad girl’ of the Young British Art (YBA) movement, challenging the complacency of the art establishment in both her work and her life. Today she is arguably the doyenne of the British art scene and attracts more acclaim than controversy. In Tracey Emin: Art Into Life, writers from a range of art historical, artistic and curatorial perspectives examine how Emin’s art, life and celebrity status have become inextricably intertwined.” (Adapted from Catalogue)

 

Making a masterpiece : the stories behind iconic artworks / Mancoff, Debra N.
“There are many great works of art, but what makes a genuine masterpiece? Find the answers in this captivating book, which looks at the fascinating stories behind the world’s most famous artworks — the ones that can truly claim that label. Each work reveals that making a masterpiece involves much more than just artistic skill: their paths to fame are filled with stories of theft, scandal, artistic reputation, politics and power.” (Adapted from Catalogue)

 

David Smith : the art and life of a transformational sculptor / Brenson, Michael
“The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century.” (Adapted from Catalogue)

 

 

 

Botticelli’s secret : the lost drawings and the rediscovery of the Renaissance / Luzzi, Joseph
“Some 500 years ago, Sandro Botticelli, a painter of humble origin, created works of unearthly beauty. A combination of artistic detective story and rich intellectual history, Botticelli’s Secret shows not only how the Renaissance came to life, but also how Botticelli’s art helped bring it about-and, most important, why we need the Renaissance and all that it stands for today.” (Adapted from Catalogue)

 

Art is life : icons and iconoclasts, visionaries and vigilantes, and flashes of hope in the night / Saltz, Jerry
“Sotheby’s Institute of Art has called him, simply, “the art critic”, now, in Art Is Life, Jerry Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. Art Is Life offers Saltz’s eye-opening appraisals of trailblazers like Kara Walker, Hilma af Klint, Jasper Johns, Richard Prince, Marina Abramović and Willem de Kooning. The result is an openhearted and irresistibly readable appraisal by one of our most important cultural observers.” (Adapted from Catalogue)

Dance vision : dance through the eyes of today’s artists / Teal, Joshua
Dance Vision showcases a kaleidoscope of contemporary artwork–from photography and sculpture to illustration and design–by world-renowned artists who find inspiration in dance. For some, the movement of bodies in space is a gateway into the human experience of beauty. For others, dance has become a way to engage with individuals and communities that exist beyond our singular experiences.” (Adapted from Catalogue)

 

The grand affair : John Singer Sargent in his world / Fisher, Paul
“A bold new biography of the abiding enigma that is John Singer Sargent, the American expatriate painter. This book details the unruly emotions and furtive desires of Singer Sargent, that drove his innovative and groundbreaking paintings.” (Adapted from Catalogue)

 

 

 

Ōtaki artist Rosemary Mortimer: Q+A for ‘Proof’

In the lead up to our Proof’ Book Launch + Artist Talk, we chatted to some of the artists featured in the book.

At her Ōtaki studio artist Rosemary Mortimer spoke to us about her creative process of finding and printing from found objects.

Join us at 11am this Saturday November 26th at Karori Library, as we celebrate contemporary printmaking with artists featured in the upcoming book ‘Proof: Two Decades of Printmaking‘. Showcasing the exhibitions, techniques and traditions of the Print Council Aotearoa New Zealand (PCANZ), this new publication is the first survey of fine art printmaking to be published in Aotearoa. View artworks and chat to the PCANZ artists about their studio practices, in this collaborative discussion on the incredible diversity of the printmaking medium.

What: ‘Proof’ Printmaking Book Launch + Artist Talk
When: Saturday, 26 November 2022, 11am – 12pm
Where: Karori Library

This event is presented in conjunction with Massey University Press and PCANZ. See more of Rosemary Mortimer’s artworks on her website. Special thanks to Justine Hall – Kāpiti Coast Art Trail for generously supplying the video footage used.

Find all of the details for the ‘Proof’ Book Launch + Artist Talk on our events calendar and on Facebook. For more artist interviews, check out our studio Q+A’s with Wellington-based artists Basia Smolnicki, Kirsty White and Carrie Carey.

Proof: Two Decades of Printmaking

“A superb showcase of some of the best examples of contemporary fine art printmaking in Aotearoa New Zealand today. With 180 works by 127 artists, Proof covers a huge breadth of printmaking processes and display the incredible diversity of this artform, from the more traditional woodcuts and etchings to those pushing the boundaries of print. With a foreword by Susanna Shadbolt, Director of Aratoi, Masterton, brief essays on the history of PCANZ, including significant exhibitions, and a glossary of printmaking terms and techniques this book is a valuable resource for art students and teachers. This first book on fine art printmaking ever to be published in New Zealand is a visual feast for designers, graphic artists, book binders, artists and art lovers.” (Catalogue)

 

‘Proof’ Book Launch & Artist Talk – this Saturday

In the lead up to our Proof’ Book Launch + Artist Talk, we chatted to some of the Wellington based artists featured in the book.

At her Island Bay studio artist Carrie Carey spoke to us about the playfulness of her prints and embracing creative happy accidents.

Join us at 11am on Saturday November 26th at Karori Library, as we celebrate contemporary printmaking with artists featured in the upcoming book ‘Proof: Two Decades of Printmaking‘. Showcasing the exhibitions, techniques and traditions of the Print Council Aotearoa New Zealand (PCANZ), this new publication is the first survey of fine art printmaking to be published in Aotearoa. View artworks and chat to the PCANZ artists about their studio practices, in this collaborative discussion on the incredible diversity of the printmaking medium.

What: ‘Proof’ Printmaking Book Launch + Artist Talk
When: Saturday, 26 November 2022, 11am – 12pm
Where: Karori Library

This event is presented in conjunction with Massey University Press and PCANZ. See more of Carrie Carey’s artworks on her website, and find all of the details for the ‘Proof’ Book Launch + Artist Talk on our events calendar and on Facebook.

For more artist interviews, check out our studio Q+A’s with local PCANZ artists Basia Smolnicki and Kirsty White.

Proof: Two Decades of Printmaking

“A superb showcase of some of the best examples of contemporary fine art printmaking in Aotearoa New Zealand today. With 180 works by 127 artists, Proof covers a huge breadth of printmaking processes and display the incredible diversity of this artform, from the more traditional woodcuts and etchings to those pushing the boundaries of print. With a foreword by Susanna Shadbolt, Director of Aratoi, Masterton, brief essays on the history of PCANZ, including significant exhibitions, and a glossary of printmaking terms and techniques this book is a valuable resource for art students and teachers. This first book on fine art printmaking ever to be published in New Zealand is a visual feast for designers, graphic artists, book binders, artists and art lovers.” (Catalogue)

 

Lyall Bay Artist Kirsty White’s Studio Q+A for ‘Proof’



In the lead up to our Proof’ Book Launch + Artist Talk, we chatted to some of the Wellington based artists featured in the book.

At her Lyall Bay studio, Kirsty White took us on a tour through her sketchbooks, spoke about her love of the native bush, and the excitement surrounding the upcoming release of ‘Proof’.

Join us at 11am on November 26th at Karori Library, as we celebrate contemporary printmaking with artists featured in the upcoming book ‘Proof: Two Decades of Printmaking‘. Showcasing the exhibitions, techniques and traditions of the Print Council Aotearoa New Zealand (PCANZ), this new publication is the first survey of fine art printmaking to be published in Aotearoa. View artworks and chat to the PCANZ artists about their studio practices, in this collaborative discussion on the incredible diversity of the printmaking medium.

What: ‘Proof’ Printmaking Book Launch + Artist Talk
When: Saturday, 26 November 2022, 11am – 12pm
Where: Karori Library

This event is presented in conjunction with Massey University Press and PCANZ. See more of Kirsty White’s artworks on her website, and find all of the details for the ‘Proof’ Book Launch + Artist Talk on our events calendar and on Facebook.

 

Proof: Two Decades of Printmaking

“A superb showcase of some of the best examples of contemporary fine art printmaking in Aotearoa New Zealand today. With 180 works by 127 artists, Proof covers a huge breadth of printmaking processes and display the incredible diversity of this artform, from the more traditional woodcuts and etchings to those pushing the boundaries of print. With a foreword by Susanna Shadbolt, Director of Aratoi, Masterton, brief essays on the history of PCANZ, including significant exhibitions, and a glossary of printmaking terms and techniques this book is a valuable resource for art students and teachers. This first book on fine art printmaking ever to be published in New Zealand is a visual feast for designers, graphic artists, book binders, artists and art lovers.” (Catalogue)