Comicfest 2015 is here! Head over to the Facebook event for all the details and to receive event updates. There are panels and workshops for comic-lovers of all ages, and don’t forget to come along to the Central Library on Saturday 2nd May to pick up a free comic book on Free Comic Book Day, courtesy of GRAPHIC!
Today we’re talking to Chris Guise about his work, and what we can look forward to at his Comicfest panel. Chris Guise was a self-employed shopping mall caricature artist when special effects company Weta Workshop hired him to work on Peter Jackson’s “Lord of the Rings” trilogy. During the film’s production he worked in a number of areas including the Miniatures, Armour/Weapons, Painting and Sculpting/Merchandising departments. He was then incorporated into the design department and was employed on a wide variety of projects including “The Lion, the Witch and the Wardrobe”, “King Kong”, “Jane & the Dragon”, “Black Sheep” and “The Wotwots”. Chris then went on to become Weta Workshop’s Lead Conceptual Artist for the Steven Spielberg film “The Adventures of Tintin: The Secret of the Unicorn” following which he wrote and art directed the book “The Art of the Adventures of Tintin” as well as the critically acclaimed iPad app version of the book. 16 years after first being hired, Chris is still currently working as conceptual designer for Weta Workshop.
What is the first significant comic related job or project you remember working on?
I used to make a living as a shopping mall caricature artist before I joined Weta Workshop. Half an hour to draw an A3 sized likeness of someone in full colour pencil while occasionally having unwanted hamburger pickles thrown at me from the mall food court. Suppose it got me used to working under stress. At least flying food isn’t involved anymore.
Can you tell us about your current, or most recent project?
Because of multiple confidentiality agreements I’ve signed, the most recent thing I did a bit of work on that I can actually mention is the current Te Papa Gallipoli exhibition and Peter Jackson’s Conflict Museum exhibition. As for film projects, if I told you I’d have to either kill you or spend the rest of my life on the run from the law.
Who/what is your biggest influence or inspiration?
Film wise – Anything and everything. Especially Steve Spielberg films.
Comic wise – MAD Magazine especially artists Mort Drucker, Don Martin and Sergio Aragonés. Classic Looney Toons from the golden age (especially episodes directed by Chuck Jones). “Asterix” creators Goscinny and Uderzo. And, last but not least, Herge – creator of “Tintin”
What are you excited to share with ComicFest attendees? Just a taster!
Taking a popular 2D graphic book series and bringing it into a “realistic” filmic world isn’t exactly easy. There were many challenges in the making of the “Tintin” movie that the average movie viewer wouldn’t even realise. Heck, most of us that worked on the film didn’t even know these challenges existed until we came face to face with them.
If you were to enter our cosplay contest, who/what would you dress up as?
Since I’m pretty scruffy at the moment and have access to a ships captain’s hat, I suppose I’d probably go as Captain Haddock. (Gee. What a surprise.)