Staff Picks: The Best CDs of 2021

Image featuring some of our top picks


Mark’s Pick:
Vulture prince. / Aftab, Arooj [VINYL ONLY]
“Vulture Prince” is the third album from Brooklyn-based Pakistani composer Arooj Aftab. It made ‘Best of the Year’ picks even halfway through last year, and has been pressed on Vinyl 3 times since it came out last April – all of which sold out almost instantly. It’s critical & commercial success led to her being nominated for two Grammys, Best New Artist and Best Global Music Performance, as well as being signed to major label, Verve Records. An amazing sounding album, a mixture of chamber jazz, Hindustani classical minimalism & neo-Sufi, centered around her crystal clear voice. A truly beautiful and haunting work.

Mother. / Sol, Cleo
There was a lot of Neo-soul this year. A lot. I listened to a good percentage of it, and Cleo Sol’s ‘Mother’ was the best of the bunch. A mellow, tender, beautifully sung homage to motherhood. These lovely delicate songs have a real sense of intimacy, and at times the minimalist production from partner Inflo (who was recently announced as Producer of the Year in 2022’s Brit awards) makes you feel you are hearing a bunch of personal demos that were never meant to be shared.

Lindsey Buckingham. / Buckingham, Lindsey
The ex-Fleetwood Mac-er returns with a delayed album – originally cut in 2018. It is perhaps his most ‘pop’ outing and most FM sounding solo album yet. Mirage-era stylings, double tracked vocals, and catchy choruses surround a set of songs that focus on band & domestic disharmonies. Few artists of his generation can claim to be still making music this strong.

 

Shinji’s Pick’s:
Mother. / Sol, Cleo
A member of the London’s avant-soul unit ‘Sault’, Cleo Sol’s sophomore album is a reflection of herself having become a mother during the pandemic. It’s an intimate affair featuring medium/slow soul ballads. Surrounded by the warm, tender arrangements, her voice is charming and graceful.

 

Nine. / Sault 
Sault’ also released another edgy album ‘NINE’ – more personal than previous albums but black proud and social justice are still its core. The both are a must-listen.

 

 

What we call life. / Rakei, Jordan
The Tokoroa-born, sweet-sounding soul singer Jordan Rakei steadily developes his style with every outing. This latest album from Ninja Tune takes us on an intimate, emotional journey, showing his mutuality both as an artist and a person. His dance/house project Dan Kye’s ‘Small Moments’ (Vinyl only) is also quite good.

 

Harbour. / Herskedal, Daniel
Tuba is usually not considered a lead instrument, but the Norwegian tubaist Daniel Herkedal has made his mark as an outstanding player and band leader. Nature often inspires his works, in this album his trio brilliantly transforms images of Norwegian seaside into their music. You can feel a combination of warmth and cool air in the rich, open soundscapes that they create. Akin to ECM, it’s a sublime jazz album.

Phantasmagoria, or, A different kind of journey / Aarset, Eivind
Norwegian jazz guitarist Eivind Aarset is a master of creating inventive sonic layers and tonal richness. Aarset’s new album finds him in superb form. Showing impressive range, from the gentle ambient tracks to the eccentric guitar improvised prog-rock, it offers a sophisticated, expansive musical journey.

Becca Stevens & the Secret Trio. / Stevens, Becca
The ‘jazzy but not quite jazz’ singer Becca Stevens has worked with numerous artists, including David Crosby for his brilliant ‘Here If You Listen’. Her new project with the Secret Trio, who’s roots range from  Turkish to Armenian and Macedonian, offers a unique hybrid music of folk, jazz and world music. This work gets better with every listen.

 

The eternal rocks beneath. / Priddy, Katherine
Praised by the likes of Richard Thompson and Vashti Bunyan, young English folk singer Katherine Priddy debuted with an exceptional album. Showing her love of Nick Drake, her songs are alluring. The band supports marvellously, but it is her captivating voice that takes your breath away. Everything is so natural here, a promising a star is about to be born.

 

Invisible cities = Le città invisibili / Winged Victory for the Sullen
The 2021 album from this ambient duo is a collaboration with a theatre production, directed by London Olympics ceremony video designer Leo Warner. The show, in turn, was is based on Italo Calvino’s classic novel ‘Invisible Cities’. This duo, once again, has created a stunning score which masterfully weaves the medieval feeling into the ethereal, ambient soundscape. Sublime.

 

Déjà vu [deluxe] / Crosby, Stills, Nash & Young
[Box set/re-issue]
The 1970 original album climbed up to No.1 and stayed 88 weeks in the USA top 100 charts. In 2021, this iconic masterpiece finally got a deluxe edition (4CDs + 1LP). Including 38 tracks of demos and outtakes, a lot of tracks here have never been released before and, as well as this, they prove how genius these musicians are. The Laurel Canyon community also must have stimulated their creativity, which is evident in the intriguing documentary ‘Laurel Canyon’.

Kid A mnesia / Radiohead
[Box set/re-issue]
The 21st century opened with this revolutionary music. ‘Kid A’ (2000) and ‘Amnesiac’ (2001) were recorded together but issued a year apart. This re-issue offers previously unreleased tracks on the third disc, which is fascinating. Their bold creative mojo and exceptional talent made Radiohead a one-and-only supergroup. 20 years on, they are still standing tall.

Aretha. / Franklin, Aretha
Aretha Franklin, the ‘Queen of Soul’, had a career which spanned 6 decades, and this smartly compiled box set should be welcomed by both dedicated fans and novices to her music. It’s almost an ideal ‘best album’ of her music, and would be a wonderful accompaniment to the nice biographical film ‘Respect’.

 

Neil J’s Pick’s:
Promises / Floating Points
This is my person pick for best of 2021. Many albums strive to be as beautifully mellow and profoundly intense. They nearly always fail to some degree or another. This album is as close to perfection as I have heard in many a year, an outstanding masterpiece that will rightly regarded as such long after 2021 is a distant memory. Recorded over the course of five years, this album is a hybrid of ambient, free-form jazz and classical. The result is an album that is elegant, refined, and full of quiet moments of sonic beauty. Although it is an experimental album, it’s an exceptionally balanced, considered, and timeless work. To really appreciate it, a relaxed deep listen is highly recommended. A perfect way to unwind from the rigors of the day.

Nine. / Sault
The enigmatic and mysterious music collective Sault release another vital album. Unsurprisingly as an ever-changing music collective, there is a rich tapestry of sounds and approaches in ‘Nine’. The overall effect though feels totally unified and coherent. The tracks are urban, dark, and edgy with real grit. In the mix there are elements of rap, grime Afro Beat and even some Tom Tom’s club’s style funk. The content of the album is largely about growing up in modern London. This is a fresh and surprising album, stunning in its contemporary urgency.

Geist. / Lay, Shannon
Shannon Lay’s Geist is a deliberately wistful, transcendent, and spiritual album. Lay uses multi tracked choral vocals with a constantly flowing, and evolving acoustic guitar as its core. The effect is distinctive, expressive, quiet, and lovely. An evocative pastoral psychedelic folk work reminiscent of artists like Vashti Bunyan, I particularly enjoyed her cover of Syd Barrett’s ‘Late night’.

 

Buda / Buda, Luke
One of the core creative forces behind the mighty The Phoenix Foundation releases (with a lot of help from his friends) his third solo effort, this time simply called Buda. It is an impressive work, interspersed with a lot of the hallmark touches he brings to his other work in The Phoenix foundation. This album is wryly funny, poetic, serious when it needs to be and shows us why he is one of our finest musicians.

Black sea golden ladder. / Kingi, Troy
The supremely gifted musical chameleon that is Troy Kingi has shown his musical versatility over several wonderful albums on several occasions in recent years, but who would have thought that his latest musical incarnation would be as a mellow folk maestro? The resulting album is a beautiful, and chilled outing, like watching the sun go down on the fragile dream of a late autumn day. Delaney Davidson’s voice adds just a little grit and darkness to the proceedings.

M’berra / Khalab
This is one of those album’s that really transports the listener to new worlds. It is a collaborative work between electronic Italian D.J. Khalab and the M’berra Ensemble, a community of musicians living in the M’berra refugee camp. The resulting album, both ancient and futuristic, is a breath-taking work of fantastically sculptured tracks and diverse sounds, featuring a dazzling array of instruments from traditional Mali instruments to synth bass’s and guitar.

Bright green field. / Squid (Musical group)
An album of angular music, coupled with angry off kilter lyrics that illuminate the song writers’ discomfort with the modern World. In places, it sounds slightly reminiscent of an early English, pre-Eno, Talking Heads. Seemingly unconcerned about creating a single musical identity, they use whatever style suits that particular track from throwing in punk, krautrock, dub, jazz, and funk into this potent mix of an album.

New long leg. / Dry Cleaning (Musical group)
I really loved this album, it sounded new and fresh and vitally edgy. Managing to sound quirky, surreal, approachable and experimental all at the same time, is it a release I strongly suspect will be on lots of best of 2021 lists.

 

 

The new blue : Pixie Williams reimagined.
Pixie Williams was one of the first ever superstars of the New Zealand music scene. She was a trailblazing pioneer; her song ‘Blue smoke’ was a huge international hit in 1951 covered by many artists, including Dean Martin. A compilation of her work was recently rescued from oblivion, called For the record : the Pixie Williams collection, 1949-1951, and was rereleased in 2011. ‘The New Blue’ is a collection of modern NZ artists paying tribute to her and her art, covering her best known pieces fabulously well with style and panache. This is a perfectly executed, modern nostalgic time machine of an album.

Optimisme. / Songhoy Blues
Crossing musical and cultural boundaries at will, ‘Optimisme’ is a joyous explosion of an album. Driving percussion and scorching guitar riffs come together with political, social and personal lyrics that are sung in several languages and never sound laboured or preachy. The music is exhilarating and unstoppable, you cannot but help feel that many huge stadium acts would be jealous and in awe of the energy pouring out of this release.

 

Gus’ Picks:
The blue elephant. / Berry, Matt
Something I can only describe as “what if Tame Impala travelled back in time and did an album with the Kinks”. Hands down the best summer album of 2021.
Favourite track: Summer Sun

 

 

Skin. / Crookes, Joy
A polished, bold debut neo-soul album for anyone with an Amy Winehouse-sized hole in their heart.
Favourite track: Feet Don’t Fail Me Now

 

 

Prioritise pleasure. / Self Esteem
A pop solo act that goes big and goes hard one minute and becomes a tender pick-me-up the next. Everyone could use a little Self Esteem boost.
Favourite track: Prioritise Pleasure

 

 

Jubilee. / Japanese Breakfast
An eclectic album of 80s city pop, soft ballads, and dreamy croons. A balanced breakfast indeed.
Favourite track: Paprika

 

 

Call me if you get lost. / Tyler, the Creator
No-one quite nails the feeling unique to creatives of alternating triumph and melancholy quite like Tyler Baudelaire, aka Bunny Hop, aka Wolf Haley etc. etc. Call Me If You Get Lost is more of a fun mixtape jam session than the more emotionally introspective albums of his recent output, and while it took me a while to appreciate, by the end of 2021 it became a staple of my playlists.
Favourite track: CORSO

Dune : original motion picture soundtrack
The space bagpipes must flow! I, for one, am always up for a eardrum rattling from the Zimmer Man, and Dune does not disappoint. Combining electrified strings, throat singing, epic brass, Middle Eastern choirs and the aforementioned space bagpipes, this score truly worthy of a space epic.
Favourite track: Armada

 

Yasuke : music from the Netflix original anime series
With the anime Yasuke, Flying Lotus finally gets to lend his unique blend of hip hop and electronica to scoring an animated series, and he succeeds immensely. As Samurai Champloo creator (and one-time FlyLo collaborator) Shinichiro Watanabe proved, there’s something about blending hip hop and samurai that just works.
Favourite track: Your Day Off

 

Han’s Picks:
L.A.B. V. / L. A. B
Another awesome album from L.A.B, with songs that are funky, chilled out and make you automatically feel free and summery. Favourite tracks on this album are: ‘Under The Sun’, with it’s country twang and catchy chorus, ‘All Night’, which brings the groove and makes you want to dance and their latest smooth sounding single ‘Mr Reggae’.

 

Little oblivions. / Baker, Julien
An emotional outpouring of deep and self-loathing lyrics ,with a voice that is raw, vulnerable and magical, makes for a brilliant third solo album from Julien Baker.

 

 

Sour. / Rodrigo, Olivia
If you have ever had your heart broken and not been sure of yourself, then you will easily relate to the lyrics on this album. Songs like ‘Traitor’ and ‘Happier’ convey familiar feelings of being hurt by relationships breaking down. ‘Brutal’, the first track, is probably the best with all of her thoughts and annoyances with life on display in a snarly pop punk style. Very impressive debut album from this new pop superstar.

 

OK human. / Weezer
This is Weezer in a completely different form, with none of the guitar sound that is associated with the band. Instead, they have opted for an orchestral sound, which is new for them and definitely works as a change. The opening track ‘All My Favourite Songs’ is brilliant and the chorus is incredibly catchy and anthemic. ‘Grapes of Wrath’ is a big advert for Audible, but I don’t mind it as I like all the book references in that track. These songs were written during the pandemic and as a result are extremely relatable.

Van Weezer. / Weezer
In contrast to Ok Human, Van Weezer brings all the guitars back for a more familiar Weezer sound. On the track ‘The End of the Game’, the lyrics are “I know that you would crank this song, air guitaring with your headphones on”’ and it definitely makes me want to do that. So, turn it up and have some fun jumping up and down to this homage to Van Halen!

 

Greg’s Pick:
Leave love out of this. / Tonnon, Anthonie
If you don’t have children, you rely on friends and colleagues to recommend new music to you. This was recommended to me by Martin. This is pop music with social, political and economic messages woven easily and naturally through the lyrics. The title track was nominated for the 2021 Silver Scroll Award.

 

Joseph’s Pick’s:
Godzone. / Sulfate
[VINYL ONLY]
Godzone by Sulfate was a local standout for me.

 

 

 

Martin’s Pick:
Leave love out of this. / Tonnon, Anthonie
A strange mixture. This album sounds like a cross between Ultravox and Gary Numan with some distinctly New Zealand social commentary thrown in. In some ways the music is reminiscent of simple 80’s synth, which I like, but it is also the use of his voice that grabs the attention. It is at both very unmelodic almost banal, but with great range and control. It doesn’t sound, from what I have said, to be so good does it? But it is! It’s interesting, mostly uplifting and overall a joy to listen to. It’s different and fresh and I think positive, which is a rare thing in these times.

Mikaela’s Pick’s:
Jubilee. / Japanese Breakfast

 

 

 

 


Charlotte’s Picks:
Collapsed in sunbeams. / Parks, Arlo
Chemtrails over the country club. / Del Rey, Lana
In these silent days. / Carlile, Brandi
Valentine. / Snail Mail

 

 

 

 

 

 

 

 


Neil P’s Picks:
De pelicula / Limiñanas
Earth trip. / Rose City Band
Comfort to me. / Amyl and the Sniffers
Afrique victime. / Moctar, Mdou
Yol. / Altın Gün
Henki / Dawson, Richard
La Luz. / La Luz
Sometimes I might be introvert. / Little Simz
Introducing… Aaron Frazer. / Frazer, Aaron
Invisible cities = Le città invisibili / Winged Victory for the Sullen
Genesis. / Xixa
Forest of your problems. / Snapped Ankles
Black sea golden ladder. / Kingi, Troy
Pale horse rider. / Hanson, Cory
Geist. / Lay, Shannon


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New CDs for Te Awe

Image featuring album art from this blog's list.


via GIPHY

Statler: Well, it was good.
Waldorf: Ah, it was very bad.
Statler: Well, it was average.
Waldorf: Ah, it was in the middle there.
Statler: Ah, it wasn’t that great.
Waldorf: I kind of liked it.”
-‘The Muppet Show’.


I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Every month, my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at Te Awe library. We also like to pick out some interesting titles, across a range of music genres, to review. Our limit is a few lines only. Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is banging on about?
Read on to find out…
Iowa dream. / Russell, Arthur
Mark: A truly unique figure in music, whose work encompassed everything from electronica, to the avant-garde, Disco and quirky lo-fi singer-songwriter pop. Russell passed away in 1992 and ‘Iowa Dream’ is the latest (2019) collection of unreleased material & home demos. This collection is a sprawl of diverse genres, including commercial 70’s meditative singer-songwriter efforts, lo-fi country twang, 80s Jazz-infected rock and quirky observational pop. A fitting document of a singular talent who followed his musical muses’ wherever they led.
Neil: Arthur Russell’s posthumous 2019 release Iowa Dreams contains 19 unfinished demo tracks, all displaying a markedly consistently high level of quality. Each track showcases the notoriously shy singer-songwriter’s sophisticated, intelligent and thoughtful approach to lyrics and his often genre defining approach to the accompanying musical settings. It’s all a mellow and chilled affair, and provides an excellent introduction to his work if you are unfamiliar with his music.

Observatory. / Aeon Station
Mark: Aeon Station is Kevin Whelan, of the critically lauded cult-indie New Jersey band The Wrens. The long delayed follow up to the acclaimed Wrens 2003 album The Meadowlands was eventually finished in 2013, only to have the bands other songwriter say he needed more time to work on his songs. The relationship between the two men further deteriorated over time, leading Whelan to take his songs for that album and strike out on his own. Adding, as well, a decade’s worth of new material, the result is a great album steeped in classic indie-rock that has the passion of someone rediscovering their love of making music, but also a poignancy of time lost. The power-pop moments are surround by reflective & therapeutic introspections dealing with the frustrations that have plagued his musical career.
Neil: Kevin Whelan, the driving force behind Aeon Station, was a key part of the influential band The Wrens. It was this bands long failure (over many years) to deliver a follow up to their acclaimed album The Meadowlands that is the creative catalyst for this work. Indeed, it features five tracks intended for that abandoned album and two members of the now defunct outfit. The result is a beautiful, melancholic bittersweet debut solo that revolves around the examination of lost dreams.

Ritual divination. / Here Lies Man
Mark: This was on AllMusic’s Best Rock Albums of 2021 list. Here Lies Man are an LA band who merge stoner metal with afrobeat rhythms. This long album, full of epic riffs that shift and morph into different strands, pulls in old school Sabbath elements, Fela Kuti like jams and shades of the Motown hard-rockers Rare Earth. The rhythmic complexity of what’s happening in each track keeps you engaged over the course of the album.
Neil: What can you say about this album? Well, imagine afrobeat mixing with vintage Black Sabbath, sprinkled with art rock overtones and a lot of fuzz. The whole project perhaps wears their 70’s Black Sabbath influence a bit too heavily to be its own thing. That said, it is surprisingly coherent and enjoyable with solid Tony Iommish riff’s aplenty and a gloriously fun listen.

662. / Ingram, Christone “Kingfish”
Mark: Mojo’s best Blues Album of 2021. The 2nd album from the hot young Blues star builds solidly from his dazzling debut. It’s straight ahead blues, but incorporates more R&B grooves and rock riffs this time around, building upon his classic sound and muscular soloing. He isn’t reinventing the wheel with what he’s doing, but the juxtaposition of his young years with his veteran skills gives a weight to everything, and his vocals provide an earnest and honest take on hard times and struggles.
Neil: 22-year-old Christone “Kingfish” Ingram delivers a collection of hard driving blue’s tracks on his album 662. The full gambit of blues styles is on show; some tracks lean towards blues funk, some towards blues pop and even some that are reminiscent of early Zeppelin Blues rock. The energy, technical skill and enthusiasm Kingfisher shows throughout the album never falters. In short, if you are a blues fan it comes highly recommended.

The missing star. / Lunatraktors
Mark: This made 2nd place on Mojo’s best Folk albums of 2021 (after Peggy Seeger’s First farewell). Lunatraktors are an ‘Alt-folk’ band who pioneered the philosophy of ‘broken folk’, taking traditional (& modern) songs and music and re-interpreting them. The first track, for example, is the traditional ‘Rigs of the Time’ with updated the lyrics to include mentions of Brexit, Facebook, Covid-19 and the corruption of politics by UK elites. Other songs feature melodica, harmonium, odd percussion and drones, A mix up of the traditional with takes on Fake news and Leonard Cohen covers, this album is worth checking out if you are looking for folk that mixes the old with some new experimentation.
Neil: The British Folk genre has a long history of politically motivated songs. The Lunatraktors album ‘The missing star’ walks firmly and proudly in those footsteps, with songs about nurses pay, modern British institutional corruption and even Brexit. The setting is less traditional; edgy overlapping Folk harmonies and stripped back percussion all goes into a potent album of what the band themselves, very accurately and provocatively, describe as “Broken Folk”.

Let the night in. / Elise, Kendall
Mark: Auckland country singer-songwriter Kendall Elise made Graham Reid’s Best of Elsewhere 2021 picks with this album. More ‘country-ish’, as it features some rockabilly, traditional country ballads, rockers, moody torch-noir and dark folk. There’s some top song-writing on display, alongside her natural empathetic voice, that convinces within all the emotional shades of the songs. Definitely worth a listen.
Neil: Kendal Elise’s new album tilts its head at several musical styles from acoustic introspective rock, to folk and blues. There’s even a little bit of rockabilly, whilst largely staying in the country music genre. There is even a rocking country cover, a version of Suzi Quatro’s ‘Your mamma won’t like me’. Her vocals are strong and soulful, with a 60’s feel, and she reads the emotional content within each track with precision.

Foolish loving spaces. / Blossoms
Mark: Super catchy third album from the young UK group of schoolfriends, who rose in the 2010’s from small gigs in their native Stockport with word of mouth EPs, to stadium headliners. This is a really great blend of peppy, synthy, power-pop, that takes elements from Brit-pop, early Strokes and Rooney to create propulsive driving pop songs with wry takes on modern relationships. Really enjoyed this.
Neil: ‘Foolish loving spaces’ is a swirling 70’s disco ball of an album that oozes disco glam from every musical pore. The often-ultra-catchy pop tunes hark back to the golden age of the 70’s, when disco was king. Think of a band that channels Abba or The Osmond’s and you know what you are in for.

Fir wave. / Peel, Hannah
Mark: Shortlisted for the 2021 Mercury Prize, ‘Fir Wave’ sees the Northern Irish composer and producer reinterpreting Delia Derbyshire and the Radiophonic Workshop’s 1972 album ‘Electrosonic’. It is a testament to Peel’s talent that she make this reinterpretation, with 21st century music technology, seem like a collaboration effort between the two women. Deeply hypnotic, this is a fitting homage to one of the great female pioneers of Electronic music as well as a significant piece of music from Peel itself.
Neil: Delia Derbyshire, along with Daphne Oram, is regarded as one of the legendary and founding musicians of modern electronic music. This is especially, though not exclusively, through their work with the BBC Radiophonic Workshop. ‘Fir wave’ uses fragments and elements of Delia’s work, but instead of trying to create something in the same tone as the originals, Peel takes a much more daring approach. Whilst paying homage, Peel only uses these elements as starting points, crafting them instead into a phantasmagorical, unique, and tightly bound atmospheric sound world with each track possessing and having its own character.

Fleuves de l’âme. / Hedfi, Houeida
Mark: This debut album by Tunisian percussionist Houeid Hedfi was more than 10 years in the making. Hedfi began playing music in a band who played a form of percussive trance music associated with Tunisia’s black sub-Saharan minority. Hedfi wanted to create something that was more melodic, not just rhythmic, and so she began working with a Tunisian violinist, a Palestinian bouzouk player and, as producer, The Knife’s Olof Dreijer. The resulting album was created over a 9 year period in France, Tunisia, and Germany. A sensual and atmospheric journey, as traditional instrumentation meets subtly embedded electronics and drones, evoking memory, yearning, peace and loss.
Neil: This dreamy Tunisian music inspired ambient work is themed around rivers and water. The work is sensual in feel, punctuated with lush melodies and cascading eastern rhythmic components. It shows the limitations of some Western music, being an expansive work that explores other non-western musical legacies. It contains mystical and trance like elements, yet you know from listening to it that the creation of the various pieces shows a very focussed musical mind at work. It rightly featured heavily on many of the best of 2021 lists.

The nearer the fountain, more pure the stream flows. / Albarn, Damon
Mark: The second solo album for the Blur/Gorillaz frontman after Everyday Robots (2014). It was initially planned as an orchestral homage to his adopted homeland of Iceland, until Covid-19 forced a change of direction. The result has the underpinnings of the original instrumental context, with the focus on sonic washes and moody atmospheres, but the added vocals give shape to a meditative concept-ish album built around isolation. Some tracks were better than other, and I’m not sure if it all works as a whole. Worth checking out if you’ve followed his other musical diversions.
Neil: The Gorillaz’s and Blur frontman Damon Albarn is well known as a musical polymath, from film soundtracks to Brit Pop. ‘The nearer the fountain, more pure the stream flows’ is his latest musical departure, and one of his most personal works. It is inspired by, and a meditation on, the Icelandic landscape a country he now holds dual citizenship for. The final work takes this central theme, and effortlessly morphs it into a much wider viewed piece about climate crisis, grief, and loss. It is a classically structured melancholic piece, and a sad musical love letter to his adopted country and, in a more general sense, to our current situation.

Hopelessly in love. / Thompson, Carroll
Mark: This is the 40th Anniversary of this Lovers Rock 1981 classic album from English singer Carroll Thompson. Her beautifully sweet soulful voice , the lilting rhythms, the lovelorn lyrics, the endlessly melodic tracks all make this an enduring classic of British Reggae. You can see the influence this had on future generations of UK female singers. The Guardian included it in their list of “1000 Albums to Hear Before You Die”, describing the album as “a sort of dub-wise version of Joni Mitchell’s Blue”. Can’t say I’m much of a Reggae fan but I really enjoyed this.
Neil: This long out of date album was originally released in 1981. In revisiting this work 40 years later, you can see how this album helped define British reggae and widened the parameters of how Reggae was perceived, especially in the UK. It does so by being much more intimate, with the lyrical contents focussing much more on personal relationships and everyday life. The musical content is simultaneously lighter in tone, and carries a carefully crafted pop sensibility through these elements that was rarely explored at the time, if at all. ‘Hopelessly in love’ it would go on to be rightfully regarded as a ground-breaking work.

Next is now. / Goldman, Vivien
Mark: Goldman is an iconic figure in the Punk movement, through her work as both a musician in the 80s, her music writing & journalism, and her work in education. This is her first solo material in 40 years. Produced by Youth, the album is more dubby New-Wave than punk, full of catchy reverb laden vocals and synthy electronics, underpinning the politically focused songs that address such issues as immigration. Certainly more polished than her previous punk/experimental work, this album chooses to focus on an optimistic take on the future.
Neil: Vivien Goldman is a bit of a musical legend both as a journalist and as a musician, working with the likes of John Lydon and Bob Marley as well as being a member of the New Wave band The Flying Lizards. In ‘Next is now’, political lyrics combine with dubby, funky Tom Tom Club musical settings while being covered with a veneer of punk sensibility. The album resolutely sets out to comment on the tumultuous times we find ourselves in. It reminded me of an updated version of Chumbawamba in feel and political sentiment.

Buffalo Nichols. / Nichols, Buffalo
Mark: This debut album from this 30 year old Texan got lots of good press last year, and deservedly so. The husky voiced singer delivers some searing political commentary alongside some smokey acoustic guitar fingering. Raw and old-school sounding, he paints a bleak picture of modern society in these hard hitting vignettes. Powerful.
Neil: Buffalo Nichols’ album builds on the legacies of many blues luminaries such as Robert Cray or even Robert Johnson, musicians he clearly loves. But the lyrics deal with contemporary issues in America of race and social injustice. And Buffalo’s husky voice and accomplished finger picking blues style ensures that this is a lonesome, compelling blues outing.

An evening with Silk Sonic / Silk Sonic
Mark: Bruno Mars and Anderson Paak team up for this ridiculously entertaining 70’s soul extravaganza. A shameless homage to the sweet 70’s soul-soul stylings of The Delfonics or Blue Magic. The line ‘I’m sippin wine in a robe/I look too good to be alone…’ sums up the tone of what’s happening here. Every musical artifact of this period is precisely re-created (the video’s are hilarious also). Very very tongue-in-cheek…Or is it? They sound so committed to the execution it’s hard to tell…
Neil: ‘An evening with Silk Sonic’ is that rarest of things, an album that walks a razor edge between parody and authenticity whilst never quite falling off onto either side. It does often flip a knowing musical wink at its listeners. It isn’t too surprising, as the original 70’s source material often walked that line too. It is a fabulously well executed project in every aspect, great songs spot on production and lots of infectious disco groove stylings. This album perfectly recreates the 70’s rhythm and blues scene. Think Kool and the Gang, Disco era Marvin Gaye and even the 70s output of James Brown.

Glow on. / Turnstile
Mark: The third album from this young hardcore punk band from Baltimore asks the question: What would happen if you fused hardcore punk sensibilities with glossy alt-rok productions values? The result is ‘Glow On’, where grunge, metal, and indie rock collide in 35 minutes of catchy riffs and anthemic chorus’. The tracks shift in interesting ways, with all the genre elements melding together in a cohesive whole. You’ll want to hit play again as soon as the album ends…
Neil: Hardcore Baltimore rockers Turnstile release their most accomplished and experimental album to date. Part post-punk, part stadium rock; this album is solidly heavy, with synths, drum machines and constant shifting tones and atmospheres. It’s all wrapped up in big riffs and powerhouse grooves.

It’s your birthday. / Ellen, Vera
Mark: Vera Ellen is a Wellington singer, formerly the frontwomen of band Maple Syrup, and also a member of LA based girl band Girl Friday. Recently signed to Flying Nun, this is her first album for the label. It melds an early 80’s indie pop sound, 60’s girl-group and 90’s garage rock stylings, all with a strong contemporary female perspective. The seemingly simplistic chord changes and drum patterns hide a sophisticated piece of work, whose disarming harmonies surround an often raw and visceral take on relationships and modern life for someone her age.
Neil: New Zealander Ellen Vera was on holiday in her home country, about to fly back to her new home in L.A., when the first wave of the pandemic struck and she found herself stuck in New Zealand. So, she spent that time productively by going through a stack of rough demos and thrashing them out into a finished album. The resulting album has a deliberately rough and ready Flying Nun production sound to it, and features songs about unease, being an outsider and a separation from the people and things you love.

Henki / Dawson, Richard
Mark: English folkie Richard Dawson and Finnish experimental rockers Circle combine for this self-described “flora-themed hypno-folk-metal” album, that made a lot of best of 2021 lists. Songs written from the perspective of a seed meet proggy vignettes about searching for ancient trees. It’s all as bonkers as it sounds. Like the soundtrack to a horror film in which The Green Man summons trees to go nuts and start killing everyone.
Neil: Eccentric English folk music combined with heavy indie rock is quite a combination, and this is what we have in the latest outing from Richard Dawson. It is intense, deeply felt, very unique and I guess all these factors lead it to be a very marmite experience. People will either love this or hate it. For reference, think of a powerful English folk version of Captain Beefheart at his most uncompromising.

You gotta have it. / Carroll, Tia
Mark: This was Mojo’s pick for the 2nd best Blues album of last year. I liked this more than the ‘Kingfish’ album. She has a great voice, with more of a late night soul vibe on some tracks, and a lyrical focus on female empowerment.
Neil: : It is always great to come across a new powerhouse blues-belter of a singer with real style and grace. That said, Tia Carroll has been around for a long time, a true hidden treasure tirelessly working the San Francisco bay areas live circuit for decades. The combination of classic solid, soul, RnB in her voice, with an excellent backing band, combine with lyrics that often highlight social issues at their heart. If all this sounds like your kind of thing, I would check this album out.

The war on peace of mind. / Swann, Dianne
Mark: The first solo album for an iconic figure of NZ music,  who is a member of When The Cat’s Away & the front woman for The Julie Dolphin, The Bads and Boom Boom Mancini. Decades of writing coalesce in a perfect showcase of her classicist singer-songwriter pop. Optimism and uncertainty mix in these narratives, surrounded by a smooth timeless production with some great background harmonies.
Neil: Dianne Swann has been fronting indie rock outfits from the mid 1980’s. ‘The war on peace of mind’ is surprisingly her first solo album. It’s a work that encompasses a wide variety of moods and emotions, from a rocking call to arms tracks to more directly personal intimate songs.

Desire. / Marea, Desire
Mark: Debut album from Marea, who is one half of the South African performance art duo FAKA. This one isn’t ‘World’ music at all, but a very modern Electronica album. There is the influence of African rhythms on some tracks, along with some Zulu vocals, but this is mostly trancey house beats with swirling atmospheric choral-like vocals. The introspection, sensitivity and vulnerability of the lyrical content push it in a deeper direction than all the beats suggest. Marea achieves the rare feet of seeming like a fully formed artist his first time out. Impressive stuff.
Neil: ‘Desire’ is a wide screen kaleidoscopic work, featuring modern propulsive rhythmic elements that have their roots in African music. This ever-expanding mix of sound adds in synths, acoustic instruments and a whole universe of other instrumentation. The result is an ambitious art pop work that reaches back into the artist’s rich cultural heritage while at the same time it manages, most of the time, to be very approachable. A brilliant work of expansive exploration that is an enjoyable innovative musical journey.

Let yourself be loved. / Denalane, Joy
Mark: German Soul singer of German/South African descent, who can sing in English, German & Xhosa. MTV called her the queen of German Soul, she is the only German to be signed to Motown records for ‘Let yourself be Loved’ (her 5th album). It originally came out in 2020 but was re-released internationally in 2021 as a Deluxe version. A great slice of retro 70’s soul styled originals (sung in English). Maybe it’s because she isn’t American, but this seems less forced and derivative than a lot of contemporary neo-soul. Or maybe her long experience in music gives her the skills and confidence to subvert the vintage stylings to suit her personality and her own vision of this classic sound. Classy.
Neil: Hailing from Berlin, singer Joy Denalane’s fifth album is also her debut album on the legendary Motown label. To summarise the music on the release, it is an album that fits perfectly into the label’s illustrious back catalogue. Denalane’s talent and personality are stamped throughout the work, which is a modern take on the 60’s and 70’s soul music the label was largely responsible for creating.

Prioritise pleasure. / Self Esteem
Mark: Self Esteem is the moniker of Rebecca Taylor, who spent a decade as part of the duo Slow Club. ‘Prioritise pleasure’ is her second album as Self Esteem, and was the Guardian’s pick for Best album of 2021. Forthright and confrontational, the album pulls no punches lyrically as it addresses the raw anger and fears of women in society today; the guilt and self doubt that contemporary culture promotes, the normalisation of misogyny and other hefty topics. All this is wrapped around a glossy pop sheen, pounding beats, pulsing strings and epic, soaring, choral vocals. Powerful & honest.
Neil: Self-worth and self-exploration are at the front of the newly crowned queen of pop’s sharp and often wittily observed lyrics in ‘Prioritise Pleasure’. Artist Self Esteem AKA Rebecca Taylor’s second album is a huge sprawling and grand pop edifice. It contains infectiously catchy pop tunes, sexually explicit lyrics about the artists intimate life and a huge dollop of humour to round it off. The Guardian made it their album of the year. An interesting side fact, her logo is based on Freddie Mercury’s signature.

Wary + strange. / Kiah, Amythyst
Mark: The 3rd album from this Grammy nominated Tennessee country-blues singer-songwriter/guitarist, who is also a member of Our Native Daughters. Alternately fierce and tender ruminations run through these authentically gritty and real songs, focussing on her life as a Southern LGBTQ+ woman.
Neil: ‘Wary + strange’ is an intimate work about being an LGBTQ+ Southern Black woman. Kiah has a great understanding of how to build up the emotional tension throughout a track, whilst also allowing her independent spirit to soar. The accompanying music flows with the emotional tone of each track, moving from delicate finger picking to country-blues and even a bit of alt rock. That said, Amythyst Kiah is far too independent to make this anyone’s album but her own, It all makes for a powerful emotional listen.

Juno. / Wolf, Remi
Mark: LA singer whose music is a chaotic hybrid of funk, disco, bubblegum pop, R&B, skater-pop and a mélange of other influences. Her musical world is all about chanted choruses and wry wordplay, but the relentlessly fizzy tracks also deal with real world issues like getting sober and finding your place in the adult world. Fun & hyper.
Neil: Hyper stylised, self-referenced, Cartoon Californian, day-glow bubble gum hip-hop pop. Remi Wolf’s album is an upbeat hallucinogenic playful sugar rush of an album. Danceable and fun.

Remember her name. / Guyton, Mickey
Mark: Mickey Guyton became the first Black woman to be nominated for a solo country music Grammy in 2021. It was, however, a long road to recognition. After being named “New Female Vocalist of the Year” in 2015, it took her a full six years of being stuck in industry purgatory to release this debut album. This points to the ongoing struggle for Black female singers within the Country genre, which she addresses within some of the songs on this album. While from a musical perspective there is nothing particularly revelatory happening here, a lot of it sounds like Faith Hill or other 90s country-pop, it’s all about the perspective. Songs like ‘Love My Hair’ or ‘Black Like Me’ form part of an emerging conversation, and Guyton is part of a new wave of Black female singers reclaiming Country music as a genre for all Americans.
Neil: Billed as the rising star of the Nashville country music scene, Mickey Guyton has in fact spent the last ten years building up to this point in her career. The album is part of the movement moving mainstream country music away from its long history of racial exclusion. The album addresses and talks about the continued bias and tokenism the singer experiences. It’s a slick country outing, with important things to say, that points the way towards a much needed, more inclusive, and diverse country music scene.

New Music for your Lockdown listening!

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Luckily for you (or perhaps not) thanks to the wonders of modern technology, the musical bromance my colleague Neil & I share can continue unabated during lockdown. We sifted through some of the new material we have been buying for the Music collection at our CBD Te Awe library to do some reviews for you, so you can now check out some new music during lockdown with the confidence that it won’t all be total rubbish and a complete waste of time…
[Note: With the exception of Disc 2 of the Jimmy London album, all of these titles are on Spotify. However, if you enjoy some of them please take the time to reserve them online, and show our collection some love when the Library reopens.]

via GIPHY

For free. / Crosby, David
Mark: Another strong entry in Crosby’s late career resurgence, with a mellow AOR sheen. Guests Michael MacDonald & Donald Fagan lend further gloss to this smooth album of relaxed harmonies, and 70s vibes. A solid set of songs reflect on growing old, regret, loss and perseverance.
Neil: For an artist totally written off as a drug casualty in the 80’s, David Crosby has in the last twenty years or so staged a truly miraculous revival releasing a series of solo works that rank amongst some of his best work. And considering his output in the late 60s and 70s that is saying a lot. And ‘For Free’ stands as one of these renaissance classics it is a poignant meditation on his own mortality, AND a beautifully constructed and sung album. Songs about life, love, the past and the present, and death. The inner and outer worlds of life as he has experienced them and as he sees them now.

Bridge over troubled waters. / London, Jimmy
Mark: Cheery Red resurrects overlooked Jamaican Reggae crooner Jimmy London with his rare 1972 album reissued with 4 bonus tracks, along with a 2nd compilation disc of tracks from Trojan’s Randy’s subsidiary label. His sweet pure voice lends a wistful romantic tone to these soulful tracks of love & longing.
Neil: Very welcome release of Jimmy London’s classic 1972 album ‘Bridge over troubled waters’. A reggae rock steady masterpiece, the track “A little love” was used by the then major of London Ken Livingston to promote the city.

Quietly blowing it. / Hiss Golden Messenger
Mark: Vocalist/songwriter M.C. Taylor returns with another album under the Hiss Golden Messenger moniker. A melange of Alt-Country, Folk/Pop, and slow 70s grooves provide the backdrop for a melancholic and sometimes angry look at the world of 2021. Rootsy back porch meditations set to upbeat melodies, that aim to provide a sense of optimism going forward.
Neil: A soothing rustic chilled Americana album with country folk stylings recorded, like a lot of recent work, in isolation during the early months of the pandemic in North Carolina. A calming album for troubled times.

Stand for myself. / Yola
Mark: Yolanda Quartey is a UK singer (now based in Nashville) with a love for late 60s/70’s artists who amalgamated R&B, Pop & Country. Producer Dan Auerbach creates a lush layered vintage sound that steeps Yola’s amazing voice in classic style & grooves, built around her strong original songs addressing contemporary themes. Shades of Tina Turner, Minnie Ripperton or Bettye Swann. An impressive follow up to 2019’s acclaimed Walk Through Fire.
Neil: Yola”s sophomore album is another Covid creation in which Yola took the opportunity step away from the star making machine and instead to look deep into who she is and wants to identify herself as, and places this firmly at the core of this album. It is an accomplished and genre jumping work that reminded me in places of some of the great Disco, soul R n B albums of the 70s and 80s, mainly thanks to Yola’s voice, which is set amongst unvarnished, unprocessed musical backings.

Yacht soul : the cover versions.
Mark: This cool compilation turns the tables on white musicians appropriating black music, by gathering together a bunch of Soul artists who interpreted various white MOR 70s FM and 80’s ‘Yacht Rock’ tracks. Unsurprisingly Aretha, Chaka Khan, Billy Paul, Millie Jackson et all add a layer of funky grooves to these white bread staples. Sadly the version of Seals & Crofts ‘Summer Breeze’ is from The Main Ingredient instead of the Isley Brothers version. Still good though…
Neil: Funky, smooth, soulful cover versions of classic AOR, Laurel Canyon Hippie classics with most of the tracks originating in the 70’s and 80’s. It shouldn’t work but it does. Two very different genres looking at each other and bringing out something new and rather wonderful. Imaging sailing on a beautiful summer’s day in 1974 with friends.

Animal. / Lump
Mark: The 2018 album from this side project of Laura Marling and Tunng’s Mike Lindsay seemed a a one-off, but they are back with more weird dynamics. The aim seems to be just to see where their disparate styles take them – through dark lyrics underpinned by meandering folktronica melodies, odd shifts & time signatures. I didn’t hate it, but it didn’t seem to go anywhere. Tracy Thorn does this sort of thing far better.
Neil: Mike Lindsay (of Tunng) creates the musical settings whilst Laura Marling supplies the vocals and lyrics, The resulting album is a glittering genre mashing, boundary pushing collection of tracks, the duo are obviously well up some musical explorations, it very occasionally reminded me of Radiohead esp. some of the oblique and odd imagery employed in some of the lyrics, and also some of the angular minimalist musical settings.

Mirror II / Goon Sax
Mark: Goon Sax were still at school when their 2016 debut album Up to Anything came out. Their cute indie-pop garnered natural comparisons to the Go-Betweens, given that frontman Louis Forster is the son of Go-Betweens Robert Forster. ‘Mirror II’ is their 3rd album, following 2018’s We’re not talking, and they eschew the Beat Happening 80s sound of their previous work for a full on dive into the 90s sound with Lemonhead-esque pop, shoegazzy guitars, male/female vocals and new wavey synths. Each member now shares vocal duties and have developed their own particular style as they have grown musically over the course of 3 albums. And ‘growing up’ is really what their song are about – the awkwardness & messy discontent of being young people at this current point in time. Their best album so far.
Neil: The Brisbane dolewave trio’s latest release revels in the complexities, difficulties and embossments associated with being a twenty-something in modern day Australia. Post punk young adult angst for the 21st Century.

Outside child. / Russell, Allison
Mark: Critically lauded solo debut from Montreal native and veteran of the Roots scene with bands Po’ Girl, Birds of Chicago & roots supergroup Our Native Daughters, which also features Rhiannon Giddens. The gentle, enveloping, music with its beautiful layered arrangements frames a haunting ‘musical memoir’, re-telling an upbringing of childhood sexual abuse and street living. It all sounds a pretty heavy listen, but there is a lightness to the melodic, organic, music that enlivens the weighty backstory. Full of powerful odes to her past self and experiences, as well as the city and music that gave her new hope. Sure to be a Grammy nominee and wind up on the Best of 2021 lists at the end of the year.
Neil: French Canadian singer Allison Russell’s impressive debut album is a deep soulful work, hotly tipped by many as one of the albums of the year. It is styled a beautiful classic soul pop album that showcases her gorgeous voice in a series of melodic tracks. Behind the surface production and beauty is an album that is, on occasion, starkly dark and heart rendering. Lyrics about her own childhood abuse and recovery are set in an often-uplifting survivor context.

Exit wounds / Wallflowers
Mark: Jakob Dylan’s band The Wallflowers were essentially a revolving door of different studio & live musicians based around his writing, which led to certain conflicts along the way in terms of the ability to execute his songs. With his return after a 9 year break, Dylan sounds much more comfortable with the bands classic roots-rock sound than on previous album, 2012’s Glad All Over, which never really gelled. A nice set of solid melodic songs about life’s struggles are a reminder of why they were such a consistently good band. Shelby Lynne provides nice harmony vocals on 4 tracks.
Neil: Considering the fact that his father is Bob Dylan and his upbringing was steeped in music it is no surprise that Jakob Dylan, the self-styled cowboy troubadour, is such a gifted and highly literate musician. However, Jacob brings more than his background to the Wallflowers outfit, he also brings passion and personal reflection to his work, perhaps even most pointedly in this his latest outing ‘Exit Wounds’. If you’re a fan of classic 70’s American folk rock or highway ballads, then this album should be right up your street.

Pale horse rider. / Hanson, Cory
Mark: Melancholic folky meditations from the frontman of LA art-rockers Wand. His second solo album, after 2016’s The Unborn Capitalist from Limbo, is pure Americana. Waves of lush lilting arrangements wrap around his mellow gentle vocals. The musical equivalent of a calming walk through a meditative landscape whilst staring up at the stars.
Neil: Another isolation album this time recorded in the Mojave Desert whilst surrounded by cacti and majestic desolate nature. The resulting work is a kind of psychedelic cowboy fantasy, all plaintive steel guitars, drifting sands and sun lazy weirdness, but infused with a gentle vibe throughout.

Love drips and gathers. / Piroshka
Mark: Piroshka is an English Indie-pop supergroup with Lush’s Miki Berenyi, Elastica’s Justin Welch, Moose’s K.J. McKillop, and Modern English’s Mick Conroy, that emerged from the Lush 2015-6 reunion line-up. Following on from their 2019 debut Brickbat, their new album focuses more on their dreamy shoegaze style, rather than some of the New Wave elements introduced on their debut, with strings swirling around layered instruments and vocals. Well worth checking out of you were a Lush fan. And who wasn’t, really?
Neil: A subtle rather surreal and ethereal album, all wrapped up in warm idyllic soundscapes that evoke both beauty, and a kind off early 70’s Roxy music nostalgia.

Mood valiant. / Hiatus Kouyate
Mark: 3rd album from Australian ‘Future-soul’ Grammy-nominated alternative R&B band. Skittery beats that have a Dubstep/D&B feel, underpin neo-soul vocalising reminiscent of Eryakh Badu & Corinne Bailey Rae. The frenetic key & tempo changes, rapid fire vocals, and jittery rhythms occasionally give it too much of a ‘Music School graduates’ feel, but their third album sees them establishing a uniquely individual sound.
Neil: The Australian future soul super group’s latest release is another slick and ultra-smooth release, mixing in their own inimitable way cool jazz, neo soul and R&B. Hugely popular in hip and trendy bars and clubs globally, but perhaps just a little slightly too slick and controlled in all areas for my tastes.

Mother Nature. / Kidjo, Angélique
Mark: Beninese singer, songwriter, and activist Angélique Kidjo returns with her first album of original material since 2014’s Eve, collaborating with a younger generation of musicians like Burna Boy, and Sampa the Great, crossing continents & generations. She uses this fusion of percussive pan-African traditional styles with modern dance, Hip-Hop & trap grooves with her Fon, Yoruba, French, and English vocals, to comment on various current issues around political resistance & female empowerment. Strong messages surround by catchy funky danceable beats.
Neil:Kidjo, Angélique has been described by some reviewers as Africa’s premiere diva and now recognised across the World, thanks in part to singing at the recent Tokyo Olympics. This multi guest album expounds her vision of pan African unity. Infectious rhythms and her love of Zimbabwean township music all play a role in this potent mix. Her fabulous reimagining of the Talking Heads Remain In Light album is well worth checking out too!

Welcome 2 America. / Prince
Mark: Unreleased album from the Prince vaults recorded & mixed in 2010, but then set aside for unknown reasons. None of the songs were ever played live, so its existence & unearthing was big news for Prince fans this year. Prince created so much music in the later phase of his career, so how much you enjoy this will probably depend on how devoted you are to the independent phase of his career, with its shifting styles, and touches of genius buried within lots of filler. ‘Welcome 2 America’ has some great, catchy, tracks on social empowerment (that seem even more relevant today) and some soulful ballads, but also some of the jazz-funk filler that typified his albums from that era. Overall though it’s probably more consistently enjoyable than a lot of his albums from the 2010’s, so its good that it has finally seen the light of day at last.
Neil: Whilst there is no argument that Prince created some of the greatest albums of the 80’s it is also true that the release of material since his death has been patchy in quality. Sadly, this album of totally unreleased tracks falls into this category. It’s is a ‘state of the nation’ album originally scheduled for a 2010 release, intended as a kind of updated version of the brilliant Sign ‘O’ The Times, but it lacks that albums originality, bite and passion. Prince is always worth listening to and there are one or two good tracks on the album, but it is also clear from listening to the final overall work why he choose to leave it unrealised.

The blue elephant. / Berry, Matt
Mark: Actor-Musician Matt Berry (The Mighty Boosh, The IT Crowd) likes to deliver albums re-creating particular styles of music he is a fan of. Pastoral folk-rock for 2013’s ‘Kill the Wolf’, new age synthesizer music for 2014’s Music for Insomniacs, and country-rock (2020’s Phantom Birds). He is back with a new album square the the psychedelic realm with new album ‘The blue elephant’. All the faders are set to reverb, splashy snares hit every few seconds, chorale voices back meandering tunes as his actor-ish tones and song arrangements hit all the psych buttons you could push. One for fans of the genre. Anyone else might feel like they’ve dialled in a lost pirate radio station from the 60s…
Neil: You might be more familiar with Matt Berry’s as the award-winning actor, comedian in outings such as ‘The Mighty Boosh’ or the 2015 SpongeBob movie. However, he has always run his music career in parallel with his acting one. A prolific musician with nine studio albums to his name. In ‘The Blue Elephant’ he has made a work that is a huge homage to the music of the late 60’s. Let’s be clear this isn’t a comedy album in any sense of the word, instead it’s a serious recreation of the music of flower-power age. And if you enjoy music from this time, then I think you are onto a real winner.

Drama. / Amarante, Rodrigo
Mark: A Rio de Janeiro native who now calls Los Angeles home. Known for the rock quartet Los Hermanos (who were huge in Brazil) and his track Tuyo which is the theme song on the popular Netflix series Narcos. ‘Drama’ is his second solo outing, following 2014’s Cavalo. Lovely atmospheric laid back Brazilian samba/tango rhythms, with 4 tracks in English, shifting from the upbeat to the romantic. A perfectly relaxed, soothing album for the times we find ourselves in. Amarante apparently recorded most of the album himself, and plays no less than 10 of its instruments.
Neil: Born in Rio De Janeiro, Rodrigo Amarante uses his rich cultural heritage to fullest advantage, whilst bringing a large dollop of his own creativity to the party. It is a laid-back party, but no worse for that. It is the kind of music you can imagine taking it easy to on a long hot summer’s day. Another blissful, gentle album, this time Samba inspired with acoustic singer-songwriter elements woven in.

KG0516. / Karol G
Mark: Colombian pop singer who mixes reggaeton, hip-hop, & modern R&B. She spent a decade as a guest and backing vocalist before Ahora Me Llama with Bad Bunny in 2017 launched her solo career. KG0516 is her 3rd album and is a catchy mix of pop-reggaetón, urbano & Latin trap. The US is supposedly in the midst of a second wave of Latin crossover success after the 2000’s and this album, which has already made a Guardian list of the Best albums of 2021 so far, will no doubt place her as one of the key female artists currently in Latin music.
Neil: Colombian singer Karol G’s latest album takes its title from the format of a flight number representing her name. It’s a clever idea and well named, as each track in this album in the artists own words “is a connecting flight that takes you to a new place”. It’s Karol’s own version of a musical journey, the tango tinged modern urban sound and production overlays a versatile range of tracks, each with a slightly different emotional emphasis.

Reason to live. / Barlow, Lou
Mark: 6th solo album from this iconic indie music figure, who has been a member of Dinosaur Jr., Sebadoh, and the Folk Implosion. A homage to his early lo-fi aesthetic (but with better modern gear) he recorded this album at his home, and played everything himself except for drums on one track. Folky, introspective, searching songs that confront anxieties both personal and political. Mature and thoughtful, proof that domestic happiness hasn’t dulled his song-writing skills.
Neil: A million miles away from his Dinosaur Jnr output, Lou Barlow’s downbeat vocals and acoustic guitar driven lo fi production are in places reminiscent of Nick Drake. The lyrics mine a rich vein of heartbreak and critical self-introspection. That all said, there is undoubtedly a warmth and optimism woven through the tracks too. The result is delicate, beautiful, and slightly melancholic and well worth a listen.

After robots. / BLK JKS
Mark: We just purchased the new sophomore 2021 album ‘Abantu/Before Humans’ from BLK JKS, so we thought we would also track down their critically lauded debut from 2009. This will end up in the world section, but it is just as much an alternative rock album, as turning the tables, the South African musicians take on Western music traditions, instead of the other way round. A dense hybrid of 60’s hard rock, proggy rhythms, jazz, afrobeat, reggae and much more. Repeated listens are needed to make headway into this album, which still sounds ahead of its time 12 years on. Challenging but rewarding.
Neil: After Robots is a hugely ambitious project, with the band trying to fuse elements of prog rock, ska, jazz kwaito and reggae (and those were just the genres I spotted) into a cohesive whole. In places it is great, and their ambition pays off. In other places the weight of this ambition pulls it down, and the album loses focus and clarity, but the big sound they strive for is powerful throughout.

Get out of your own way. / Sands, Evie
Mark: Much like Jackie DeShannon, Evie Sands is a pioneering 1960’s singer, who had the bad luck of being the first artist to record a number of well know songs that went onto become big hits for others. She was the first singer to record “Angel of the Morning” for example, weeks before her label went bankrupt & the song became an massive hit for another singer. She spent most of the 70s focusing on songwriting, only releasing 2 albums before retiring completely. After a comeback album in 1999, ‘Get out of your own way’ is her first solo recording in 22 years, and it’s just great. A super catchy set of melodic country-tinged pop songs that sound timeless.
Neil: American singer songwriter Evie Sands began her career in the 60’s when she was just a teenager. Possessing a distinctive powerful and unique blue-eyed soul voice no less than Dusty Springfield described her as her favourite singer. She’s weathered the highs and lows of the music industry for the best part of 60 years. This new collection sounds like it could have been recorded at any point in career, from the mid seventies onwards. Accompanied by a strong band and her undiminished vocals, basically it is a collection of American classic pop-rock ballad songs that have soulful elements.

I know I’m funny haha. / Webster, Faye
Mark: The music photographer/indie-singer returns with a new album after the breakout success of 2019’s Atlanta Millionaires Club. She has a lovely voice, and the album is full of lovelorn ballads and sad moods, delivered in laid back washes of country-ish pedal steel and strings. Her tart lyrics often uncut the sweetness of her drowsy meditations on love & loneliness. Lead off song, the 2020 single ‘Better Distractions’ landed on Barack Obama’s annual year-end playlist. Really enjoyed this one.
Neil: The sad, plaintive and beautiful voice of Faye Webster is put to excellent use in ‘I know I’m funny ha-ha’. A lonesome, indie country, haunting, steel guitar heavy album of songs about the emotional emptiness of life’s sadder moments. It is a testament to the albums musical balance that it never sounds like a dirge, or lacking in emotional conviction.

Home video. / Dacus, Lucy
Mark: The solo artist (and member of ‘Boygenius’, a trio with fellow breakout 20-something singer/songwriters Julien Baker and Phoebe Bridgers) returns with her 3rd solo album, which looks back on coming of age in her hometown. Her warm emotive voice looks back on her childhood & adolescence with vignettes on relationships, the influence of the Church on young women, and sexuality. These poignant reflections would seem to lend themselves to a folky acoustic mileau, but Dacus rocks out with a power-pop feel to the most traks, leavened with some guitar & keys based ballads. The perspective of her 20s provides a more mature & defined worldview, that pierces the mists of nostalgic memories with sharply pointed observations. Really good.
Neil: As a young person Lucy Dacus was heavily immersed in American Christian youth culture, but as her sexuality emerged this started to raise problems in her life and faith. ‘Home Video’ is her autobiographical exploration of her younger self’s world and her subsequent growth. The songs are catchy, finely crafted and, in a deliberately post adolescent way, address young love, nostalgia, spirituality and emerging sexuality. The lyrics are direct and sharply focussed.

Blue weekend. / Wolf Alice
Mark: 3rd album from this North London band that merge vintage ’90s rock and 4AD styled dream-pop. Previous albums were all a commercially & critical success, garnering a Grammy nomination in 2015 and a Mercury prize for Visions Of a Life, and each release seems to get huger in sound & ambition, navigating multiple genres with ease. This album is even more ambitious, with the music polished to a sheen, and singer Ellie Rowsell’s voice in front, every track seems to be aiming for ‘Soaring anthem’. Already the 4th highest scored album of 2021 on Metacritic. It all sounds amazing, but I’m still not convinced they are anything more than the sum of their influences.
Neil: Back in the day some bands deliberately wrote albums designed to be played in big stadium tours or festivals. Wolf Alice’s latest outing sounds like that was their intention on ‘Blue Weekend’. This isn’t a criticism, as it’s a pristine, extravagant alt-rock/shoegaze work of big performances and sound. I think when they can get back on the road, the music encapsulated in this album will make for a showstopper stadium tour.

Tezeta /
Mark: This long-lost recording captures Ethiopian organist Hailu Mergia and the Walias Band at the Hilton Addis Ababa in 1975. The American owned Hilton was an upscale cosmopolitan refuge from the political turmoil of Ethiopia, following the mid-70s take over of the erg military regime. The Walias band held a residency at the Hilton for almost a decade and, as this rediscovered performance shows, merged traditional Ethiopian popular songs and standards with American funk, soul & Jazz grooves to great effect. Simple chord vamps form the backbone of these endlessly funky tunes that are perfect for background listening, but when you pay closer attention the complexities of his playing reveals itself.
Neil: Ethiopian keyboardist Hailu is best known for his work in the Walia’s Band that regularly played the Hilton hotel in Addis Ababa in the 1970’s, during what is often referred to as Ethiopia’s “Golden age of music”. These long-lost recordings are finally seeing the light of day. Imagine, if you can, Ethiopian cocktail lounge music that also encompasses traditional and modern aspects. Music that is simultaneously fabulous background music, and also innovative in its own way. It’s a really mesmerising mix.

Utopian ashes / Gillespie, Bobby
Mark: The Primal Scream frontman teams up with former Savages frontwoman Jehnny Beth for some duets in the vein of Lee Hazlewood and Nancy Sinatra. Apparently the album tells the tale of a doomed marriage. Grievances are aired and regret & blame intermingle, as the fictional couple sift through the ashes of their failed relationship. These narratives are set to a moody, lush stringed, country-southern soul sound, and they give the indie-rocker & the post punk icon a chance to showcase a hither-to unknown vulnerability within their respective musical personas. An unlikely pairing that results in a surprisingly effective album.
Neil: Primal Scream and Jesus and the Mary Chain legend Bobby Gillespie teams up with Jehnny Beth, and they go all dark country on us. On paper it sounds like a startling change of direction for both artists, and in less experienced & talented hands it could have gone badly astray. However, both Bobby’s and Jehnny’s instantly recognisable and distinctive voices anchor the piece, and the album does contain some low-key stylistic elements of their previous work. Dramatic and understated, in places tragedy and pain, melodrama and dark tales, are all imbedded in these songs. A highly successful collaboration & an unexpected change for all parties concerned that really delivers the goods.

Box Set Reissue Picks:
The Reprise albums (1968-1971). / Mitchell, Joni
Neil: A collection of Joni’s reprise albums. The pinnacle of her career, flawless, creatively unbounded by convention or commercial considerations, unmatched in their brilliance. The finest songwriter of our time on creative fire.

Everybody still digs Bill Evans. / Evans, Bill
Mark: Lavish & stylish box set from Concord Records speciality Craft imprint. The first detailed career retrospective from 1956—1980, through multiple labels, for the iconic Jazz pianist divides its 5 discs into themes that follow his career: 2 disc of Piano Trio performances, one of Solo performances, another of co-headlining and side-person work, and for the final disc a previously unreleased, live recording form the mid 70’s. Encased in a lovely hardbound book, with photos and a lengthy essay & session notes, the tracks have all been newly remastered. A fitting tribute to perhaps one of the most influential & pivotal figures of modern Jazz.

The full Central Library CD collection is now available to borrow!

It has been a huge job to relocate all our Central Library collections to a new home at Te Pātaka, our new collection and Distribution Centre located in Johnsonville. However we are very happy to announce that the Central Library CD collection is available to be borrowed again in its entirety. Items can be reserved via our online catalogues from Te Pātaka to be collected from any of our other Branch Libraries.
We have decided to remove any fees for reserving items from Te Pātaka. However we have introduced a $2 charge per item if people do not pick up their reserved items within 7 working days of being notified they are available for pick up. This is to help keep the items in the collection circulating for everyone to access.

We have also curated a core collection of ‘Essential Listening’ titles from our large Central AV collection, many of which are unavailable on streaming services in New Zealand. All our ‘Essential Listening’ titles are taken from 1001 albums you must hear before you die & Nick Bollinger’s 100 essential New Zealand albums. They are also tagged on our catalogue. Just type in Essential Listening as a search and you can check them out from home, your device, or on our online catalogues in the library.

 

 

 

 

 

 

 

Here are some pictures of just some of the CD shelves out at Te Pātaka to give you an idea of the scope of what’s available. We will be posting some videos of us amongst the collection soon, as we start to highlight some genres and titles for you!

Staff Picks CDs & DVDs

Staff Picks are back, with a completely random selection of new & old material that Library Staff have been watching & viewing recently!


Punisher. / Bridgers, Phoebe
When I reminisce about the apocalyptic hellscape that has been 2020, this album makes a fitting soundtrack. Flitting between jubilant and despondent, edgy and soft, this is a sophisticated offering which will appeal to those who spent their adolescence in the grip of emo pop rock, but who now prefer a bit more nuance. (Cassie)

Ghosts of West Virginia / Earle, Steve
Singer/Songwriter/Activist Steve Earle is involved in a project concerning a coal mining explosion that killed 29 miners. He wrote the music for this public theatre project in conjunction with documentary playwrights, who interviewed the families of the dead and the few survivors. He has a distinctive voice and writes powerful lyrics. Also includes 3 songs not in the play, but of a similar theme. I particularly liked Black Lung. (Greg)

The shocking Miss Emerald. / Emerald, Caro
Dutch chanteuse Caro Emerald’s Retro, Big Band singing style will get your toes tapping and your mood uplifted! These jazzy pop songs may be the Perfect hot (Hopefully) summer) soundtrack. (David)

Baduizm. / Badu, Erykah
I’ve been doing a deep dive into the murky waters of the music of my adolescence lately. There are so many classic records in the 90s and any deep drive into this decade brings you to the glory that is Erykah Badu’s “Baduizm”. Released in 1997, this record was Badu’s debut album that crowned her the high priestess of neo-soul. This record is uniquely Badu, mixing the singing style of Billie Holiday with soul, R&B, jazz and hip-hop. It’s songs of heartbreak speak of higher issues than a first listen can provide so is worth a good listen. (Dani)

England is a garden. / Cornershop
I hadn’t listened to the band for many years, but Cornershop came back into my life right after my family and I moved to New Zealand in late 2019. Those days were joyous, yet at the same time some of the most tiring moments that I have ever lived through, immigrating to a new country and getting adjusted to a very different way of life. Cornershop squeezed its way back in during all of this, when they announced a new album coming out in March 2020 titled “England Is A Garden”. In the time of Covid-19, I can’t think of a better band and album to spend lots of my time with. From start to finish, “England Is A Garden” is a gem to listen to, but it also makes you feel good things. You think about your place in the world as you listen to the album, you realise just how wonderful and special it is to be alive, no matter what is going on all around you. Certain music connects you to things happening, while at the same time providing an escape, and “England Is A Garden” is a perfect example of this. (Justin)

The kingdom. / Bush
Supposedly inspired by being the only Rock band playing at a bunch of Metal Festivals, ‘The Kingdom’ is a surprisingly heavy return to form for the English post grunge-rockers. Frontman Gavin Rossdale brings ex-Helmet guitarist Chris Traynor up in the mix for a twin near-metal attack that showcases an album of hugely catchy riffs and soaring vocals, anchored by some of his best song-writing in years. If you enjoyed the pummelling track ‘Bullet Holes’, that played out over the credits of John Wick 3, then you’ll enjoy the sound of this follow-up album. (Mark)

American head / Flaming Lips
The Flaming Lips are a bit wacky, an acquired taste, sort of cosmic, ethereal, spacey and this latest is no different to previous albums like Yoshimi battles the pink robots. So that’s good because they offer a mix of light and heavy sounds filled with simple melodies and complex noises. The lyrics on this album can teeter on the simplistic, but there are a lot of lovely harmonies and rhythms with eclectic patterns. So, something both soothing and slightly offbeat at the same time, which is great! (Martin)

The new abnormal / Strokes
The Strokes return after 7 years with one of those great albums that rewards after repeated listens; revealing a new level of emotional maturity and shifting musical contours, that play off their previous trademark style while adding in new elements. Diverging from the shorter pop ‘verse/chorus/verse’ construct of previous albums, the songs stretch out for longer and it takes a few listens before all the inherent melodies sink in. Julian Casablancas’ lyrics are more political and mature, befitting someone now in their 40s, the songs more brooding and reflective. The band sounds more together and focused than on the last couple of albums, and you once again marvel at the level of musicianship they provide to underpin Casablancas’ vocals, culminating in the epic closing track ‘Ode To The Mets’ which ranks as one of their best tracks ever. (Mark)

Endeavour. Complete series seven.
This is a great series and has kept us captivated since season 1. This latest series is set in the ’70’s and takes me back to the fashions and foibles of my childhood. Another set of Oxford murders to solve as well as an intriguing new relationship for Endeavour Morse keeps you guessing. (Raewyn)

Mystery Men. 
Oh the 90’s, what a time for movies! Possibly one of the most 90’s movies ever made (it’s soundtrack even has Smash Mouth’s All Star), this ridiculous tale of ridiculous superheroes is lots of silly fun. All the usual names are there, Ben Stiller, Hank Azaria, Paul Reubens, Janeane Garofalo but you also get bonus Tom Waits (a mad scientist who builds non-lethal weapons, like the Blame Thrower) and Eddie Izzard (one of the villainous Disco Boys henchmen). Not to mention that the villain is named Cassanova Frankenstein. Yes, you read that correctly, Cassanova Frankenstein. It’s camp, it’s silly, Hank Azaria throws forks at people and there’s an invisible boy who can only be invisible when nobody is looking. It’s just lots of fun. (Kath)

This town
So this film was promoted as a comedy, which it sort of is… but it’s dark. Really dark. I did laugh, but more often I found myself drawing a sharp breath and thinking “Oh no!” Written, directed and starring David White, this recent New Zealand film is the story of Sean (White), a man with a troubled past searching for love. He meets Casey (Alice May Connolly), a sweet local girl and they fall for one another. But the spanner in the works of their romance is ex-cop Pam (Robyn Malcolm) who is determined to put Sean behind bars for a crime he has already been acquitted of. There is something sweet and gentle about Sean and Casey’s relationship that I found endearing, even if they are both a bit on the gormless side. It has a really good solid twist at the end that I never saw coming. (Kath)

Velvet goldmine
If you’re a fan of 70’s glam rock, like Bowie, Marc Bolan, Lou Reed, Iggy Pop etc, this film is a fictional story made up of a lot of glam rock legends… that might be true, or they might not. Christian Bale plays a young English journalist Arthur Stuart (the biggest flaw of the movie – I found him terrible and his English accent even worse) chasing the story of what happened to glam rock superstar Brian Slade (Jonathan Rhys Meyers) whose career failed after he faked is own assassination on stage. Interviewing the people closest to Slade, like his ex-wife Mandy (Toni Collette, brilliantly doing her best Angie Bowie impersonation) and reported ex-lover American glam rocker Curt Wild (Ewan MacGregor, who steals the movie in every scene he appears) finds himself disappearing down a rabbit-hole of sex, drugs and rock n roll which never quite brings him any closer to Slade’s whereabouts. Don’t let Christian Bale’s performance put you off, the rest of the cast more than make up for it. Fantastic costuming and make-up, the soundtrack is glam rock heaven and it’s one of the iconic alternative films from the late 90’s. (Kath)


The Lost Aviator A Beamafilm Documentary (Australia)
Against his families wishes Documentary maker Andrew Lancaster unveils his pioneer aviator’s uncle’s life of adventure, obsessive love and involvement in a sensational murder trial. An intriguing story with a curiously moving and haunting ending. (David)

Queens of mystery. [Series 1]
Newly promoted Detective Sergeant Matilda Stone investigates offbeat murders in a quaint English Village. Her 3 crime-writing aunts lend her their expertise, as well as unwanted dating advice. They may solve the murders, but the unexplained disappearance of Matilda’s mother 25 years ago will be harder to crack “a quality production- Very well written and acted. The whole family enjoyed it”. (Roseanne)

Neil P’s Picks:
As the WCL CD Cataloguer, these are some of my favourite new CDs…
Andy Bell – The view from halfway down
Thurston Moore – By the fire
Drab City – Good songs for bad people
Dead Famous People – Harry
Magik Markers – 2020
Heliocentrics – Telemetric sounds
Hen Ogledd – Free humans
Garcia Peoples – Nightcap at wits’ end
Fenne Lily – Breach

Shinji’s Picks:
DVD’s:
Queen and Slim
Sorry We Missed You
The End of the Golden Weather
For Sama
Homecoming (TV show)

CD’s:
Blue Nile – High[Bonus Disc]
Sault – Untitled (Black is)
Bela Fleck – Throw Down Your Heart
Julianna Barwick – Healing Is a Miracle
Aaron Parks – Little Big II: dreams of a mechanical man


Atlantic Records on the Naxos Jazz Library

One of the most important and influential record labels in soul and jazz music history, Atlantic Records produced a number of masterpieces in the 50s and 60s. They had jazz greats such as John Coltrane and Charles Mingus, and the Naxos Jazz Library offers some of their finest recordings. They are part of the Warner Music Group now and there is no ‘Atlantic Records’ in the label search. Click the link to go straight to their discography and search the artists or titles. Check our picks below and start streaming now!

Cover from Naxos COLTRANE, John: Giant Steps
Performed by: Chambers, Paul; Cobb, Jimmy; Coltrane, John; Flanagan, Tommy; Kelly, Wynton; Taylor, Art
“Coltrane’s 1959 Atlantic Records debut became his most influential album, and helped bring jazz to the mainstream. It remains one of the all time great jazz albums.” (adapted from amazon.com)

Cover from Naxos MODERN JAZZ QUARTET (THE): Complete Last Concert (The)
Performed by: Modern Jazz Quartet, The
“This two-disc live set features the Modern Jazz Quartet in its final concert (at New York City’s Lincoln Center in 1974). Though the group would later reunite in the early ’80s, there is the distinct feel of retrospective here, looking back on a career of remarkable invention and artistry. Both qualities are in ample evidence during this performance, which showcases the remarkable solo and ensemble playing of John Lewis (piano), Milt Jackson (vibes), Percy Heath (bass), and Connie Kay (drums).” (adapted from fishpond.co.nz)

Cover from Naxos MINGUS, Charles: Clown (The)
Performed by: Hadi, Shafi; Knepper, Jimmy; Legge, Wade; Mingus, Charles; Richmond, Dannie; Shepherd, Jean
“Mingus is a true original, and THE CLOWN is an album on which his genius for melding tradition with experimentation is particularly pronounced. THE CLOWN boasts outstanding compositions, superior musicianship by four members of the artist’s Jazz Workshop and what is arguably some of Mingus’s best recorded bass work.” (adapted from fishpond.co.nz)

Cover from Naxos KONITZ, Lee: Inside Hi-Fi
Performed by: Bauer, Billy; Fishkind, Arnold; Ind, Peter; Konitz, Lee; Mosca, Sal; Scott, Dick
“This excellent recording features altoist Lee Konitz with two separate quartets during 1956. Either guitarist Billy Bauer or pianist Sal Mosca are the main supporting voices in groups also including either Arnold Fishkind or Peter Ind on bass and Dick Scott on drums. The most unusual aspect to the set is that on the four selections with Mosca, Konitz switches to tenor, playing quite effectively in a recognizable cool style.” (adapted from fishpond.co.nz)

Cover from Naxos CHARLES, Ray / JACKSON, Milt: Soul Brothers/Soul Meeting
Performed by: Best, Skeeter; Charles, Ray; Jackson, Milt; Kay, Connie; Mitchell, Billy; Pettiford, Oscar
“Originally released separately as SOUL BROTHERS (Atlantic 1360) and SOUL MEETING (Atlantic 1279). These records are “cool” in the classic sense of the word: they swing, groove, whisper and discuss with the sophisticated yet down-home relaxation of a late-night session.” (adapted from fishpond.co.nz)

Cover from Naxos COLEMAN, Ornette: Change of the Century
Performed by: Cherry, Don; Coleman, Ornette; Haden, Charlie; Higgins, Billy
“Change of the Century is the fourth studio album by jazz saxophonist Ornette Coleman, released on Atlantic Records in 1960, his second for the label. Recording sessions for the album took place on October 8 and 9, 1959, at Radio Recorders in Hollywood, California. Lou Reed considered it to be the best album of all time.” (adapted from amazon.com)

Cover from Naxos ART FARMER QUARTET: To Sweden with Love
Performed by: Art Farmer Quartet
“In 1964, The Art Farmer Quartet; Art Farmer (flugelhorn); Jim Hall (guitar); Steve Swallow (bass); Pete LaRoca (drums), was touring in Sweden and felt inspired to record traditional Swedish folk songs. Featuring Farmer and Hall’s lyrical sophisticated solos, the band turns old songs into jazz without losing their essence, and make it a memorable recording” (Shinji)

Cover from Naxos LLOYD, Charles: Forest Flower – Charles Lloyd at Monterey
Performed by: DeJohnette, Jack; Jarrett, Keith; Lloyd, Charles; McBee, Cecil; McClure, Ron
“Featuring the rising stars at that time; Keith Jarrett and Jack Dejohnette, who both joined Miles Davis’ band soon after, Charles Lloyd gave the epoch-making performance at the Monterey Jazz Festival in 1966. Pushing the boundary of jazz idiom, It became history.”(Shinji)

Cover from Naxos JARRETT, Keith: Somewhere Before – The Keith Jarrett Anthology (The Atlantic Years) (1968-1975)
Performed by: Brown, Sam; Burton, Gary; Goodwin, Bill; Haden, Charlie; Jarrett, Keith; Keith Jarrett Trio; Motian, Paul; Redman, Dewey; Swallow, Steve
“2008 two CD set that focuses on the Jazz great’s years with Atlantic Records (1968-75). One of the most significant pianists in Jazz to emerge since the ’60s, Keith Jarrett’s musical career spans across four decades, during which he has been continuously growing as a powerful improviser. This double disc set includes selection from landmark albums like Life Between the Exit Signs, Somewhere Before, Birth, the Mourning of a Star and El Juicio (The Judgement), with the best of his live and studio work.” (adapted from amazon.co.uk)