It’s ‘Noirvember’ on Kanopy

Ready for cynical heroes, intricate plots, and underlying existentialism? Sounds like you’re ready to get moody with Kanopy’s Noirvember collection.

Following the end of World War Two, French publishing house Gallimard started publishing translations of American crime novels through its Série noire imprint: including authors such as Dashiell Hammett, Raymond Chandler, James M. Cain and David Goodis. The following year, French critic Nino Frank wrote the earliest essays identifying a new departure in American film making, the ‘film noir’- though the term itself did not come into ‘official’ use until the publication of Raymond Borde & Etienne Chaumeton’s study ‘Panarama du film noir americain’ in 1955, and wasn’t widely adopted in America until the 1970’s. According to Borde and Chaumeton, the ‘noir’ cycle officially begins with John Houston’s The Maltese Falcon (1941) and ends with Robert Aldrich’s Kiss Me Deadly (1955) – though the style can be traced back as far as Fritz Lang’s M (1931), and forward to films like Memento (2000).

Characterised by fear, mistrust, bleakness, paranoia, fatalism, disillusionment, existential plots and confessional voiceovers, they provided a distinctly pessimistic view of post-war America. However, while the view was American, the ‘feel’ was distinctly European with shadowy expressionistic lighting, stark and skewered camera angles, jarring editing and deep shadows. Due to this style, the best noirs are in black and white – with key European directors such as Fritz Lang, Robert Siodmak, and Jacques Tourneur. Noir protagonists were typically anti-heroes: crooked cops, down and out private eyes, war veterans, petty criminals, gamblers and killers; while the women were often unloving, mysterious, duplicitous and manipulative – but always gorgeous.

While the style dropped out of favour after the late 1950’s, its elements were present in several standout films of the 1960’s, from The Manchurian Candidate (1962) to Point Blank (1967). It made a resurgence in the 1970’s, and an even stronger one in the 1990’s. Films from this period on are referred to as ‘neo-noir’ and, while some are merely an affected stylism, enough original ‘noir’ runs through them to satisfy purists. Since then, these influential cinematic works have grown in popularity as modern filmmakers use similar aesthetics.

Whether you’re looking to dive into the dark world of the classic genre, or want to see what updates have been made to keep the concept fresh, you can explore Kanopy’s well-rounded collection here.

Continue reading “It’s ‘Noirvember’ on Kanopy”

A Nineties Deep Dive on Kanopy

Among the abundance of great content available on the film streaming site Kanopy (available through our eLibrary) are a number of gems from the Nineties. Spanning a wide variety of genres, here is a sampling of what is available.

Glengarry Glen Ross
1992
1hr 40min
Adapted from his Pulitzer Prize-winning play, Glengarry Glen Ross shows David Mamet at his searing, profane best. A group of Chicago real-estate salesmen-cum-con artists live on the edge. Life is good for the one on a roll. For the rest, life hangs in the balance. There is no room for losers. A-B-C: Always Be Closing, sell or go under, is the salesman’s mantra. With the pressure on, so begins a rainy night of cutthroat business and shattered lives. (Adapted from Kanopy).

Night On Earth
1993
2hr 08min
In one night, across the world, five taxi drivers experience five very different rides. In LA, a flustered agent recognises star quality in her driver, while New York in all its glory defeats a new American. A Parisian taxi driver learns the real meaning of discrimination, and a rollicking ride through Rome has repercussions for the clergy. And finally, a trio of drunken Finns make a typically humorous end to their night. (Adapted from Kanopy).

Continue reading “A Nineties Deep Dive on Kanopy”

Kath’s Reviews: Film and Television

Kia ora!  I’m Kath, one of the Community Librarians and I’m an avid film and television viewer.  I’m regularly diving deep into the excellent DVD collection we have at Wellington City Libraries, as well as content from Beamafilm and Kanopy — the two streaming platforms available to Wellington City Libraries customers.

In this series of posts, I’m hoping to share some of the gems I come across each month with Pōneke film and television enthusiasts! Some of those I’ve watched recently include:

DVD cover for Moonage DaydreamMoonage Daydream (DVD)
This gorgeous documentary is narrated by Bowie himself, taken from archival footage and recordings.  Covering his professional life from his early days as a teenage saxophone player through to his final magnificent work Black Star, released on his birthday in 2016, two days before he passed.  The viewer is given an insight into his life, philosophy and incredible artistic talent.  I’ve been a fan since my teenage years and had a good cry by the end, I only wish there would be more of his work come to light in the future.

Best bit: snippets of unseen interviews with Bowie himself.

DVD cover of The Lost CityThe Lost City (DVD)
A delightfully silly movie.  Think Romancing the Stone starring Kathleen Turner and Michael Douglas, but a modern version.  Sandra Bullock is at her comedy best, and Channing Tatum is a perfect partner for this duo adventure-comedy.  I found myself absolutely guffawing with laughter in some parts and there’s just enough heart to the story to keep you invested.  Daniel Radcliffe has lots of fun chewing the scenery as the villain, and Brad Pitt has a cameo as the cheesiest character ever.

Best bit: Look for the wheelbarrow and Brad Pitt’s hair.

Ans WestraAns Westra (Ans Westra – Private Journeys / Public Signposts) (Beamafilm)
I actually watched this a few weeks ago, before the sad news of Ans Westra’s passing.  This one is available on both DVD and through Beamafilm.  Being relatively new to Aotearoa, I was not aware of Ans Westra’s work until recently.  On viewing her amazing photographs through Wellington City Recollect, I was curious to find out more about this talented photographer.  I found this short documentary fascinating and it’s chock full of her work, as well as stories about the controversies some of her photographs have stirred over the years.

DVD Cover for Nude TuesdayNude Tuesday: A Comedy in Gibberish (DVD)
Another fun, silly film, but one done very cleverly.  This New Zealand film was created with gibberish dialogue which was then subtitled by British comedian Julia Davis.  I’ll watch anything with Jemaine Clement in it, but I can assure you the whole cast does a fantastic job in this film.  Couple Bruno and Laura find themselves in a retreat to attempt to save their marriage, and of course the “guru” leading the retreat is Jemaine Clement as Bjorg.  Lots of laughs and a story that has heart.  I loved how beautifully the nude scenes were handled in this film, there was something magical about them after all the silliness of the first two thirds of the film.

Best Bit: ICY POOL!

DVD cover of Good Luck to You Leo GrandeGood Luck to You Leo Grande (DVD)
An intimate film that feels like a stage play.  Emma Thompson plays Nancy, a widowed school teacher who is looking for intimacy, adventure and sex.  She hires sex worker Leo Grande, whom she meets in a hotel room.  Nancy is nervous, but Leo knows how to put people at ease.  This film explores womanhood, pleasure, regret, secrets, family and  so much more.  Both Emma Thompson and Daryl McCormack give fantastic performances and it’s a refreshing perspective we don’t often see in film.

Best bit: How can anyone go past Emma Thompson?  She’s one of the best in the business!  Mind you, Daryl McCormack is talented and also very easy on the eyes.

DVD cover for Gloriavale: New Zealand's Secret CultGloriavale: New Zealand’s Secret Cult (DVD)
This is a sensitively made documentary into the Gloriavale community and how those in power have treated the vulnerable members of the sect.  Told from the perspective of those who have left the community and the people in the regular world who are supporting the leavers, this documentary film is bringing the injustices of the organisation into light.  It is compelling viewing and many of the participants are telling their stories for the first time.

DVD cover for Everything Everywhere All At OnceEverything Everywhere All at Once (DVD)
What can I say about this movie?  Let’s start with it being the best film I’ve seen in quite some years.  It’s currently sweeping all of the awards in Hollywood for it’s cast, directors and the film itself.  Beautifully acted, lots of twists and turns and what you think is an absurd storyline all comes together beautifully and breathlessly.  The entire cast is incredible, the martial arts scenes are mind blowing and there is a deep heart to the story.  Do not miss this film.

Best Bit: Ke Huy Quan’s fight scene with the bum bag.  Or perhaps Raccacoonie.  Or the googly eyes.  Or hotdog fingers.  Wait, maybe the fight with the tiny dog.  Oh don’t make me choose!

What have you been watching from our collection of late?  Recommend a documentary or film for us in the comments below.


 

 

Spend Halloween on Kanopy!

Mark & Neil’s guide to Halloween on Kanopy. From the cult to the classic, the good to the bad, and from the bad to Nic Cage. A relentless playlist of the best and worst horrors you can imagine…

Haxan

1922. Classic. A horror masterwork. Grave robbing, torture, possessed nuns, and a satanic Sabbath. Benjamin Christensen’s legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. Banned by the Catholic church for many years. Based on Malleus Maleficarum, a 15th-century German guide for inquisitors, Still creepy as…

Hellraiser

1987. Clive Barker’s best horror film done on a tiny budget. the sequel is OK, but sadly from then it was downhill all the way. Prepare to travel beyond dreams and nightmares, into the realm of darkness and the furnaces of Hell as imagined by celebrated maestro of the macabre Clive Barker…

The Babadook

2014. Excellent modern Horror that pays tribute to some of the older B&W horror films mentioned here, especially the pioneering Horror Work of F. W. Murnau. Where there is imagination, there is darkness and from within that darkness lurks a being of unfathomable terror…

Only Lovers Left Alive

2013. Very stylish indie cult horror. Jim Jarmusch’s ONLY LOVERS LEFT ALIVE tells the tale of two fragile and sensitive vampires, Adam (Tom Hiddleston) and Eve (Tilda Swinton), who have been lovers for centuries…

The Fog

1980. John Carpenter mini classic. Hammy as. According to legend, six sailors killed when shipwrecked 100 years ago in Antonio Bay, California, will rise to avenge their deaths when a strange glowing fog appears…

Suspiria

1977. Lots of Hitchcockian touches. Widely considered to be the most shocking and hallucinatory horror movie in history, and described by director Dario Argento as “an escalating experimental nightmare”…

Colour Out of Space

2019. One of two totally bonkers Nick Cage entries in this list. And then there’s the Llamas… A cosmic nightmare from the minds of H.P. Lovecraft (Re-Animator) and cult director, Richard Stanley (Hardware)…

Carnival of Souls

1962. Surrealist cult-classic. Mary Henry (Candace Hilligoss) mysteriously survives a car wreck. In an effort to put this traumatizing incident behind her, she moves to Utah where she takes on a job as a church organist. However, her fresh new start is interrupted by the haunting, relentless presence of a strange man (Herk Harvey) who seems to follow wherever she goes. As her sightings of the man increase, she finds herself drawn to the dilapidated carnival on the outskirts of town…

White Zombie

1932. Considered Hollywood’s first full length zombie film, WHITE ZOMBIE follows Murder Legendre (horror legend Bela Lugosi), the menacingly named zombie master of Haiti. Still creepy with nods to German expressionism…

Willy’s Wonderland

2021. So bad it’s good. A totally guilty pleasure pick. A quiet drifter is tricked into a janitorial job at the now condemned WILLY’S WONDERLAND, however mundane tasks suddenly become an all-out fight for survival…

Staff Picks: Movies at the Library

Here are some new, and older movies, that our library cinephiles have enjoyed watching recently.

Gus’ Picks:


The worst person in the world
Norwegian director Joachim Trier’s latest film which follows four years in the life of Julie, a woman on the verge of her thirties trying to figure out herself, her career, her passions, and her love life. Told episodically in acts, the film is one of the best attempts I’ve seen at articulating that particular Millennial desire to be remarkable in your time, how being anything less makes you feel like the titular ‘worst person in the world’, and the malaise that soon sets in from both the disappointment on never succeeding and the relief of never committing. Heartwarming, hilarious, and not a little profound.

The Matrix Resurrections
I always thought ‘The Matrix’ was the one series that actually deserved a modern reboot; like the ‘red pill’, it’s easier to swallow a concept like the Matrix in a world that has been moulded even more by computers and algorithms than ever before. The question is, what do you say with that idea today? What, for better or worse, has the Matrix, both the film and the concept, done to our culture? Does it still have a place in the era of Twitter and virtual reality? Fortunately, Lana Wachowski (now directing solo without her sister, Lily) has been stewing on those questions, and delivers a sequel that both expertly updates the concept and puts it in context of its own legacy. Don’t go in expecting it to reinvent cinema like the first one, just remember to keep your mind open to the possibilities. Some ideas are just too good to stay dead.

Dune
Denis Villeneuve takes a crack at the ‘unadaptable’ space epic that defined science fiction for decades, and he proves more than up to the task. While definitely feeling like a ‘Part 1’, Dune’s scope, worldbuilding, creature design, and cinematography are second-to-none, and the epic, mesmerising score by Hans Zimmer is the perfect compliment. On a personal note, I think this is the best realisation of Douglas Adam’s Hitchhiker’s Guide line “The ships hung in the sky in much the same way that bricks don’t”.

The courier
Based on the true story of Greville Wynne, a British businessman who gets roped into smuggling secrets out of Russia on behalf of the CIA and MI:6. A solid Cold War thriller, and a reminder that Benedict Cumberbatch is actually a really great actor when he’s not being stunt-cast (see also: Patrick Melrose).

First cow
In 1820s Oregon, a humble cook from Maryland and a worldly immigrant from China meet through happenstance and become fast friends, eventually setting up a business selling ‘oily cakes’ to the hungry trappers and settlers in their neck of the woods. However, the only way they can get the milk for their cakes is to steal it from the only cow around, which happens to be owned by the richest man in the territory. The first half is about two guys in 1820s start-up culture, while the second half is the sweetest, gentlest heist movie you’ll ever see. Perfect for a rainy weekend or a quiet night in.

Continue reading “Staff Picks: Movies at the Library”

Vale Indigenous Australian Actor David Dalaithngu

Sad news from across the ditch that Indigenous Australian actor, dancer and didgeridoo player David Dalaithngu has lost his battle with lung cancer at age 68.

Warning: This story contains the name and images of a deceased Indigenous person.

Born in  approximately 1953 in Arnhem Land in the far north of Australia,  Mr Dalaithngu was raised in the traditional culture of his Yolgnu people, not encountering white people until he was about 8 or 9.  Most famous around the world for his role in Crocodile Dundee and Baz Luhrmann’s Australia, Mr Dalaithngu has been a stalwart of the Australian film industry since his film debut at 18 in the 1971 film Walkabout.

You can read more about his life in his biography, Gulpilil by Derek Rielly (eBook).

To mark his passing and celebrate his life, we’ve put together a list of his films available through our collection and/or Beamafilm and Kanopy.


Walkabout – watch on Beamafilm
“Nicolas Roeg’s mystical masterpiece chronicles the physical, spiritual, and emotional journey of a sister and brother abandoned in the harsh Australian outback. Joining an Aboriginal on his walkabout – a tribal initiation into manhood – these modern children pass from innocence into experience as they are thrust from the comforts of civilisation into the savagery of the natural world.” (Description from our Catalogue)
DVD on our catalogue or watch Walkabout on Kanopy

Mad Dog Morgan – watch on Beamafilm
“Set in gold rush-era Victoria, and based on a true story, this violent, rollicking portrayal of infamous Irish outlaw Dan Morgan, a bravura performance from an intense Dennis Hopper (Easy Rider, Apocalypse Now) is a classic of Australia’s ’70s cinema renaissance. A prospector who turns to crime and opium after failing at gold mining, Dan Morgan spends six brutal years in prison before terrorising country Victoria with a young Aboriginal, David Dalaithngu (Walkabout, The Tracker). Having escaped into NSW, the bush ranger and his accomplice easily dodge the police and mercilessly intimidate the wealthy land owners but wracked by madness and a lust to avenge an earlier attack from an irate squatter, the notorious Mad Dog makes a perilous journey back into Victoria.” (adapted from Beamafilm description)
Or, watch Mad Dog Morgan on Kanopy

Storm Boy – watch on Beamafilm (1976)
“Storm Boy lives with his recluse father on South Australia’s lonely and beautiful coast. Here his free spirit roams with his pet pelican Mr. Percival and his secret Aboriginal friend Fingerbone Bill. He knows no other world. Suddenly there are intruders, the local school teacher who wants him to take lessons, a resentful wildlife ranger, duck shooters… Storm Boy, growing up is forced to choose between a life of continued isolation and the challenges of the outside world.” (Description from our catalogue)
DVD on our Catalogue, or watch Storm Boy on Kanopy

The Last Wave – watch on Beamafilm
“Internationally acclaimed filmmaker Peter Weir explores a startling world on the brink of apocalypse in The Last Wave, a time and place where Mother Nature and human nature are destined to collide in catastrophic disaster. When lawyer David Burton is assigned a case to defend a group of indigenous Australian men, he is unprepared for the nightmares and dreamscapes ahead. Accused of murdering one of their own, the men stand trial amidst suspicious circumstances and, as Burton becomes plagued by unsettling visions, he is drawn to the mysterious Chris Lee (AFI Award winner David Dalaithngu, Storm Boy, The Tracker) for answers to his torment. As the erratic climate turns dangerous, Burton senses a greater power at play, where tribal customs and the ancient ideas of Dreamtime may be more than just an ominous warning.” (adapted from Beamafilm description)
DVD on our Catalogue or watch The Last Wave on Kanopy

Crocodile Dundee I [&] II (DVD)
“The adventures of Crocodile hunter Michael J. Dundee, in the wild outback of Australia and the wild streets of New York City.” (Catalogue description)

Rabbit-proof fence (DVD)
“In 1931, three aboriginal girls escape after being plucked from their homes to be trained as domestic staff and set off on a trek across the Outback.” (Catalogue description)

The proposition (DVD)
“A story of class, race, colonisation and of one family’s violent destiny played out against the searing backdrop of Australia in the 1880s.” (Catalogue description)

Ten canoes (DVD)
“Ten canoes tells the story of the people of the Arafura swamp, in their language, and is set a long time before the coming of the Balanda, as white people were known. Dayindi covets one of the wives of his older brother. To teach him the proper way, he is told a story from the mythical past, a story of wrong love, kidnapping, sorcery, bungling mayhem and revenge gone wrong.” (Catalogue description)
Or watch Ten Canoes on Kanopy

Australia (Blu-ray)
“In northern Australia at the beginning of World War II, an English aristocrat inherits a cattle station the size of Maryland. When English cattle barons plot to take her land, she reluctantly joins forces with a rough-hewn stock-man to drive 2,000 head of cattle across hundreds of miles of the country’s most unforgiving land, only to still face the bombing of Darwin, Australia, by the Japanese forces that had attacked Pearl Harbor only months earlier.” (Catalogue description)

Charlie’s country (DVD)
“Blackfella Charlie is getting older, and he’s out of sorts. The Government Intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws that don’t generally make much sense, and Charlie’s kin and ken seeming more interested in going along with things than doing anything about it. So Charlie takes off, to live the old way, but in so doing, sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.” (Catalogue description)

Goldstone (DVD)
“Indigenous Detective Jay Swan arrives in the frontier town of Goldstone on a missing persons enquiry. What seems like a simple light duties investigation opens a web of crime and corruption. Jay must pull his life together and bury his differences with young local cop Josh, so together they can bring justice to Goldstone.” (Catalogue description)

Cargo (DVD)
“An ecological collapse has seen the human population take to an orbital existence aboard a fleet of intergalactic space stations. Rumour had it that a distant habitable planet exists in the outer realms and CARGO concerns the intense and atmospheric journey one crew embarks on in order to find paradise”–Container.” (Catalogue description)

Storm boy (2018) (DVD)
“A contemporary retelling of Colin Thiele’s classic Australian tale. When Michael Kingley, a successful retired businessman starts to see images from his past that he can’t explain, he’s forced to remember his childhood and how, as a boy, he rescued and raised an extraordinary orphaned pelican, Mr Percival.” (Catalogue description)

Gulpilil – One Red Blood, watch on Kanopy
“GULPILIL – ONE RED BLOOD takes us from the world of cinema to Dalaithngu’s homeland and back again. It charts his career from his origins as a strictly tribal man who spoke no English, through his transformation to a jet-setting movie star. The film traces how Dalaithngu’s acting work declined during the 80s and how he was overlooked for over a decade. With his latest roles in Rabbit Proof Fence and The Tracker, Dalaithngu is once again back in the spotlight.” (Description from Kanopy)

Note: In many Indigenous Australian cultural practices, those that have died are not referred to by their name as a mark of respect.  Mr Dalaithngu’s family have requested that he be referred to as David Dalaithngu.  We have left the title of his biographical book and film with the original name so that they can be found in the library collection.