New CDs for Te Awe

I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library, and pick out some interesting titles across a range of music genres to review. Our limit is a few lines only. Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is banging on about?
Read on to find out…


via GIPHY

Statler: Well, it was good.
Waldorf: Ah, it was very bad.
Statler: Well, it was average.
Waldorf: Ah, it was in the middle there.
Statler: Ah, it wasn’t that great.
Waldorf: I kind of liked it.”
-‘The Muppet Show’.

How long do you think it’s gonna last? / Big Red Machine
Mark: Big Red Machine are the National’s Aaron Dessner and Bon Iver’s Justin Vernon. This is their 2nd album under that moniker, after 2018’s S/T effort. More mellow acoustic alt-folk/pop with looping arrangements and touches of keys and electronics, a bit more straight ahead than their more experimental debut. Guest performers include Fleet Foxes, Sharon Van Etten & Folk-mode Taylor Swift. There’s a shared musical aesthetic at play in the collaborative network of all these musicians, and if you like the works of their individual bands, you’ll find comfort in the dreamy, immersive electro-acoustics on display here.
Neil: Aaron Dessner of The National and Justin Vernon of Bon Iver have joined forces before, this new project sees them playing to their strengths. So big open piano chords and chilled vocal harmonies to the fore. The result is a deliberately messy, hazy freewheeling album. It is all very pleasant without presenting many challenges to the listener a languid listening experience.

Silver ladders. / Lattimore, Mary
Mark: 2020 album from experimental LA harpist Mary Lattimore. Dreamy and relaxing. Droney synths colour the harp sound on some tracks, giving a moody soundtrack feel to certain pieces. An understated album that sneaks up on you with its relaxing vibe of solitude and contemplation. An album for afternoon ruminations on rainy days.
Neil: Recorded in a remote rural town with few distractions ‘Silver Ladders’ is an album infused with a beautiful sense of stillness, loneliness, melancholy, and a gentle pastoral eeriness. A very calming album that reminded me in places of the work of Laraaji.

Skin. / Crookes, Joy
Mark: South London singer (of Bangladeshi-Irish descent) with a distinctive voice, reminiscent of Macy Gray, or early Amy Winehouse. ‘Skin’ may seem like yet another Neo-soul album, but the songs move in unexpectedly Jazzy directions with swinging horn breaks, Jazz rhythms and cinematic strings. Soulful late night club vibes percolate across a album of strong tracks, as lovely ballads mix with cinematic trip-hop focusing on the socio-political and the personal.
Neil: British Neo soul crooner Joy Crookes’s debut album is a polished masterclass in everything a debut album for an artist looking at global stardom should be. There’s been comparisons to Amy Winehouse’s first album and there are surface similarities. ‘Skin’ is however very much Joy’s own voice, politics, and personality. Retro string stylings, sophisticated melodies, and assured song writing all shine through. This is what the debut work of a star on the rise sounds like.

Anika. / Anika
Mark: Anika has just released her sophomore album Change after 11 years, so we thought we’d check out her debut from 2010. While working as a political journalist, she met producer Geoff Barrow of Portishead who was looking for a female vocalist to work with his band Beak. Their resulting collaboration led to this album, released by Barrow’s Invada label. A bit of a Nico homage, combining post-punk & Girl group tributes, with her detached blank vocal style and distorted arrangements. Though there’s not necessarily anything wrong with that, this is definitely a bit of an acquired taste.
Neil: Right from the moody black and white photo cover down to the treatments on vocals and instruments, you can tell that a heavy influence on Anika work on this album is the Velvet Underground, and especially their German songstress Nico. The album is largely comprised of covers and features the sonic talents of Portishead’s Geoff Barrow. These influences are worn heavily on their collective musical sleeves: that said if you are going to base your sound on a band and singer, then Nico are the Velvet Underground are pretty good choices. My favourite tracks on the album are the dub influenced ones that slightly step out of this template.

Juniper. / Fredriksson, Linda
Mark: Debut solo album from Finnish Saxophone player Linda Fredriksson, a member of a couple of well regarded Finnish musical outfits. Described as a ‘Singer-Songwriter’ album, within a Jazz construct. A meditative album, created over numerous years, that incorporates field recordings, personal recordings of friends, rainfalls, humming, lo-fi acoustic guitar parts and much more. Definitely a different take on what is a Jazz album. Really nice.
Neil: Juniper is a delicate softly, evolving jazz album with emotional content in the playing that ropes listeners into its gently shifting moods. At points sounding traditional in tone and feel, at others more experimental in a chilled ambient fashion. The various elements effortlessly flow in and out of each other.

Rest in blue. / Rafferty, Gerry
Mark: This posthumous release from Gerry Rafferty was begun in 2006, and at his death in 2011, remained uncompleted. His daughter finished the project this year, filling out the album with unreleased tracks from various points in his career, removing a lot of the production to give the album a more uniform feel. A surprisingly cohesive listen, full of catchy, finely crafted, mellow AOR.
Neil: The original incantation of Rest in Blue was started by Gerry in 2006, and was still unfinished at the time of his death in 2011. This release isn’t quite that album; instead this album put together by his daughter uses elements from that projected release and unreleased songs that span his entire career indeed, some of these tracks dated back to the 1970’s. The result is remarkable coherent considering the time span involved, and provides a fitting tribute to his career, and incidentally an excellent starting point to his work if you are unfamiliar. The cover is once again provided by his long-time friend the Scottish Artist John Byrne.

Rose in the dark. / Sol, Cleo
Mark: London Soul singer, who is part of the mysterious R&B collective Sault with partner Inflo. She has just released a new solo album, ‘Mother’ (on order) so we tracked down her debut to check out. Old school R&B, with sweet lilting vibe. The intimate songs focus on individual relationships (rather the broader societal focus of Sault) and have that distinctively 70s soul groove, where it was all about love and personal connections.
Neil: There’s a sense of purpose and sensitivity both in the lyrics and playing in Cleo Sols 2020 album ‘Rose in the Dark’. Cleo Sol is a very busy individual having just released a second solo album called Mother (to be reviewed another time) and known for being a member of the R&B outfit Sault (whose album Nine is reviewed later in this Blog). ‘Rose in the dark’ is perfect example of the quality of all her work, an uplifting Neo Soul R&B outing that made it onto may peoples best of 2020 lists. Her newly released album ‘Mother’ is already being touted as a masterpiece of the genre.

La Luz. / La Luz
Mark: All female Seattle band who blend surf-rock and Garage-psych rock. This album, their third, has been tipped as a breakout for the band, with deeper personal songs and slicker production values. Lots of dreamy chamber pop, and moody psych numbers with lovely ‘Girl-group’ type harmonising.
Neil: Alt folk rock outfit La Luz return with a modern Western themed fourth album. It builds on their impressive previous albums and shows a new level of maturity and sophistication, especially with regard to the structure of their songs and their Simon & Garfunkel styled backing vocals. It’s all topped of nicely with lead vocalist Shana Cleveland’s understated indie inflected vocals.

The horses and the hounds. / McMurtry, James
Mark: The first album in 6 years from McMurtry, the son of famed novelist Larry McMurtry. As to be expected his father’s storytelling skills are deeply embedded into his DNA, so what you get here is a fine set of uptempo country rockers that continues a creative winning streak following 2008’s Just Us Kids & 2015’s Complicated Game. Like the great Country acts before him McMurtry has honed the ability to write realistically about a spectrum of characters across social and economic classes with realism, honesty and empathy. You believe in the disillusion, the struggles and the optimism of the people who inhabit his songs.
Neil: The Texan storyteller James McMurtry delivers a humane and highly accomplished collection of songs on his tenth album. His story songs are about the collapse of small-town America, good people in bad places, and down on their luck characters. The result is a modern, relevant meaningful, heartfelt Country and Western album that shows a rawness and vitality that is sadly all too often missing in the modern Country and Western genre.

Fever dreams. / Villagers
Mark: Fifth album from Villagers, the project of Irish singer/songwriter Conor J. O’Brien. Lovely mix of swirling psyche tinged pop. A musical kaleidoscope taking you on a euphoric escapist journey from the travails of modern life through a hallucinatory world of sound. It reminded me of the late 90s classic’s The Flaming Lips’ The Soft Bulletin (1999) & Mercury Rev’s Deserter’s Songs (1998) in terms of its musical scope and impact.
Neil: You can tell even from initial listening that Fever dreams was constructed over a long period of time (two years to be exact). It is an album that demands and rewards an immersive listen, rather than just a background skim. The tracks move from woozy modern psychedelic tones, to eerie surreal pop in an elegant, organic, ambitious fashion with an expansive sound pallet in constant use. Sure, to be on several best of the year lists. If you like this try In the Aeroplane Over the Sea the by Neutral Milk Hotel.

Bees. / Belly
Mark: Listening to this without knowing anything about Belly you would assume this is another in the (seemingly unending) line of bands mining that 90s Alternative-pop sound. However Belly were actually one of the bands from that scene, fronted by singer Tanya Donnelly, who had previously been a member of other cult 90’s bands Throwing Muses & The Breeders. ‘Bees’ is a belated compilation of the bands B-Sides that was initially compiled for a Record Store Day release, to celebrate 30 years of the band. A nice collection of B-sides, covers and oddities that makes you realise, despite their scant discography, their lasting influence on the sound of future bands.
Neil: Released on record store day to celebrate 30 years since the formation of the alternative rock band Belly. Bees is a collection of career spanning B sides, covers and rarities. Featuring prominently (of course) the distinctive and unmistakable vocals of Tanya Donnelly. (Who incidentally helped found two other iconic bands of the time Throwing Muses and the Breeders). This release will delight their fans. I particularly liked their cover of The Jungle Books ‘Trust in me’, originally from their 1993 EP “Feed the Tree”.

I don’t live here anymore / War on Drugs
Mark: Philadelphian band who introduced big sounding ‘FM guitar-rock’ to a new generation return with their 5th album. More blue collar rock epics in the vein of Dylan, Springsteen & Petty, with some synth bits woven in and out, to give the music a more contemporary sound. I never really got the hype around this band to be honest. Didn’t The Wallflowers & Pete Yorn already do this kind of thing in the 90s & 2000’s?
Neil: ‘I don’t live here anymore’ is the fifth studio album from stadium filling War on drugs. It utilises and refines on their previous work esp. their Grammy winning album A Deeper Understanding, the songs usually building up from deep and often deceptively simple melodies, slowly and methodically increasing up the intensity. The lyrics depict a romantic American soul-searching journey, and the album has an anthemic qualities without being too bombastic.

Coming in from the dark. / Smith, Hollie
Mark: Hollie Smith mined the solitude of lockdown to create an album blending her Neo soul stylings with the New Zealand Symphony Orchestra, Rwandan-Kiwi rapper Raiza Biza, Sol3 Mio and Teeks. Personal reflections on a relationship breakdown form the core of this introspective album, that looks at loss and healing, both within personally and outwards towards the larger issues facing New Zealanders today.
Neil: The much-loved Kiwi soul artist Hollie Smith (and close friend of our PM) releases her fourth album. It is an immaculately produced work and Hollies vocals soar. It belongs very much to that new sub section of music the Covid lockdown album (Hollie was scheduled to be Touring but like many artists has had to put those plans on hold). Hollie airs her anger and frustration with the current global and political events that threaten to overwhelm us, whilst interweaving these concerns with more intimate themes. The result is a tender, thoughtful and powerful work that is ultimately uplifting and hopeful in its vision of our future.

Nine. / Sault
Mark: This prolific R&B-rooted pseudonymous collective (helmed by producer Inflo) have released some of the most talked about & critically acclaimed music of recent years; 2 albums in both 2019 & 2002, the last of which Untitled (Rise) was nomination for the Mercury Prize in 2021. Latest album ‘Nine’ is more of the same quality, though its shorter length makes it feel a tad more fragmented than previous albums. A melange of musical styles from Rap, mellow R&B, grimy beats and spoken word segments, form a raw, gritty montage of the pressures on a young generation from the dehumanizing systems that surround them, and the weight of prejudice and limited life choices. Powerful music.
Neil: The enigmatic and mysterious music collective Sault release another vital album. Unsurprisingly as an ever-changing music collective there is a rich tapestry of sounds and approaches in ‘Nine’, the overall effect though feels totally unified and coherent. The tracks including some spoken word elements are urban, dark, and edgy with real grit. In the mix there are elements of rap, grime Afro Beat and even some Tom Tom’s club’s style funk in there. The tracks are largely about growing up in modern London. A constantly fresh and surprising album stunning in its contemporary urgency.

Geist. / Lay, Shannon
Mark: Guitarist/songwriter Shannon Lay began her music career as part of the California garage punk scene, but her solo releases moved towards a folky-psychedelic aesthetic. ‘Geist’ is her 2nd album on the Sub Pop label. She has a lovely pure voice, and while the songs may deal with inner turmoil and change, they do so in a series of relaxing, elegant meditations of quiet strength & resolve.
Neil: Shannon Lay’s Geist is deliberately wistful, transcendent, and spiritual album. Shannon uses multi tracked choral vocal and a constantly moving, flowing, and evolving acoustic guitar as its core. The effect is distinctive and expressive, quiet, and lovely. An evocative pastoral psychedelic folk work reminiscent of artists like Vashti Bunyan. I particularly enjoyed her cover of Syd Barrett’s ‘Late night’.

Segundo. / Molina, Juana
Mark: A remastered reissue of the Argentinian singers 2nd album from 1993 for it’s 21st anniversary. Quirky Spanish vocals weave over the mix of electronic and acoustic elements. Apparently she had imagined the sound of this type of new (in 2003) musical style before acquiring the synths & loops to bring it to life, and the resulting album became a cornerstone of the folktronica movement. Hazy and folkish traditional sounds merge pleasantly with bossa-nova rhythms, and robotic blips and bleeps. Deeper and more intricate than say the work of Beth Orton at the time, this is one of those albums that throws up new things with each listen.
Neil: The unique Juana Molina’s second album ‘Segundo’ was named the Best World music album in 2003. This welcome anniversary rerelease very amply demonstrates why. ‘Segundo’ see’s the Argentine artist explore and refine her approach to music, especially her use of acoustic and electronic textures. A master of the intimate and delicate moment, and of teasing out subtle joyous emotions from the music. Since its release it has become one of the defining must-listen-to albums of its kind.

Modern love.
Mark: Tribute albums like these are always understandable tricky for the artists involved. Do you play it safe with a note-for-note version, or do you try something different, shift the song into another genre or make a fast track slow and vice-versa, knowing that any changes risk altering the emotional impact of the original song. So as you may expect, a bit of a mixed bag here. I quite liked the Hics version of ‘The Man Who sold the world’ & Jonah Mutono’s take on ‘Modern Love’.
Neil: There has been a few Bowie cover albums released since David Bowie’s death and ‘Modern Love’ is one of the most smooth and polished of them. The album features cover tracks from across his entire career. However, it is Bowie’s mid 70’s plastic soul era that fares most favourably. With tracks like Khruangbin’s cover of the Young American’s track Right and Léa Sen Golden Years being standouts. That said there’s lots of other interesting covers in there too. It is noticeable though that for a covers album of an artist famed for his experimental approach to music, these tacks often sound very safe and lacking in any real experimental intention.

What we call life. / Rakei, Jordan
Mark: 4th album form the NZ Born, Australian raised, Grammy nomination, London-based Soul artist (who also records under the alias Dan Kye). More heartfelt introspective beat driven soul. A rich texture of sounds form complex tracks that his soaring falsetto weaves in and out of, with personal songs based on his recent experiences through therapy, and outward looking tracks focusing on Social injustice.
Neil: London-based New Zealand born Jordan Rakei displays a new level of musical and lyrical sophistication on this, his most intimate and emotionally vulnerable album to date. Many of the lyrics found their origin in what he discovered about himself in therapy. That said, the album isn’t downbeat Jordan takes the source emotional material and transforms it into contemplative, but often uplifting music, using equal parts soul, Jazz and R & B, underpinned by upbeat grooves. This emotional ebb and flow high and low balances the album. A song cycle album, from an ever evolving and expanding musician.

Boat. / Pip Blom
Mark: 2019 album from Dutch indie rockers with a love for 90s alt-rock & Britpop stylings [they also have a new 2021 album which is on order]. Dynamic rhythm shifts meet off beat melodies, and jangly guitars. A catchy and fun listen.
Neil: Dutch quartet Pip Blom’s debut album is a fuzz box driven, perky, upbeat, pop punk, post grunge melange. The album is a stream of catchy bouncy songs about ironically, isolation, distraction, and their daily struggle against apathy. It is unconcerned about making big complicated musical statements, instead focussing on a straight-ahead approach to make the album an enjoyable, bop along listen.

Vengeance. / Twelve Foot Ninja
Mark: Australian band that melds alternative-metal with prog and experimental rock elements. Their 3rd album ‘Vengeance’ made Allmusic’s list of the top 50 Metal albums of 2021, and it’s easy to see why. A wild mix of styles slam together everything from smooth lounge pop, to 80’s funk, horror soundtrack aesthetics and video game music, and that’s just the tip of this crazy musical iceberg. Accompanied by (if you can believe it) by a video game, a graphic novel, and a thousand-page fantasy novel, that flesh out the mythology of the album. At this point I think I can confidently say that this is the strangest album we’ve reviewed this year. I’m not much of a metal fan, but this was really enjoyable.
Neil: The church of metal is a very wide congregation with room for many voices and approaches. And Australian band Twelve Foot Ninja are an excellent case in point, known for their experimental approach. ‘Vengeance’ their latest work is their most genre mashing outing yet. The core of the album is still firmly trash metal, but amongst the other musical genres in this fusion work are cyberpunk, trip hop, industrial metal there’s even traces of bossa nova and hard disco funk!

Box Set Pick
The sun shines here : the roots of indie-pop 1980-1984.
Mark: A follow up to Cherry Red’s 2013 Scared to Get Happy: A Story of Indie Pop, ‘The sun shines here’ digs further into different musical scenes to pull out tracks by bands who went on to be well known, as well as those who disappeared into obscurity. There’s not much quality difference between the two, a testament to the sheer amount of talented artists finding consistently melodic new directions in music during this period.
Neil: The clue to the contents of this album come in the subtitle the roots of indie pop. The years 1980-1984 form the crucial point time when indie music in the UK emerged from the long shadow and scorched musical earth of punk and post punk, and became its own unique identifiable movement. It is also notable for the fact that the regional musical scenes in Liverpool, Manchester and Glasgow also become serious players, rather than all the focus being on London. The Box set is a fabulously curated, comprehensive, and well researched piece of sonic archaeology, featuring a wide selection of artists. By its very nature it is very diverse, and forms an essential listen for anyone interested in the evolution in pop music in the UK at the time, and by default beyond. The effects of this movement are still very clearly to be heard in many of the bands around today.

New CDs for Te Awe

I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library and put our highlights here with some quick reviews of new titles — our limit is a few lines only.
Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is banging on about. Read on to find out…

via GIPHY

Statler: Well, it was good.
Waldorf: Ah, it was very bad.
Statler: Well, it was average.
Waldorf: Ah, it was in the middle there.
Statler: Ah, it wasn’t that great.
Waldorf: I kind of liked it.”
-‘The Muppet Show’.

Buda / Buda, Luke
Mark: Luke Buda returns with his first solo album since 2008’s Vesuvius. Organs and synths fade in and out in a set of woozy pop that focuses on the travails of aging bodies, domesticity and happiness amid global chaos. Three tracks features lyrics by author and poet Damian Wilkins & other collaborators include Don McGlashan, Joe Lindsey and Toby Laing from Fat Freddy’s Drop, Riki Gooch, and Anita Clarke from Motte, who sings on every track. A great fun, catchy, self deprecating album, whose reflective moments pull the threads of everyday life with revealing lines that stick with you. Well deserving of all the good reviews its been getting.
Neil: One of the core creative forces behind the mighty The Phoenix Foundation releases (with a lot of help from his friends) his third solo effort, this time simply called Buda. It is an impressive work, interspersed with a lot of the hallmark touches he brings to his other work in The Phoenix foundation. Wryly funny, poetic, serious when it needs to be, and it shows us why he is one of our finest musicians.

Come play the trees. / Snapped Ankles (Musical group)
Mark: Mysterious and unknown London-based post-punk band who wear ghillie suits when performing. DIY electronica meets Krautrock/Art-rock, with vintage synths underpinning the cacophony. I’m not sure what it was all about though…
Neil: Snapped Ankles 2017 debut release ‘Come Play the Trees’ sees a different side of the band from their live performances. Their well reported incendiary live performances are replaced with an experimental electronic Shamanistic vibe ,with propulsive post punk stylings that have nods to Afro-futurism. It’s a heady mix with deliberately obscure and mysterious. Lyrics rubbing shoulder by shoulder with socio political statements. All very strange and intriguing. Imagine a pagan shaman musician in an ancient forest, creating music from synthesisers he has created from the surrounding trees.

Lindsey Buckingham. / Buckingham, Lindsey
Mark: The ex-Fleetwood Mac-er returns with a delayed album – originally cut in 2018. Perhaps his most ‘pop’ outing and most FM sounding solo album yet. Mirage-era stylings, double tracked vocals, and catchy choruses surround a set of songs that focus on band & domestic disharmonies. Few artists of his generation can claim to be still making music this strong.
Neil: The first solo album in ten years for the ex-Fleetwood Mac stalwart. And he is not happy. His troubled private life has been well documented (often in music). And emergency life saving Heart surgery in 2019, not to mention Covid, have only sharpened his unease and the associated disquiet. It is all couched, as you would expect, in a very polished outing; very melodic in Buckingham’s unique fashion, with occasionally oblique & sometimes razor-sharp lyrics. An album that I suspect will be well received by fans and indeed well beyond.

Year of the spider / Shannon and the Clams (Musical group)
Mark: Melding old 50s Rock N Roll, 60s Girl group & 70s punk vibes, Oakland California’s Shannon & the Clams are one of those under the radar bands that have broken through with their latest album ‘Year of the spider’, a more polished effort produced by Dan Auerbach of the Black Keys. More lyrically personal songs, along with crafted backing, elevate their retro-stylings into something original, rather than just an exercise in nostalgia or homage.
Neil: Fuzz box welding Oakland retro rock band Shannon and the Clams really mix it up in this rip-roaring mash up of genres and styles. There are elements of 60’s doo wop, psychedelic moments gritty garage rock and a few other genres thrown in. Nearly all originating in the 60’s or early 70’s. The lyrical content is rooted in the band’s personal troubles, and there definitely individual darkness in there. And it is that dark and personal lyrical content that makes the band sound like themselves, rather than a lot of influences, and that really glues the whole album into a cohesive work.

The ballad of Dood & Juanita / Simpson, Sturgill
Mark: Bluegrass country ‘concept’ album about Civil War Military Veteran (Dood) and his trusty steed Shamrock (a donkey), who pursue an outlaw that has abducted his wife (Juanita) to seek vengeance. Another left turn for Sturgill Simpson, supposedly inspired by his Grandfather & Willie Nelson’s Red Headed Stranger. A cinematic Mini-Epic that plays out like an old Black & White Western, as a good man is forced to take up guns for a righteous cause one more time.
Neil: The title of this album, and artwork, very accurately lets you know what you are going to be listening too once you put this album on. A modern Bluegrass concept album, based on tales of Kentucky legends from America’s past. Brought to life by some of the Bluegrass scene’s finest modern exponents. Cowboy tales of feuds and gunfights, horses, and hound dogs. It is all very well-done; a modern recreation of frontier myth-making music, and lots of fun besides.

Iris / Fountain, Reb
Mark: Have to admit I haven’t listened to any of her previous albums, so can’t say if this album is indicative of her overall catalogue. To me, ‘Iris’ sounds musically a lot like Taylor Swift’s folky storytelling from Evermore, or a more moody Suzanne Vega. If Noir-ish folk is your thing, you’ll like this.
Neil: ‘Iris’ is one of those albums written and curated during lockdown. We are very fortunate to have it, as in other versions of reality Reb would have been touring the World gaining legions of fans, instead of finding herself stuck in a pandemic lockdown. ‘Iris’ is a piano driven, often dark and unsettling work, moody, romantic, dreamlike, and poetic. From the opening track ‘Psyche’, the listener is drawn into her sonic world, and Reb (one of the key players in New Zealand’s alt-folk scene) has created a complete and highly accomplished work. Highly recommended.

Old gods. / Shihad
Mark: Strong political & social commentary wrapped up in hard rocking riffs. Jon Toogood’s vocals always sounds ageless. Stradling countries and cultures has given Toogood a deeper perspective, that infuses the bands patented hard rock with added depth.
Neil: A new release from one of New Zealand’s most beloved bands. It’s an album fuelled by righteous angry frustration, and the music shows it. A riff heavy assault of huge guitars in full sonic assault mode, coupled with deep, deep, bass and carefully placed vocals that miraculously don’t get lost in the mix. This album will surely serve as the basis for a massive ear-splitting, adrenalin pumping,?; live tour sometime in the future.

Local valley. / González, José
Mark: The Swedish singer/songwriter returns after a 6 year break. Mellow pastoral folky pop that looks forward with optimism and hope, while relaxing you in the present.
Neil: The ultra-cool, mega mellow smooth as silk voiced Jose González releases his fourth studio album. There’s no radical reinvention or wild sonic exploration going on here, and why should there be? His distinctive intimate fingerpicking, spare arrangements, and honeyed voice serves his muse very well. Music that sounds like a sweet dream, like murmurs of someone trying to lull you to sleep in the nicest possible way.

If I can’t have love, I want power. / Halsey
Mark: New York singer-songwriter, and multi-instrumentalist Ashley Frangipane (AKA Halsey) returns with 4th album teaming with Nine Inch Nails duo Trent Reznor and Atticus Ross. Big names like Lindsey Buckingham guest on “Darling”, and Dave Grohl on “Honey”. This got a lot of critical attention & good reviews, but it all seems a bit over the top and dated somehow. Auto-tuned pop-punk with gothic sensibilities. A pop singer trying to make an ‘edgy’ album, rather than someone with genuine musical edge.
Neil: Pop sensibilities meet deliberately constructed Gothic, fairy-tale, music in Halsey’s fourth album, produced by Trent Reznor and Atticus Ross. The result is in places cool, clear light on water, pop production; and in others brooding, lurking, spectral, tightly controlled, under the surface intensity. The lyrics explore Halseys rise to stardom, various aspects of her recent motherhood, and destructive and chaotic aspects of life. My reservation is that it does all sound a bit contrived and over wrought, but that could just be the theatrical nature of the album. Why not give it a listen, and make up your own mind as to which side of the fence you think it falls on.

Dunedin spleen. / Verlaines
Mark: Another solid album from the Dunedin outfit. Classic jangly guitar rock combines with more arty angular tracks, that dig deep into plenty of issues current to life in NZ. Final track ‘Way To Old To Grow Up Now’ provides a musical metaphor for a band who keep finding new things to say musically & lyrically, while never resting on their laurels.
Neil: The legendary Dunedin band The Verlaine’s have just released their 10th album. And Graeme Downes, the bands long time songwriter, guitarist and lead vocalist, has built up a lot to say since their last release, this album weighing in with a hefty 19 tracks. Their distinctive trademark sound fuses elements of indie rock, Punk, and Alt Art rock into their own unique Verlaine sound. The result is as sharp and clear eyed as any of their previously works proving, as if there was any doubt, that they are still far from a nostalgia act from the past.

Sometimes I might be introvert. / Little Simz
Mark: UK rapper’s follow up to her Mercury Prize-nominated third album is a masterclass in modern Rap-Soul. Deep songs with great flow address being a black woman in the UK, the cost of success against your privacy, and issues surrounding her personal life. Plenty of interesting collaborations, with ‘Woman’ featuring Cleo Sol (Sault), ‘Two Worlds Apart’ featuring a great Smokey Robinson interpolation, and Nigerian singer Obongjayar guesting on the Afrobeat-inspired ‘Point and Kill’.
Neil: The fourth album from the British rapper Little Simz, is a dynamic balancing act between the public and the private. In places it is heavily orchestrated, featuring lush and luxurious strings, horn sections, choral flourishes, and a whole plethora of musicians; in other parts, it is a much more stripped back and intimate affair. This is rap music on the grandest of scales, yet it retains the personal aspect thanks to the confessional nature of tracks such as ‘I love you, I hate you’.

Tangaroa. / Alien Weaponry
Mark: Alien Weaponry return with their 2nd album. If you haven’t heard their debut album, imagine the Haka set to metal riffs, and that kind of sets the tone for their sophomore effort. ‘Tangaroa’ explores their Maori heritage, via native Maori stories reflecting contemporary issues, all set to a soundtrack of pummelling Metal drums and swaths of furious guitars.
Neil: The mighty Kiwi metal maniacs Alien Weaponry build on the form, shape and success of their intense debut LP outing ‘Tū’. ‘Tangaroa’, their sophomore album, is a relentless and hard-hitting call to arms and action, on a range of issues, from climate change to illegal fishing and some of the more troubled moments in Aotearoa / New Zealand’s history. Fans of their previous work will not be disappointed.

Habibi Funk : an eclectic selection of music from the Arab world. Part 2.
Mark: A follow up to the original 2017 compilation from the crate-digging Habibi label. A selection of funky, sinuous tracks that resonate with an otherworldly sense of time and soul. The bands and singers embrace, distort and offer up their own take on a surprising array of western music influences, from Reggae, Stax type soul, to 70s funk & Disco. Never a dull moment across the whole CD.
Neil: Seemingly compiled by raking through vinyl crates in record stores in the Arab world, this eclectic mixture of music features tracks from the 60’s, 70’s and 80’s. The tracks sound like music that has originated in a slightly altered parallel universe, close to our own but not quite the same. Imagine music to accompany an Arab world James Bond movie; or a Sudanese disco track that sounds vaguely like Madonna; or long-lost Arab World version of Ennio Morricone soundtracks. It all makes for a rather wonderful mixed bag of Sounds. Like a distorted mirror held up to various musical genres: at one level vaguely familiar, at another strangely Different.

Bills & Aches & Blues.
Mark: Compilation celebrating 40 years of the 4AD label, where contemporary artists put a new spin on older & newer 4AD classics. A bit hit & miss, like all compilations of this type. Perhaps functions better as a primer for a younger generation to seek out and explore the labels back catalogue.
Neil: A charity compilation album built around and celebrating 40 years of the venerable London based arty 4AD label that defined much of the best alternative music of the 80’s and 90’s. The rich diversity of the artists on the legendary label’s rota are well represented in this compilation, named after a Cocteau Twins track. And the range of tracks chosen, and the artists who cover them, is eclectic to say the least. And that basically is both the strength and weakness of this mixed bag of covers. Something for everyone, but not necessarily everything for everyone.

Back to the light. / May, Brian
Mark: Brian May Rocks You! with this Deluxe reissue of his first solo outing from 1992. He goes for a bit more of a hard rock sound than Queen at that point in time, but also tries to throw in a bit of everything else, from ballads to Country – no doubt to make a claim to his musical versatility. However this tends to pull the album down at certain points, with some weak lyrics and lightweight production on some tracks. As a singer he’s no Freddie, but he handles all the albums musical styles well enough. Definitely worth checking out if you’re a Queen fan.
Neil: A newly polished re-release of guitar god, and all-round good bloke, Brian Mays’s 1992 solo album. Perhaps not unexpectedly the result is a huge bombastic beast of an album with, surprise surprise, monstrous Queen like guitar riffs at every cut and turn. It’s a good hard rock album, but that said you can’t help having the suspicion that the whole endeavour would have had the makings of a classic rock album had the creative energies and inputs of his fellow Queen band mates been involved.

Good good feeling! : more Motown girls.
Mark: Part of the ongoing Motown Guys/Motown Girls reissue series from UK label Ace Records. These reissues round up some previously unreleased material from the vaults, along with tracks that were only available digitally as part of the ‘Motown Unreleased’ 1963-69 Copyright Extension Collections. Motown would just cut the same song on multiple artists until they felt they had a ‘hit, so there is an argument that this is just a lot of Motown filler that was never released for a reason. However, the average Motown track is still better than most of what passes for neo-soul today. Plenty of catchy & soulful grooves from familiar & lesser known Motown artists.
Neil: During its golden era from approx. 1965 to 1969 the Motown label could do no wrong, creating music that was to come to represent and become the soundtrack for a point, place, and time in American history. And this compilation from the likes of Glady’s Knight & the pips and Martha and the Vandellas, and a whole host of lesser-known female artists on the label, amply shows why, with well-known tracks alonside a few unreleased gems.

K bay. / White, Matthew E.
Mark: Third solo album for Matthew E. White and his blend of retro 60s/70s styles (reggae, vintage pop & R&B). More genres collide on his latest offering, not just within the album itself but also within tracks. A bit like someone crate-digging through their record collection, playing you something different with each track, or swapping genres halfway through a song, like the great track ‘Take Your Time (And Find That Orange to Squeeze)’, There’s a lot of musical textures at play, but it’s a testament to White’s talent that he makes it all work together in a seemingly effortless sprawl.
Neil:: Mathew E White steeps himself in the audio sensibilities of popular American music of the 1960’s and 70’s, without ever slavishly following it. Reputedly his Space Bomb studio is awash with vintage analogue equipment, and you can tell the warm analogue sound of this gear as it seeps into every pore of this release, which is also clearly infused with Mathew Whites own unique personality.

Refuge / Banhart, Devendra
Mark: Mellow instrumental album from the folky Devendra Banhart & producer/engineer Noah Georgeson. Inspired by their parents involvement in New Age culture when they were children, both artists had an interest in meditative ambient music, which they finally realized with this project during some time spent in quarantine. Soothing synthy reverbs, plucked harps and washes of strings. Atmospheric & quietly moving.
Neil: There is a but discernible thin line between the ambient artistically focussed works of people like Brian Eno or Jon Hassell, and the more meditative, mindful of the moment, relaxation music often described as New age music. And Refuge sits in the more meditative camp; long sustained chamber drones, with very slowly and sparsely placed ambient piano interwoven and intertwined amongst it. That’s not to deride this work; it is perfect background music to relax and unwind to, and I suspect that was the intent of the musicians who created it.

Directions in music, 1969 to 1973.
Mark: Every direction Jazz took after Miles Davis’ 2nd Quintet broke up in 1968 was the wrong one…
Neil: In the very late 60’s and early 70’s the ever-evolving musical medium of Jazz was at a crossroads. It had already moved through a plethora of forms since its creation: Swing and Dixieland to Trad and mainstream, on through Bebop and cool Jazz, and was now looking for a new direction a new place to expand into. Directions in music, 1969 to 1973 is a delicious snapshot of this creative cauldron of sound. And features all the key players such as Wayne Shorter, Herbie Hancock, and of course Miles Davis. It doesn’t quite reach out into the intense experimentation of the outer reaches of Jazz at the time, such as Bitches Brew, but is a slightly more gentle introduction to what was in the air at that time. And it could be said that in many senses after this creative explosion Jazz never found its way forward again, instead working around the filaments of creative energy from this moment and its past.

Box Set Pick:
Feel flows : the Sunflower & Surf’s up sessions 1969-1971 / Beach Boys
Mark: I always thought ‘Sunflower’ was a solid album, with ‘Surf’s Up’ less so. This massive 5-disc Boxset excavates the Beach Boys vaults for dozens of previously unreleased outtakes, alternate mixes, and a bunch of related tracks recorded at the same time. With Brian Wilson taking a less active role in the writing, other members of the group stepped up, resulting in a sometimes awkward melding of both forward and backward looking tracks & styles. There’s a lot of good music here that sits outside of the proper albums, but to hear it you do have to wade through quite a lot of less than good music. Perhaps one of those sets where it’s best to create your own preferred version of from the wealth of tracks on hand.
Neil: After the (well documented) fallout surrounding the events of the legendary Smile album, it is safe to say The Beach Boys were never the same again. Indeed, there are fragments from the Smile project dotted amongst these two albums. Their creative leader Brian literally went to bed and only occasionally put in appearances. That meant that the other Beach Boys had to step up to the creative plate. And this box set shows very well what that meant. There are some superb tracks (indeed some of the songs in this box set are amongst the Beach Boys best). Which is saying a lot, as they created some of the finest songs and albums of all time. However, there are also some much weaker works. The poorest pieces are sugar saccharine, middle of the road, songs that sounded dated and corny even when they were originally released. But the good stuff Wow! So, all in all a mixed bag, but if you are happy to sift through it all there are some total gems in amongst the corn.

New CDs for Te Awe

I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library and put our highlights here with some quick reviews of some new titles — our limit is a few lines only to distil down why you might want to listen. Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is on about (see self-image below)? Read on to find out…

via GIPHY

Statler: Well, it was good.
Waldorf: Ah, it was very bad.
Statler: Well, it was average.
Waldorf: Ah, it was in the middle there.
Statler: Ah, it wasn’t that great.
Waldorf: I kind of liked it.”
-‘The Muppet Show’.

Doomin’ sun. / Bachelor (Musical group)
Mark: More 90’s inspired pop/rock from collaborative project Bachelor (Ellen Kempner of Palehound, and Melina Duterte AKA Jay Som). There’s nothing original happening musically but it’s sincere and well crafted, with catchy tunes and fuzzy guitars. Enjoyable.
Neil: Bachelor, named ironically after the American reality show Bachelor nation, is indie rock at its most personal and confessional. The lyrics are a vulnerable concoction of tension and joy, love and insecurity intermingled in tales of real-life queer experience. The albums sound is mostly lo-fi minimalism, with occasional bursts of guitar coming through. It reminded me in parts of early Throwing Muses releases such as the Fat Skier.

Downhill from everywhere. / Browne, Jackson
Mark: Alongside Joni Mitchell and James Taylor, Browne is one of the quintessential singer/songwriters of the ’70s, with his folky, mature take on the lives of the Baby Boomer generation. ‘Downhill from everywhere’, his first album since 2014’s Standing in the Breach, offers up more of the same sensitive, introspective, folk-rock with charismatic easy listening tracks, that tackle the nexus of personal & social struggles that the world still offers up no matter how old you are.
Neil: Jackson Browne is one of those singer signwriting legends; a hugely accomplished and acclaimed artist. This is his first release in six years, and he has dropped hints that it may be his last release, indeed one of the tracks on the album is about his life after and beyond his music career. ‘Downhill from everywhere’ finds him in exceptional vintage form. The lyrics deal in a wide and rich detailed array of subject personal and beyond. They are warm, lyrical, and articulate. His voice is undiminished by range and, unsurprisingly, the musicians backing him are of the finest calibre. Indeed, if it wasn’t for the release date on this album, you could easily mistake this for one of his albums from his golden period of the 70’s and early 80’s. It this is to be his swansong, then it is a very fitting one.

Hotel Surrender. / Faker, Chet
Mark: Australian singer/songwriter Nick Murphy resurrects his Chet Faker moniker for another album of electronica, that segues between smooth grooves and relaxed vibes. Laid back cool that drifts along with no particular destination other than chilling you out.
Neil: Chet Faker is an invented musical space in singer Nicholas Murphy’s aka Chet Fakers head. It might sound a bit pretentious, but the music has a laid back 70’s feel to it. The songs live in the moment and ask the listener to appreciate the moment for what it is. There’s a mellow breezy, sunny warmth to the end results. As if you were floating in Chet’s private pool on a warm summer’s day staring up at a perfect blue sky.

Leave love out of this. / Tonnon, Anthonie
Mark: The Whanganui musician (and also new operator of the famous Durie Hill Elevator) is back with his third album of chamber pop meets synthesized sound. Guitars sit next to synth washes and drum machines, and styles shift from ambient house to intimate ballads and swirling vocals. An ambitious piece of work that aims for epic in scale and often succeeds.
Neil: Aotearoan musician Anthonie Tonnon has been perfecting his musical art over many years. ‘And Leave love out of this’ feels like a culmination and synthesis of all this labour. Crystalline slabs of 80’s synth punctuate stylishly crafted balladeer songs, full of empathy and melodic subtly.

Mammoth WVH. / Mammoth WVH
Mark: WVH is Wolfgang William Van Halen, son of guitarist Eddie Van Halen, and the bassist for Van Halen from 2006 to 2020. His debut album ‘Mammoth’, on which he played every instrument, is very much a classic stadium rock album in the vein of classic Foo Fighters or Stone Temple Pilots. And there’s nothing wrong with that, as this album of big fun riff driven songs proves. On the basis of this album Guns N’ Roses picked him as the support act for their recent US Tour.
Neil: Being the son of rock legend Eddie Van Halen and playing bass for your fathers’ band Van Halen for the past 14 years perhaps leads to expectations about what your first solo outing might sound like. However, Wolfgang Van Halen’s Mammoth, in which he incidentally performs all instruments and vocals, is not the cookie cutter album you might have expected. Sure, its mainstream stadium hard rock at its core but there are also elements of grunge, metal, and alternative rock in there too.

Man made. / Greentea Peng
Mark: Greentea Peng is the moniker of Aria Wells, a ‘psychedelic’ R’n’B singer and songwriter from London. On the strength of her 2018 EP she made The Observer newspaper’s 20 for 2020 list of rising stars in music, media and culture. Debut album ‘Man Made’ is Hip-Hop meets dub reggae, with a political stance focusing on the voices of youth, with themes of unity & spirituality. Hazy beats surround positive matra’s and messages.
Neil: Hazy rap with slight nods to the likes of De La Soul or A Tribe Called Quest with distinctive elements of cool Jazz, psychedelia and chilled Reggae thrown in. ‘Man Made’ is still very much Greentea Peng’s unique approach to music and life, with its idiosyncratic and distinctive sound. It makes for a very hip and happening summer soundtrack without being too intense.

Peace or love. / Kings of Convenience
Mark: The indie folk-pop duo from Norway return after 12 years with a new album. A distillation of their previous albums sounds, this is a lovely tranquil acoustic set with touches of bossa-nova. Reflective easy listening of the very best kind. Great to relax to at the end of the day.
Neil: Kings of convenience are regarded as part of the “new acoustic” movement, but the Norwegian duo’s elegant, melodic, carefully constructed songs lift them well above this clumsy and lazy description. Dreamy easy listening that is delicate, relaxed, and beautiful.

Prosthetic boombox. / Cola Boyy
Mark: Cola Boyy is Matthew Urango, who was born with spina bifida, kyphosis and scoliosis, as well as a club foot. His debut album, Prosthetic Boombox, was released by the French label Record Makers & features appearances from Nicolas Godin of Air and Andrew VanWyngarden. Deliriously giddy funky disco anthems reign supreme on this debut album, that’s all about fighting for who you are. The (deliberate I’m sure) cheesiness of some of the music only adds to the fun. Sort of like the soundtrack that your cab driver in ‘Grand Theft Auto: New York in the 70’s’ would be playing as you drive to Studio 54…
Neil: Cola Boyy’s debut album sounds like his own very personal and unique take on 80’s disco funk with a slightly psychedelic twist. A playful, upbeat sugar rush of sound that also embraces elements of house. So far so good but there’s much more to Prosthetic Boombox as the title, album cover and lyrics allude to. His powerful struggle with the discrimination and prejudice associated with his disabilities feature in the lyrics often in an upbeat and factual fashion.

Sharecropper’s son. / Finley, Robert
Mark: Robert Finley is an American blues and soul singer-songwriter who released his debut album at age 63. That led to meeting Dan Auerbach of The Black Keys, who produced and co-wrote his 2nd album. This follow-up, also produced by Auerbach, is a series of autobiographical tracks based on his upbringing on a crop share in Louisiana. More southern soul than blues, Finley has a fantastically authentic voice, and the tales he tells are of real struggles and hard won successes, the triumph of spirit over circumstances.
Neil: Robert Finley possesses one of those unforgettable husky soul blues voices, that sounds straight out of the classic recordings in that genre from the 50’s or 60’s. But Robert Finlay is not an artist recreating the sound of the past; he is the real deal. He only came to a career in music in his sixties, after a lifetime of experience that included attending a segregated school, having to spend his childhood picking cotton, house fires, car crashes and going blind. He said that going blind lead him to pursue his singing late in life. His previous two albums shot him to almost immediate acclaim. You can hear this lifetime of experience seeping through every aspect of this autobiographical work. The production by Dan Auerbach from The black Keys perfectly complements. A powerful and pitch-perfect, timeless, and instant classic soul blues album.

Thirstier. / Torres
Mark: Fifth full-length album from Mackenzie Scott (Aka Torres) is a slick slice of hooky pop-grunge. She was aiming for a big sound and a larger than life scope, different from the more restrained aesthetic of her previous albums. ‘Thirstier’ delivers that in spades, with a set of uplifting indie rock throwbacks.
Neil: ‘Thirstier’ by Torres is a big sounding, riff heavy, hook laden, euphoric sounding indie rock album, with heavy guitars thrown in. It’s an exuberant upbeat outing, with a grunge rock set free rolling vibe about it. A great happy alternative sing along album for uncertain times.

I be trying. / Burnside, Cedric
Mark: Old school Mississippi country blues, with some modern touches, from the grandson of R.L. Burnside. Perseverance through life’s struggle and your own mistakes, and the power of love are the focus of this update of a storied musical style.
Neil: Cedric Burnside is on a revival and resurrection mission. His album breathes new life and makes fresh the Mississippi blues tradition of giants like John Lee Hooker. The album manages to be reverential to that tradition, whilst not sounding like a museum piece. Indeed the music sounds fresh and vibrant. The lyrics are often of self-discovery, admissions of an imperfect past and the hard lessons learned. A valuable revitalisation of a rich musical tradition that has deep roots into America’s social history.

Gas lit / Divide and Dissolve
Mark: Female Melbourne-based two-piece with Cherokee & Māori ancestry, whose 3rd album is produced Unknown Mortal Orchestra’s Ruban Nielson. Eight tracks of sludgy doom shift between quiet beauty and cacophonic noise. Dread and unease abound on these heavy tracks, that the band say are an instrumental critique of colonialism and oppression.
Neil: ‘Divide and dissolve’ has a strong dynamic going on, moving as it does from ethereal and haunting melodic moments to intense loud and full-on heavy drone doom metal. It’s quite an achievement mixing political sludge metal with avant-garde classical structured jazz. A ride full of passion and intensity both challenging and rewarding.

Jump for joy. / Louris, Gary
Mark: The 2nd solo album from the ex-Jayhawk arrives 13 years afters 2008’s Vagabonds. Louris plays every instrument on this set of songs, that range through melodic pop tracks, to darker more personal ruminations. Similar in tone to the albums made as Golden Smog, the loose collective featuring Louris and members of Soul Asylum, Wilco, the Replacements, and Big Star. Breezy jangle pop meets Americana reflections. While the Jayhawks continue on as one of the iconic Americana groups, it’s nice to hear him stepping out on his own again.
Neil: Gary Louris from The Jayhawks is very much following the radio friendly singer songwriter path in this album. ‘Jump for Joy’ is his second solo album, and it is a thoughtful and well-crafted outing. The tracks remind me of George Harrison penned Beatles tracks, or songs that would sit well on the first Travelling Wilburys album.

Oil of every pearl’s un-insides. / Sophie [VINYL ONLY]
Mark: There’s no denying the production talent and vision at play here, as Sophie creates her multi-layered tracks without using any samples. Her body of work, though small, erased genre, geographic and emotional boundaries to create a maximalist pop that’s an ongoing influence on young hyperpop Tik-Tokers and Electronic music in general. Her ‘radical futurism’ blended the experimental & the mainstream, and was the direct anthesis of the cultivated nostalgia of so much ‘modern’ music and bands. However if you are unfamiliar with her work, how much you like this album will probably depend on how much helium voices and vocal processing you can stand at one time.
Neil: The death of Sophie Xeon in January this year was a tragedy in so many ways. The personal tragedy of losing someone so young is incalculable, and the loss to music of such a unique hugely gifted pioneering artist is equally immense. We will never know or hear those albums she would have gone on to create. What we do have is Sophie’s only album ‘Oil on every pearl’s un-insides’. This is one of a very few genuine 21st century masterpieces. One of the few albums in recent decades that point to a new musical future, direction, form, and language.

Urban driftwood. / Williams, Yasmin
Mark: Lovely mellow instrumental guitar album. Made a Guardian list of the Best Albums of 2021 so far. Immersive and relaxing.
Neil: Very smooth and immersive instrumental guitar album. Described by Yasmin herself as an abstract diary of 2020. At the albums heart is Yasmin’s virtuosic, serene, and eminently relaxing guitar playing – which is both intimate and immediate. A very soothing listen.

 

Revelation. / Carn, Doug
Mark: Doug Carn was a Jazz multi-instrumentalist whose 4 albums on the short lived but influential Black Jazz label pioneered the ‘Spiritual’ Jazz sound, with its Afro-centric musical aesthetic. ‘Revelation’ was the final collaboration between Carn and his wife Jean on the label. Organ, keys & horns form the basis of modal post bop tunes, including a lovely reading of John Coltrane’s “Naima”, all surrounded and interwoven with Carn’s beautifully soulful five-octave voice. Hugely influential. Carn would later add an extra ‘e’ to her surname and go on to much success as a solo R&B artist on Kenny Gamble and Leon Huff’s Philadelphia International label & beyond.
Neil: Rerelease of the 1973 album out originally on the short lived, but hugely influential, Black Jazz label from Doug and Jean Carn. Doug’s name may have been on the cover, but this is very much a joint effort with his then wife Jean. It is quintessentially a very 70’s Jazz album with elements of spiritual and soul jazz. In many ways the album is a fascinating and perfect time capsule of a piece from that time period. Right from the arrangements, to the selection of instruments used, not to mention the subjects explored. That said, it is rather wonderful in its own unique way, and due to the current music worlds obsession with the music and sound of that time, it is bound to win lots of new fans

Memory lake. / Rivers, Colette
Mark: Classy singer/songwriter-country album similar to the work of Kim Richey or Gretchen Peters. Alt-rock elements take some tracks in a different direction and vary things up. An impressive debut from this Wgtn based artist.
Neil: American born New Zealander Colette River’s debut album has many faces, facets and sides, with Colette using a diverse and multi layered sound palette in a tailored fashion to accompany individual tracks. The whole album is underpinned by an American Indie Folk core. Her willingness to use different instrumentation and sounds gives each track its own individual feel. A very accomplished debut outing.

Run deep. / Mahal, Deva
Mark: Born in Hawaii but raised in NZ, Deva Mahal was part of the Wgtn scene in the 2000’s guesting on albums from Sola Rosa & Rhombus, and cutting a live EP. After living in the US for a while, where she released this 2018 album, she returned to NZ in 2020. Her rich voice is framed within a classicist neo-soul outing that travels a musical path of uplifting R&B, piano ballads, 70s funk & 80s pop elements, based around themes of love, heartbreak & empowerment. ‘Wicked’ & ‘Optimist’ liven things up a bit, and ‘It’s down to you’ has a lovely old-school vibe. But as a whole, the album is perhaps limited by the over familiarity of the ‘Neo-Soul’ template at this point.
Neil: Classical Soul music, enriched and revitalised, in a contemporary and modern setting by Deva Mahal in this heartfelt debut album. Echoes of greats like Aretha Franklin’s work lingers on in this strong and substantial R&B offering that feels both relevant and new, whilst also having deep connections to the rich tradition of this musical form. Deva has placed her own unique interpretation of this musical genre into every aspect of this album, much in the same way as Amy Winehouse managed to do so, integrating both her own vision and at the same time paying her dues to this rich musical heritage.

Obviously. / Lake Street Dive
Mark: 7th album from this Boston indie Music-school band who play bubbly slick pop-soul. The band is built around singer Rachael Price’s voice, which has a distinctly classic tone. I really enjoyed this. All the songs are super catchy and, while this album emulates the same genres as a lot of other albums on this list, the songs are just so much better. The arrangements all have a live uncluttered feel, you can hear each instrument in the mix, and how they work cleverly around Price’s voice. Definitely a winner.
Neil: Obviously, there’s something about the early 70’s music scene that attracts a lot of modern bands to that particular period and music. And there’s more sweet 70’s influenced musical vibes going on here, with Lake Street Dive’s seventh studio album ‘Obviously’. This time it’s the funky, soulful pop of the time that the band are taking their musical queues from. ‘Obviously’ is a good time, slightly chilled, summer concert party of an album. A retro sounding, beautifully produced and well executed album, played by highly talented musicians at the peak of their powers.

Box Set Pick:
Aretha. / Franklin, Aretha
Mark: The first career spanning Box Set for the Queen of Soul. Covers most of her well known tracks, though some are in alternate or demo form, as well as some interesting rarities from TV show appearances and the like. What more can you really say about one of the greatest voices of the 20th Century that hasn’t already been said. It’s Aretha…
Neil: Reviewing this career spanning four-disc box set is just an excuse for me to wax lyrical about how amazingly, phenomenally, wonderful Aretha Franklin was and is. The box set is packed with all the well-known tracks (though usually in alternative versions) and career highlights, as well as lost gems from the vaults. Aretha Franklin is one of the greatest singers of all time with a voice that melts, hearts, souls and reaches out and across time. It goes without saying that the music contained in this box set is unmissable and peerless, and the compilers have taken a lot of care to feature alternative takes mixes and rarities.

New Music for your Lockdown listening!

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Luckily for you (or perhaps not) thanks to the wonders of modern technology, the musical bromance my colleague Neil & I share can continue unabated during lockdown. We sifted through some of the new material we have been buying for the Music collection at our CBD Te Awe library to do some reviews for you, so you can now check out some new music during lockdown with the confidence that it won’t all be total rubbish and a complete waste of time…
[Note: With the exception of Disc 2 of the Jimmy London album, all of these titles are on Spotify. However, if you enjoy some of them please take the time to reserve them online, and show our collection some love when the Library reopens.]

via GIPHY

For free. / Crosby, David
Mark: Another strong entry in Crosby’s late career resurgence, with a mellow AOR sheen. Guests Michael MacDonald & Donald Fagan lend further gloss to this smooth album of relaxed harmonies, and 70s vibes. A solid set of songs reflect on growing old, regret, loss and perseverance.
Neil: For an artist totally written off as a drug casualty in the 80’s, David Crosby has in the last twenty years or so staged a truly miraculous revival releasing a series of solo works that rank amongst some of his best work. And considering his output in the late 60s and 70s that is saying a lot. And ‘For Free’ stands as one of these renaissance classics it is a poignant meditation on his own mortality, AND a beautifully constructed and sung album. Songs about life, love, the past and the present, and death. The inner and outer worlds of life as he has experienced them and as he sees them now.

Bridge over troubled waters. / London, Jimmy
Mark: Cheery Red resurrects overlooked Jamaican Reggae crooner Jimmy London with his rare 1972 album reissued with 4 bonus tracks, along with a 2nd compilation disc of tracks from Trojan’s Randy’s subsidiary label. His sweet pure voice lends a wistful romantic tone to these soulful tracks of love & longing.
Neil: Very welcome release of Jimmy London’s classic 1972 album ‘Bridge over troubled waters’. A reggae rock steady masterpiece, the track “A little love” was used by the then major of London Ken Livingston to promote the city.

Quietly blowing it. / Hiss Golden Messenger
Mark: Vocalist/songwriter M.C. Taylor returns with another album under the Hiss Golden Messenger moniker. A melange of Alt-Country, Folk/Pop, and slow 70s grooves provide the backdrop for a melancholic and sometimes angry look at the world of 2021. Rootsy back porch meditations set to upbeat melodies, that aim to provide a sense of optimism going forward.
Neil: A soothing rustic chilled Americana album with country folk stylings recorded, like a lot of recent work, in isolation during the early months of the pandemic in North Carolina. A calming album for troubled times.

Stand for myself. / Yola
Mark: Yolanda Quartey is a UK singer (now based in Nashville) with a love for late 60s/70’s artists who amalgamated R&B, Pop & Country. Producer Dan Auerbach creates a lush layered vintage sound that steeps Yola’s amazing voice in classic style & grooves, built around her strong original songs addressing contemporary themes. Shades of Tina Turner, Minnie Ripperton or Bettye Swann. An impressive follow up to 2019’s acclaimed Walk Through Fire.
Neil: Yola”s sophomore album is another Covid creation in which Yola took the opportunity step away from the star making machine and instead to look deep into who she is and wants to identify herself as, and places this firmly at the core of this album. It is an accomplished and genre jumping work that reminded me in places of some of the great Disco, soul R n B albums of the 70s and 80s, mainly thanks to Yola’s voice, which is set amongst unvarnished, unprocessed musical backings.

Yacht soul : the cover versions.
Mark: This cool compilation turns the tables on white musicians appropriating black music, by gathering together a bunch of Soul artists who interpreted various white MOR 70s FM and 80’s ‘Yacht Rock’ tracks. Unsurprisingly Aretha, Chaka Khan, Billy Paul, Millie Jackson et all add a layer of funky grooves to these white bread staples. Sadly the version of Seals & Crofts ‘Summer Breeze’ is from The Main Ingredient instead of the Isley Brothers version. Still good though…
Neil: Funky, smooth, soulful cover versions of classic AOR, Laurel Canyon Hippie classics with most of the tracks originating in the 70’s and 80’s. It shouldn’t work but it does. Two very different genres looking at each other and bringing out something new and rather wonderful. Imaging sailing on a beautiful summer’s day in 1974 with friends.

Animal. / Lump
Mark: The 2018 album from this side project of Laura Marling and Tunng’s Mike Lindsay seemed a a one-off, but they are back with more weird dynamics. The aim seems to be just to see where their disparate styles take them – through dark lyrics underpinned by meandering folktronica melodies, odd shifts & time signatures. I didn’t hate it, but it didn’t seem to go anywhere. Tracy Thorn does this sort of thing far better.
Neil: Mike Lindsay (of Tunng) creates the musical settings whilst Laura Marling supplies the vocals and lyrics, The resulting album is a glittering genre mashing, boundary pushing collection of tracks, the duo are obviously well up some musical explorations, it very occasionally reminded me of Radiohead esp. some of the oblique and odd imagery employed in some of the lyrics, and also some of the angular minimalist musical settings.

Mirror II / Goon Sax
Mark: Goon Sax were still at school when their 2016 debut album Up to Anything came out. Their cute indie-pop garnered natural comparisons to the Go-Betweens, given that frontman Louis Forster is the son of Go-Betweens Robert Forster. ‘Mirror II’ is their 3rd album, following 2018’s We’re not talking, and they eschew the Beat Happening 80s sound of their previous work for a full on dive into the 90s sound with Lemonhead-esque pop, shoegazzy guitars, male/female vocals and new wavey synths. Each member now shares vocal duties and have developed their own particular style as they have grown musically over the course of 3 albums. And ‘growing up’ is really what their song are about – the awkwardness & messy discontent of being young people at this current point in time. Their best album so far.
Neil: The Brisbane dolewave trio’s latest release revels in the complexities, difficulties and embossments associated with being a twenty-something in modern day Australia. Post punk young adult angst for the 21st Century.

Outside child. / Russell, Allison
Mark: Critically lauded solo debut from Montreal native and veteran of the Roots scene with bands Po’ Girl, Birds of Chicago & roots supergroup Our Native Daughters, which also features Rhiannon Giddens. The gentle, enveloping, music with its beautiful layered arrangements frames a haunting ‘musical memoir’, re-telling an upbringing of childhood sexual abuse and street living. It all sounds a pretty heavy listen, but there is a lightness to the melodic, organic, music that enlivens the weighty backstory. Full of powerful odes to her past self and experiences, as well as the city and music that gave her new hope. Sure to be a Grammy nominee and wind up on the Best of 2021 lists at the end of the year.
Neil: French Canadian singer Allison Russell’s impressive debut album is a deep soulful work, hotly tipped by many as one of the albums of the year. It is styled a beautiful classic soul pop album that showcases her gorgeous voice in a series of melodic tracks. Behind the surface production and beauty is an album that is, on occasion, starkly dark and heart rendering. Lyrics about her own childhood abuse and recovery are set in an often-uplifting survivor context.

Exit wounds / Wallflowers
Mark: Jakob Dylan’s band The Wallflowers were essentially a revolving door of different studio & live musicians based around his writing, which led to certain conflicts along the way in terms of the ability to execute his songs. With his return after a 9 year break, Dylan sounds much more comfortable with the bands classic roots-rock sound than on previous album, 2012’s Glad All Over, which never really gelled. A nice set of solid melodic songs about life’s struggles are a reminder of why they were such a consistently good band. Shelby Lynne provides nice harmony vocals on 4 tracks.
Neil: Considering the fact that his father is Bob Dylan and his upbringing was steeped in music it is no surprise that Jakob Dylan, the self-styled cowboy troubadour, is such a gifted and highly literate musician. However, Jacob brings more than his background to the Wallflowers outfit, he also brings passion and personal reflection to his work, perhaps even most pointedly in this his latest outing ‘Exit Wounds’. If you’re a fan of classic 70’s American folk rock or highway ballads, then this album should be right up your street.

Pale horse rider. / Hanson, Cory
Mark: Melancholic folky meditations from the frontman of LA art-rockers Wand. His second solo album, after 2016’s The Unborn Capitalist from Limbo, is pure Americana. Waves of lush lilting arrangements wrap around his mellow gentle vocals. The musical equivalent of a calming walk through a meditative landscape whilst staring up at the stars.
Neil: Another isolation album this time recorded in the Mojave Desert whilst surrounded by cacti and majestic desolate nature. The resulting work is a kind of psychedelic cowboy fantasy, all plaintive steel guitars, drifting sands and sun lazy weirdness, but infused with a gentle vibe throughout.

Love drips and gathers. / Piroshka
Mark: Piroshka is an English Indie-pop supergroup with Lush’s Miki Berenyi, Elastica’s Justin Welch, Moose’s K.J. McKillop, and Modern English’s Mick Conroy, that emerged from the Lush 2015-6 reunion line-up. Following on from their 2019 debut Brickbat, their new album focuses more on their dreamy shoegaze style, rather than some of the New Wave elements introduced on their debut, with strings swirling around layered instruments and vocals. Well worth checking out of you were a Lush fan. And who wasn’t, really?
Neil: A subtle rather surreal and ethereal album, all wrapped up in warm idyllic soundscapes that evoke both beauty, and a kind off early 70’s Roxy music nostalgia.

Mood valiant. / Hiatus Kouyate
Mark: 3rd album from Australian ‘Future-soul’ Grammy-nominated alternative R&B band. Skittery beats that have a Dubstep/D&B feel, underpin neo-soul vocalising reminiscent of Eryakh Badu & Corinne Bailey Rae. The frenetic key & tempo changes, rapid fire vocals, and jittery rhythms occasionally give it too much of a ‘Music School graduates’ feel, but their third album sees them establishing a uniquely individual sound.
Neil: The Australian future soul super group’s latest release is another slick and ultra-smooth release, mixing in their own inimitable way cool jazz, neo soul and R&B. Hugely popular in hip and trendy bars and clubs globally, but perhaps just a little slightly too slick and controlled in all areas for my tastes.

Mother Nature. / Kidjo, Angélique
Mark: Beninese singer, songwriter, and activist Angélique Kidjo returns with her first album of original material since 2014’s Eve, collaborating with a younger generation of musicians like Burna Boy, and Sampa the Great, crossing continents & generations. She uses this fusion of percussive pan-African traditional styles with modern dance, Hip-Hop & trap grooves with her Fon, Yoruba, French, and English vocals, to comment on various current issues around political resistance & female empowerment. Strong messages surround by catchy funky danceable beats.
Neil:Kidjo, Angélique has been described by some reviewers as Africa’s premiere diva and now recognised across the World, thanks in part to singing at the recent Tokyo Olympics. This multi guest album expounds her vision of pan African unity. Infectious rhythms and her love of Zimbabwean township music all play a role in this potent mix. Her fabulous reimagining of the Talking Heads Remain In Light album is well worth checking out too!

Welcome 2 America. / Prince
Mark: Unreleased album from the Prince vaults recorded & mixed in 2010, but then set aside for unknown reasons. None of the songs were ever played live, so its existence & unearthing was big news for Prince fans this year. Prince created so much music in the later phase of his career, so how much you enjoy this will probably depend on how devoted you are to the independent phase of his career, with its shifting styles, and touches of genius buried within lots of filler. ‘Welcome 2 America’ has some great, catchy, tracks on social empowerment (that seem even more relevant today) and some soulful ballads, but also some of the jazz-funk filler that typified his albums from that era. Overall though it’s probably more consistently enjoyable than a lot of his albums from the 2010’s, so its good that it has finally seen the light of day at last.
Neil: Whilst there is no argument that Prince created some of the greatest albums of the 80’s it is also true that the release of material since his death has been patchy in quality. Sadly, this album of totally unreleased tracks falls into this category. It’s is a ‘state of the nation’ album originally scheduled for a 2010 release, intended as a kind of updated version of the brilliant Sign ‘O’ The Times, but it lacks that albums originality, bite and passion. Prince is always worth listening to and there are one or two good tracks on the album, but it is also clear from listening to the final overall work why he choose to leave it unrealised.

The blue elephant. / Berry, Matt
Mark: Actor-Musician Matt Berry (The Mighty Boosh, The IT Crowd) likes to deliver albums re-creating particular styles of music he is a fan of. Pastoral folk-rock for 2013’s ‘Kill the Wolf’, new age synthesizer music for 2014’s Music for Insomniacs, and country-rock (2020’s Phantom Birds). He is back with a new album square the the psychedelic realm with new album ‘The blue elephant’. All the faders are set to reverb, splashy snares hit every few seconds, chorale voices back meandering tunes as his actor-ish tones and song arrangements hit all the psych buttons you could push. One for fans of the genre. Anyone else might feel like they’ve dialled in a lost pirate radio station from the 60s…
Neil: You might be more familiar with Matt Berry’s as the award-winning actor, comedian in outings such as ‘The Mighty Boosh’ or the 2015 SpongeBob movie. However, he has always run his music career in parallel with his acting one. A prolific musician with nine studio albums to his name. In ‘The Blue Elephant’ he has made a work that is a huge homage to the music of the late 60’s. Let’s be clear this isn’t a comedy album in any sense of the word, instead it’s a serious recreation of the music of flower-power age. And if you enjoy music from this time, then I think you are onto a real winner.

Drama. / Amarante, Rodrigo
Mark: A Rio de Janeiro native who now calls Los Angeles home. Known for the rock quartet Los Hermanos (who were huge in Brazil) and his track Tuyo which is the theme song on the popular Netflix series Narcos. ‘Drama’ is his second solo outing, following 2014’s Cavalo. Lovely atmospheric laid back Brazilian samba/tango rhythms, with 4 tracks in English, shifting from the upbeat to the romantic. A perfectly relaxed, soothing album for the times we find ourselves in. Amarante apparently recorded most of the album himself, and plays no less than 10 of its instruments.
Neil: Born in Rio De Janeiro, Rodrigo Amarante uses his rich cultural heritage to fullest advantage, whilst bringing a large dollop of his own creativity to the party. It is a laid-back party, but no worse for that. It is the kind of music you can imagine taking it easy to on a long hot summer’s day. Another blissful, gentle album, this time Samba inspired with acoustic singer-songwriter elements woven in.

KG0516. / Karol G
Mark: Colombian pop singer who mixes reggaeton, hip-hop, & modern R&B. She spent a decade as a guest and backing vocalist before Ahora Me Llama with Bad Bunny in 2017 launched her solo career. KG0516 is her 3rd album and is a catchy mix of pop-reggaetón, urbano & Latin trap. The US is supposedly in the midst of a second wave of Latin crossover success after the 2000’s and this album, which has already made a Guardian list of the Best albums of 2021 so far, will no doubt place her as one of the key female artists currently in Latin music.
Neil: Colombian singer Karol G’s latest album takes its title from the format of a flight number representing her name. It’s a clever idea and well named, as each track in this album in the artists own words “is a connecting flight that takes you to a new place”. It’s Karol’s own version of a musical journey, the tango tinged modern urban sound and production overlays a versatile range of tracks, each with a slightly different emotional emphasis.

Reason to live. / Barlow, Lou
Mark: 6th solo album from this iconic indie music figure, who has been a member of Dinosaur Jr., Sebadoh, and the Folk Implosion. A homage to his early lo-fi aesthetic (but with better modern gear) he recorded this album at his home, and played everything himself except for drums on one track. Folky, introspective, searching songs that confront anxieties both personal and political. Mature and thoughtful, proof that domestic happiness hasn’t dulled his song-writing skills.
Neil: A million miles away from his Dinosaur Jnr output, Lou Barlow’s downbeat vocals and acoustic guitar driven lo fi production are in places reminiscent of Nick Drake. The lyrics mine a rich vein of heartbreak and critical self-introspection. That all said, there is undoubtedly a warmth and optimism woven through the tracks too. The result is delicate, beautiful, and slightly melancholic and well worth a listen.

After robots. / BLK JKS
Mark: We just purchased the new sophomore 2021 album ‘Abantu/Before Humans’ from BLK JKS, so we thought we would also track down their critically lauded debut from 2009. This will end up in the world section, but it is just as much an alternative rock album, as turning the tables, the South African musicians take on Western music traditions, instead of the other way round. A dense hybrid of 60’s hard rock, proggy rhythms, jazz, afrobeat, reggae and much more. Repeated listens are needed to make headway into this album, which still sounds ahead of its time 12 years on. Challenging but rewarding.
Neil: After Robots is a hugely ambitious project, with the band trying to fuse elements of prog rock, ska, jazz kwaito and reggae (and those were just the genres I spotted) into a cohesive whole. In places it is great, and their ambition pays off. In other places the weight of this ambition pulls it down, and the album loses focus and clarity, but the big sound they strive for is powerful throughout.

Get out of your own way. / Sands, Evie
Mark: Much like Jackie DeShannon, Evie Sands is a pioneering 1960’s singer, who had the bad luck of being the first artist to record a number of well know songs that went onto become big hits for others. She was the first singer to record “Angel of the Morning” for example, weeks before her label went bankrupt & the song became an massive hit for another singer. She spent most of the 70s focusing on songwriting, only releasing 2 albums before retiring completely. After a comeback album in 1999, ‘Get out of your own way’ is her first solo recording in 22 years, and it’s just great. A super catchy set of melodic country-tinged pop songs that sound timeless.
Neil: American singer songwriter Evie Sands began her career in the 60’s when she was just a teenager. Possessing a distinctive powerful and unique blue-eyed soul voice no less than Dusty Springfield described her as her favourite singer. She’s weathered the highs and lows of the music industry for the best part of 60 years. This new collection sounds like it could have been recorded at any point in career, from the mid seventies onwards. Accompanied by a strong band and her undiminished vocals, basically it is a collection of American classic pop-rock ballad songs that have soulful elements.

I know I’m funny haha. / Webster, Faye
Mark: The music photographer/indie-singer returns with a new album after the breakout success of 2019’s Atlanta Millionaires Club. She has a lovely voice, and the album is full of lovelorn ballads and sad moods, delivered in laid back washes of country-ish pedal steel and strings. Her tart lyrics often uncut the sweetness of her drowsy meditations on love & loneliness. Lead off song, the 2020 single ‘Better Distractions’ landed on Barack Obama’s annual year-end playlist. Really enjoyed this one.
Neil: The sad, plaintive and beautiful voice of Faye Webster is put to excellent use in ‘I know I’m funny ha-ha’. A lonesome, indie country, haunting, steel guitar heavy album of songs about the emotional emptiness of life’s sadder moments. It is a testament to the albums musical balance that it never sounds like a dirge, or lacking in emotional conviction.

Home video. / Dacus, Lucy
Mark: The solo artist (and member of ‘Boygenius’, a trio with fellow breakout 20-something singer/songwriters Julien Baker and Phoebe Bridgers) returns with her 3rd solo album, which looks back on coming of age in her hometown. Her warm emotive voice looks back on her childhood & adolescence with vignettes on relationships, the influence of the Church on young women, and sexuality. These poignant reflections would seem to lend themselves to a folky acoustic mileau, but Dacus rocks out with a power-pop feel to the most traks, leavened with some guitar & keys based ballads. The perspective of her 20s provides a more mature & defined worldview, that pierces the mists of nostalgic memories with sharply pointed observations. Really good.
Neil: As a young person Lucy Dacus was heavily immersed in American Christian youth culture, but as her sexuality emerged this started to raise problems in her life and faith. ‘Home Video’ is her autobiographical exploration of her younger self’s world and her subsequent growth. The songs are catchy, finely crafted and, in a deliberately post adolescent way, address young love, nostalgia, spirituality and emerging sexuality. The lyrics are direct and sharply focussed.

Blue weekend. / Wolf Alice
Mark: 3rd album from this North London band that merge vintage ’90s rock and 4AD styled dream-pop. Previous albums were all a commercially & critical success, garnering a Grammy nomination in 2015 and a Mercury prize for Visions Of a Life, and each release seems to get huger in sound & ambition, navigating multiple genres with ease. This album is even more ambitious, with the music polished to a sheen, and singer Ellie Rowsell’s voice in front, every track seems to be aiming for ‘Soaring anthem’. Already the 4th highest scored album of 2021 on Metacritic. It all sounds amazing, but I’m still not convinced they are anything more than the sum of their influences.
Neil: Back in the day some bands deliberately wrote albums designed to be played in big stadium tours or festivals. Wolf Alice’s latest outing sounds like that was their intention on ‘Blue Weekend’. This isn’t a criticism, as it’s a pristine, extravagant alt-rock/shoegaze work of big performances and sound. I think when they can get back on the road, the music encapsulated in this album will make for a showstopper stadium tour.

Tezeta /
Mark: This long-lost recording captures Ethiopian organist Hailu Mergia and the Walias Band at the Hilton Addis Ababa in 1975. The American owned Hilton was an upscale cosmopolitan refuge from the political turmoil of Ethiopia, following the mid-70s take over of the erg military regime. The Walias band held a residency at the Hilton for almost a decade and, as this rediscovered performance shows, merged traditional Ethiopian popular songs and standards with American funk, soul & Jazz grooves to great effect. Simple chord vamps form the backbone of these endlessly funky tunes that are perfect for background listening, but when you pay closer attention the complexities of his playing reveals itself.
Neil: Ethiopian keyboardist Hailu is best known for his work in the Walia’s Band that regularly played the Hilton hotel in Addis Ababa in the 1970’s, during what is often referred to as Ethiopia’s “Golden age of music”. These long-lost recordings are finally seeing the light of day. Imagine, if you can, Ethiopian cocktail lounge music that also encompasses traditional and modern aspects. Music that is simultaneously fabulous background music, and also innovative in its own way. It’s a really mesmerising mix.

Utopian ashes / Gillespie, Bobby
Mark: The Primal Scream frontman teams up with former Savages frontwoman Jehnny Beth for some duets in the vein of Lee Hazlewood and Nancy Sinatra. Apparently the album tells the tale of a doomed marriage. Grievances are aired and regret & blame intermingle, as the fictional couple sift through the ashes of their failed relationship. These narratives are set to a moody, lush stringed, country-southern soul sound, and they give the indie-rocker & the post punk icon a chance to showcase a hither-to unknown vulnerability within their respective musical personas. An unlikely pairing that results in a surprisingly effective album.
Neil: Primal Scream and Jesus and the Mary Chain legend Bobby Gillespie teams up with Jehnny Beth, and they go all dark country on us. On paper it sounds like a startling change of direction for both artists, and in less experienced & talented hands it could have gone badly astray. However, both Bobby’s and Jehnny’s instantly recognisable and distinctive voices anchor the piece, and the album does contain some low-key stylistic elements of their previous work. Dramatic and understated, in places tragedy and pain, melodrama and dark tales, are all imbedded in these songs. A highly successful collaboration & an unexpected change for all parties concerned that really delivers the goods.

Box Set Reissue Picks:
The Reprise albums (1968-1971). / Mitchell, Joni
Neil: A collection of Joni’s reprise albums. The pinnacle of her career, flawless, creatively unbounded by convention or commercial considerations, unmatched in their brilliance. The finest songwriter of our time on creative fire.

Everybody still digs Bill Evans. / Evans, Bill
Mark: Lavish & stylish box set from Concord Records speciality Craft imprint. The first detailed career retrospective from 1956—1980, through multiple labels, for the iconic Jazz pianist divides its 5 discs into themes that follow his career: 2 disc of Piano Trio performances, one of Solo performances, another of co-headlining and side-person work, and for the final disc a previously unreleased, live recording form the mid 70’s. Encased in a lovely hardbound book, with photos and a lengthy essay & session notes, the tracks have all been newly remastered. A fitting tribute to perhaps one of the most influential & pivotal figures of modern Jazz.

New CDs for Te Awe

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Here is some of the new material we have been buying for the Music collection at our CBD Te Awe library. My colleague Neil & I decided to do some quick reviews of some new titles. Our limit was a few lines only. Do we actually carefully appraise & select the latest new music releases for your listening pleasure? Or do we just buy every third item on the list and hope it works out? Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is on about? Read on to find out…

Dreamers are waiting. / Crowded House
Mark: The iconic band regroup with help from Finn’s 2 sons & former producer Mitchell Froom. The immediate accessibility and edge of the early Paul Hester albums is gone, bit it’s been replaced by new blood and songwriters that help craft an album that feels warm and comforting. Tones and melodies that slowly creep up on you after repeated listens. Never really a fan of their later work, but I didn’t hate this.
Neil: Crowded House are one of the biggest and most popular in N.Z., having to date sold over 10 million albums. Their popularity with fans remains as was more than amply demonstrated by their recent series of sell-out gigs touring pretty much of all the major New Zealand stadiums. However, for me I just never got them. They just sound bland and this release didn’t change my mind. They undoubtedly have loyal passionate fans and I strongly suspect they will love this new release, as it has been widely acclaimed as a triumphant return to form, but not for me.

Live in Stuttgart 1975. / Can[VINYL]
Mark: This archival release of a 1975 90-minutes concert in Stuttgart comes from a fan’s live tape recordings that have been newly mixed and mastered. This was rated 100 by both Record Collector & Uncut, and I can confirm that it is indeed 100% noodling that takes 90 minutes to go from zero to nowhere…
Neil: Regarded as one of the Classic German Bands from the 70’s, this live recording captures them at the height of their formidable creative powers. The original, now heavily cleaned up and enhanced, recordings came from a fan recording in the audience. The resultant album finds them at their most unrestrained in a 90 minute free flow improvisational work out, powered by the hypnotic drums of Jaki Liebezeit and propulsive bass of bassist Holger Czukay. The tracks flow in and out of each other, an element popping up here, a motif there; it is one of those releases you just need to let go on, and let it wash over you.

Yol. / Altın Gün
Mark: I really enjoyed this. Turkish singers & Dutch musos meet. The female & male leads alternate the vocals, and the tracks are full of cool, catchy, sinuous Middle-East vibes set to synthy grooves. Like the soundtrack to a cool 60’s Spy Film…
Neil: Turkish psy maestros Altin Gun go all 80’s disco on us, in this audacious fabulous and highly unlikely mash up of time jumping styles. Imagine, if you can, music from the Ottoman empire made during the psychedelic 1960’s but using 80’s synths and beats!

Cavalcade / Black Midi
Mark: Chaotic post-punk jams together dissonant noise with squalling saxophones, buzzing baselines & industrial guitar – then follows it with mellow tracks of lounge era styled crooning. A melange of sound that aims to challenge. Scott Walker would probably have liked them…
Neil: An explosion of sound that effortlessly blends beautiful and melodic elements, with often heavy and frantically twisted rhythms. An anarchic, complex, and very ambitious album.

Wink. / Chai
Mark: The genre hopping Japanese female quartet shave off the guitars, pop-punk edges and mash-ups of previous albums ‘Pink’ & ‘Punk’, and go straight for the pop jugular with this album of so smooth tunes. Woozy 70s organs back tracks with whispery 90s R&B vibes, which alternate with catchy electro-pop workouts. Infectious & charming.
Neil: Chai remind me of the musical equivalent of eating a chocolate coated, frosted sugar bomb; the contagious endlessly upbeat energy of the album shines through the whole work like a sugar rush. It is less punk and more pop than the bands previous releases, but that optimistic energy is still very much present.

Be right back. / Smith, Jorja
Mark: 8 track EP supposed to be a stop gap follow up to her 2018 critically-acclaimed, Mercury Prize nominated debut album ‘Lost & Found’ – for which she won her second BRIT Award for ‘Best Female’ and earned herself a nomination for ‘New Artist’ at the Grammy Awards. Melds Jazz, R&B & Trip-Hop influences around her emotive vocals, with songs focusing of self-awareness and empowerment. Worth checking out if you enjoyed the new albums from Arlo Parks or Celeste.
Neil: Super smooth, ultra-stripped back R & B combined with emotionally vibrant lyrics. All delivered using Jorja’s rich, distinctive, mellow, and delicately phrased voice. Chilled.

Jubilee. / Japanese Breakfast
Mark: ‘Japanese Breakfast’ is the solo moniker of Philadelphian Korean-American musician, director, and author Michelle Zauner (her debut memoir debuted at number two on The New York Times nonfiction best-seller list). Her super-catchy third album delivers some sweet 80s indie-pop hooks, and shoegazzy vibes. The self-directed music video for Be Sweet is a very funny X-files homage, with Marisa “Missy” Dabice (from fellow Philly band Mannequin Pussy) and Zauner acting as FBI Agents tracking aliens.
Neil: This indie referenced album is replete with lush horn and string orchestration. A veritable smorgasbord of styles and sub genres, all harnessed to an album that ostensibly about happiness and the pursuit of happiness. It’s an album that in many ways feels like it belongs in this very moment in time. In places it reminded me of ‘War on Drugs’ or ”Wilco’.

Carnage / Cave, Nick
Mark: Deeply reflective pieces. Melancholic music underpins his cavernous voice, as it rumbles through mood pieces that reflect the fear & uncertainty of the last year.
Neil: Nick Caves recent typrich of releases has cemented (as if there was any doubt) his reputation as one of the finest songwriters and performers around. Carnage is a collaboration with long-time friend and fellow ‘Bad seed’ Warren Ellis. The album sits very comfortable within this recent golden period of intense, melancholic and on occasion terrifying works. It is a surreal, stark, and brutal meditation on grief, dark, profound, pained, and melodramatic.

Black sea golden ladder. / Kingi, Troy
Mark: Kingi is now halfway through his 10-albums-in-10-different-genres-in-10-years project. This albums genre is ‘Folk’, a collaboration with co-writer, producer and multi-instrumentalist Delaney Davidson, and sees string drenched autumnal reflections sit next to twangy, gentle guitar porch ruminations on the cycle of life, love and the human spirit.
Neil: The supremely, gifted musical chameleon that is Troy Kingi has shown his musical versatility over several wonderful albums on several occasions in recent years, but who would have thought that his latest musical incarnation would be as a mellow folk maestro? The resulting album is a calm, beautiful, and chilled outing. A fabulous mellow outing, like watching the sun go down on the fragile dream of a late autumn day. Delaney Davidson’s voice adds just a little grit and darkness to the proceedings.

Soberish. / Phair, Liz
Mark: No other singer from her era fell as far as Liz Phair did in the eye of critics, as she shifted from the alt-darling of the Girly-sound tapes & confrontational debut Exile in Guyville, to working with ultra commercial songwriters The Matrix and rapping on Funstyle, the last album she released in 2010. ‘Soberish’ reunites her with Brad Wood, who produced her early albums, and while it still has a pop sheen to it she’s no longer forcing the point as hard as she was towards the end of her initial run. There’s a casualness to the whole thing that makes some tracks & musical ideas seem half formed, but also means the more poppy melodies sit next to the lesser formed sketches with more ease. The musical landscape has shifted so much since her last album, and genres have so little meaning to modern artists, that overt pop music and indie-meandering can now co-exist side by side on albums in a credible way that differentiates todays music from the albums of the 2000’s.
Neil: Liz’s first album in 11 years is a sharply focussed slab of Alt rock. In it she delivers an honest, heart felt work about the various faces and sides of love, and the pressures and damages that can be done by early fame – such as her battle with alcohol. The album reveals a clear-eyed depth of emotional clarity. An artist perhaps for the first time really connecting with inner self on record, or perhaps rediscovering who she is.

No gods no masters. / Garbage (Musical group)
Mark: Garbage in the 2010’s only released 2 albums, which were generally seen as riding the wave of 90s nostalgia. The new album ‘No gods no masters’ has been hailed as a bit of a return to form, with it’s pounding industrial beats and anthemic tracks. Shirley Manson’s lyrics have a more political & socio-politico focus on this album, lockdown and the current social tumult taking the album in a different direction than the initial sessions from 2018. She tackles subjects like Religion, patriarchal structure, injustice, late stage capitalism, misogyny, and white supremacy, while still focusing on the personal with a couple of tracks. However, how much you enjoy this new album may just depend on how much politics you like in your musical mix.
Neil: After a long break Garbage return to their swaggering incendiary best with ‘No gods no easily masters’, their strongest album since Version 2.0. They have reconnected with their dark muses in this powerful, hook laden, anthemic, genre blending rock out of an album.

Back to the future. / Sons of Kemet
Mark: Caribbean and Afro-influenced South London jazz supergroup. Opening track “Field Negus” was recorded during the BLM protests, and the song titles that follow form a cumulative historical narrative of the Afro-centric experience. Free jazz squalls mix with Middle Eastern grooves and Afrobeat, with guest players offering up instrumental talents and raps. Melodicism and anger meet within each track. Not the kind of Jazz you mellow out to….
Neil: Black to the future is Shabaka Hutchings politically charged propulsive Jazz album. It features multiple guests, including rappers and singers from both the U.S. & the UK, and is fundamentally a collaborative piece which aims to unite the different strands of the African diaspora. A passionate, angry, and incredibly powerful album that speaks directly about collective oppression.

Laugh to keep from crying. / Nat Turner Rebellion
Mark: Early ’70s Philly soul band whose music was mostly unreleased, now unearthed almost 50 years after the band’s breakup. Sort of like Kenny Gamble and Leon Huff making an entire album of tracks like Billy Paul’s ‘Am I Black Enough for You?’. Politically charged, anti war themed, full of statements of Black pride and power. Similar to a lot of the counterculture era soul songs that Motown released in the late 60’s, that still seem as relevant now as they were then. A bittersweet release, as songwriter/leader Joe Jefferson is the only band member still alive to see time finally catching up with this great music.
Neil: This album works as a nice historical complementary listen to the previously reviewed ‘Sons of Kemet’ album. ‘Laugh to keep from crying’ was originally recorded in 1969 and with the exception of a few tracks was shelved by the record company after tensions with the label, and is only finally seeing the light of day now. It’s a funk heavy masterpiece of the Philly soul and protest music movement sound. This album isn’t a re-release like so many other albums from this time, it is actually a rediscovery of a long-lost solid gold recording.

Sour. / Rodrigo, Olivia
Mark: Who better to assess the zeitgeist of sad girl pop than two middle-aged men? But seriously.. the massive streaming juggernaut that was Rodrigo’s Drivers License is just the beginning for this Disney+ actress, as it’s easy to see from her debut album that she is a genuine musician with a great soaring voice, a clever knack for storytelling & a biting lyricist reminiscent of Taylor Swift – her biggest influence alongside 90s artists like Alanis Morrissette & Fiona Apple. Being the next generation along from artists like Swift & Lorde, there is a much edgier lyrical focus on anxiety, social media, mental health, negative emotions, toxic relationships and far more F- bombs. She is representative of a whole wave of young female artists where the emotional angst is turned up to 11, but it’s the minute specificity of character details and pop culture drops in her lyrics that give her tracks their universal appeal.
Neil: Already thrust into the public limelight as one of the stars of Disney+ channel. Olivia Rodrigo has very quickly been given the mantel of pop’s newest young star. It can be a very heavy mantel to bear as many previous newest pop stars will testify. The main focus for Rodrigo’s debut album is the subject of failed romance. Rodrigo explores the subject adopting a wide range of styles and genres as if she is trying out various musical identities to see which one suits her own best. Which for a major media superstar under the age of 20 thrust into the limelight sounds like an ideal approach to take.

Earth trip. / Rose City Band
Mark: Initially the solo project of Ripley Johnson of Wooden Shjips, the bands third album (after last year’s Summerlong) features more lilting, rambling, indie country melancholy. The cleaner production brings more of a crisper detailed sound, which drifts pleasantly along, like a gentle walk down a country road, verging into dreamy Mazzy Star/J&M Chain territory on some tracks.
Neil: Neo Psychedelic rockers the Rose City Band deliver a J.J Cale-esque, country rock, Psychedelic journey focusing on inertia and isolation.

M’berra / Khalab
Mark: Collaborative fusion of Italian DJ Khalab and the musician residents of the M’berra refugee camp in south-eastern Mauritania. Khalab fuses the acoustic side of Tuareg music with electronic beats, the voices of the musicians and the everyday sounds of daily life of M’berra. A fascinating mash up of traditional sounds and contemporary productions.
Neil: This is one of those album’s that really transports the listener to new worlds created by the musicians involved. It is a collaborative work between electronic Italian D.J. Khalab and the M’berra Ensemble a community of musicians living in the M’berra refugee camp. The resulting album, both ancient and futuristic, is a breath-taking album of fantastically sculptured tracks and diverse sounds, featuring a dazzling array of instruments from traditional Mali instruments to synth bass’s and guitar.

Afrique victime. / Moctar, Mdou
Mark: Mdou Moctar is a Tuareg singer/songwriter and guitarist from Niger, who found fame via the cell phone music-trading networks of Africa’s Sahel region, before achieving international success through a series of albums that include a Tuareg-language homage to Purple Rain, and a psychedelic album recorded in Detroit. ‘Afrique victime’ is his debut album on indie heavyweight label Matador Records. Gentle acoustic reflections sit next to explosive and driving desert rockers full of fantasticly slinky guitar lines.
Neil: Superb explosive desert rock served up with fiery Psychedelic energy. The album was recorded piecemeal while touring, and the band very deliberately avoided professional studios and engineers seeking a more organic less controlled sound. Listening to the album furthers the ever-increasing evidence that the real beating heart of rock is in African, not some vacuum wrapped L.A. studio. A vibrant, electrifying and brilliantly uplifting album.

If I could make it go quiet / Girl In Red
Mark: Debut album from the Norwegian indie pop musician, following her hit single I Wanna Be Your Girlfriend. Full of noisy punky pop with Swiftian melodies, and later in the album slower synthy R&B sounds. What differentiates her music is the assertive anthems all have a queer focus, with raw lyrics about sex, desire. confusion and self loathing. An artist to watch for future releases.
Neil: Norwegian musician Marie Ulven’s pop punk debut album release was delayed like a lot of things due to Covid 19. It is finally here (she was already an icon in her home country due to herself confessional single releases). In ‘If I could make it go quiet’, we get an album full of candour and self-examination with a maximalist production. The lyrics are often raw and honest explorations of her anxiety, queerness, and moments of depression.

Promises / Floating Points
Mark: Keyboardist and electronic music producer Floating Points melds the tenor sax of Pharoah Sanders with the violins, violas, cellos, and double basses of the London Symphony Orchestra in a series of mellow Movements. Sanders sticks to soft gauzy tones that drift in & out of Orchestral washes that often sound like the quiter scenes in Blade Runner, or shades of old Bernard Herrmann scores. Dramatic strings evokes a melancholy yearning, and a nostalgic, dreamy, cinematic vibe to relax to.
Neil: Recorded over the course of five years this hybrid very tranquil, ambient, free-form jazz and classical inflected album is elegant, refined, and full of quiet moments of sonic beauty. Although it is an experimental album, it’s an exceptionally balanced, considered, and timeless work. To really appreciate it a relaxed deep listen is highly recommended. A perfect way to unwind from the rigors of the day.

Fine anyway. / Fakhr, Rogér
Mark: Part of Berlin label Habibi Funk’s series of reissues from Arabic-speaking parts of the world, ‘Fine anyway’ is another story of great music being relegated to obscurity due to the circumstances in which it was created. While Habibi Funk boss Jannis Stürtz was working on sourcing material for other projects, the name of Lebanese guitarist, singer/songwriter Rogér Fakhr kept coming up – followed by huge praise of his music and songwriting talents. Stürtz managed to contact Fakhr who sent him some tapes of music recorded in the late 1970s in Beirut, which included tracks from ‘Fine anyway’, which had been copied onto around 200 cassettes at the time. Initially reluctant to have his music re-released, Fakhr agreed a couple of years later to have 2 songs included in a compilation Solidarity With Beirut — to raise money for the Lebanese Red Cross in the wake of the tragic explosion in a Beirut port in 2020. After his tracks were included in that album, Fakhr came around to the idea of the full album being re-released, and it really is an amazing listen. A fantastic set of acoustic ballads and jangly chamber pop-rock that sounds like it was recorded in sunny California in the 60’s or 70’s. Shades of So-Cal pop & The Left Banke. A real gem.
Neil: Another album that for all intents and purposes isn’t a release, more a recovery of long-lost music. Back in the 1970’s when Lebanon was still a major cosmopolitan city Rogér Fakhr’s music and tapes circulated round the city’s chic cafes and bars. His smooth, mellow hippy inflected singer songwriter voice and songs could have made him a major artist somewhere else in the world. But it wasn’t to be, as very sadly history and events changed the course of that city and the trajectory of Rogér Fakhr’s career. These recordings show the exceptional song writing skills Roger had, and this release has definitely got a distinct Searching for Sugar Man vibe about it in many ways.

Archive series. Volume no. 5. / Iron & Wine
Mark: Recorded while Iron & Wine’s Sam Beam was a student at Florida State University in the late ’90s, this album is a prelude to his Sub-Pop label debut, The Creek Drank the Cradle. Sparse acoustic lo-fi musings, that offer a nascent portrait of the forthcoming success that Iron & Wine would have in reviving the folk genre for an indie audience. Iron & Wine’s musical palette would broaden with each album, but the simplicity of these early songs shines through.
Neil: The mellow alt country of Iron & Wine has very understandably a huge dedicated cult following. This very early collection of archival recordings sounds more like a lost early album than a collection of discarded outtakes. Even the earliest songs sound confident and fully formed, and reveal that Iron and Wines distinctive sound was there right from the onset.

Bright green field. / Squid (Musical group)
Mark: Squid are the next big UK Art-rock band. Post-punk indie with grooves from just about every other genre mixed in. Agitated lyrics about the dystopian nature of modern life set to jagged tunes that branch off in all sorts of musical directions. Pretty crazy. Worth checking out if you want something different to challenge you.
Neil: Angular music coupled with angry off kilter lyrics that illuminate the song writers’ discomfort with the modern World. In places it sounds slightly reminiscent of an early English pre-Eno Talking Heads. Seemingly unconcerned about creating a single musical identity, they use whatever style suits that particular track throwing in punk, krautrock, dub, jazz, and funk into this potent mix of an album.

Metaphysics. / Ibn Ali, Hasaan
Mark: Enigmatic Philadelphian Jazz musician said to have been the influence behind John Coltrane’s so-called sheets of sound style. One of only two albums to feature the pianist’s unique harmonically advanced polytonal compositions and playing style. Resurrected from a recently found tape copy, after the original master was destroyed in Atlantic Records infamous 1978 Warehouse fire. Truly amazing playing by any decades standards.
Neil: An album presumed missing for 56 years, after being lost in a fire, finally sees the light of day. Hasaan Ibn Ali played piano on a few ground-breaking albums by Jazz drummer Max Roach but has subsequently been viewed as a side note in jazz history. All that may be about to change as his sole recorded work as a band leader is about to see the light of say. It’s a slab of classic jazz from what some (misguided) regard as its golden age. It’s a major and important find, and is likely to force a major reassessment of his talent and role in the evolution of jazz.

…Keyboard fantasies… / Glenn-Copeland, Beverly
Mark: Slightly ‘New-Agey’ album recorded with just a Yamaha DX7 keyboard and a Roland TR-707 drum machine. Self-released as a cassette in 1986, it remained in obscurity for decades until it was rediscovered by Japanese music collectors during the 2010s. This led to multiple reissues of the album, and made the, now septuagenarian, artist an international touring star and subject of an award winning documentary, with younger artists such as Blood Orange, Moses Sumney, and Caribou claiming him as an influence. Lovely lilting, mellow music that can float in the background, or reveal hidden layers upon close listening.
Neil: A long deleted album given a rerelease. ‘Keyboard fantasies’ is regarded as a New Age masterpiece. And that pretty much defines whether you will like it or not.

New long leg. / Dry Cleaning (Musical group)
Mark: More London Art-rock fronted by Florence Shaw, whose rambling, mundane, spoken-word non sequitur’s are supported by the band’s melodic post punk of pulsing bass and catchy guitar lines. On paper the lyrics sound laughably pretentious, but it’s weirdly compelling to listen to; her deadpan sardonic tone reeling off bizarre lines about Antiques Roadshow, platform shoes & food that make no sense. Really good. Already making lists of the best albums of 2021 so far.
Neil: I really loved this album it sounded new and fresh and vital edgy. Managing to sound quirky and surreal both approachable and also experimental all at the same time. Another release I strongly suspect will be on lots of best of 2021 releases.

Stock up on some CDs for Winter at the Te Pātaka Open Day Thursday 22nd July

Details:

What? Te Pātaka Open Days

Date: Thursday 22 July — see topics below

Location: Johnsonville (details on registration)

Please remember to bring your library card

If you’re feeling uninspired by the algorithms on Spotify, or have a hankering for some old New Zealand bands that you can’t find anywhere, why not check out the old Central Library CD collection in its new home in Johnsonville .

We’ll be opening our Te Pātaka Collection Centre to customers on two days during the school holidays. You’ll be able to browse and borrow material from our off-site storage collection. Some of the collection is on rolling stacks, so different areas of the collection will be more accessible at different times.

Please note: The area of the stacks containing the CD Collection will only be accessible from 10am-11am on the 22nd.

Spots are limited and visits are restricted to one hour, so bookings will be essential — view and book session times and topics available below.

Times and topics

As well as our music collection, these areas are available at any session:

  • Fiction
  • Large print
  • Biography
  • Science and health
  • Graphic novels
  • Teen fiction and graphic novels
  • Children’s fiction and comics
  • Picture books

Thursday 22 July — Topics and Time Slots

Time slots and topics available per time slot for Thursday 22 July
10-11am 11am-12pm 12-1pm 3-4pm
  • Social issues
  • Art / photography
  • Sports and games
  • Cooking
  • DVDs TV series
  • Popular CDs

Book for 10-11am, 22 July

  • True Crime
  • Craft
  • Poetry
  • Art/architecture
  • DVDs Movies
  • Magazines

Book for 11am-12pm, 22 July

  • Languages
  • Cooking
  • Literature
  • Songbooks
  • DVDs Movies
  • Music Scores

Book for 12-1pm, 22 July

Teen only session.

Book for 3-4pm, 22 July

Browse all sessions on our Calendar

Here are some pictures of just some of the CD shelves out at Te Pātaka to give you an idea of the scope of what’s available.

 

 

Staff Picks CDs

Staff Picks are back, with a completely random selection of new & old music that Library Staff have been listening to recently!

Invisible cities = Le città invisibili / Winged Victory for the Sullen
New music from this great ambient duo is a collaboration with the theatre production directed by London Olympics ceremony video designer Leo Warner. It’s based on the Italo Calvino’s classic novel ‘Invisible Cities’ which is a series of conversations between Kublai Khan and Marco Polo. For this project the duo, once again, creates the stunning, sophisticated score; the medieval feelings are blended masterly in their well-established ethereal, ambient musical world. Sublime. (Shinji)

The pearl / Budd, Harold
I’ve been loving Harold Budd and Brian Eno’s The Pearl- it’s a piece I always return to when I’m doing creative work. It’s a mysterious and beautiful piece of music, that creates an atmosphere of potential. I first discovered it after listening through all of Brian Eno’s Ambient series, and it was also a very wonderful introduction to Harold Budd’s work. (Alex)

Be for real: the P.I.R. recordings (1972-1975) / Melvin, Harold
Nice collection rounds up all the Philadelphia International Records albums from one of the legendary Philly Soul groups, Harold Melvin and the Blue Notes. Melvin’s group had been around as far back as the 1950’s, scuffling through a variety of labels and members, but it wasn’t until Melvin recruited new drummer Teddy Pendergrass in 1970 that their fortunes took a turn. When Melvin heard Pendergrass singing along during a performance, he realised what a fantastic voice he had and promoted him to lead singer. They soon grew popular on the local club circuit and when Kenny Gamble & Leon Huff saw them performing, they convinced them to sign with their new Philadelphia International label in 1972. What followed was a period of hits that melded Pendergrass’ gruff voice with a string of scorching ballads and socially conscious songs, including the iconic tracks ‘If You Don’t Know Me by Now’ & ‘Don’t Leave Me This Way’, which would become hits again when covered by Simply Red & The Communards in the late 80s. Nice liner notes cover the bands history with PIR and the legacy of their music. (Mark)

Californian soil. / London Grammar
With only two albums under their belt, the art-pop trio London Grammar became a hugely successful band. However, the lead singer Hannah Reid was frustrated with the male-dominant music industry and it led to the creation of this new music. The new album, which Reid calls ‘a feminist record’, finds them in a more edgy mood; melancholic but dynamic. Showing their mutuality and confidence, they seem to be heading toward a supergroup state. (Shinji)

Traveller. / Stapleton, Chris
This singer/songwriter is in Outlaw country with more of a soulful, bluesy sound. There seems to be an underlying theme of alcohol here – ‘Whiskey and You’, ‘Might as well get Stoned’ and ‘Tennessee Whiskey’. “As smooth as Tennessee Whisky, Sweet as Strawberry Wine, Warm as a glass of Brandy, Honey I stay stoned on you all the time”. Parachute is more up-tempo and passionate. I liked it a lot. (Greg)

Small moments. / Kye, Dan [VINYL ONLY]
‘Small Moments’ by Dan Kye [Ed. Dancefloor moniker of London-based NZ artist Jordan Rakei] is a really cool album! It’s funky, it’s fresh, and upbeat. Bound to get your head bopping. Great for a roadie, or when you need some tunes to blast while you do all your Sunday chores. (Emma)

 

Don’t shy away. / Loma
This project band by indie musicians such as Shearweter’s Jonathan Meiburg, Loma’s first album earned critical acclaim, partly thanks to Brian Eno who complimented their music. Intriguingly Eno Joins in on one track for this sophomore effort which is more expanded and experimental. In the vein of early Portishead or But For Lashes, it features a gloomy yet beautifully crafted ambient soundscape which perfectly goes with Emily Cross’ meditative voice. Marvellous. (Shinji)

Wildflowers & all the rest. / Petty, Tom
Finding Wildflowers (alternate versions). / Petty, Tom
In depth look at Tom Petty’s best solo outing from a prolific, creative & emotional period in his career, a ‘Pre-Divorce’ album, recorded amidst the collapse of his 20 year marriage. Petty always wanted ‘Wildflowers’ to be a double album, but the record company baulked. Some of the extra tracks surfaced in slightly different versions on the She’s The One Soundtrack, but the rest remained unreleased until now, and they’re every bit as good as the original tracks. The nicely constructed set lets you follow the evolution of the songs, from demos through to different takes, completed masters, and live versions. (Mark)

Collapsed in sunbeams. / Parks, Arlo
Growing up in West London and part Nigerian, Chadian and French; singer-songwriter and poet Arlo Parks shows a lot of potential and promise in this her debut album. It sounds like a soothing neo-soul infused bedroom-pop but the influences by Frank Ocean and her love of Sylvia Plath and Allen Ginsberg seem to give more radicalness and the depth to the sound creation and the lyrics. One to watch. (Shinji)

CD cataloguer Neil’s Recent Picks:
Flock. / Weaver, Jane
All bets are off. / Aphek, Tamar
Invisible cities = Le città invisibili / Winged Victory for the Sullen
Morricone segreto / Morricone, Ennio
As the love continues. / Mogwai
Glowing in the dark. / Django Django
On all fours. / Goat Girl
The future bites. / Wilson, Steven
Oh! Pardon tu dormais… / Birkin, Jane
Super blood wolf moon. / Brix & the Extricated
Introducing… Aaron Frazer. / Frazer, Aaron
Spare ribs. / Sleaford Mods
Lemon law. / Mousey

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New CDs for Te Awe

I’m Mark, the Customer Specialist for Music & Film at Wellington City Libraries. Here is some of the new material we have been buying for the Music collection at our CBD Te Awe library. My colleague Neil & I decided to do some quick reviews of some new titles. Our limit was a few lines only. Do we actually carefully appraise & select the latest new music releases for your listening pleasure? Or do we just buy every third item on the list and hope it works out? Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Read on to find out…

Californian soil. / London Grammar
Mark: Shades of Beth Orton, Dido, Dot Allison, Jessie Ware. A bit too tasteful maybe, but if you liked their previous albums you’ll enjoy this one.
Neil: Lush strings wash over Massive Attack inspired electro-pop. Sumptuously done and well worth a listen, but perhaps they wear their influences too close to the surface in places.

Scatterbrain / Chills
Mark: Another album of Martin Phillipps’ melodic charm. Reflections on mortality and staying true to yourself.
Neil: The Chills have now existed in one form or another for over 40 years. Their habit of snatching defeat from the jaws of victory is well known and documented in the fabulous documentary The Chills : the triumph & tragedy of Martin Phillipps. And ‘Scatterbrain’ is definitely one of their triumphs. Whilst keeping their core root sound they have expanded it out, and ditto the lyrics which often revolve round the subjects of mysticism and Magic. If you are a long-time fan or a newbie to The Chills, I suspect you won’t be disappointed.

They’re calling me home / Giddens, Rhiannon
Mark: Lockdown album from Giddens and Turrisi, who found themselves stranded in Ireland. Authentic ruminations on homesickness and uncertainty.
Neil: Rhiannon Giddens latest album comprises of Folk songs old and new, with a good few covers thrown it. It glitters with passion and emotion, as her partner the Italian multi-instrumentalist Francesco Turrisi, is a perfect musical foil. Giddens puts her operatic training to excellent use (though it isn’t sung in an operatic style) and she is very careful to not let this training swamp, overpower or stylise the pieces. A powerful and beautiful album.

Strum & thrum : the American jangle underground 1983-1987.
Mark: Bands like R.E.M & the dB’s heralded a new strand of jangly guitar-pop in the early 80s, but lots of other followed this early template of chiming guitars with strong regional success. This compilation captures a hitherto undocumented scene in the evolution of popular music that paved the way for many future bands.
Neil: Unsurprisingly this compilation heavily bears the indelible marks of the founding fathers of the genre The Byrds. A few of the bands associated with the movement would go on to do bigger things, notably R.E.M. It’s a fascinating snapshot of the scene at the time and features a whole host of bands, most of whom didn’t stick around for very long and released only a few pieces of music.

Start walkin’ 1965-1976 / Sinatra, Nancy
Mark: Newly remastered collection from her most prolific years. Focuses more on her left field pop than the big hits. Housed in a deluxe 7″ x 7″ hardcover book, with a lavish 64-page booklet. Timeless pop music, with plenty of Lee Hazlewood duets.
Neil: Frank’s daughter was also one of the most recognisable voices and talents of the 60’s and 70’s. This compilation features all of her big hits such as ‘These boots were made for walking’, as well as some of her stranger and more offbeat tracks often done in conjunction with Lee Hazelwood such as ‘Some velvet morning’. A journey back to the late 60’s early 70’s.

Sweep it into space. / Dinosaur Jr
Mark: Another solid album from the original lineup’s reunion. Nothing really new, but their 90s College Rock sound never goes out of style…
Neil: Their distinctive distorted guitars roar to the fore in this classic Dinosaur Jnr album. Anyone with a familiarity of the band’s history will know this is basically a renaissance album from a band whose resurrection looked highly unlikely when the split up in 1995.

Till another time : 1988-1996. / Smith, Linda
Mark: Fascinating collection from an unsung Lo-fi pioneer. The influence of Marine Girls hovers over catchy melodic cassette recordings, paired with some later day tracks that incorporate a cleaner sound.
Neil: One of the most talented, leading lights of the lo fi bedroom pop movement Linda Smith gets a modern digital rerelease. These tracks were all originally recorded at her home on her trusty four track machine and largely, released and distributed by herself. But please don’t let the lo-fi bedroom production put you off, these are great, carefully crafted, jangle pop songs. The output of a highly talented and singular songwriter, and basically an essential listen if you are into lo fi music.

100 years of theremin : the dub chapter. / Gaudi
Mark: If you create a world where it’s totally legitimate to fuse any 2 musical genre’s together, this is what happens. Like the inside of Brian Wilson’s mind during a band acid trip…
Neil: An unlikely collision of the spaced out 50’s Sci-Fi sounds of the Theremin and dub Reggae. Boasting a roster of guest list of Dub producers that could easily rank amongst the finest in the world. Whether this strange mix works is largely down to the listeners musical sensibilities.

Rootz reggae dub. / Perry, Lee
Mark: More dub from Lee Scratch Perry. If you like his template of sunny good times mixed with social/political commentary you won’t be disappointed with his new album. I’m not sure I’m getting paid enough to listen to this much dub though….
Neil: Another impeccable album from one of the greatest and most eccentric artists of the modern music world. Recorded in Jamaica and the U.S.A.

Beware of the dogs. / Donnelly, Stella
Mark: Debut album from Australian songwriter that is getting a lot of critical attention. Sweet voiced, sunny, catchy, indie pop with lovely soaring harmonies, that hide some savagely biting lyrics. Critic Robert Christgau praised it as a “musical encyclopedia of [male] assholes” which pretty much sums up this set of songs, which takes on sexual harassment, rape culture and other toxic norms.
Neil: Stella Donnelly’s debut album sounds at first listen sugary sweet, but once you listen closely to the lyrical content you realise it has teeth. Stella’s precise lyrics focus their vitriol for abusive men, sexual violence, and personal abuses of power. Big topics and issues explored in a very intimate and personally musical way.


Infinite youth. / Merk
Mark: Woozy, hazy lo-fi bedroom pop. Tracks that drift through memories of slacker days and teen dreams. The musical diversity & minimal instrumentation makes the album feel like the soundtrack to a film in a lot of ways.
Neil: Merk aka New Zealander Mark Perkin’s new album ‘Infinite Youth’ almost defies definition. My best shot would be sparse pop with substance? His wistful, innocent, and intimate vocals are coupled with 80’s pop tinged minimalist synths, percussion, and other minimal orchestration.

Loleatta ; Cry to me. / Holloway, Loleatta
Mark: Her great southern soul albums for the Atlanta Aware label in the early 70’s. The 2nd album ‘Cry To Me’ features a slew of top compositions from the pen of revered soul man Sam Dees. Her fantastic voice would find fame greater fame with the Salsoul Records label in the Disco era, as well as being sampled prodigiously in various successful 80s & 90s club hits like ‘Ride on Time’ by Black Box & ‘Good Vibrations’ by Marky Mark and the Funky Bunch.
Neil: Before her transformation into a Disco diva Loleatta Holloway released two gospel inspired southern soul albums, resplendent with swirling strings and songs written by people such as the legendary Curtis Mayfield. This long unavailable album is a reissue worth hearing. Fabulous melodramatic stuff.

The moon and stars : prescriptions for dreamers. / Valerie June
Mark: Americana with tinges of modern Country, R&B & strings that still retains a timeless feel. Her beguiling twangy voice floats over everything, offering up meditations on longing and loss. Stax legend Carla Thomas features on a couple of tracks.
Neil: Multi-talented Memphis based guitarist, singer songwriter and owner of a mesmerising gospel soul voice with just a hint of gravel voice. An adventurous genre spanning album, interspersed with atmospheric tone setting ambient interludes.

The new blue : Pixie Williams reimagined.
Mark: NZ’s first number one pop song vocalist and wāhine Māori artist gets a musical tribute from contemporary NZ artists, most of them Wgtn based. Lovely faithful renditions from locals like Louis Baker, Lisa Tomlins, Kirsten Te Rito, Amba Holly etc.
Neil: Pixie William’s was one of the first ever superstars of the New Zealand music scene. She was a trailblazing pioneer, her song ‘Blue smoke’ a huge international hit in 1951 covered by many artists, including Dean Martin. A compilation of her work was recently rescued from oblivion called For the record : the Pixie Williams collection, 1949-1951 and rereleased in 2011. ‘The New Blue’ is a collection of modern NZ artists paying tribute to her and her art, and covering her best known pieces fabulously well with style and panache, faithfully recreating the feeling and mood of her music as well, as the time it was created. A perfectly executed modern nostalgic time machine of an album.

Ignorance / Weather Station
Mark: The Weather Station is the project of singer/songwriter Tamara Lindeman, who has been compared to Joni Mitchell among others. Her critically acclaimed latest album is a song cycle based around the impact of climate change. All of which sounds very po-faced, but the ‘Climate grief’ is framed alongside relationship heartbreak, and the tracks are all super catchy. Burbling synths and Jazzy Electronica surround her voice, which sounds a bit like 80s Fleetwood Mac, or 90s Sarah McLachlan in places. Destined to be on many Album of the Year lists.
Neil: This collection of heartbroken break up song’s steers well clear of the ever-present danger of falling into Cliché or self-indulgent pity. Instead Tamsara Lindeman skilfully overlays her own personal experiences, with the deep sadness at seeing our natural environment so wantonly destroyed in the name of corporate greed. Her approach makes me think of Talk Talk or some of the more melancholic Joni Mitchell albums.

The queen of Italian pop : classic Ri-Fi recordings 1963-1967. / Mina
Mark: Mina was the dominant chart figure in Italian pop for a run of nearly 15 years, and still continues to release albums with an enshrined place in the Italian music spectrum. A huge voice that can sing anything, and an enigmatic and fascinating personality. A great primer compilation that is only the tip of the iceberg that is her massive discography of music.
Neil: In Italy Mina is one of the biggest pop stars ever. Italy’s answer to Shirley Bassey or Dusty Springfield. She was a staple of Italian television variety shows and was that country’s dominant force in pop music from the 1960’s till the mid 70’s when she stopped giving public performances, though she has continued to record to this day. This a compilation of hits from the early part of her career and an excellent introduction to her work.

Chemtrails over the country club. / Del Rey, Lana
Mark: I’ve never understood why people rate her. Take 1 part Nancy Sinatra, 1 part Hooverphonic, 1 part Mazzy Star, add a dash of Julee Cruise & every James Bond theme. Shake and stir over some minimal piano, circa 2000’s Trip-hop & soaring strings. I’ll admit that her tracks are super catchy and melodic, but there is so much artifice in the lyrics and the ‘characters’ in the songs. Neil, please explain why I should listen to her…
Neil: Lana Del Rey is one of those artists who polarise opinion. ‘Chemtrails over the country club’ is her seventh studio album. It is less slick pop, and in many ways an extension of her last release Norman F******** Rockwell. In it she continues to create her own unique version of modern American of fame and fortune & torch song gothic with, of course, a veneer of 50’s Americana washed over it all. Any objective review of her output shows that, fan or not, she is clearly and undeniably one of Americas most important musical artists at the moment. The album has already been a huge critical and commercial success.

The Kugels at Breaker Bay. / Kugels
Mark: More Klezmer music from the lauded local quintet. Amazing musicianship as the Classical chamber players cut loose for these rollicking pieces.
Neil: This is the second release from the fabulous Wellington based Kugels the five-piece outfit which specialises in Klezmer and features some of New Zealand’ s finest classical musicians in their line-up. For a long time, they have been a bit of a hidden gem in the NZ music scene, but that changed recently when they did a sofa session with Bryan Crump. This latest release really shows how good they are, and includes emotive and atmospheric renditions of both traditional and original Klezmer pieces composed by arts laureate, and renown classical composer, Ross Harris. A highly recommended listen.

Something to feel. / Teeks
Mark: Debut album from the award-winning New Zealand-Māori singer-songwriter, following on from a 2017 EP. With an amazingly distinctive and arresting voice that jumps out and envelopes you immediately, this is a fantastic modern soul album. Funky and propulsive grooves, that flow into soulful meditations on how to forge a path as a man amongst a culture of toxic masculinity. Having just signed with Beyonce’s publicist this seems just the beginning of global success.
Neil: The warm, mellow, and soulful voice of New Zealander Teeks has rightfully gained him legions of fans in this country. He describes ‘Something to feel’ as the album where he opens up and shows his emotional vulnerability and self-awareness, and seeks to free and heal himself from colonised ideas of masculinity, replacing them with te ao Māori ideas, and surrendering to his emotions. As such it is obviously a very personal, introspective, album where he connects with his inner self. There is a lot of love and care put into the resulting album on all fronts, impeccably constructed and produced, and is likely to gain him a global audience.

Shore. / Fleet Foxes
Mark: Their amalgamation of previous SoCal/Folky 60’s/70’s bands was a taste I never really acquired at the time. The vocal harmonising was pleasant, it was all very beautiful sounding, and you couldn’t fault the musicianship. But it all seemed too much of a pastiche at a certain point, and Robin Pecknold’s voice never really grabbed me enough to make me get past that. The new album has a bit more sunny-pop elements to it, but the whole pastoral folk-men with beards-singing ballads about mountains was an entire genre I could never get into, so I’ll leave this one up to Neil to guide your listening.
Neil: ‘Shore’ bears all the hallmarks of the Fleet Foxes previous releases, but it also feels different. The sun kissed Californian folk dream is still there, both the light and dark side, but the music and lyrics feel more nuanced and focussed. The glorious interwoven harmonies are also still there, and just as infused with warm grace. The fact that this album was deliberately released to coincide with the autumnal equinox definitely says something about its creators’ intentions.

Kologo. / Alostmen
Mark: Ghanaian band Alostmen’s music is based around the Frafra traditions of the kologo, a stringed lute, and using traditional instrumentation in entirely new ways. Rhythmic beats weave in and out of plucked instruments, Stax styled horns, and rap interludes. Apparently more than half of Ghana’s population is under 25, and this generation is re-shaping traditional music, melding all sorts of outside influences to create something new and exciting.
Neil: An infectiously, trance rhythmic, get up and move-your-body-and-dance album from the Ghanaian outfit. Overlaid with rap and occasional strings, supplied by the bandleader Stevo Atambire’s. Kologo (his hand made two-stringed lute) is a raw, gritty, and irresistible release.

Optimisme. / Songhoy Blues
Mark: Amazingly propulsive guitar rock from this exiled Northern Mali band, who featured on the Late Show with Stephen Colbert earlier this year. Full of politically charged lyrics, incendiary solos, and anthemic tracks. Definitely worth a listen if you’re an old school rocker into Led Zeppelin or Jethro Tull.
Neil: An album that crosses musical and cultural boundaries at will. ‘Optimisme’ is a joyous explosion of an album. Driving percussion, scorching guitar riffs, political, social and personal lyrics, sung in several languages that fit in perfectly with the music, and never sound laboured or preachy. The music is exhilarating and unstoppable, and you cannot but help feel that many huge stadium acts would be jealous and in awe of the energy pouring out of this release.

New Music at Te Awe

I’m Mark, the Customer Specialist for Music & Film at Wellington City Library. Here is some of the new and material we have been buying for the Music collection at our CBD Te Awe branch.
My colleague Neil & I decided to do a quick one line review of these titles. Do we actually carefully appraise & select the latest new music releases for your listening pleasure? Or do we just buy every third item on the list and hope it works out? Do we actually know anything about new music? Does our Council have any Style? Read on to find out…

Foothills / Bats (Musical group)
Neil: Melodic chilled Kiwi-Americana. Perfect to relax to watching the sun go down with a cold beer on the deck.
Mark: More jangle-pop goodness. The line-up’s longevity & connection create a familial musical landscape where they can traverse any emotion with melodic and emotional authenticity.

Hey U X. / Benee
Neil: Gen z Tik tok star Benee follows up her “Supalonely” smash hit with a surprisingly honest and thoughtful teen angst album.
Mark: Her voice & style recall Lorde, Clairo or Billie Eilish, but it’s to her lyrical skills that turn this into a fun & engagingly cohesive reflection of Gen Z life & themes in 2020.

My echo. / Veirs, Laura
Neil: My Echo is Laura Veirs’ 11th album a deeply, personal outing about the disintegration of her marriage.
Mark: Quality songs emerging out of emotional discontent. Not as depressing or insular as it sounds. Honestly.

Shadow of fear. / Cabaret Voltaire
Neil: Fits in very well with Cabaret Voltaire’s (now just Richard H Kirk) back catalogue, both the very early old scratchy experimental material and the more smooth funky dance works of the 80’s. Old fans will be very happy.
Mark: First album in 26 years. Old school tricks meet new sounds with a cyberpunk vibe. Plays like the soundtrack to a William Gibson novel.

The symbol remains. / Blue Öyster Cult
Neil: Another (one of several) blasts from the past. Founder members Donald Roeser and Eric Bloom are now 72 and 75, but this doesn’t stop them delivering a classic rock epic that is sure to please previous followers. Go, go Godzilla.
Mark: First album in 19 years. A journey through solidly catchy hard rock, metal & pop anthems, with riffs and energy that much younger bands would kill for.

Empty body. / Spook The Horses
Neil: Loud, experimental post metal at its best and a marked departure from their previous outings. If you are into this particular style of music an exceptional piece of work.
Mark: One of Wgtn’s strongest bands return with a bold piece of re-invention. Powerful vocals dip in and out of heavy instrumental tracks full of controlled dissonance. Brooding & intense.

Swirling. / Sun Ra Arkestra
Neil: Another album many years in the making, with Ra himself gone to a different plane. His long time collaborator and friend 96 year old Marshall Belford Allen takes over the helm. Brilliant stuff that really captures the chaotic genius of the outfit when Ra was around. “The Future is now”.
Mark: First album in 20 years. This month’s theme obviously…Always too atonal & weird for straight ahead Jazz-ers, the music of Sun Ra found a second life with the rise of Afrofuturism. The influential space-age Jams now anchor the centre of so many music & cultural strands.

Whatever it is. / Hello Forever
Neil: Psychedelic sun-drenches California vibes for the 21st century. Self confessed influences of the Beach Boys and The Mamas & Papas.
Mark: A tribute to a bygone time of sunshine, harmonies, & positive vibes. Gorgeous multi-layered harmonies and positive messages.

No need to argue [deluxe] / Cranberries (Musical group)
Neil: Not my favourite band at all…
Mark: Ignore Neil. The Cranberries are awesome. Great second album brimming with the song-writing confidence of a successful debut. Only 17 million copies worldwide. Nice reissue that rounds up B-sides, demos & some live tracks.

Archives. Volume 1, The early years (1963-1967). / Mitchell, Joni
Neil: Bob Dylan, nah. Neil Young, maybe. Joni Mitchell, now your talking. The beginnings of the finest songwriter North America (Canada to be precise) has ever produced, rarities galore a genius gearing up to true greatness.
Mark: Not a fan. If all the ‘Jazz people’ on her albums had actually made Jazz albums instead…And surely Bryan Adams is really the finest songwriter to ever come out of Canada.

Idiot prayer : Nick Cave alone at Alexander Palace. / Cave, Nick
Neil: Nick Cave, a solo piano in an empty Alexander palace playing songs old and new and even one cover (T-Rex). Spellbinding stuff and a must for any Cave fan.
Mark: Raw and powerful. A soothing tonic for 2020.

Pieces of you. / Jewel
Neil: 25th anniversary release of the singer songwriter Jewel’s debut album . When it was initially released it sold less than 3000 copies and was largely ignored by critics and the buying public, though it did have a few A list musician supporters. But the album would eventually sell over 12 million copies in the US alone.
Mark: A singer whose unique beguiling voice and personal songs were almost completely out of step with the prevailing musical currents of the time. A fascinating essay & multi-disc look at how actual music label support, gruelling touring, & the support of Bob Dylan & Neil Young created one of the biggest selling debut albums of all time.

Layla and other assorted love songs. / Derek and the Dominos
Neil: Another re-issue. Surprisingly unpopular with critics and fans initially, but went on to platinum status quickly and is now regarded as one of Eric Claptons favourite moments. Personally I prefer Cream hammering it out!
Mark: I think Clapton’s best moments can be found on Edge of Darkness, but this classic album has plenty of iconic moments.

Let me be good to you : the Atlantic & Stax recordings (1960-1968). / Thomas, Carla
Neil: A welcome compilation of the much under-rated honey-voiced Carla Thomas, one of the Wiggin Casino favourites!
Mark: The Queen of Stax records, her career sadly ended with the demise of the label. This fantastic set rounds up all her albums bar one. Fantastic voice and the deep grooves of the best Stax musicians. What more could a Soul-fan ask for?

Summerteeth [deluxe]. / Wilco
Neil: Alt-country fave’s Wilco move away from their country roots in this lush textured highly successful album.
Mark: Psychedelic hued, Big Star tinged Power-Pop that still ranks as one of their best albums. The endless studio tinkering and musical layers hid a drug fuelled uncertainty that surfaced in some dark & unsettling lyrics lending the album a deeper resonance that still enthralls.

The lost Berlin tapes / Fitzgerald, Ella
Neil: It’s difficult to say anything about Ella Fitzgerald that hasn’t been said. This legend ‘s reputation will not be diminished by this new release.
Mark: Recorded a couple of years after her legendary 1960 concert album Mack the Knife, this set of tapes was lost in Verve label owner Norman Granz’s private tape archive for over 50 years! It’s Ella. We don’t need to say anymore really…

Hey clockface. / Costello, Elvis
Neil: One of the best albums of 2020.
Mark: Just when you’ve decided to finally give up on him forever, he shows he can still draw on the energy and signwriting mojo of his younger self to take you through a cleverly diverse musical journey of moods and styles that’s still distinctly EC.

The raging wrath of the Easter Bunny demo. / Mr. Bungle
Neil: Re-hash of their original cassette demo. Hear them at their nascent beginning.
Mark: 2020 re-recording which sees original members and friends re-create the lo-fi trash metal of their original debut. Bungle Grind on…

Crooked piece of time : the Atlantic & Asylum albums (1971-1980). / Prine, John
Neil: Bob Dylan said that “Prine’s stuff is pure Proustian existentialism, and who are we to disagree.
Mark: Remastered versions of the first seven studio albums of his career, recorded with Atlantic Records and Asylum Records. Considered an American Treasure who influenced evyone from Dylan to Wilco.

Long hot summers : the story of The Style Council. / Style Council
Neil: So what did Paul Weller do when he left the Jam? Well he formed the soulful more op orientated Style Council, an eighties take of the classic Motown/American soul RnB sound of the fifties.
Mark: Smooth Jams…

The full Central Library CD collection is now available to borrow!

It has been a huge job to relocate all our Central Library collections to a new home at Te Pātaka, our new collection and Distribution Centre located in Johnsonville. However we are very happy to announce that the Central Library CD collection is available to be borrowed again in its entirety. Items can be reserved via our online catalogues from Te Pātaka to be collected from any of our other Branch Libraries.
We have decided to remove any fees for reserving items from Te Pātaka. However we have introduced a $2 charge per item if people do not pick up their reserved items within 7 working days of being notified they are available for pick up. This is to help keep the items in the collection circulating for everyone to access.

We have also curated a core collection of ‘Essential Listening’ titles from our large Central AV collection, many of which are unavailable on streaming services in New Zealand. All our ‘Essential Listening’ titles are taken from 1001 albums you must hear before you die & Nick Bollinger’s 100 essential New Zealand albums. They are also tagged on our catalogue. Just type in Essential Listening as a search and you can check them out from home, your device, or on our online catalogues in the library.

 

 

 

 

 

 

 

Here are some pictures of just some of the CD shelves out at Te Pātaka to give you an idea of the scope of what’s available. We will be posting some videos of us amongst the collection soon, as we start to highlight some genres and titles for you!

Staff Picks CDs & DVDs

Staff Picks are back, with a completely random selection of new & old material that Library Staff have been watching & viewing recently!


Punisher. / Bridgers, Phoebe
When I reminisce about the apocalyptic hellscape that has been 2020, this album makes a fitting soundtrack. Flitting between jubilant and despondent, edgy and soft, this is a sophisticated offering which will appeal to those who spent their adolescence in the grip of emo pop rock, but who now prefer a bit more nuance. (Cassie)

Ghosts of West Virginia / Earle, Steve
Singer/Songwriter/Activist Steve Earle is involved in a project concerning a coal mining explosion that killed 29 miners. He wrote the music for this public theatre project in conjunction with documentary playwrights, who interviewed the families of the dead and the few survivors. He has a distinctive voice and writes powerful lyrics. Also includes 3 songs not in the play, but of a similar theme. I particularly liked Black Lung. (Greg)

The shocking Miss Emerald. / Emerald, Caro
Dutch chanteuse Caro Emerald’s Retro, Big Band singing style will get your toes tapping and your mood uplifted! These jazzy pop songs may be the Perfect hot (Hopefully) summer) soundtrack. (David)

Baduizm. / Badu, Erykah
I’ve been doing a deep dive into the murky waters of the music of my adolescence lately. There are so many classic records in the 90s and any deep drive into this decade brings you to the glory that is Erykah Badu’s “Baduizm”. Released in 1997, this record was Badu’s debut album that crowned her the high priestess of neo-soul. This record is uniquely Badu, mixing the singing style of Billie Holiday with soul, R&B, jazz and hip-hop. It’s songs of heartbreak speak of higher issues than a first listen can provide so is worth a good listen. (Dani)

England is a garden. / Cornershop
I hadn’t listened to the band for many years, but Cornershop came back into my life right after my family and I moved to New Zealand in late 2019. Those days were joyous, yet at the same time some of the most tiring moments that I have ever lived through, immigrating to a new country and getting adjusted to a very different way of life. Cornershop squeezed its way back in during all of this, when they announced a new album coming out in March 2020 titled “England Is A Garden”. In the time of Covid-19, I can’t think of a better band and album to spend lots of my time with. From start to finish, “England Is A Garden” is a gem to listen to, but it also makes you feel good things. You think about your place in the world as you listen to the album, you realise just how wonderful and special it is to be alive, no matter what is going on all around you. Certain music connects you to things happening, while at the same time providing an escape, and “England Is A Garden” is a perfect example of this. (Justin)

The kingdom. / Bush
Supposedly inspired by being the only Rock band playing at a bunch of Metal Festivals, ‘The Kingdom’ is a surprisingly heavy return to form for the English post grunge-rockers. Frontman Gavin Rossdale brings ex-Helmet guitarist Chris Traynor up in the mix for a twin near-metal attack that showcases an album of hugely catchy riffs and soaring vocals, anchored by some of his best song-writing in years. If you enjoyed the pummelling track ‘Bullet Holes’, that played out over the credits of John Wick 3, then you’ll enjoy the sound of this follow-up album. (Mark)

American head / Flaming Lips
The Flaming Lips are a bit wacky, an acquired taste, sort of cosmic, ethereal, spacey and this latest is no different to previous albums like Yoshimi battles the pink robots. So that’s good because they offer a mix of light and heavy sounds filled with simple melodies and complex noises. The lyrics on this album can teeter on the simplistic, but there are a lot of lovely harmonies and rhythms with eclectic patterns. So, something both soothing and slightly offbeat at the same time, which is great! (Martin)

The new abnormal / Strokes
The Strokes return after 7 years with one of those great albums that rewards after repeated listens; revealing a new level of emotional maturity and shifting musical contours, that play off their previous trademark style while adding in new elements. Diverging from the shorter pop ‘verse/chorus/verse’ construct of previous albums, the songs stretch out for longer and it takes a few listens before all the inherent melodies sink in. Julian Casablancas’ lyrics are more political and mature, befitting someone now in their 40s, the songs more brooding and reflective. The band sounds more together and focused than on the last couple of albums, and you once again marvel at the level of musicianship they provide to underpin Casablancas’ vocals, culminating in the epic closing track ‘Ode To The Mets’ which ranks as one of their best tracks ever. (Mark)

Endeavour. Complete series seven.
This is a great series and has kept us captivated since season 1. This latest series is set in the ’70’s and takes me back to the fashions and foibles of my childhood. Another set of Oxford murders to solve as well as an intriguing new relationship for Endeavour Morse keeps you guessing. (Raewyn)

Mystery Men. 
Oh the 90’s, what a time for movies! Possibly one of the most 90’s movies ever made (it’s soundtrack even has Smash Mouth’s All Star), this ridiculous tale of ridiculous superheroes is lots of silly fun. All the usual names are there, Ben Stiller, Hank Azaria, Paul Reubens, Janeane Garofalo but you also get bonus Tom Waits (a mad scientist who builds non-lethal weapons, like the Blame Thrower) and Eddie Izzard (one of the villainous Disco Boys henchmen). Not to mention that the villain is named Cassanova Frankenstein. Yes, you read that correctly, Cassanova Frankenstein. It’s camp, it’s silly, Hank Azaria throws forks at people and there’s an invisible boy who can only be invisible when nobody is looking. It’s just lots of fun. (Kath)

This town
So this film was promoted as a comedy, which it sort of is… but it’s dark. Really dark. I did laugh, but more often I found myself drawing a sharp breath and thinking “Oh no!” Written, directed and starring David White, this recent New Zealand film is the story of Sean (White), a man with a troubled past searching for love. He meets Casey (Alice May Connolly), a sweet local girl and they fall for one another. But the spanner in the works of their romance is ex-cop Pam (Robyn Malcolm) who is determined to put Sean behind bars for a crime he has already been acquitted of. There is something sweet and gentle about Sean and Casey’s relationship that I found endearing, even if they are both a bit on the gormless side. It has a really good solid twist at the end that I never saw coming. (Kath)

Velvet goldmine
If you’re a fan of 70’s glam rock, like Bowie, Marc Bolan, Lou Reed, Iggy Pop etc, this film is a fictional story made up of a lot of glam rock legends… that might be true, or they might not. Christian Bale plays a young English journalist Arthur Stuart (the biggest flaw of the movie – I found him terrible and his English accent even worse) chasing the story of what happened to glam rock superstar Brian Slade (Jonathan Rhys Meyers) whose career failed after he faked is own assassination on stage. Interviewing the people closest to Slade, like his ex-wife Mandy (Toni Collette, brilliantly doing her best Angie Bowie impersonation) and reported ex-lover American glam rocker Curt Wild (Ewan MacGregor, who steals the movie in every scene he appears) finds himself disappearing down a rabbit-hole of sex, drugs and rock n roll which never quite brings him any closer to Slade’s whereabouts. Don’t let Christian Bale’s performance put you off, the rest of the cast more than make up for it. Fantastic costuming and make-up, the soundtrack is glam rock heaven and it’s one of the iconic alternative films from the late 90’s. (Kath)


The Lost Aviator A Beamafilm Documentary (Australia)
Against his families wishes Documentary maker Andrew Lancaster unveils his pioneer aviator’s uncle’s life of adventure, obsessive love and involvement in a sensational murder trial. An intriguing story with a curiously moving and haunting ending. (David)

Queens of mystery. [Series 1]
Newly promoted Detective Sergeant Matilda Stone investigates offbeat murders in a quaint English Village. Her 3 crime-writing aunts lend her their expertise, as well as unwanted dating advice. They may solve the murders, but the unexplained disappearance of Matilda’s mother 25 years ago will be harder to crack “a quality production- Very well written and acted. The whole family enjoyed it”. (Roseanne)

Neil P’s Picks:
As the WCL CD Cataloguer, these are some of my favourite new CDs…
Andy Bell – The view from halfway down
Thurston Moore – By the fire
Drab City – Good songs for bad people
Dead Famous People – Harry
Magik Markers – 2020
Heliocentrics – Telemetric sounds
Hen Ogledd – Free humans
Garcia Peoples – Nightcap at wits’ end
Fenne Lily – Breach

Shinji’s Picks:
DVD’s:
Queen and Slim
Sorry We Missed You
The End of the Golden Weather
For Sama
Homecoming (TV show)

CD’s:
Blue Nile – High[Bonus Disc]
Sault – Untitled (Black is)
Bela Fleck – Throw Down Your Heart
Julianna Barwick – Healing Is a Miracle
Aaron Parks – Little Big II: dreams of a mechanical man


Exciting New Arrival CDs

New arrival CDs feature fantastic new albums by some of the biggest names of the industry such as Nick Cave and Coldplay as well as our very own super band Six60. Amazing box-sets also keep coming. They include Freddie Mercury’s Never Boring, which brings together his solo performances for the first time, and 1982 by Fall. Check them out!

New Albums

Six60 [2019]. / Six60
“As they continue making history, award-winning New Zealand sensation SIX60 releases their third self-titled album featuring the hit single ‘The Greatest’, and the two new tracks ‘Please Don’t Go’ & ‘Raining’.” (adapted from mightyape.co.nz)

Ghosteen / Cave, Nick
“Two CDs. ‘The songs on the first album are the children. The songs on the second album are their parents. ‘Ghosteen’ is a migrating spirit.’ – Nick Cave. The album was recorded in 2018 and early 2019 at Woodshed in Malibu, Nightbird in Los Angeles, Retreat in Brighton and Candybomber in Berlin.” (adapted from amazon.co.uk)

Kiwanuka. / Kiwanuka, Michael
“‘KIWANUKA’ is the follow-up to Michael’s number 1 album, ‘Love & Hate’, released back in July 2016, that resonated broadly both critically and in the public’s affections, netting the British musician his second Mercury Prize nomination and his second and third BRIT nominations too. ‘KIWANUKA’ finds a new assuredness in Michael’s writing, and takes the basic sonic blueprint of that last record to a dizzying new realm.” (adapted from amazon.co.uk)

Once upon a mind. / Blunt, James
“After flirting with electronica on his last album (2017’s ‘The Afterlove’), Blunt returns to what he does best on ‘Once Upon a Mind’, writing classic songs that touch both the heart and the head. ‘Once Upon A Mind’ sees Blunt collaborating with a variety of producers such as Steve Robson, Jimmy Hogarth and TMS.” (adapted from amazon.co.uk)

Magdalene. / FKA twigs
“Created in a period where her confidence was knocked following heartbreak and laparoscopic surgery, ‘MAGDALENE’ is the sound of twigs reconfiguring, emotionally and physically. As she sings on ‘Mary Magdalene’, the MAGDALENE album track that opened her highly-praised, sold-out live shows earlier in the year, “A woman’s time / A woman’s work / A woman’s time to embrace / She must put herself first”.” (adapted from amazon.co.uk)

Everyday life. / Coldplay
“‘Everyday Life’ is the eighth studio album by the British rock band, and is an album presented in two halves: ‘Sunrise’ and ‘Sunset’, featuring a stunning array of music, that is sure to surprise and delight their global fanbase.” (adapted from amazon.co.uk)

Box sets/ Reissues

Never boring. / Mercury, Freddie
“The “Never Boring” box set brings together for the first time a specially-curated selection of Freddie Mercury’s music, visuals and written and spoken words. The set reminds us that Freddie was an exceptional singer, songwriter, performer and human being whose special kind of magic is captured in this exceptional collection of his solo work.” (adapted from amazon.co.uk)

The complete RCA albums collection. / Simone, Nina
“9CD BOX SET / The Clamshell box contains a 34 page booklet with the story about Nina Simone, beautiful pictures and all the information about the nine CD’s, all from the RCA collection.” (adapted from amazon.co.uk)

Travelin’ thru : the bootleg series vol. 15, 1967-1969 / Dylan, Bob
“The latest chapter in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series revisits Dylan’s pivotal musical journeys to Nashville, from 1967 to 1969 focusing on previously unavailable recordings made with Johnny Cash and unreleased tracks from the John Wesley Harding Nashville Skyline and Self Portrait sessions Bob Dylan (featuring Johnny Cash) Travelin Thru.” (adapted from amazon.co.uk)

Monster [deluxe]. / R. E. M
“‘Monster’ is indeed R.E.M.’s long-promised “rock” album; it just doesn’t rock in the way one might expect. Instead of R.E.M.’s trademark anthemic bashers, ‘Monster’ offers a set of murky sludge, powered by the heavily distorted and delayed guitar of Peter Buck. Michael Stipe’s vocals have been pushed to the back of the mix, along with Bill Berry’s drums, which accentuates the muscular pulse of Buck’s chords.” (Catalogue)

Every move you make : the studio recordings. / Police (Musical group)
“Following the 40th anniversary vinyl box, we present a limited edition 6-CD box set edition, featuring all five studio albums + a bonus disc. Includes an exclusive bonus 12-track disc – ‘Flexible Strategies’ comprised of non-album b-sides (including very rare remix of ‘Truth Hits Everybody’) and remastered at Abbey Road Studios. The collection features 14 top-20 singles, including five number ones! Four of the albums reached number one and went on to sell millions of copies around the world.” (adapted from amazon.co.uk)

[1982] / Fall (Musical group)
“1982 was a decisive year for The Fall. Their critically acclaimed album “Hex Enduction Hour” was released in March on Kamera Records, closely followed by “Room To Live” in September. This six-disc boxset brings together those two classic albums alongside a host of John Peel sessions, Kamera singles, live performances and the group’s live album “In A Hole”, recorded during their tour of New Zealand and originally released on Flying Nun Records.” (adapted from amazon.co.uk)

Hunting high and low [4CD]. / a-ha
“Anyone who dismissed a-ha as a one-hit wonder must have missed out on the band’s fine debut, ‘Hunting High and Low’. Though the band spawned many further hits across the rest of the world, “Take on Me” exploded in the States and the group never cracked the top of the charts again. It’s a shame, because the album contains a handful of songs that nearly match the manic energy and emotional crack of its big hit. Further, it’s a cohesive album with smart pace changeups, and it rarely fails to delight or satisfy a listener’s need for a synth pop fix.” (Catalogue)

No other. / Clark, Gene
“Upon its 1974 release, Gene Clark’s ‘No Other’ was rejected by most critics as an exercise in bloated studio excess. It was also ignored by Asylum, that had invested $100,000 in recording it. A considerable sum at the time, it was intended as a double album, but the label refused to release it as such. Ultimately, it proved a commercial failure that literally devastated Clark; he never recovered. Though Clark didn’t live to see it, ‘No Other’ has attained cult status as a visionary recording that employs every available studio means to illustrate the power in Clark’s mercurial songwriting. Clark’s unlikely classic, ‘No Other’ is continually continued rediscovered by succeeding generations.” (Catalogue)

New CDs @ Arapaki

Check out some of these new arrival CDs, including new albums by our very own Drax Project and Algel Olsen which received rave reviews. The highly anticipated The Beatles’ ‘Abbey Road’ 50th anniversary editions (2CDs and 3CDs+Blu-ray) have also arrived. Come down to Arapaki Manners Library and get them.

New Albums

Drax Project [album]. / Drax Project
“Drax Project unveiled a new single “Catching Feelings” featuring fellow New Zealanders SIX60 off of their self-titled debut album. The jazz-inspired pop group has vamped up the track with infectious harmonies, relatable lyricism, and wistful, hypnotic vocals. With the new body of work underway, Drax Project is gearing up to take the world by storm.” (adapted from mightyape.co.nz) Check out also our Wellington Music Blog and Facebook to find out more about the Wellington music and musicians.

All mirrors. / Olsen, Angel
“The descent into darkness is a trope we find time again across history, literature and film. But there’s also an abyss above. There’s a winding white staircase that goes ever upward into the great unknown — each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, ‘All Mirrors’, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.” (adapted from amazon.co.uk)

Ode to joy. / Wilco
” The album follows on from 2016’s, rather sombre ‘Schmilco’. ‘Ode to Joy’ is everything the title suggests, according to frontman Jeff Tweedy in a press release, the record’s, ‘full of really big, big folk songs, these monolithic, brutal structures that these delicate feelings are hung on’.” (adapted from amazon.co.uk)

Lost girls. / Bat For Lashes
“Lost Girls is another brilliant full-length in Khan’s incredible, acclaimed discography, mixing sounds she’s always loved – heavy bass lines, synth arpeggios, Iranian pop beats, cascading choruses – with some of her finest songwriting to date. It’s an album full of romance, an homage to Los Angeles, to being a kid in the 80’s, to films that touched and changed her life.” (adapted from amazon.co.uk)

No home record. / Gordon, Kim
“A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music. ‘No Home Record’ is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it.” (adapted from amazon.co.uk)

The Highwomen. / Highwomen
“The Highwomen is a new collaborative movement formed by Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires. The collective’s highly anticipated self-titled debut album, produced by Grammy Award-winning producer Dave Cobb. Continually demonstrating the importance of inclusion and collaboration, The Highwomen are joined by several guest musicians, vocalists and songwriters across the album. The project features Sheryl Crow, Jason Isbell and many more.” (adapted from amazon.co.uk)

Juice B crypts. / Battles (Musical group)
“On their first album without bassist/guitarist Dave Konopka, Battles reinvent themselves once again with a tight set of songs that nevertheless push their musical boundaries. Their ability to simultaneously streamline and elaborate on their music isn’t exactly new; after all, Tyondai Braxton’s exit after ‘Mirrored’ prompted them to create ‘Gloss Drop”s exhilarating mix of experiments and hooks. On ‘Juice B Crypts’, there’s a similar feeling of rebirth.” (Catalogue)

Three chords & the truth. / Morrison, Van
“His sixth album in just four years, ‘Three Chords & The Truth’ is further proof that Van Morrison is one of the greatest recording artists of all time and a creative force to be reckoned with. The album was produced and written by Van Morrison (except for ‘If We Wait for Mountains’ which was co-written with Don Black).” (adapted from amazon.co.uk)

Why me? Why not. / Gallagher, Liam
“‘Why Me? Why Not’ is subsequently a clear upgrade on ‘As You Were’, but not a radical departure, which will come as a relief to Liam’s loyal fans. Highlights include the soulful One Of Us, which includes Liam’s son Gene Gallagher’s debut on bongos (“he nailed it!”), the aching balladry of Once (“got a bit of Pink Floyd’s The Wall about it”), the raw guitar bounce of Be Still, and the title track, Why Me? Why not, which Liam describes as “having a Beatles on Come Together vibe.”. Liam Gallagher: both eyes firmly fixed on the horizon, as ever. Because he knows, the best is still come.” (adapted from amazon.co.uk)

Reissues/ Box-sets
Abbey Road : 3CD anniversary edition. / Beatles
Abbey Road : 2CD anniversary edition. / Beatles
“In many ways, Abbey Road stands apart from the rest of the Beatles’ catalog, an album that gains considerable strength from its lush, enveloping production — a recording so luxuriant, it glosses over aesthetic differences between the group’s main three songwriters and ties together a series of disconnected unfinished songs into a complete suite. Where Sgt. Pepper pioneered such mind-bending aural techniques, Abbey Road truly seized the possibilities of the studio and, in doing so, pointed the way forward to the album rock era of the 1970s.” (Catalogue)

Country music : a film by Ken Burns : the soundtrack.
“”If you write the truth and you’re writing about your life, it’s going to be country.” Loretta Lynn COUNTRY MUSIC, the eight-part, 16-hour film by Ken Burns, chronicles the creation of a truly American genre of music through the songs and stories of its greatest trailblazers. ‘Country Music A Film By Ken Burns (The Soundtrack)’ includes more than 100 timeless classics as heard in the film, including songs by The Carter Family, Jimmie Rodgers, Bill Monroe, Bob Wills, Hank Williams, Johnny Cash, Loretta Lynn, Charley Pride, Willie Nelson, Dolly Parton and many more. This deluxe 5CD set includes 68 pages of liner notes and rarely seen archival photos, documents and memorabilia.” (adapted from amazon.co.uk)

Exciting new arrival CDs

It’s very good news that more music is available at Arapaki Manners Library. New arrival CDs feature exciting Aotearoa talents, including fantastic new albums by our very own Mermaidens and the veteran David Kilgour. Also, check out Waiata: anthems in which leading NZ artists perform their hit songs in Te Reo. Come down to Arapaki and get them.

New albums

Look me in the eye. / Mermaidens
“Dancing in the lively afterglow of Perfect Body, Mermaiden’s internationally acclaimed Flying Nun debut, a new flame burns. The Wellington-based trio now approach 2019 with an eagerly awaited follow up. Enter the depths of their new album, Look Me In The Eye. Exploring power and control in a confronting new lens, the trio are focused on the gatekeepers and dominators of the world; dissecting their power, one song at a time.” (adapted from amazon.co.uk)

Bobbie’s a girl / Kilgour, David
“It’s moody – as in low, subdued,’ says David Kilgour of his new album, Bobbie’s a girl. David Kilgour’s 11th solo album, Bobbie’s a girl is a quieter affair than fans may associate with the pioneer of New Zealand indie rock. ‘I tended to shy away from too much guitar playing for a point of difference and to mix things up for myself a little,’ Kilgour continues. Largely missing the jangly distortion of Kilgour’s other work, the album’s ten songs exude a hazy warmth, with a light psychedelia that recalls ’60s outfits like The Byrds and The Velvet Underground.” (adapted from amazon.co.uk)

Waiata : anthems.
“WAIATA / ANTHEMS was released to celebrate Māori Language Week / Te Wiki o Te Reo Māori 2019 (Sep 9-13) and to coincide with the 20-year anniversary of Hinewehi Mohi first performing the New Zealand National Anthem in Te Reo Māori at an All Blacks game. 20 years on, she has decided to mark that anniversary not by remembering the controversy, but by celebrating how far we’ve come. The result – 11 of New Zealand’s best loved artists performing their hit songs in Te Reo Māori, as well as an acknowledgement of ‘Aotearoa’ with a vibrant rendition by the renowned Hātea Kapa Haka.” (adapted from amazon.co.uk)

I, I. / Bon Iver
“‘i,i’ is Bon Iver’s most expansive, joyful and generous album to date. If ‘For Emma, Forever Ago’ was the crisp, heart-strung isolation of a northern Winter; ‘Bon Iver’ the rise and whirr of burgeoning Spring; and ‘22, A Million’, a blistering, “crazy energy” Summer record, ‘i,i’ completes the cycle: a fall record; Autumn colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music.” (adapted from amazon.co.uk)

The center won’t hold. / Sleater-Kinney
“‘The Center Won’t Hold’ is the tenth studio album by Sleater-Kinney. It addresses transformation as it relates to the corrosion and decomposition of forms. Fractured and frayed by age or by loss, by internecine politics, by trauma or depression, these eleven songs ask what remains of a body, a human spirit, a relationship, a city, a country.” (adapted from amazon.co.uk)

Threads. / Crow, Sheryl
“Sheryl Crow’s album of collaborations. Threads includes ‘Still The Good Old Days’ featuring Joe Walsh. Other tracks include “Redemption Day” featuring Johnny Cash, “Live Wire” featuring Bonnie Raitt and Mavis Staples and “Prove You Wrong” featuring Stevie Nicks and Maren Morris. Elaborating on the project, Crow reflected, “I became inspired to record an album of musical experiences with the legacy artists who inspired me.” (adapted from realgroovy.co.nz)

Fear inoculum. / Tool
“Fear Inoculum is the long awaited new album from TOOL, and the band’s first new album in 13 years. The album will be available digitally, and in a special Limited Edition physical package that includes a CD in a tri-fold Soft Pack Video Brochure featuring a 4” HD rechargeable screen with exclusive video footage, a USB charging cable, a 2 watt speaker and a 30 page insert book and MP3 download card.” (adapted from amazon.co.uk)

Beneath the eyrie. / Pixies (Musical group)
“Seventh full-length album from the iconic alternative band. Sessions for the album took place at Dreamland Recordings near Woodstock, New York and unusually the band documented every minute of the process, which makes up a 12-part podcast.” (adapted from amazon.co.uk)

Days of the Bagnold summer
“Days of the Bagnold Summer began life as a 2012 award-winning graphic novel by Joff Winterhart, was turned into a feature film and the directorial debut of Simon Bird (The Inbetweeners, Friday Night Dinner), and is now a wonderful, rich, bittersweet, and warmly welcoming original soundtrack album by Belle and Sebastian. The album features eleven brand new Belle and Sebastian songs, as well as re-recorded versions of classics ‘Get Me Away From Here I’m Dying’, originally appearing on 1996’s If You’re Feeling Sinister, and ‘I Know Where The Summer Goes’, from 1998’s This Is Just a Modern Rock Song EP.” (adapted from amazon.co.uk)

Rubberband. / Davis, Miles
“The legendary ‘Lost’ Miles Davis album recorded after signing with Warner Bros. has now been completed by the original producers Randy Hall and Zane Giles, and Davis’ nephew Vince Wilburn Jr.. Miles Davis shocked the music world in 1985 when he left Columbia Records after 30 years to join Warner Bros. Records. In October of that year, he began recording the album Rubberband in Los Angeles. The musical direction Davis was taking during the sessions marked a radical departure, with the inclusion of funk and soul grooves; with plans to feature guest vocalists Al Jarreau and Chaka Khan. Eventually, the album was shelved and Davis went on to record Tutu, leaving the Rubberband songs unheard and untouched for over 30 years.” (adapted from amazon.co.uk)

Box sets

Ágaetis byrjun : a new beginning. / Sigur Rós
“In 1999 Sigur Rós released ‘Ágætis Byrjun’ (‘A Good Start’), which Q magazine deemed ‘the last great record of the 20th century’. By the end of the year, it had won the inaugural US Shortlist Prize for Artistic Achievement in Music. This 20th Anniversary edition of the album features demo and archive versions of the songs, plus never-before-heard newly-unearthed material from the time, rare b-sides and the full 95-minute concert played in Reykjavík on the day the record was released.” (adapted from amazon.co.uk)

Kankyō ongaku : Japanese ambient, environmental & new age music 1980-1990.
“Double CD edition in custom 7″ x 7″ hardbound book. Light In The Attic’s Japan Archival Series continues with Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyo ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.” (adapted from amazon.co.uk)

New CDs at Arapaki

Check out some of these newly catalogued CDs, including new albums by Thom Yorke and Bruce Springsteen. A couple of box-sets; the 50th anniversary version of Woodstock and the Scottish independent music story is simply fantastic. Come on down to Arapaki at 12 Manners Street and to check them out!

Woodstock : back to the garden : 50th anniversary collection.
“Summer 2019 marks the 50th anniversary of Woodstock, the defining event of a generation and one of the most iconic moments in popular music history. Between August 15-18, 1969, more than 400,000 people converged on Max Yasgur’s 600-acre dairy farm in upstate New York for Woodstock. This box set features 42 tracks performed during the legendary festival.” (adapted from amazon.co.uk)

Big gold dreams : a story of Scottish independent music 1977-1989.
“BIG GOLD DREAMS documents the vibrant independent music scene to emerge in Scotland across the late 70s and 80s. Initially ignited by punk, labels sprang up in Glasgow, Edinburgh and elsewhere to give a voice to the explosion of new acts across the country.” (adapted from amazon.co.uk)

Western stars. / Springsteen, Bruce
“Bruce Springsteen’s first new studio album in five years takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late ’60s and early ’70s. The 13 tracks on ‘Western Stars’ encompass a sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope.” (adapted from amazon.co.uk)

Let’s rock. / Black Keys
“Lighter and leaner than Turn Blue — and, ironically, considerably more colorful, too — Let’s Rock doesn’t so much find the Black Keys trying new recipes as revisiting old favorites with fresh, elevated ingredients. Blues, garage, and old soul remain at the foundation of the group’s sound, but they’ve swapped jammy excesses for over-saturated fuzz guitars and stacked vocal overdubs.” (Catalogue)

Anima. / Yorke, Thom
“Third solo album from the Radiohead frontman, Thom Yorke. Produced alongside Nigel Godrich, ‘Anima’, sees Yorke experimenting with electronic sounds once again.” (adapted from amazon.co.uk)

The book of traps and lessons. / Tempest, Kate
“Third studio album by the acclaimed British poet and rapper. The album was crafted with Rick Rubin and Dan Carey over the course of the previous five years. Since her emergence in 2011, Tempest has redefined what it means to be a wordsmith in the Modern Age and, to date, has published three poetry collections and staged three plays.” (adapted from amazon.co.uk)

Years to burn / Calexico
“Calexico and Iron & Wine first made an artistic connection with ‘In the Reins’, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s ‘Rolling Thunder Revue’ that cemented the bond. Their metaphorical roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could.” (adapted from amazon.co.uk)

Shepherd in a sheepskin vest. / Callahan, Bill
“Eighth solo studio album by the American singer-songwriter. Bill’s gentle, spacey take on folk and roots music is like no other; scraps of imagery, melody and instrumentation tumble suddenly together in moments of true human encounter.” (adapted from amazon.co.uk)

New Popular Music CDs at Arapaki

It’s very good news that physical CDs are back on our shelves. Our first pop-up library Arapaki offers a small but varied range of music including new releases by our very own Aldous Harding and Vampire Weekend. Come on down to Arapaki at 12 Manners Street and check them out!

Designer. / Harding, Aldous
“An artist of rare calibre, Aldous Harding does more than sing; she conjures a singular intensity. Her body and face a weapon of theatre, Harding dances with steeled fervor, baring her teeth like a Bunraku puppet’s gnashing grin. Her debut release with 4AD, 2017’s Party (produced with the award-winning John Parish) introduced a new pulse to the stark and unpopulated dramatic realm where the likes of Kate Bush and Scott Walker reside. In April, Aldous Harding returns with Designer less than two years after the breakthrough album.” (adapted from amazon.co.uk)

I am easy to find / National (Musical group)
I Am Easy To Find is the band’s eighth studio album and the follow-up to 2017’s GRAMMY-award winning release Sleep Well Beast. A companion short film with the same name will also be released. The film was directed by Mike Mills (20th Century Women, Beginners), and starring Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, and the album features vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more.” (adapted from amazon.co.uk)

U.F.O.F. / Big Thief
“U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era.” (adapted from amazon.co.uk)

Father of the bride. / Vampire Weekend
“Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014. Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna etc.). The album features 18 songs, including “Harmony Hall,” “Big Blue,” “2021,” and “Sunflower.” (adapted from amazon.co.uk)

Why hasn’t everything already disappeared? / Deerhunter
“What they spend their time doing instead is reinventing their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth. The result is as thrilling, haunting, and unpredictable as anything in their roughly 15 year career.” (adapted from amazon.com)

On the line. / Lewis, Jenny
“Jenny Lewis’ fourth solo album, featuring 11 original songs written by Lewis and recorded at Capitol Records’ Studio B. Lewis is joined on the album by such legendary artists as Beck, Benmont Tench, Don Was, Jim Keltner and Ringo Starr.” (adapted from amazon.co.uk)

Ripples. / Brown, Ian
“2019 release from the former Stone Roses vocalist. Ripples is Brown’s first solo album in 10 years and serves as the long-awaited follow-up to 2009’s My Way. Brown self-produced and wrote a majority of Ripples, as well as created the artwork and played most of the instruments heard throughout the record. His sons have co-writing credits on three songs and provided additional instrumental contributions.” (adapted from amazon.co.uk)

From Auckland to Mississippi: Check out these CDs

Voices of Mississippi

Check out some of these newly catalogued CDs, including new albums by Tiny Ruins and James Blake. Legendary artists such as Bryan Ferry and Mark Knopfler also released the wonderful new albums. And finally, don’t miss the Grammy winner, Voice of Mississippi, which is a historically significant and amazing document of the American south.

Olympic girls. / Tiny Ruins
“A rare blend of eloquent lyrical craft and explorative musicianship, the songs of Tiny Ruins are etched into the memories of crowds and critics worldwide. Traversing influences that cross-genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop. Production by David Lynch, Olympic Girls bring ebullient psychedelia to the album.” (adapted from amazon.co.uk)

Assume form. / Blake, James
“James Blake’s arrival in the early 2010s was exciting, in no small part because no one sounded quite like him. His collision of ghostly, dubstep-informed production and quiveringly sad piano balladry should have been jarring and awkward, but it worked so well it catapulted Blake into near-iconic status. Fourth album Assume Form finds Blake shedding much of his older self, leaving behind distant melancholy and spacious production and offering his most emotionally open, hopeful, and at times almost cheerful work.~ Fred Thomas” (Catalogue)

Rich kid blues. / Faithfull, Marianne
“Produced by Mike Leander, who had produced and arranged much of Faithfull’s Decca material, Rich Kid Blues is an intriguing album of spare, largely acoustic readings of folk/rock songs, including several Bob Dylan covers, as well as songs by Phil Ochs, George Harrison, Cat Stevens, Tim Hardin, James Taylor and Sandy Denny.” (adapted from amazon.co.uk)

Springsteen on Broadway. / Springsteen, Bruce
Springsteen on Broadway is the new album of music and stories by Bruce Springsteen, and the soundtrack to the Netflix film of the same name. The album is the complete live performance of the show. Springsteen on Broadway is the solo acoustic performance written and performed by Tony Award, Academy Award, and 20-time Grammy Award winner Bruce Springsteen. Based on his worldwide best-selling autobiography Born to RunSpringsteen on Broadway is a unique evening with Bruce.” (adapted from amazon.co.uk)

Down the road wherever. / Knopfler, Mark
“Mark Knopfler’s ninth solo studio album Down The Road Wherever features unhurriedly elegant new songs inspired by a wide range of subjects, including his early days in Deptford with Dire Straits, a stray football fan lost in a strange town, and the compulsion of a musician hitching home through the snow.” (adapted from realgroovy.co.nz)

Bitter sweet / Ferry, Bryan
Bitter Sweet, the latest record from Bryan Ferry, is inspired by his work on the Sky Atlantic/Netflix television series Babylon Berlin a German period drama based on the books by Volker Kutscher set in the 1920s. It takes the musical stylings from that era and puts a new twist on well-loved Roxy Music and Bryan Ferry tracks including While My Heart is Still Beating, Sign of the Times and Dance Away. The record breathes new life into songs that fans have been enjoying for over 20 years.” (adapted from amazon.co.uk)

Red rose speedway / McCartney, Paul
“Consequently, Red Rose Speedway winds up being a really strange record, one that veers toward the schmaltzy Aor Mor (especially on the hit single “My Love”), yet is thoroughly twisted in its own desire toward domestic art. As a result, this is every bit as insular as the lo-fi records of the early ’90s, but considerably more artful, since it was, after all, designed by one of the great pop composers of the century.~ Stephen Thomas Erlewine” (Catalogue)

The Chic organization 1977-1979. / Chic
“Produced with the involvement of Nile Rodgers and approval from the estate of partner Bernard Edwards, this box set remasters and recirculates Chic’s first three albums and the contemporaneous We Are Family, in essence a Chic LP fronted by labelmates Sister Sledge. Another disc compiles edits and mixes of Chic-headlined singles of the same era. During this period, the band surfaced and instantly reigned in clubs and on the Billboard dance chart, and with ‘Le Freak’ and ‘Good Times,’ took their slick and funky disco-soul hybrid to the top of the Hot 100. ~ Andy Kellman” (Catalogue)

Voices of Mississippi: artists and musicians documented by William Ferris.
“This watershed release represents the life s work of William Ferris, an audio recordist, filmmaker, folklorist, and teacher with an unwavering commitment to establish and to expand the study of the American South. William Ferris was born in Vicksburg, Mississippi in 1942. Growing up on a working farm, Ferris began at a young age documenting the artwork, music, and lives of the people on the farm and in his local community. The archive of recordings that he created and the documentary films that he had a hand in producing have served as powerful tools in institutions of higher learning for decades.” (adapted from amazon.co.uk)

To the outside of everything: a story of UK post-punk 1977-1981.
“Named after a lyric from Magazine’s ground-breaking hit, ‘Shot By Both Sides’, To the Outside of Everything tells a musical story of how the UK’s post-punk scene evolved from the spirit of 1977 and the arrival of key labels such as Fast, Rough Trade, Zoo, Factory and Cherry Red. It includes landmark singles by Joy Division, PiL, Wire, Gang Of Four, The Slits, Killing Joke, Echo And The Bunnymen, Scritti Politti, The Pop Group, Human League, The Fall and many more.” (adapted from amazon.co.uk)

Monochrome Masterpieces

In this post we take a look at some of the iconic albums and hidden gems in our CD and vinyl collection. All of these titles have black and white photographs as album art. Check out these excellent and eclectic albums.

Nite flights by the Walker Brothers (1978)
The Walker Brothers were the three non-biologically-related kings of baroque pop in the 1960s, best known for their moody hits The Sun Ain’t Gonna Shine Anymore and Make it Easy on Yourself. In the late 60s, Scott Walker, the group’s most acclaimed member, went solo and released a series of heavily orchestrated albums filled with ennui and references to art-house movies. Scott is cited as one of David Bowie’s foremost influences, and it shows. On this 1978 album The Walker Brothers explored uncharted territory. This project was apparently inspired by Bowie’s Heroes, and that also shows.

The album’s opening track Shutout is a masterpiece: the hauntingly avant garde vocal harmonies pare well with the raw propulsion of the incandescent guitar solo. The song is distinguished by a driving baseline that sounds like it came from an alternate universe where disco was a dark and nihilistic genre. Then the Electrician turns the dread up to unprecedented heights before breaking into an overture of blissful strings. The first four songs are effectively a Scott Walker solo EP and stand together as a monumental statement. The production on the other tracks is certainly worth perusing, but those first four songs ShutoutFat Mama KickNite Flights and The Electrician are incomparable. This album can also be considered somewhat rare, and it isn’t available on Spotify, so make sure to pick it up next time you come into the library!

TA1300 by Denzel Curry (2018)
Denzel Curry’s most ambitious project to date is full of aggressive SoundCloud anthems, including Sumo and Clout Cobain. On this album Curry has clearly carved out his own corner of the hip-hop world. Curry generally raps forcefully on lo-fi trap influenced beats, but still leaves some space for r&b tinged instrumentation whether of the soulful or synth-pop variety on tracks Black Balloons and Cash Maniac respectively. Standout track, Vengeance, is a terrifying vision featuring an extremely malicious verse from avant-garde rapper JPEGMAFIA and a visceral shouted feature from trap-metal rapper Zillakami.

If you still need convincing of Denzel Curry’s merit and skill, check out his pumping cover of Rage Against the Machine’s Bulls on Parade.

Party by Aldous Harding (2017)
Gothic tones and the misty port hills linger over Harding’s spellbinding sophomore effort. Harding’s lyrical subject matter is every bit as entrancing as her folk guitar. Unique song titles like What if Birds Aren’t Singing, They’re Screaming punctuate a superb New Zealand album. Another underrated highlight is the album closer, Swell Does the Skull. Harding’s distinctive voice is memorable, cohesive and enchanting. With Harding’s upcoming Designer album due for release shortly, now’s the perfect time to catch up with her discography.

Songs for Drella by Lou Reed and John Cale (1990)
Upon the death of Andy Warhol, two illustrious alumni of the Velvet Underground reunited to produce this sublime record amidst a temporary detente in their relationship. The production is excellent, the biographical subject matter is engaging and the album stands up as a testament to two incandescent chemistry of two of the greatest musical minds of the 20th century. Recommended tracks include Open House and Style it Takes.

Rest by Charlotte Gainsbourg (2017)
Gainsbourg weaves together traditional French pop sounds with contemporary palettes to create a grand statement. The drums, pianos and synthesizers summon dark and foreboding dirges on tracks like Lying With You and Ring-A-Ring O’ Roses. Federico Garcia Lorca once wrote “I am the elephantine shadow of my own tears.” Similarly, Rest appears to be an immense product of Gainsbourg’s own grief, as Pitchfork writer Olivia Horn notes. The album highlight is Deadly Valentine, a dreamy pop song punctuated by a funky baseline and a richly arranged chorus.

Another Box-sets Bonanza: New Arrival CDs

Plays Well With Others album cover

You won’t believe this… More box-sets have arrived in our CD collection! They include the super deluxe set of the Beatles (White Album) and the Eagles’ Legacy which contains 12 CDs, DVD and Blu-ray. Also, Kate Bush’s 2018 remastered series are all here now. Check them out!

Beatles – The Beatles (6CD)
“This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. To create the new stereo and 5.1 surround audio mixes for The White Album, Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new White Album releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.” (adapted from amazon.co.uk)

Fleetwood Mac – 50 years : don’t stop
“Fleetwood Mac will celebrate a half century of music with a new 50 song collection that is the first to explore the group’s entire career, from their early days playing the blues, to their global success as one of the most-enduring and best-selling bands in rock history. The new compilation touches on every era in the band’s rich history and offers a deep dive into Fleetwood Mac’s expansive catalogue by bringing together essential tracks released between 1968 and 2013.” (adapted from amazon.co.uk)

Jimi Hendrix – Electric Ladyland [deluxe]
“This deluxe box set includes the original album, remastered by Bernie Grundman from the original analogue tapes. For the LP set, Grundman prepared an all-analogue, direct-to-disc vinyl transfer of the album, preserving the authenticity. Electric Ladyland: The Early Takes presents 20 demos and studio outtakes, including demos for song ideas Hendrix recorded himself on a reel-to-reel tape at the Drake Hotel, as well as early recording session studio takes featuring guest appearances from Buddy Miles, Stephen Stills and Al Kooper. Jimi Hendrix Experience: Live At the Hollywood Bowl 9/14/68 is part of Experience Hendrix’s Dagger Records official bootleg series.” (adapted from amazon.co.uk)

Eagles – Legacy
“Deluxe box set containing 12 CDs, DVD and Blu-ray. Legacy includes all seven of the band’s studio albums, three live albums, and a compilation of singles and b-sides. It also includes two concert videos: Hell Freezes Over (DVD) and Farewell Tour: Live From Melbourne (Blu-ray).” (adapted from realgroovy.co.nz)

Phil Collins – Plays well with others
“Four CD set. 2018 collection containing tracks that Phil Collins recorded with other artists. Includes tracks by the Bee Gees, Philip Bailey, Paul McCartney, Brand X, Brian Eno, Robert Plant, Peter Gabriel and many others. Collins gained fame as both the drummer and lead singer for the rock band Genesis, and he also gained worldwide fame as a solo artist.” (adapted from realgroovy.co.nz)

Jethro Tull – This was: the 50th anniversary edition
“After several name changes, Jethro Tull played its first show as Jethro Tull in February 1968. Months later, Ian Anderson, Mick Abrahams, Glenn Cornick and Clive Bunker released the band’s debut – This Was. The album debuted at #10 on the U.K. album chart, but more important, it was the first step in a 50-year (and counting) journey that made Jethro Tull one of the world’s most successful progressive rock bands.To celebrate the album’s 50th anniversary, a special deluxe edition features original album and bonus tracks remixed in stereo by Steven Wilson, Live BBC sessions recorded in 1968 etc..” (adapted from amazon.co.uk)

Metallica – …And justice for all [3CD]
“Embossed & Debossed Expanded Edition of …And Justice for All includes 3 CDs featuring the newly remastered album + previously unreleased demos, rough mixes & live tracks. Includes a 28-page booklet.” (adapted from amazon.co.uk)

Fleet Foxes – First collection 2006-2009
First Collection 2006–2009 spans the early days of Fleet Foxes’ career, including the self-titled debut album, plus the Sun Giant EP, The First EP (formerly a self-titled, very limited-edition, self-released EP), and B-sides & Rarities.” (adapted from realgroovy.co.nz)

Kate Bush – Hounds of love
“2018 Remastered reissue of Kate Bush’s Hounds of Love. This studio album has been fully remastered by Kate and James Guthrie. Released via Rhino.” (adapted from amazon.co.uk)

More Box sets and Soundtracks: New Arrival CDs

Bohemian Rhapsody soundtrack

Check out these much talked about soundtracks; music of Queen, A Star is Born which features Lady Gaga and Bradley Cooper, and Thom Yorke’s Suspiria. Amazing box sets keep coming in, including the deluxe version of John Lennon’s iconic album Imagine, and the Joe Strummer’s first solo anthology. Do not miss them!

Soundtracks

Bohemian rhapsody : the original soundtrack
Bohemian Rhapsody is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury. Freddie defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs and revolutionary sound.” (adapted from amazon.co.uk)

A star is born : soundtrack
“The official motion picture soundtrack to A Star Is Born – which features music from six-time Grammy Award-winner Lady Gaga and director Bradley Cooper. Featuring 19 songs in a wide range of musical styles, and 15 dialogue tracks featuring those moments that will take listeners on a journey that mirrors the experience of seeing the film, the soundtrack to A Star Is Born follows the musical arc and romantic journey of the movie’s two lead characters: Bradley Cooper’s Jackson Maine, and Lady Gaga’s Ally.” (adapted from amazon.co.uk)

Suspiria : music for the Luca Guadagnino film
Suspiria consists of 25 original compositions written by Thom Yorke specifically for Luca Guadagnino reimagining of the 1977 Dario Argento horror classic. The album is a mix of instrumental score work, interstitial pieces and interludes, and more traditional song structures featuring Thom’s vocals such as “Unmade”, “Has Ended” and “Suspirium,” the album’s first single featuring the melodic theme that recurs throughout the film and its score.” (adapted from amazon.co.uk)

Box sets

John Lennon – Imagine [deluxe]
“A truly unique expanded edition of one of the most iconic albums of all time. This new edition takes us on incredibly personal journey through the entire songwriting and recording process. Super Deluxe version includes 4 CDs (new stereo mix, outtakes, raw studio recordings, track-by-track) and 2 Blu-rays (5.1 surround mixes, HD audio, Elements mixes, Elliot Minz audio documentary).” (adapted from realgroovy.co.nz)

Cocteau Twins – Treasure hiding : the Fontana years
“The Fontana Years demonstrates a musical marvel which still makes your ears feel like they re sucking citrus fruits after years of licking ashtrays, while the rings of Saturn crash-land in your front room. This 4-CD set brings together the two albums the band recorded for Fontana along with B-Sides, EP s, Radio One sessions and the odd rarity.” (adapted from amazon.co.uk)

Joe Strummer – Joe Strummer 001
“Ignition Records are proud to announce the release of Joe Strummer 001, the first compilation to span Joe Strummer’s career outside of his recordings with The Clash. Joe Strummer 001 includes fan favourites from his recordings with the 101ers and The Mescaleros, all of his solo albums, soundtrack work and an album of unreleased songs.” (adapted from amazon.co.uk)

Bob Dylan – More blood, more tracks : the bootleg series vol. 14 : deluxe edition.
“The latest chapter in the highly acclaimed Bootleg Series makes available the pivotal studio recordings made by Bob Dylan during six extraordinary sessions in 1974 that resulted in the artist’s 1975 masterpiece, Blood On The Tracks. The 6CD full-length deluxe version includes the complete New York sessions in chronological order including outtakes, false starts and studio banter. The album’s producers have worked from best sources available, in most cases utilizing the original multi-track session tapes.” (adapted from amazon.co.uk)

Lindsey Buckingham – Solo anthology : the best of Lindsey Buckingham
“The first-ever, comprehensive solo anthology by legendary artist, guitarist, song-writer and 3x Grammy® winner, Lindsey Buckingham. The Best of Lindsey Buckingham includes album, live and alternate versions from Law and Order, Go Insane, Out of the Cradle and more, and also incorporates songs from his collaborative album with Christine McVie released in 2017.” (adapted from realgroovy.co.nz)

Cranberries – Everybody else is doing it, so why can’t we? : 25th anniversary edition.
“Last year, the 4 members of the Cranberries came together to plan a 25th Anniversary Box Set release of their debut album, and one of the definitive indie albums of all time, Everybody Else Is Doing It, So Why Can’t We?. Following Dolores O’Riordan’s death in January this year, the remaining band members have decided to go ahead with the 25th Anniversary Box Set. Originally released on 12th March 1993, the album hit the No.1 spot in both the UK and Ireland and sold over 6 million copies worldwide.” (adapted from amazon.co.uk)