Comics in Conversation with Cinema: Justice League – The Director’s Cuts

After years of fan campaigning, Zack Snyder’s Justice League has finally arrived on our screens. The newly expanded film restores the initial vision of the auteur director behind 300, Watchmen and Batman v Superman: Dawn of Justice, and is loosely based on Justice League: Origin by Geoff Johns and Jim Lee.

Snyder certainly had the track record to adapt DC Comics’ premiere super-team to the silver screen, having a number of comic-to-film adaptations under his belt already and a distinct aesthetic directly inspired by comic books. But there are many Justice League stories worthy of adaptation into film (particularly from JLA, the deliberately cinematic and much beloved series that ran from 1997 to 2006), just as there are many directors who would be perfect to adapt them.

So if you’re after more of the World’s Greatest Superheroes (or some great film recommendations), here are my picks for Justice League comics based on what directors would best adapt them into movies.

JLA : New world order – Roland Emmerich (Independence Day, 2012)

When Justice League was relaunched as JLA in 1997 by Grant Morrison and Howard Porter, their intent with the series was to tell big-scale stories like a blockbuster movie in comic form. The first story of their run, New World Order, delivers on exactly that, featuring an invasion by superheroes from another planet that opens with a giant spaceship over the White House (just like Emmerich’s Independence Day, coincidentally released the same year) and continues heightening the stakes from there. If they made a JLA movie in the 90s, you could absolutely see Emmerich as a front-runner for the director’s chair.

Bonus trivia: Every issue of JLA: New World Order is named after a sci-fi movie from the 1950s: THEM!, The Day the Earth Stood Still, War of the Worlds, and Invaders from Mars.

JLA : Earth 2 – Paul Verhoeven (Robocop, Starship Troopers)

A good version of Lex Luthor recruits the JLA to help him fight the Crime Syndicate of Amerika (not a typo), their evil equivalent from an parallel Earth made of anti-matter, where reality, history and morality is reversed. People’s hearts are on the right side of their body instead of the left, pirates and gangsters are worshipped as heroes, executions are televised, and the dollar bills have “In Mammon We Trust” written on them, referencing the demon of greed. It brings to mind some of Paul Verhoeven’s best satire in Robocop and Starship Troopers, where the excesses of American capitalist and military society are heightened to ludicrous absurdity.

Bonus trivia: JLA: Earth 2 was later adapted into an animated film, Justice League: Crisis on Two Earths, in 2010.

Justice –  George Miller (Mad Max, Happy Feet)

Justice hits all the beats of a great Justice League story: big action, great character moments, and deep-cut references from across DC history, but the main conceit of Justice is that the Legion of Doom, convinced that they are saving humanity from a coming apocalypse that the Justice League can’t prevent, become the story’s heroes. While George Miller would be a great choice for any superhero movie for his skill at directing action and tone, what makes Justice an ideal story for him would be the Legion of Doom as a cult of personality believing they know what’s best for society. It’s a theme that Miller has explored throughout his filmography, from the various desert demagogues of the Mad Max wastelands to the conservative penguin hegemony of Happy Feet.

Bonus trivia: In 2007, George Miller was tapped to direct a Justice League movie called Justice League: Mortal, but due to the success of Christopher Nolan’s Dark Knight trilogy, Warner Bros decided to focus on solo hero movies and the film was shelved indefinitely.

JLA: Golden Perfect – Patty Jenkins (Wonder Woman, Wonder Woman 1984)

After facing a crisis of conscience, Wonder Woman’s Lasso of Truth is destroyed, and with it, the very concept of truth itself has been fractured — and the Justice League must contend with a world capriciously redefined by the dreams and fears of the human race. When explaining her writing process for WW84, Patty Jenkins said she wanted to write a superhero movie where at the end, nobody dies and the day is saved with a conversation rather than with brute strength. Golden Perfect hits on a lot of similar themes and ideas (WW84‘s Wishing Stone also has a similar effect on the world as the Lasso of Truth breaking), and while she would be repeating herself, it would be interesting to see Jenkins’ take on the rest of the Justice League.

Bonus trivia: Wonder Woman has also appeared in a solo animated film, and appears in the DC Animated Movie Universe beginning with Justice League: War.

Justice League Dark – Guillermo del Toro (Pan’s Labyrinth, Pacific Rim)

Justice League Dark was created to highlight DC’s stable of magical and horror-influenced heroes such as John Constantine, Zatanna, Swamp Thing, and Deadman, who fight the supernatural threats that the regular flavour Justice League can’t handle. While there was an animated film that came out in 2017, Guillermo Del Toro has been trying to make a live-action Justice League Dark film since 2013. Given his experience in directing fantasy action and surreal horror (the first issue of the series has the Justice League contend with a storm made of human teeth, for starters), giving Del Toro the chance would be a no-brainer.

Bonus trivia: While Del Toro has set aside working on Justice League Dark (for now), a TV series is currently in development for HBO Max, spearheaded by J.J. Abrams.

JLA : the hypothetical woman – Kathryn Bigelow (Zero Dark Thirty, The Hurt Locker)

The Justice League of America is caught in a harrowing situation after being sent by the United Nations Security Council to intervene in a South American nation ruled by an iron-fisted dictator. In response, the world’s nations start stockpiling discarded supervillain weapons and alien spacecrafts and repurposing them into weapons out of fear the Justice League will do the same to them. An underrated Justice League story that weds traditional superhero tropes to the realism of international relations and military strategy, this is probably the only JLA story I could see Kathryn Bigelow adapting.

Bonus trivia: JLA: The Hypothetical Woman is drawn by artist Jose-Luis Garcia Lopez, who is responsible for the DC Comics Style Guide, the official reference guide book for all DC Comics merchandise.

Vogue and the First World War

The article begins with the headline “The New Declaration of Independence”. Over the following page it goes on to examine shifting global power dynamics, explaining that “the spirit that made it impossible for the thirteen American colonies to remain vassals of Great Britain, makes it equally impossible that our nearly fifty states rest under the perpetual threat involved in Prussian militarism and imperial Pan-Germanism.” This article isn’t from the New York Times; it won’t be found in Papers Past. Instead it comes from one of Wellington City Libraries’ most interesting online resources: the Vogue Archive.

Vogue’s coverage of the First World War is significant for several reasons: for starters its variety. Just a brief search of the Archive using the keyword “War” between 1917 and 1918 brings up articles addressing everything from practical fashion advice (“Dressing on a War Income”) and the role of women in relief work (“The Woman’s Share of War”) to the importance of Liberty Loans (“If We Would Win This War”) and changes in mourning practices (“The Mode in Mourning”).

“An astonishing number of smart and individual mourning costumes are to be seen in New York at present.”

While the Archive doesn’t have any articles addressing New Zealand war experiences, it does give a unique insight into the experiences of women–especially those of the upper classes–in the U.S., U.K. and France. Articles often describe families who, up until 1914, had spent their lives moving between New York, London, Paris and Munich. As “As Seen By Him” notes, “Countless Americans are as much at home in Austria and Belgium as they are at home in America”. The same article directly addresses this assumed middle and upper class readership, noting that “however much we sympathise with our foreign friends, we have our own people to consider first, and we cannot let the working classes which depend on us, suffer because we are in mourning.”

“Peril is near you. Disaster is in the air. You must flee–flee.”

But perhaps the most surprising finds in the Vogue Archive are the in-depth articles that show why the magazine is arguably the birthplace of New Journalism. One such article appears in the August 1, 1916 edition under the title “Following the Fortune Tellers of War”, and tells the story of the rise of fortune tellers in wartime Paris.

While the author, initialled as A.S., is critical of these clairvoyants and card readers, she visits no less than ten of them, with each one describing wild futures that end in the death of husbands, the birth of twins, sea voyages and the disappearance of friends. While the claims sound outrageous to a modern reader–and, it turns out, A.S.–they were probably an accurate description of many people’s lives (and futures) in Paris at the time.

To begin your own discovery of the Vogue Archive, go to Wellington City Libraries’ eLibrary and search under “V” in the A-Z of Resources (the Vogue Archive can also be found in the Art and Design topic). You’ll need your library card number and your PIN, then you’re ready to search. Alternatively, click here to go straight to the Vogue Archive.

Te Anamata o Te Tiriti me Tākuta Carwyn Jones: 29 o Paengawhāwhā i Te Whare Pukapuka o Te Awe

He aha? Te Tiriti: ki hea ināianei?
Āhea? Rāpare 29 o Paengawhāwhā, 12:30-1:20pm
Ki hea? Te Whare Pukapuka o Te Awe (29B Tiriti o Brandon)

I runga anō i ngā tohutohu a Māmari Stephens i roto i tana tuhinga “He rangi tā Matawhāiti, he rangi tā Matawhānui”, kāore e tawhiti atu te whakanuitanga 200 tau o waitohutanga o Te Tiriti o Waitangi. Engari ka pēhea ianei te āhua o Aotearoa hei ngā 20 tau e tū mai nei? Ā, ka whakawā pēhea nei ngā tumu kōrero i te tau 2040 i ngā whanaketanga o ngā tekau tau ruarua ka hipa?

Ko tētahi tangata e taea ana pea e ia te whakautu i ēnei pātai ko Tākuta Carwyn Jones (Ngāti Kahungunu). He Ahorangi Tāpiri a Tākuta Jones i Te Kauhanganui Tātai Ture i Te Whare Wānanga o Te Herenga Waka, ā, ko ia hoki te kaituhi o New Treaty, New Tradition – Reconciling New Zealand and Māori Law and co-editor of Indigenous Peoples and the State: International Perspectives on the Treaty of Watangi. Ko ia hoki te perēhitini-ngātahi o Te Hunga Rōia Māori o Aotearoa, me te ētita-ngātahi o te Māori Law Review me AlterNative – an International Journal of Indigenous Peoples.

E whai wāhi ana hoki a Tākuta Jones ki tētahi atu kaupapa whakahirahira. E rua marama ki muri ka hono atu ia ki te ohu Adaptive Governance me te Policy i te BioHeritage Challenge, Ngā Koiora Tuku Iho, hei kaihautū-ngātahi me Tākuta Maria Bargh. He tūranga whakahirahira tēnei: ki te whakatau me pēhea e taea ai e ngā panonitanga ki te kāwanatanga me te ture i Aotearoa te āwhina ki te whakaora i te taiao o te motu – i mua o te hokinga kore ki muri.

Ki te rapu i ētahi atu kōrero, pānuitia tā mātou uiui ki a Tākuta Carwyn Jones i raro!


E kōrero ana te pae tukutuku a te Adaptive Governance me te Policy (AGP) mō tētahi mataaho āheinga e whakaratoa ana e te whanaketanga o tētahi Rautaki Koiora ā-motu, tae atu hoki ki te WAI 262.  Ka taea e koe te whakamārama i te hiranga nui o WAI 262 me te Rautaki Koiora?

E whakarato ana te Rautaki Koiora i tētahi anga whakahaere matua mō te whanake i ngā mahere koiora ā-takiwā, ā-rohe hoki puta noa i ngā tau 30 e tū mai nei i Aotearoa.  E whakarato ana hoki i tētahi moemoeā whaitake me te whakarite i tētahi māramatanga whānui o te wāhi hei whāinga mā tātou hei iwi, ki te tiaki me te hiki i te koioratanga.

Ko te pūrongo WAI 262, Ko Aotearoa Tēnei, me te urutau a te kāwanatanga whānui e whanake mai ana, e whakatau haere ana hoki i ēnei momo take (me ētahi atu), me te arotahi atu ki te whakaurunga a te Māori me te tūranga o te mātauranga Māori.  Ka whakauru hāngai tonu te Rautaki Koiora me Wai 262 ki ngā pātai o te kāwanatanga taiao me te kaupapa here e pā ana ki te tuku ihotanga koiora o Aotearoa.

Me pēhea a Te Mana o te Taiao – te Rautaki Koiora o Aotearoa e whai whakaaro ai ki te pūrongo WAI 262 a Te Rōpū Whakamana i te Tiriti o Waitangi?

Ko tētahi o ngā āhuatanga matua o te pūrongo WAI 262 ko te miramira i ngā hapori Māori tae atu ki ngā iwi, hapū me ngā whānau, me tā rātou mahi ki te whakatakoto i ō rātou wawata mō te whakahaere i te hononga a te tangata ki te taiao, me te whai i ngā tikanga pūataata e haepapa ai ngā kāwanatanga ā-rohe, kāwanatanga matua hoki ki te whakauru atu ki aua wawata.  E āta mohimohi ana te pūrongo ki te kī ko tā te whāinga ā-Tiriti me rapu ki te whakamana i ngā hapori Māori i te tuatahi ki te whakatau take ka pāpā atu ki ō rātou taonga (tae atu ki ngā āhuatanga o te taiao), ā, i ngā wāhi e hiahiatia ana ētahi tauira whakahoa, me whakauru te Māori ki ngā whakataunga take, kaua ko te tū hei kaitohutohu anake i te kaiwhakatau.  Ko tētahi o ngā putanga whaikī o Te Mana o te Taiao, ko te whakatinanatanga e ngā hoa Tiriti, whānau, hapū me ngā iwi ngā tūranga matua hei kaitiaki.

Ko tētahi atu mahi o nāianei a te AGP ko te whanake-ngātahi i ngā tikanga ā-ture e “whai reo ai te taiao”.  He aha ētahi whai wāhitanga?

Ko ētahi o ngā momo tauira ka whai wāhi pea i konei ko ngā mea pēnei i te whakamana i te whakatangata ā-ture ake o ngā āhuatanga horanuku, pērā i tērā i kitea ake mō Te Urewera (he papa ā-motu i mua) me Te Awa Tupua ( ko te awa o Whanganui i mua).

He whai tikanga nui te whakaaro o ngā tauira kāwanatanga rerekē.  He tauira āu e hoahoa-ngātahitia ana e koe i tēnei wā, ā, kua whakamātauria?

He whānui tonu ngā āhuatanga e whai wāhi atu ana ki ngā tauira kāwanatanga rerekē.  E tūhuratia ana e mātou ngā whakaaro mai i Te Ao Māori mō te whakarite i ngā hononga ki te tangata, ina koa, a te tangata ki te taiao.  E whai ana mātou ki te arotake i ētahi o ngā tauira o nāianei mō te kāwanatanga-ngātahi kua whanaketia mā te tukanga whakatau take Tiriti me ētahi atu horopaki, ā, kua whakaritea e mātou tētahi pūrongo o ngā taputapu pūtea kua hoahoatia hei tautoko i te koioratanga me te whakapoapoa i ētahi tauira rerekē o te kāwanatanga.

He aha ō matapae mō te whakatinanatanga o ēnei tauira kāwanatanga i te anamata?

Me āta aro te whakatinanatanga ki te horopaki ā-takiwā, te taiao ā-takiwā, me ngā hononga ā-takiwā.  Ko tētahi āhuatanga ka whaitake nui pea i roto i te whakatinanatanga ko te whakamana i ngā hapori ā-takiwā ki te whakatinana i tā rātou tūranga hei kaitiaki.

I a tātou e titiro ana ki ētahi tauira kāwanatanga rerekē me ngā tikanga ā-ture mō Aotearoa, tērā anō ētahi tauira o tāwāhi e pīata mai ana, e whai take ana?

Ehara i te mea kei Aotearoa anake ēnei take, nō reira he nui ngā mahi puta noa i te ao e whakauru atu ana ki tēnei tūmomo wāhi ōrite.  I Aotearoa nei, kua waia tātou ki te whakapūnga o ngā whakaritenga mana tūmatawhānui, engari i ngā pūnaha kotahitanga  pēnei i Amerika, Kanata, ā, tae atu pea ki Ahitereiria, e hāneanea ana ki a rātou te whakaaro o ngā ao rerekē o te mana whakahare me te horahora i ngā whakataunga take.  Nā tēnei ka hua mai pea ētahi wāhi mō ngā tauira kanorau, kāwanatanga ā-takiwā hoki.

Ki ōu whakaako ka pēhea te whai o ēnei tauira me ēnei kaupapa here i ngā raru nui pēnei i te urutā KOWHEORI-19 o te wā nei?

Ka urutau pai pea ki te kanorau o ngā matea ka hua mai i tēnei momo raru nui.  I te mea hoki ki te whakamanahia ngā hapori ā-takiwā, ka whai rātou i ngā mahi e hāngai ana ki ō rātou āhuatanga ake, te tiaki i ngā tāngata – arā i kitea tēnei i ngā wāhi arowhai ā-hapori i whakaritea e ētahi rōpū Māori, ā-iwi hoki, ā, i whakahaeretia i te wā e taumaha ana te urutā i Aotearoa.

The Future of Te Tiriti with Dr Carwyn Jones: 29 April at Te Awe Library

What? Te Tiriti: Where to Now?
When? Thursday 29 April, 12:30-1:20pm
Where? Te Awe Library (29B Brandon Street)

As Māmari Stephens points out in her essay “He rangi tā Matawhāiti, he rangi tā Matawhānui”, the 200th anniversary of the signing of te Tiriti o Waitangi isn’t far off. But what will Aotearoa look like 20 years from now? And how will historians in 2040 judge the developments of the past few decades?

One person who may be able to answer these questions is Dr Carwyn Jones (Ngāti Kahungunu). Dr Jones is an Associate Professor at the Faculty of Law at Victoria University and the author of New Treaty, New Tradition – Reconciling New Zealand and Māori Law and co-editor of Indigenous Peoples and the State: International Perspectives on the Treaty of Watangi. He’s also co-president of Te Hunga Rōia Māori o Aotearoa – The Māori Law Society and co-Editor of the Māori Law Review and AlterNative – an International Journal of Indigenous Peoples.

Dr Jones is involved in another significant project as well. Just over two months ago he joined the Adaptive Governance and Policy team at the BioHeritage Challenge, Ngā Koiora Tuku Iho as co-lead with Dr Maria Bargh. The role is a significant one: to work out how changes to governance and law in New Zealand can help save the country’s environment – before it’s too late.

To find out more, read our interview with Dr Carwyn Jones below!


The Adaptive Governance and Policy (AGP) website mentions a window of opportunity provided by the development of the national Biodiversity Strategy, as well as WAI 262. Could you explain the importance of WAI 262 and the Biodiversity Strategy?

The Biodiversity Strategy provides a key organising framework for developing local and regional biodiversity plans across the next 30 years in Aotearoa. It provides an important vision and ensures that there is a common understanding of where we as a country need to get to in order to protect and enhance biodiversity.

The WAI 262 report, Ko Aotearoa Tēnei, and the whole of government response that is developing, also addresses similar kinds of issues (amongst many others), with a particular focus on Māori participation and the role of mātauranga Māori. The Biodiversity Strategy and WAI 262 both engage directly with questions of environmental governance and policy relating to New Zealand biological heritage.

How could Te Mana o te Taiao – Aotearoa NZ Biodiversity Strategy take the Waitangi Tribunal’s WAI 262 report into account?

One of the central features of the WAI 262 report is the emphasis on Māori communities, including iwi, hapū, and whanau, being able to proactively set out their aspirations for managing the relationship between people and the environment and having transparent mechanisms to ensure that central and local government are accountable for engaging with those aspirations. The report is careful to note that a Tiriti-consistent approach should first seek to empower Māori communities to make decisions that affect their taonga (including aspects of the natural environment) and that where partnership models are required, these must involve Māori participation in decision-making, not merely acting in an advisory capacity to the decision-maker. One of the stated outcomes of Te Mana o te Taiao is that Treaty partners, whānau, hapū, and iwi are exercising their full roles as kaitiaki.

Another current AGP activity is the co-development of legal mechanisms that “give voice to nature”. What would this include?

Some of the kinds of models that might be included here could be things like the recognition of legal personality of landscape features as we have seen with Te Urewera (formerly a national park) and Te Awa Tupua (formerly the Whanganui river).

The idea of alternative governance models is also really interesting. Are there any you’re co-designing at the moment, and have they been scenario tested yet?

There are a whole range of things that contribute to alternative governance models. We’re exploring ideas from Te Ao Māori about organising relationships between people and, particularly, between people and the environment. We’re aiming to evaluate some of the existing models of co-governance that have been developed through the Treaty settlement process and other contexts, and we commissioned a report on financial instruments that are designed to support biodiversity and incentivise different modes of governance.

How do you see these governance models being implemented in the future?

The implementation needs to be sensitive to local context, the local environment, and local relationships. One aspect that is likely to be important in implementation is to empower local communities to exercise their role as kaitiaki.

When looking at different governance models and legal mechanisms for Aotearoa, are there overseas examples that have stood out as potentially useful?

Of course, these issues are not unique to Aotearoa and so there is a lot of work going on around the world that is engaging in this same kind of space. New Zealand tends to have quite a centralised understanding of the organisation of public power, whereas in federal systems such as the USA, Canada, and to some extent even Australia, there is more comfort with the idea of different spheres of authority and diffuse decision-making. That can sometimes create space for diverse and localised governance models.

How do you think these models and policies would approach crises like the current COVID-19 pandemic?

Likely to respond well to the diversity of need that this kind of crisis creates. Generally, if local communities are empowered, they will take steps, appropriate to their local circumstances, to keep people safe – as we saw with some of the community checkpoints that a number of Māori and iwi-based groups established and managed through the height of the pandemic in Aotearoa.

The 1951 Waterfront Dispute: 151 days that shook New Zealand

This year marks the 70th anniversary of the longest and one of the most polarising labour disputes in New Zealand’s history. Now digitised on Wellington City Recollect is a selection of what were then illegally printed pamphlets and newsletters from one of the main players in the dispute, the Wellington Waterside Workers’ Union.

An illegal flyer printed to be handed out to the public to explain the position of the Wellington Waterside Workers’ Union. Emergency regulations meant any coverage of their views by news media was banned by the government.

Though it is now passing from living memory, the 1951 Waterfront Dispute remains one of the most contentious industrial conflicts from our past. Lasting 151 days, it was the longest serious industrial action ever taken in New Zealand and involved more people than any other strike in our history with over 22,000 members of the Waterside Workers’ Union and other sympathetic labour groups involved. It was a deeply divisive and polarising event with different sides accusing each other of being ‘communists’ or ‘fascists’ respectively with many of the attacks becoming increasingly personal and vindictive. Even the name and nature of the event was in dispute with the Government, port authorities and shipping companies calling it a ‘strike’ and the waterside workers calling it a ‘lock-out’. This distinction remained a contentious issue among some historians and political scientists for decades after the event.

Continue reading “The 1951 Waterfront Dispute: 151 days that shook New Zealand”

Gothic Revival: our selection of modern gothic novels

“Our ways are not your ways, and there shall be to you many strange things. Listen to them — children of the night. What music they make”
– Dracula referring to the howling of the wolves to Jonathan Harker.

The 1764 novel The Castle of Otranto by Horace Walpole is commonly regarded as the first ever Gothic novel and since then the genre, defined by heightened emotional states, pleasurable terror, elements of romanticism and often containing one or several of the following elements: churchyards, coffins, graveyards, skeletons or ghosts, has had enduring popularity. Some of the most iconic, popular, and influential books of all time are encompassed in its arms such as Dracula, Northanger Abbey, Rebecca Dr Jekyll and Mr Hyde to name but a few. This popularity has endured and below is our very small collection of modern gothic novels for your delight, edification and to chill your blood and freeze your soul.

Beloved / Morrison, Toni
“Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her.” (Adapted from Catalogue) Also available as an eBook.

Fledgling : a novel / Butler, Octavia E
“An apparently young, amnesiac girl whose alarmingly un-human needs and abilities lead her to a startling conclusion: she is in fact a genetically modified, 53-year-old vampire.  Forced to discover what she can about her stolen former life, she must at the same time learn who wanted–and still wants–to destroy her and those she cares for, and how she can save herself. Fledgling is a captivating novel that tests the limits of otherness and questions what it means to be truly human.” (Adapted from Catalogue) Also available as an Audiobook.

Mexican gothic / Moreno-Garcia, Silvia
“Lovecraft meets the Bronte’s in Latin America.” After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noem Taboada heads to High Place, a distant house in the Mexican countryside. Her only ally in this inhospitable abode is the family’s youngest son. There are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noem digs deeper she unearths stories of violence and madness. And Noem , mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.” (Adapted from Catalogue)

The night circus : a novel / Morgenstern, Erin
“The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. And it is only open at night. But behind the scenes, a fierce competition is underway–a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. ” (Adapted from Catalogue) Also available as an eBook.

The shadow of the wind / Ruiz Zafón, Carlos
Hidden in the heart of the old city of Barcelona is the ‘Cemetery of Lost Books’, a labyrinthine library of obscure and forgotten titles that have long gone out of print. To this library, a man brings his 10-year-old son Daniel one cold morning in 1945. Daniel is allowed to choose one book from the shelves and pulls out ‘The Shadow of the Wind’ by Julian Carax. But as he grows up, several people seem inordinately interested in his find. Then, one night, as he is wandering the old streets once more, Daniel is approached by a figure who reminds him of a character from the book, a character who turns out to be the devil. This man is tracking down every last copy of Carax’s work in order to burn them.” (Adapted from Catalogue) Also available as an eBook.

Jonathan Strange & Mr Norrell / Clarke, Susanna
The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation’s past. But scholars of this glorious history discover that one remains- the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of another magician- the brilliant novice Jonathan Strange. Young, handsome and daring, Strange is the very opposite of Norrell. So begins a dangerous battle between these two great men which overwhelms the one between England and France. And their own obsessions and secret dabblings with the dark arts are going to cause more trouble than they can imagine.” (Adapted from Catalogue) Also available as an eBook.

Mark Z. Danielewski’s House of leaves / Danielewski, Mark Z
“A blind old man, a young apprentice working in a tattoo shop, and a mad woman haunting an Ohio institute narrate this story of a family that encounters an endlessly shifting series of hallways in their new home, eventually coming face to face with the awful darkness lying at its heart. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story — of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.” (Catalogue)

The secret history / Tartt, Donna
“Donna Tartt’s The Secret History is the original American campus novel. When Richard Papen joins an elite group of clever misfits at his New England college, it seems he can finally become the person he wants to be. But the moral boundaries he will cross with his new friends – and the deaths they are responsible for – will change all of their lives forever. The Secret History recounts the terrible price we pay for mistakes made on the dark journey to adulthood.” (Adapted from Catalogue)