An Audience With…Jon Drypnz

massage 3Jon is one of the artists behind the collaborative zine ‘Massage’ – an atmospheric urban art/graffiti zine. Find out more about Jon and his work on his website. Thanks for answering our questions Jon! 

Describe an average day:

A bus ride to Wadestown. Then cooking and delivering food. After this, you would find me in my studio drawing and painting. And if it is an extra lucky day I would probably be painting some walls with friends.

Describe your work:

You could maybe describe my work as ‘Post Graffiti Pop Surrealism, and I depict the notion of disevolved humans.  I feel like most humans are ignorant to the world around them, and lack simple self care. I believe this can be seen in most people, in yourself, I know I see it in myself.  It seems to be a universal human characteristic. This concept can also be perceived as a reflection of how I understand modern society. However, when you see my work, you may not instantly see this as an obvious regergitation of this understanding, because I want to poke a little bit of fun at our own demise.


How did you first get into zines? 

It was a bit accidental. Our zine ‘Massage’ was based on creating a collective portfolio with some friends. It feels more like a collection of our work rather than a zine, which seems to be appealing to a wide audience at the moment.

What do you like about zines?

I guess like most people I like the fact that they are an easy and cheap way of sharing your personal ideas / intrests.

Is there anything you don’t like about zines as a medium?

I think a vast majority of them can be very similar.

massage 6How do you get inspiration for a zine?

We just produce work without focusing too much on the outcome, the outcome is not our main goal. The process of creating content, that then might happen to be used, is what matters the most.

Tell us about some of our favorite zine…

I do not really have a particular one. I do like Ed Templeton’s work. It is the photography and social commentary ones in particular that usually grab my attention, or zines about strange cats, especially the ones done by Wellington locals, Heather and Zach.

Do you have any last words?

I would have a single little man floating cross-legged, knowing all that he surrounds. His expression would be of sombre recognition of his surroundings, but with a hint of realization that it would all turn to custard at any moment.  He would be a simple fellow with a head larger than it should be because he began to think he knew everything once, and even though he knew better now, it was like his mother used to say  ‘Do that any longer dear and it will stay like that’. 

He will then sit hovering over the places where he wished he could always be, next to streams and beaches on the signs that reminded him of where those places were. 

He would be human but simplified, he would be human but his humanity has left him, he would be human if only he could remember what it was he was meant to do, he would be human if only it was that simple.

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