Movies > Staff picks archive, 2009-2010

Mark's Picks

Inception
Mind-bending Sci-Fi sees DiCaprio as a corporate espionage agent of the near future who, instead of stealing physical or digital information, steals ideas from people's sub-conscious while they are dreaming. After a botched 'Extraction' their potential victim offers Cobb & his team a chance at redemption and for Cobb a chance to return from exile to his family. All they have to do is plant an idea in the head of a business rival. It's called 'Inception', and it has never been done before...or has it? Christopher Nolan proves that multi-million dollar movies can provide both jaw dropping special effects as well as a complex and intelligent storytelling....

The secret in their eyes
Retired Court Investigator Benjamin is haunted by the brutal rape & murder of a young Argentinean woman 25 years ago that remains unresolved. Deciding to write a novel about the case he begins the investigation again, and the action in the present becomes interspersed with numerous flashbacks to the Argentina of the 1970's - where we meet the younger Benjamin, his drunken colleague & friend Sandoval, & his boss the beautiful Judge Irene - with whom he is secretly in love. Director Campanella uses the epic scope of the story to touch on everything from the control of the 1970's Military Dictatorship, Argentinean class divisions, unrequited love and the drive of obsession, to the meaning of Justice & retribution. Beats out 'The girl with the dragon tattoo' as the best Foreign thriller of 2010.

Shinji's Pick

Herb & Dorothy.
You cannot dislike this. Herb is a postal worker, Dorothy is a librarian in New York City and they are art collectors - very serious contemporary art collectors. Who would think that this ordinary (and not cool) looking couple owned more than 4000 pieces of art works mostly minimal or conceptual arts? Amazingly these variable works are somehow stored in their cramped one room apartment where they live with turtles, goldfish and a cat. They have no proper 'Art' education, but when this couple face art works, their eyes start glowing and get very serious as if they are hunting dogs. Their collection became so significant it was gifted to the national Gallery of Art (so they are not for money). It is an obsessive passion but utterly charming. Above all, this is the story of this extraordinary couple who complement each other.

Monty's Picks

Land of the long white cloud.
Excellent NZ documentary set in and around a Snapper competition on 90 mile beach. Don't expect angling advice, though. Director Habicht has a habit of asking meaningful questions like 'What do you think heaven is like?' The answers are honest, as diverse as fish in the sea and thought provoking. Habicht directed 'Kaikohe demolition' 5 or 6 years ago and both are very true, affectionate portraits of real New Zealand communities.

The white ribbon.
'The White Ribbon' is another subversive jewel in the aloof crown of Michael Haneke, disturbed creator of other choice picks 'Hidden', 'The piano teacher' and the nicely bleak 'The seventh Continent'. It's shot beautifully in black and white, the acting is unobtrusively spot-on and the narrative offers gradual hints that build real force and tension. To complete the compellingly grim picture I must list the themes that make one squirm - the destruction of innocence, the abuse of parental power, fascism in its many forms, violence and death. 'The White Ribbon' creeps its way into your subconscious and despite your best mental efforts, lingers. Scene by scene, I had the strong sense that I was involved in something significant. You may want to watch this film again.

Birdland. The complete first series.
'Birdland' takes an irreverent documentary stroll through the bird-intoxicated world of New Zealand bird lovers. New Zealand's least famous bird eccentric's get light fun poked at them; the kooky Kaka living in a pub in bluff; the talking Tui; the infamous suburban bird feeder of Maungaraki; the open-cast mine turned into a swamp bird sanctuary. Every bird-brained New Zealander is obsessed with birds, and bird habitats and bird related trivia... Jeremy Wells and his gang of writers are in great form and it's all handled in such a light, sparkling, improvised way that even the farting Pukeko in-joke (out-joke?) seems funny and repetitively necessary. 'Birdland' is seriously entertaining, unerringly silly and intermittingly educational.

This way of life

Craig's Picks

How to train your dragon ; plus, Boneknapper dragon.
Animation magic with a hint of angst and plenty of giggles.

Antichrist.
I have no idea if this even needed to be made but it's certainly one you'll not likely forget in a hurry.

Bunny and the bull.
More quirky Brit madness from the makers of The Mighty Boosh. Under the radar hilarity ensues.

Fringe. The complete first season.
The smartest American prime time drama in years. Way better than the X-files hoped to be with scares and random weirdness galore.

The Pacific.
Epic mini-series covering the war in the Pacific in WW2 from the perspective of three GI's. As anti-heroic as you can possibly get.

Scott Pilgrim vs the world.
Finally, after years of trying, two graphic novel adaptations worthy of the big screen treatment succeed. Hilarious and violent and damn impressive works.

Kick-ass.
Finally, after years of trying, two graphic novel adaptations worthy of the big screen treatment succeed. Hilarious and violent and damn impressive works.

Man vs. Wild. Season 3, No man's land.
Everything you'll ever need to know about killing a snake or bug and eating it, surviving in inclement weather and exactly when to drink your own urine. An absolute guilty indulgence.

Pontypool.
Hugely impressive Zombie flick sans the usual clichés. Hardly seen but well worth a visit, with whip smart dialogue and a dark menacing presence.

Zombieland.
Perfect casting, hilarious scenes and flesh eating creatures galore. 10 out of 10.

Animal Kingdom.
The best Australian film from 2010 by far. Hugely successful crime drama based around one family with a dark undercurrent and tension that builds to an explosive finish.

Wallander. 2.
Gorgeous set of BBC crime films set in small town Sweden. Kenneth Branagh plays Wallender, a haggard burnt out cop disillusioned with the world, and he is magnificent in the title role.

Misfits. Series One.
Gritty BBC comedy drama set around a group of youths on community service who acquire super powers. Sounds all sorts of silly but is wonderfully offensive and full of clever put downs and hilarious teenage angst.

The big 4: Live from Sofia, Bulgaria.
Slayer, Anthrax, Megadeth and Metallica live in Sofia. An epic concert film from the titans of thrash metal. Comes with an essential set of live CD's as well. Much anticipated and well worth the wait, loud, proud and suitably nostalgic.

Stephen Fry : the secret life of the manic depressive.
Searing and honest investigation into mental illness from Stephen Fry. Heartbreaking and mesmerising, Stephen bravely takes us into his own world of suffering whilst profiling some tragic cases from around the globe and covering the latest medical knowledge of bi-polar disorders.

Earthlings.
Known as, 'the vegan maker', Earthlings investigates the world of slaughterhouses, medical experimentation and our exploitation of other sentient beings. Even if you've no desire to change your eating habits it's a wide eyed awakening to an often unseen world.

Lucy's Picks

Up.
Best Kid's film since Wall-E.

Misfits. Series One.
Gritty British youth television, has been said to be a mix of 'Skins' and 'Heroes'.

A Single Man.
So beautiful. Best clothes. Best house. Best Death.

Boy.
Best kid acting I've ever seen.

This way of life.
Stunning slow paced documentary about family relationships.

The Strength of water.
Kind of got lost coming out the same year as 'Boy' but worth a look.

Still walking.
Gentle, subtle film about family by a Japanese master.

Bright Star.
Just so pretty.

Fantastic Mr. Fox.
Definitely not just for kids. The best film of 2010.

Modern Family. The Complete first season.
Proving that the funny American sitcom is not an oxymoron.

Ponyo.
Very sweet film about kids in love.

The secret of the grain.
Slow starting family drama with absolutely amazing final scenes.

An Education.
Very good adaptation and great casting.

The hedgehog.
Surprisingly good adaptation of Murie Barbery's 'The Elegance of the Hedgehog'.

Ethel's Picks

• Boy.
• It's complicated.

Julie's Picks

• The secret in their eyes.
• A single man.
• Nowhere boy.
• Winter in wartime.
• Triage.

Fringe. The complete first season
Have you seen Fringe? I'm loving it. What could have so easily been a sub-par X-Files knock off turns out to be a fantastic romp through conspiracy theories, hidden agendas, all sorts of quirky deaths, evil corporations, crazed experiments and a few genuinely mad scientists. While the premise is solidly B-grade the execution is not. It's smart, clever and by turns horrific and hilarious, plus, the acting by all the leads is flat out great. It's a slow burn at first, with episodes dealing with specific strange cases, before the show gathers in all the disparate arc's to focus on the dark and bizarre premise that underlies the series. Well worth a look if you're a fan of the esoteric and strange, and being as it's from the makers of Lost, it's bound to head off into stranger territories as the series goes on. (Craig)

Spooks. 7
Still going strong (it's up to the 9th season in the UK) 'Spooks' is one of those great shows that ticks all the boxes. It's a show that satisfies anyone who's a fan of 'Quality English Drama', with all that entails, but also has enough action & pacing to suit those who prefer the more kinetic U.S TV style of shows such as 'Alias' & '24'. Perhaps benefitting from its relatively short seasons (8-10 episodes at the most) everything in 'Spooks' always feels vital and relevant, and never gets lost in the sometimes silly plotlines that bogged down '24' at times. The world of MI5 never gets any easier, and being a show that's quite ruthless in dispensing with its main characters, the beginning of Season 7 sees the exit of one of the shows leads, to be replaced with Richard Armitage as Lucas, a spy who has spent the previous 8 years in a Russian prison, and has now returned to the fold. The following episodes see the team at 'Section D' combating the return of Russia as a World Power, a collapsing UK economy, imminent terrorist attacks on British soil, and the suspicion of a mole at the highest levels. It just keeps getting better...(Mark)

Appaloosa.
Cor blimey, a smash-bam-wallop good old western. Dismissing decades of introspective and postmodern film 'Appaloosa' harkens back to the days when men were men and, well, no, that's about it really, nothing too sophisticated about this. Square peg roles from the always exceptional Ed Harris and Viggo Mortensen, with suitably hammy support from Renée Zellweger and Jeremy Irons make this tale of stoic law men and the wicked ranch owner and scheming damsel, an absolute treat of paired back, ruggedly crisp dialogue and booming gun play. Authentic to the core it truly is a solid and wonderfully nostalgic slice of western cinema. (Craig)

Visioneers.
'Visioneers' is the first film by film school graduates, brothers Jared and Brandon Drake. They cite screenplay writer Charlie Kaufman (Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind) and the Coen Brothers as major influences so if you are familiar with the works of these people you have some idea what to expect. 'Visioneers' is an unusual and original dark comedy set in an imagined parallel world where citizens are known to spontaneously combust from stress. This small indie film is, however, a cut above others in the currently trendy black humour genre. The absurd scenario is employed as a vehicle to enable a hilarious and biting satire of present day corporate culture. The devil is in the details and if one pays attention to the mock television excerpts and the droll, stilted, po-faced conversations that take place between the employees of 'the largest and most successful corporation in history' then a highly entertaining film emerges with something worthwhile to say concerning the place of the individual in a corporate reality. (John)

Earthlings.
If you've ever fancied the idea of becoming vegetarian or vegan but felt yourself a bit waning on the enthusiasm front? Then this is the one film you need to see to kick start your new diet. 'Earthlings' is an award winning documentary that looks at the treatment of animals in the food, make up, scientific and entertainment industries. It is an unabashed call to arms for animal rights and a searing and frequently stomach churning look into a side of life that we are all too frequently disconnected from. Obviously if you're a fan of expensive mascaras or a bit of steak on the BBQ this summer then this is definitely not the film for you, if on the other hand you were interested, or feeling uneasy about the processes involved in producing your lunch, or your favourite hand cream, then this is an essential watch. A word of warning, this film is unflinching in its portrayal of the treatment of animals, it has an R16 rating for good reason, but it is also one of those possibly life-changing films that has enough of an impact that by the time the credits are rolling you'll already be making some serious changes in your lifestyle. (Craig)

The girl who played with fire.
The Steig Larsson phenomenon rolls on with the latest instalment in the 'Millennium Trilogy' movies. Anti-social computer hacker Lisbeth Salander (Noomi Rapace) thinks she has her nasty legal guardian firmly under her control, but does she? When two colleagues of crusading journalist Mikael Blomkvist (Michael Nyqvist) are murdered while working on an article on Sex Trafficking for the Millennium Magazine, followed shortly after by the murder of Salander's guardian, she becomes the leading murder suspect and the target of a national police manhunt. Convinced of her innocence Blomkvist sets out to find the truth, which points to a mysterious gangster and secrets in Salander's own past. There is always a degree of difficulty with the middle instalments in trilogies & 'The Girl Who Played With Fire' is no exception. Having watched the first film is probably necessary to get a handle on the characters and having read the book before seeing the movie would probably aid also in making sense of the sometimes murky plot. Daniel Alfredson takes over from Niels Arden Oplev, Director of 'The Girl With The Dragon Tattoo' and his touch isn't as subtle, resulting in a degree of confusion at times, which is also not helped by the subtitles sometimes bleeding into the background of what's on screen. The greatest deficit of the film though is that the two central characters spend the movie apart, never meeting up until the end; and while this is probably necessary to set up the final instalment of the trilogy it does give the film a little less emotional resonance than its predecessor. Still it's never dull, and if it never quite reaches the highs of the 'The Girl With The Dragon Tattoo', it's still enjoyable on its own and watching Noomi Rapace as Salander is reward enough. (Mark)

Scandalous : live at the O2 - Russell Brand.
Russell returns, post BBC fiasco and Hollywood stardom, and he's just as whimsical and offensive as ever. The thing with Russell is, the bigger he gets, the bigger he gets, so no amount of bad publicity will make him shy away from amping up his persona to ridiculous heights and surfing along on waves of eccentricity and the usual rude gags. I guess that's why so many folk just plain old hate him. Luckily, I don't and I'm happy to report the new live show tackles all his scandalous behaviours over the past few years and finds him as effeminate and jolly as ever. Live at the 02 does mean he's performing to an enormous crowd, so you'll have to take a lack of intimacy into account, but aside from that it's a right royal hoot with muck and filth galore. (Craig)

Big trouble in Little China
As far as cult classics go you don't get much better than this. Starring Kurt Russell, Dennis Dun and Kim Cantrell, and Directed by the consistently inconsistent John Carpenter, Big Trouble, is a crazed mix of kung-fu madness and the good old 80's comedic buddy action flick. An absolute flop on release it has since acquired cult status due to its quick paced and very silly story, a witty and clever script and its quirky cast of characters. By turns it is bewildering, hilarious and just plain old fun, with Russell playing up to his beefy action hero status accordingly and with some magical fight scenes. Plot wise it starts out as a tale of a kidnapped fiancé and then morphs into an underworld mythical tale of good vs. evil, with all the B-grade esoteric wonderment you can handle. I couldn't recommend it enough, it's not often a cult classic ends up being so much unabashed fun, and it's juvenile, unsophisticated and totally unrestrained. A must see. (Craig)

Whatever works
Back to New York, back to top form. Woody Allen's new movie is very Woody Allen and would please old fans and newcomers alike. Apparently the original script was written in the late 70s with Zero Mostel in mind as a main character, but it was abandoned due to Mostel's death. The plot of this revised version is nothing new, but a typical Allen seriocomic drama about human existence and love in which a once-professor (now complains-about-everything old man) meets a pretty runaway girl from the south and marries her. Her religious parents come up to New York to find her but in doing so they instead find their own true selves. It's unusually optimistic for Allen and ridiculous things seemingly fall into place, almost conveniently, but you can just laugh it all away because anything can happen in New York. Yes, it's New York. Innumerable movies have been made in New York, but Allen is the master to depict all the city has to offer. He seems to know every corner of the city and embraces her with utmost love. So Allen, stay in New York and keep making movies. It works. (Shinji)

Antichrist.
The obvious question that needs to be asked about Lars Von Triers latest is this; did it even need to be made in the first place? I'll leave that for you to decide after viewing, but if you are curious then its best you prepare yourself beforehand. Antichrist is a tale of A young child's death, his parents grief, and a spectacularly out of proportion explosion of psychosexual torment. Beautifully filmed, the first 3/4 is replete with absolutely jaw dropping and gorgeous shots, which juxtaposed with the grimness of the plot makes for a deeply unsettling and tense experience. There is also no denying the phenomenal presence of Willem Dafoe and Charlotte Gainsbourg, there's a raw palpable honesty to their roles which many actors would have been unable to commit too but then of course, in the final third of the film, all hell breaks loose and the controversy arrives. I guess the less said about that the better, if you've the stomach for it then you'll watch, if not, then you'll hit the stop button. The film was a hit at many film festivals around the world and is a searing portrayal of loss and guilt, it's a sure fire divisive piece if cinema and one bound to leave you a little dazed. (Craig)

The quantum activist.
Paradigms are curious... unchallenged prevailing worldviews that we are born into and happily live our lives within. Every so often in history a fundamental shift in the consensual world view occurs. The people of the 15th century experienced such a paradigm shift when Galileo began publicly supporting the heliocentric view, which placed the Sun at the centre of the universe. He was consequentially denounced to the Roman Inquisition and spent the rest of his life under house arrest. It took sixty years (two entire generations) for people to adjust to and accept the new picture of the world they lived in. We are currently living through a similar time, which involves an equally challenging paradigm shift, the new world view offered by quantum physics. Dr. Amit Goswami PHD. is the Indian scientist who wrote 'Quantum Mechanics', the syllabus textbook in American Universities for those studying quantum physics. As Goswami's career unfolded he found his certainty wavering concerning a purely scientific interpretation of his research. In short, he became a mystic. "What could I do?", he asks during one of the film's interview sequences, "I had found scientific proof for the existence of God." This documentary explores Goswami's world view and via interviews with him, the viewer is enabled to catch a glimpse of how the basic principles of the quantum physical universe are relevant in our day to day world. It has been said that if you understand quantum physics then you have missed the point, however, for those interested in stretching their cognitive faculties and catching up with the quandaries that represent the cutting edge of current research into physics this is an invaluable aid. (John)

Kick-ass.
Finally a graphic novel adaptation that pays off. Kick Ass is exactly that, a non-stop crash-bang-wallop of a film, loaded with all manner of heinous characters indulging in all manner of violent pursuits. Director Matthew Vaughn's adaptation has a curious history, after being routinely rejected from all the major studios due to its violent content Vaughn went ahead and funded the film independently, and it shows. The tale of high school comic geek Dave Lizewski, and his transformation into a costumed superhero, throws away all the standard superhero Hollywood clichés, inverting the usual premise with darkly hilarious results. Filled with damaged, psychotic and deeply troubled characters, the film features star turns from Nicholas Cage, Chloe Moertz, Christopher Minstz-Plasse and the dependably menacing Mark Strong. Kick-Ass is a magnificent and very funny hyper-stylised romp about finding oneself in an indefinably complex and cruel world. Obviously not for the timid, but for those who don't mind a bit of robust humour, with a few hundred gun shots and folks in capes thrown in, you'll find none better this year. (Craig)

Generation Kill.
David Simon & Ed Burns, creators of 'The Wire', shift their focus to the Iraq War for 'Generation Kill'. Based on the book by Evan Wright, a reporter embedded with the Marines of the First Reconnaissance Battalion, who led the advance into Iraq during the first 40 days of the Iraq War, 'Generation Kill's' seven episodes chronicle the war from the Marines perspective & has a similar tone & texture to the Baltimore Police depicted in 'The Wire'. There to perform the specific function of Recon Marines, their task becomes more complicated due to the unwieldy military bureaucracy, incompetent superiors, chronic supply problems, shifting 'rules of engagement', and an almost amorphous 'enemy'. At first the characters all blur, but after a couple of episodes their distinct personalities emerge - for better or worse. Veering from tragedy to comedy in the course of an episode, it's definitely worth a watch if you appreciated 'The Wire'. (Mark)

The Crazies.
Remakes are frequently disappointing affairs. The idea that filmmakers are somehow paying respectful homage to the original is nice in theory, but too often the bottom line is all about dollars, specifically how many can be milked from an audience. Happily this isn't the case with The Crazies, a remake of George Romero's 1973 original, which stars the consistently solid Timothy Olyphant and Radha Mitchell and while not necessarily coming up with anything new as such, manages to be a fright filled little thrill ride. The film takes place in small town USA where a virus gradually takes over the town, transforming the idyllic lovely folk of Ogden Marsh into blood-thirsty clinical killers. Director Breck Eisner takes what is essentially a b-grade plot and some low-budget financing and turns out something genuinely chilling and devilishly good fun. If you're not a fan of gore and gloop steer well clear, but if you're after something with a few scares and plenty of implausibility then this is the one for you. (Craig)

A serious man.
I experienced a fortunate co-incidence when the most recent Cohn brothers film 'A Serious Man' was recommended to me just after I had watched 'The Quantum Activist'. This, the most recent Cohn brothers film, slipped under the radar, possibly because it is so very dry and so very Jewish. One critic stated "the Cohn brothers lost all touch with the mainstream on this film", which represents black humour taken to an extreme as the tale is told of Larry Gopnik, a Midwestern American professor who watches his life unravel through multiple sudden incidents. The key to fully understanding the depth of wit involved in the writing of this script, however, is greatly helped with a basic understanding of the quantum physical dilemmas explained in 'The Quantum Activist'. This is a post modern fable. The story of a man who witnesses his world fall apart and reassemble itself according to the principles of a paradigm he just does not understand. A priceless film, equally comic and tragic, that stands alongside the Cohn brothers finest work. (John)

The road.
The very idea that anyone would have the audacity to make a film of what is clearly a literary masterpiece makes watching The Road an uncomfortable experience. It's not just the tone or theme of the film you'll need to prepare yourself for, it's also the fact that the book is such a magnificently composed and visceral piece that the prospect of transferring it to film suggests that disappointment will surely follow. However, taken as a simple post-apocalyptic tale the film works magnificently. Director John Hillcoat reduces his colour palette in order to paint the screen in dismal shades of the grimiest grey and filthiest browns and adding in the perfect set pieces and design, there's certainly no doubt that what is represented on screen is a world very much on it's last legs. The casting is also superb, Viggo Mortenson once again digs deep to play the part of the father, with a degree of emotive realism that is utterly heart wrenching and newcomer Kodi Smit-McPhee as the son is outstanding. Overall it's a great film, obviously it's not an uplifting tale in any sense, but as a treatise on the human condition in times of peril it works magnificently. Now go read the book. (Craig)

Hot tub time machine.
Poor old John Cusack, a firm favourite with so many fans but he doesn't do himself too many favours with his film choices. And to be frank, Hot Tub isn't going to win him any awards. It will however provide a few chuckles in that good old American gross out comedy kind of way. Filled with the sort of puerile humour that teens and anyone going through a mid-life crisis loves it's the tale of a bunch of 40 year old blokes who travel back to their beloved teenage holiday spot and discover, well, yeah, that their room has a time travelling hot tub. So, incredibly sophisticated plot then, but there's 80's gags galore and enough fluorescent clothing and big hair to send shudders down the spine. It's all very very dumb, but then, that's the point isn't it, nothing to trouble you as you while away 90 minutes in front of some gentle giggles, a few decent hoots and a couple of obligatory gross moments. An easy Sunday night watch. (Craig)

The secret in their eyes
Winning an Oscar for Best Foreign Language Film, 'The Secret in their Eyes' is one of those rare films that crosses genres & cultures to be just a really great film on every level. Directed by Juan José Campanella, & based on the novel by Eduardo Sacheri, 'The Secret in their Eyes' begins in 1999. Retired Court Investigator Benjamin (Ricardo Darin), is haunted by the brutal rape & murder of a young Argentinean woman 25 years ago that remains unresolved. Deciding to write a novel about the case he begins the investigation again, and the action in the present becomes interspersed with numerous flashbacks to the Argentina of the 1970's - where we meet the younger Benjamin, his drunken colleague & friend Sandoval, & his boss the beautiful Judge Irene, with whom he is secretly in love. As the investigation unfolds in the past, so does the chemistry between Benjamin & Irene... but saying anymore would probably give away too much of what is a genuine pleasure to watch unfold. Campanella uses the epic scope of the story to touch on everything from the control of the 1970's Military Dictatorship, Argentinean class divisions, unrequited love and the drive of obsession, to the meaning of Justice & retribution. The two leads have a genuine chemistry; Darin is incredibly charismatic, giving a totally convincing performance, and Soledad Villamil gives Irene a real feeling of subtlety & nuance, as a woman navigating the legal & social complexities of the era. Simply a great story, combining elements of mystery, Noir, romance, drama & even comedy. Recommended to anyone who enjoyed the adaptation of 'The Girl with the Dragon Tattoo'. (Mark)

The grocer's son
When his father ends up in hospital, Antoine reluctantly goes home to help his mother in the family grocery store. He refurbishes the old van which his father used to delivery groceries to the small hamlets around the countryside and with the help of his friend Claire from Paris, begins to discover his lost love of the country he thought he had left behind. You hardly need the subtitles as the facial expressions of his customers speak volumes. A funny, re-discovery of life and love. (Raewyn)

Daybreakers.
There's nothing quite like a great B-grade horror flick. Uncomplicated, unpretentious and with gore to boot, there's something deeply satisfying about filmmakers knowing their limits (be they budgetary or creatively) and just making the most of it. So it is with Daybreakers, an Australian production set in a future where Vampires comprise the bulk of the population and the humans left on the ground are hunted down for fodder. So, yeah, not really an Oscar contender plot wise. However, Ethan Hawke, Willem Dafoe and our own Sam Neil ham it up for all it's worth, with plenty of satisfying special effects to keep things interesting. Daybreakers reworks a few old myths and adds in a dash of noir, and while it isn't likely to be winning any awards soon it is an easy 90 minutes romp, with buckets of blood spilt accordingly. (Craig)

Invictus.
A Clint Eastwood film, and to his credit it draws faithfully from the realisation of events rather than giving us an interpretation of the time. With brilliant performances by Morgan Freeman as Nelson Mandela and Matt Damon as Francois Pienaar the Captain of the Springboks. A biographical drama based on events in South Africa during the 1995 Rugby World Cup. And as much as we'd like to forget, how could we forget the result of that match, the Springboks versus the All Blacks in the final, or any other since for that matter. However, this movie is not about Us! It is Nelson Mandela's first term as President. Fully aware that racial tensions had not completely disappeared, and in his efforts to unite South Africa and to bring about an end to apartheid, and at the risk of losing his own family in the process, he brings about change in the most unlikely place, the Rugby Field. Realising the black South Africans support for any team that aren't the Springboks, Pienaar takes in a thought provoking message 'although not expressed as such' communicated to him in a conversation between himself and Mandela, that if the Springboks could gain the non-white South Africans support and succeed in the World Cup, as a result, the country would be unified and inspired. Whether we're rugby fans or not, an inspirational story evoking immense emotion, on and off the field. I leave you with a few encouraging words that I found uplifting from the movie ..and the Man himself "Stand, when all you want to do is lie down". (Ethel)

Solitary man.
Michael Douglas always seems at his best in off-beat rolls like the aging hippie-professor of 'Wonder Boys' & the dope smoking jazz-hipster of 'King of California'; or with the moral shadings of Wall Street's Gordon Gekko or the unnamed protagonist in 'Falling Down'. In 'Solitary Man' he notches up another great role as 'Ben Kalman' an aging Manhattan car dealer whose life is spiralling ever downwards. Six years ago Ben was the successful owner of several car dealerships, & happily married to Nancy (Susan Sarandon), but a health scare caused him to implode his life. With a financial scandal ending his career, & chronic womanising ending his marriage, he now gets by on charm alone - but that facade is starting to crack. Using his new girlfriend (Mary Louise Parker) for her father's business contacts, he sleeps with her 18 year old daughter, as well as his 30-something daughter's friend, killing his chance at a business comeback and alienating his loyal daughter (Jenna Fischer) - who forbids him to see his grandson unless he changes his ways. As Ben, Douglas positively oozes narcissism as an aging lothario, and there are definitely some squirm enducing moments in the film watching just how far he'll go to shore up his own self-delusions. After burning & using everyone he comes into contact with Ben finally ends up where he began, with is oldest friend (Danny DiVito), and its a testament to Douglas' acting that you're still watching, hoping he can achieve some form of redemption in the film's final act. (Mark)

Mary and Max.
The characters are very real and you forget that they are made of clay although they definitely do have feet of clay at times! Mary is a lonely young Australian girl and Max a reclusive 44 year old Jewish man with Asperger's Syndrome. They begin a relationship as pen-pals. There are many, many laughs amid the often sad and poignant bits combined with very serious themes. Keep your eyes open for funny things happening in the background. The ending is perfect. Highly recommended. (Liz)

Louis Theroux : the strange & the dangerous.
Louis is one of the best documentary presenters around. His off-beat and relaxed interviewing style allows him access to some of the strangest folks around, and this new collection, while less strange than his previous efforts, certainly shows us some interesting sides to some fascinating lives. Travelling the globe he hangs out with problem gamblers in Vegas, violent offenders in San Quentin, big game hunters in South Africa and 'the most hated family in America', the Westboro Baptist Church from Kansas. Frequently jaw dropping and humorous this collection offers up some low-key but no less illuminating investigations into worlds which most of us don't know about and are probably in no hurry to visit. (Craig)

Nine.
The best part of this movie is Fergie. When the movie had finished I went to scene selection and watched her dance/song again, it was so good. Also Judi Dench singing in sexy costume was a first for me. And there are lots more sexy costumes in this movie about - you guessed it - sex! Daniel Day-Lewis plays a washed up movie producer who is about to begin filming a new movie, only he has no idea what it is about and comes into strife when others start asking for the script. He tries to draw inspiration from the women in his life, from his mother, played by Sophia Loren, to his wife (Marion Cotillard), and all the lovers and would-be lovers in-between. Worth watching for the singing. (Raewyn)

The office [US]. Season four, part two.
There are some of you out there who probably think the idea of an American remake of the Office is unconscionable. Fair enough too, American sitcoms aren't renowned for their subtlety, but honestly the US version of the Office is pretty darn good. If you're not a fan of Steve Carrell then skip to the next review right now because his role is central to the success of the show. Such is the ridiculousness of Carrell's portrayal of Michael Scott that everyone else's characters actually work and look better, and while there isn't the same level of 'cringe' found in the original British series there are still plenty of moments where you'll shift uncomfortably in your seat or peek between your fingers. The script is great and devoid of any of the usual sitcom sentimentalities or pratfalls with some genuinely heartfelt and emotive scenes. Thankfully nobody comes across as looking stupid all the time, well, except for maybe Dwight maybe, but that's forgivable because he is so superbly played, and the with the back office characters expanded upon there's a depth that keeps things interesting. The lack of deliberately compressed plot lines ensures the series unfolds slowly while still providing new and hilarious moments each show, and if anything the lack of the overt cynicism found in the original British show actually makes for more comfortable viewing. (Craig)

Boy
"Kia Ora, my name is Boy, and welcome to my interesting world" is the lovable, endearing opening line from this movie. Boy lives with his Nan, his brother Rocky, a goat, and a tribe of cuzzies in the village of Waihau Bay on the East Coast of the North Island. Boy idolizes Michael Jackson, and worships his absent Dad Alamein. He believes his Dad is overseas doing some 'very important stuff', when in actual fact he is doing time! Regrettably, on his release, Boy's fantasies about his Dad aren't at all as he imagined... The movie 'Boy' is brought to us by the multi-talented Taika Waititi - who also brought to our screens 'Eagle versus shark' and 'Two cars, one night' (the latter nominated for an Academy Award). Doing exceptionally well at the box office, Boy overtook 'Once were warriors', 'The world's fastest Indian' and 'Whale rider' to take the number one spot for NZ Movies. The song 'Poi e' also made a come back into the NZ charts as well peaking at #3. Filled with heartfelt light humour, this film will delight and amuse you, especially when Boy thrills us with his Michael Jackson dance moves. It's choice as! (Ethel)

The Bounty hunter
I watched Bounty Hunter last night and really enjoyed it. When it first started, I thought it would be a romantic comedy but actually it's not. The story is very funny and different from other romantic stories, which mostly concentrate on the couple's relationship. In this movie, the main plot is actually a murder case. It depicts a couple who are already separated, seem to hate each other but actually are still in love with each other. They constantly fight with one another but in the story they have to work together to solve the murder and through the journey they learn from their mistakes and rekindle their love. The lively performances of 'A' list star Jennifer Aniston and Gerard Butler are a major attraction of this movie. The funny story gave me lots of good laughs and it's a good watch for a gloomy winter evening. 4 stars from me :-). (Candy)

The Imaginarium of Doctor Parnassus.
Heath Ledger's last role before his untimely death, this is a surprisingly good movie. Heath's part of Tony was taken over by several other noted stars of our time, including Jude Law, Johnny Depp and Colin Farrell - the changes taking place within the imagination of Doctor Parnassus, played wonderfully by Christopher Plummer. The Doctor is able to make your dreams/wishes come to life and this is often to the detriment of his 'clients'. His arch nemesis, the devil, who gave him eternal life, is always dogging his travels and trying to outwit him. Definitely for fantasy lovers. (Raewyn)

The Kevin Bishop show. Series 1.
The Kevin Bishop show is absolutely perfect for those with the attention span of a goldfish and emotional sophistication of a fourteen year old boy. With around forty sketches stuffed into each episode there's no time for in-depth sketches, its just one mind bending (or mind numbing depending on your opinion), sketch after another. Essentially, the show takes the mickey out of celebrity culture, films and television in the same way great British comedy shows of the past have done, except in Kevin's case he has dispensed with the idea of being clever or really developing a script in any way, and added in a strong gross-out component. If you're not a fan of puerile juvenile humour steer well clear, however if you are after something that's just a blast of clips, one after another, some of which are brilliant, some of which are, well, somewhat off-putting, then give it a whirl. It's big, loud, dumb and often hilarious. I doubt Kevin was aiming for anything more, so in this case it's a success. (Craig)

Palin on art.
Is there any subject upon which the urbane Michael Palin cannot comment authoritatively? In this delightful DVD he teams up with BBC Scotland to investigate the mysterious Danish painter Wilhelm Hammershoi, the innovative Scottish painter Anne Redpath (whom he admires and collects) and the group of painters known as the Scottish Colourists. Because of their direct contact with the French post-Impressionists and their knowledge of Matisse and the Fauves, the Scottish Colourists were encouraged to produce some of the most progressive work in British in the early twentieth century. The paintings are beautiful and an absolute joy to look at. Researching these artists takes Michael on journeys to the countries which produced or influence them, so in the course of learning about them one has the pleasure of visiting Scotland, Denmark and the South of France. Warmly recommended. (Sue)

The men who stare at goats.
A dream cast for makes up for any shortcomings in this tale of psychological warfare taken to its most mystifying extreme. George Clooney, Ewan McGregor, Kevin Spacey and Jeff Bridges flesh out a comedic romp where Ewan, playing reporter Bob Wilton, bumps into a seriously burnt out former Earth First army officer and uncovers the bizarre history of the US army's psychic warfare program. Based on a very funny book by John Ronson the film is reworked to include a wafer thin movie friendly plot but manages to include composites of the funniest and most disturbingly bizarre scenes from within the book. There's no doubt the ensemble cast is what makes the film, with everyone playing along to make the scenario even more crazy than it is. A solid comedy that touches on the futility of war and the cost to former soldiers with plenty of hilarious scenes to lighten the mood via a whip smart script. (Craig)

Green zone.
It's back to Iraq again for the Matt Damon helmed action flick, 'The Green Zone', based on the novel 'Imperial life in the emerald city' by journalist Raji Chandrasekaran, and directed by Paul Greengrass - who also directed Damon in the last 2 entries in the 'Bourne' trilogy of movies. Damon plays Roy Miller, a Chief Warrant Officer, whose squad is tasked with locating the supposed WMDs verified in various intelligence documents. Finding instead unused empty warehouses, Miller begins to question the veracity of the intelligence he is being provided with. When an Iraqi civilian alerts him to a meeting of Iraqi Ba'ath Party VIP's including prime target General Mohammed Al-Rawi, Miller joins forces with a C.I.A. Bureau Chief to capture Al-Rawi - who can verify the existence of an Iraqi WMD programme - and finds himself in conflict with a Pentagon Special Intelligence Advisor (Greg Kinnear) who is intent on removing Al-Rawi from the picture. Greengrass stated his aim was to use a propulsive 'Bourne' type action movie to highlight elements of the US' entry into the Iraq War to a wider audience - such as the false intelligence on WMDs, the culpability of the US Press, the disbanding of the Iraqi Army etc. The end result is that the film can be viewed as either a simplified 'Political Thriller', or simply as a straightforward chase/action flick. Either way, it's enjoyable on both fronts. (Mark)

Touch of evil ; The third man.
'Touch of Evil' features brutal heavyweight planter of evidence Hank Quinlan as played, directed and written by Orson Welles. Much has been written about Charlton Heston as a Mexican officer but I think he's great - square-jawed, well intended and the good man Quinlan once was. The plot revolves around drugs on the Mexican border, and, corruption, greed and the gradual corrupting of the human soul are the grand themes. There is beautiful, expressive camera work, a brilliant jazz score by Henry Mancini and a fateful Noir-plus ending. In a quintessential Noir exchange Quinlan asks the gypsy Tanya for his fortune:
Quinlan : 'Come on, read my future for me'
Tanya : 'You haven't got any'
Quinlan : 'Hmmm, what do you mean?'
Tanya : 'Your future's all used up.'
(Monty)

Dance of the instant : the New Dance Group, 1945.
This film is about the New Dance Group which was formed in Wellington in the 1940s. They were a young group of women who joined together to create modern dance which reflected many of the social issues facing them, and the world, in the post-war years in New Zealand. Directed by Shirley Horrocks, it includes interviews with various members of the group, as well as some beautiful archival footage and some re-enactments of the dances they performed. The group was inspired by Martha Graham and Doris Humphrey, pioneers of modern dance, with whom one of the members, Rona Bailey, had studied in New York. The dances tackled weighty contemporary themes such as the mechanisation of factory work and the atomic bombing of Hiroshima. This is a lovely film in which you may see people from your past, your present, or even, in my case, my mother-in-law! (Raewyn)

Adam
Adam is one of those great little indie romantic dramas for the disaffected and cynical set. The story of a relationship between a young man with Asperger's syndrome and his hipster New York neighbour, Adam manages to be saccharine enough to draw out a few tears and comedic enough to provide a few dark chuckles. Lead actor, Hugh Dancy, plays his part very well and his realistic handling of such a complex character means your wee heart will ache for Adam, trapped in his world of excessive routine and emotional confusion. Whilst the film is a romantic drama at heart, there's a few extra superfluous plot developments thrown in to fatten out the film, but these don't dissuade from the overall tale. Adam is smart, reasonably unaffected and a refreshing change of pace from your usual happy Hollywood ending romance flicks. (Craig)

Whip it
'Whip it', Drew Barrymore's first go at directing, is a not too subtle story of teenager Bliss Cavendar (Ellen Page star of Juno) who joins a roller derby team. Her horrified mother wants her daughter to achieve stardom in the beauty pageant scene, not by being Babe Ruthless on roller skates. New Zealand's own stunt woman Zoe Bell is Bliss' protagonist. Aimed at the teenage girl market but was an undemanding watch on a cold winters day and Ellen Page is always worth a look. (Liz)

Fantastic Mr. Fox.
I love Wes Anderson's Fantastic Mr Fox. It's perfect. Superb casting, amazing sets, brilliant stop-motion, gorgeous colouring, it's damn funny, there's plenty of sub-text for the grown ups and of course Bill Murray's in there. What's not to love. It's an outstanding adaption of Dahl's formidable tale of courage, jealousy, mischief and responsibility. Boggis, Bunce and Bean are played magnificently and although there's a tendency for the whole thing to hang on Anderson's usual erudite New York wit, there's still enough of Dahl's original intent in the complex relationships between the characters for the story to retain its sense of English-ness (with a scene stealing Jarvis Cocker to boot). It's a great film for both kids and adults and it's a real treat to have seen this and Where the Wild Things Are recently: it's great to see that not all children's books are ruined by big screen adaptations. (Craig)

The time traveller's wife.
'The Time Traveller's Wife' was an enjoyable movie. There was a lot of going backwards and forwards through time so it needs a lot of concentration to get the idea of the story. (Brigid)

Blade runner.
Released in 1982, this adaptation of Philip K Dick's novel Do Androids Dream of Electric Sheep, initially polarized critics and was a commercial failure, yet is now regarded as a classic - currently ranked the third best film of all time by The Screen Directory, and voted the best Sci-Fi film ever by 'Empire' magazine in 2007. The story of Rick Deckard (Harrison Ford) - a retired 'Blade Runner,' brought back into service to track down a group of dangerous 'Replicants' (human like androids who serve as slaves in off-world colonies) in futuristic Los Angeles 2019 - was beset with production problems, personality conflicts and a now infamous studio-imposed voice-over narration. Becoming a cult video and later Laser Disc seller, an unauthorised screening of an early version of the film in the early 90's had people queuing to see it, leading to Ridley Scott's 'Director's Cut' DVD release in 1992. That version was produced based on Scott's notes, as he was involved in another project at the time, leading him to work on his own definitive version of the film in 2007, the Final Cut. This Box set, released at the same time, collects all the myriad versions of the film in one place, including the rare 'workprint' early version of the film. Also included are a wealth of bonus materials and documentaries, which include significant contributions from Ford, whose recalcitrant attitude towards talking about the film had become legendary. Endlessly fascinating, it's one of those rare movies that offer up new details on each viewing. If you've never seen it, or consider it not a genre that appeals, it's worth watching for the amazing visuals alone as the set design has almost become as influential as the movie itself. (Mark)

Billy Connolly : journey to the edge of the world.
Scottish funny man Billy takes us on another of his worldly tours, this time skirting the famed Northwest Passage around the top of Canada. Billy's whimsical style suits these travelogues well as he jaunts merrily from one spot to the next, with his everyman cheer on good form. It's not all ignorance and bliss for Billy though, he's an old hippie so he's attuned to scenes of social disintegration and the leaving behind of the old ways, which makes for some poignant scenes particularly amongst the Inuit populations. Packed full of the interesting and quirky local folk, and of course spectacular scenery, it's a light hearted jaunt and well worth a watch. (Craig)

Shutter Island.
'Shutter Island' is the fourth teaming of Leonardo DiCaprio & Martin Scorsese, after Gangs of New York, The Aviator & The Departed. Based on Dennis Lehane's novel it tells the story of Teddy Daniels (DiCaprio) a Federal Marshall, and troubled WW2 vet, who arrives on a remote Island off Boston, which serves as a hospital & prison run by the government for the criminally insane. Brought there to investigate the disappearance of a female patient incarcerated for drowning her children, DiCaprio and his partner Chuck (Mark Ruffalo) soon tangle with the head shrink (Ben Kingsley) and his German partner (Max Von Sydow). Various clues point to a cover up & the existence of a mysterious patient whose identity is not recorded, but can DiCaprio discover what's really going on before it's too late? Lehane's novels have provided some rich movies before with Mystic River & Gone Baby Gone but 'Shutter Island' is the pulpiest of his novels, and while Scorsese's adaptation is well done it's continuous visual flourishes seem a bit hoaky, and the sinister mental hospital storyline can seem at times like a sub-par Hitchcock knock-off. Enjoyable enough though, probably more so if you haven't already read the book. (Mark)

Das Boot.
Das Boot is one of the greatest war films ever made, pre-dating the harsh realism of Saving Private Ryan by many years. Set on a German U-Boat during WW2 the film explores ideas around patriotism in the face of impending doom and the flat out claustrophobic terror of submarine life. Confined inside a cramped steel tub the crew deal with the full range of experiences of war, the boredom, the laughter, the futility and the utter mayhem of torpedoing ships and being deep charged in turn. What makes Das Boot so good, and helped it to box office success, is that the tension and fear associated with submarine life is played out spectacularly well. It is realistic, the submarine creaks and groans as the men slowly fall apart and the desire to escape the most oppressing of environments is palpable. (Craig)

True blood. The complete first season.
I would highly recommend the DVD 'True Blood: Season One'! (Yu)

Gonzo : the life and work of Dr. Hunter S. Thompson.
For a brief time Hunter S Thompson was the star of the risqué journalism set. His drugs, guns and aggressive persona set him up as the poster boy for behaving badly on assignment, he gave seriously messed up, but always entertaining interviews, and created an entirely new genre of crazed gonzo reporting; but then, it all got a bit tired didn't it. The best thing about this new biographical documentary is that they admit this, straight away, in the opening credits; they are more than happy to cover his downfall. It's great to see a tale of Hunter step outside the myth for a moment and deal with the man, warts and all, because frankly he was a guy with issues galore. With a huge range of interviewees and plenty of archival footage of Hunter in his prime (and in his later, more frazzled years), it's really a wonderful film which deals with Hunters life with a combination of great humour and great narration via Hunter devotee Johnny Depp. (Craig)

Out of the blue : the definitive investigation of the UFO phenomenon.
I plucked this UFO documentary off the shelf one day for a bit of a giggle, but all I've managed to do is give myself the creeps. 'Out of the Blue' is a great little conspiracy film filled with ex-astronauts, seemingly mad Russian generals, moustache and bearded quasi-valid-theorists and, best of all, redneck UFO spotters. As much as you want to laugh at it all, it all becomes a bit unnerving half way in when a number of very serious looking individuals from higher up in the military and government all begin to tell the same tale of men in dark suits telling them to sign non-disclosure forms and to forget everything they saw. There's some terrible footage of disc shaped objects floating around, but it's the first-hand accounts that are the best, particularly those that involve multiple witnesses and media coverage. I'd highly recommend this for sceptics and non-sceptics alike. (Craig)

Up in the air.
'Up in the Air' mines some awkward comedy from the current global recession [going as far as using extras who were in fact real people who had recently been downsized] as Juno director Jason Reitman adapts the Walter Kirn novel from 2001. Ryan Bingham (George Clooney) works for a company whose employees travel the country laying people off. He also really likes to travel. Having structured his life into an almost zen-like aesthetic of isolation, he only has one goal in life: to reach the much heralded 10 million air miles in travel. However things take a turn when his boss (an oily Jason Bateman) hires a new young wiz-kid (Anna Kendrick) who wants to revolutionize the way they work by firing people online. When his boss forces him to take the new kid 'on the road' & show her the ropes, and he meets a female frequent-flyer version of himself (Vera Farmiga) & begins to consider entering into a real relationship, it seems his life is beginning to change. Clooney is great, with his meticulous flying preparations, and his techniques on firing people, he humanises an otherwise cold character, and while Kendrick's character seems a little too naive, it's still a great quirky little film that restores your faith in 'mainstream Hollywood'. (Mark)

Fizzy logic.
Ross Noble is an improvisational comedian of the highest calibre. 'Fizzy Logic', a show from his 2007 Australian tour, is a hilarious romp through Ross's eccentricities, and his unique take on everyday observational comedy. Ross's style is very much keyed into who is in the crowd, so except plenty of audience interaction and gentle teasing. No show is ever the same with Ross so the special features on the disc, consisting of exerts of other shows from the tour, are well worth viewing. He's sweet natured, hyper-kinetic and deftly astute, it makes a nice change from the cruel cynicism of so many top comedians. I'd definitely recommend you check if out if you're at all a fan of rambling non-sequential absurdist humour. (Craig)

It's complicated.
The lead roles are played by Meryl Streep and Alec Baldwin. I'm a huge fan of Meryl Streep, so already this movie for me was 5 stars before I even saw it. A hilarious look at marriage, divorce and affairs. It's about when opposites attract all over again. The philandering ex- husband has married again, and the ex-wife has built a booming business and life for herself. However after 10 years apart, and on a weekend trip to New York to see one of their 3 children graduate - and a few alcoholic beverages in the mix - one thing leads to another. But, it doesn't stop there... their attraction for each other has resurfaced and the affair begins, this time she's the other woman! (Ethel)

Man vs. wild..
I grabbed this for my son to watch thinking it would be a faintly interesting way to while away a few hours on these wintery afternoons. Of course I made the mistake of sitting down to watch an episode with him and now I'm firmly convinced this may be the greatest show ever made. Essentially, the show features rugged outdoors legend Bear Grylls (as in teddy bear, not grizzly, he's a fabulously affected English toff you see), getting dropped into all sorts of uncomfortable places (deserts, mountain ranges, swamps, rainforest etc) and he has to find his way to civilization again, armed with a cup, a knife and a flint. The hook to the show is that he's doing this solo, with no help at all, of course the camera crew along for the ride are obviously filming everything, but they are not allowed to help him. All of this is massively ridiculous, it's clearly a mighty ruse that he's doing it 'solo' and the plethora of fascinating camera shots and startling surprises would suggest it's all a matter of travelling to one spot, staging a bit of a drama, and heading off. That said, it's brilliant! Who cares if it's a bunch of spurious nonsense because Bear eats maggots from rotting carcasses, bites the heads off live snakes and chows down on all manner of things you'd not want to come within fifty feet of (you've not lived till you see what he can do with a skunk). Plus, as a bonus, he teaches you every tick you'll ever need to know should you suddenly find yourself lost atop an Alaskan glacier, knee deep in quicksand, being attacked by an alligator, or wondering just how you're going to turn that rotten sheep you found into a sleeping bag. I can't get enough of it and I hate reality television with a passion. Give it a go; just so you can hear him say in virtually every episode, "you got to bite the head off the maggot before you eat it because that's the really disgusting part, not that the rest is any better". (Craig)

Zombieland.
The very phobic 'Columbus' (Jesse Eisenberg ) has survived the Zombie apocalypse by following a very strict set of rules. Most of these, however, come under stress as he hitches a ride with fellow survivor 'Tallahassee' (a bug-eyed Woody Harrelson) a gun-toting, bourbon-swigging, zombie killing bad ass. When their ride gets heisted by two con-artist sisters 'Wichita' & 'Little Rock' (Emma Stone and Abigail Breslin) what follows is a pretty funny road-movie/zombie-fest as the two groups team up to head to a Fantasy Park in L.A that is supposedly 'Zombie free'. A tad uneven, but definitely a solid entry in the Zombie-comedy stakes. Worth a look if you're a 'Shaun of the Dead Fan' and hey, who isn't... (Mark)

Did you hear about the Morgans.
Well it was panned by the critics and had a very short run in movie theatres here, but this film is still quite a nice watch on a cold winter's evening. One very big bonus is that instead of Wellington's grey skies and freezing temperatures you get to see the wide blue skies and sunny climes of Wyoming (and quite a bit of wonderful New York). The pairing of Sarah Jessica Parker and Hugh Grant is an odd one and the story is rather trite, but Grant's many witty one- liners save the day. (Sue)

MythBusters. Season 4.
'Myth Busters' is my secret addiction. Not that its much of secret now, but I'm hooked on Jamie, Adam, Tori, Kary and Grant's misadventures in the building things and blowing them up game. Season 4 finds them doing absolutely nothing new at all. And that's perfect in my books, why mess about with something that's established a great pattern of mayhem and mirth. This season they try new and exciting experiments like exposing the Coke & mentos exploding stomach myth, building superhero gadgets, seeing of you can actually fold a piece of paper more than seven times, having fun with self hypnosis, running away from crocodiles and playing at pirates. There's all manner of new and weird myths to bust and even a MacGyver special. The set is 21 hours long! So you can dip in anywhere and be assured of some fun. It's all fluff and silly science but honestly with winter closing in that's just what you need. (Craig)

Eagle eye.
We enjoyed Eagle Eye which was a good thriller action movie. Good storyline with lots of good graphics. It was an M rating. (Brigid)

The girl with the dragon tattoo
Not having read the book I can't say how faithful an adaptation this is, but on its own terms it's an engagingly nasty thriller. Investigative journalist Mikael Blomkvist has been set up for falsifying evidence against a corporate tycoon. Forced to leave the magazine he writes for, and with his prison sentence looming, an aging industrialist offers him a hefty payday if he can find out what happened to his niece who disappeared 40 years ago; and whom he suspects was murdered by a member of his unpleasant family - all of whom live together on the same isolated compound. Meanwhile troubled goth-ish computer hacker Lisbeth Salander - who investigated the charges against Blomkvist for the industrialist - has been keeping tabs on his investigation and becomes drawn into the mystery despite her decidedly anti-social nature. What follows is grim, but gripping, as the duo join forces and ferret out a decades old serial killing spree. The two leads are brilliant, especially Noomi Rapace as Salander, & comparisons to 'The Silence of the Lambs' aren't exaggerated. The actual translation of the book's Swedish title is 'Men Who Hate Women', which is an accurate synopsis of film's tone, so if you haven't read the book be warned that there is a fair amount of graphic violence and depravity on display. (Mark)

The IT crowd. Version 3.0
Season three finds Roy, Jen, Douglas and the majestic Moss returning for another few rounds of hilarity. The show is maturing wonderfully and writer/director Graham Linehan's script is even sharper than last time round. Witness Roy and Moss try and become 'ard men, Douglas tackle with his electric pants, and meet Jen's unfortunate looking new boyfriend. Packed with enough witticisms and awkward moments to leave you in stitches, Linehan has finally brought his Black Books cynicism to the script. It's a tad darker this time around and all the better for it; and of course that long awaited screen kiss from Moss is superb, although not as superb as the sight of him running amuck with a handgun. Series three is great, best of the lot, and you'll easily find yourself watching it all in one sitting. (Craig)

The damned United.
Brian Clough is brilliant. Brian Clough is determined. Brian Clough is the greatest football manager in Britain. Brian Clough has an ego. He and his friend and assistant Peter Taylor have coached Derby County into the first division and on to become league champions. Having brought the team up from obscurity, Brian Clough is understandably pleased with the Derby's success and basks unashamedly in the reflected glory. But Brian Clough has bitter rivals. Perhaps worse, Brian Clough is a bitter rival. Leeds United has reigned supreme as British football's greatest team for well over a decade. Their coach, Don Revie, has snubbed Clough, turning a professional rivalry into a personal vendetta. Games between the two teams have been punctuated by foul play and deliberate violence. With both his pride and his players injured, Brian Clough reasons there is only one thing left for him to do, and that is to win so much that Don Revie is expunged from the record. So when Don Revie is hired as the manager for the English Team and Leeds United ask Brian Clough to be Revie's successor, Brian Clough accepts with one eye on destiny. However, Brian Clough has always been critical of Leeds United. Brian Clough has called them a violent misery-inspired team. Brian Clough has called them cheaters. So on taking the job Brian Clough finds himself in trouble. The players hate him, his partner Taylor is gone, and the team is losing. Brian Clough may be the best football manager in Britain, and Brian Clough is not one to back down, but as manager of the Damned United, he's got a problem... (Rowan)

Moon.
Trippy 'old-school' Sci-Fi flick sees Sam Rockwell plays Sam Bell, an employee of 'Lunar Industries' on a solo 3-year contract to oversee the mining of a new form of energy that the Earth is now dependant upon. Other than the occasional video message from his wife & daughter, his only contact is with GERTY 3000, a computer (voiced by Kevin Spacey). On a regular check of the mining equipment Sam crashes his vehicle, only to awaken back at the base. Going back to examine the crash site he finds...well what he finds would give too much away. Rockwell gives a great performance (or should that be performances?), and while it's somewhat slow moving, it should definitely appeal to fans of cerebral character driven Sci-Fi movies like Solaris, Cypher or 2001. (Mark)

Where the wild things are.
Adapted from Morris Sendak's beloved children's book, 'Where the Wild things are' is the story of Max, a young boy dealing with the frustrations of life. After a fight with his mother Max runs away from home, and upon discovering an island peopled with strange neurotic creatures, he sets about learning some very important lessons about life. Director Spike Jones has taken what was a thin plot and expanded upon the core tale of a lonely young boy learning to deal with his anger in a rather unusual setting. Like Jones' previous films the movie is a visual treat and the creatures themselves are spectacularly imagined. Adapting the film from such a revered book comes with its own risks, but Sendak himself was in awe of the final product and with an expanded script from Dave Eggers, the film masterfully portrays the trials and tribulations of boyhood. If you're a fan of the book, and how could you not be, then have no fear, the film is a wonderful expression of its main themes and the lack of saccharine Hollywood production norms makes for one of the finest 'children's' films ever made. An absolute gem. (Craig)

Last stop for Paul.
Two friends take the ashes of another friend on a trip around the world. They get to watch cricket in Jamaica, ski in Chile, find romance in Greece, get put into jail in Vietnam and reach their final destination in Thailand by the skin of their teeth, despite Montezuma's revenge. A doco style story with several good laughs throughout. (Raewyn)

Push.
In the world of 'Push' there are 'Movers' who can shift objects, 'Watchers' who can see the future, 'Pushers' who can put thoughts into others minds, 'Sniffs' who can track anyone from their residual scent left on objects, 'Bleeders', whose sonic vibrations can rupture blood vessels, 'Shifters', who can alter the appearance of objects, etc etc; some of whom are now hunted by 'The Division' your usual sinister secret Govt. Department, led by the head Division Agent Carver (Djimon Hounsou). Chris Evans is Nick, a Mover hiding out in Hong Kong where he is tracked down by Cassie (Dakota Fanning), a Watcher who insists that they are supposed to rescue a Division escapee and the mysterious contents of her suitcase. On the surface 'Push' seems a kind of throwaway Sci-Fi B-movie along the lines of the obnoxious 'Jumper', a kind of sub-par 'Heroes'. Director Paul McGuigan's 'The Wrong Man' mixes too many elements into the plot - there's so much back-story it almost needs another movie to explain its set-up - however it's still surprisingly watchable, probably due to Fanning who out-acts everyone else. The introduction of various rogue characters that make their living with various psychic skills in the Hong Kong underworld keeps the plot turning even as it all gets a bit convoluted & silly. (Mark)

Mega shark versus giant octopus.
It's a tragedy really; so often the truly great films that tackle the intricacies of the human condition fail to become blockbuster hits. Perhaps it is because they cut so close to the core of our own inadequacies as a species, perhaps they are just too true, too real. Such is the case of 'Mega Shark vs. Giant Octopus', a roaring, superlative, invigorating and epic examination of post modernity and what it means to be human (and what would happen if a giant shark and octopus had a fight). It almost goes without saying that the script, acting and special effects are truly out of this world. Truly. They literally have to be seen to be believed, with acting so refined, so emotive that it is impossible to take your eyes away from the screen (no really, I tried but it sucked me in, like a vortex). Who needs big budgets, who needs decent production values, who needs a script that makes any sense, 'Mega Shark vs. Giant Octopus' throws out the rule book, and essentially everything else you'd need to make a coherent movie, and comes up with a film of such depth that you're left holding your head in your hands screaming "Why!". (Craig)

A Perfect Getaway.
I have been raving about this DVD to family and colleagues. The storyline revolves around young married couples in Hawaii. Someone is murdered on an island but the viewer doesn't know who the murderers are. Could it be couple number 1 or couple number 2? You just don't know. There are some great views of the islands in Hawaii as an added extra. No violence until the end, the bitter end, when you find out whether your suspected couple were guilty or not!! (Wendy)

Human remains.
Rob Brydon and Julia Davis's series is an absolute tour de force of perfect comic timing and uncomfortable mockumentary moments. The show takes a look at the lives of six different couples, one per episode, and each one is as hilarious as the next. Shocking, horrifying and disgusting in equal measure, Brydon and Davis are just flat out incredible, tackling rich and awfully complex characters. The show is a few years old now but has only recently been released in New Zealand, no doubt due to Brydon's star turn in the hit BBC show, Gavin and Stacey. This is not Gavin and Stacey, there is nothing sweet or fluffy about this, it is dark, sordid, cruel and so completely spot on. Highly recommended for anyone who enjoyed the most uncomfortable moments of The Office or enjoyed the films of Christopher Guest, it's simply comedic perfection. (Craig)

Heima.
Watched 'Heima' by the Icelandic band Sigur Ros a few weeks ago. Their music is unlike anything I've ever heard; a sort of mix of magic, mayhem and the Vienna Boys Choir! As the band travelled around Iceland giving free concerts for people in abandoned buildings, soon-to-be-drowned fields, towns, tiny little settlements - and culminating in a huge concert in Reykjavik - I felt a music so inextricably linked to, and influenced by, the Icelandic landscape. It was beautiful and hypnotic, a really uplifting experience. (I now own my own copy). (Ellie)

Paradise Lost 2: Revelations.
'Paradise Lost' is an award winning documentary film continuing the story of the West Memphis Three, a group of three young men convicted of murdering three children in Arkansas in the early 1990's. The case is a highly controversial one; with many parties claiming the conviction of the young men for the crimes was a horrific miscarriage of justice and that the case against them was, from day one, riddled with inaccuracies, inadequacies and bias. With the absence of any physical evidence and a seemingly forced confession two young men were sentenced life in prison, with the other, the supposed ringleader, now sitting on death row. With many suggesting the case was simply a modern day witch-hunt, the film focuses on taking us back to Arkansas to meet all the main players again, as new evidence is presented and old evidence reinvestigated. As the film is a sequel there are some aspects to the case that are missing as the directors no doubt have presumed the viewer has seen the original, but for a further exploration of the case there is also, Devil's Knot by Mara Leveritt available on the Wellington City Libraries catalogue. A note of caution - the murder of the three children was an appalling crime and there are numerous scenes within the film where crime scene photos are shown. Not for the faint hearted or weak stomached but a fascinating insight into small town justice and small town minds. (Craig)

Anvil! : the story of Anvil
Probably the greatest film ever made about good-old rock-solid down-home friendship, and heavy metal, obviously. Anvil is the tale of Lipps and Robb, two fifty-something metal musicians who time forgot. In the 1980s Anvil almost made it, almost, then sunk into obscurity for the next thirty years. The film tracks a year or so of their lives as they get new, and surprisingly inept, management and tour Europe to dwindling crowds and to the determent of their own rapidly shrinking mental health. Following on, they begin the new album recording process once again, this time with an enticing hand held out from their past. Easily one of the greatest documentaries I have ever seen. Bittersweet, saccharine and cruel in equal measure, with villains, heroes, giggles, tears and delight aplenty. Even if you're not a fan of the heavier side of rock, you'll still want to see this. It's wonderfully, majestically, beautifully life affirming, and damn funny to boot. (Craig)

In the electric mist
The southern crime novels of American writer James Lee Burke would, on the surface, seem unfilmable, with their lush descriptive passages, interior monologues, and insular, almost existential nature. The only previous attempt, 1996's 'Heaven's Prisoners', was seen as a commercial & critical failure - despite a cast led by Alec Baldwin & Terri Hatcher, and a genuine respect for the source material. Several years ago Tommy Lee Jones, a fan of Burke's novels, was rumoured to have optioned 'Dixie Jam City', but an adaptation never materialised, however 2009 saw the release of 'In the Electric Mist', directed by Bertrand Tavernier ('Round Midnight'). Jones plays Dave Robicheaux, an Iberia Parish Sheriff's Detective investigating the brutal deaths of some local prostitutes, whose investigation brings him into contact with everyone from Hollywood stars (Peter Sarsgaard & Kelly MacDonald) filming an historical movie in his town, to shady local businessmen (Ned Beatty), to New Orleans mobster (John Goodman). The film does a great job capturing the Louisiana setting and characters, and while some of the dialogue & narration seems a bit ornate, it captures the tone of the book fairly faithfully. Burke's Robicheaux is one of the most complex characters in modern crime fiction: a man with a strong moral code, but also a violent recovering alcoholic, whose personal demons are barely held in check, and whose actions continually place those close to him in jeopardy. Thus the film itself is more akin to a character study than a linear 'mystery', and the convoluted plot sometimes runs away with itself. However it's still entertaining, and definitely worth checking out if you're a fan of the novels. (Mark)

Snuffbox.
Relegated to one season of late night TV when released in the UK, Snuffbox is the kind of idiosyncratic comedy weirdness that goes down a right treat for fans of the Mighty Boosh and co. Starring Boosh regular Rich Fulcher, and Matt Berry, it's a skit show loosely based on a thin over arching narrative. Rich and Matt, executioners for cash, tour the seedy comedic underbelly of London town and delight in producing skits sure to offend. Replete with cursing and stomach churning characters, Rich's repugnant persona and Matts highfalutin mannerisms makes for a show which delights in its cruelty and base humour, all the while pretending it is something else altogether. Brilliant and smutty, gross and uncomfortable and utterly, utterly, hilarious. (Craig)

The wire. The complete fifth season.
Season 5 of 'The Wire' tackles the media and journalism head on. Clark Johnson ('Homicide: Life on the streets') is Gus, an old-school newspaper man on 'The Baltimore Sun', trying to cope in a climate of lay-offs and corporate buy-outs, and faced with a new journalist in the mould of Stephen Glass ('Shattered Glass') and Jayson Blair, whose work begins to make him suspicious. Meanwhile the city of Baltimore is broke; the new mayor Carcetti (Aidan Gillen) has transferred the money needed for the Police Dept. to bail out the failing school system, leaving the Department broke & unable to pay overtime. The case of the 22 bodies found in the vacant houses in the previous season is shut down, leading a bitter McNulty (Dominic West), to perpetuate an audacious fraud, aided by the self serving journalist, which soon sucks in Freeman (Clarke Peters) and eventually the whole Department, spiralling more & more out of control as the season plays out. Never one to compromise, 'The Wire's' final season is, if anything, denser & more insular than ever, offering no answers to the questions it raises on the bankrupt infra-structure of the modern American city. Never fêted with the hype that surrounded the final episode of something like 'The Sopranos', 'The Wire' gives the impression of watching an adaptation of a continuous story; you came in somewhere in the second act, and leave before anything is resolved. A final montage gives up the fates - good & bad - of some of the central characters over the last 5 seasons, bringing home the point that there are no real beginnings or endings; all that's left are a few small victories at too high a price. Heavy stuff, but well worth the haul. There'll never be another show like it, that's for sure. (Mark)

Brasileirinho.
Fabulous! Sink into the world of choro music; Kaurismäki's years of living in Brazil reveal the everyday life and vibe of this roots-infused jazz and the virtuosos and everyday people that make it. (Jesse)

Samson & Delilah.
A teenage love story set in an Aboriginal community on the outskirts of Alice Springs. Not a love story as we know it 'boy meets girl, they fall in love' we see love from a different perspective, a different point of view. Raw and real, yet tender and moving, boredom and rebellion send these two young Aboriginal teenagers on their journey of escape and survival. The effects of substance abuse feature profoundly, so much so that two shocking incidents that happen to Delilah, Samson is oblivious to. The film has very little dialogue, dialogue is communicated through body language, eye contact and hand signals, their faces and life experiences tell the story. The Aboriginal tongue of Warlpiri is the language used when there is speech, as well as very little English. Powerful performances from the two leads who have never acted before, plucked out of their shanty towns and mentored by the Aboriginal Writer/Director Warwick Thornton. He wanted youth from the communities because this is their story, they've seen and lived this life. Far from the biblical epic, Samson & Delilah will move you, and in the end will touch you like the track from the opening scene 'every day is gonna be a sun shining day!' (Ethel)

A perfect getaway.
'A Perfect Getaway' is a solidly entertaining thriller, written & directed by David Twohy ('Pitch Black'). Milla Jovovich & Steve Zahn are suburban newlyweds on their honeymoon in Honolulu. After being accosted by an unfriendly couple hitchhiking, they meet another couple (Timothy Olyphant and Kiele Sanchez) on the jungle trail to a remote beach, only to learn that the Police have uncovered a brutal murder on a neighbouring island and that the suspects are a 'couple'. As Olyphant's gung-ho behaviour & 'Special Forces' stories become more outrageous, they begin to suspect the couple are the killers the police are tracking. Jovovich and Zahn are great as the nerdy newlyweds, and Olyphant clearly has fun as the gung-ho redneck action-man. Paranoia, suspense & a nasty twist keep the story humming along for 97 minutes of good trashy fun. (Mark)

Flame and Citron.
Based on a true story of two wartime Danish resistance fighters, Flame and Citron, the film is a compressed, almost noir tale, ratcheted with tension and wonderfully acted by the always-brilliant Mads Mikkelsen, and Thure Lindhart. Although a big budget project for the Danish film industry the tale still manages to remain intimate, guiding us through a world of violence, lies, paranoia and dubious moral quandaries, with searing violence to boot. A fascinating look into a period of history where Nazism and patriotism were blurred, and where people of conviction stood up to tyranny no matter the cost. (Craig)

Midsomer murders. 1.1.
I've stumbled upon the nasty country characters of the early Midsomer Murders series very late in life, unfortunately. They're now up to 11.1 or thereabouts and the series has real strengths - the coy, wise acting of John Nettles, the beautiful country settings and corresponding sense of light and space, the tight plots and their basis in Caroline Graham's very carefully conceived dark, funny novels. But, for me, the joy comes in the beautifully portrayed cast of grotesques, eccentrics and crazies running the countryside of England. 'Written in Blood' has a cast of wannabe writers involved in the murder of a famous novelist and each has a motive rooted in professional jealousy, secret past relationships and straight out awfulness. Each character is a parody, really - I've never seen a greasier comb-over than the one on the frustrated teacher-writer, the glasses on his wife are twice the size of vintage Elton John's, the 'lady of the house,' always has a nasty crack ready and a face half black in shadow. I suspect the writers of the 'League of Gentleman, ' may have been fans... (Monty)

Respect yourself : the Stax Records story.
Fascinating doco about the rise & fall of Stax Records, the influential Southern soul label that, along with Motown Records, would define the sound of soul music in the 60's & 70s, launching several of the biggest names in soul such as Otis Redding & Isaac Hayes. Narrated by Samuel L Jackson, the story follows a tragic series of highs & lows, from the rise of the label & new stars like Redding, to the tragedy of his death & the mismanaged deal with Atlantic, to the success of Hayes & the emergence of the R&B 'album', to the various financial chicanery, & bad distribution deals that led to the label declaring bankruptcy. Includes interviews with label President Al Bell, original owner Jim Stewart & original musicians like Booker T. Jones, Steve Cropper, and the legendary Hayes, who would pass on a year after the documentary was made. (Mark)

Chaser
'The Chaser' (Chugyeogja), is a Korean thriller about a disgraced cop, who is now a seedy pimp running a dodgy masseuse 'business'. His best girls have all disappeared leaving him with some severe money problems. He sends out his last girl Mi-jin to service a client, only realising belatedly that she has been sent to the same client as his previous girls. Assuming the client is a fellow flesh trader 'stealing' his girls, he sets out to track him down, succeeding in capturing him in the same district Mi-jin disappeared from. Only to have the client then confess to the police that he is a serial killer who has tortured & murdered 12 women. While the police interrogate him, trying to prove a case against him, Jung-Ho has only a limited amount of time to find the house where Mi-jin is being held before the law allows the killer to be released. 'The Chaser' is more straightforward and less gimmicky than 'Oldboy' and more dynamic than 'Memories of Murder', two other highly regarded Korean crime movies, but more than those movies it also has a strong sense of character development, as Jung-Ho's journey becomes an odyssey of personal redemption. Tremendously exciting, it may even be better than 'Oldboy', but be warned it does contain some fairly violent scenes, as the serial killer depicted in the film is based on a real Korean killer. Supposedly the rights to an American remake have been sold to the same people behind 'The Departed'. (Mark)

King of California
Quirky comedy/drama sees Michael Douglas give another great performance as Charlie a dope smoking jazz musician & deadbeat-dad, recently released from a mental home, who moves back in with his embittered 15 year old daughter Miranda (Evan Rachel Wood), who he'd left to fend for herself. While 'inside' Charlie has become obsessed with historical legend of the lost treasure of Spanish explorer Father Juan Florismarte, convinced it is buried somewhere locally. Tired of her father's wayward parenting & having to support herself, Miranda initially wants nothing to do with his scheme, but she gradually gets drawn in despite herself; and when he pinpoints the location as underneath a local Costco they hatch a crazy plan to steal the treasure. It's a testament to the strength of the two leads that they both make their characters believable despite a fairly silly plot. The added odd combination of 'parent-teen bonding' drama & wacky humour makes this surprisingly watchable. (Mark)

Heima.
Watched it four times so far, just can't stop myself. Sigur Ros take it all back home, way back home, to tour villages, hamlets and disused fishing factories bringing their Icelandic ambient pop to the nation one person at a time. Beautiful to watch, glorious to hear and a tour de force in the field of rockumentaries. (Craig)

Crossing Over.
'Crossing Over' was the 'other' Harrison Ford movie that came out around the same time as 'Indiana Jones & the Kingdom of the Crystal Skull', even though it was made a couple of years earlier. Written & directed by Wayne Kramer, whose diverse resume goes from the Vegas gambling of 'The Cooler' to the stylism of the thriller 'Running Scared' , 'Crossing Over' tackles the vast subject of illegal immigration in the US. A quality cast includes Ford as a weary Immigration Officer worried about the child of a recent deportee, Ray Liotta as a sleazy Agent who coerces sex from an aspiring actress overstayer, Ashley Judd as a liberal lawyer defending an outspoken Arab-American teen, and Cliff Curtis as Ford's partner, an Iranian-American whose family isn't as 'Americanized' as it seems. All these plotlines, and others, tie up too neatly and the way the characters lives intersect is a little forced; but all in all it's less didactic than 'Crash' and less smug & pretentious than 'Babel', and is an engaging and thoughtful take on a topic with no easy answers. (Mark)

JCVD.
Surreal action/drama flick in which Belgian 80's action hero Jean Claude Van Damme plays himself, or at least a slightly twisted version of himself. After a great film-within-a-film opening shot, a single take 4 minute action sequence - which is ruined by a fake wall collapsing & Van Damme complaining to the director that at 47 he's too old for this - things for Van Damme take a turn for the worse. With his career in straight-to-DVD hell, tax & money problems, a bitter custody battle for his daughter, and having just lost a prime role to his arch rival Steven Segal, a weary Van Damme decides to head home to Belgium for some peace. Unfortunately things go from bad to worse as soon as he steps into a post office, which is in the middle of a violent robbery. A hostage situation ensues and the robbers decide they can use Van Damme's celebrity to their advantage, concocting a set of circumstances that lead the police to believe that Van Damme himself is robbing the post office. A strangely affecting mix of drama and satire - topped off by a mid-point soliloquy in which Van Damme addresses the audience with a personal monologue on his life's varied highs and lows. (Mark).

Sixty Six.
With the Football World Cup about to "burst forth" next year this film gives an insight into just how global this sport is and how passionate football fans are. Bernie is the second son of a Jewish family and his Bar Mitzvah has been set for the day of the 1966 World Cup final. With England unexpectedly making the final few people have turned up to his big day and he is left feeling somewhat less than important. But things turn out to be not as bad as he thought. (Liz)

Flame and Citron.
Tense Danish drama about two Resistance agents in the 'Holger Danske' [the Danish Resistance] in 1942 during the German occupation of Copenhagen - the young idealistic 'Flame' (Thure Lindhardt) and the older 'Citron' (Mads Mikkleson), who become the top killers of collaborators and Nazi sympathizers. When the exploits of the two land them on the SS Most Wanted list, a mysterious woman may hold the key to their ultimate goal - killing the head of the SS. But in a shady world where deceit and lying make it difficult to determine just whose side anyone is one, who can they trust... Beautifully filmed - supposedly the most expensive Danish movie ever made - the film treads similar grounds to 'Black Book', and 'Female Agents', but is far more morally complex than either. (Mark)

(500) days of Summer.
'(500) Days of Summer' is a romantic-comedy clearly aimed at people who would never actually watch a romantic-comedy. Joseph Gordon-Levitt plays Tom a greeting card writer, who thinks he's met the 'Girl Of His Dreams' when he meets the new office worker Summer (Zooey Deschanel), and the film then chronicles the 500 days of their relationship - in no particular order. '500 Days' turns the tables a bit, having Gordon-Levitt as the pursuer, with Deschanel as the aloof one in the relationship, who doesn't want to commit. Alternately funny & spot on, it's also filled with annoying & frustrating bits. The technique of telling a story from different time periods is almost a cliché by now, but in this context it actually works. However the musical montage scene and having characters talk to the camera works less well. While the two leads are great in their roles, especially Deschanel whose character is the less likeable of the two, the main problem lies in buying into someone as good looking & charming as Gordon-Levitt as actually having such a hard time with women. Not as original or clever as it clearly wants to be, still it's always entertaining, and has enough bang-on moments to make the cringe-worthy ones worth sitting through. (Mark)

Send a bullet.
"Send A Bullet' (Manda Bala) explores the cycles of violence that plagues Brazil's upper and lower economic classes, with corruption and violent kidnappings. It's about crime, frog farming, tough guy motorcycle-riding policemen, ear reconstruction plastic surgery, and dirty dirty corruption. (Anita)

The page turner.
The by-line for this movie is that "revenge is a dish best served cold" and it certainly achieves that. A young somewhat intense girl has her dream of becoming a concert pianist shattered by an insensitive judge. The revenge starts many years later and is slow and subtle - no bunny boiling here! Acting is superb and understated and subtitles (the film is in French) do not detract in any way. (Liz)

Nothing but the truth.
Very loosely based on the role of journalist Judith Miller in the outing of covert CIA Agent Valerie Plame, 'Nothing But the Truth' is a good thriller that never got a theatrical release due to the collapse of its distributor, the Yari Film Group. Kate Beckinsale, best known for the 'Underworld' movies, and pretty much a lightweight in the acting department, turns in a surprisingly gripping performance as a journalist after a big scoop, who outs the wife of an American Ambassador as a CIA agent - an act that is illegal under current US law. The agent (a spunky Vera Farmiga) had written a paper that dismissed intelligence that the Government later went to war over, and the story becomes a media sensation. A calculating federal prosecutor (Matt Dillon) soon has Beckinsale's character in his sites & when she refuses to name her source she ends up in jail for contempt of court. She believes the power of her newspaper & the high price attorney it hires (Alan Alda) will secure her release, but as her time in jail drags on, her relationship with her husband (David Schwimmer) and young son suffers, as she has to decide just how high a cost she is willing to pay for her principles, whatever they may actually be - given the final twist in which her source is revealed. Generally thought provoking look at the power of government vs. the individual integrity. (Mark).

Mark's picks

In the loop
Written and directed by Armando Ianucci and based on his UK TV series 'The Thick Of It', 'In the Loop' is a hilarious comedy & political satire rolled into one. The US President & the British PM want to start a war in the Middle East to their mutual advantage, but when a mid-level UK Minister is quoted in an interview as saying the war is 'Unforeseeable', crack spin doctor Malcolm Tucker (Peter Capaldi) is brought in, with some hilariously foul mouthed results. No one does swearing quite like the Brits, but there's laughs to be had also on the 'U.S' side of things when they are both sent to Washington, with James Gandolfini in sly form as a hard-nosed military general. Cynical & foul-mouthed, but oh so funny... (Also reviewed by Vita below)

Let the right one in
A film version of a book can often draws negative or mixed reviews, seldom rises to be an equal to the literary version, and almost never betters it. But 'Let the right one in' may be an exception. Oskar is a fragile, morbid & unhappy 12 year old boy, bullied relentlessly at school, living with his mother in a run down apartment complex full of broken down alcoholics. When a new 'girl', Eli, moves in next door, cared for by a mysterious man who caters for her unique needs, Oskar slowly begins to befriend her; and as Eli teaches Oskar how to fight back against his tormentors he gradually comes to discover her true nature. Scripted by the author John Ajvide Lindqvist, the film, directed by Tomas Alfredson, jettisons some of the more disturbing sub-plots of the book, some of its myriad characters & their back stories (including Eli's), softens the 2 leads, and narrows its focus to the book's core element: a haunting tale of loneliness and friendship. Even if you're not a big fan of Foreign films, or 'Horror' movies, you owe it to yourself to take a chance on this one... (Also reviewed by Vita below)

Taken.
Ridiculous & unbelievable? Check. Derivative? Check. Mindlessly violent? Check. Yet, there's just something about 'Taken', which draws you in, until you find yourself on the edge of your seat shouting 'Yes! Yes! Electrocute that bad man'. ...This kidnap thriller in which a retired CIA agent (played by Liam Neeson) lays waste to half the Parisian underworld while searching for his daughter was a surprise box-office hit, but when you watch it it's no surprise why. Neeson's gravitas proves that great acting isn't just for Oscar winning pictures, as he generates a real visceral emotional pull in this role. With ruthlessly efficient action & fight scenes, it's definitely the pick of the year for Action devotees.

Shinji's Picks

Wendy and Lucy.
While huge budget blockbusters attract attention, we still get to see some simple but affecting movies such as Once and Band's Visit. It's good to see another example out of America with a prominent name (Michelle Williams) in this minimal indie movie. Wendy (Williams) is heading for Alaska for work and hope with her beloved dog, Lucy, but her car breaks down. A series of troubles follow as she doesn't have much money and loses Lucy. The director and co-writer Kelly Reichardt portrays Wendy who desperately tries to find Lucy in a subtle but vigorous way. Michelle Williams appears almost every scene and she is superb. There is no music (except for Will Oldham's theme during the closing credits) which is wise. Often unnecessary music upsets cinematography, but here with no music you can feel Wendy's agony and desperation directly. A simple story and only 75-minutes long, but beautifully executed and deeply affecting. (Shinji)

Raewyn's Picks

Star trek.
Has to be my pick for the best this past year - just love it! Even for hard core Trekkies (which I'm not) this has to be a really good telling of the beginning of it all.

The proposal.
The Proposal is very funny and you get to see Ryan twice in the year with Wolverine - also a great action movie.

17 again.
For Teens '17 Again', with Zac Efron, is a bundle of laughs - he plays a 30 year old man, in the wrong body really well. Check out his relationships with his ex-wife and kids; and his best friend has the most a-ma-zing collection of Star Wars, LOTR, etc memorabilia.

Julie's Picks

Female Agents.
Loosely based on true events during WWII when a French born resistant (played by Sophie Marceau) is assigned the Task of rescuing a British agent who has fallen into German hands. He needs to be rescued before he reveals details of the Normandy attack. An all female gang is assembled for the task including a prostitute, played by Julie Depardeau .This is a truly gripping story of the resistance with plenty of twists throughout.

I've loved you so long .
The film begins when Lea (Elsa Zylberstein), collects her sister Juliette (Kristin Scott Thomas) from the airport. Juliette has just been released from fifteen years in prison. Gradually throughout the film the real Juliette emerges and we learn of the crime she committed fifteen years ago. An outstanding, very moving and thought provoking film.

The Class.
Francois Begaudeau--an actual teacher and the author upon whose work the film was based plays the role of Francois Marin, a teacher in a tough Paris school where cultures and attitudes often clash. The students are played by non professionals making this film all the more real in fact on many occasions you would think you were watching a documentary. As the year progresses Marin finds himself caught between wanting to help the students and being in a position of authority. This eventually leads to a difficult situation putting his classroom practices and beliefs to the test. (Also reviewed by Monty below)

Monty's Picks

Breaking bad. The complete first season.
The first scene of 'Breaking Bad' sees two men driving a RV (recreational vehicle) in gas masks through the desert - dust gathers in frantic blankets, bodies role in plastic bags like rolling pins - the van crescendos down a dry bank in a swerve and crash of intense auto-violence. You feel propelled into this world, a little assaulted and make no mistake - 'Breaking Bad' delights in surprising. Think that body in the bath dissolving in acid will resolve this particular homicide? Surely the drug dealer held to a pole by a bike lock will survive the attentions of our P-dealing, cancer afflicted teacher? Think again...Bryan Cranston received an Emmy for his portrayal of our disease addled family man multi-tasking multiple moral dilemmas and it's a fantastic turn - twitchy, unattractive, compromised - I believe even as I laugh and I laugh, even as I sympathise and I sympathise, even as I am disgusted. It's that good.

Vicky Cristina Barcelona.
Oh, to be in Barcelona - the architecture, the late night Flamenco guitar, the tapas at midnight, the threesomes... Okay, that's a little facetious, that's not exactly how things go down but the premise starts with the mysterious flat-eyed Spanish hunk asking our naive Americans if they will sleep with him (in much the same way I might ask for an extra shot for my coffee) and he gets refused, initially... It used to be New York that roused Woody Allen's visual sense - the black and white photography of 'Manhattan', the colour noir of his eighties films - but this Barcelona is breathtaking, almost another romantic character. Javier Bardem and Penélope Cruz have been stepping in and out of Pedro Almodovar films for years and their chemistry is palpable - I really believe they hate each other even as they love each other even as they hate each other. It's love but not as we know it. There was a time when a new Woody Allen film was something to look forward to - here's hoping Barcelona and London and Europe continue to revitalise Woody's films and our interest in them. (Monty)

The Class.
Beautifully acted film about a young teacher and his wilful, complex teenage students. Forget the cliché urban-teacher film because this is as real and affecting as they come

Vita's Picks

In the loop
Laugh out loud hilarious.

Let the right one in
Hauntingly beautiful romance between a bullied 12-year old boy and an androgynous vampire girl.

Craig's Picks

In the loop
Hands down best cussing ever continued in a single film. It's not the level of the cussing which is magnificent in of itself, but it's the majestic depths of searing fury which Malcolm Tucker mines. Brilliant.

District 9
Fantastical sci-fi splatterings from South Africa via Miramar, apartheid re-imagined in the most extraordinary way. You've never seen anyone explode so wonderfully.

Inglourious Basterds.
Everyone's favourite foot fetishist returns with a WW2 flick loaded with great lines, oozing tension and a trifecta of plots blurring into one smash bang wallop alternate reality showdown.

Tyson.
A truly frighteningly sincere attempt by Mike Tyson to put the story of his life up on film. It's all there, the insane anger, the bewildering hubris and the punch drunk metaphysical semi-literate blabbing. All that and cheesy beach shots to boot, a must see.

Public Enemies.
Swoon! Johnny Depp in hi-def no less. But seriously, Michael Mann is a whizz with that camera and his take on Dillinger's tale reeks of authenticity and is a visual and Tommy gun lovers delight.

Coraline.
Oh man, what's not to love in this stop motion animatronic masterpiece. For the kids supposedly, but it scared the crap out of me, Gaiman's wicked tale is brought to life in all its vivid glory.

Up.
I was balling after five minutes, giggling after six. Up once again shows how far Pixar leads the animation pack, this time it's loaded with adult themes and not so subtle subtext. It's all the better for it, full to the brim with pathos and ennui UP was a delight.

Gomorrah.
The best gangster film ever? Ok, maybe not, but certainly the best gangster film to come out of Europe? Ok maybe not. Definitely the best gangster film to come of Italy though and that in itself is should be applauded. A huddle of plots that merge but never converge highlighting the grim reality of life off the tourist brochures.

The Cove.
Yep... dead dolphins, lots of them. It's horrific. And you can do something about it. One the clearest and simplest documentary messages ever put to film. Evil sits just around the corner, not so far out of sight. If you care to look.

Sharkwater.
Fantastic look into the world of some not so cute sea dwellers. If you thought the dolphin slaughter of The Cove was rough it has nothing on the wholesale extermination seen here. A must see for anyone concerned with democratic environmentalism. We can't just save all the cute ones.

Hangover.
I haven't laughed so hard in years. Once again Todd Phillips directs a film chock-a-block with things normally deemed unmentionable, scenes you never thought you'd see in an American film and with a script full of lines which we all hold inside, but would never deliver.

The wrestler
What hasn't been written about Mickey's return. A brave, insightful and self deprecating role that only a washed up wreck like Mickey could play. Awesome soundtrack, interesting use of staples and some true grit.

Adventureland
Late 80s adventure park setting, cast of quirky characters, What could be a crass throwback to the glory days of American humour actually turns out to be a very smart and crisp little homage, full of sly giggles.

The Red Riding Trilogy
The best, the absolute best grimy noir I have seen in years. Three films, a trilogy of killing, corruption, investigations and dour-dour misery. Only the Brits could have made something this startlingly grim.

Star trek
A fun, heart-warmingly gregarious frolic from a new crew. A prequel to the whole shebang, flash visuals, big bangs and your usual assortment of young Hollywood stars. Great lightweight stuff all round.

Let the right one in
Clearly the best vampire film in years. Stark, mesmerizing, surprising and decidedly cruel in parts. A magnificent film, great locations, wonderful script, haunting visuals and an outstanding young cast. Can't be praised enough.

Watchmen
Could have been a disaster, but thankfully was saved by an expansive although not all encompassing plot. As an ardent fan of the graphic novel I'm going to have to say it's probably one of the best adaptations out there. Bring on the directors cut.

Frost/Nixon
Great little smash up between seemingly inept playboy TV host David Frost and former US president Richard Nixon. A great slice of 70s political intrigue, and a fantastic adaptation of the play. What could have been a flat feature turns out to be a slippery, slightly creepy look into the demise of one and the rise of another.

We also liked:

Fiona's Picks:

• District 9
• Mad men. The complete season two
• Wendy and Lucy
• Milk

Anita's Picks:

• District 9
• In Bruges
• Revolutionary Road
• My Winnipeg

Fleur's Picks:

• District 9
• The Boat that Rocked
• Slumdog millionaire
• Man on wire
• Public Enemies

Bridget's Picks:

• District 9
• In the loop
• Let the right one in
• Hunger
• Jar city

Jessie's Pick:

• Supernatural. The complete third season

State Of Play
The Americans always get a bit of stick - mostly deserved - for copying movies & TV shows from the English, but 'State of Play' is one that works pretty well. The English version was a 6 episode 2003 mini-series scripted by Paul Abbot ('Touching Evil', 'Reckless', 'Cracker'). John Simm plays reporter Cal McAffrey, whose old friend (David Morrissey) is rising political star Stephen Collins, head of a prominent Government committee investigating Energy Companies. When Collins' research assistant falls to her death on the London Underground, and Collins' personal relationship with her is exposed, McAffrey becomes embroiled in a layered conspiracy of political intrigue & personal ambition in the shady world where big business and politics intersect. The UK version is nothing short of brilliant, with top notch acting from an ensemble cast (including Kelly MacDonald as McAffrey's reporting partner, & Bill Nighy as his Editor), & razor sharp writing. The US version had a troubled genesis & was initially set to feature Brad Pitt in the McAffrey role, with Edward Norton playing Collins. When Pitt dropped out due to conflicts over the script rewrites, production was delayed until Russell Crowe stepped in as McAffrey. However by then, scheduling conflicts meant Norton had to drop out, to be replaced by Ben Affleck.

The US version of State of Play condenses a 6 hour mini-series into a 2 hour movie which, if you have seen the UK version within close proximity, can make the American version seem rushed to some extent. However the story follows essentially the same path with all the plot points of the UK version, though delivered in a sometimes different manner. The Government enquiry in the US version is into Private Military Contractors, and the role of the Press in the two versions is noticeably different. The UK version is all about the power of the Press to stand fast against Government control, to present the truth whatever the cost professionally & personally; whereas the US version focuses somewhat on the decline of the 'written' press, which is now subject to bottom line corporate control & the rise of internet based media. Crowe's McAffrey is a shaggy haired 'old school' journo, never short of a pen, his cubicle covered wall to floor with scraps of paper, & the Kelly Macdonald role in the US version is taken by Rachel McAdams, a junior reporter who 'blogs' and can file a story from her phone - but of course can never find a pen when she needs one. The US version benefits from this conflict in different styles in reporting, and also has some nifty casting against type: with Jason Bateman playing a jittery drugged out bisexual PR man & Jeff Daniels a nasty politico. Helen Mirren nicely bridges the two versions, playing the paper's editor character that Bill Nighy played in the UK version. All in all it's difficult to compare the two, as the English would have invariably encountered the same problems if they tried to adapt the BBC serial into a movie themselves. The English version has more subtlety, depth of character & much better sense of narrative pacing, but then again it has the benefit of an extra 4 hours to develop these things; and while it would have been more interesting to see Crowe face off with Norton, Affleck does a good job, and the movie is definitely worth a watch. Recommended. (Mark)

Observe and report
A new Seth Rogen comedy from director Jody Hill. Rogen plays a mall security guard stricken with a variety of mental health issues who develops a very unhealthy obsession with catching a flasher, joining the police force and letting the make up counter girl know that she is the one. Playing a character a lot darker than his usual roles is a bit of a coup for Rogen who gets to show a more intense, nasty and intimidating side, although there's still plenty of his usual buffoon personality on show. The story is dark, very dark, with the comedic tone focused on a bunch of seriously dysfunctional characters and some thoroughly twisted scenes where you'll laugh, but feel awful for doing so, the laughs on offer about his alcoholic mother are particularly guilt laden. There's a plethora of great characters, and Rogen's sidekick, with his lisp and startling secret life makes for one of the best sordid montages ever put to film. The film is grim and there's no doubt director Jody Hill has a talent for highlighting the crass absurdity of his characters. Don't go in thinking you're going to watch a hilarious buddy tale about mall cops, it's not that, but if you fancy something loaded with malice and a few giggles you're in for a treat, especially the end, which sums up the tone perfectly. (Craig)

Kiss the Bride.
I recently watched [this] DVD which is about an Italian family consisting of four sisters who have all grown up and are leading very different lives from one another, in different parts of America. They come together in the movie as one of them is getting married. Mistakes and hurts from their pasts are still lurking and create a few issues throughout the movie as these are forced to be dealt with. A very engaging family story and also interesting to learn some of the traditional Italian wedding customs as well. (Suzanne)

The international.
Above-average thriller sees Clive Owen play an Interpol Agent trying to bring down an International Bank that launders money and is involved in various criminal enterprises. Working with a Manhattan District Attorney (Naomi Watts) after an informant is killed he tries to track down the 'hit-man' the bank uses to take out people that get in its way. Owen is great once again, an actor who can go from charming to heartless in the same role. Watts' role is underwritten; but the main problem the film has is that it wants to be a cerebral thriller dealing with the intricies of crooked global finance, but doesn't provide the detail to back that up, instead drifts into a globetrotting chase/travelogue that takes us (with some admittedly great architecture) from Berlin, to Milan, & Istanbul, and back to the US. Still, the premise is interesting enough, and there is a spectacular gunfight set in the Guggenheim Museum half way through. (Mark)

Gomorrah.
Matteo Garrone's Italian mob film throws the notion of the glamorous mobster's life out the window and focuses on the stark reality of organised crime amongst the poor of Naples. The film is essentially five disconnected stories, five slices of life from amongst the crumbling ruins of dilapidated housing estates in an Italy you'll never see depicted in the tourist brochures. There's not a hint of romanticism attached to the film, its ruthless and cruel look into a world where violence rules and the poor struggle within a world controlled by an organised criminal syndicate at war with itself. Completely European, it is sophisticated and beautifully filmed, with a leaden atmosphere in keeping with the overall tone and a verte style highlighting disjointed glimpses into tales of amplified disharmony. I loved it, it's bleak but the reality of the source material was never pretty and it's a testament to the director to have the courage to show us the reality rather than the fantasy of mob life. Winner of numerous awards, and well worth a watch if you enjoy complicated authentic dramas. (Craig)

Wainwright walks coast to coast.
Julia Bradbury, better known as a presenter on TV travel programmes, is also a prodigious walker. Here she tackles the most well-known walk in Britain, the Coast to Coast. Originally set out by the eccentric and revered walker Alfred Wainwright in the 1950s and 1960s, it is now a major destination for distance walkers worldwide. With his charming 1972 guidebook with its beautiful hand-drawn maps, diagrams and illustrations in hand, she traverses Northern England. As Wainwright instructs, she begins her journey on the coast of the Irish Sea in Cumbria, walking across through the Lake Country, crossing the Pennines and the North Yorkshire Moors, and ending up in Robin Hood's Bay in Yorkshire on the coast of the North Sea. She made her walk during the wettest summer in Britain since records began in the 18th century, but this does not deter Julia, with her cheerful and relaxed commentary, or detract from the magnificent scenery, the fascinating historic sites she explores, and the charm of the people she meets and talks with along the way. This is compelling viewing for armchair travellers and avid walkers alike. Highly recommended. (Deborah)

Wrestler.
Mickey Rourke gives an amazing performance as Randy 'The Ram' Robinson, a scarred and aging professional wrestler, at the height of his fame in the 80's, but now struggling to score second rate fights and cope with the demands of his battered body. Filmed in a pseudo-documentary style by director Darren Aronofsky (Requiem for a Dream) the film sets up a traditional 'road to redemption' story, as 'The Ram' tries to get his life back on track after a bad health scare, initiate a relationship with an aging stripper (Marisa Tomei) and reconnect with his estranged daughter (Evan Rachel Wood). The 'documentary' style of the film may deter, as the film doesn't have a narrative flow like 'Rocky' for example, making some scenes and dialogue are a bit clunky, and in the end Aronofsky deliberately ignores the films 'set-up' to go against typical Hollywood convention. All in all, worth seeing, even if you don't think it's your thing, just for the great performance by Mickey Rourke. (Mark)

Let the right one in.
About as far from 'Twilight' & 'True Blood' as you could get, 'Let the right one in' is a Swedish 'vampire' movie, directed by Tomas Alfredson & based on the novel by John Ajvide Lindqvist. Oskar is a fragile, morbid & unhappy 12 year old boy, bullied relentlessly at school, living with his mother in a run down apartment complex full of broken down alcoholics. When a new 'girl', Eli, moves in next door, cared for by a mysterious man who caters for her unique needs, Oskar slowly begins to befriend her. Alfredson's film, which Lindqvist adapted for the screen, takes a minimalist approach to the novel, toning down some of its more disturbing subplots, choosing to focus instead on the relationship between Oskar & Eli. Eli teaches Oskar how to fight back against his tormentors and as he gradually comes to discover her true nature their friendship blossoms into a strange romance. Though the film may seem an awkward melding of genres, its ability to blend some quite violent moments, and some definitely dark subtext, with a haunting study of childhood loneliness and friendship is a tribute to the talent of the young leads and of Alfredson's skill as a director. The beautiful cinematography of the stark, snowy Swedish landscape also adds another layer to an already haunting film. Without a doubt the best reinvention of the 'vampire' movie since 1987's 'Near Dark'. An American remake is scheduled for 2010, directed by Matt Reeves (Cloverfield), but it's hard to believe it could ever achieve the standard set by the original. (Mark)

Space-1999. Year 1.
Where to start? Probably the greatest science fiction series ever to air. Too much? Maybe? Space 1999 was a revolutionary and terrifically exciting venture from Thunderbirds creator Gerry Anderson. Running for only two years Space 1999 packed in more thrills and metaphysical clap trap then the x-files did in eleven years. The premise was simple, nuclear waste explodes on the moon and it hurtles from its orbit, carrying the inhabitants of moon base alpha along for the ride. Along the way they encounter the requisite number of aliens and mystical worlds and indulge in all sorts of 70s sci-fi larks. It's magnificent, the sets and props are beyond fabulous and the overall tone, one of almost apocalyptic horror is wonderfully handled, without a hint of kitsch or camp so often associated with 70s shows. The show made an absolute star out of Martin Landau and then wife Barbara, along with some wonderful cameos from future and fading stars. It's a stand out cult classic series, if you're a fan of science fiction at all, or for that matter nifty moustaches, cranking sideburns, zip up flared leisure suits or long meaning stares at the camera, then it is absolutely imperative you watch this, imperative! (Craig)

I have been having a whole hill of fun reliving my childhood by watching that fantastic SF series 'Space 1999'. It is amazingly sophisticated considering that it was produced in 1975 (lerv those costumes!), although there are also some hilariously kitsch effects (in one episode the whole effects budget seems to have been spent on polystyrene balls and fuse wire). I still remember, fondly, having nightmares about a couple of episodes, watching from behind the couch too mesmerized to move or pull my eyes away. Watching it now, I recognise shades of '2001 A Space Odyssey' and 'Star Trek' as well as more than a few actors that went on to become familiar faces on British T.V. It's a "Gotta watch"! (Ellie)

Lie to me. Season one.
An intriguing twist on the usual 'police procedural' crime drama, 'Lie to Me' features Tim Roth as Dr. Cal Lightman, the head of 'The Lightman Group', an organization that specialises in the analysis of Deception via micro-facial expressions (based on the real life work of Paul Ekman, a leading researcher on facial expressions & body language). The premise allows the show to cast a wider net than most other crime shows, as the Group is brought in to consult by local law enforcement, private companies, & Government agencies and the stories shift from identifying potential political assassins, to determining whether a writer is lying about their memoir, to aiding in the search for missing teen, and discovering the cause of a collapsed building. At the centre is Roth, who has the acting chops to make his abrasive 'House'-ish character believable and his back-story intriguing. Recommended. (Mark)

The Hangover.
Four friends go on a road trip to Vegas to celebrate the impending marriage of one of them. Checking in, they head to the hotel's rooftop & toast a 'night to remember'. Unfortunately that's not the case as they wake up in the hotel room 12 hours later with some vexing questions: Why can't they remember anything about the previous evening? Why is there a tiger in the bathroom? Why is one of them missing a tooth? Where did the baby come from? And most importantly, Where is the groom-to-be Doug? What follows is crude and offensive in pretty much every way imaginable - but also hilariously funny - as they are forced to piece together the crazy events of the previous night to find Doug in time for the wedding. B-movie leads, Ed Helm, Zach Galifianakis, & Bradley Cooper all reveal A-list comic timing as one outrageous situation flows into another in this soon to be classic comedy. (Mark)

Louis Theroux: the collection.
Louis Theroux has a style unto himself. His meanderings though the wired and wonderful world of porn, white supremacy and his interactions with various strange cults and persons are so fundamentally causal that you're likely to forget just how insane his interviewees are. Until that is he tries some good old quaint English logic to counter their arguments. Louis is obviously an expert at gaining trust, although his ability to retain trust isn't always so apparent, and that is what makes this collection so superb. The moment where Louie realises it's all falling apart are the best, where Nazi homemakers berate him for his liberal bias, where he fails to get racist leaders to quote Mr Humphreys from 'Are You Being Served', where militia aficionados tell him the Holocaust is a lie, or where an alcoholic worker at a upscale brothel massages his pasty back. These moments are what makes the show so great, it's the lengths Louie goes to to allow the weirdness to prevail, and those choice moments when Louie and you get to stop and ponder the madness of it all. Filled with his usual erudite wit this collection is easily one of the greatest interview shows ever put to screen, forget Parky, who needs another Billy Connolly interview when you can watch Louie travel to Thailand and meet frighteningly real English gents on the prowl for a bride, watch Louie's first attempts at a career as a gangsta rapper or, as evidenced by one of the saddest episodes ever, have a crack at getting some work in the pornography industry. (Craig)

A place to stay : a film about Salisbury Garden.
Wellington is a city with many delightful architectural surprises. Salisbury Garden in Wadestown is one of them. Accessible only by a steep path, this arm shaped group of houses, surrounded by bush and built around a tennis court, was built as worker accommodation in the years 1929 - 1930. The compound followed the new European concept of group housing - pleasant dwellings with light and air, pleasantly situated and with ready access to recreational activities. This warm and sympathetic documentary illustrates the history of the complex, including an interesting period after the war when it was occupied by Polish émigrés, and contains many interviews with new and long-term residents who still maintain the communal style of living. The Court was declared a Heritage area by Wellington City Council in 2008. (Sue)

A film with me in it .
A recent release, this is a brilliantly written black comedy that comes very highly recommended by this reviewer. It stars comedians, Mark Doherty as Mark and Dylan Moran as a failed alcoholic Pierce. When Mark's disabled brother (played by his real life brother), landlord and dog are killed in a series of bizarre freak accidents, he asks his friend Pierce to help. Pierce, an aspiring scriptwriter dissuades Mark from calling the police, and instead tries to rework the events as if they were a film script. Needless to say things go from bad to worse. This is very funny, extremely entertaining film. (Linda)

Blow out
'Blow out' from 1981, is Brian De Palma's reworking of the Michelangelo Antonioni 1966 movie 'Blow Up', and Francis Ford Coppola's 'The Conversation' and also John Travolta's first 'adult' role. Travolta plays Jack Terry a disillusioned movie sound-man, who does the effects for cheap c-grade horror movies. While taping wind sounds one night he 'tapes' a car accident that takes the life of a Presidential candidate, but manages to drag a young woman out of the submerged car wreck. When 'photographs' of the accident appear in a tabloid, he combines them with his 'sound', and comes to believe he has proof of a 'gunshot' that sent the car off the road. Teaming up with up the flighty 'make-up' girl he pulled from the wreck (Nancy Allen) Travolta attempts to prove that a murder has taken place despite being told to leave things alone. Deeper and more layered than anything else De Palma did, it resonates on several levels, and is perhaps his best movie, full of audacious camera angles, split screen shots, and brooding atmosphere. John Lithgow makes a nasty villain, and the ending is truly jolting. (Mark)

Last chance Harvey.
A romantic comedy, with some teary moments. Dustin Hoffman as (Harvey) and Emma Thompson as (Kate) fabulous in the lead roles, each on their own separate journeys through life, one been there done that, the other still to find that special someone. Also a story of a Fathers relationship with his estranged daughter bringing new meaning to "It's never-too late for love" be it family, be it new relationships. Either way it's a story of 'new beginnings' with happy endings. Most definitely my 10/10 pick for the year! (Ethel)

Sisterhood of the Travelling Pants 2.
Technically a YA film, but enjoyable for women of all ages. In Sisterhood of the Travelling Pants the girls are still in high school and the film is definitely teenage chick flick. But by movie number two, they are at university and slightly more worldly. Friendship, love & family remain the main themes, but the storylines are appealing to an older age group. And there's the wonderful stunning summer scenes of Santorini to enjoy again. 3 1/2 stars from me. (Kini)

Appaloosa.
Faithfully adapted from the novel by US crime writer Robert B. Parker, directed by Ed Harris (who also stars and co-wrote the screenplay) 'Appaloosa' is an old-school western. There is none of the revisionism of say 'Unforgiven' here; it's all about good guys and bad guys. Harris plays legendary 'Peacemaker' Virgil Cole, and Viggo Mortensen is Everett Hitch, his right hand man. Harris & Mortensen are commissioned to enforce the law in the town of Appaloosa, which has been taken over by an aggrandising Rancher (Jeremy Irons) who is also suspected of killing a Marshall. Things however become more complicated with the arrival in town of a mercurial piano player (Renee Zellweger) and her developing relationship with Harris. Parker's novels are all about men of violence and the 'code' they choose to live by, but 'Appaloosa' is also a subtle story about loyalty and friendship. Somewhat slow, but atmospheric and full of some of Parker's trademark tersely humorous dialogue. Solidly enjoyable. (Mark)

Jar City.
Based on the mystery novel of the same name by Icelandic writer Arnaldur Indridason this gripping thriller was shown at the 2008 Wellington Film Festival. Set in Reykjavik, Iceland Detective Inspector Erlendur, is at times a brooding, complex but likeable character who features in all Arnaldur Indridason's novels, he has only one clue when an elderly man in found murdered, and that is an old photograph of a young girl's grave. He discovers that many years ago the man was accused, though not convicted, of horrible crimes. This is a chilling, haunting murder mystery set in a harsh, unforgiving but fascinating landscape. This multi award winning film is a great viewing experience, although at times not for the squeamish. Hopefully the six other mysteries featuring Inspector Erlendur will also be adapted to film. (Linda)

Vicky Cristina Barcelona.
Not a huge fan of Scarlett Johansson, however I thought she was perfect in her role as the 'flirtatious' Cristina in this movie, along with her friend 'the engaged to be married' Vicky, holiday in Barcelona, there they meet the local painter/artist Juan Antonio (Javier Bardem), both become romantically involved with him. Then his beautiful but irrational ex wife Maria Elena (Penelope Cruz) arrives back on the scene bringing new meaning to 2's company 3's a crowd, or is it 3's company 4's a crowd? An entertaining watch I think if you can put up with the narrative. If nothing else Javier Bardem does it for me every time. (Ethel)

The gods must be crazy, The gods must be crazy II.
This 2 disc set takes us back to a fun, simple film humour contrasted by a somewhat sad bonus documentary on the real life of N!xau, the star tribesman. (Jesse)

Zero effect.
Funny and clever 'The Zero Effect' was the 1988 debut of writer-director Jake Kasdan (son of Lawrence Kasdan 'The Empire Strikes Back', 'Body Heat', 'Grand Canyon' etc). Daryl Zero (Bill Pullman) is a tactless, demanding, amphetamine taking, borderline agoraphobic with extremely bad social skills. He is also 'The World's Greatest Detective'. His assistant, the much put upon Steve Arlo (Ben Stiller), acts as his public face, negotiating with clients. When they take the case of a business tycoon (Ryan O'Neal) who has misplaced the keys to his safe deposit box, they become ensnared in a web of blackmail, revenge and murder which seems to revolve around a mysterious paramedic (Kim Dickens). Bill Pullman established his cred as the go-to guy for B-movie whacko's with this role, and Stiller is great in the role of the straight man. 'The Zero Effect' is kind of a comedy/mystery/romance take on the Sherlock Holmes story 'A Scandal in Bohemia', the extremely clever script is talky, but always engaging, and full of twists, and subtle comedic touches (Pullman's deadpan narrations of his 'method'). Recommended if you like something a bit different. (Mark)

Crank.
Crank stars Jason Statham as hitman Chev Chelios. At the start of the movie he is poisoned by a rival and he soon discovers the only way to keep the poison from killing him is with massive doses of adrenaline. If he slows down he dies. This means that the movie never slows down either. It is the quintessential action film with none of the slow boring bits which are so often jammed into other movies. This movie is speed with Statham as the bus. (Grisham)

The band's visit.
The Alexandria Ceremonial Police Orchestra arrives in the wrong town in Israel and they cannot reach their destination, the Arab Cultural Centre until the next day. There is no accommodation but locals take them in - some reluctantly but overnight they begin to learn about the other's lives. This film is a gem - it has a gentle pace and at times sparse dialogue but delivers a film that focuses on the similarities of people rather than their differences. The acting is superb. A must see. (Liz)

A night with Tom Waits.
Tom Waits was a young 29 when this concert footage was filmed in a pre-Bush Austin, Texas. His wasted lived-in persona, so apparently acquired and artificial on 'Nighthawks at the Diner' had seemingly become the real Waits. The first song is a tender, bleary-eyed medley of 'Summertime' and 'Burma Shave.' One song is about escape, naïve optimism and the swallowing suffocation of a small town whilst the other is about potential and an eternal summer of life's promise. 'So hush little baby don't you cry...' The two fit like they were forgotten puzzle pieces and Waits prowls the stage, runs his bony hands through his greasy hair, recites phrases as if they were made up on the spot. 'Cause everyone in this stinking town's got one foot in the grave and I'd rather take my chances out in burma shave..' (Monty)

Hush.
A tired couple with a faltering relationship are heading home on the M1. Arguing, the driver Zakes (William Ash) cuts off a van, only to have its back door roll open and catch a glimpse of a naked woman chained in a cage. He calls the police, but refuses to get further involved, prompting another argument with his girlfriend Beth (Christine Bottomly). They stop at a service station complex, where she breaks up with him. However he sees the mysterious van again, and attempts to find his girlfriend, only to find her broken necklace, and back in the parking lot the van pulling away...leaving him to set out after it. 'Hush' is a nice little UK thriller/horror flick. It borrows elements from other movies (Speilberg's 'The Duel', and 'Breakdown' to name a couple) and has a few holes in the plot; however it's still extremely suspenseful and well acted. Definitely worth watching. (Mark)

Howards End .
"Do you know what I am doing Miss Kenton, I am placing my mind elsewhere while you chatter away", brilliant! How Anthony Hopkins fame became centred around his portrayal of a hammy serial killer and not his altogether more satisfying portrayals of stilted and emotionally retarded middle aged men is incomprehensible. Case in point, Remains of the Day. I have seen this film at least a dozen times and have never grown tired of Hopkins nuanced portrayal of Mr Stevens, the fastidious, snobbish and rigid butler in a manor filled with pre-war mystery and machinations. A love story that never gets off the ground, it's frustrating in the extreme and if you don't end up yelling at the screen you're not involved enough. Emma Thompson is beyond fantastic as the delightful and supportive Miss Kenton while the film is the perfect example of the frustrating appeal of English formality. (Craig)

Shark. Season one
Like many actors & actresses around his generation (Glenn Close 'Damages', James Spader 'Boston Legal', Keifer Sutherland '24' etc) James Woods returned to TV after a film career and found it a far different medium than it was when he was starting out. In 'Shark' Woods plays Sebastian Stark, a notorious cutthroat Los Angeles Defence Attorney who switches sides and becomes a prosecutor after the shocking end to one of his cases - and ends up heading a high-profile new crime unit overseeing a group of inexperienced young lawyers. While not as formulaic as other TV crime procedurals, it's not as weighty as 'Damages' or as groundbreaking as other TV shows - but it does have one thing they don't, which is James Woods. In Stark, Woods finds a character he can dig into with a perfect balance of subtly and his trademark scenery chewing. Solidly entertaining. (Mark)

After Hours.
After Hours is an insomniacs black comedy based around one night from hell for an unassuming programmer : a trip into the dark urban night for an everyman innocent. Paul's night spirals towards disaster not because he deserves it but because, at 2.00 in the morning, bleary eyed and susceptible - it can. That potential for calamitous coincidence runs through After Hours like a clotted vein. Paul is helpless and the harder he tries to free himself from his predicament the harder stuck he becomes, the deeper stuck he becomes the weirder it is, the weirder it is the more helpless he becomes... There is the briefest of moments in 'After Hours',- in a crowded nightclub - where the camera pans up to follow a spotlight. Holding that spotlight is the bearded face of Martin Scorsese. Yes, Scorsese is pulling the strings and it's full of telling, distinctive fateful moments, surreal conversations and strange strangers. In 'After Hours' the city becomes a looming character. The repellent, the disturbed, become the normal. Paul gets caught in a vortex ever moving toward tragedy. This is a comedy though and tragedy is avoided, mostly.. Even a 'minor' film by Scorsese bears all the hallmarks, all the important themes of his 'major' ones. (Monty)

Rock & roll nerd : the Tim Minchin story.
Australian musical comedian Tim Minchin is as cute as a (slightly offensive) button on stage, and thankfully just as self-depreciating and geeky when off. This award winning documentary follows his first few steps towards fame as he gets an image makeover, pops off to the Edinburgh fringe fest to become a smash hit, and somewhat nervously confronts fatherhood. Minchin is an insightful, intelligent and extremely witty comic and his work never veers towards the low-brow musical comedy styles (although some of his topics are delightfully sordid!). The film is a fascinating insight into the world beyond the stage as Minchin struggles with the financial realities of producing and running his show and there's a wonderful love story that runs throughout between Minchin and his delightfully straight forward and feisty wife. It's an enlightening and brave film, and for anyone seeking a peak into the world of the almost but not quite famous it's a gem. (Craig)

Surveillance.
After the debacle of 'Boxing Helena' director Jennifer Lynch (daughter of David Lynch) disappeared, only to return 16 years later with this twisted 'thriller'. Julia Ormond & Bill Paxton are F.B.I Agents who descend on a small town police station to question 3 separate witnesses to a series of gruesome killings: a young girl, a drug addled woman, and one of the local cops. As each witness gives his or her version of events (with plenty of embellishment) what really happened is told via flashback, building up to the surprise twist. Wildly uneven in parts, but suspenseful (even if you manage to guess what's going on) and with some seriously demented moments that show the influence of her father. Probably not to everyone's taste, but worth checking out if you dig David Lynch movies. (Mark)

The UP series : the definitive collection of all the original UP series films.
Michael Apted has interviewed the same group of the English lower, middle and upper class every seven years since 1964 in what is one of the great film experiments. Apted says in either 21 or 28 up (watched in unison they become a confused blur of tweed jackets, fluro tracksuits and bad haircuts) that, 'this is the real subject of this documentary - opportunities.' John, Charles and Andrew withdraw as the series goes on, conscious of their early blunders and their less than charming representation of the upper class; Suzy becomes a strong independent mother and wife; the swarthy, confident Nick a nuclear physicist; the insecure public schooled Bruce a charismatic teacher at a multi-cultural London public school and then to Bangladesh; the gregarious Jackie and Sue by 42up are single mothers. Watched together the Up series becomes a compelling condensed log of lives and confirmation life can be way stranger than fiction. Neil confounds the phrase repeated at the end of every one of the Up series 'give me the boy at seven and I will give you the man..' The seven year old Neil is witty, banters and is thoughtfully imaginative. By 21 he's squatting and in the grip of depression. By 35 he's living in the perpetually glum Shetlands, acting in Pantomimes and sauntering home in ghostly mists. That Neil becomes better and is well enough to work for a council and has some kind of happy is a relief. Apted's seven year itch can continue and so can ours. (Monty)

Milk.
Sean Penn is a marvel in his portrayal of assassinated city official and gay rights campaigner Harvey Milk. Harvey was the first openly gay elected politician in the US and as such was a bold target for criticism from conservative quarters. The film follows his early, fairly unsuccessful political career and the grass roots community activism which ultimately allowed him to engage with a wider audience. Penn is well deserving of the praise heaped upon him for his compelling and realistic portrayal of Harvey, a complex man burdened with a social responsibility which often seemed to overwhelm him. The film is filled with an assembly of great characters and even better characterisations, but like many similar message films, the opposition, in this case played by Josh Broilin was a tad underutilised, nevertheless the film was fleshed out by some fantastic historical footage which highlights the social climate superbly. Penn, along with a superb supporting cast, build a film that still manages to be uplifting as the inevitable tragedies unfolds. In response to his critics Harvey once noted that, "all men are created equal. No matter how hard you try, you can never erase those words", and ultimately if anything the film is a wake up call for the lethargic reminding us that there are those who paid a severe price for the equality we experience today. (Craig)

Universal film noir collector's boxset.
Four 'Noir' films from the Universal vaults. The 'Big Clock' (1948) (later remade as Kevin Costner's 'No Way Out') sees Ray Milland play the overworked editor of a National crime magazine who has a dalliance with his bosses mistress. When his boss murders her later that night he decides to put the blame on the 'mysterious' man she was seen with earlier, and then assigns Milland the job of tracking him down - leaving Milland with the job of sidetracking the investigation away from himself & finding the real killer. The other 3 films all feature the same stars: Alan Ladd & Veronica Lake, whose on-screen chemistry made them one of the most popular cinema duo's of the 1940's. 'This Gun For Hire' (1942) is adapted from the novel by Graham Greene, and sees Ladd play a cold hitman who is stiffed on a job with some 'hot' bills from a bank robbery. Trailing the man who hired him he soon becomes involved with Lake's Nightclub singer/Undercover Agent and a plot involving international espionage. 'The Glass Key' (1942) adapted from Dashiel Hammett's tight novel of political corruption sees Ladd play the henchman of a crooked politician, who is backing a new Senator into power - in return for the attentions of his daughter (Lake). Meanwhile Lake's seedy playboy brother is romancing the politician's daughter - and when he is found dead Ladd sets out to prove his boss innocent of the crime. 'The Blue Dahila' (1946), a gritty look at post-war emotional fallout is perhaps the most interesting of the four, with its original screenplay by Raymond Chandler (allegedly written on a 2 week drunken bender to fulfil a contractual obligation) and sees Ladd play a disaffected war veteran who returns home just in time to be framed for the murder of his trampy wife. He then sets out to track down her real killer, becoming involved with the shady gangster owner of 'The Blue Dahila' nightclub, and his ex-wife (Lake). Good stuff if you're a fan of old films. (Mark)

Little Britain USA.
David Walliams and Matt Lucas' transported their show to the good old US last year for a short stint on HBO. Taking the show to the US could have been fraught with difficulties, cross cultural humour issues aside, the fact they are two of the most potentially offensive comedians working today meant there were fears they would have to dampened down their humour, even for HBO. Thankfully they have not, quite the opposite in fact, they happily shred American values and sensibilities on this 6 episode disc. Not all of it works, but there's a bunch of new characters and some old favourites returning so when it does work it's just as utterly hilarious as usual. Skewing American cultural norms for all their worth Matt and David don't hold back in their overt criticisms of US conservative values. Don't hold back, if you're a fan of the British version this is well worth seeing. (Craig)

Waltz with Bashir .
A documentary with a twist, Waltz with Bashir explores the director's inability to remember much of the 1982 Lebanon war, in which he took part. Its astounding animation draws us into the stories told, seamlessly gliding between present-day interviews with real people and their memories of particular events, some of which are really quite bizarre. It is both a gripping and intensely human portrayal of the war, and also the psychology of how memory works. (Carmel)

Buffalo Soldiers
'Buffalo Soldiers' had the misfortune to be made at a very bad time (just before Sep. 11, 2001) and as a result it ended up sitting on the shelf for 2 years before it was ever released. Based on the novel by Robert O'Connor, it sees Joaquin Phoenix play Ray Elwood, a clerk with the 317th Supply Battalion, stationed in West Germany just after the fall of the Berlin Wall. Ray really likes serving his country, as it affords him the opportunity to snow his good natured Commander (Ed Harris) while sleeping with his wife (Elizabeth McGovern), steal anything that isn't bolted down, and engage in various Black Market activities: from cooking Turkish Morphine into smack for the crooked MPs, to stealing wayward shipments of arms. It all comes to a grinding halt however, when an imposing new Sgt. arrives (a psychotic Scott Glenn), but the new Sgt. just happens to have a very hot daughter (Anna Pacquin), and as he begins to crack down on Ray's illegal activities, Ray decides to see just how far he can push him....Kind of like 'M*A*S*H' on hard drugs, 'Buffalo Soldiers' is an exceedingly dark comedy, definitely not to everyone's taste, as things spiral to an increasingly over the top ending, as Ray belatedly realizes just how crazy Scott Glenn's character is...(Mark)

Night at the Museum.
I was in the unique situation of watching Night at the Museum on DVD only 2 weeks before Night at the Museum 2 came out at the movies. I know these are kids films, but they are not strictly just for the kids. There's plenty of humour and action for all ages. I throughly enjoyed them (although the first one was miles better) and the cast includes so many famous faces that it just couldn't help but be a winner (my favourite was Steve Coogan as the miniature Roman general). 4 stars for movie # 1 / 3 stars for movie # 2. (Kini)

V : the mini series.
Back in the day, before 'straight to DVD' was the fashion, a 'made for TV' production ruled the home entertainment roost and the mini-series was often the height of televised sophistication. 'V' of course was one of the hugest smash hit made for TV mini-series ever broadcast on American TV. I'm not entirely sure of the numbers but something like a trillion billion dollars was spent making it and umpteen gazillion people tuned in to watch as supposedly benevolent alien beings arrive on earth and slowly but surely their dastardly plans are revealed. It's ace! Packed full of your B-grade 80's superstars (Mark Singer ahoy!) the acting is atrocious and forget subtext, its all there on the screen as those crypto-fascist aliens are beaten to a pulp by the rampant enthusiasm of gritty urban survivors; raised under a glorious free market capitalist system obviously. It's got it all, buckets of action, creepy cross species love stories, traitors, villains, guinea pigs being scoffed, nasty special effects, a very young Freddy Kruger and did I say action! It's essential viewing, apart from the complete lack of resolution at the end, that bits a bit of a bummer. (Craig)

The girl in the cafe.
There have been mixed reviews for this 2005 television film, but let me say at the outset that I love it. Anything starring Bill Nighy is magic for me, and here his talents are admirably matched by those of the luminous Scottish actress Kelly Macdonald. The chemistry between them is palpable and the relationship that develops between them is very believable. The production was conceived to tie-in both with the BBC's Africa Lives season of programming, and with the global Make Poverty History campaign, for which writer Curtis was a prominent campaigner. As such, it was also shown in South Africa on the same day as its UK and US premieres. It is touching love story with a powerful humanitarian message. Lawrence, an aging, lonely civil servant, falls for Gina, an enigmatic young woman he meets in a cafe. When he takes her to the G8 Summit in Reykjavik, however, their bond is tested by Lawrence's obligations. So you can have it all - an awkward but sympathetic couple falling in love against the odds, a powerful political polemic and the stunning scenery of Iceland. Just the thing for a wintery Wellington weekend!! (Sue)

You kill me.
Offbeat black comedy from Neo-Noir director John Dahl ('The Last Seduction', 'Red Rock West') sees Ben Kingsley play a hit-man for the Polish Mob in Buffalo, with a nasty drinking problem. When he botches an important hit, his boss sends him packing to San Francisco to dry out. Forced to join A.A, he acquires a sponsor (a mellow Luke Wilson), and a job at a Funeral Parlour, where he strikes up a relationship with the acerbic Tea Leoni. Some hilarious moments ensue, as Frank calmly explains to his A.A group how drinking was affecting his 'performance' on the job, and that there's nothing wrong with killing people - just killing them 'badly' - but the movie is more a wry take on Romance as much it is a somewhat violent noir-comedy. Kingsley is great as usual, and shares some real chemistry with the sharp tongued Leoni. Different but well worth checking out. (Mark)

The duchess.
Keira again but her acting was much better than it was in Silk Road. An 18th century rich little princess marries an older richer man her mother chose for her. He is cold and clinical with her and she believes that all men are like that. That is until her friend encourages her to have an affair with a gorgeous young politician. She is known for her extravagant fashions and uses her fame to raise awareness of his political cause. I can't tell the rest or I will ruin it for the watcher. 3 1/2 stars. (Kini)

Flight 666 : the film.
Flight 666 is a documentary covering the first leg of Iron Maidens Somewhere Back In Time world tour. Filmed by Sam Dunn, director of the award winning Headbangers Journey, the band cover 13 countries in 45 days, travelling 70,000km and performing to almost half a million fans in 23 sold out shows. Flight 666 is a unique look into the inner workings of a hugely successful metal band on tour. Packed with highlights, for a band going on 30 years their shows are still intense affairs, and the gigs, particularly those in South America, are rabid with utterly unhinged levels of fandom. Backstage antics are suitably tame for a bunch of 50 plus rockers (best not look at them to closely) but the interviews with the band members and crew are a gentle reminder that Iron Maiden have a huge amount of respect for their fans and realize they have to be in top form for every gig (the live footage is incredible!!). Backed with a bonus second disc of live clips from every show of the tour this is another in an increasingly long line of recent documentary films offering a fascinating and intelligent peek into the world of Metal. (Craig)

Young @ Heart.
This sounds as if it could be awful - a group of oldies with an average age of 80 - singing rock/punk/soul songs. But it is totally enthralling, uplifting, funny and sad. Even my 13 year old liked their version of Cold Play's "Fix It". Best thing I've seen all year. (Pippa)

The Jane Austen book club.
I had avoided watching this for some time because I recall the reviews were not very good when it came out. But I liked it - a lot! It is more of a chick flick and the story is also sort of predictable, but it is largely character-driven. 6 people get together to form a book club to read the 6 Jane Austen novels. They all read one book each month and the story of their relationships and friendships develops as the books are discussed. A solid 3 stars from me. (Kini)

All about Eve.
Between her role in 'Jezebel' (1938) 12 years earlier, and her role in 'Whatever happened to Baby Jane' (1962) 12 years later, Bette Davis as Margo Channing in 'All about Eve' (1950) has to be her finest most famous role. Margo Channing, an ageing Broadway actress, takes in Eve Harrington (Anne Baxter) an adoring fan, as her Personal Assistant. Eve however, has other aspirations in mind and she schemes and manipulates her way not only into Margo's home, she wants her lifestyle as well, and on her course of ambition and betrayal, she will say and do whatever, and hurt whoever she has to achieve her goal of stardom. But along with that, does she achieve happiness? 'All About Eve' nominated for 14 Academy Awards, winning only 6, however a Classic in it's own right, making this Bette Davis performance alone more than worthy of her star on the Hollywood walk of fame. An oldie but a goody as they say, classic movies from the 40's and 50's are my treat! Where else would you hear those famous one liners? This one the most legendary of them all, Bette Davis as Margo Channing in/from 'All about Eve: "Fasten your seat belts, it's going to be a bumpy ride!" Classic! (Ethel)

Traitor .
Intriguing thriller that benefits from two top notch actors (Guy Pearce & Don Cheadle) who don't usually turn up in this sort of thing. A team of F.B.I agents begin to investigate a devout Muslim and ex-Special Forces soldier (Cheadle) in an Afghani prison, after they discover he is linked to a high level terrorist. When Cheadle escapes and becomes involved in a series of international bombings, Pearce and his F.B.I team pursue him across Europe and America. To say any more would give things away, but 'Traitor' is a far more effective movie than the much more high profile 'Body of Lies', a morally ambiguous tale of divided loyalties and shaded truths, all anchored by Cheadle's excellently nuanced performance. (Mark)

Takin' over the asylum
This is a BBC series (6 episodes) set in 1994. Ready Eddie McKenna (Ken Stott) is a double-glazing salesman and radio DJ. When he gets fired from his radio station slot he is told of an opportunity at the local mental hospital, St. Jude's. There he meets Campbell (David Tennant) who is manic depressive (mostly manic) and together they re-launch St. Jude's radio station. They play old 60's hits (great soundtrack) to the patients who become both his biggest fans and station workers. It's funny at times but its also deeply moving and slightly sad. It shows that there's just a little bit of crazy in all of us. 6 stars out of 5!!! ;). (Kini)

The Spirit.
In the same ilk as Sin City with a graphical rendition of stark black and white and red (for the blood), but without the power. Tries hard to be funny but can't quite work out if it's supposed to be a comedy or a smart sassy flick and fails for the most part so all that really hits you is the black and white and red. A star cast who look like they are trying too hard to be smart and sassy or just going through the motions. But if you like lots of bullets, it's fine. (Martin).

MythBusters. Season 1.
Adam and Jamie, two of the most wonderfully geeky true life TV stars ever, host this hit science based show. Investigating the truth to a plethora of urban legends they set about to test hypothesis, injuring themselves, destroying items, blowing things up and dismantling plenty of myths along the way. The first series is essential viewing, low budget with plenty of smash and grab experiments of some well known and hilarious suburban myths. Both Jamie and Adam have a long history in the special effects industry and the shows highlights are often watching their ingenuity and skills when constructing machines or setting up the experiments. They investigate a huge range of urban myths such as just how much facial matter contaminates your toothbrush when it sits in the bathroom all the way through to does sinking a ship to find out if you'd really be sucked down in a vortex and my personal favourite, can you really get the smell of a dead body out of car (yeah, that one is particularly fascinating). It's all excellent fun, vastly illuminating and something you can dip into at any stage of the series, there's sure to be some bizarre urban myth along the way that perks your interest. (Craig)

Chalk.
Mocumentary set in a secondary school around the lives of the teachers. It was good, but had potential to be so much better. For example, the rookie history teacher and the P.E. teacher romance could have been played out a lot better. But there are quite a few laughs in the short space of the film. The spelling bee is particularly good. My favourite character was the teacher trying to get voted "teacher of the year". (Kini)

Changeling.
Clint Eastwood once again weighs in with another great film. A period piece set in 1920's Los Angeles, it sees Angelina Jolie play Christine Collins, a single mother who returns home one day to find her son Walter missing. She files a missing persons' report with the Los Angeles Police Department, and 5 months later they find her son - except it's not really her son. What follows would seem an over-the-top, Kafka-esque, drama of false identification, police corruption & brutalization, forcible commitment, and media manipulation - if it all wasn't based on a true story - as Christine continues to insist that the police have made a mistake and her son is still missing. Sure, Jolie seems far prettier than anyone else in the 1920's, and her lipstick never seems to lose its gloss, but she is still totally engaging in the role. After an 'honest' Missing Person's Detective finally discovers the boy's fate, the movie should have ended - but it drags on for an unnecessary code, which is really the only weakness in an otherwise great film. John Malkovich has a supporting role as a crusading Pastor who rallies public support for her cause, but it's Jeffrey Donovan (T.V's 'Burn Notice') that stands out as the slimy LAPD Captain J.J Jones. (Mark)

Burn after reading.
A really great line-up of actors in this one with some stellar performances. I had been told that Brad Pitt's dumb gym instructor character was worth a watch and I wasn't disappointed. Not hard to see why this has already received the "Librarian's choice" sticker. A quirky comedy. 3 or 4 stars, I can't decide. (Kini)

Two fat ladies. The complete first series.
A golden sticker on the cover of this 1997 production says this is Prince Charles' favourite television programme. Would today's environmentally concerned Charles - so keen on us all changing our lifestyles and cutting back - think the same? Butter, eggs, sugar, bacon fat, lard, dripping (are they the same thing?) everything wrapped in bacon, abnormally sized anchovies stuffed into crevices, more bacon fat - I loved every greasy second and then felt a little bit queasy. Jennifer and Clarissa bounce around estates, manors and convents like a secondary drive is to cook in every kind of kitchen in English existence and by the time they make bubble and squeak under the elevated ceilings of a school it feels like they have. They're a double act and the repartee is sparkling, historically enlightening and charmingly irreverent. They streak around in a motorbike and side car and the English country side and England's cuisine has never seemed more enticing or unchanged; no wonder Charles loved them so much. (Monty)

Role Models.
More juvenile redundant puerile base humour from Paul Rudd and co. Bless them. Role Models is another of those re-imaginings of the American gross-out films we regularly see being released (with the now obligatory bonus of saccharine undertones). It's certainly no 40-Year-Old Virgin or Superbad, but in as much as it similarly harkens back to 80's risque fests (with a heavy debt to Judd Apatow) it's easily humorous enough to spend 90 minutes with. The jokes are well placed, there's a whole bunch of suitably bizarre and easily ridiculed characters and while the script isn't entirely original, Rudd and co-star Seann William Scott are given ample room to improvise and lark about so the laughs are frequent and sometimes even innovative. Not recommended for the fan of medieval re-enactments, child-care professionals or recently rehabilitated cocaine addicts, aside from that, game on if you're after something light with a touch of the dark. (Craig)

Seven pounds.
Intriguing, if somewhat pretentious and unbelievable, 'Seven Pounds' sees Will Smith play Ben Thomas an IRS agent who has suffered a pivotal tragedy of some kind in his life. As a result he decides to help 7 strangers, and drastically change their lives. Just who he is, what happened to him, and what his 'plan' is, is gradually revealed over the course of the movie. Smith is mostly good, and the movie tends to draw you in despite its overly familiar and manipulative structure. Worth checking out if you enjoyed '21 Grams'. (Mark)

Speed dating.
I just loved this movie! James is a serial speed-dater and after he starts making the women uncomfortable he is asked to leave and never come back to the events. He tells his therapist that he just can't sell himself to girls in only 3 minutes and he has absolutely no idea what he wants to do with his life. His attempts to make himself appear more "mysterious" to women land him in hot water with the police. After he is hit by a car he gets temporary amnesia and the business card from the speed dating company is one of the only clues. With the help of his nurse he tries to retrace his steps and piece it all together. This one is a 5 out of 5 stars for me. (Kini)

Danger! 50,000 volts.
British comedian Nick Frost hosts two series, this one and Danger! Incoming attack, of this light hearted and low budget tour of things that can kill you, maim you, or just give you a nasty rash. Nick plays his usual role of the hearty buffoon and guides us through a few scenarios like driving a tank, avoiding mine fields and how to capture, cook and eat a rat (yum). It's a little dated (circa early 00's TV fun times) but Nick's an enthusiastic enough host to provide a few solid chortles as he imparts totally worthless information in a entirely entertaining manner. Pick it up if you just want something quirky to flick on occasionally or your just paranoid enough to really need to know how to escape the jaws of an alligator, avoid rampaging mobs or become your friendly neighbourhood sniper. (Craig)

My Blueberry nights .
This one is quite a slow paced romantic drama. In the wrong mood the watcher may get bored, but I found it was good enough for a wet Sunday afternoon. Natalie Portman puts in a good performance as the gambling gal in Las Vegas.(Kini)

Grumpy old women : live
Have you ever gone tut-tut when some-one doesn't say thank-you when you hold the door open for you? - if the answer is Yes then "Grumpy Old Women : Live" is the DVD for you. A no-holds barred, tell it like it is, nothing is sacred live performance about middle-age, menopause and all the changes that go with it will make you realise you are "not alone"!! Husbands, partners and boyfriends - go on, give it a go too -it is a very, very funny show - you will enjoy it. (Liz)

What happens in Vegas.
Predictable, but sometimes that is just the sort of DVD you need (in my case it was a welcome distraction on a wet cold Wellington weekend). Ashton & Cameron both give good performances as a couple who get drunk and married in Vegas and the next day win big in the casino. When a judge orders them to live together for 6 months before he will grant their divorce they each try to get the other to quit on the relationship and forfeit the money. 3 stars from me. (Kini)

Bound.
This sexy & fun pre-Matrix thriller from the Wachowski Brothers sees Jennifer Tilly play a gun-moll who wants to ditch her mobster boyfriend (Joe Pantoliano). When ex-con 'handyman' Corky (Gina Gershon) drops by to fix the pipes, some sultry eye contact leads to a steamy affair, and a plan to steal 2 million of the Mob's money that her boyfriend is holding for his bosses. Full of clever unexpected twists, some over the top violence, and very black humour, it's not for everyone - but worth checking out if you're a Tarantino or Coen brothers fan. (Mark)

The painted veil.
This is a stunning visual film and the storyline is exceptionally good also. It's a reasonably long movie to watch, but I was completely captivated for the entire film. A young scientist and his new wife move to Shanghai from England. She doesn't really love him but wants to leave her family (who held fears they would have to support her forever). When there's a cholera outbreak in rural China and the local doctor dies, he decides to take up the post and drag her along to punish her for having an affair. I have rated it my highest 5 stars out of 5. (Kini)

Taste of Cherry.
A man drives through a dusted Iranian city scape. He stops in front of strangers; carefully chosen strangers - but strangers nonetheless. In the course of the very short trips beside him they find out why they have been chosen, he wants them to help him die.
Kiarostami does not explain why; this man has a nice car, he is normal, well spoken. One by one he is refused - the soldier, the religion student - will no one help him? A university teacher finally agrees to check the spot he has chosen the next morning. The actors are all amateurs; seemingly, the effect is natural, unforced. The shots are extended, dust drifts aggressively by, morning arrives. We never leave that car, night ensues. The ending is wilfully mysterious and that total change in emphasis surprises. This really is a film about life. (Monty)

Two Weeks.
I've recently watched Two Weeks with Sally Field. It was fabulous. We laughed, we cried and recognised how sick we are. If you have lost anyone to cancer you will empathise. Enjoy. (Pru)

P.S. I Love You.
This was another of those films I avoided thinking the plot sounded like something that had been done to death (no pun intended) many times before with the likes of Ghost and The Lake House. A young husband dies leaving his wife devastated, but reaches out to her through letters he has written to help her after his death. This actually turned out to be an excellent wee film. Where I was expecting a predictable romantic plot turn, it just didn't happen. Instead it was actually a fairly realistic portrayal of a young woman dealing with grief and healing herself and the relationship with her mother (played by Kathy Bates). P.S. It is a bit of a tear-jerker! (Kini)

August Rush .
Young Evan lives in an orphanage, but he hears music all around him - in the wind, the fields, the everyday noises. He believes his parents are speaking to him through music and one day they will find him. When he runs away to New York he follows that music and meets The Wizard (Robin Williams) who teaches him how to tune into his talents. Meanwhile each of his parents are following their own musical journey and re-discovering talents from their past. This one will be in my best picks of the year for sure! It was absolutely wonderful. 6 stars out of 5! :) (Kini)

Ashes of American flags
Wilco is the greatest contemporary American rock band. If you're in any doubt of this fact then watching the 6 minutes of Handshake Drugs off their latest DVD release Ashes of an American Flag will alleviate your uncertainty. Filmed over a run of select concerts, held in intimate and legendary venues, Ashes is a stunning concert and documentary set, where the songs are intercut with the various members of Wilco ruminating about life on the road, music's role in their own lives and its wider impact and influence upon society. As expected the level of musicianship on offer is dazzling. With Jeff Tweedy so often portrayed as a tortured tyrant it's a pleasant surprise to see the entire band working together to truly inhabit each song, not to mention we get the chance to view some real musical democracy on offer as each band member is offered a chance to genuinely shine. Nel's Clines guitar work and Glenn Kotche's percussion are particular highlights, but the other members are all expertly filmed with a warm mix of saturated widescreen and intimate HD all bound together with a wistful, nostalgic and welcoming super 8 feel. (Craig)

The wackness.
If you ever wanted to see Oscar winning Sir Ben Kingsley doing bong hits, making out with an Olsen twin or quoting Biggie Smalls, then this is the movie for you. Dope dealing slacker Shapiro (Josh Peck) has problems: he's kind of bummed out, and also really needs to get laid. Luckily he has some help from his therapist Dr Squires (Kingsley) who is happy to trade psychology sessions for quality marijuana, and pass on his wealth of knowledge on life, love and other matters. What begins as a strictly 'business' relationship blooms into an odd-couple friendship as the naive Shapiro begins to fall for Dr. Squires sexy sophisticated stepdaughter (Olivia Thirlby) & Squires' marriage to his younger wife (Famke Janssen) begins to fall apart. This slice of 'nostalgia'/coming-of-age tale from director Jonathan Levine recreates New York circa 1994, perfectly capturing the fashion, music, and language; and while it's a bit implausible in parts it's never short of entertaining, and often hilarious. (Mark)

The black balloon.
Thomas has moved around schools quite a lot as his Dad's in the army. So it's hard enough fitting in. But with an autistic brother who seems set on embarrassing him at every turn, life's not easy. Add a heavily pregnant mother (Toni Colette) on bed rest and a Dad who talks to a teddy bear and he has quite a lot on his plate! Enter the love interest...who just happens to be great with his brother and a lot less embarrassed about stuff than Thomas. She helps him come to understand and love Charlie as he is. A really good Australian film. (Kini)

Gran Torino.
Gran Torino is supposedly Clint Eastwood's last film, in front of the camera at least, and his portrayal of cantankerous old Walt plays expert homage to a career filled with such stoic and conservative characters. With a sly nod to the ridiculousness of a legacy of misanthropic and uber-masculine characters Clint brings Walt thundering onto the screen with a sneer, a grimace and a grumble as the aged war veteran loses his beloved wife and considers the multigenerational Asian family moving in next door. An incident occurs, a few beers follow, and Walt's prejudices soften, somewhat. It's a moving film, somewhat uneven due to the amateur status of most of the cast, but this is also perhaps it's most endearing aspect as the older veteran Eastwood grants plenty of screen time to the debut performances of an inexperienced cast. With a script full of deft putdowns and rambunctious un-pc one liners it's certainly an entertaining, funny and sharp film. Ultimately, I guess the film points to a fact Eastwood has been noting for years in his films, everyone has a story and in amongst all that minutiae there's some pain, some laughs and some struggles for almost all of us. Let us hope we all get to Walt's age and still be willing to drop a few prejudices. (Craig)

Butterfly on a wheel.
'Butterfly on a Wheel' (released as 'Shattered' in the US) is one of those thriller's that's a bit B-movie-ish, but has an A-grade cast so ends up as being a fairly watchable couple of hours. Neil & Abby (300's Gerard Butler & Maria Bello) seem the perfect couple, financially secure & living happily with their young daughter, until one day a stranger (a steely eyed Pierce Brosnan) gets into their car, holds them at gunpoint and tells them that unless they do exactly what he says their daughter, whom he is holding prisoner, will die. Brosnan seems to have a very personal score to settle with the seemingly innocuous couple, and just what that score is, is what this movie is all about. The three leads are all pretty good, and it tends to avoid the predictable action, car chases and ordinary-people-doing-crazy things, for something a little more subtle, and keeps you intrigued enough to hang around for the twist at the end. Worth a look in. (Mark)

How about you.
Ellie finds herself left in charge of her sister's home for the elderly over Christmas, complete with 4 of its most difficult residents. 3 of them refused to be relocated to another home nearby over the Christmas stand-down and 1 of them is actually banned from the place. What transpires is a heart-warming story where 5 people who seems completely incongruous with each other band together to have a 'family' Christmas. Great performances from a very good cast including Imelda Staunton & Vanessa Redgrave. (Kini)

Looking for Fidel.
At times, in this Oliver Stone directed film, Fidel seems tired, withdrawn, exhausted. It's miraculous that Stone gets this private audience. He even gets to interrogate ten desperate Cuban hijackers with Fidel present - of course, it's a media beat-up, a propaganda exclusive but, this is powerful stuff, first-hand evidence of a totalitarian regime of repression. It's a shame that Stone can't still that camera for a second - it's all cut, cut, cut and the camera fidgets more than a hypothermic Woody Allen. The few times the camera settles on Fidel, not Stone - I'm not sure Stone doesn't know he's not the reason for this - but, when it does settle on a deflated, aged Fidel, and Stone asks about death, about the inherent sense in appointing a successor, Fidel looks every bit the sick man he would become. Fidel takes Stone to a Cuban hospital - an example of all the good he has done for his people - and he has his blood pressure and pulse taken. 'He has the heart rate of a 32 year old,' says the doctor. 'How many years will I live?' asks Fidel. Doctor. 'A 100, maybe more.' This could have been the great portrait of a falling giant. There are brilliant moments though, that turn a stomach. (Monty)

Twilight.
My family enjoyed 'Twilight" the DVD. Not too gory, but it is a chic flick. Apparently the second and third books are gorier so guys will like them more. (Brigid)

The Madness of King George .
Based on Alan Bennett's acclaimed play The Madness of King George is a black comedy/drama taking a look at a period of mental illness suffered by King George III. Nigel Hawthorne's' performance as King George is a marvellous portrayal of a man slipping further into the grips of serious dementia. With wonderful supporting performances from Helen Mirren, as his dedicated wife, Ian Holm, as a proto-psychiatrist well ahead of his time with treatments and Rupert Everett as the hilariously pouting treacherous son. Like all Bennett works the script is a marvel of erudite wit, but it would be nothing without the truly fantastic performances from an inspired ensemble cast the keeps the 'cleverness' in check and allows the story to remain immensely human. A harsh, gritty and in parts very funny film, The Madness of King George is well worth a viewing just for the opportunity to get wistful and nostalgic and at the end say, "they don't make 'em like that anymore". (Craig)

Apron Strings
Good NZ film. A young man goes in search of his Indian culture in South Auckland. He takes on a job in a restaurant working for his Aunt (unknown to either her or his mother). 4 stars. (Kini)

The White Masai.
I was too lazy to read the book when it was recommended to me, so opted for the DVD. One of the best films I have seen in a very long time. A young Swiss woman is literally stopped in her tracks by an attraction to a Masai while on holiday with her boyfriend. She abandons him and goes in search of him and his tribe. This one got 5 stars! (Kini)

Wiseguy. Season 1.
'Wiseguy' is where modern TV really began. Ken Wahl played Vinnie Terranova, an undercover operative with the F.B.I Organised Crime Bureau. Tasked with infiltrating various criminal enterprises to gather evidence from the inside, Vinnie is aided by his cynical handler McPike (Jonathan Banks) & his on the ground support 'Lifeguard' (played by double-amputee Jim Byrnes). Vinnie's missions played out in 'Story-Arcs' or 'Arc's', a then radical approach that allowed a story with a larger scope to play out over 6-10 episodes. The first 9 episode 'Arc' has Vinnie infiltrate the New Jersey Mob family of Sonny Steelgrove (Ray Sharkey), eventually becoming his trusted friend, all the while gathering evidence against him. The second 'Arc' sees Vinnie investigating a mysterious assassin called Roger Lococco (William Russ) who turns out to be working for the Drugs & Guns crime boss Mel Profitt (played by a then unknown stage actor called Kevin Spacey) a paranoid criminal genius with a penchant for Malthusian economic theory, and injecting Heroin between his toes ('Only the toes knows' becoming a trademark line). Sure the style is all a bit 80's, but the show did what no other show had done before, and what countless others have copied since: create believable, charismatic, well written characters - on both sides of the law - and play out a solidly entertaining full-length story full of twists & moral shadings. (Mark)

The Visitor.
This film will stay with me for a long time. When Walter goes away to a conference and enters the apartment he owns in that city, he finds it occupied by a Syrian man, Tarik and his Senegalese girlfriend (both illegal immigrants). He agrees to let them stay until they find somewhere to stay. Hopeless at playing piano and desperate to be "musical" Tarik encourages Walter to find his own rhythm playing the drum. When Tarik is arrested in the subway, Walter feels responsible and visits him daily at the detention centre. He pays for a lawyer and offers Tarik's mother a place to stay so she can be close to her son. Wonderful film! (Kini)

Margaret Thatcher : the long walk to Finchley.
This is a film which will delight Anglophiles - it is a subtle and understated comedy based on Margaret Thatcher's ten - year struggle to obtain a 'winnable' Tory seat in the fifties. It begins on the night that she met her husband-to be Denis and continues until she wins nomination and election in the seat with which she has been associated ever after -Finchley. A mischievous and highly amusing reason for her ultimate success has been invented here. It involves the enigmatic man from whom she ultimately wrested the top job - Edward Heath. The movie underlines the premise that politics were central to her life - almost to the exclusion of everything else. There are many in-jokes which will evoke a smile, but the principal reasons for watching it will be the very creditable performances of Andrea Riseborough and Rory Kinnear as Margaret and Denis Thatcher and the marvellous evocation of fifties Britain, in manners, motors, social customs and costume. (Sue)

Chased by dinosaurs.
Naturalist Nigel Marven once again travels back in time, to roam amongst the beasts of yore. My son and I have been transfixed by Nigel's explorations into the world of dinosaurs since we first viewed Prehistoric Park (another great series by the way). This is a fantastic DVD, Nigel jumps back in time to visit the seven deadliest seas, the CGI is great, this and Prehistoric Park are both BBC productions so you know you're going to be in for some quality viewing with decent production values. Nigel himself is a treat, an insanely passionate naturalist, although not a natural 'actor', he dives into his performance and I often found myself completely forgetting we weren't actually watching 'real' events unfold. I've re-learnt a lot about dinosaurs since watching these DVDs, and as far as bonding experiences go you really can't fault two lads sitting on the couch, eating their fish and chips, while watching a fifty ton Megalodon devour prehistoric whales (and if you don't know what a Megalodon is, you should definitely watch this DVD immediately). (Craig)

Near Dark.
Vampires. They're everywhere. Brooding on the covers of popular fiction, befriending lonely teenage girls, starring in their own TV shows. And they're all really nice people. They just want to solve crimes, satisfy a woman's every desire, capture the hearts of teenage girls, and co-exist peacefully with all of us. Except maybe these vampires....'Near Dark' was the first effort from James Cameron's ex-wife, Kathryn Bigelow - who would later helm the epically stupid 'Point Break' - full of B-movie stalwarts like Bill Paxton & Lance Henriksen. A young farm boy (a then unknown Adrian Pasdar who would later find fame on 'Heroes') falls for a girl who turns out to be from a group of bloodsuckers. Turned into one of them, he falls in with her 'family', a nasty & violent 'coven'...but just how far will he go to be with the girl he loves? Sure it takes itself far to seriously and is full of plot holes - but what separates 'Near Dark' from every other vampire movie is a sinister sense of atmosphere & it's gritty take on the genre (the word 'vampire' is never actually used) as Bigelow recasts the 'vampires' as spree killing rednecks straight out of Springsteen's 'Nebraska'...definitely a cult classic of sorts. (Mark)

Outsourced.
When his call centre in Seattle gets outsourced to India - Todd is asked to go over and train his replacement. From the minute he arrives and gets high jacked from the hotel he was booked into and taken to 'Aunty Ji's guesthouse', it's clear that he is going to have fun getting to grips with the ins and outs of Indian culture. The Indian people can't say his name correctly and so for the entire film they refer to him as "Mr Toad". It's a good romantic comedy. We really enjoyed this one despite the rather ambiguous ending. (Kini)

2 days in Paris
Julie Delphy irritated me for the entire film (I guess I should have remembered that I hated her in Before Sunset too), but I was somehow compelled to watch it through to conclusion. Adam Goldberg gives an exceptionally good performance as her hysterical, paranoid hypochondriac boyfriend. Enjoyed the French and scenes of Parisian life. Judge for yourself, but it only got 2 stars from me. (Kini)

Mirrormask .
What ho! Hallucinatory fun with a deadpan acceptance of it as reality. A girl lives in a circus family and yearns for running away to normality. The opposite happens. Light-hearted fairy-tale feelgood identity-discovery tale. Great visuals, easy story line, good for anyone who can relate to a yearning for a life either less or more interesting than the one they currently have. Might be a little simplistic / predictable for anyone fixated on twists and intrigue, but it's an excellent teen/pre-teen story, and great for adults who like things nice. (Michael)

Miss Pettigrew lives for a day
Awesome little film! Haven't seen such a truly charming film since Mrs Palfrey at the Claremont. It's London 1939 and the penniless Mrs Pettigrew finds herself dining at a soup kitchen after losing her latest job as a governess. The next day she finds herself embroiled in the lifestyles of the rich & famous when she shows up at the door of Miss Delysia Lafosse, actress. The characters are all delightful. It's a top quality feel-good film. (Kini)

Breaking and entering.
I recently saw the DVD 'Breaking and Entering' starring Jude Law and Juliette Binoche. It is a movie from the director of 'Cold Mountain' and 'The English Patient' and while it's not a thriller or full of action, it is a modern movie that is very thought-provoking. The twists of fate within the lives of the two families the story is mainly about, are real for today's world and make this movie one to be seen when in a quiet, reflective type of mood. (Suzanne)

Chrysalis.
Pretty good French sci-fi movie, which blends a touch of Phillip K Dick, Ridley Scott's 'Blade Runner', and martial arts into an entertaining mix. Set in Paris in 2025, Albert Dupontel plays a suitably grim French 'Europol' Detective, out to track down the killer of his partner. Meanwhile a young girl (Melanie Thierry) recovers from a horrific car accident in a clinic run by her mother. Their two stories eventually mix together, and while the movie ultimately loses itself in its ambitions, it's still plenty stylish and entertaining, particularly in its subtle use of futuristic technology and the brilliantly claustrophobic version of Paris, where the only colours left seem either black, grey or blue. (Mark)

Funny Games.
In this exploration of violence, and our reaction as viewers to its portrayal, controversial director Michael Haneke takes a simple home invasion premise and shapes a claustrophobic and horrifying masterpiece. Tim Roth and Naomi Watts, who also produces the film, play a wealthy couple with a young son, all set for a relaxing weekend in their lakeside manor. Two young and polite gentlemen from next door arrive, one asks to borrow some eggs, and mayhem ensues. It is difficult to recommend a film that is distressing to watch, but what sets this film apart is the fact that it creates such a level of tension and unease when really little actual violence is shown onscreen. With sly nods to the audience and scenes that are allowed to reconfigure at will, the film's 'message' is very clear and keenly felt, almost within the first 30 minutes. As a comment upon our obsession with film violence it succeeds at every level, as a thriller perhaps less so, there's nothing to thrill here, but plenty to think about for days to come. (Craig)

Caramel.
Who would think that a charming movie like this could come out of Beirut? The writer, director and also lead role is Nadine Labaki, apparently a well-known actress and music video director in the Middle East. She shows, in this her first movie, her fine sense of cinematography and sophisticated talents with a touch of Pedro Almodovar. The film is set in a Beirut beauty salon and is about five ordinary Lebanese women from different generations and backgrounds. Each of them has their own problems but they try to overcome and make a difference. It depicts their everyday struggles with a comical touch. It's beautifully shot and funny, but life can turn bitter. The plot itself is nothing new but it's sweet like the title, and above all, Labaki's love for the city of Beirut and its people seeps out from the screen. (Shinji)

The last of the Mohicans.
In our life, the most beautiful and precious thing we are given is I think Love. Just one simple word, this movie is amazing!! When I saw this movie on the shelf at my library, I was thrilled. Daniel Day-Lewis is such a great actor. The movies he plays never disappointed me. And Madeleine Stowe acted gracefully with her beautiful eyes in this film. Your heart will be full of love, sadness and happiness after watching this film. (Eun Young)

Australia.
Love it or hate it, you cannot get past the vast magnificence of this land and its people, that is the 'people of the land'.. We see Australia through the eyes of an Aboriginal child (Nullah), and the relationship between him and his wise Grandfather (King George), physically apart, but spiritually together, of the same country but in different worlds. The ever protective eye of 'King George' forever watching over his Grandson 'from a distance', so far, but yet so near.. We see the ever increasing love between an English aristocrat (Nicole Kidman) and a Drover (Hugh Jackman) blossom, and that love flow onto this aboriginal child, Nullah.. And in between all of this, we see cattle being driven from A to B, and we see the ugliness of racism and prejudice, and the divide between rich and poor, and the Japanese bombing of Darwin early in WWll.. Over 2 half hours filled with the magnificence that is Australia, I hear moans and groans - gosh if you can sit through 'Gone with the Wind' you can sit through this.. You feel almost every emotion there is to feel. Happiness, Joy, Love, Hate, Anger, Sorrow, Hurt, Pride.. the list is endless.. If you come out of this feeling 'nothing' at all, but tired and bored and sleepy, well what more can I say, the emotion then I say is 'sad'.. Yes, we see the magnificence of this country Australia, but through the eyes of an aboriginal child.. I saw more than that! ..'come Nullah 'tis time to go walkabout!'.. (Ethel)

Plein soleil.
This is the first time 'Tom Ripley,' Patricia Highsmith's sociopathic fraudster, & murderer appeared in all his handsome, boyish glory on screen. Alain Delon is devilishly blue-eyed, mystifyingly passive and perfectly ambivalent as Ripley. This is the same story told in 'The Talented Mr Ripley,' and the European locations are similarly stunning, the story-telling as taut. There are strong differences. The actors play with a chilly, detached cool. Some scenes hint at an evil in Ripley - in 'Plein Soleil' he is not misunderstood, he is not struggling with what little there is of his conscience - the psychology prominent in the second Ripley is missing, this Ripley has no motivation, he kills because it suits. When he walks through a fish market and examines one crustacean, one fish, in detail, one after another after another you wonder if it's because Ripley is as primal, as instinctive. Clement's Ripley is icier than Damon's and more believable than Malkovich's - Highsmith thought Delon the perfect Ripley, and I agree. (Monty)

Bella .
Bella is great. It is the story of an ex pro-footballer whose career ended suddenly (you find out why later in the film). He winds up working in a restaurant kitchen for his brother. When one of the waitresses gets fired he follows her for the day and takes her to the beach to meet his parents. Can't say much more without giving away the plot...but it was a very touching film. A bit of salsa in it too, so I liked that! (Kini)

Body of lies
Slow moving, but intriguing Ridley Scott movie (adapted from the novel by David Ignatius) sees Leonardo DiCaprio give a convincing performance as Roger Ferris, the CIA's ground man in the Middle-East war-on-terror, working on tracking down a major Bin Laden type terrorist. Assisting, and interfering, from afar - via a real time live satellite link - is his handler Ed Hoffman (played with method relish by a fattened up Russell Crowe). DiCaprio gives a great performance, far more convincing than he was in the more celebrated 'The Departed', as an even handed agent who respects the local authorities and culture and is struggling against the political interference and power plays from Washington, as much as he is against the intricacies of the intelligence game. When DiCaprio hatches an intricate plan to smoke out the terrorist leader, he unwittingly sets in motion a series of events that puts the life of his new girlfriend in danger...More 'realistic' than one would expect, nevertheless it somehow fails to gel entirely into the movie it wants to be, falling in the end somewhere in between the jingo-esque action of fairly awful 'The Kingdom', and the geo-political weight of the heavier 'Syriana'. (Mark)

In Bruges.
A triumphant return to form from Colin Farrell, a dutifully subtle showing from Brendan Gleeson and a intense, thoroughly intimidating performance from Ralph Finnes. In Bruges is a crisp, very funny and immensely satisfying film. It's the tale of two hit-men sent to the historic Belgium town to 'cool off' after a extremely unfortunate complication with their last job. One's bored, one's fascinated; mayhem and very dark hilarity ensues. With a script full of deft comedic and dramatic touches In Bruges is one of those rare films that satisfies on both the visceral and emotive level. I highly recommend it. (Craig)

Recently we have enjoyed 'In Bruges' - it is rather macabre but humorous as well. Ralph Fiennes is surprising as he breaks free of his usual extremely proper British type of character. (Pru)

Sabah : a love story.
Sabah is a muslim woman who is single and kind of dowdy. She decides to start swimming when she turns 40 and meets Stephen at the pool. She's not sure her family will accept him so keeps it secret. Watching Sabah unfold into a beautiful confident woman in love is the best part of the film. Plus it had great dancing! (Kini)

4 months, 3 weeks and 2 days.
Under the Ceauseecu era, in communist Romania, an abortion was an unlawful act and unwanted pregnancy caused huge problems. The movie depicts a day of Otilia's life, who reluctantly helps her roommate to get an underground abortion that could be fatal for everyone involved. This may sound similar to 'The Lives of Others' in portraying a life under communist regime but no melodrama here. Almost documentary in style, vigorous and powerful direction by Cristian Mungiu, who uses long-take shots and almost no music, raises tension throughout which makes you feel like you are watching a suspense drama. It doesn't make you happy but undoubtedly one of the best movies in recent years. (Shinji)

Harry he is here to help.
Laurent is taking his family to their rundown, dilapidated family bach in the country in their old rusty car in a furious French summer. He meets Harry, well-dressed, successful, and, an enigmatic figure from his past. What happens next has the gut-wrenching twists and subtle turns of the best Hitchcock and the revealing deep, dark psychological heft of the best Simenon novel. 'Harry' is in the great tradition of existential French thrillers. Laurent is pushed, teased and finally terrified and his reactions surprise and raise essential questions. What can tip a normal person over the edge? How much do we have in common with those we dislike? How far are we from becoming the people we despise? (Monty)

Burn after reading.
Clooney, Pitt, Swinton, McDormand, Jenkins and Malkovich. The line-up for the latest Coen brothers' film is exceptional, and although the film is not without its faults, Burn After Reading is a fine return to Coen's darkly comedic past. Missing CIA memoirs, infidelity, attempted bribery, elective surgery, treason and unrequited love all play a part in this immoral tale. The Coens have once again worked their creative genius by assembling a thoroughly loveable cast of horribly unlikeable characters. (Craig)

Year of the dog.
This was a really quirky little film about a single woman. When her dog Pencil dies, she goes in search of a meaningful relationship in her life. Her subsequent campaigning the cause of homeless/abused animals becomes a metaphor for the emptiness she feels. (Kini)

The bank job.
London in the early 70's: When model Saffron Burrows gets nicked for some illicit drug smuggling, she calls on her new lover in MI5 (or maybe 6)....who just happens to need someone to organise an off the books robbery of a safe deposit box that holds some very embarrassing photographs....and she knows just the bloke for the job.... Jason Statham only really plays one role, but when he gets a good movie there's no one better, as evidenced by 'The Bank Job' a good old fashioned heist flick, all the more interesting as it's based on real events. What follows is highly entertaining, as Statham & his motley crew of amateurs find themselves in over their heads when they find out what the real purpose of the robbery is... (Mark)

Pineapple Express
Pot addled court-processer Dale, played hilariously by Seth Rogan, and his dealer Saul, played even more brilliantly by James Franco, must run for their lives as crooked cops and bad guys galore hunt them down after Dale accidently witnesses a murder. Stoner comedies, handled poorly, frequently offer little more than a few childish chuckles, but Pineapple Express, directed by David Gordon Green, manages to expand upon some firm comedic foundations and offers up a very funny film filled with gags which work well due to the two main stars ability to improvise and interpret what could easily have been a routine script. Certainly not sophisticated in any way and utterly juvenile in content, but for anyone wanting an uncomplicated but hilarious film this is the one. (Craig)

Eastern Promises.
I somehow managed to watch most of this film without turning the subtitles on for the Russian bits. However, no translation was really needed as the movie flows along at a good pace and it's pretty easy to get the gist of what the bad dudes are up to (i.e. there's lots of gratuitous violence). I thought both Viggo and Naomi Watts were both great in their respective roles. A very satisfying film. (Kini)

Pathology.
On the surface this seems nothing more than another C-grade entry in the 'Torture-porn' or 'Gore-no' genre, but instead it's a surprisingly watchable thriller about some very nasty people. Milo Ventimiglia (TV's 'Heroes') plays Ted Grey, a top Med-school grad who discovers that his new colleagues play a gruesome after hours game - someone is selected to kill an 'undesirable' or homeless person in a particularly devious way, and the others have to figure out how they did it. The arrogant Ted soon falls in with this bad crowd, begins an affair with one of them, while still juggling his rich fiance (Alyssa Milano), and picks up a nasty drug habit. It's all fairly ridiculous, and some of it's quite gruesome. It's too gory for a straight medical-thriller, yet too well acted & plotted for a typical 'Torture-porn' flick, and surprising gripping, as Ted's new friends begin to realise he may be even more amoral than they are... definitely not 'Grey's Anatomy'.... (Mark)

Gone baby gone .
Based on the novel by Dennis Lehane, who also wrote the source novel for 'Mystic River', 'Gone baby gone' was one of last year's best films. On the heels of his underrated turn in 'Hollywoodland' Ben Affleck directs this mostly faithful adaptation, which begins as a search for a missing girl, and turns into a quagmire of moral complexity. Local Private eyes (Casey Affleck & Michelle Monaghan) are hired by the aunt of a little girl who has been kidnapped, to add their local experience to the police investigation. The police (Morgan Freeman, Ed Harris) are reluctant to let them become involved, but their local knowledge soon turns up some new leads - that turn the focus back on the girl's deadbeat mother (a great turn by 'Wire' regular Amy Ryan), who has ripped off a local drug dealer. A ransom drop is set up, but turns bad, leaving the little girl dead. But then maybe everything is not as it seems.... Less stylised than 'Mystic River' and far better than the overrated 'The Departed', 'Gone baby gone' is one of those rare 'genre' movies that transcends its origins and packs a real emotional and moral heft. Atmospheric and grim, with an ending that really leaves you thinking. Recommended. (Mark)

The king of Kong
In the early 1980s, the unbelievably arrogant and deeply creepy Billy Mitchell set a Donkey Kong record that stood for 25 years. This delightful, and often hilarious, documentary follows the trials of Steve Wiebe, an obsessive-compulsive unemployed teacher from Washington, who set out to challenge Mitchell's record. It's a brilliant tale; Wiebe breaks the record but who knew there was so much ruthlessness amongst the arcade gaming community? It's a fantastic peek into a slice of life that for all intensive purposes has disappeared from New Zealand. Packed full of eccentric gaming geeks and worryingly deluded characters, King of Kong fulfils all the requirements of a perfect small documentary. Fascinating people, an intriguing tale and the perfect ending. (Craig)

Run, fatboy, run.
This is quite a deviation from Simon Pegg's recent movies (Shaun of the Dead & Hot Fuzz). Dennis (Simon Pegg) leaves his very pregnant fiancée Libby at the altar who understandably can't forgive him. The only positive in his life is his son Jake (he is destined for greater things) and the relationship between them is appealing. When Libby (Thandie Newton) meets a rich, urbane American who wants to take them to America he realises that he may only have one last opportunity to show her that he regrets their break-up. He decides to run the London Marathon to show he can change and actually achieve something. For a beer-drinking, 20+ smoker who never exercises this is as they say "a big ask". There are a number of cheap and rather gross laughs, mostly involving Dylan Moran from Black Books (no surprise there) but overall this is an engaging movie - you hope it will end well. (Liz)

Breaking and entering.
Stars Juliette Binoche (love her) and Jude Law (can't stand him). Will (Jude) is a rich architect and he is drawn into Juliette's world (she's a humble immigrant who takes in sewing jobs) when he catches her teenage son stealing from him. 4 stars. (Kini)

Taken.
Hugely exciting action movie produced and written by Luc Besson sees Liam Neeson perfectly cast as a seemingly mild mannered 'ex-government' employee who has taken early retirement to reconnect with his now estranged teenage daughter. When she is kidnapped by sex-traffickers while on holiday in Paris he sets out to find her, unleashing a lethal skill set on the Parisian underworld. Sure it's clichéd & takes its cues from the 'Bourne' franchise and '24', yet despite several plot holes & devices that enable Neeson to track his daughter down in the 96 hour window before she 'disappears forever', it's highly entertaining and due to Neeson's great performance manages to be surprisingly believable for what it is. (Mark)

Angus, thongs and perfect snogging.
Hilarious....the things you do to impress boys and girls as teenagers. The storyline is a bit weak but then again it's for early stages of adulthood. Even if you haven't read the book, you will enjoy this movie. Georgia Nicolson, 13, takes us with her on her journey to find a boyfriend and keep him. (Wendy)

The Orphanage.
Directed by Spaniard Juan Antonio Bayona the Orphanage is a mesmerising tale of childhood loss and a mother's grief. Although it is a 'horror' film don't let yourself be fooled by its categorisation because, while it is certainly a ghost story, it is also a tender drama of heartbreaking parental love. I haven't been scared by a film in years but I found this film terrifying, particularly because the majority of scenes are filmed in complete daylight and even though it is deeply unnerving you'll find yourself utterly compelled to see the end. The orphanage is a beguiling mix of terror and sophisticated beauty, utterly free of the usual American horror cliches, it's a wonderful film. (Craig)

Grave of the fireflies.
If you are not acquainted with the works of Studio Ghibli, this is a good introduction to the wonderful works by the renowned team of Japanese animators. It will take you into the world of post-war Japan where two siblings tried to eke out a living in war-torn Japan. It is a bitter-sweet story of the insurmountable love between the two main characters and the cruelty of war. Visually stunning and incredibly touching. It will draw some tears but it is a must-see!! (Shirley)

Baby mama .
37 year old businesswoman Kate really wants a child. So much that she is prepared to pay as much as it takes. Kind of predictable, but heart-warming and the surrogate mother Angie provides some great comic relief. 3 stars for me. (Kini)

Jam and Jerusalem. The complete season one
This is one of those wonderfully warm, funny, occasionally poignant, life-in-an-English-village comedy series that will thoroughly cheer you up on a dreary Sunday afternoon, a sort of softer version of the movie "Calendar Girls". Sally Vine, the local doctor's wife and his practice nurse, regularly visits the local church women's guild of Clatterford St Mary to hand out prescriptions to the ladies. It's not until her husband dies suddenly, however, that loneliness, a lack of things to do and the need to avoid the frequent visits of the local grief counsellor persuades her to actually join the guild. There is Eileen, the Guild chairwoman who can never find a guest speaker, Queenie, the lollipop lady and the vicar's verger, the eccentric Delilah, who is a little deaf and tends to lose her false teeth in her cake, the delightful Rosie, Susie who organises the school runs, Caroline, a horse-mad mother whose son is a rock musician, and Kate the grief counsellor, who follows Sally in joining the group. Keeping a wary and somewhat bellicose eye on them all is the vicar of St Peters, whose aim is to prevent the ladies taking over the vestry for their meetings. "It's not all jam and Jerusalem, as they say," says Eileen, and indeed it isn't. There is the jumble sale (with suggestions of dubious goods on sale), St Peter's Harvest Festival, and lots more going on to keep the Guild ladies busy! But this might all be under threat from the Big Wheel of the Guild, Lady Ann Crump, who is coming at any moment to inspect them. Can the ladies prevail? Written by Jennifer Saunders with wonderful performances by Dawn French. Pam Johnstone, Pauline McLynne and others, how could this DVD fail to charm? (Deborah)

Tremors.
Tremors Part 1-4: Tremors Part One was a great low budget horror film from the late 80's. Basically we're talking gigantic flesh eating worms terrorising small dusty towns, I know, sounds great! A sprightly Kevin Bacon was in the first one, he had the good sense not to return. But that's ok because if you're on the look out for some hilarious and increasingly low budgeted monster flicks then we can do without 'real' actors, parts two to four are perfect as they are. Riddled with cliché and lame acting, with awful scripts and special effects that veer wildly from pretty good to downright awful the Tremors series is a truly wonderful romp through the B-Grade 'comedy' horror genre. (Craig)

Read my lips = Sur mes levres.
Really liked this one! A deaf girl who gets treated like a doormat at work befriends her new assistant (who is fresh from prison). He uses her lip-reading ability to help him uncover a crime taking place in the bar where he works nights. Really good French drama with an excellent plot. 4 stars out of 5! (Kini)

Before the devil knows you're dead.
This grim character study sees Philip Seymour Hoffman play Andy, a burned-out executive with a trophy wife and a nasty smack habit, and Ethan Hawke - his dim-bulb loser brother Hank - whose mounting alimony debts are getting the better of him. When Andy manipulates Hank into a plan to rob their parents' jewellery store to solve their money problems, things take a nasty turn when their mother is accidentally shot, and just get worse from there. Great support from Marisa Tomei as Andy's bored wife and Albert Finney as his cold father, and great directing from an 83 year old Sidney Lumet round out a cutting look at dysfunctional family relationships and moral bankruptcy. (Mark)