a rather grisly theme this week, these new books all have a dead character in the premise.
Killing Rachel, Anne Cassidy (313 pages) – Rose’s mother and Joshua’s father have disappeared. Police inquiries have gone nowhere and the case, it seems, is closed: Rose and Joshua have been told that the police believe their parents are dead. But Rose and Joshua still hold out hope that they are alive. Joshua is determined to follow up his own inquiries, which includes working out the meaning of the cryptic notebooks – the murder notebooks – they have discovered. Then Rose is distracted by odd, desperate messages she receives from Rachel, a former best friend from her school, followed by the terrible news that Rachel is dead. But perhaps Rachel’s death will provide one more piece of the puzzle about what has happened to Rose and Joshua’s parents.
First lines: “Rose was hiding. It was dark and cold and she was in a shop doorway staring at two people across the road. The street was busy and a stream of people passed without noticing her, wrapped up against the cold night air.”
Dead Silence: a body finder novel, Kimberly Derting (389 pages) – Violet thought she’d made peace with her unique ability to sense the echoes of the dead and the imprints that cling to their killers. That is until she acquired an imprint of her own. Forced to carry a reminder of the horrible events of her kidnapping, Violet is more determined than ever to lead a normal life. However, the people who run the special investigative team Violet works for have no intention of letting her go. When someone close to Violet becomes a suspect in a horrific murder, she finds herself pulled into a deadly hunt for a madman with an army of devoted followers. Violet has survived dangerous situations before, but she quickly discovers that protecting those closest to her is far more difficult than protecting herself
First lines: “Jay hit the door with his shoulder, but it didn’t splinter beneath his weight or anything quite so dramatic. The handle, which was probably old and in disrepair anyway, fell apart on impact and the door shot open, banging against the wall on the other side. The crashing noise filled the dark house, echoing off the walls.”
Deviant, Helen FitzGerald (248 pages) – When 16-year-old Abigail’s mother dies in Scotland she leaves behind a faded photo, a weirdly cryptic letter, and a one-way ticket to America. Abigail’s mother gave her away when she was a baby, leaving her to grow up on an anti-nuclear commune and then in ugly foster homes. But the letter is a surprise in more ways than one: Her father is living in California. What’s more, Abigail discovers she has an eighteen-year-old sister, Becky. And the two are expecting Abigail to move in with them. Just as Abigail grows close to her newfound sister, Becky is found dead, the accidental victim of an apparent drug overdose. As Abigail wrestles with her feelings and compiles a “Book of Remembrance” of her sister’s short life, she uncovers a horrifying global plot aimed at controlling teen behavior: one that took her sister’s and mother’s lives, with vast implications.
First lines: “The guy facing Abigail across the desk wasn’t her parent and he wasn’t her friend. “Sit down, Abi,” he said, in a voice that tried to be both. He wasn’t a social worker either, more an unqualified asshole.”
Dangerous Girls, Abigail Haas (388 pages) – It’s Spring Break of senior year. Anna, her boyfriend Tate, her best friend Elise, and a few other close friends are off to a debaucherous trip to Aruba that promises to be the time of their lives. But when Elise is found brutally murdered, Anna finds herself trapped in a country not her own, fighting against vile and contemptuous accusations. As Anna sets out to find her friend’s killer, she discovers harsh revelations about her friendships, the slippery nature of truth, and the ache of young love. Awaiting the judge’s decree, it becomes clear to Anna that everyone around her thinks she is not only guilty, but also dangerous. And when the whole story comes out, reality is more shocking than anyone ever imagined
As a side note, go read the reviews on Goodreads, they’re full of people exclaiming about how good this book is and what an incredibly masterful storyteller Abigail Haas is. I completely agree with them.
First lines: “”Shots! Shots! Shots!” We yell it together, slamming our hands on the sticky wooden table. The dreadlocked waiter pours a row of something lurid, neon blue. It’s our first night on the island, and the music is almost too loud for me to think; some European dance-pop thing that shakes the crowded beach club, making the glasses quiver and the blood vibrate in my chest.”
Kill the Music, Nansi Kunze (280 pages) – Most people would love to be Lorna Powell, travelling the globe with her brother and his mega-famous band. Then again, most people don’t realise just how annoying four handsome rock stars can be. A new home and a new school seem like the start of a normal life – until Lorna overhears a chilling plot to silence the band forever. Soon Lorna is drawn into a frantic attempt to identify the killer before they strike. But it’s not easy to track suspects around the world when she’s got homework to do and secrets to protect. And when gorgeous lead singer Marius starts to act strangely, Lorna wonders if she’s had the wrong idea all along.
First lines: “The spa bubbled softly as I stepped into the green marble pool. Scented steam rose from the water; the faint note of a bird chimed in the air. I closed my eyes and sank into the warm depths.”
More than this, Patrick Ness (480 pages) – A boy named Seth drowns, desperate and alone in his final moments, losing his life as the pounding sea claims him. But then he wakes. He is naked, thirsty, starving. But alive. How is that possible? He remembers dying, his bones breaking, his skull dashed upon the rocks. So how is he here? And where is this place? It looks like the suburban English town where he lived as a child, before an unthinkable tragedy happened and his family moved to America. But the neighborhood around his old house is overgrown, covered in dust, and completely abandoned. What’s going on? And why is it that whenever he closes his eyes, he falls prey to vivid, agonizing memories that seem more real than the world around him? Seth begins a search for answers, hoping that he might not be alone, that this might not be the hell he fears it to be, that there might be more than just this.
First lines: “Here is the boy, drowning. In these last moments, it’s not the water that’s finally done for him; it’s the cold. It has bled all the energy from his body and contracted his muscles into a painful uselessness, no matter how much he fights to keep himself above the surface.”
Acid, Emma Pass (429 pages) – The year is 2113. In Jenna Strong’s world, ACID—the most brutal controlling police force in history—rule supreme. No throwaway comment or whispered dissent goes unnoticed—or unpunished. And it was ACID agents who locked Jenna away for life, for a horrendous crime she struggles to remember. But Jenna’s violent prison time has taught her how to survive by any means necessary. When a mysterious rebel group breaks her out, she must use her strength, speed, and skill to stay one step ahead of ACID, and try to uncover the truth about what really happened on that terrible night two years ago. They have taken her life, her freedom, and her true memories away from her. How can she reclaim anything when she doesn’t know who to trust?
First lines: “The first time I notice the new inmate is when we’re all lined up outside our cells for morning head count. He’s standing five doors down from me, sneaking glances at the rest of us as the guards wave their wrist-scanners across our hips to read the spytags that are implanted when we first get here.”
This is W.A.R., Lisa & Laura Roecker (278 pages) – Everyone at Hawthorne Lake Country Club saw Willa Ames-Rowan climb into a boat with James Gregory, the Club’s heir apparent. And everyone at Hawthorne Lake Country Club watched him return. Alone. They all know he killed her. But none of them will say a word. The Gregory family is very, very good at making problems go away. Enter the W.A.R. – the war to avenge Willa Ames-Rowan. Four girls. Four very different motives for justice and revenge, and only one rule: destroy the Gregory family at any cost.
First lines: “Willa Ames-Rowan never thought she would die. She firmly believed white should be worn before Labor Day, champagne was best enjoyed on an empty stomach, and sleep was for the weak. If it weren’t for the inky black water tugging at her limbs, clawing its way into her mouth, she might have welcomed the dark solitude of Hawthorne Lake. She might have floated on her back, counting stars, dreaming about what it would be like to wake up next to her future husband.”
In the Shadows of Blackbirds : a novel, Cat Winters (387 pages) – In 1918, the world seems on the verge of apocalypse. Americans roam the streets in gauze masks to ward off the deadly Spanish influenza, and the government ships young men to the front lines of a brutal war, creating an atmosphere of fear and confusion. Sixteen-year-old Mary Shelley Black watches as desperate mourners flock to séances and spirit photographers for comfort, but she herself has never believed in ghosts. During her bleakest moment, however, she’s forced to rethink her entire way of looking at life and death, for her first love—a boy who died in battle—returns in spirit form. But what does he want from her?
First lines: “I stepped inside the railroad car, and three dozen pairs of eyes peered my way. Gauze masks concealed the passengers’ mouths and noses. The train smelled of my own mask’s cotton, boiling onions, and a whiff of something clammy and sour I took to be fear.”