Interview with the Vampire author Anne Rice passes

brad pitt vampires GIF

“I was a newborn vampire, weeping at the beauty of the night.”

―Anne Rice, Interview with the Vampire

Ann Rice, the author who breathed new life into the vampire genre, has died from complications following a stroke aged 80. Her 1976 first novel Interview with a Vampire recast the vampire as a tragic antihero and introduced romance, female sexuality, and queerness into the well-worn vampire tale. It was subsequently turned into a movie in 1994 directed by Neil Jordan and starring Tom Cruise, Brad Pitt, and Antonio Banderas. And by adding in these new components to the well-worn gothic story she totally recast the template for vampire novels from that point onwards. Paving the way for much of todays Urban Fantasy/Horror genre.

Anne went on to write numerous other vampire novels as well as religious and erotic fiction, selling well over a hundred million copies in the process. She traced her lifelong obsession with vampires to watching the 1934 film Dracula’s Daughter when she was a young girl.

We have an extensive range of Anne Rice novels; click here to view full list or view a small selection below.

Interview with the vampire / Rice, Anne
“Recounting his first two hundred years of life, a vampire tells of his erotic alliance with Claudia, whose passions are forever locked up in the body of a child. The first instalment of Anne Rice’s Vampire Chronicles ” (Adapted from Catalogue)

 

 

The vampire Lestat / Rice, Anne
“When the vampire Lestat becomes a rock superstar, he finds himself in serious conflict with the ancients whose powers are beyond his imagining. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980s, he rushes through the centuries in search of others like him, seeking answers to the mystery of his eternal, terrifying exsitence.” (Adapted from Catalogue) Also available as an Audiobook.

 

The queen of the damned / Rice, Anne
“Akasha, the queen of the damned, who has risen from a six-thousand-year sleep to let loose the powers of the night. Akasha has a marvelously devious plan to “save” mankind and destroy the vampire Lestat—in this extraordinarily sensual novel of the complex, erotic, electrifying world of the undead ” (Adapted from Catalogue) Also available as an eBook.

 

Merrick : a novel / Rice, Anne
“”At the center is the beautiful, unconquerable witch Merrick. She is a descendant of the gens de couleur libris, a society of New Orleans octoroons and quadroons steeped in the lore and ceremony of voodoo, who reigned in the shadowy world where African and French – the dark and the white – intermingled. Her ancestors are the great Mayfair Witches, of whom she knows nothing – and from whom she inherits the power and the magical knowledge of a Circe.” “Into this exotic realm comes David Talbot – hero, storyteller, adventurer, almost-mortal vampire, visitor from another dark realm. ” (Adapted from Catalogue)

The young Messiah : a novel / Rice, Anne
“A novel about the childhood of Christ the Lord based on the Gospels and on the most respected New Testament scholarship. With the Holy Land in turmoil, seven-year-old Jesus and his family leave Egypt for the dangerous road home to Jerusalem. As they travel, the boy ponders the mysteries surrounding his birth. Anne Rice’s dazzling, kaleidoscopic novel, summons up the voice, the presence, and the words of Jesus, allowing him to tell his own story as he struggles to grasp the holy purpose of his life.” (Adapted from Catalogue)

Ramses the damned : the passion of Cleopatra / Rice, Anne
” Ramses the Great, former pharaoh of Egypt, is reawakened by the elixir of life in Edwardian England. Now immortal with his bride-to-be, he is swept up in a fierce and deadly battle of wills and psyches against the once-great Queen Cleopatra. Ramses has reawakened Cleopatra with the same perilous elixir whose unworldly force brings the dead back to life. But as these ancient rulers defy one another in their quest to understand the powers of the strange elixir, they are haunted by a mysterious presence even older and more powerful than they…..” (Catalogue)

Also available as an eBook. 

Vittorio, the vampire / Rice, Anne
“Sixteen-year-old Vittorio, sole survivor of a violent massacre at his father’s Tuscan hilltop palazzo, escapes to the Florence of Cosimo de Medici seeking vengeance. He has been saved from death by a mysterious woman, only to find himself at the mercy of demonic and bloody nightmares.” (Catalogue)

 

 

<The witching hour : a novel / Rice, Anne
” Two people with special powers are drawn together and set out in a passionate alliance to unlock the mystery of her past and his unwelcome gift. As the strange saga is played out, a world of witches is created that will fascinate readers for years to come.” (Adapted from Catalogue)

Author Interview: Vogel Award-Winning Kura Carpenter!

The Sir Julius Vogel Awards are New Zealand’s annual celebration of home-grown science fiction and fantasy, with awards covering books, dramatic presentations, fan publications and more. One of the most competitive categories is Best New Talent, and this year’s winner was Dunedin-based author Kura Carpenter!

Kura’s debut novel, The Kingfisher’s Debt, tells the story of Tamsin Fairchild, a translator who must team up with rookie cop Scott Gale to investigate the disappearance of a newborn baby. But this is no ordinary crime: beneath familiar New Zealand locations is a world rich in danger–and magic. Vogel Award judges described The Kingfisher’s Debt as “very cleverly set in an urban fantasy world overlaying (or underlying, depending on your perspective) Dunedin, New Zealand. The writing is crisp, the plot excellently designed and executed.”

We contacted Kura to discuss her writing process, the Vogel Awards and what it’s like to be a fantasy writer in New Zealand. For more on her writing check out her website, and for the full Sir Julius Vogel Awards list, click here. Enjoy!

You’ve described The Kingfisher’s Debt as urban fantasy–a genre combining both fantasy and mystery. How did elements of these two genres complement each other in the shaping of the story?

My story follows a typical mystery structure–crime discovered, investigation, clues revealed, case solved–but the world it’s set in is an alternative New Zealand where magic exists, but most regular people don’t encounter it, in much the same way that you don’t know anything about crime unless it directly touches your life.

The crime in my story is connected to the people who deal in magic, I guess maybe that’s what you mean by shape. The mystery and magic are interconnected. Without the magic, there would be no desire to try and steal it.

Reviews of The Kingfisher’s Debt have praised your descriptions of real-life locations–Dunedin’s midwinter darkness and the “80s kitsch of St Clair”. Were there many challenges in bringing this familiar world to the page?

None. Although I was going for a 90s vibe, so I guess I failed.

There has also been a lot of positive feedback about the characters in The Kingfisher’s Debt–their grittiness, unusualness and dialogue. How did the character of Tamsin–and her excellent first person perspective–come about?

She just popped into my head and I wrote down what she said.

I’m an introvert, I feel awkward meeting people, so I talk to myself all the time, practice conversations, that kind of thing. It’s probably the only benefit of anxiety, all the internal practice improves ones writing ability to capture ‘voice’.

Was it difficult to create a story with both past and present timelines? Was there much planning or re-drafting required with this?

No. I don’t plan, I’m a pantser, an intuitive writer, (which often surprises people who assume I must be a strict outliner). I’m just fortunate to have better than normal intuition for pattern and structure.

I’d come across the zipper-structure (alternating timelines) when reading a novel years ago, and after I’d written my first draft I realised that’s what I’d inadvertently created, it just needed some shuffling of scenes to get the timeline straight and make sure the subtext was as I wanted.

It’s always exciting to have a story that includes a library! You’ve previously worked in Dunedin City Library–what was it that drew you to the library as one of the locations in The Kingfisher’s Debt?

Yes. I’m lazy. It was the easiest thing to do, use locations I’m familiar with.

How do you feel about the fantasy writing scene in New Zealand at the moment? How do you think it might develop in the future, especially with WorldCon taking place in New Zealand next year?

That’s a hard one. On the one hand adult-reading level fantasy has been all but deserted by New Zealand’s traditional publishers, not for lack of talent, but because it’s simply not profitable. Talent wise I think the scene is stronger than it ever was. With the rise of self and indie publishing, has come a lot of opportunity.

While in many fields New Zealand punches above its weight internationally, for example film, sport, and even our P.M. is beloved globally, however when it comes to fantasy writing, we haven’t managed to carve out a spot beyond our borders.

Other New Zealand writers who write realist fiction consider what I write to be commercial and appealing to the masses, but because I’m not writing American or U.K. stories my story is actually non-commercial, it only has local appeal. WorldCon will shine a spotlight on us briefly, but the trouble ultimately remains that we’re a small market for telling our own stories, our own brand of fantasy. If we’re going to develop in the future then we must become leaders and not just followers.