Riverside Records on the Naxos Jazz Library

One of the most important and beloved labels of all time in jazz history, Riverside Records was founded by Orrin Keepnews and Bill Grauer in 1953, and produced many masterpieces by jazz giants such as Bill Evans, Thelonious Monk and Wes Montgomery. Although no physical CDs are available from our libraries at the moment, you can stream some of their finest albums on the Naxos Jazz Library. Riverside Records was short-lived and all their masters were acquired by Fantasy Records, making them difficult to locate in the Naxos Jazz Library. Instead, click the link to go straight to their discography and search the artists or titles. Check our picks below and start streaming now!

Cover from Naxos WYNTON KELLY TRIO AND SEXTET: KELLY BLUE
Performed by: Kelly, Wynton; Wynton Kelly Sextet; Wynton Kelly Trio
“Kelly was an original stylist, who had a lyrical and economical approach and a way of insinuating the blues into everything he touched. You can feel it here in the moving “Willow Weep for Me” and the bright takes on “Softly, As in a Morning Sunrise” and “On Green Dolphin Street,” just getting established as standards in the jazz repertoire and getting distinctive treatments here.” (adapted from amazon.com)

Cover from Naxos THELONIOUS MONK: BRILLIANT CORNERS
Performed by: Henry, Ernie; Monk, Thelonious; Pettiford, Oscar; Roach, Max; Rollins, Sonny
Brilliant Corners is regarded as one of the finest albums in Thelonius Monks catalogue. The supporting musicians include Paul Chambers (better known for his work with Miles Davis), Max Roach, Clark Terry and Sonny Rollins, but it is Monks own work on piano that dominates the proceedings. An important and vital album, not just for Thelonius Monk, but for any serious jazz collector.” (adapted from amazon.com)

Cover from Naxos BILL EVANS TRIO: WALTZ FOR DEBBY
Performed by: Bill Evans Trio
“The legendary last recording of Evans’ brilliant trio (with Paul Motian and Scott LaFaro, who died days after this was taped at the Village Vanguard). Invigorating freedom and deep emotion meet and cast a powerful spell.” (adapted from amazon.com)

Cover from Naxos WES MONTGOMERY: FULL HOUSE
Performed by: Chambers, Paul; Cobb, Jimmy; Griffin, Johnny; Kelly, Wynton; Montgomery, Wes
“Recorded live at the the Tsubo in Berkeley, California, the back of the original album proudly proclaims ‘the top jazz guitarist, recorded in actual performance.’ It’s a rather undertstated introduction to an album that showcases to perfection Wes Montgomery’s abilities, a talent that no other jazz guitarist has come even close to matching.” (adapted from amazon.co.uk)

Cover from Naxos KENNY DREW TRIO: KENNY DREW TRIO
Performed by: Kenny Drew Trio
“Kenny Drew brings a pure bop angularity to this 1956 session, with driving single-note lines that clamber over one another to get at a new rhythmic detail, along with splashing chords that find the joy in the blues. He’s joined by a rhythm section that virtually defined the mid-1950s ethos: bassist Paul Chambers and drummer Philly Joe Jones.” (adapted from amazon.com)

Cover from Naxos CANNONBALL ADDERLEY SEXTET: IN NEW YORK
Performed by: Cannonball Adderley Sextet
“This excellent live date from the Village Vanguard was the recording debut of the Adderley sextet, with Cannonball waxing eloquently and swingingly on alto, brother Nat charging ahead on cornet, and the versatile Yusef Lateef adding a bit of an edge on tenor, flute, and unusually for a jazz wind player, oboe on the odd. Also, this was the first recorded appearance of pianist Joe Zawinul in Cannonball’s band.” (adapted from fishpond.co.nz)

Cover from Naxos RANDY WESTON: SOLO, DUO AND TRIO
Performed by: Blakey, Art; Gill, Sam; Weston, Randy
“Randy Weston’s distinctive compositions and pianism have long mined the music’s African sources to enrich the idiom. This CD presents Weston at the very beginnings of his recording career, combining his first two LPs. The earliest is a selection of eight Cole Porter tunes from 1954, played in duet with his regular partner, Sam Gill, a little-known bassist who provides solid and sympathetic foundations. The second combines a 1955 trio session, with Gill and Art Blakey on drums, and a series of solos from 1956.” (adapted from amazon.com)

Cover from Naxos BLUE MITCHELL SEXTET: BLUE SOUL
Performed by: Blue Mitchell Sextet
“A session from 1959, BLUE SOUL finds Mitchell cooking in front of a band including bop aces Curtis Fuller, Jimmy Heath, and Philly Joe Jones, and Wynton Kelly of Miles Davis fame. The program mostly consists of bright, earthy originals with plenty of hearty soloing. A delight for classic bop supporters.” (adapted from fishpond.co.nz)

Cover from Naxos NAT ADDERLEY: WORK SONG
Performed by: Adderley, Nat; Betts, Keter; Hayes, Louis; Heath, Percy; Jones, Sam; Montgomery, Wes; Timmons, Bobby
“Released in 1960, Work Song finds cornetist Nat Adderley at his artistic peak with this bluesy, hard-bop gem. Numerous critics throughout the years have praised Adderley’s lyrical work on this album, which includes his own writing (his biggest hit, ‘Work Song’ and ‘Fallout’).” (adapted from amazon.com)

Cover from Naxos ART BLAKEY AND THE JAZZ MESSENGERS: CARAVAN
Performed by: Art Blakey and the Jazz Messengers
“One of the great Jazz Messengers recordings, Blakey’s 1962 debut for Riverside featured Wayne Shorter, Curtis Fuller, Reggie Workman, Freddie Hubbard and Cedar Walton.” (adapted from amazon.com)

Nonesuch Records on Naxos Jazz Library

In the Naxos Jazz Library, there are over 17,770 albums available and new albums are added weekly. It offers mostly jazz, of course, but you can also find some intriguing popular music offered by labels such as Nonesuch records.

Nonesuch Records started as a budget classical label in 1964, and since former ECM records executive Robert Hurwitz became president, it has evolved as one of the most forward thinking labels, offering albums by acclaimed unique musicians from a wide range of genres. The musicians who have issued albums on Nonesuch records include Bjork, Fleet Foxes, David Byrne, Black Keys, K.D. Lang, Wilco, Laurie Anderson and many more. Some of the finest albums by these musicians are available in this Naxos Jazz Library.

To find albums by Nonesuch records, click LABELS on the homepage of the Naxos Jazz Libray. Check out our staff picks below and start streaming now!

Neil J’s picks

Cover from Naxos WILSON, Brian: Smile
Performed by: Wilson, Brian
It took from 1966 till 2004 for the full glory of the legendary lost masterpiece by the Beach Boys to finally see the light of day. This is Brian’s solo version of the work recorded from scratch and released after live performances received such positive reactions. It sounds much more cohesive , polished and finished than the subsequently released Beach Boys Smile sessions but lacks the subtly and sublime harmonic nuances that made the Beach Boys so great.

Cover from Naxos FLEET FOXES: Fleet Foxes
Performed by: Fleet Foxes
In their self titled debut album the Seattle based Fleet Foxes created something really special. Their folk rock styled harmonically soaked sound permeates every track. From the Bruegel painting on the front cover to the Crosby Stills and Nash harmonies you can hear and see the artists they love and who influence them yet they are always themselves they never get lost in their own record collection , instead delivering their unique , emotionally charged and uplifting music with grace and ease. Rightfully regarded as a modern classic.

Cover from Naxos ANDERSON, Laurie: Heart of a Dog
Performed by: Anderson, Laurie; Bernstein, Steven; Rathke, Mike; Reed, Lou; Saunders, Fernando; Scarpantoni, Jane; Shapiro, Paul; Smith, Tony Thunder; Wieselman, Doug
In many ways Laurie Anderson is a conceptual artist who just happens to work within the field of popular music . She came to the general music publics eye with the minimalist unexpected hit O superman. And like most of her work this soundtrack to the film of the same title Heart of a dog is a piece that operates and functions on May levels simultaneously. It is a meditation on the death of both her dog and her husband Lou Reed , it is about love and grief art and emotion and The Tibetan book of the dead and many other things all filtered through the prism that is Laurie Anderson’s mind . It also has wit and dry deadpan humour in an album that is light of touch and deeply profound.

Cover from Naxos BJÖRK: Biophilia
Performed by: Bjork,
Biophilia is the cutting edge, every experimental, constantly changing Björk’s eighth full-length release. It is wildly ambitious nature themed and has close tie ins with non traditional music partners like Apple and the National Geographic not to mention a narration by no less than David Attenborough . The music is as revolutionary as the ideas that circle it , sounding like a sound lab of her own creation and featuring electronics, sounds from nature and specially created invented instruments. It is an innovative masterclass in redefining music and sound all orchestrated in Björk’s uniques fashion yet it never feels forced or contrived.

Monty’s picks

Cover from Naxos MAGNETIC FIELDS (THE): 50 Song Memoir
Performed by: Magnetic Fields, The

 

 

 

Cover from Naxos NICKEL CREEK: Dotted Line (A)
Performed by: Chamberlain, Matt; Meyer, Edgar; Nickel Creek; Schatz, Mark; Valentine, Eric

 

 

Cover from Naxos OBERST, Conor: Ruminations
Performed by: Oberst, Conor

 

 

 

Cover from Naxos PUNCH BROTHERS: Antifogmatic
Performed by: Punch Brothers

 

 

 

Shinj’s Picks

Cover from Naxos VELOSO, Caetano: Estrangeiro
Performed by: Brown, Carlinhos; Cesinha, ; Costa, Toni; Fialho, Tavinho; Frisell, Bill; Lewis, Tony; Lindsay, Arto; Ribot, Marc; Scherer, Peter; Vasconcelos, Nana; Veloso, Caetano

 

 

Cover from Naxos BANHART, Devendra: Ape in Pink Marble
Performed by: Banhart, Devendra; Georgeson, Noah; Rogove, Gregory

 

 

 

Cover from Naxos GIDDENS, Rhiannon: Freedom Highway
Performed by: Adcock, Eric; Bartley, Patrick; Bhiman, Bhi; Corbett, Rowan; Dick, Jamie; Giddens, Rhiannon; Harrington, Lalenja; Horne, Alphonso; Jenkins, Hubby; McCalla, Leyla; Parson, Malcolm; Powell, Dirk; Sypher, Jason; Wilcox, Corey

 

Cover from Naxos BYRNE, David: American Utopia
Performed by: Airhead, ; Anderson, Ben; Barr, Isaiah; Bartlett, Thomas; Byrne, David; di Dalva, Gustavo; Edwards, Jamie; Eno, Brian; Epton, Alex; Flynn, Ethan P.; Freedman, Daniel; Giarmo, Chris; Happa, ; Jam City, ; Jenkins, Nathan; Keiper, Tim; Koreless, ; Kuumba, Tendayi; Lopatin, Daniel; Mansfield, Karl; McDonald, Rodaidh; Peñate, Jack; Reed, Ben; Refosco, Mauro; Sampha, ; San Juan, Stephane; Savolainen, Jaakkö; Swan, Angie; Viera, Davi; Williams, Joe; Wolfe, Brian; Wooten, Bobby

From Auckland to Mississippi: Check out these CDs

Voices of Mississippi

Check out some of these newly catalogued CDs, including new albums by Tiny Ruins and James Blake. Legendary artists such as Bryan Ferry and Mark Knopfler also released the wonderful new albums. And finally, don’t miss the Grammy winner, Voice of Mississippi, which is a historically significant and amazing document of the American south.

Olympic girls. / Tiny Ruins
“A rare blend of eloquent lyrical craft and explorative musicianship, the songs of Tiny Ruins are etched into the memories of crowds and critics worldwide. Traversing influences that cross-genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop. Production by David Lynch, Olympic Girls bring ebullient psychedelia to the album.” (adapted from amazon.co.uk)

Assume form. / Blake, James
“James Blake’s arrival in the early 2010s was exciting, in no small part because no one sounded quite like him. His collision of ghostly, dubstep-informed production and quiveringly sad piano balladry should have been jarring and awkward, but it worked so well it catapulted Blake into near-iconic status. Fourth album Assume Form finds Blake shedding much of his older self, leaving behind distant melancholy and spacious production and offering his most emotionally open, hopeful, and at times almost cheerful work.~ Fred Thomas” (Catalogue)

Rich kid blues. / Faithfull, Marianne
“Produced by Mike Leander, who had produced and arranged much of Faithfull’s Decca material, Rich Kid Blues is an intriguing album of spare, largely acoustic readings of folk/rock songs, including several Bob Dylan covers, as well as songs by Phil Ochs, George Harrison, Cat Stevens, Tim Hardin, James Taylor and Sandy Denny.” (adapted from amazon.co.uk)

Springsteen on Broadway. / Springsteen, Bruce
Springsteen on Broadway is the new album of music and stories by Bruce Springsteen, and the soundtrack to the Netflix film of the same name. The album is the complete live performance of the show. Springsteen on Broadway is the solo acoustic performance written and performed by Tony Award, Academy Award, and 20-time Grammy Award winner Bruce Springsteen. Based on his worldwide best-selling autobiography Born to RunSpringsteen on Broadway is a unique evening with Bruce.” (adapted from amazon.co.uk)

Down the road wherever. / Knopfler, Mark
“Mark Knopfler’s ninth solo studio album Down The Road Wherever features unhurriedly elegant new songs inspired by a wide range of subjects, including his early days in Deptford with Dire Straits, a stray football fan lost in a strange town, and the compulsion of a musician hitching home through the snow.” (adapted from realgroovy.co.nz)

Bitter sweet / Ferry, Bryan
Bitter Sweet, the latest record from Bryan Ferry, is inspired by his work on the Sky Atlantic/Netflix television series Babylon Berlin a German period drama based on the books by Volker Kutscher set in the 1920s. It takes the musical stylings from that era and puts a new twist on well-loved Roxy Music and Bryan Ferry tracks including While My Heart is Still Beating, Sign of the Times and Dance Away. The record breathes new life into songs that fans have been enjoying for over 20 years.” (adapted from amazon.co.uk)

Red rose speedway / McCartney, Paul
“Consequently, Red Rose Speedway winds up being a really strange record, one that veers toward the schmaltzy Aor Mor (especially on the hit single “My Love”), yet is thoroughly twisted in its own desire toward domestic art. As a result, this is every bit as insular as the lo-fi records of the early ’90s, but considerably more artful, since it was, after all, designed by one of the great pop composers of the century.~ Stephen Thomas Erlewine” (Catalogue)

The Chic organization 1977-1979. / Chic
“Produced with the involvement of Nile Rodgers and approval from the estate of partner Bernard Edwards, this box set remasters and recirculates Chic’s first three albums and the contemporaneous We Are Family, in essence a Chic LP fronted by labelmates Sister Sledge. Another disc compiles edits and mixes of Chic-headlined singles of the same era. During this period, the band surfaced and instantly reigned in clubs and on the Billboard dance chart, and with ‘Le Freak’ and ‘Good Times,’ took their slick and funky disco-soul hybrid to the top of the Hot 100. ~ Andy Kellman” (Catalogue)

Voices of Mississippi: artists and musicians documented by William Ferris.
“This watershed release represents the life s work of William Ferris, an audio recordist, filmmaker, folklorist, and teacher with an unwavering commitment to establish and to expand the study of the American South. William Ferris was born in Vicksburg, Mississippi in 1942. Growing up on a working farm, Ferris began at a young age documenting the artwork, music, and lives of the people on the farm and in his local community. The archive of recordings that he created and the documentary films that he had a hand in producing have served as powerful tools in institutions of higher learning for decades.” (adapted from amazon.co.uk)

To the outside of everything: a story of UK post-punk 1977-1981.
“Named after a lyric from Magazine’s ground-breaking hit, ‘Shot By Both Sides’, To the Outside of Everything tells a musical story of how the UK’s post-punk scene evolved from the spirit of 1977 and the arrival of key labels such as Fast, Rough Trade, Zoo, Factory and Cherry Red. It includes landmark singles by Joy Division, PiL, Wire, Gang Of Four, The Slits, Killing Joke, Echo And The Bunnymen, Scritti Politti, The Pop Group, Human League, The Fall and many more.” (adapted from amazon.co.uk)

Monochrome Masterpieces

In this post we take a look at some of the iconic albums and hidden gems in our CD and vinyl collection. All of these titles have black and white photographs as album art. Check out these excellent and eclectic albums.

Nite flights by the Walker Brothers (1978)
The Walker Brothers were the three non-biologically-related kings of baroque pop in the 1960s, best known for their moody hits The Sun Ain’t Gonna Shine Anymore and Make it Easy on Yourself. In the late 60s, Scott Walker, the group’s most acclaimed member, went solo and released a series of heavily orchestrated albums filled with ennui and references to art-house movies. Scott is cited as one of David Bowie’s foremost influences, and it shows. On this 1978 album The Walker Brothers explored uncharted territory. This project was apparently inspired by Bowie’s Heroes, and that also shows.

The album’s opening track Shutout is a masterpiece: the hauntingly avant garde vocal harmonies pare well with the raw propulsion of the incandescent guitar solo. The song is distinguished by a driving baseline that sounds like it came from an alternate universe where disco was a dark and nihilistic genre. Then the Electrician turns the dread up to unprecedented heights before breaking into an overture of blissful strings. The first four songs are effectively a Scott Walker solo EP and stand together as a monumental statement. The production on the other tracks is certainly worth perusing, but those first four songs ShutoutFat Mama KickNite Flights and The Electrician are incomparable. This album can also be considered somewhat rare, and it isn’t available on Spotify, so make sure to pick it up next time you come into the library!

TA1300 by Denzel Curry (2018)
Denzel Curry’s most ambitious project to date is full of aggressive SoundCloud anthems, including Sumo and Clout Cobain. On this album Curry has clearly carved out his own corner of the hip-hop world. Curry generally raps forcefully on lo-fi trap influenced beats, but still leaves some space for r&b tinged instrumentation whether of the soulful or synth-pop variety on tracks Black Balloons and Cash Maniac respectively. Standout track, Vengeance, is a terrifying vision featuring an extremely malicious verse from avant-garde rapper JPEGMAFIA and a visceral shouted feature from trap-metal rapper Zillakami.

If you still need convincing of Denzel Curry’s merit and skill, check out his pumping cover of Rage Against the Machine’s Bulls on Parade.

Party by Aldous Harding (2017)
Gothic tones and the misty port hills linger over Harding’s spellbinding sophomore effort. Harding’s lyrical subject matter is every bit as entrancing as her folk guitar. Unique song titles like What if Birds Aren’t Singing, They’re Screaming punctuate a superb New Zealand album. Another underrated highlight is the album closer, Swell Does the Skull. Harding’s distinctive voice is memorable, cohesive and enchanting. With Harding’s upcoming Designer album due for release shortly, now’s the perfect time to catch up with her discography.

Songs for Drella by Lou Reed and John Cale (1990)
Upon the death of Andy Warhol, two illustrious alumni of the Velvet Underground reunited to produce this sublime record amidst a temporary detente in their relationship. The production is excellent, the biographical subject matter is engaging and the album stands up as a testament to two incandescent chemistry of two of the greatest musical minds of the 20th century. Recommended tracks include Open House and Style it Takes.

Rest by Charlotte Gainsbourg (2017)
Gainsbourg weaves together traditional French pop sounds with contemporary palettes to create a grand statement. The drums, pianos and synthesizers summon dark and foreboding dirges on tracks like Lying With You and Ring-A-Ring O’ Roses. Federico Garcia Lorca once wrote “I am the elephantine shadow of my own tears.” Similarly, Rest appears to be an immense product of Gainsbourg’s own grief, as Pitchfork writer Olivia Horn notes. The album highlight is Deadly Valentine, a dreamy pop song punctuated by a funky baseline and a richly arranged chorus.

R.I.P. Mark Hollis- Lead vocalist of Talk Talk

It's My Life album cover

Mark Hollis, the lead vocalist of Talk Talk, has died.
Talk Talk were one of the finest bands of the 1980’s starting life as slightly left-field synth popsters. They swiftly moved into much more Avant Garde territory- their later works being powerfully moving pieces embracing a dizzying array of musical forms, from Debussy to free form Jazz, whilst still remaining resolutely original. Their later albums The Colour of Spring, Spirit of Eden and Laughing Stock are all rightfully regarded as classics. After the band split up he moved away from the music industry releasing only one self-titled album Mark Hollis. This solo album was a sparse, deep piece, melancholic and strangely uplifting at the same time; an album that has a real power to move the listener emotionally. (Neil J)

 

 

 

 

Staff Picks CDs: Best of 2018 -Part 2

Some more of our favourite sounds from last year. Hopefully you will find a new artist to explore, or something you missed the first time around.

Neil J’s Picks:
Ponguru / Al Fraser, Phil Boniface.
Ponguru is a truly unique album fusing seamlessly the sonic worlds of acclaimed jazz bassist Phil Boniface and leading Nga Taonga Puoro player Al Fraser . The resulting album has many faces and facets its Jazz tinged rather than Jazz, ambient in places and like a complex sonic landscape in others, throughout all its pieces it’s always fiercely original , rewarding and hugely atmospheric. Phil’s bass work is of the highest calibre imbuing the whole piece with a core of beautiful rhythmic structure. And Al’s emotive, nuanced playing shows that he is rightfully regarded as one of the finest musicians working in NZ today.

Tranquility Base hotel + casino.
Sometimes bands find it difficult to stay fresh and new musically especially after initial massive success. This however has never been a problem for the Artic Monkeys. And Tranquillity Base Hotel & Casino there sixth album is easily their densest, most experimental and carefully crafted release to date. In this work they’ve invented their own brand of psychedelia. It’s like the bands own musical reaction to 60’s and 70’s science fiction films like Silent Running or 2001 a space Odyssey in places it does sound like an Alex Turner solo album. All in all it’s a brave and interesting and in places an exhilarating new direction for a band who have never sat on their laurels and are constantly in search of somewhere else to go.

Future me hates me / The Beths.
The Beths are at the moment the hottest band in New Zealand. No less than The Rolling stone magazine listed them in their top 100 bands to watch out for and described their album The future me hates me as a “ power pop monument’ . So what’s all the fuss about? It’s true that the power pop format is a tried and tested formula that has been done many times before, but the Beths bring a joyous ear worm infectiousness and exuberance to the party making The future me hates me sound not only new and fresh but fun and bright and it’s this attitude and approach to the music that’s carrying all before them.

Singularity.
Singularity is defined in the Oxford English dictionary as: “A point at which a function takes an infinite value, especially in space–time when matter is infinitely dense, such as at the centre of a black hole.” Now that’s a big concept to get your head round but it does serve as a superb road into Singularity the fifth album by Jon Hopkins. Singularity the album is a vast self-visualised glacial electronic landscape or even cosmos of an album. There’s ambient elements in it, there’s acid house elements in it , there’s certainly beats in there but through it all is a singular unique vision and a real feeling that Hopkin’s is on a trace like sonic journey of discovery that reaches inwards and outwards at the same time.

I can feel you creep into my private life.
For this reviewer one of the most interesting and important releases of 2018 was I Can Feel You Creep Into My Private Life by tUnE-yArDs (aka Merrill Garbus).The album is an extension of her previous works which at its core fuses solid rhythmic structure, influenced in places by dance music with lyrics that are simultaneously personal and global and definitely contain a radical political overtone. In many ways for this reviewer it was the album that summarised the spirit of our age its Zeitgeist.

Here if you listen / David Crosby, Becca Stevens, Michelle Willis, Michael League.
In 1982 David Cosby had fallen far, his personal life and finances were in ruin. He was struggling with very serious drug and alcohol abuse problems and was to spent nine months of that year in a Texas prison on cocaine and heroin charges. Yet in the late 60s and early 70’s he had been one of the brightest and biggest creative forces in the hippie folk rock movement. Since then he has had a liver transplant that was paid for by Phil Collins and slowly and gradually rebuilt his life and career welding these dark moments of his life as all true artists do into his work. His 2014 solo album Croz was amongst his finest work. And just recently he released Here If You Listen. It’s a beautiful piece of work, melodic, contemplative, and melancholic at times, uplifting at times occasionally touching the darkness of his past sometimes the light it finds Crosby meditating on his own death . For me this is one of David Crosby’s essential works and ranks up there with his 1971 death of the hippy dream album If I Could Only Remember My Name.

My design, on others’ lives.
It must be one of the most difficult gigs a musician can do. Being the warm up act to a huge star who hasn’t toured for ages and has legions of passionate fans. Estere’s support slot for Grace Jones in Queenstown was a stunning success for this new artist. She handled her time with poise and aplomb gaining a fair few fans in the process. Her self-produced debut album is a lush hybrid beast, a unique combination of sonic elements from pop/jazz melodies to sensual electronica and serious rhythmic cores. She also has a beautiful soaring voice and a fine turn in lyrics, and whilst it is definitely a mainstream album it certainly has some experimental leanings too. This album marks the entrance of a vibrant new voice and sounds to this reviewer, like the kind of album a future superstar would release.

Aviary.
Julia Holter’s fifth studio Aviary is a dazzling nonlinear joyous sprawl of a work. She says she was inspired to create it from a line in a book by Lebanese-American writer Etel Adnan—“I found myself in an aviary full of shrieking birds”. It simultaneously exudes chaos and calm, structure and randomness there is occasionally the slightest hint of the more experimental Kate Bush about it. It’s a menagerie of sonically beautiful moments swarming and swirling around in some sort of abstract obtuse sonic prayer conceived and created by the artist.

The gristle of knuckles.
Eve de Castro-Robinson is one of New Zealand’s foremost composers and performers amongst her numerous prizes and awards she won The 2018 Best Classical Artist/ Te Kaipuoro Inamata Toa at the Vodafone New Zealand Music Awards. The award was in part a recognition of her most recent work The Gristle of Knuckles .However The Gristle of Knuckles is far from a solo creative work it features a whole raft of collaborators who took Eve’s original compositions as their starting point and reimagined the pieces in their own way. There’s a real diversity to the range of pieces, yet the finished album sounds totally unified and cohesive thanks in no small part to the fabulous production work of Steve Garden. It’s a work classified as classical but in reality it defies genre categories. The pieces range sonically from powerful and muscular to intimate and vulnerable yet thought out the whole piece there’s a real air of exuberant, free spirited experimentation.

Mark’s Picks:
Record.
Tracey Thorn returns with another album of mature pop, her female worldview taking on the on-going struggle for equality (Sister), musical beginnings (Guitar), motherhood (Babies) & the impact of Social Media (Face). Beats merge with the sombre, and her ageless voice never loses its warmth.

Honey.
The Queen of melancholy dance beats returns with her first proper album in 8 years. Repeated plays reveal the interlocking layers of the tracks with overlapping lyrics, melodies and themes. Motivated by the tragic death of friend and collaborator, producer Christian Falk, the breakup of a relationship and several years of intense therapy, this release sees her following her own path once again.

Best local CD & Vinyl releases:
A quiet divide.
Rhian Sheehan returns with a cinematic album that melds post-rock soundscapes with lush ambient warmth, creating an emotional journey in a cascading series of beautiful and reflective moods. Lovely.

 

Mirror.
A wonderful combination of strange Jazz sounds, funky guitar, Swirling vocals, weird noises.

 

 

My design, on others’ lives.

 

 

 

Raconteur / The Frank Burkitt Band.
A musical-meld of influences from both continents – UK folk meets American bluegrass/Western Swing, with touches of his early Jazz influences. From toe tapping workouts to sincere ballads, all the seemingly disparate elements combine into a thoroughly enjoyable set of melodic narratives. It all seems effortless and simple but that belies the skill of his tight backing band, the consistently high levels of song writing and the sophisticated arrangements. No surprise it picked up a Tui for Best Folk album.

Too many millionaires.
The first all-acoustic album for Darren Watson is an artistic triumph on every level. Watson has always been a champion of the underdog, whether in the context of love or social commentary, and his authentic, pointed and gritty songs traverse the songwriting spectrum from the personal to the political.

We light fire.
Six years is a long time in the ever shifting music world and the catchy guitar pop of her last album Modern Fables has shifted into a heavier synth based sound with more layers of production on the tracks. But all the flourishes don’t detract from another set of great songs and that amazingly powerful voice, with its crystal clear range. Beginning with a slow ballad ‘Clandestine’ the album builds up, as gentle guitar strings alternate with washes of synth and grungier beats. Most albums taper off but all the best tracks are stacked towards the end.

Nine centuries.
Third album from Wgtn’s top Metallers marks Bulletbelt’s final album with vocalist Jolene Tempest and guitarist Seth Jackson, who left after the album had been recorded. Guests include Midnight’s Vanik, (solo on Cloak the Night), and Massacre vocalist Kam Lee (vocals on ‘Show Me Your Throat). Lyrically the album focuses on the witch trials of the Dark Ages, the examination of such brutal & violent themes paying off with some intense and aggressive tracks. A punk energy in a Metal framework, raw and powerful.

Seeing things.
Most bands first albums are the result of many years hard work, often resulting in the pinnacle of their sound – which subsequent albums then try to recapture. It’s a rare band that grows better with each release, but Eb & Sparrow were in that category. ‘Seeing things’ shifts their sound from Country/Americana of the first few releases into a more sophisticated lush soundscape. The lap steels are replaced with a more shimmery guitar sound that evokes the languid lines of The Cowboy Junkies or Mazzy Star, all focused around Ebony Lamb’s burnished vocals. A beautiful collection of songs that finds you reaching for the repeat button as soon as the last track fades out.

The hill temple.VINYL
Awesome new album from the ‘witches’ of Hex, with new cohort Jason Erskine. Beautifully soaring harmonies, delicious melodies, crunching guitar lines. All the best elements of indie rock surrounded by a fierce female empowerment aesthetic. Bewitching.

 

Like splitting the head from the body.VINYL
The debut full length album from the fabulous Womb. Every track swirls in and out of beautiful dreamy vocals and layers of languid guitar and synth lines. Music with a sense of grandeur that uplifts the listener on swelling waves of lush sound. Completely sublime.

 

Axels’s Picks:
How to solve our human problems.
Melancholic. Intimate. Pop.

 

 

Jassbusters.
Groovy. Soulful. Eccentric.

 

 

Tell me how you really feel.
Genuine. Stoner. Raucous.

 

 

Sex & food.
Vintage. Mind-altered. Catchy.

 

 

Marble skies.
Melody. Harmony. Energy.

 

 

Nothing is still.
Emotional. Ambient. Deep.

 

 

All melody.
Experimental. Gentle. Sentimental.

 

 

Snow bound/ The Chills.
Uplifting. Bright. Easy peasy.

 

 

Isle of dogs : original soundtrack / music composed by Alexandre Desplat.
Instrumental. Rhythmic. Quirky.

 

 

Suspiria : music for the Luca Guadagnino film.
Ominous. Atmospheric. Hypnotic.

 

 

Make way for love.
Sensitive. Bittersweet. Mellow. Continue reading “Staff Picks CDs: Best of 2018 -Part 2”

All About Legends: New Books on Popular Music

Check out these fascinating biographies of legendary musicians including John Lennon, Tina Turner and a great drummer Kenney Jones (Faces, The Who). These insightful stories should inspire you so take them out!

Syndetics book coverBeing John Lennon : a restless life / Ray Connolly.
“Chronicling a troubled life, from that of the cast-aside child of a broken wartime marriage to his murder by a deranged fan, Being John Lennon analyses the contradictions in the singer-songwriter’s creative and destructive personality. Drawing on many interviews with Lennon, his first wife Cynthia and second Yoko Ono, as well as his girlfriend May Pang and song-writing partner Paul McCartney, this complex portrait is a revealing insight into a restless man whose emotional turbulence governed his life and talent.” (adapted from Syndetics summary)

Syndetics book coverMy love story / Tina Turner ; with Deborah Davis and Dominik Wichmann.My Love Story: The Autobiography
“Tina Turner–the long-reigning queen of rock & roll and living legend–sets the record straight about her illustrious career and complicated personal life in this eye-opening and compelling memoir. My Love Story is an explosive and inspiring story of a woman who dared to break any barriers put in her way. ” (adapted from Syndetics summary)

Syndetics book coverSlowhand : the life and music of Eric Clapton / Philip Norman.
“Eric Clapton is acknowledged to be rock’s greatest virtuoso, the unrivalled master of the electric guitar. Clapton transfigured three of the 1960s’ most iconic bands, the Yardbirds, Cream and Blind Faith, walking away from each when it failed to measure up to his exacting standards. Finally going solo himself in the 1970s, he sold an estimated 129 million records. No life has been more rock ‘n’ roll than Clapton’s, with his epic consumption of drugs and alcohol, an insatiable appetite for expensive cars and clothes, and a notoriously turbulent love life.” (Syndetics summary)

Syndetics book coverSound pictures : the life of Beatles producer George Martin : the later years, 1966-2016 / Kenneth Womack.
“More than anyone besides the bandmates themselves, George Martin was the man who created the unique sound of the Beatles. Sound Pictures offers a powerful and intimate account of how he did so. Now, more than fifty years after the Beatles’ revolutionary triumphs, Martin’s singular stamp on popular music has become more vital than ever, as successive generations discover the magic of the Beatles and their groundbreaking sound.” (adapted from Syndetics summary)

Syndetics book coverLet the good times roll : my life in Small Faces, Faces, and The Who / Kenney Jones.
“The long-awaited memoir of the legendary drummer’s life and times in the bands Small Faces, Faces, and The Who. Jones is regarded as one of the greatest drummers of all time, sought after by a wide variety of the best-known and best-selling artists to bring his unique skill into the studio for the recording of classic albums and songs. Let the Good Times Roll is a breathtaking immersion into music past that leaves readers feeling as if they lived it too.” (adapted from Syndetics summary)

Syndetics book coverStone free : Jimi Hendrix in London, September 1966-June 1967 / Jas Obrecht.
“A compelling portrait of rock’s greatest guitarist at the moment of his ascendance, Stone Free is the first book to focus exclusively on the happiest and most productive period of Jimi Hendrix’s life. As it begins in the fall of 1966, he’s an under-sung, under-accomplished sideman. Nine months later, he’s the toast of Swinging London, a fashion icon, and the brightest star to step off the stage at the Monterey Festival.” (adapted from Syndetics summary)

Syndetics book coverTony Bennett, onstage and in the studio / Tony Bennett with Dick Golden ; foreword by Michael Bublé ; preface by Danny Bennett.
“This beautiful book–a follow-up to Tony Bennett: In the Studio (2007), which celebrated his prolific art career–features a foreword by award-winning singer Michael Bublé; a preface by Danny Bennett; more than 140 images, including photographs, personal memorabilia, album covers, notes, and artwork; as well as essays from celebrated friends and colleagues, making it an essential keepsake for all Bennett fans.” (Syndetics summary)

Syndetics book coverBeastie Boys book / Michael Diamond, Adam Horovitz.Beastie Boys Book
“With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys’ New York, mixtape playlists, pieces by guest contributors, and many more surprises.” (Syndetics summary)

Staff Picks CDs: Best of 2018 -Part 1

A round-up of our favourite sounds from last year. Hopefully you will find a new artist to explore, or something you missed the first time around.

John’s Picks:
Konoyo.
The ninth record from Canadian electronic artist Tim Hecker is a sublimely beautiful work that sounds like lifting a veil to expose atomic and sub atomic processes at work, and is quite unlike anything else, including the previous Tim Hecker records.

 

Brainfeeder X : a 36-track compilation showcasing the past, present and future of the label.
With influences ranging across jazz, hip-hop, r ’n’ b, house, and electronica, the Brainfeeder sound is genuinely ground-breaking and this tenth anniversary double disc set shows why the label has grown from a small L.A. based underdog into a global cult phenomenon.

Wide awaaaaake!
The post punk influences are still plentiful, but the new album has a gloss of production that manages to expand their musical palette without losing the bands’ angular garage rock stance.

 

7.
Their most immersive, and possibly their most engaging, album to date with the usual gentle drum programming replaced by a thunderous live drummer that helps move this record into the deeper realms of dream pop inhabited by bands such as My Bloody Valentine.

 

Music for installations.
Brian Eno re-affirms his standing as the Grand Master of ambience with a stunning six disc set filled with gorgeous washes of bells and drones and unidentifiable luminous shimmers moving across widescreen stereo fields, beautiful, always different, yet always the same.

 

No sounds are out of bounds / The Orb.
The driving dub bass lines that propel each track are the only constants over a record that touches many bases, all peppered with The Orb’s distinctive humorous vocal samples, to create, arguably, the most commercially accessible and one of the best releases of their long and befuddling career.

 

Listening to pictures : pentimento volume one.
The former jazz trumpet player, who initiated the idea of the “Fourth World” alongside Brian Eno on 1980’s ‘Possible Musics’, has released, at 81 years old, a remarkable record when most others so long into their career are merely re-treading old ground.

 

The loneliest girl.
Difficult to pin down, AK pop chanteuse Chelsea Nikkel confounds with her fourth album of thoughtfully produced bitter sweet songs within which lurks a deceptively subversive baroque take on the pop format that is entertaining from start to finish.

 

The animal spirits / James Holden & the Animal Spirits.
UK electronic producer James Holden has been pushing the boundaries of electronica for most of his career and his most recent album, recorded live in the studio, treads a path far more akin to the wild transcendence of free jazz greats such as Pharaoh Sanders than any current electronic artists.

 

Infinite moment / The Field.
Swedish electronic producer Axel Willner, aka The Field, continues his musical pilgrimage chasing endless repetitive loops to an infinite beyond, creating a masterful album by one of the most original electronic producers active today.

 

Bottle it in.
Kurt Vile’s highly characteristic slacker Americana has by now become expertly crafted and, via the unusual sense of intimacy he is able to create, he maintains interest throughout this long album, which validates his cultural niche as the new millennium’s equivalent of artists such as R.E.M and Neil Young.

Suspiria : music for the Luca Guadagnino film.
This is definitely not sunday bar-b-que music, but the fine orchestral and choral arrangements, the creepy electronica and the gentle, sad, guitar based songs make for some great late night uneasy listening.

 

Toitū te pūoro.
Al Fraser, the Wellington musician and instrument maker takes the listener on a deep, dreamlike and evocative journey into the mysterious, mystical and unique sound worlds created by the ancient taonga puoro.

 

Shearwater drift / Al Fraser, Steve Burridge, Neil Johnstone.
A fully immersive sonic collage that, over 18 tracks, features Taongo Puoro within soundscapes created by synthesisers, percussion, treated samples and other instruments that is not an easy listen, at times it can be quite eerie, but the dark and ethereal ambient atmosphere is the perfect vehicle by which the mystery of these ancient instruments can be experienced.

Collapse.
This five track ep is the latest in a series of EPs that have followed Aphex Twin’s triumphant 2014 return with the album ‘Syro’ and is his most familiar so far, bearing all of the hallmarks of classic Aphex Twin electronica – frantic stuttered beats, rubbery bass lines, beautiful submerged melodies, evocative vocal samples and complex shifting arrangements.

Switched on volumes 1-3.
The UK post-rock pioneers, who have been on indefinite hiatus since 2010, are well on the way to becoming a cult band, with a worldwide dedicated fan base who refuse to accept that they are no more and re-releases like this help keep their myth alive, collecting the band’s three ‘90’s compilations of singles and rarities in one nifty box set.

Singles 1978-2016 / The Fall.
Made especially relevant by Mark E Smith’s 2018 demise, this excellent box set compiles, over seven discs, every single – both A and B sides – from one of the greatest indie bands ever – The Fall.

 

 

 

 

Enclosures 2011-2016.
South Island electronic composer Clinton Williams, aka Omit, is considered by many to be the perfect reclusive genius and this beautifully presented five disc box set, with a written intro from Bruce Russell, contains Omit’s most recent output, previously released as limited run CDRs all hand made by the artist.

The dreaming [2018].
‘The Dreaming’ was her fourth record sitting right in the middle of her transition from ‘pop star’ to ‘serious artist’ and both audiences and critics were slightly baffled at the time (it is referred to as her ‘mad’ album); she suffered nervous exhaustion after the year it took to make, but she produced an unrecognised masterpiece.

Shinji’s Picks:
Snow bound/ The Chills.
Thankfully Martin Phillipps’s health seems better now. Only 3 years after the widely acclaimed ‘Silver Bullets’, the Chills provides another stellar album. A quirky mysteriousness is still there but Phillipps is more mature and optimistic. He keeps his pop-craftmanship in great form and offers the melancholic yet bouncy sound with glorious melodies. It’s The Chills as good as it gets. Brilliant.

Lean on me.
Hello like before : the songs of Bill Withers.
To celebrate Bill Withers’ 80th birthday, two fantastic tribute albums came out late 2018 and they both offer wonderful listens. A star artist of Blue Note Records, Jose James has been performing Withers’ songs on stage, and the album ‘Lean on Me’ features his stoic vocal with deep, slow grooves created by his band. A neo-soul singer, Anthony David, who is often compared with Withers, takes a more straight forward approach, showing full love and respect to Withers. It’s been more than 3 decades since Withers walked away from the music industry, but his honest, caring-for-others songs may be something we need in the state of the world today.

Ventriloquism.
From the big names such as Prince, Tina Turner and Sade to the typical 80s hit by Lisa Lisa & Cult Jam, they are all songs from ‘85 to ‘90 (except TLC’s Waterfalls in ‘94). A cover album of the 80s R&B classics is rare and what Meschell Ndegeocello does with them is totally original. With the minimal arrangements, she and her band display superb performances and colour them with a murky textured otherworldly ambience. This is an exceptional cover album by the extraordinary artist.

Vortex / Sonar with David Torn.
Swiss jazz-progressive rock quartet Sonar has established an utterly unique sound – often playing in irregular time and creating a minimal stoic groove – and with this album featuring the one-of-a-kind guitarist David Torn, they seem to move to another level. Torn originally worked as a producer but ended up playing on all tunes as well, and brings a sonically inventive soundscape with huge improvisations on some tracks. It’s stoic yet dynamic, a marvellous risk-taking music.

Contra la indecisión / Bobo Stenson Trio.
This album was released in January 2018 but remains one of the best jazz recordings of the year. Swedish pianist Bobo Stenson is now in his 70s but his graceful lyricism shines more than ever and provides one of his finest albums. The trio shows a great cohesion and versatility and weaves beautiful stories. It’s music that grows inside of you like a good wine. Exquisite.

Mi mundo.
Cuban shining new star Brenda Navarrete infuses the traditional Afro-Cuban music with the modern stylish sound, and her debut album ‘Mi Mundo’ (My World) is full of thrilling moments. Navarrete’s expressive voice and her percussions lead the charge throughout, and the Cuban all-star supporting band shows amazing skills, creating smooth yet rich, dynamic grooves. Sensational.

All melody.
Plus.
German composer/pianist Nils Frahm has been a prominent post-classical music artist, and ‘All Melody’, which started with building his new studio, shows his exceptional talent as a producer as well as a player, exquisitely assembling a great variety of musical elements. Somewhere between techno, ambient and classical, it’s a beautifully executed, kaleidoscopic music. Frahm also joined the Danish electronica trio System with graceful keyboard plays. This is a wonderful collaboration, and System masterfully blends Frahm’s organic tones with their minimal yet rich soundscape, and makes it a mesmerising, ambient album.

Johann Sebastian Bach / Vikingur Olafsson.
As if making an ultimate Bach playlist, a young Icelandic pianist Vikingur Olafsson excellently juxtaposes Bach’s compositions, and tackles them from a variety of angles with fresh ideas. His pianism is sophisticated and refreshing, and brings out astonishingly colourful faces of Bach. This incredible Bach should reach beyond the classical music lovers like Glenn Gould did.

Another Box-sets Bonanza: New Arrival CDs

Plays Well With Others album cover

You won’t believe this… More box-sets have arrived in our CD collection! They include the super deluxe set of the Beatles (White Album) and the Eagles’ Legacy which contains 12 CDs, DVD and Blu-ray. Also, Kate Bush’s 2018 remastered series are all here now. Check them out!

Beatles – The Beatles (6CD)
“This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. To create the new stereo and 5.1 surround audio mixes for The White Album, Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new White Album releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.” (adapted from amazon.co.uk)

Fleetwood Mac – 50 years : don’t stop
“Fleetwood Mac will celebrate a half century of music with a new 50 song collection that is the first to explore the group’s entire career, from their early days playing the blues, to their global success as one of the most-enduring and best-selling bands in rock history. The new compilation touches on every era in the band’s rich history and offers a deep dive into Fleetwood Mac’s expansive catalogue by bringing together essential tracks released between 1968 and 2013.” (adapted from amazon.co.uk)

Jimi Hendrix – Electric Ladyland [deluxe]
“This deluxe box set includes the original album, remastered by Bernie Grundman from the original analogue tapes. For the LP set, Grundman prepared an all-analogue, direct-to-disc vinyl transfer of the album, preserving the authenticity. Electric Ladyland: The Early Takes presents 20 demos and studio outtakes, including demos for song ideas Hendrix recorded himself on a reel-to-reel tape at the Drake Hotel, as well as early recording session studio takes featuring guest appearances from Buddy Miles, Stephen Stills and Al Kooper. Jimi Hendrix Experience: Live At the Hollywood Bowl 9/14/68 is part of Experience Hendrix’s Dagger Records official bootleg series.” (adapted from amazon.co.uk)

Eagles – Legacy
“Deluxe box set containing 12 CDs, DVD and Blu-ray. Legacy includes all seven of the band’s studio albums, three live albums, and a compilation of singles and b-sides. It also includes two concert videos: Hell Freezes Over (DVD) and Farewell Tour: Live From Melbourne (Blu-ray).” (adapted from realgroovy.co.nz)

Phil Collins – Plays well with others
“Four CD set. 2018 collection containing tracks that Phil Collins recorded with other artists. Includes tracks by the Bee Gees, Philip Bailey, Paul McCartney, Brand X, Brian Eno, Robert Plant, Peter Gabriel and many others. Collins gained fame as both the drummer and lead singer for the rock band Genesis, and he also gained worldwide fame as a solo artist.” (adapted from realgroovy.co.nz)

Jethro Tull – This was: the 50th anniversary edition
“After several name changes, Jethro Tull played its first show as Jethro Tull in February 1968. Months later, Ian Anderson, Mick Abrahams, Glenn Cornick and Clive Bunker released the band’s debut – This Was. The album debuted at #10 on the U.K. album chart, but more important, it was the first step in a 50-year (and counting) journey that made Jethro Tull one of the world’s most successful progressive rock bands.To celebrate the album’s 50th anniversary, a special deluxe edition features original album and bonus tracks remixed in stereo by Steven Wilson, Live BBC sessions recorded in 1968 etc..” (adapted from amazon.co.uk)

Metallica – …And justice for all [3CD]
“Embossed & Debossed Expanded Edition of …And Justice for All includes 3 CDs featuring the newly remastered album + previously unreleased demos, rough mixes & live tracks. Includes a 28-page booklet.” (adapted from amazon.co.uk)

Fleet Foxes – First collection 2006-2009
First Collection 2006–2009 spans the early days of Fleet Foxes’ career, including the self-titled debut album, plus the Sun Giant EP, The First EP (formerly a self-titled, very limited-edition, self-released EP), and B-sides & Rarities.” (adapted from realgroovy.co.nz)

Kate Bush – Hounds of love
“2018 Remastered reissue of Kate Bush’s Hounds of Love. This studio album has been fully remastered by Kate and James Guthrie. Released via Rhino.” (adapted from amazon.co.uk)

Staff Pick CDs for Nov/Dec: Part 2

Toitu Te Puoro album cover

The second part of the last round-up of Staff Picks for the year features an eclectic mix of recommendations from Electronica to NZ, to Box-set reissues, and Indie.

Hot burritos! : the Flying Burrito Brothers anthology, 1969-1972.
The outlandishly titled Flying Burrito Brothers are the quintessential country-rock experimenters. Led by the legendary Gram Parsons, the group created a distinctive style of “cosmic American music” that fused country music with R&B, rock, gospel and vaguely psychedelic production. The heart-wrenching pinnacle of the collection is Parson’s stunning, strained and immensely emotive performance on the track ‘Hot Burrito #1’. The Burrito’s influenced everyone from the Rolling Stones to Wilco and left a musical legacy well worth exploring. (Joe)

Switched on volumes 1-3.
The UK post-rock pioneers, who have been on indefinite hiatus since 2010, are well on the way to becoming a cult band, with a worldwide dedicated fan base who refuse to accept that they are no more. Re-releases like this help keep their myth alive, collecting the band’s three ‘90’s compilations of singles and rarities in one nifty box set. This is a great opportunity for the curious to explore this unique band, as it runs from their very first 45 – Super Electric – through to their later more experimental phase on the third double disc compilation – Aluminium Tunes – originally released by Warp Records. The odd marriage of krautrock, exotica and electronics that created their sound has never been equaled (or even attempted for that matter) by anyone else and this collection is an excellent introduction. (John)

The animal spirits / James Holden & the Animal Spirits.
UK electronic producer James Holden has been pushing the boundaries of electronica for most of his career via his aptly named Border Community label and here, on his third record since 2006’s excellent ‘The Idiots Are Winning’, he has finally broken free of any constraints and has made a record far closer to jazz than electronica, playing his wonky synthesiser in a real live band with a drummer and free blowing saxophones and woodwind instruments. The whole thing was recorded live in the studio with no edits or overdubs (on a full moon according to the sleeve notes) and treads a path far more akin to the wild transcendence of free jazz greats such as Pharaoh Sanders than any current electronic artists. Brave and genre defying this is an exultant, joyous album and is highly recommended. (John)

Honey.
The Queen of melancholy dance beats returns with her first proper album in 8 years. Previous album Body Talk was compiled from a number of E.Ps and was almost like a mini-best of. ‘Honey’ moves away from an electronic-pop sound towards a more languid sensual vibe, featuring collaborations with Joseph Mount of Metronomy, Klas Åhlund, & Adam Bainbridge of Kindness. It’s one of those albums that doesn’t really impress on first listen. However repeated plays reveal the interlocking layers of the tracks, which function in many ways as an entire suite with overlapping lyrics, melodies and themes, revealing a more vulnerable state of mind following the tragic death of friend and collaborator, producer Christian Falk, the breakup of a relationship, and several years of intense therapy. Robyn has always seemed a pop star unlike any other, her music never in service to trends, producers du jour, or relentless cross marketing, and this release sees her following her own path once more. (Mark)

Greatest hits vol. 1 : deluxe edition.
The US experimental psychedelic alt-rockers, The Flaming Lips, over 20 albums and countless singles and side projects have become an institution by sheer persistence if nothing else. This three disc set, with excellent cover art, spans the 25 years of their Warners career from 1992 to 2017 with discs one and two featuring highlights chronologically and disc three assembling rare tracks and b-sides. The very fact that such an avowedly weird band can attain the festival headlining status they have enjoyed is remarkable in itself, and this collection includes all sides of their creative impulses from sweet sing along indie anthems to raucous freakouts. Taken in one sitting like this, the stylistic tangents the band have taken make more sense with it all hanging together remarkably well and this collection offers a great chance for the curious to delve into one of the most eccentric and creative acts of the past few years. (John)

Dance on the blacktop.
The shoegaze revival has been underway for long enough now for the style to become more than a nod to the past and a recognised contemporary sub-genre, and US band Nothing have the sound perfected. The production is crytalline and presents the huge guitar swathes in all their harmonic glory, with the half spoken vocals perfectly placed in the mix. This is the Philadelphia band’s third record and they have built a sizeable reputation over their short career as “the world’s unluckiest band” after a saga involving incarceration, a pharmaceutical sadist and permanent brain damage. “Dance On a Blacktop” is prison slang for fighting and here they appear use it to mean riding the chaos of existence with grace – which is a good way to describe their loud, dense and melodic take on indie rock. (John)

Treasure hiding : the Fontana years.
If there was ever a band seduced by beauty it was The Cocteau Twins. Their music is a heavenly ethereal sonic wash but the question that plagued the band pretty much from their formation is, was there more to their music than beauty alone? And perhaps is beauty enough? Well Treasure Hiding The Fontana Years goes some considerable way to answering these questions, sure their trademark ethereal sound is there but this box set contains some of their most experimental, progressive and at times personal works. It’s no secret that the band were suffering from personal difficulties and Elizabeth Fraser uses this as creative fuel bearing her heart in some of the lyrics. Other pieces are much more abstract and obtuse. The fantastic Otherness EP sees the band in an ambient, dubby impressionistic mode very different from their previous works but sumptuous none the less and with grit buried in the strange eeriness of the music. In these pieces you can clearly hear a rich new direction the band could have gone in if their internal problems hadn’t ripped them apart. (Neil J)

Infinite moment / The Field.
Swedish electronic producer Axel Willner, aka The Field, continues his musical pilgrimage chasing endless repetitive loops to an infinite beyond. His distinctive compositional style is either loved or loathed by listeners who willingly enter the hypnotic zones generated by The Field’s everlasting loops or find the very idea claustrophobic and relentlessly boring. Here, six albums in, Axel Willner shows just how finely he has mastered his craft – there are still no breaks, no drops and barely any key changes, instead, the tracks are a little longer, the 4/4 a little slower and the harmonics, melodies and variations that lurk within are a little more subtle; all in all a masterful achievement by one of the most original electronic producers active today. (John)

Bottle it in.
Kurt Vile has, over seven albums, gradually moved from the fringes of alt-rock to inhabit a central place. His latest album consolidates that position, as he applies his distinctive laconic stance to a collection of well written and produced songs, performed with the Violators as his backing band. His highly characteristic slacker Americana has by now become expertly crafted and via the unusual sense of intimacy he is able to create he maintains interest throughout this long album, taken at a very relaxed pace, and which includes several tracks over ten minutes long. Overall, this imaginative and curiously engrossing record ably validates his cultural niche as the new millennium’s equivalent of artists such as R.E.M and Neil Young. (John)

Aquemini.
Best known for their smash hits ‘Ms. Jackson’ (2000) and ‘Hey Ya!’ (2003), Outkast’s magnum opus arrived in 1998. Aquemini captures the pure alchemy of Big Boi and Andre 3000 at their finest, rapping over funky and futuristic beats. Big Boi grounds the group with his streetwise perspective and braggadocious charm while Andre 3000 reaches for the stars with his unique extra-terrestrial philosophy. Blaring horns, a pounding bassline and quirky storytelling make ‘SpottieOttieDopaliscious’ a highlight. Other standout tracks include the anthemic ‘Skew It on the Bar-B’, the iconoclastic ‘Return of the G’ and the catchy head-nodder ‘Rosa Parks’. (Joe)

Suspiria : music for the Luca Guadagnino film.
Thom Yorke’s soundtrack for the remake of the 1977 Italian supernatural horror film Suspiria is a surprise because, within the 25 tracks of the expected doom laden strings, suspense laden tinkly piano and creepy ambient electronics, are featured six new songs, which makes it considerably more than a mere soundtrack. In fact, if the two discs were edited down it would make a very fine Thom Yorke solo album. The context of a horror film allows Yorke to fully indulge his ever present melancholia and the results are very satisfying. This is definitely not sunday bar-b-que music, but the fine orchestral and choral arrangements, the creepy electronica and the gentle, sad, guitar based songs make for some great late night uneasy listening. (John)

Toitū te pūoro.
The perfect sound recordings made possible by modern state of the art studio technology is allowing contemporary listeners the privilege of being able to hear traditional Maori instrumentation as it has never been heard before. Al Fraser, the Wellington musician and instrument maker dedicated to the preservation and ongoing enhancement of this rich musical heritage, here, on his fifth CD release, takes the listener on a deep, dreamlike and evocative journey into the mysterious, mystical and unique sound worlds created by the ancient taonga puoro. Many of the sounds here are so fine and subtle as to be almost inaudible, but that is just the point, because in stretching the hearing of the listener, they are then drawn further in to ‘Te Korekore – the realm between being and non-being’. Take some time out to listen yourself. (John)

Solo anthology : the best of Lindsey Buckingham.
The now ex-Fleetwood Mac guitarist Lindsey Buckingham’s solo albums have always seemed to be overlooked amongst the hype and turmoil of Fleetwood Mac, many of their later albums being structured around a bulk of songs he had set aside for solo projects. This 3-disc compilation includes material from his 6 studio albums, live albums, the collaboration with Christine McVie, tracks from 80s soundtracks, and a couple of unreleased songs. A nice mix of music from the catchy pop of his debut solo album Out of the Cradle to the more acoustic and layered works of later albums. What emerges is a portrait of a great guitarist (the fantastic classical styled playing on his first album still amazes) and songwriter, in search of something deeper than the music he was making in a hugely successful commercial band. Recommended if you’re a fan. (Mark)

Lageos / Actress x London Contemporary Orchestra.
Not an easy listen, but rewarding for the curious, is the recent collaboration between Actress, the London based electronic producer, and the modern classical ensemble, The London Contemporary Orchestra. It is an, at times, wild ride, veering from abstract noise to modern classical drones and treated piano, fractured beats to gamelan style rhythms and finally settling down a little for the last four tracks which have a lovely haunting beauty. The unlikely pairing works overall, creating a work that is intriguing and unsettling in equal measure. (John)

Bunny.
Difficult to stylistically pin down, Mathew Dear has been following a singular path of hybrid electro pop since 2003 across six albums under his own name, as well as producing dance floor techno under a variety of aliases. Since his predominantly instrumental 2003 debut, Leave Luck To Heaven, his solo albums have gradually become more songs based, culminating in his latest, which is as close to pop as he has ever strayed. However, it is a version of pop quite like no other, featuring his gravelly baritone voice amidst an array of funky, wobbly and expansive beats and sounds, mainly electronic, which turn these songs into what one could imagine hearing from an FM station broadcasting, possibly, from Venus. (John)

Vanished gardens / Charles Lloyd & The Marvels + Lucinda Williams.
Some say that this collaboration pioneers a new genre of ‘Americana Jazz’ and it’s a very good description of this music. For their second album, the legendary jazz saxophonist Charles Lloyd and the Marvels invite one-of-a-kind singer Lucinda Williams, and present a wonderful music, bringing together jazz, country, blues and gospel. Not only Lloyd and Williams but The Marvels is also a group of master musicians – Bill Frisell (guitar), Greg Leisz (pedal steel), Reuben Rogers (bass) and Eric Harland (drums) – and everyone here marvellously displays their unique genius; unmistakable dusty Williams’ voice, Frisell’s texturized guitar, versatile Lloyd’s rich tone etc., to make a great band sound. Most of the songs are originals by Lloyd or Williams but the album closes with two glorious covers; Thelonious Monk’s ‘Monk’s Mood’ and Jimi Hendrix’s masterpiece ‘Angel’. Sublime. (Shinji)