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Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

King Gizzard and the Lizard Wizard – Flying microtonal banana : explorations into microtonal tuning. Volume 1.
Elliott Smith – Either/or: expanded edition
The Shins – Heartworms
The Magnetic Fields – 50 song memoir
French For Rabbits – The weight of melted snow
Rag ‘n’ Bone Man – Human

Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Ed Sheeran Divide
Nadia Reid Preservation
Bats The deep set
DJ-kicks : Matthew Dear
Howe Gelb Future standards
Austra Future politics


Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Thievery Corporation The temple of I & I
T2 trainspotting
Traffic 5 classic albums

Aussie rock – New Books on Popular Music

New books on popular music feature some Aussie stuff; intriguing inside stories of Midnight Oil and The Go-Betweens, and Dig: Australian rock and pop music, 1960-85 would be the perfect accompaniment to them. As always, fantastic biographies, this time about legends such as Brian Wilson, Phil Collins and Johnny Marr, have been added. Check them out!

Syndetics book coverDig : Australian rock and pop music, 1960-85 / David Nichols ; foreword by Dave Graney.
“A comprehensive and highly readable history of the first quarter-century of Australian rock and pop music, Dig appeals to everyone with more than a passing interest in rock ‘n’ roll. Those whose knowledge of Australian rock and pop does not extend far beyond the Easybeats, AC/DC, Little River Band and Nick Cave can discover a wealth of music beyond those star names; while even those familiar with the work of the Missing Links, Pip Proud, Radio Birdman and the Moodists learn much about the scenes and connections that produced these bands and dozens of others.” (Syndetics summary)

Syndetics book coverMidnight Oil : the power and the passion / Michael Lawrence.
“Midnight Oil are one of the most ‘Australian’ rock bands this country has produced. Born from the Australian pub rock scene that gave us AC/DC, Cold Chisel and INXS, the Oils were able to break out of that scene without compromising themselves in any way. Indeed, their breakthrough overseas record was the most Australian album they made. But it wasn’t just the subject matter that made them fiercely Australian; it was their stubborn independence, and their refusal to play the rock’n’roll game and respect its rules and masters.” (Adapted from Syndetics summary)

Syndetics book coverGrant & I : inside and outside the Go-Betweens / Robert Forster.
Grant & I is the story of the friendship and collaboration of Grant McLennan and Robert Forster, who gave Australia The Go-Betweens. At its heart is a privileged insight into a prolific artistic collaboration that lasted three decades, and an extraordinary friendship that rode out the band’s break-up to remain strong until Grant’s premature death in 2006. Unconventional in lineup and look, noted for near misses and near hits, always a beat to one side of the mainstream – the band’s unusual beginnings were followed by twists that often confounded its members as well as fans and record companies.” (Syndetics summary)

Syndetics book coverI am Brian Wilson : a memoir / Brian Wilson ; with Ben Greenman.
I Am Brian Wilson reveals as never before the man who fought his way back to stability and creative relevance, who became a mesmerizing live artist, who forced himself to reckon with his own complex legacy, and who finally completed Smile, the legendary unfinished Beach Boys record that had become synonymous with both his genius and its destabilization. Today Brian Wilson is older, calmer, and filled with perspective and forgiveness.” (Syndetics summary)

Syndetics book coverCured : the tale of two imaginary boys / Lol Tolhurst.
“A deeply rebellious, sensitive, tough, and often surprisingly “normal” young man, Robert Smith was from the start destined for stardom, a fearless non-conformist and provocateur who soon found his own musical language through which to express his considerable and unique talent. Intensely lyrical and evocative, gripping and unforgettable, Cured is the definitive story of a singular band whose legacy endures many decades hence, told from the point of view of a participant and eyewitness who was there when it happened-and even before it all began.” (Adapted from Syndetics summary)

Syndetics book coverSet the boy free : the autobiography / Johnny Marr.
“An artist who helped define a period in popular culture, Johnny Marr tells his story in a memoir as vivid and arresting as his music. The Smiths, the band with the signature sound he cofounded, remains one of the most beloved bands ever, and have a profound influence on a number of acts that followed–from the Stone Roses, Suede, Blur, and Radiohead to Oasis, The Libertines, and Arctic Monkeys. Rising above and beyond the personal struggles and bitter feuds, Marr delivers the story of his music and his band, sharing the real insights of a man who has made music his life, and finally giving fans what they’ve truly been waiting for.” (Syndetics summary)

Syndetics book coverNot dead yet : the memoir / Phil Collins.
Not Dead Yet is Phil Collins’s candid, witty, unvarnished story of the songs and shows, the hits and pans, his marriages and divorces, the ascents to the top of the charts and into the tabloid headlines. As one of only three musicians to sell 100 million records both in a group and as a solo artist, Collins breathes rare air, but has never lost his touch at crafting songs from the heart that touch listeners around the globe. This is Phil Collins as you’ve always known him, but also as you’ve never heard him before.” (Syndetics summary)

Syndetics book coverZayn.
“After five years of massive success with One Direction, ZAYN launched his career as a solo artist with Mind of Mine, becoming one of the most successful artists in the world. Never-before-released photos give readers insight to ZAYN, no-holds-barred. Gorgeously designed with hundreds of full-color photographs and Zayn’s notes, drawings, song lyrics, and personal stories, the book captures Zayn’s most private moments and his candid feelings on fame, success, music, and life.” (Syndetics summary)

Syndetics book coverFortunate son : my life, my music / John Fogerty with Jimmy McDonough.
“Creedence Clearwater Revival is one of the most important and beloved bands in the history of rock, and John Fogerty wrote, sang, and produced their instantly recognizable classics: “Proud Mary,” “Bad Moon Rising,” “Born on the Bayou,” and more. Now he reveals how he brought CCR to number one in the world, eclipsing even the Beatles in 1969. By the next year, though, Creedence was falling apart; their amazing, enduring success exploded and faded in just a few short years. Fortunate Son takes readers from Fogerty’s Northern California roots, through Creedence’s success and the retreat from music and public life, to his hard-won revival as a solo artist who finally found love.” (Syndetics summary)

Syndetics book coverYou’re making me hate you : a cantankerous look at the common misconception that humans have any common sense left / Corey Taylor.
“Slipknot and Stone Sour frontman Corey Taylor’s third book is a searingly hilarious trawl through the endless backwaters of human stupidity. Funny, profane, blasphemous, and above all right on target, You’re Making Me Hate You is pure Corey Taylor unleashed, exposing the underbelly of human depravity in all its ragged glory.” (Syndetics summary)

Syndetics book coverLoose canon : the extraordinary songs of Clive James & Pete Atkin / Ian Shircore.
“For the last fifty years, Clive James has been writing remarkable songs – witty, moving, sometimes satirical, often thrillingly poetic – with his musical partner, Pete Atkin. They’ve written more than two hundred together, releasing the first album of their work in 1970 and the last in 2015. Stephen Fry is a huge fan, as his dazzling foreword to this book proves. And Clive himself believes these songs are the best things he’s ever done. Loose Canon explores the sparkling lyrics and brilliantly memorable tunes that have won Clive and Pete a fanatical cult following but still managed to remain the British music industry’s best kept secret.” (Syndetics summary)

Syndetics book coverAltamont : the Rolling Stones, the Hells Angels, and the inside story of rock’s darkest day / Joel Selvin.
“Celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones’ infamous Altamont concert in San Francisco, the disastrous historic event that marked the end of the idealistic 1960s. The product of twenty years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring sixteen pages of color photos, Altamont is the ultimate account of the final event in rock’s formative and most turbulent decade.” (Syndetics summary)

Syndetics book coverLove for sale : pop music in America / David Hajdu.
“In Love for Sale, David Hajdu–one of the most respected critics and music historians of our time–draws on a lifetime of listening, playing, and writing about music to show how pop has done much more than peddle fantasies of love and sex to teenagers. From vaudeville singer Eva Tanguay, the “I Don’t Care Girl” who upended Victorian conceptions of feminine propriety to become one of the biggest stars of her day to the scandal of Blondie playing disco at CBGB, Hajdu presents an incisive and idiosyncratic history of a form that has repeatedly upset social and cultural expectations.” (Syndetics summary)

Syndetics book coverBeatles gear : all the Fab Four’s instruments from stage to studio–the ultimate edition / Andy Babiuk.
“This ultimate guide to all the gear used by the Beatles details exactly which guitars, drums, amplifiers, and keyboards the Fab Four embraced throughout their brief but revolutionary career. John, Paul, George, and Ringo’s moves from cheap early instruments to the pick of 1960s technology are carefully and entertainingly documented in an easy-to-read narrative, fully illustrated with many previously unseen photographs, a cache of rare memorabilia, and a unique collection of specially photographed instruments used by the Beatles. This landmark book is perfect for the fan absorbed by music rather than hairstyles, and for any reader with an abiding interest in the 1960s.” (Adapted from Syndetics summary)

Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Ryan Adams – Prisoner
Bob Dylan – The 1966 live recordings (Box)
Cream – Fresh Cream (Box)
Julie Byrne – Not even happiness
Alison Krauss – Windy city
William Basinski – A shadow in time


Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Sun Ra – Singles: the definitive 45s collection 1952-1991
Cluster – 1971-1981
Various Artists – Action time vision: a story of independent UK punk 1976-1979

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Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Cooking Vinyl 1986-2016.
xx I see you
Marc Almond Trials of eyeliner : the anthology 1979/2016

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Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Soundgarden – Badmotorfinger [deluxe]
Queen – On air: the complete BB radio sessions
Emerson, Lake & Palmer – Trilogy [deluxe]

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Sound & Vision: New CDs

Check out some of these newly catalogued CDs in our AV collection. To reserve these items click on the title link below, and to find out a bit more about them click on the cover images…

Electric Light Orchestra The classic albums collection
Who My generation [5CD]
Band The last waltz [deluxe]

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Staff Pick CDs – More ‘Best of 2016’ selections

2016 was a bumper year for new music (although we admit we might say that every year) so we have some more choice top picks for you to browse. Most genres are covered here, so there should be something for everyone!

Cover imageArrangingtime. Pete Yorn
Pete Yorn was one of those artists that never seemed to live up to the potential of his fantastic first album. His second was a solid follow-up, but the next couple were patchy, and his last effort, 2010′s ‘PY’ with Frank Black was a total misfire. After that he seemed to disappear, popping up briefly as part of ‘The Olms’ in 2013 whose very short Beatles-esque album had some Ok tracks. However Yorn was back in 2016 with his first solo album in 6 years on a new label. ‘Arrangingtime’ shifts the guitar sound to a wash of synths on some tracks but he still hews close to the sonic template of his first couple of albums. Sounding invigorated by the break, this collection of melodic synthy rockers is his most consistent and enjoyable for a long time.

Cover imageSwan song series. Tanya Donelly
One of the most influential female figures in the 90s music scene returned with a 3-Disc collection that rounded up the 5 EPs she released on Bandcamp between 2013-14. Co-founding Throwing Muses with stepsister Kristen Hersh, which she played in from 1983-1991, she then co-formed The Breeders with Kim Deal of The Pixies, before founding her own group Belly. After ‘Belly’ folded she released 2 indie pop albums followed by 2 more introspective acoustic albums before essentially stepping away from music; so it was a surprise when 7 years later she began to release a series of EPs on Bandcamp. Each release featured songs co-written with friends, musicians and previous collaborators, including noted authors. American Laundromat Records collected up all the EPs and some extra tracks for a richly diverse compilation that wandered through a number of genres all anchored by a sense of experience and wisdom, in addition to her lovely voice which sounds as good as it ever was.

Cover imageGive up on your health. Teeth & Tongue
Teeth & Tongue is the moniker of Melbourne based, Wellington raised songwriter and musician Jess Cornelius. Her family moved to Wellington when she was 11, and music was the one constant, her parent’s record collection played a huge role in fuelling her desire to make music. She entered a couple of local “battle of the bands” comps while at school, but it wasn’t until a move to Melbourne at 19 that she fully tapped into her musical potential. Latest album ‘Give up on your health’ is a swirl of Giorgio Moroder 80s synths, but underneath the fantastic production is a set of serious songs that focus on fracturing relationships, isolation, and past regrets. Electro-pop tends to veer towards cool beats, hip choruses and emotional detachment, but Cornelius and her backing band plunder the digital sounds to record the messy analogue organics of real human interaction.

Cover imageThe 11th sky. Electric Wire Hustle
Just when you think Electric Wire Hustle can’t get any better they (or rather Mara TK, the last man left of the original three piece band) up their game yet again. His fantastic voice sits comfortably in that late period Marvin Gaye/Leon Ware pocket, but the sound of ‘The 11th Sky’ is harder and fuller. Moving away from the patented psychedelic Neo-soul of the last 2 albums they move into a sonic realm of darker, heavier, beats that envelop Mara TK’s analogies to Maori mythology, and metaphysical concerns on the pressures of money, love and expectations that weigh down peoples journey towards a better place within themselves. A real sense of searching for meaning pervades the album.

Cover imageAce & Gab’s honeymoon. Maple Syrup
We really liked Vera Ellen’s solo album Monte Casino, and now she is part of Maple Syrup, a new 4 piece that melds a grungy garage 90s alt-rock aspect with the pop sensibilities that were on display on Monte Casino. Riffy guitar lines, catchy melodies, rocking tracks. Makes you remember why you like new bands. The vibrancy and sense of purpose. The adherence to old forms, yet that energy and discovery.

Cover imageI’ll forget 17. Lontalius
‘Lontalius’ is one of the stage names of 19 year old underground Wellington sensation Eddie Johnston, who also records under the moniker ‘Race Banyon’, and has been an active participant in the local live scene since his early teens. After a slew of independent releases on Bandcamp he came to prominence in 2013 via a collection of Casiotone rap covers, which soon found endorsement from Lorde and Ryan Hemsworth. He signed to New York label Partisan Records for full length debut ‘I’ll Forget 17′ and moved away from R&B covers and the Hip-Hop of alter ego ‘Race Banyon’, to deliver an album of intimate alt-pop tinged with melancholy & a lyrical maturity beyond his years.

Cover imageBrothers and sisters of the black lagoon. Orchestra of Spheres
More experimental rock madness from this cult Welly band who are breaking big overseas, signed to Fire Records out of the UK, featuring as The Guardian’s Band of the week, and getting glowing reviews for this latest album. A funky melange of shifting music styles.

Cover imageThe death of all things. Beastwars
More beautifully sludgy metal from Wellington’s premiere purveyors of ‘The Riff’. Internal band dynamics made this the most difficult (and for lyricist Hyde the most personal album yet). Anger and unease seethes beneath every song, but the tension results in what may be their best album yet. On hiatus after a brief tour, one can only hope they return at some point for another chapter in their music.

Cover imageHumid nights. Eva Prowse
Great new album from Eva Prowse, that forsakes the violin country/folk of her first album I can’t Keep Secrets and jumps right into the electro-pop world of bubbly midi’s, bouncy pop tunes, and fond musical memories of growing up in the 80s. Sits comfortably alongside any of the many international artist’s working within this retro synthy sound. Definitely one of the best ‘Wellington’ Releases of the year.

Cover imageBrown girl. Aaradhna
Aaradhna’s albums always have a retro feel which highlights her love of older musical styles, whether it’s 50s doowop, 60s Motown or 70s soul, however she always surrounds those styles with plenty of contemporary sounds & flourishes, and more importantly always brings her unique sense of integrity & emotion to everything she does, as well as the incredible power of her soulful voice. ‘Brown Girl’ is her most personal album yet, directly addressing the racism she experienced growing up and the breakdown of a long term relationship.

Shinji’s Picks:
Cover imageThe Thompson fields/Maria Schneider Orchestra.
Leading jazz orchestra is no easy task both artistically and financially, but that is what Maria Schneider has been doing marvellously for more than two decades. Drawing her influence from modern classical masters such as Ravel and Hindemith, and above all her mentor Gil Evans, she has invented a watercolor-like transparent sound. She seems to hit the top with this landmark album, offering a glorious lyricism as well as a superb dynamism featuring the fantastic soloists. Sublime.

BestOf2016CDs60Aziza/Dave Holland, Chris Potter, Lionel Loueke, Eric Harland.
Legendary jazz bassist Dave Holland formed another suppergroup with Lionel Loueke (guitar), Chris Potter (saxphone) and Eric Harland (drums) and they superbly unite and present a bouncing funk-jazz with an African twist. Every member contributes two compositions each and they are rather complex which often in irregular time, but these master musicians play effortlessly and groove hard. Holland has been active in the front line for five decades but shows no sign of slowing down. Brilliant.

Cover imageMonoswezi Yanga. Monoswezi
Monoswezi, whose name is taken from the names of the members’ birth countries (Mozambique, Norway, Sweden and Zimbabwe), offers subtle hybrid music of African, jazz and minimal music, centring around Zimbabwean singer Hope Masike’s voice and mbira (thumb piano). It’s a low-key affair but their less-is-more approach somehow gives you a rich musical journey, like some good ECM albums do.

Cover imageApe in pink marble. Devendra Banhart
He has been busy as a visual artist in recent years (had exhibitions at several places around the world) but the ‘freak-folk’ singer songwriter Devendra Banhart is back with another stellar album. It’s an airy effortless music which enigmatic experimental sprits within. There is nothing particularly new here and he probably doesn’t need any changes, but everything; songs, arrangements, performances, come nicely together more than ever.

Cover imageA moon shaped pool. Radiohead
Evolving into something much larger than just a rock band, Radiohead shows tremendous presence and the supergroup aura. They seem to be heading somewhere no one ever got before.

Neil’s Picks:
Cover imageNothing more to say/The Frightnrs.

Cover imageVoid beats/invocation trex. Cavern of Anti-Matter

Cover imageWildflower/The Avalanches.

Cover imageEarth into aether. Bill Baird

Cover imageBloodline. Xixa

Cover imageEyes on the lines. Steve Gunn

Cover imageWe got it from here… thank you 4 your service/A Tribe Called Quest.

Cover imageInner journey out. Psychic Ills

Cover imageThe heavy entertainment show. Robbie Williams

Cover imagePhase zero. Morgan Delt

Cover imageNonagon infinity. King Gizzard and the Lizard Wizard

Monty’s Picks:
Cover imageLemonade. Beyonce

Cover imageFlotus. Lambchop

Cover imageBlood bitch. Jenny Hval

Bridget’s Pick:
Cover imageIsland songs/Ólafur Arnalds.


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