Exciting New Arrival CDs

New arrival CDs feature fantastic new albums by some of the biggest names of the industry such as Nick Cave and Coldplay as well as our very own super band Six60. Amazing box-sets also keep coming. They include Freddie Mercury’s Never Boring, which brings together his solo performances for the first time, and 1982 by Fall. Check them out!

New Albums

Six60 [2019]. / Six60
“As they continue making history, award-winning New Zealand sensation SIX60 releases their third self-titled album featuring the hit single ‘The Greatest’, and the two new tracks ‘Please Don’t Go’ & ‘Raining’.” (adapted from mightyape.co.nz)

Ghosteen / Cave, Nick
“Two CDs. ‘The songs on the first album are the children. The songs on the second album are their parents. ‘Ghosteen’ is a migrating spirit.’ – Nick Cave. The album was recorded in 2018 and early 2019 at Woodshed in Malibu, Nightbird in Los Angeles, Retreat in Brighton and Candybomber in Berlin.” (adapted from amazon.co.uk)

Kiwanuka. / Kiwanuka, Michael
“‘KIWANUKA’ is the follow-up to Michael’s number 1 album, ‘Love & Hate’, released back in July 2016, that resonated broadly both critically and in the public’s affections, netting the British musician his second Mercury Prize nomination and his second and third BRIT nominations too. ‘KIWANUKA’ finds a new assuredness in Michael’s writing, and takes the basic sonic blueprint of that last record to a dizzying new realm.” (adapted from amazon.co.uk)

Once upon a mind. / Blunt, James
“After flirting with electronica on his last album (2017’s ‘The Afterlove’), Blunt returns to what he does best on ‘Once Upon a Mind’, writing classic songs that touch both the heart and the head. ‘Once Upon A Mind’ sees Blunt collaborating with a variety of producers such as Steve Robson, Jimmy Hogarth and TMS.” (adapted from amazon.co.uk)

Magdalene. / FKA twigs
“Created in a period where her confidence was knocked following heartbreak and laparoscopic surgery, ‘MAGDALENE’ is the sound of twigs reconfiguring, emotionally and physically. As she sings on ‘Mary Magdalene’, the MAGDALENE album track that opened her highly-praised, sold-out live shows earlier in the year, “A woman’s time / A woman’s work / A woman’s time to embrace / She must put herself first”.” (adapted from amazon.co.uk)

Everyday life. / Coldplay
“‘Everyday Life’ is the eighth studio album by the British rock band, and is an album presented in two halves: ‘Sunrise’ and ‘Sunset’, featuring a stunning array of music, that is sure to surprise and delight their global fanbase.” (adapted from amazon.co.uk)

Box sets/ Reissues

Never boring. / Mercury, Freddie
“The “Never Boring” box set brings together for the first time a specially-curated selection of Freddie Mercury’s music, visuals and written and spoken words. The set reminds us that Freddie was an exceptional singer, songwriter, performer and human being whose special kind of magic is captured in this exceptional collection of his solo work.” (adapted from amazon.co.uk)

The complete RCA albums collection. / Simone, Nina
“9CD BOX SET / The Clamshell box contains a 34 page booklet with the story about Nina Simone, beautiful pictures and all the information about the nine CD’s, all from the RCA collection.” (adapted from amazon.co.uk)

Travelin’ thru : the bootleg series vol. 15, 1967-1969 / Dylan, Bob
“The latest chapter in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series revisits Dylan’s pivotal musical journeys to Nashville, from 1967 to 1969 focusing on previously unavailable recordings made with Johnny Cash and unreleased tracks from the John Wesley Harding Nashville Skyline and Self Portrait sessions Bob Dylan (featuring Johnny Cash) Travelin Thru.” (adapted from amazon.co.uk)

Monster [deluxe]. / R. E. M
“‘Monster’ is indeed R.E.M.’s long-promised “rock” album; it just doesn’t rock in the way one might expect. Instead of R.E.M.’s trademark anthemic bashers, ‘Monster’ offers a set of murky sludge, powered by the heavily distorted and delayed guitar of Peter Buck. Michael Stipe’s vocals have been pushed to the back of the mix, along with Bill Berry’s drums, which accentuates the muscular pulse of Buck’s chords.” (Catalogue)

Every move you make : the studio recordings. / Police (Musical group)
“Following the 40th anniversary vinyl box, we present a limited edition 6-CD box set edition, featuring all five studio albums + a bonus disc. Includes an exclusive bonus 12-track disc – ‘Flexible Strategies’ comprised of non-album b-sides (including very rare remix of ‘Truth Hits Everybody’) and remastered at Abbey Road Studios. The collection features 14 top-20 singles, including five number ones! Four of the albums reached number one and went on to sell millions of copies around the world.” (adapted from amazon.co.uk)

[1982] / Fall (Musical group)
“1982 was a decisive year for The Fall. Their critically acclaimed album “Hex Enduction Hour” was released in March on Kamera Records, closely followed by “Room To Live” in September. This six-disc boxset brings together those two classic albums alongside a host of John Peel sessions, Kamera singles, live performances and the group’s live album “In A Hole”, recorded during their tour of New Zealand and originally released on Flying Nun Records.” (adapted from amazon.co.uk)

Hunting high and low [4CD]. / a-ha
“Anyone who dismissed a-ha as a one-hit wonder must have missed out on the band’s fine debut, ‘Hunting High and Low’. Though the band spawned many further hits across the rest of the world, “Take on Me” exploded in the States and the group never cracked the top of the charts again. It’s a shame, because the album contains a handful of songs that nearly match the manic energy and emotional crack of its big hit. Further, it’s a cohesive album with smart pace changeups, and it rarely fails to delight or satisfy a listener’s need for a synth pop fix.” (Catalogue)

No other. / Clark, Gene
“Upon its 1974 release, Gene Clark’s ‘No Other’ was rejected by most critics as an exercise in bloated studio excess. It was also ignored by Asylum, that had invested $100,000 in recording it. A considerable sum at the time, it was intended as a double album, but the label refused to release it as such. Ultimately, it proved a commercial failure that literally devastated Clark; he never recovered. Though Clark didn’t live to see it, ‘No Other’ has attained cult status as a visionary recording that employs every available studio means to illustrate the power in Clark’s mercurial songwriting. Clark’s unlikely classic, ‘No Other’ is continually continued rediscovered by succeeding generations.” (Catalogue)

New CDs @ Arapaki

Check out some of these new arrival CDs, including new albums by our very own Drax Project and Algel Olsen which received rave reviews. The highly anticipated The Beatles’ ‘Abbey Road’ 50th anniversary editions (2CDs and 3CDs+Blu-ray) have also arrived. Come down to Arapaki Manners Library and get them.

New Albums

Drax Project [album]. / Drax Project
“Drax Project unveiled a new single “Catching Feelings” featuring fellow New Zealanders SIX60 off of their self-titled debut album. The jazz-inspired pop group has vamped up the track with infectious harmonies, relatable lyricism, and wistful, hypnotic vocals. With the new body of work underway, Drax Project is gearing up to take the world by storm.” (adapted from mightyape.co.nz) Check out also our Wellington Music Blog and Facebook to find out more about the Wellington music and musicians.

All mirrors. / Olsen, Angel
“The descent into darkness is a trope we find time again across history, literature and film. But there’s also an abyss above. There’s a winding white staircase that goes ever upward into the great unknown — each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, ‘All Mirrors’, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.” (adapted from amazon.co.uk)

Ode to joy. / Wilco
” The album follows on from 2016’s, rather sombre ‘Schmilco’. ‘Ode to Joy’ is everything the title suggests, according to frontman Jeff Tweedy in a press release, the record’s, ‘full of really big, big folk songs, these monolithic, brutal structures that these delicate feelings are hung on’.” (adapted from amazon.co.uk)

Lost girls. / Bat For Lashes
“Lost Girls is another brilliant full-length in Khan’s incredible, acclaimed discography, mixing sounds she’s always loved – heavy bass lines, synth arpeggios, Iranian pop beats, cascading choruses – with some of her finest songwriting to date. It’s an album full of romance, an homage to Los Angeles, to being a kid in the 80’s, to films that touched and changed her life.” (adapted from amazon.co.uk)

No home record. / Gordon, Kim
“A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be its resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music. ‘No Home Record’ is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it.” (adapted from amazon.co.uk)

The Highwomen. / Highwomen
“The Highwomen is a new collaborative movement formed by Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires. The collective’s highly anticipated self-titled debut album, produced by Grammy Award-winning producer Dave Cobb. Continually demonstrating the importance of inclusion and collaboration, The Highwomen are joined by several guest musicians, vocalists and songwriters across the album. The project features Sheryl Crow, Jason Isbell and many more.” (adapted from amazon.co.uk)

Juice B crypts. / Battles (Musical group)
“On their first album without bassist/guitarist Dave Konopka, Battles reinvent themselves once again with a tight set of songs that nevertheless push their musical boundaries. Their ability to simultaneously streamline and elaborate on their music isn’t exactly new; after all, Tyondai Braxton’s exit after ‘Mirrored’ prompted them to create ‘Gloss Drop”s exhilarating mix of experiments and hooks. On ‘Juice B Crypts’, there’s a similar feeling of rebirth.” (Catalogue)

Three chords & the truth. / Morrison, Van
“His sixth album in just four years, ‘Three Chords & The Truth’ is further proof that Van Morrison is one of the greatest recording artists of all time and a creative force to be reckoned with. The album was produced and written by Van Morrison (except for ‘If We Wait for Mountains’ which was co-written with Don Black).” (adapted from amazon.co.uk)

Why me? Why not. / Gallagher, Liam
“‘Why Me? Why Not’ is subsequently a clear upgrade on ‘As You Were’, but not a radical departure, which will come as a relief to Liam’s loyal fans. Highlights include the soulful One Of Us, which includes Liam’s son Gene Gallagher’s debut on bongos (“he nailed it!”), the aching balladry of Once (“got a bit of Pink Floyd’s The Wall about it”), the raw guitar bounce of Be Still, and the title track, Why Me? Why not, which Liam describes as “having a Beatles on Come Together vibe.”. Liam Gallagher: both eyes firmly fixed on the horizon, as ever. Because he knows, the best is still come.” (adapted from amazon.co.uk)

Reissues/ Box-sets
Abbey Road : 3CD anniversary edition. / Beatles
Abbey Road : 2CD anniversary edition. / Beatles
“In many ways, Abbey Road stands apart from the rest of the Beatles’ catalog, an album that gains considerable strength from its lush, enveloping production — a recording so luxuriant, it glosses over aesthetic differences between the group’s main three songwriters and ties together a series of disconnected unfinished songs into a complete suite. Where Sgt. Pepper pioneered such mind-bending aural techniques, Abbey Road truly seized the possibilities of the studio and, in doing so, pointed the way forward to the album rock era of the 1970s.” (Catalogue)

Country music : a film by Ken Burns : the soundtrack.
“”If you write the truth and you’re writing about your life, it’s going to be country.” Loretta Lynn COUNTRY MUSIC, the eight-part, 16-hour film by Ken Burns, chronicles the creation of a truly American genre of music through the songs and stories of its greatest trailblazers. ‘Country Music A Film By Ken Burns (The Soundtrack)’ includes more than 100 timeless classics as heard in the film, including songs by The Carter Family, Jimmie Rodgers, Bill Monroe, Bob Wills, Hank Williams, Johnny Cash, Loretta Lynn, Charley Pride, Willie Nelson, Dolly Parton and many more. This deluxe 5CD set includes 68 pages of liner notes and rarely seen archival photos, documents and memorabilia.” (adapted from amazon.co.uk)

Exciting new arrival CDs

It’s very good news that more music is available at Arapaki Manners Library. New arrival CDs feature exciting Aotearoa talents, including fantastic new albums by our very own Mermaidens and the veteran David Kilgour. Also, check out Waiata: anthems in which leading NZ artists perform their hit songs in Te Reo. Come down to Arapaki and get them.

New albums

Look me in the eye. / Mermaidens
“Dancing in the lively afterglow of Perfect Body, Mermaiden’s internationally acclaimed Flying Nun debut, a new flame burns. The Wellington-based trio now approach 2019 with an eagerly awaited follow up. Enter the depths of their new album, Look Me In The Eye. Exploring power and control in a confronting new lens, the trio are focused on the gatekeepers and dominators of the world; dissecting their power, one song at a time.” (adapted from amazon.co.uk)

Bobbie’s a girl / Kilgour, David
“It’s moody – as in low, subdued,’ says David Kilgour of his new album, Bobbie’s a girl. David Kilgour’s 11th solo album, Bobbie’s a girl is a quieter affair than fans may associate with the pioneer of New Zealand indie rock. ‘I tended to shy away from too much guitar playing for a point of difference and to mix things up for myself a little,’ Kilgour continues. Largely missing the jangly distortion of Kilgour’s other work, the album’s ten songs exude a hazy warmth, with a light psychedelia that recalls ’60s outfits like The Byrds and The Velvet Underground.” (adapted from amazon.co.uk)

Waiata : anthems.
“WAIATA / ANTHEMS was released to celebrate Māori Language Week / Te Wiki o Te Reo Māori 2019 (Sep 9-13) and to coincide with the 20-year anniversary of Hinewehi Mohi first performing the New Zealand National Anthem in Te Reo Māori at an All Blacks game. 20 years on, she has decided to mark that anniversary not by remembering the controversy, but by celebrating how far we’ve come. The result – 11 of New Zealand’s best loved artists performing their hit songs in Te Reo Māori, as well as an acknowledgement of ‘Aotearoa’ with a vibrant rendition by the renowned Hātea Kapa Haka.” (adapted from amazon.co.uk)

I, I. / Bon Iver
“‘i,i’ is Bon Iver’s most expansive, joyful and generous album to date. If ‘For Emma, Forever Ago’ was the crisp, heart-strung isolation of a northern Winter; ‘Bon Iver’ the rise and whirr of burgeoning Spring; and ‘22, A Million’, a blistering, “crazy energy” Summer record, ‘i,i’ completes the cycle: a fall record; Autumn colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music.” (adapted from amazon.co.uk)

The center won’t hold. / Sleater-Kinney
“‘The Center Won’t Hold’ is the tenth studio album by Sleater-Kinney. It addresses transformation as it relates to the corrosion and decomposition of forms. Fractured and frayed by age or by loss, by internecine politics, by trauma or depression, these eleven songs ask what remains of a body, a human spirit, a relationship, a city, a country.” (adapted from amazon.co.uk)

Threads. / Crow, Sheryl
“Sheryl Crow’s album of collaborations. Threads includes ‘Still The Good Old Days’ featuring Joe Walsh. Other tracks include “Redemption Day” featuring Johnny Cash, “Live Wire” featuring Bonnie Raitt and Mavis Staples and “Prove You Wrong” featuring Stevie Nicks and Maren Morris. Elaborating on the project, Crow reflected, “I became inspired to record an album of musical experiences with the legacy artists who inspired me.” (adapted from realgroovy.co.nz)

Fear inoculum. / Tool
“Fear Inoculum is the long awaited new album from TOOL, and the band’s first new album in 13 years. The album will be available digitally, and in a special Limited Edition physical package that includes a CD in a tri-fold Soft Pack Video Brochure featuring a 4” HD rechargeable screen with exclusive video footage, a USB charging cable, a 2 watt speaker and a 30 page insert book and MP3 download card.” (adapted from amazon.co.uk)

Beneath the eyrie. / Pixies (Musical group)
“Seventh full-length album from the iconic alternative band. Sessions for the album took place at Dreamland Recordings near Woodstock, New York and unusually the band documented every minute of the process, which makes up a 12-part podcast.” (adapted from amazon.co.uk)

Days of the Bagnold summer
“Days of the Bagnold Summer began life as a 2012 award-winning graphic novel by Joff Winterhart, was turned into a feature film and the directorial debut of Simon Bird (The Inbetweeners, Friday Night Dinner), and is now a wonderful, rich, bittersweet, and warmly welcoming original soundtrack album by Belle and Sebastian. The album features eleven brand new Belle and Sebastian songs, as well as re-recorded versions of classics ‘Get Me Away From Here I’m Dying’, originally appearing on 1996’s If You’re Feeling Sinister, and ‘I Know Where The Summer Goes’, from 1998’s This Is Just a Modern Rock Song EP.” (adapted from amazon.co.uk)

Rubberband. / Davis, Miles
“The legendary ‘Lost’ Miles Davis album recorded after signing with Warner Bros. has now been completed by the original producers Randy Hall and Zane Giles, and Davis’ nephew Vince Wilburn Jr.. Miles Davis shocked the music world in 1985 when he left Columbia Records after 30 years to join Warner Bros. Records. In October of that year, he began recording the album Rubberband in Los Angeles. The musical direction Davis was taking during the sessions marked a radical departure, with the inclusion of funk and soul grooves; with plans to feature guest vocalists Al Jarreau and Chaka Khan. Eventually, the album was shelved and Davis went on to record Tutu, leaving the Rubberband songs unheard and untouched for over 30 years.” (adapted from amazon.co.uk)

Box sets

Ágaetis byrjun : a new beginning. / Sigur Rós
“In 1999 Sigur Rós released ‘Ágætis Byrjun’ (‘A Good Start’), which Q magazine deemed ‘the last great record of the 20th century’. By the end of the year, it had won the inaugural US Shortlist Prize for Artistic Achievement in Music. This 20th Anniversary edition of the album features demo and archive versions of the songs, plus never-before-heard newly-unearthed material from the time, rare b-sides and the full 95-minute concert played in Reykjavík on the day the record was released.” (adapted from amazon.co.uk)

Kankyō ongaku : Japanese ambient, environmental & new age music 1980-1990.
“Double CD edition in custom 7″ x 7″ hardbound book. Light In The Attic’s Japan Archival Series continues with Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyo ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.” (adapted from amazon.co.uk)

Afrofuturism in the world of music

Afrofuturism is an intersection of imagination, technology, the future, and liberation. ‘I generally define Afrofuturism as a way of imagining possible futures through a black cultural lens,’ says Ingrid LaFleur, an art curator and Afrofuturist.”

― Ytasha L. Womack, Afrofuturism: The World of Black Sci-Fi and Fantasy Culture

One of the most exciting genres emerging in science fiction, film, art and music at the moment is Afrofuturism. But whilst this dynamic and rather fabulous genre is having a real explosion of creativity, it’s by no means new. Indeed especially in the world of music Afrofuturism has a long and distinguished past, commonly accepted as emerging in the music world in the 1950s. This blog is a very brief look at some of Afrofuturism’s key musical proponents both old and new.

One of the first musical explorers in this universe was the legendary jazz musician Sun Ra. In the late 1950s Sun Ra created his own new synthesis of jazz, designed to reflect and link both the leading edge of the space age and African culture–especially that of African Egypt.

His ideas were taken up in the 1970s in the funk world by George Clinton’s funk outfits Parliament and Funkadelic. Reggae and hip hop also embraced these ideas, with artists like Lee “Scratch” Perry, Scientist and Afrika Bambaataa. And in the world of rock, Jimi Hendrix was also regarded by some reviewers as an Afrofuturist.

In the 21st century artists as diverse as Solange, Rihanna, Beyoncé, Erykah Badu, Missy Elliott, Kendrick Lamar, Flying Lotus and the Wu-Tang Clan have been influenced by this movement, with perhaps  Janelle Monáe the best known for embracing the genre. Enjoy!


Flamagra. / Flying Lotus
“Fire’s positive and negative associations are referenced by many of Ellison’s other collaborators here. While the album begins with a crackle and ends with a poetic epilogue about its lasting effects, fire’s role in the album elsewhere is either nonexistent or negligible.” (Adapted from catalogue)

Dirty computer. / Monae, Janelle
“Monáe and her Wondaland partners twist and flip new wave-leaning pop with booming bass drums and rattling percussion. They transmit defiant jubilance in response to those ‘from the traphouse to the White House who make the lives of little brown girls so damn hard.’ Almost every track is densely packed with quotables delivered in approaches that shift from easygoing elegance to hard-fought, triumphant conviction.” (Adapted from Catalogue)

Rainford. / Perry, Lee
“‘Inclues Cricket on the moon’, ‘Run evil spirit’, ‘Let it rain’, ‘House of angels’, ‘Makumba rock’, ‘African starship’, ‘Kill them dreams money worshippers’, ‘Children of the light’ and ‘Autobiography of the upsetter’.” (Adapted from catalogue)

New Books on Popular Music

Check out some of these newly catalogued books on popular music, including the unique study of the influence of Beyoncé (Ain’t I a Diva?) and the history of the much-loved pop festival Glastonbury (50 years of Glastonbury). Also, two photographic books from Aotearoa music; Where’s My Room and Shhh … the music is talking should not be missed.

Where’s my room : the Neil & Liam Finn summer 2018 tour of Aotearoa / Jorgensen, Ian
“Documentary photographic book of the 2018 Neil & Liam Finn Where’s My Room tour as photographed on 35mm film by promoter and tour manager, Ian Jorgensen. 304 pages, softcover, A Low Hum publishing (ALH056). More information about the project can be found below the sample photos.” (Catalogue)

Shhh … the music is talking / Hallag, Alexander
“A photographic record by Alexander Hallag. It shows the here and now of musicians, who are deeply passionate about creating the unique sound and shape that is New Zealand music. This book features exclusive never before seen photos of some of New Zealand’s contemporary top selling recording artists and newer recording artists that have also made an impact locally.” (Catalogue)

A fabulous creation : how the LP saved our lives / Hepworth, David
(eBook) (eAudiobook)
“The era of the LP began in 1967, with ‘Sgt Pepper?; The Beatles didn’t just collect together a bunch of songs, they Made An Album. Henceforth, everybody else wanted to Make An Album. This is the story of that time; it takes us from recording studios where musicians were doing things that had never been done before to the sparsely furnished apartments where their efforts would be received like visitations from a higher power. This is the story of how LPs saved our lives.” (Catalogue)

Ain’t I a diva? : Beyoncé and the power of pop culture pedagogy / Allred, Kevin
“A pedagogical primer on integrating black feminist thought, critical race studies, and America’s most beloved pop star. In 2010, Professor Kevin Allred created the university course “Politicizing Beyoncé” to both wide acclaim and controversy. Combining analysis with classroom anecdotes, Allred attests that pop culture is so much more than a guilty pleasure, it’s an access point–for education, entertainment, critical inquiry, and politics.” (Catalogue)

50 years of Glastonbury : music and mud at the ultimate festival / Croft, Malcolm
“From its humble beginnings as a folk festival (where £1 would get you a ticket and a pint of milk) to becoming one of the biggest global music events, Glastonbury is a festival like no other. Hundreds of the world’s biggest acts have played the iconic Pyramid Stage in Somerset, tickets sell out within minutes, and more than three million people have attended in the festival’s 50-year history. 50 Years of Glastonbury celebrates the mud and mayhem that makes the festival one of the most popular musical events in the world, for fans and artists alike.” (Catalogue)

Lunch with the wild frontiers / Savidge, Phill
“Phill Savidge is widely credited as being the main instigator of the Britpop music movement that swept the UK in the mid-1990s. Savidge was co-founder and head of legendary public relations company Savage & Best, the company that represented most of the artists associated with the scene, including Suede, Pulp, The Verve, Elastica, Kula Shaker, Spiritualized, Menswear, The Auteurs, and Black Box Recorder. His unique experience at the epicentre of Britpop led to many intimate, not entirely self-congratulatory encounters with a who’s who of popular culture — including Brett Anderson, Damon Albarn, Roy Orbison, David Bowie, Joe Strummer, among others.” (Catalogue)

Grime kids : the inside story of the global grime takeover / DJ Target
“A group of kids in the 2000s had a dream to make their voice heard – and this book documents their seminal impact on today’s pop culture. DJ Target grew up in Bow under the shadow of Canary Wharf, with money looming close on the skyline. The ‘Godfather of Grime’ Wiley and Dizzee Rascal first met each other in his bedroom. They were all just grime kids on the block back then, and didn’t realise they were to become pioneers of an international music revolution. Household names were borne out of those housing estates, and the music industry now jumps to the beat of their gritty reality rather than the tune of glossy aspiration.”(Catalogue)

New CDs at Arapaki

Check out some of these newly catalogued CDs, including new albums by Thom Yorke and Bruce Springsteen. A couple of box-sets; the 50th anniversary version of Woodstock and the Scottish independent music story is simply fantastic. Come on down to Arapaki at 12 Manners Street and to check them out!

Woodstock : back to the garden : 50th anniversary collection.
“Summer 2019 marks the 50th anniversary of Woodstock, the defining event of a generation and one of the most iconic moments in popular music history. Between August 15-18, 1969, more than 400,000 people converged on Max Yasgur’s 600-acre dairy farm in upstate New York for Woodstock. This box set features 42 tracks performed during the legendary festival.” (adapted from amazon.co.uk)

Big gold dreams : a story of Scottish independent music 1977-1989.
“BIG GOLD DREAMS documents the vibrant independent music scene to emerge in Scotland across the late 70s and 80s. Initially ignited by punk, labels sprang up in Glasgow, Edinburgh and elsewhere to give a voice to the explosion of new acts across the country.” (adapted from amazon.co.uk)

Western stars. / Springsteen, Bruce
“Bruce Springsteen’s first new studio album in five years takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late ’60s and early ’70s. The 13 tracks on ‘Western Stars’ encompass a sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope.” (adapted from amazon.co.uk)

Let’s rock. / Black Keys
“Lighter and leaner than Turn Blue — and, ironically, considerably more colorful, too — Let’s Rock doesn’t so much find the Black Keys trying new recipes as revisiting old favorites with fresh, elevated ingredients. Blues, garage, and old soul remain at the foundation of the group’s sound, but they’ve swapped jammy excesses for over-saturated fuzz guitars and stacked vocal overdubs.” (Catalogue)

Anima. / Yorke, Thom
“Third solo album from the Radiohead frontman, Thom Yorke. Produced alongside Nigel Godrich, ‘Anima’, sees Yorke experimenting with electronic sounds once again.” (adapted from amazon.co.uk)

The book of traps and lessons. / Tempest, Kate
“Third studio album by the acclaimed British poet and rapper. The album was crafted with Rick Rubin and Dan Carey over the course of the previous five years. Since her emergence in 2011, Tempest has redefined what it means to be a wordsmith in the Modern Age and, to date, has published three poetry collections and staged three plays.” (adapted from amazon.co.uk)

Years to burn / Calexico
“Calexico and Iron & Wine first made an artistic connection with ‘In the Reins’, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s ‘Rolling Thunder Revue’ that cemented the bond. Their metaphorical roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could.” (adapted from amazon.co.uk)

Shepherd in a sheepskin vest. / Callahan, Bill
“Eighth solo studio album by the American singer-songwriter. Bill’s gentle, spacey take on folk and roots music is like no other; scraps of imagery, melody and instrumentation tumble suddenly together in moments of true human encounter.” (adapted from amazon.co.uk)

Staff Pick CDs: July

Here are some Staff Picks CDs from our collection at our new Arapaki Branch on Manners Street.

Anoyo. / Hecker, Tim
If you read Carlo Rovelli’s incredible book, ‘The Order of Time’, you will learn that the force that drives the universe is not energy but entropy, and ‘Konoyo’, the ninth record from Canadian electronic artist Tim Hecker, is a sublimely beautiful work that could be heard as a soundtrack to that ever inexorable process of decay. Like lifting a veil to expose atomic and sub atomic processes at work, this grand, complex and absorbing music is quite unlike anything else, including previous Tim Hecker records. The source material is provided by a Japanese Gagaku ensemble playing some of the most ancient instruments known, and it’s highly appropriate that this was recorded in Japan, as, if one closes one’s eyes, it is almost possible to see the cherry blossoms drifting away on the spring breeze. A few months later he released the accompanying ‘Anoyo’. Konoyo translates as ‘this world’ and anoyo as ‘the other world’ and the second release reflects that meaning, featuring six spacious and ambient pieces titled “That World”, “Is But A Simulated Blur”, “Step Away From Konoyo”, “Into the Void”, “Not Alone”, “You Never Were” if you get the drift. (John)

>>>. / Beak>
This is the third record from the krautrock project of Portishead’s Geoff Barrow (the first was ‘>’ and the second ‘>>’) and features music quite unlike any other. Metronomic drumming, ominous synths, glitchy electronics, deep vocals, throbbing basslines, processed strings, sci-fi keyboards and much more all feature in various combinations across ten tracks to create something otherworldly and quite engrossing. (John)

Coltrane ’58 : the Prestige recordings. / Coltrane, John
This release features all 37 tracks (across 5-discs) that saxophonist John Coltrane recorded as a leader or co-leader for the independent Prestige Records label in the twelve months of the year 1958 – which when released would comprise 8 albums in his discography. After finally cleaning up his drug & alcohol addiction in 1957, the period that followed saw him working and recording with pianist Thelonious Monk, whose unique compositions were an influence on Coltrane. Spilling over with new musical ideas and possibilities, Coltrane choose a series of old ballads & standards to see how far his new style and improvisational techniques could push against the traditional structure of existing tunes. The Prestige years are one of the distinctive periods in his career in which he honed a beautifully full & rich style, fast and slashing, yet tender and poignant, which Jazz journalist Ira Gitler would famously dub “sheets of sound”. These tracks are all remastered from the original analog tapes and the box includes extensive liner notes by Grammy-winning American music historian Ashley Kahn. A great box containing some of Coltrane’s most iconic albums. (Mark)

Bitter sweet / Ferry, Bryan
Bryan Ferry is a clever chap and a genuine artist and here he recreates a selection of tunes from his extensive back catalogue in the big band style of the 1920’s. What could too easily be regarded as a gimmick turns out to be anything but as these tunes take on a strange and mysterious new lustre when interpreted via Duke Ellington style trumpets, Sidney Bechet style clarinet and the Kurt Weill homage of the title track that even includes a line in German. Bryan Ferry’s voice has matured into that of a classic crooner and carries this project off perfectly. As the cover notes state: “This art recognises that the past was once our present, even our future, and this moment too shall melt away into the past”. (John)

Double negative. / Low
This really should have made it to the library ‘2018 Best of’ as it featured on pretty much every other best of list, and rightly so. After maintaining cult status for 25 years, the US indie trio appear to have now become famous on the strength of this, their 12th album. Ironically, this is the record on which they have taken things a step beyond, slowing their famous minimalist ‘slowcore’ sound down a notch even further and incorporating glitched out dissonant electronics and loops to produce the distorted, frazzled edges of things dissipating into the ether – an approach that has been recognised by both critics and audiences as highly appropriate for our current times. There are still lovely songs here to be found though within a superb, audacious, and deeply atmospheric contemporary indie record. (John)

Why hasn’t everything already disappeared? / Deerhunter
Bradford Cox leads his band through their eighth album with a collection of thoughtful and confident songs, building on the radio-rock direction of their previous release ‘Fading Frontier’. Co-produced by Cate Le Bon, who contributes some guest vocals and instrumentation, this album finds an excellent balance between the experimental sounds of their early releases and the slightly more user friendly approach of the later albums. The result is an excellent take on, for want of a better word, pop, but a distinctive and mature version of that genre, incorporating all of the elements one may expect from this highly creative band. (John)

Some rap songs. / Sweatshirt, Earl
Among the Tswana people of South Africa, the composition of the “praise poem” in honour of chiefs and important figures has traditionally been a part of the ritual initiation of boys. On Some Rap Songs, Earl Sweatshirt reflects on his recently deceased father, the South African poet Keorapetse Kgositsile. In many ways, this album constitutes the 25 year old Earl’s praise poem to his father. The album is a sprawling journey through Earl’s psyche as he grapples with his recent grief and also his past experiences with anxiety and depression, seemingly finding cathartic closure. Earl’s voice is magnetic and mesmerising with its often simple cadence and bouncing syncopation. The album is built around tightly-looped soul and jazz samples by the likes of Curtis Mayfield. Far from its ironically self-effacing title, Some Rap Songs is an innovative masterwork. (Joseph)

DJ-kicks : Robert Hood.
The Detroit techno veteran, a founding member of Underground Resistance and who pretty much laid down the template for minimal techno with his 1994 release ‘Minimal Nation’, finally gets around to a DJ Kicks entry. Discretely acknowledging that interest in the minimal sub-genre is on the wane, here the sound is bigger and more banging than may be expected as he seamlessly mixes from one well curated driving floor filler to the next, including Berghain favorites such as Truncate and Marcel Fengler, in addition to U.K. techno mainstays like Slam and Mark Broom. Listeners either enjoy techno or they don’t, and for fans this is a solid, focused and satisfying mix, while for the curious this would be a good introduction. (John)

Future ruins. / Swervedriver
The UK band that sat on the rockier edge of the early ‘90’s shoegaze movement made a welcome return in 2015 after an 18 year hiatus, receiving favourable reviews for their fifth album, “I Wasn’t Born To Lose You”. “Future Ruins” is their sixth and the second of their ‘comeback’ albums and finds them in an assured mode, forging their warm, driving, melodic rock with great confidence. Its great hearing a band regaining their stride after such a long break and with this record they could very well find a fresh audience for their lovely harmonies, propulsive rhythms and vast guitar swathes. (John)

Echoes in blue. / City Calm Down
For some odd reason OZ bands rarely bridge the Tasman very well, which is unfortunate because, well, everyone misses out. City Calm Down are pretty big in OZ, headlining festivals and selling out tours, and this, their second album, is a great introduction. They are an obviously ‘80’s influenced band, which is not necessarily a bad thing, paying homage to Ian McCullough’s heartfelt vocals for Echo and the Bunnymen and New Order’s upper register bass lines and brooding synths. Their songs are suitably morose reflections on 21st Century life that potentially offer similar comfort that the early ‘80’s indie bands offered the first wave of indie rockers. (John)

You’re the man. / Gaye, Marvin
Marvin Gaye’s ‘lost album’ between two mega hit masterpieces ‘What’s Going On’ (1971) and ‘Let’s Get It On’ (1973) should excite a lot of music fans. Although some of the songs here have made it out in various forms before, the full album (plus some extra tracks) appears for the first time. He was at his peak after the success of ‘What’s Going On’ but very apprehensive at the same time, and a lack of the cohesion on this CD may show it. However, the quality of the songs and his distinguished vocal style are nothing short of brilliant and timeless. 47 years down the line, “You’re The Man’ can only emphasise how great Marvin Gaye is. (Shinji)

A tree with roots : Fairport Convention & friends and the songs of Bob Dylan. / Fairport Convention
An interesting compilation that gathers all of the cover versions UK folk rockers Fairport Convention performed of Bob Dylan songs. Including live recordings, John Peel Sessions and studio recordings, the songs are all from the ‘70’s and most feature Sandy Denny. The cover notes are comprehensive and clearly illustrate what a surprising influence Bob Dylan had on the UK folk revival. The performances are great and it is fascinating to hear these songs, firmly placed as they are in Americana, performed by a band that were central to the UK folk revival. This not only shows that cultural boundaries are far more fluid than often perceived but is also a keen reminder that the distant roots of Americana were actually folk songs taken to the USA by early settlers from England, Scotland, Wales and Ireland. What goes around truly does come around. Track 7, “Percy’s Song” is a great illustration of this. (John)
[/booklist]

Atlantic Records on the Naxos Jazz Library

One of the most important and influential record labels in soul and jazz music history, Atlantic Records produced a number of masterpieces in the 50s and 60s. They had jazz greats such as John Coltrane and Charles Mingus, and the Naxos Jazz Library offers some of their finest recordings. They are part of the Warner Music Group now and there is no ‘Atlantic Records’ in the label search. Click the link to go straight to their discography and search the artists or titles. Check our picks below and start streaming now!

Cover from Naxos COLTRANE, John: Giant Steps
Performed by: Chambers, Paul; Cobb, Jimmy; Coltrane, John; Flanagan, Tommy; Kelly, Wynton; Taylor, Art
“Coltrane’s 1959 Atlantic Records debut became his most influential album, and helped bring jazz to the mainstream. It remains one of the all time great jazz albums.” (adapted from amazon.com)

Cover from Naxos MODERN JAZZ QUARTET (THE): Complete Last Concert (The)
Performed by: Modern Jazz Quartet, The
“This two-disc live set features the Modern Jazz Quartet in its final concert (at New York City’s Lincoln Center in 1974). Though the group would later reunite in the early ’80s, there is the distinct feel of retrospective here, looking back on a career of remarkable invention and artistry. Both qualities are in ample evidence during this performance, which showcases the remarkable solo and ensemble playing of John Lewis (piano), Milt Jackson (vibes), Percy Heath (bass), and Connie Kay (drums).” (adapted from fishpond.co.nz)

Cover from Naxos MINGUS, Charles: Clown (The)
Performed by: Hadi, Shafi; Knepper, Jimmy; Legge, Wade; Mingus, Charles; Richmond, Dannie; Shepherd, Jean
“Mingus is a true original, and THE CLOWN is an album on which his genius for melding tradition with experimentation is particularly pronounced. THE CLOWN boasts outstanding compositions, superior musicianship by four members of the artist’s Jazz Workshop and what is arguably some of Mingus’s best recorded bass work.” (adapted from fishpond.co.nz)

Cover from Naxos KONITZ, Lee: Inside Hi-Fi
Performed by: Bauer, Billy; Fishkind, Arnold; Ind, Peter; Konitz, Lee; Mosca, Sal; Scott, Dick
“This excellent recording features altoist Lee Konitz with two separate quartets during 1956. Either guitarist Billy Bauer or pianist Sal Mosca are the main supporting voices in groups also including either Arnold Fishkind or Peter Ind on bass and Dick Scott on drums. The most unusual aspect to the set is that on the four selections with Mosca, Konitz switches to tenor, playing quite effectively in a recognizable cool style.” (adapted from fishpond.co.nz)

Cover from Naxos CHARLES, Ray / JACKSON, Milt: Soul Brothers/Soul Meeting
Performed by: Best, Skeeter; Charles, Ray; Jackson, Milt; Kay, Connie; Mitchell, Billy; Pettiford, Oscar
“Originally released separately as SOUL BROTHERS (Atlantic 1360) and SOUL MEETING (Atlantic 1279). These records are “cool” in the classic sense of the word: they swing, groove, whisper and discuss with the sophisticated yet down-home relaxation of a late-night session.” (adapted from fishpond.co.nz)

Cover from Naxos COLEMAN, Ornette: Change of the Century
Performed by: Cherry, Don; Coleman, Ornette; Haden, Charlie; Higgins, Billy
“Change of the Century is the fourth studio album by jazz saxophonist Ornette Coleman, released on Atlantic Records in 1960, his second for the label. Recording sessions for the album took place on October 8 and 9, 1959, at Radio Recorders in Hollywood, California. Lou Reed considered it to be the best album of all time.” (adapted from amazon.com)

Cover from Naxos ART FARMER QUARTET: To Sweden with Love
Performed by: Art Farmer Quartet
“In 1964, The Art Farmer Quartet; Art Farmer (flugelhorn); Jim Hall (guitar); Steve Swallow (bass); Pete LaRoca (drums), was touring in Sweden and felt inspired to record traditional Swedish folk songs. Featuring Farmer and Hall’s lyrical sophisticated solos, the band turns old songs into jazz without losing their essence, and make it a memorable recording” (Shinji)

Cover from Naxos LLOYD, Charles: Forest Flower – Charles Lloyd at Monterey
Performed by: DeJohnette, Jack; Jarrett, Keith; Lloyd, Charles; McBee, Cecil; McClure, Ron
“Featuring the rising stars at that time; Keith Jarrett and Jack Dejohnette, who both joined Miles Davis’ band soon after, Charles Lloyd gave the epoch-making performance at the Monterey Jazz Festival in 1966. Pushing the boundary of jazz idiom, It became history.”(Shinji)

Cover from Naxos JARRETT, Keith: Somewhere Before – The Keith Jarrett Anthology (The Atlantic Years) (1968-1975)
Performed by: Brown, Sam; Burton, Gary; Goodwin, Bill; Haden, Charlie; Jarrett, Keith; Keith Jarrett Trio; Motian, Paul; Redman, Dewey; Swallow, Steve
“2008 two CD set that focuses on the Jazz great’s years with Atlantic Records (1968-75). One of the most significant pianists in Jazz to emerge since the ’60s, Keith Jarrett’s musical career spans across four decades, during which he has been continuously growing as a powerful improviser. This double disc set includes selection from landmark albums like Life Between the Exit Signs, Somewhere Before, Birth, the Mourning of a Star and El Juicio (The Judgement), with the best of his live and studio work.” (adapted from amazon.co.uk)

New Popular Music CDs at Arapaki

It’s very good news that physical CDs are back on our shelves. Our first pop-up library Arapaki offers a small but varied range of music including new releases by our very own Aldous Harding and Vampire Weekend. Come on down to Arapaki at 12 Manners Street and check them out!

Designer. / Harding, Aldous
“An artist of rare calibre, Aldous Harding does more than sing; she conjures a singular intensity. Her body and face a weapon of theatre, Harding dances with steeled fervor, baring her teeth like a Bunraku puppet’s gnashing grin. Her debut release with 4AD, 2017’s Party (produced with the award-winning John Parish) introduced a new pulse to the stark and unpopulated dramatic realm where the likes of Kate Bush and Scott Walker reside. In April, Aldous Harding returns with Designer less than two years after the breakthrough album.” (adapted from amazon.co.uk)

I am easy to find / National (Musical group)
I Am Easy To Find is the band’s eighth studio album and the follow-up to 2017’s GRAMMY-award winning release Sleep Well Beast. A companion short film with the same name will also be released. The film was directed by Mike Mills (20th Century Women, Beginners), and starring Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, and the album features vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more.” (adapted from amazon.co.uk)

U.F.O.F. / Big Thief
“U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era.” (adapted from amazon.co.uk)

Father of the bride. / Vampire Weekend
“Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014. Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna etc.). The album features 18 songs, including “Harmony Hall,” “Big Blue,” “2021,” and “Sunflower.” (adapted from amazon.co.uk)

Why hasn’t everything already disappeared? / Deerhunter
“What they spend their time doing instead is reinventing their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth. The result is as thrilling, haunting, and unpredictable as anything in their roughly 15 year career.” (adapted from amazon.com)

On the line. / Lewis, Jenny
“Jenny Lewis’ fourth solo album, featuring 11 original songs written by Lewis and recorded at Capitol Records’ Studio B. Lewis is joined on the album by such legendary artists as Beck, Benmont Tench, Don Was, Jim Keltner and Ringo Starr.” (adapted from amazon.co.uk)

Ripples. / Brown, Ian
“2019 release from the former Stone Roses vocalist. Ripples is Brown’s first solo album in 10 years and serves as the long-awaited follow-up to 2009’s My Way. Brown self-produced and wrote a majority of Ripples, as well as created the artwork and played most of the instruments heard throughout the record. His sons have co-writing credits on three songs and provided additional instrumental contributions.” (adapted from amazon.co.uk)

Riverside Records on the Naxos Jazz Library

One of the most important and beloved labels of all time in jazz history, Riverside Records was founded by Orrin Keepnews and Bill Grauer in 1953, and produced many masterpieces by jazz giants such as Bill Evans, Thelonious Monk and Wes Montgomery. Although no physical CDs are available from our libraries at the moment, you can stream some of their finest albums on the Naxos Jazz Library. Riverside Records was short-lived and all their masters were acquired by Fantasy Records, making them difficult to locate in the Naxos Jazz Library. Instead, click the link to go straight to their discography and search the artists or titles. Check our picks below and start streaming now!

Cover from Naxos WYNTON KELLY TRIO AND SEXTET: KELLY BLUE
Performed by: Kelly, Wynton; Wynton Kelly Sextet; Wynton Kelly Trio
“Kelly was an original stylist, who had a lyrical and economical approach and a way of insinuating the blues into everything he touched. You can feel it here in the moving “Willow Weep for Me” and the bright takes on “Softly, As in a Morning Sunrise” and “On Green Dolphin Street,” just getting established as standards in the jazz repertoire and getting distinctive treatments here.” (adapted from amazon.com)

Cover from Naxos THELONIOUS MONK: BRILLIANT CORNERS
Performed by: Henry, Ernie; Monk, Thelonious; Pettiford, Oscar; Roach, Max; Rollins, Sonny
Brilliant Corners is regarded as one of the finest albums in Thelonius Monks catalogue. The supporting musicians include Paul Chambers (better known for his work with Miles Davis), Max Roach, Clark Terry and Sonny Rollins, but it is Monks own work on piano that dominates the proceedings. An important and vital album, not just for Thelonius Monk, but for any serious jazz collector.” (adapted from amazon.com)

Cover from Naxos BILL EVANS TRIO: WALTZ FOR DEBBY
Performed by: Bill Evans Trio
“The legendary last recording of Evans’ brilliant trio (with Paul Motian and Scott LaFaro, who died days after this was taped at the Village Vanguard). Invigorating freedom and deep emotion meet and cast a powerful spell.” (adapted from amazon.com)

Cover from Naxos WES MONTGOMERY: FULL HOUSE
Performed by: Chambers, Paul; Cobb, Jimmy; Griffin, Johnny; Kelly, Wynton; Montgomery, Wes
“Recorded live at the the Tsubo in Berkeley, California, the back of the original album proudly proclaims ‘the top jazz guitarist, recorded in actual performance.’ It’s a rather undertstated introduction to an album that showcases to perfection Wes Montgomery’s abilities, a talent that no other jazz guitarist has come even close to matching.” (adapted from amazon.co.uk)

Cover from Naxos KENNY DREW TRIO: KENNY DREW TRIO
Performed by: Kenny Drew Trio
“Kenny Drew brings a pure bop angularity to this 1956 session, with driving single-note lines that clamber over one another to get at a new rhythmic detail, along with splashing chords that find the joy in the blues. He’s joined by a rhythm section that virtually defined the mid-1950s ethos: bassist Paul Chambers and drummer Philly Joe Jones.” (adapted from amazon.com)

Cover from Naxos CANNONBALL ADDERLEY SEXTET: IN NEW YORK
Performed by: Cannonball Adderley Sextet
“This excellent live date from the Village Vanguard was the recording debut of the Adderley sextet, with Cannonball waxing eloquently and swingingly on alto, brother Nat charging ahead on cornet, and the versatile Yusef Lateef adding a bit of an edge on tenor, flute, and unusually for a jazz wind player, oboe on the odd. Also, this was the first recorded appearance of pianist Joe Zawinul in Cannonball’s band.” (adapted from fishpond.co.nz)

Cover from Naxos RANDY WESTON: SOLO, DUO AND TRIO
Performed by: Blakey, Art; Gill, Sam; Weston, Randy
“Randy Weston’s distinctive compositions and pianism have long mined the music’s African sources to enrich the idiom. This CD presents Weston at the very beginnings of his recording career, combining his first two LPs. The earliest is a selection of eight Cole Porter tunes from 1954, played in duet with his regular partner, Sam Gill, a little-known bassist who provides solid and sympathetic foundations. The second combines a 1955 trio session, with Gill and Art Blakey on drums, and a series of solos from 1956.” (adapted from amazon.com)

Cover from Naxos BLUE MITCHELL SEXTET: BLUE SOUL
Performed by: Blue Mitchell Sextet
“A session from 1959, BLUE SOUL finds Mitchell cooking in front of a band including bop aces Curtis Fuller, Jimmy Heath, and Philly Joe Jones, and Wynton Kelly of Miles Davis fame. The program mostly consists of bright, earthy originals with plenty of hearty soloing. A delight for classic bop supporters.” (adapted from fishpond.co.nz)

Cover from Naxos NAT ADDERLEY: WORK SONG
Performed by: Adderley, Nat; Betts, Keter; Hayes, Louis; Heath, Percy; Jones, Sam; Montgomery, Wes; Timmons, Bobby
“Released in 1960, Work Song finds cornetist Nat Adderley at his artistic peak with this bluesy, hard-bop gem. Numerous critics throughout the years have praised Adderley’s lyrical work on this album, which includes his own writing (his biggest hit, ‘Work Song’ and ‘Fallout’).” (adapted from amazon.com)

Cover from Naxos ART BLAKEY AND THE JAZZ MESSENGERS: CARAVAN
Performed by: Art Blakey and the Jazz Messengers
“One of the great Jazz Messengers recordings, Blakey’s 1962 debut for Riverside featured Wayne Shorter, Curtis Fuller, Reggie Workman, Freddie Hubbard and Cedar Walton.” (adapted from amazon.com)