New CDs in our AV collection

More new CDs, including fantastic box sets from The Fall and Wilco, have been added in our popular CD collection. Check also the exciting newcomers such as Moses Sumney and Sunflower Bean.

Sunflower Bean – Human ceremony
“Drawing inspiration from a vast pool of influences such as Black Sabbath and The Cure, Sunflower Bean refine their sound and take it to the next level on Human Ceremony. It is a crystalline, bright, sparkling record, tipping its cap to the likes of The Vaselines, The Velvet Underground, The Feelies, and more, loaded with an innate artfulness that belies the band’s young age: all three members are under 21.” (adapted from

Eminem – Revival
“Eminem releases his new album and it features collaborations with Beyonce, Ed Sheeran, Alicia Keys, Pink, Kehlani, Skylar Grey, X Ambassadors and Phresher.” (adapted from

Moses Sumney – Aromanticism
Aromanticism is a concept album about lovelessness as a sonic dreamscape. It seeks to interrogate the social constructions around romance. The debut includes single “Doomed,” as well as new versions of standouts “Lonely World” and “Plastic.” (adapted from

The Fall – Singles 1978-2016
“The band is noted for its prolific output: as of autumn 2017 they have released over 32 studio albums, and more than triple that counting live albums and other releases. This is the first collection of all The Fall singles recorded across a multitude of labels and this edited 3-CD set features all of the A-Sides.” (adapted from

Wilco – Being There [bonus tracks]
“The DELUXE EDITION builds on the original with 15 bonus tracks released for the first time, including alternate versions of tracks “I Got You” and “Say You Miss Me”. It also features Wilco’s 20-song performance at the Troubadour from November 12, 1996, combining songs from A.M.” (adapted from

The Residents – 80 aching orphans
“Extended, 4CD anthology set chronicling the career of the legendary San Francisco experimentalists and curated with the band themselves, from the debut 1972 single to the band’s most recent album, The Ghost Of Hope. •Singles, fan favourites, album highlights, live recordings and material never before available on CD.” (adapted from

INXS – Kick 30
“4-Disc 30th Anniversary Edition featuring the remastered original album, B-Sides, rare mixes & more across 3CDs plus a Blu-ray disc with the full Kick album mixed in Dolby Atmos immersive surround sound by Giles Martin & all the music videos. Housed within DVD sized ‘fan-deluxe’ packaging including 48-page booklet with interviews, essays & rare photos.” (adapted from

Jam – 1977
“40th anniversary five-disc box set (4CD/1DVD), celebrating the Jam’s debut year when they released two albums and three hit singles. Features ‘In The City’ & ‘This Is The Modern World’ – original albums re-mastered as well as unreleased demos and live recordings. The DVD features TV appearances and promo videos from 1977.” (adapted from

Dr. John – The Atco albums collection
“All seven studio albums included in the collection have been remastered for the first time. The set features: Gris-Gris (1968), Babylon (1969), Remedies (1970), The Sun, Moon & Herbs (1971), Dr. John’s Gumbo (1972), In The Right Place (1973), and Desitive.” (adapted from

Staff Picks CDs: The Best of 2017 Part 2

From our very own Wellington bands to Kendrick Lamar and soundtracks, check out more of our best music picks of 2017!

Mark’s Picks

Patriotic grooves. [VINYL]
Awesome anarcho-punk feminist diatribe against everything from Trump to neo-liberal politics, capitalism, misogyny, patriarchal violence, oppression, misogyny, transmisogyny, sexism, and cissexism. If this sounds didactic it’s not. It’s just relevant and timely. Also has great tunes that channel all the best elements of the classic Riot grrrl aesthetic.

Miles Calder & the Rumours.
Following on from their 2013 EP ‘The Crossing Over’, which was nominated for the 2014 NZ Taite Music Prize, Miles Calder & The Rumours deliver their eponymous debut 5 years after forming as a band. The culmination of a couple of years work, the self-produced album was engineered by Lee Prebble but mixed by Grammy-award winning engineer Trina Shoemaker, and features a large array of local talent (Lisa Tomlins, Ed Zuccollo, Dayle Jellyman, Finn Johansson, Chris Winter, Matthew Benton and Lucien Johnson) who add musical shadings from piano to horns to organ on various tracks. From the first track it’s easy to see just how much the songs benefit from the richness of sound the studio environment provides, and there’s a consistent calibre of songwriting across the whole album.

Dark arts / The Nudge. [VINYL]
The 2nd album from The Nudge only has 3 tracks, one of which clocks in at 13 minutes, the other at 24. The four minute opening title track (and single) is just a hint of the genre mashing that is about happen, but provides a basic reference point for the bands diverse sound. If you’re not enamoured with anything vaguely ‘prog’ and hate tracks that are basically longer that 3 and half minutes, be prepared to have your opinion changed by this addictive record. With relatively few vocal interludes, it’s all about the structure of the sound here and they manage to weave in out of different styles and atmospheres within the same track with nothing feeling overly laboured or obvious. All the tonal shifts seem like smaller songs within the larger canvas of the track and by the end of 13 or 24 minutes they leave you wanting more not less.

The weight of melted snow.
Lovely new meditative album from French For Rabbits based around the dissolution of the romantic relationship of band members Brooke Singer and John Fitzgerald. Male vocals provide a counterpoint to Singer’s softly lilting voice, and the dreamy atmospheric ambient sounds that the fully fleshed out band provides. Previous albums have drawn inspiration from nature and the physical, but ‘The Weight of Melted Snow’ while not short of imagery of the natural world is all about the internal, the dynamics of the heart and how to keep it beating when you lose part of it.

If you’re born on an island the ocean heals you.
With the exception of bass and drums on a few tracks and backing vocals everything is played by Lake, along with all the writing and arrangements. The synthy pop structure of a lot of the tracks enfold the layered vocals (and lovely backing voices of Seamus Maguire, Penelope Esplin, Felicity Herbertson and Nadia Reid) with a sense of warmth rather than cold beats. He uses a distinctively ‘kiwi’ voice on the brilliant ‘Good Keen Man’ that cleverly updates a series of iconic NZ images with the realities of the now. A mini-album exits within the larger work, with ‘Renters’ & ‘The Cost of Living’ addressing what he sees as the social crises’ facing people in NZ today. A love of nature, the land and the beauty that surrounds us pervades against the avarice and capitalism of modern life.

When you heard that Luke Buda & Tom Callwood (Phoenix Foundation) were teaming up with David Long (The Mutton Birds), & Anthony Donaldson (The Labcoats) you could be forgiven for thinking that the result would be more along the experimental spectrum. But Teeth turn up the indie guitar dynamics to just rock out, in a straight ahead way that differs from its members previous bands. You get the feeling that the entirety of Teeth is a great palette cleanser for everyone involved. Trippy guitars, riffy bass lines, shimmery reverby vocals, songs that bounce from the cosmic to the angsty to tongue in cheek and back. Every song is so catch & melodic it’s hard to pick highlights but ‘Glass Ceiling’ & the wry ‘Looking Good, Feeling Great’ are both super fun.

Super funky new album from Lord Echo. A melange of analogue dance floor grooves that take in everything from ‘Rebirth of the Cool’ Acid Jazz, Caribbean disco vibe, African funk, classic American R&B and back. The ever awesome Mara TK takes vocal duties on 4 tracks, with Lisa Tomlins on 2, and Toby Laing & Echo himself on one each. Lucien Johnson’s sax & flute float around the beats with Daniel Hayes synth’s. It all somehow meshes into a groove that becomes more than the sum of its parts and the funky retro-ness always seems genuine and never a deliberate pastiche.

As with listening to Into Orbit’s debut album ‘Caverns’ it still seems amazing that the group just consists of two people, guitarist Paul Stewart and drummer Ian Moir, as their immersive soundscapes sound so epic. The hybrid post-rock/metal/experimental template of the first album is expanded on. Elements shift up against each other, heavy guitar riffs meld into moments of calm and delicate playing, only to explode into crushing drums. But it’s not just a series of loud/quiet/loud moments tied together as ‘tracks’. Into Orbit never seem to be welded into a particular set definition of what each track should be in terms of sound and atmospherics, and the subtle layering of complex patterns & textures make each track a unique experience.

Fantastic new album from Auckland based Amelia Murray (AKA Fazerdaze). Fuzzy guitars, programmed drum patterns and the odd sinewy keyboard line make up the sonic palette of most tracks, but her sweet airy vocals soar over all of it. The shimmery reverby guitars invoke a summery sense of well being, but the ‘poppy’ musical framework hides a lyrical disillusionment and uncertainty. A pervading sense of anxiety permeates nearly every track, inhabiting every relationship and interaction, and hovering cloudlike over the future itself.

Fantastic next level sophomore album from Grayson Gilmour, filled with superbly textured sounds and catchy melodies. His voice is moved up in the mix so it floats upon the layers of often dichotomous sound he builds into the tracks. There is an almost academic level of focus on the soundscapes & chord structures but it is more an organic exploration rather than fussy cleverness, and moulded around the album’s overarching themes of growth and acceptance.

The songs on ‘Ennui’ form themselves through shifting styles, overriding an easy definition or pigeon-holing, subsuming genres, metres, keys, & vocal styles into the original narratives of each of the songs rather than being in service of them. With 3 vocalists at play and elements of everything really from post-hardcore/sludge, psych Rock, post-Rock, stoner riffs, desert rock, doom layers it’s impossible to delineate the trajectory of each track adequately, suffice to say that each is challenging and complex and overall it’s an alum that reveals its musical and emotional layers after repeated immersion.

Perfect body.
Vibrant second album from the Mermaidens trio scored a flurry of great reviews upon its release, and rightly so. The tracks wind in and out of indie rock influences (newer bands like Warpaint, and older classic exponents like Sleater Kinney), elements of shoegaze , brighter Britpop, & echoy layers of early Cure’s goth. As a whole the album sounds fantastic, the breathy vocals merging perfectly with the dense drum patterns and creeping sinuous guitar lines, creating a cavernous sound that builds and releases. The precision of the music is aligned with the murky melodicism of the vocals which shift between an intense attack and detached emotion, as they dissect the juxtaposition of animalistic physicality and the sensory experience of the natural, with the pressure of the modern digital world of social media, fractured relationships and uncertain interactions. Bold and accomplished, enigmatic and intense at the same time. Continue reading “Staff Picks CDs: The Best of 2017 Part 2”

The life of a song: New books on popular music

Check out this wide range of intriguing books on popular music. They include The Life of Songs which is the fascinating backstories of hit songs, the rare study about ‘post-rock’, and the insightful biography of Joni Mitchell.

Syndetics book coverA brief history of album covers / Jason Draper ; foreword by Paul Du Noyer.
“Cover art can be an influential factor in a record’s success, and some designs are so memorable that they go down in design and music history – who doesn’t instantly recognize the covers for the Beatles’ Sergeant Pepper’s Lonely Hearts Club Band or Pink Floyd’s Dark Side of the Moon? Now celebrate some of the greatest covers of the last 50 years alongside entertaining and informative text, in this great little book that will make an ideal gift for any music aficionado or art and design enthusiast.” (Syndetics summary)

Syndetics book coverThe life of a Song : the fascinating stories behind 50 of the world’s best-loved Songs / edited by David Cheal and Jan Dalley.
“Each 600-word piece gives a mini-biography of a single song, from its earliest form (often a spiritual, or a jazz number), through the various covers and changes, often morphing from one genre to another, always focusing on the ‘biography’ of the song itself while including the many famous artists who have performed or recorded it. The selection covers a wide spectrum of the songs we all know and love – rock, pop, folk, jazz and more. Each piece is pithy, sparkily written, knowledgeable, entertaining, full of anecdotes and surprises. They combine deep musical knowledge with the vivid background of the performers and musicians, and of course the often intriguing social and political background against which the songs were created.” (Syndetics summary)

Syndetics book coverThe new electronic guitarist : new technologies and techniques for the modern guitar player / Marty Cutler.
“In The New Electronic Guitarist, Marty Cutler puts more than thirty years of expertise at your fingertips, explaining the nature and history of guitar synthesis before walking you through all the tools you need to find your sound. This unprecedented, pragmatically subjective book contains everything you need to know while scouting and adapting today’s finest products and technologies to your favorite guitar. From the Beatles to Prince, from Hendrix to EVH, all the greats have obsessively managed and altered every element that influences their tone. Why restrict your creative potential? Boldly take your twentieth century rig into the twenty-first with The New Electronic Guitarist !” (Syndetics summary)

Syndetics book coverReckless daughter : a portrait of Joni Mitchell / David Yaffe.
“Joni Mitchell may be the most influential female recording artist and composer of the late twentieth century. In Reckless Daughter , the music critic David Yaffe tells the remarkable, heart-wrenching story of how the blond girl with the guitar became a superstar of folk music in the 1960s, a key figure in the Laurel Canyon music scene of the 1970s, and the songwriter who spoke resonantly to, and for, audiences across the country. Reckless Daughter is the story of an artist and an era that have left an indelible mark on American music.” (Syndetics summary)

Syndetics book coverMaximum volume : the life of Beatles producer George Martin, the early years, 1926-1966 / Kenneth Womack.
Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. Martin s working-class childhood, his education, and his musical influences at London s Guildhall School of Music and Drama profoundly shaped his early career in the BBC s Classical Music department and as head of the EMI Group s Parlophone Records. These musical influences would become the fount out of which flowed the genius behind his seven years producing the Beatles incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper s Lonely Hearts Club Band, and Abbey Road.” (Syndetics summary)

Syndetics book coverSo much things to say : the oral history of Bob Marley / text and photographs by Roger Steffens ; introduction by Linton Kwesi Johnson.
“Roger Steffens is one of the world’s leading Bob Marley experts. He toured with the Wailers in the 1970s and was closely acquainted with Bunny Wailer, Peter Tosh and the rest of the band members. Over several decades he has interviewed more than seventy-five friends, business managers, relatives and confidants–many speaking publicly for the first time. Forty years in the making, So Much Things to Say weaves this rich testimony into a definitive telling of the life of the reggae king–the full, inside account of how a boy from the slums of Kingston, Jamaica, became a cultural icon and inspiration to millions around the world.” (Syndetics summary)

Syndetics book coverPop stars in my pantry : a memoir of pop mags and clubbing in the 1980s / Paul Simper.
“Author, columnist and TV writer Paul Simper had a front-row seat at one of pop stardom’s most exciting shows: the 1980s. His memoir, Pop Stars in My Pantry, is an account of a wide-eyed, wet-behind-the-ears lad from Wiltshire landing in London just as the capital’s club scene went into orbit. As a pop writer and fellow clubber, he had unique access to the artists who would become the biggest pop acts of the decade.” (Syndetics summary)

Syndetics book coverFearless : the making of post-rock / Jeanette Leech.
“In 1994, the music critic Simon Reynolds coined a new term: post-rock. It was an attempt to give a narrative to music that used the tools of rock but did something utterly different with it, broadening its scope by fusing elements of punk, dub, electronic music, minimalism, and more into something wholly new. Drawing on dozens of new interviews and packed full of stories never before told, Fearless explores how the strands of post-rock entwined, frayed, and created one of the most diverse bodies of music ever to huddle under one name.” (Syndetics summary)

Syndetics book coverMeet me in the bathroom : rebirth and rock and roll in New York City, 2001-2011 / Lizzy Goodman.
“In this fascinating and vibrant oral history, acclaimed journalist Lizzy Goodman charts New York’s explosive musical transformation in the early 2000s. Drawing on over 200 original interviews, Goodman follows the meteoric rise of the artists that revolutionised the cultural landscape and made Brooklyn the hipster capital of cool–including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend. Meet Me in the Bathroom is the definitive account of an iconic era in rock-and-roll.” (Syndetics summary)

Syndetics book coverUncommon people : the rise and fall of the rock stars / David Hepworth.
“In Uncommon People, David Hepworth zeroes in on defining moments and turning points in the lives of forty rock stars from 1955 to 1995, taking us on a journey to burst a hundred myths and create a hundred more.” (Syndetics summary)

Exciting new CD arrivals

Check out some of these newly catalogued CDs in our AV collection. They include the new albums by Bjork and Taylor Swift. Fantastic box-sets keep coming to our extensive collection and REM’s much-loved Automatic for the People is back as a super deluxe box-set!

New Albums

Björk, Utopia
“2017 release, the ninth studio album from the Icelandic singer/songwriter. Björk began working on Utopia almost immediately after releasing Vulnicura in 2015. The artwork was created by Jesse Kanda.” (adapted from

Taylor Swift, Reputation
“2017 release, the sixth studio album from the pop singer/songwriter. Reputation is the long-awaited follow-up to her 2014 album 1989. One of the leading contemporary recording artists, Taylor is known for narrative songs about her personal life, which have received widespread media coverage.” (adapted from

Charlotte Gainsbourg, Rest
“The eleven essays on Rest are nothing if not sure-footed, proffering a compelling fusion of gleaming, string-emblazoned modern electro-pop and cinematically textured avant-chanson – their magical music box melodies kissed by bruised, introspective, occasionally disquieting lyrics.” (adapted from

U2, Songs of experience
“U2 return with their hotly anticipated new studio album ‘Songs of Experience’. The new album – their 14th – is the companion piece to 2014’s ‘Songs of Innocence’, the two titles taking reference from English poet William Blake’s ‘Songs of Innocence and Experience’. ” (adapted from

Morrissey, Low in high school
“Low in High School is Morrissey’s first studio album since 2014 and was recorded at La Fabrique Studios in France and in Rome at Ennio Morricone’s Forum Studios. Morrissey’s talent for combining political statements and beautiful melodies is more prevalent than ever on Low in High-School, capturing the zeitgeist of an ever-changing world.” (adapted from

Box Set/ Reissue

Bob Dylan, Trouble no more : the bootleg series vol. 13, 1979-1981 : deluxe edition
“30-track set spanning his controversial ‘gospel years’ 1979-1981. Includes 14 previously unreleased songs + live performances, rare studio outtakes and more.” (adapted from

REM, Automatic for the people : 25th anniversary deluxe edition
“Commemorating the album’s 25th Anniversary, this remastered Deluxe edition boxset features previously unreleased material, including 20 never-before-heard demos, and the previously unreleased tracks “Mike’s Pop Song” and “Devil Rides Backwards.” A Blu-ray disc offers the full album (with bonus track “Photograph” featuring Natalie Merchant) mixed in Dolby Atmos, plus a high-resolution master of the album, music videos, and the original 1992 EPK. Also included is Live At The 40 Watt Club 11/19/92 – a live set performed in R.E.M.’s hometown of Athens, GA.” (adapted from

Black Sabbath, The end
“The End is a celebration of Black Sabbath’s final hometown concert at Birmingham’s Genting Arena on February 4th, 2017. This unforgettable farewell show from one of the biggest bands in the world will be released by Eagle Vision on November 17th, 2017. The limited deluxe collector’s edition contains: The End on DVD and Blu-ray; The End on double CD; The Angelic Sessions on CD; a 32-page perfect bound book.” (adapted from

Ramones, Rocket to Russia [deluxe].
“Contains two different mixes of the album: a remastered version of the original and a new 40th Anniversary Tracking Mix by originalRocket To Russia engineer/mixer Ed Stasium. The collection also includes a number of unreleased studio recordings, plus a previously unissued recording of the band’s 1977 concert in Glasgow, Scotland.” (adapted from

Monkees, Monkees 50 : classic album collection
“THE Monkees 50 is a three-CD set packed with 50 unforgettable songs from the band’s historic career, including She Makes Me Laugh and You Bring The Summer” (adapted from

Staff Picks CDs: The Best of 2017, Part 1

John, Neil J., Jackson and Alex select their favourite CDs of 2017 from our collection. There is a wide variety of music here and you might find something interesting or missed. Part 2 is coming soon so keep checking.

John’s Picks:

Real Estate – In Mind
Indie hipster heroes, Real Estate, deliver another portion of their gorgeous laid back jangle pop and it’s exactly what fans will expect –tremolo heavy guitars, lovely harmonies and bitter sweet songs, all delivered at a relaxed pace by musicians so tight as to appear telepathic.

Grandaddy – Last Place
Granddaddy were always singer/songwriter Jason Lyttle’s band and it’s great to hear his esoteric, slightly melancholic slacker take on existentialist angst once again.


Gas – Narkopop
Wolfgang Voigt follows up his 2000 ambient masterpiece ‘Pop’ and dives deeper into the original template, focusing on texture and reverberation and introducing sub bass pulses to create stunning symphonic electronic chamber music that is as meditative as it is unsettling.

Laetitia Sadier Source Ensemble – Find Me Finding You
The demise of UK post rockers Stereolab left a gap in contemporary music, but vocalist Laetitia Sadier continues to create her surreal sensual pop informed by the harmonies and lush instrumentation of exotica, easy listening and tropicalia.


Laurel Halo – Dust
On ‘Dust’ her music remains as unclassifiable as ever and, as much jazz as electronica, has attained a new found warmth and softness with her treated vocals woven through absorbing and often playful sound textures and beats to create a collection of tracks as original and beguiling as anything you will hear this year.

Thurston Moore – Rock ‘n’ Roll Consciousness
Sonic Youth fans are in for a treat here as that legendary NY band’s guitarist, Thurston Moore, explores five lengthy, textural, guitar centred songs that are reminiscent of his playing on the groundbreaking Sonic Youth album, Daydream Nation.


Shirley Collins – Lodestar
84 year old Shirley Collins, the “faerie queen” of UK psych folk, was finally coaxed back to a microphone by devoted fans and recorded live to laptop in her rural cottage accompanied by members of the next generation of folk musicians.


Dauwd – Theory of Colours
Electronic producers often find it difficult to maintain an entire album and it is nice to be able to report that UK artist Dauwd, bucks that trend with most of the seven tracks here maintaining a lovely rolling chilled rhythm with deep bass lines and skittering hi-hats pushing it all along.

LCD Sound System – American Dream
Seven years after they disbanded, we get the fourth LCD album and it’s as good as anything they have done. Anything but a cynical cash-in this album confirms James Murphy as a major artist.


Kraftwerk – 3D: The Catalogue – Box Set
German electronica pioneers, Kraftwerk, release their entire catalogue of eight discs once again, but the difference is that these are all recently recorded live versions, capturing the band using modern state of the art equipment with pristine clarity.


Grizzly Bear – Painted Ruins
The highly anticipated follow up to 2012’s ‘Shields’ from the darlings of the NY hipster scene doesn’t disappoint featuring all of the band’s distinctive touches – excellent musicianship, great arrangements, gorgeous melodies and inscrutable lyrics. They are here in Wellington for the NZ Festival in March.

Grayson Gilmour – Otherness
Wellington based multi-instrumentalist Grayson Gilmour plays everything but the drums and strings on this sophisticated, beautifully composed album that brims with heart while avoiding sentimentality.


Peaking Lights – The Fifth State of Consciousness
US husband and wife duo, Peaking Lights, gain more confidence with each release and with this, their fifth album, they effortlessly explore their relatively unique world of ‘80’s influenced cosmic dub/synth pop.


Washed Out – Mister Mellow
Released on the US Stone’s Throw label, Ernest Greene’s third record is an intoxicating blend of downbeat, free jazz, hip hop and lounge with spoken word samples thrown in to keep things interesting.


Kate Tempest – Let Them Eat Chaos
This is an intensely political record that harks back to the early days of hip-hop as the fiery UK poet directs her fine honed literary tirades at capitalism, gentrification, climate change, war, disconnectedness, isolation and more.


Machinedrum – Human Energy
Inspired by the California new age movement, Human Energy finds US electronic producer Travis Stewart, coming as close as he has come to the popular arena, featuring very catchy tunes, a range of guest r’n’b vocalists, great beats and excellent production to create a summer record of euphoric glitch pop.

Roman Flugel – All the Right Noises
Roman Flugel’s third album is “about the solitary time in hotel rooms between gigs, and that strange mixture of peace and isolation”, and he has created a collection of pieces that lie between ambient and dancefloor in the wonderful world of electronic listening music.

Brian Eno – Reflection
Brian Eno has finally created a piece of infinite music, via an iOS app, that generates music indefinitely without ever repeating itself. In these anxious times, this hour long excerpt is a welcome respite, presenting a peaceful and calming virtual river to sit beside.


The XX – I See You
The London trio’s third release in seven years finds The XX creating their gorgeous and beautifully produced take on pop throughout, arguably, their best record yet.


Lana Del Rey – Lust For Life
LA songstress Lana Del Rey matures into a true artist with her excellent fifth album that expands her sound palette and makes real her fascination with modern pop culture via guest appearances from Sean Lennon, Stevie Nicks, the Weeknd and A$AP Rocky.


Neil J’s Picks:

David Long, Richard Nunns and Natalia Mann – Utterance
This is a truly remarkable album, it is what great music sounds like, this is a major work in any sphere of artistic endeavour and it’s what many musicians strive their entire lives to achieve and is one of the finest albums in any genre from anywhere I have heard in a very long time . It is the culmination of a lifetime for Richard Nunns who knew from the start of the albums production it would be his last work and it sounds as if he has placed some deep aspect of his very being into the piece. It is a modern beautiful abstract work that is very aware of the deep spiritual and cultural traditions from which it springs and embraces these roots whilst being totally unique and new and timeless. Its powerful, emotional, challenging, spiritual and simultaneously personal and universal.

Blade runner 2049 : original motion picture soundtrack
Benjamin Wallfisch and Hans Zimmer’s soundtrack to Blade Runner 2049 is a startling, original and stunning work that ranges from faint melodic echoes of the original to dark, bleak, unsettling, industrial howls and cries, it’s a fantastic piece. Whilst many soundtracks are just designed as audio cues for events in the film, only the very best create atmosphere and add to a film rather than just compliment it. Wallfisch and Zimmer’s soundtrack joins the esteemed ranks of people like Ennio Morricone or Bernard Herrmann in creating a classic soundtrack that stands up on its own right even when its stripped away from the films visuals.

Fleet Foxes – Crack-Up
I love the Fleet foxes first two albums and was intrigued to hear that Crack up their third outing starts exactly where the last track of their second album Helplessness blues ends. No band is attempting to do what they do with their sound. It’s really hard to describe their work but here goes experimental, orchestral, modern folk music with a close affection for music from late 1960s American West coast Scene. People like Crosby, Stills and Nash or Joni Mitchell. Its lush, its gorgeous, its seductive and it has serious intent too one of my favourites of the year.

Perfume genius – No Shape
Perfume genius’s fourth album No shape is a lush, elaborate, decadent shape shifting album of contrasts. Moving effortlessly from haunting delicate fragile melodies that still somehow sound slightly damaged or decayed to uplifting euphoric rapturous elements often in the same piece of music.

Ross Harris – Requiem for the fallen
Ross Harris has had a very busy 2017 and for me this was his finest release and also the best new classical work I heard all year. A deeply emotional melancholic work, that drains the listener with its intensity (as a piece on this subject matter should) Its melodically subtle and is powerfully moving a piece that touches the heart in the saddest of ways. Its beautifully recorded and performed a stunning work in every way and my favourite classical work of 2017. Words by Vincent O’Sullivan.

Jackson’s Picks:

Kendrick Lamar – Damn




Aldous Harding – Party




Jay Z – 4:44




Childish Gambino – Awaken, My Love!




Alex’s Picks:

Kendrick Lamar – Damn




Kelela – Take Me Apart




Have a browse of recent additions to our CD collection

New albums by big names such as Beck, Robert Plant and Pink are now here in our proud CD collection. The new star Kelela’s debut album and Cat Steven’s The Laughing Apple which celebrates his 50 year career, have also arrived. Check them out!

Beck, Colors
“The album is cheerier and more experimental than Beck’s last album, something attributed to his happiness with his wife, Marissa Ribisi. Those good feelings permeate the music, an experimental collage of bright pop sounds. Possibly the most aptly titled work in Beck’s storied discography, Colors unfolds in an intoxicating rainbow of auditory tricks and treats, making it a shoo-in for summeriest smash of the autumn season.” (adapted from

St. Vincent, Masseduction
“Themes of power and sex, imperiled relationships and death slice through the album, St. Vincent – aka Annie Clark’s first since her 2014 breakout ‘St. Vincent.’ The thirteen tracks on ‘MASSEDUCTION’ swirl with guitar and piano, synths and strings, and drum beats that punch with purpose. ‘MASSEDUCTION’ is the culmination of years of writing, with songs crafted from voice memos, text messages, and snippets of melodies that came to Clark while traveling the globe.” (adapted from

Robert Plant, Carry fire
“Robert Plant’s eleventh solo album and first full-length release since 2014’s acclaimed ‘lullaby and…The Ceaseless Roar’. Robert, who lived in Texas for a time before returning to England three years ago, together with his friends, present the songs Carry Fire, melding unusual rhythms with naturalism and smouldering power.” (adapted from

Pink, Beautiful trauma
“The singer/songwriter is a happily married mother of two, creeping up on her 40th birthday — but her decision to do little more than nod at contemporary musical trends is deliberate, a reflection of how her hits and audience have crept toward the adult contemporary charts, but she’s still as liable to curse as croon” (adapted from

Sam Smith, The thrill of it all
“Following an incredible success with his debut album In The Lonely Hour – including four Grammy Awards, both an Academy Award and Golden Globe, three Brit Awards, and amassing over eight billion streams to date – Sam Smith is back with his sophomore record The Thrill Of It All. The first single off the album, “Too Good At Goodbyes”, debuted at #1 on multiple global charts.” (adapted from

Kelela, Take me apart
“With great anticipation, Kelela’s debut album emerges as an epic portrait of an artist spanning the past and future of R&B. In her hands, however, the genre knows no boundaries and so Take Me Apart exists as an absolutely singular and fearless addition to a canon of recent classics. From her very earliest work, honesty and vulnerability have been cornerstones of Kelela’s art – even when clad in the armor of the avant-garde electronics she so deftly inhabits – and Take Me Apart sees her double down on both the emotional intensity and resonance of her message as well as the sonic seeking she is renowned for.” (adapted from

Yusuf/Cat Stevens, The laughing apple
“The Laughing Apple brings Yusuf’s career full circle, coming 50 years after his first album. It reunites him with producer Paul Samwell-Smith and guitarist Alun Davies, prominent collaborators on landmark recordings including 1970’s multi-platinum Tea for the Tillerman. The Laughing Apple follows the common ’60s template of combining newly written songs with covers from Yusuf’s catalog, presenting some of his earliest material as he has always wished it had been recorded.” (adapted from

We’ve made a list and we’re checking it twice: Staff pick CDs

Check out more staff pick CDs featuring from Beach House to Alice Coltrane to New Zealand composer Ross Harris. We will be back with our ‘Best of 2017’ early next year so keep checking!

John’s Picks – continued

Wire – Silver / Lead
Highly influential UK post punk band, Wire’s first gig was on April 1 1977 and to mark the 40th anniversary their 16th album, ‘Silver / Lead’, was released on March 31 2017. Less fast and angular than usual, on this record the band explore a slower and darker, introspective realm which opens up a more emotional edge to their characteristic cerebral remove. The slower pace also enables the band to create some gentle and haunting moments within what is arguably their most accessible album to date.

Radiohead – OK Computer OKNOTOK 1997-2017
Radiohead’s ground breaking third album gets a remastered 20th anniversary re-release which includes b-sides and tracks rejected from the original. The album’s prescience in portraying the digital angst and alienation that was just around the corner, coupled with its bravely experimental approach to songcraft has ensured the album classic status and twenty years on that status is definitely justified.

Laurel Halo – Dust
Anyone following US born, Berlin based electronic musician Laurel Halo’s career will be pleasantly bewildered by her third release as it is as different from 2013’s ‘Chance of Rain’, which featured dance based electronics, as that release was from 2012’s vocal leaning ‘Quarantine’. On ‘Dust’ her music remains as unclassifiable as ever and, as much jazz as electronica, has attained a new found warmth and softness with her treated vocals woven through absorbing and often playful sound textures and beats to create a collection of tracks as original and beguiling as anything you will hear this year.

Beach House – B-Sides & Rarities
Spanning the ten years of their career, this compilation flows as well as any of the indie star duo’s releases and offers some lovely peeks into their creative process via demo versions and unreleased tracks alongside remixed and live versions of their woozy lo-fi dream pop. While this album is a treat for established Beach House fans, surprisingly, it would serve well as an introduction for the curious to one of the most consistent indie acts of the 2010s.

Can – The Singles
One doesn’t immediately think of German art rock innovators, Can, as a singles band, but they actually did write the occasional offbeat pop song, and these are all compiled here from the bands most creative period – 1969-1978. Surprisingly, the 1971 single “Spoon,” actually reached the German Top Ten after it was featured as the theme song to a popular television show and the cosmic disco single “I Want More” hit the U.K. Top 30, and even resulted in an appearance on the BBC’s ‘Top of the Pops’. The odd whimsical inclusions, such as an instrumental version of Silent Night, sit well alongside more serious tracks over what pretty much amounts to an alternate universe hit parade.

Beach Fossils – Somersault
NY based Beach Fossils’ third album is possibly their best yet as they take their sweet indie pop one step further with the addition of orchestral and easy listening sounds including strings, flute, sax, piano and harpsichord, a move that is sure to have Brooklyn hipsters drooling into their cupcakes. The melodies, as lovely as ever, are delivered via Dustin Payseur’s wry, weary vocals, accompanied by characteristic jangly guitars, lyrical bass and the aforementioned orchestral touches which help to create gorgeous shimmering soundscapes.

Mark’s Pick

Phil Seymour – Prince of Power Pop
Singer-songwriter, drummer-guitarist Phil Seymour was half of Tulsa rockers the Dwight Twilley Band who scored a big hit with the song ‘I’m on Fire’ in the mid 70s. Twilley and Phil Seymour met in Tulsa in 1967 at a theater where they had gone to see The Beatles’ A Hard Day’s Night, and soon began writing songs and recording together under the name Oister. Eventually, they went to Los Angeles & signed with Shelter Records, a label co-owned by Denny Cordell and Leon Russell, in 1974.Cordell promptly changed the group’s name from Oister to the Dwight Twilley Band, which set the seeds for future problems arising from Seymour’s anonymity in the partnership. Their first single, “I’m on Fire”, reached #16 on the charts in 1975, but a follow-up single, failed due to distribution problems, as just after the single was released Shelter Records collapsed in the midst of a lawsuit between Russell and Cordell. The Dwight Twilley Band’s first completed album went unreleased for 10 months losing all the bands momentum to that point. A label shift and a second album also didn’t score commercially, leading Seymour to quit the band in 1978. In 1980 he signed to Boardwalk Records and he released his first solo album, titled Phil Seymour, which became a revered power-pop classic. A second album followed in 1982 but was weakened by his drug problems at the time, along with the death of Boardwalk Records founder Neil Bogart who died shortly after its release, collapsing the label. In the mid-80s he joined roots rock band the Textones, as a singer/drummer. While touring he noticed lumps appearing on his neck, and he was subsequently diagnosed with lymphoma. Seymour moved back to Tulsa to undergo treatment for the cancer and continued to record and play on the local scene until his death on 1993 at the age of 41. One of the most respected singers of the power-pop genre, and one who never quite had the career his talent deserved. This compilation collects up some of the best tracks from his first 2 albums with some outtakes and unreleased material, to present a solid picture of another great artist who left us too soon.

Shinji’s Picks

London Grammar Truth is a Beautiful Thing
Working Week, Young Disciples, Portishead – the trio bands consisting of a female singer and two male musicians have been notable in the UK music scene, and London Grammar is the newest and possibly the most important addition. Like the aforementioned bands, the female singer Hanna Reid, who is often compared with Florence Welch, is the centrepiece of their music, and her melancholic, mesmerising voice is truly remarkable. They keep their music simple and the atmospheric otherworldly soundscape they deftly create is the perfect pallet for Reid’s voice. For this sophomore album, they invited eminent producers, including Paul Epworth and Greg Kurstin -both have worked with Adele-, and sharpen up their intimate yet emotional world which impressed us immensely in their successful debut album If you Want. This is a beautiful thing.

Portico Quartet – Art in the Age of Automation
The previous album issued from Ninja Tune was performed by the trio under the name of Portico, but back to the quartet, Portico Quartet presents an excellent album. They also found their new home; Manchester’s label Gondwana Records. The up and coming talents, whose pursuit of new music based around jazz, such as Gogo Penguin and Matthew Halsall, have made a breakthrough from them, and for Portico Quartet it’s the ideal home for their fresh start. They use a unique instrument, hang – a custom made steel drum like percussion – and ingeniously blend its metallic yet lyrical sound into their music. A great variety of musical elements, namely jazz, ambient, post rock, downtempo and so on, can be heard in their music but their genre is none of them. This new effort shows their ability to weave beautifully textured, tonally inventive hybrid music, and it seems as though they make a new departure while summarising their musical journey to date. Brilliant.

Neil J’s Picks

Ibibio sound machine – Uyai
This is a truly global album fusing musical elements and cultures from all over the world from sleek 80s pop synth lines to African jazz and techno it’s all in there in. In this fantastic cultural mash up that never sounds lost or confused. Probably because wherever this eight piece band draws its diverse inspiration from they always infuse it with a heavy sprinkling of Nigerian highlife . An exuberant, joyful and rhythmic album.

Relative Abundance – Ylem
Ylem is a multilayer soundscape album comprising of numerous elements but at its core is one big concept, the band wanted to incorporate sound from the birth of time onwards and from the entire universe. To do this musical explorer Robert Baldock, erected a radio antenna and recorded the background radio transmissions from deep space, these by their very nature span across time and space , from the birth of the universe and the big bang and onwards and outwards and come from all areas of our universe. He then used these radio transmissions to trigger a series of hand built modular synthesisers. Using this as the core sound, fellow band members Emma Bowen and Neil Johnstone added a wide variety of content including auto harps, musical saws, found recorded sound, and a wide variety of synthesisers. The music is strangely in sympathy were with the strange ethereal haunting mood of the original “cosmic” sources . A really out there experimental piece and quite unlike anything else I’ve heard.

Alice Coltrane – The ecstatic music of Alice Coltrane Turiyasangitananda
After many years an album featuring a small amount of Alice Coltrane’s mythical Ashram music has finally been released. Alice Coltrane was already a musical prodigy before she married the legendary Jazz musician John Coltrane and after his sudden death she retreated to Sai Anantam Ashram and devoted the rest of her life to seeking spiritual enlightenment. These compositions were made to nourish this community and act as a meditational aids and were never intended to be heard beyond that community. The music is at once South Asian, African American, tranquil and uplifting . Constantly seeking like Alice herself musical and spiritual transcendence.

The Innocent Railway – Sweet pea
A truly beautiful and sad album it feels as if the musicians are exploring what it means to be truly lost . It shifts from delicate melancholic songs to strange haunting soundscapes whilst carefully retaining overall cohesion. It’s difficult to describe but if Nick Drake or Tim Buckley had created a half sung ambient album with Brian Eno it might just have sounded like this.

David Long, Richard Nunns and Natalia Mann – Utterance
This is a truly remarkable album, it is what great music sounds like, this is a major work in any sphere of artistic endeavour and it’s what many musicians strive their entire lives to achieve and is one of the finest albums in any genre from anywhere I have heard in a very long time . It is the culmination of a lifetime for Richard Nunns who knew from the start of the albums production it would be his last work and it sounds as if he has placed some deep aspect of his very being into the piece. It is a modern beautiful abstract work that is very aware of the deep spiritual and cultural traditions from which it springs and embraces these roots whilst being totally unique and new and timeless. Its powerful, emotional, challenging, spiritual and simultaneously personal and universal.

Ross Harris – Requiem for the fallen
Ross Harris is New Zealand’s greatest living classical composer and is arguably the greatest composer this country has ever produced. He is going through a creative golden age as witness by his remarkable output recently his as yet unreleased sixth symphony is a remarkable and beautiful work and will be heralded on its release ( it was premiered earlier in the year in Auckland). In Requiem for the Fallen he brings a lifetime of experience to bear on a deep, serious subject matter and produces a deeply moving, melodic, powerful and compassionate work. Highly recommended.

Staff picks from our extensive CD collection

Our music enthusiast John has selected his recent favourites from our extensive CD collection. More coming soon, so keep checking!

John’s picks

Thurston Moore – Rock ‘n’ Roll Consciousness
Sonic Youth fans are in for a treat here as that legendary NY band’s guitarist, Thurston Moore, explores five lengthy, textural, guitar centred songs that are reminiscent of his playing on the groundbreaking Sonic Youth album, ‘Daydream Nation”. Accompanied by long time fellow traveller, drummer Steve Shelley, this is like a lost Sonic Youth album with My Bloody Valentine’s Deb Goodge on bass instead of Kim Gordon and James Sedwards on guitar instead of Lee Renaldo. The only difference being that Moore indulges in lengthy solos – which, as it turns out, is a very good thing indeed.

Public Service Broadcasting – Every Valley
The London based duo have moved on from their potentially novelty roots, featuring archival plummy British spoken word samples, to become something akin to musical documentarians. Their debut focused on WWII, their follow up on the 1960’s space race, and now for their third album, they focus on the rise and fall of the Welsh coal-mining industry. They manage to turn that potentially dry subject into a vital and relevant commentary on progress and social awareness and have made an excellent socially conscious pop record that sounds like a good idea turning into a great one.

David Long, Richard Nunns & Natalia Mann – Utterance
Rattle Records describe this beautifully packaged release as a tribute to Richard Nunns, who’s ongoing health issues, very sadly, see this collection of 11 improvisations as his final recording. A key figure behind the revival of interest in ancient Maori instrumentation, here he uses his formidable kete of instruments to create mesmerizing atmospheres alongside David Long’s plucked and looped banjo and Natalia Mann’s haunting harp and zither.

Jane Weaver – Modern Kosmology
UK artist Jane Weaver wrote, produced , sings and played synths, keys, guitars, bass and drum machines on this impressive release that combines the hypnotic pulse of krautrock with an unearthly cosmic pop. The follow up to her 2014 release, ‘The Silver Globe’, which found her recognition after seven albums and 22 years as an idiosyncratic solo artist whose work included acoustic folk balladry, avant garde electronics and improvisation. Here she manages to meld all of her arcane source material into a rich, melodic and engaging contemporary psychedelic pop, her crisp vocals floating over gorgeous musical backdrops that include early 80s synth pop, eerie folk, library music and experimental vintage electronics.

Broken Social Scene – Hug of Thunder
Broken Social Scene are a Canadian musical collective with 15 members, two of whom have been pushing it all along since 2001. This is their fifth album, their first in seven years, and finds them refining their sprawling ramshackle sound into a great collection of distinctive and vibrant indie pop. Anthemic without being cheesy, the collective nature of this band comes across in the music which is relentlessly positive while maintaining a political awareness.

Japanese Breakfast – Soft Sounds From Another Planet
The second solo record from Michelle Zauner, the former singer for US EMO band Little Big League, is a nice blend of experimental pop, incorporating elements of shoegaze, electropop, soft rock, ambient and indie, all wrapped around her soft yearning vocals. It is a confident and engaging record that runs the risk, however, of being too pop for those who like experimental sounds and too experimental for those who like pop, but those with open ears will be well rewarded.

Dauwd – Theory of Colours
Electronic producers often find it difficult to maintain an entire album and it is nice to be able to report that UK artist Dauwd, bucks that trend. This album, on Ninja Tune offshoot Technicolour, presents a distinctive take on electronic music that manages to communicate emotional content, yet remain danceable. Most of the seven tracks maintain a lovely rolling chilled rhythm with deep bass lines and skittering hi-hats pushing it all along, while warm analog synth flourishes and electronic samples dance around over the top.

The War On Drugs – A Deeper Understanding
Adam Granduciel and Kurt Vile started The War On Drugs in 2008, with Kurt Vile leaving after their debut album. Since then, each of them have been rewriting Americana for the new millennium with Kurt Vile’s Violaters picking up the jam band mantle from precursors like the Grateful Dead while Adam Granduciel’s War On Drugs reinvents the wide open, heart-felt grandeur of artists like Neil Young, Bruce Springsteen, Tom Petty and even Bob Dylan. Their last album, ‘Lost In the Dream’, topped numerous end-of-year best album lists and this follow up looks to repeat that success.

The National – Sleep Well Beast
It’s good to see that by their seventh album US band The National haven’t slipped into a formula. While ‘Sleep Well Beast’ maintains the band’s well recognised brooding sound fronted by Matt Berninger’s distinctive baritone vocals, this time around they move deeper into a beautiful chamber pop incorporating extensive use of piano, string arrangements and, surprisingly, electronics and samples provided courtesy of collaborators, Cologne electronic artists, Mouse On Mars.

LCD Sound System – American Dream
The story goes that David Bowie told James Murphy to restart LCD Sound System after he had ended the project in 2010, so he took Bowie’s advice and here, seven years on, we get the fourth LCD album and it’s as good as anything they have done. The album starts with a characteristic musical tribute, this time to recently deceased electronic pioneer Alan Vega, and from then on it’s the expected grab bag of influences with Leonard Cohen, Lou Reed and David Bowie name checked within a simmering survey of modern America. Anything but a cynical cash-in this album confirms James Murphy as a major artist. Continue reading “Staff picks from our extensive CD collection”

From Vaughan to vinyl: New books about music

Check out this variety of newly catalogued books on popular music. They include Vinyl Freak, which offers a fascinating read about love for vinyl, and two intriguing books on the year of 1967; Detroit 67 and 1967: a complete rock music history of the summer of love.

Syndetics book coverVinyl freak : love letters to a dying medium / John Corbett.
“From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak , music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett’s long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD.” (Syndetics summary)

Syndetics book coverThe show that never ends : the rise and fall of prog rock / David Weigel.
The Show That Never Ends is the definitive story of the extraordinary rise and fall of progressive (“prog”) rock. Epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, along with such successors as Rush, Marillion, Asia, Styx, and Porcupine Tree, prog sold hundreds of millions of records. It brought into the mainstream concept albums, spaced-out cover art, crazy time signatures, multitrack recording, and stagecraft so bombastic it was spoofed in the classic movie This Is Spinal Tap.” (Syndetics summary)

Syndetics book coverBillie Holiday at Sugar Hill / Jerry Dantzic, Grayson Dantzic ; a reflection by Zadie Smith.
“In 1957, New York photojournalist Jerry Dantzic spent time with the iconic singer Billie Holiday during a week-long run of performances at the Newark, New Jersey, nightclub Sugar Hill. The resulting images offer a rare behind-the-scenes glimpse of Billie with her family, friends, and her pet chihuahua, Pepe; playing with her godchild (son of her autobiography’s coauthor, William Dufty); washing dishes at the Duftys’ home; walking the streets of Newark; in her hotel room; waiting backstage or having a drink in front of the stage; and performing.” (Syndetics summary)

Syndetics book coverQueen of bebop : the musical lives of Sarah Vaughan / Elaine M. Hayes.
Queen of Bebop brilliantly chronicles the life of jazz singer Sarah Vaughan, one of the most influential and innovative musicians of the twentieth century and a pioneer of women’s and civil rights. Equal parts biography, criticism, and good old-fashioned American success story, Queen of Bebop is the definitive biography of a hugely influential artist. This absorbing and sensitive treatment of a singular personality updates and corrects the historical record on Vaughan and elevates her status as a jazz great.” (Syndetics summary)

Syndetics book coverRoots, radicals and rockers : how skiffle changed the world / Billy Bragg.
“Against a backdrop of Cold War politics, rock and roll riots and a newly assertive working-class youth, Billy Bragg charts – for the first time in depth – the history, impact and legacy of Britain’s original pop movement. It’s a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts, who between them sparked a revolution that shaped pop culture as we have come to know it.” (Syndetics summary)

Syndetics book coverDetroit 67 : the year that changed soul / Stuart Cosgrove.
Detroit 67 is the story of Motor City in the year that changed everything. Twelve chapters take you on a turbulent year-long journey through the drama and chaos that ripped through the city in 1967 and tore it apart in personal, political and interracial disputes. It is the story of Motown, the break-up of The Supremes and the damaging disputes at the heart of the most successful African-American music label ever.” (Syndetics summary)

Syndetics book cover1967 : a complete rock music history of the summer of love / Harvey Kubernik.
“During late spring 1967, tens of thousands of young people began streaming into San Francisco, kicking off a counterculture revolution and cultural explosion that was the Summer of Love. Now, on the 50th anniversary of that revolutionary event, acclaimed journalist and pop culture historian Harvey Kubernik takes us on an insider’s look at the happenings in San Francisco, Los Angeles, and beyond–in the months leading up to, during, and after that seminal summer–through the lens of rock music.” (Syndetics summary)

Syndetics book coverLiner notes : on parents & children, exes & excess, death & decay, & a few of my other favorite things / Loudon Wainwright III.
“Loudon Wainwright III, the son of esteemed Life magazine columnist Loudon Wainwright, Jr., is the patriarch of one of America’s great musical families. He is the former husband of Kate McGarrigle and Suzzy Roche, and father of Rufus Wainwright, Martha Wainwright, Lucy Wainwright Roche, and Lexie Kelly Wainwright. With a career spanning more than four decades, Wainwright has established himself as one of the most enduring singer-songwriters who emerged from the late 1960s. Wainwright writes poignantly about being a son–a status that dominates many of his songs–but also about being a parent, a brother, and a grandfather. A funny and insightful meditation on family, inspiration, and art, Liner Notes will thrill fans, readers, and anyone who appreciates the intersection of music and life.” (Syndetics summary)

Get your headphones ready! We’ve got new CD box sets

Check out some of these newly catalogued box-set CDs in our extensive collection. They include the deluxe reissue of Smiths’ landmark album The Queen is Dead and two Neil Young’s original release series.

The Smiths, The queen is dead [deluxe]
“The Deluxe 3CD / 1 DVD Box set – housed in a lift off lid box with a stapled 12pg booklet. CD 1 -features the 2017 master of the album. CD 2 – features additional recordings; demos, b-sides and alternative versions. Tracks 1-7 and 9 are previously unreleased. Track 8 was released on 7” for Record Store Day. Tracks 10 and 11 are 2017 masters of b-sides from ‘The Boy With The Thorn In His Side’. Tracks 12 and 13 are 2017 masters of b-sides from ‘Bigmouth Strikes Again’. CD3 – features ‘Live In Boston’ album recorded at the Great Woods Center For The Performing Arts on 5th August 1986. DVD – features the 2017 master of album in 96kHz / 24-bit PCM stereo and ‘The Queen Is Dead – A Film By Derek Jarman’.” (adapted from

Isaac Hayes, The spirit of Memphis (1962-1976)
“Deluxe hardback book presentation with four individual CD-pockets plus 7″ single. Isaac Hayes: The Spirit of Memphis (1962-1975) chronicles Isaac Hayes’ ascension from orphaned field-hand to soul superhero, starting with his days as a young man working as a writer and producer for other Stax Records recording artists and ending with the zenith of his popularity as a cultural icon in the mid-70’s. An essential survey of the multifaceted artist, writer, and producer that changed the shape of popular music forever.” (adapted from

Neil Young, Neil Young original release series : discs 5-8
“The Neil Young Official Release Series Volume 2 limited edition box set includes: On The Beach, Times Fades Away, Tonight’s The Night, and Zuma. Remastered from the original analog studio recordings at Bernie Grundman Mastering. Historically accurate artwork reproduced by Neil Young’s long time art director Gary Burden.” (adapted from

Neil Young, Neil Young original release series : discs 8.5-12.
“Official Releases Series is the name Neil Young has given to the personally approved remasters of his core catalog. The series debuted in 2012 with a four-album box that contained Young’s first four albums, and this 2016 installment covers his next five: the Stephen Stills duet album Long May You Run (its presence is why this is billed as “8.5”), American Stars & Bars, Comes a Time, Rust Never Sleeps, and Live Rust. Whether they’re heard in new vinyl pressings or CDs released in 2017, the remasters are vivid and robust — the best this music has ever sounded, and that’s reason enough for hardcore Neil Young fans to purchase these titles again.” (adapted from

10cc, Before during after
“Universal Music Catalogue (UMC), is delighted to announce the release of ‘Before During After – The Story of 10cc’ – a special four-disc box set, curated with input from the band to detail each and every chapter of their musical story. It Is the first complete, career-encompassing collection of the work of 10cc – Eric Stewart, Lol Crème, Kevin Godley and Graham Gouldman, together and apart.” (adapted from

Tim Buckley, Buzzin’ fly : live anthology, 1968-1973
“Tim Buckley possessed a golden voice that spanned the range from baritone to tenor. More importantly, he knew what to do with it. Sometimes he used it simply as a vehicle to carry the lyrics. Other times he used it as an extraordinary musical instrument in its own right. This box contains three live albums on four CDs from Buckley’s classic phase: “Dream Letter – Live in London 1968” (on two CDs), “Live At The Troubadour 1969” and “Honeyman – Recorded Live 1973″. These performances feature eight songs that were never otherwise recorded, alongside selections from Goodbye And Hello, Happy Sad, Blue Afternoon, Lorca, Greetings From LA and Sefronia.” (adapted from

Noise reduction system : formative European electronica 1974-1984
“A year in the making, Noise Reduction System reaches out into the European mainland, taking in tracks from key figures on the electronica cassette label underground alongside early releases by ground-breaking innovators. Enthralled by the mysterious synthesiser and inspired by the DIY ethos of punk, a quiet revolution took place across Europe in the late 1970s and early 1980s. From Norway to Greece, the microchip and the affordable synthesiser inspired artists for whom guitars, drums and bass had become old hat, and in home studios and art spaces across the continent electronic musicians began to stretch the boundaries of sonic experimentation. Some wanted to dance, some to relax and others to confuse and confront – all are represented here.” (adapted from