Exciting new arrival CDs

It’s very good news that more music is available at Arapaki Manners Library. New arrival CDs feature exciting Aotearoa talents, including fantastic new albums by our very own Mermaidens and the veteran David Kilgour. Also, check out Waiata: anthems in which leading NZ artists perform their hit songs in Te Reo. Come down to Arapaki and get them.

New albums

Look me in the eye. / Mermaidens
“Dancing in the lively afterglow of Perfect Body, Mermaiden’s internationally acclaimed Flying Nun debut, a new flame burns. The Wellington-based trio now approach 2019 with an eagerly awaited follow up. Enter the depths of their new album, Look Me In The Eye. Exploring power and control in a confronting new lens, the trio are focused on the gatekeepers and dominators of the world; dissecting their power, one song at a time.” (adapted from amazon.co.uk)

Bobbie’s a girl / Kilgour, David
“It’s moody – as in low, subdued,’ says David Kilgour of his new album, Bobbie’s a girl. David Kilgour’s 11th solo album, Bobbie’s a girl is a quieter affair than fans may associate with the pioneer of New Zealand indie rock. ‘I tended to shy away from too much guitar playing for a point of difference and to mix things up for myself a little,’ Kilgour continues. Largely missing the jangly distortion of Kilgour’s other work, the album’s ten songs exude a hazy warmth, with a light psychedelia that recalls ’60s outfits like The Byrds and The Velvet Underground.” (adapted from amazon.co.uk)

Waiata : anthems.
“WAIATA / ANTHEMS was released to celebrate Māori Language Week / Te Wiki o Te Reo Māori 2019 (Sep 9-13) and to coincide with the 20-year anniversary of Hinewehi Mohi first performing the New Zealand National Anthem in Te Reo Māori at an All Blacks game. 20 years on, she has decided to mark that anniversary not by remembering the controversy, but by celebrating how far we’ve come. The result – 11 of New Zealand’s best loved artists performing their hit songs in Te Reo Māori, as well as an acknowledgement of ‘Aotearoa’ with a vibrant rendition by the renowned Hātea Kapa Haka.” (adapted from amazon.co.uk)

I, I. / Bon Iver
“‘i,i’ is Bon Iver’s most expansive, joyful and generous album to date. If ‘For Emma, Forever Ago’ was the crisp, heart-strung isolation of a northern Winter; ‘Bon Iver’ the rise and whirr of burgeoning Spring; and ‘22, A Million’, a blistering, “crazy energy” Summer record, ‘i,i’ completes the cycle: a fall record; Autumn colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music.” (adapted from amazon.co.uk)

The center won’t hold. / Sleater-Kinney
“‘The Center Won’t Hold’ is the tenth studio album by Sleater-Kinney. It addresses transformation as it relates to the corrosion and decomposition of forms. Fractured and frayed by age or by loss, by internecine politics, by trauma or depression, these eleven songs ask what remains of a body, a human spirit, a relationship, a city, a country.” (adapted from amazon.co.uk)

Threads. / Crow, Sheryl
“Sheryl Crow’s album of collaborations. Threads includes ‘Still The Good Old Days’ featuring Joe Walsh. Other tracks include “Redemption Day” featuring Johnny Cash, “Live Wire” featuring Bonnie Raitt and Mavis Staples and “Prove You Wrong” featuring Stevie Nicks and Maren Morris. Elaborating on the project, Crow reflected, “I became inspired to record an album of musical experiences with the legacy artists who inspired me.” (adapted from realgroovy.co.nz)

Fear inoculum. / Tool
“Fear Inoculum is the long awaited new album from TOOL, and the band’s first new album in 13 years. The album will be available digitally, and in a special Limited Edition physical package that includes a CD in a tri-fold Soft Pack Video Brochure featuring a 4” HD rechargeable screen with exclusive video footage, a USB charging cable, a 2 watt speaker and a 30 page insert book and MP3 download card.” (adapted from amazon.co.uk)

Beneath the eyrie. / Pixies (Musical group)
“Seventh full-length album from the iconic alternative band. Sessions for the album took place at Dreamland Recordings near Woodstock, New York and unusually the band documented every minute of the process, which makes up a 12-part podcast.” (adapted from amazon.co.uk)

Days of the Bagnold summer
“Days of the Bagnold Summer began life as a 2012 award-winning graphic novel by Joff Winterhart, was turned into a feature film and the directorial debut of Simon Bird (The Inbetweeners, Friday Night Dinner), and is now a wonderful, rich, bittersweet, and warmly welcoming original soundtrack album by Belle and Sebastian. The album features eleven brand new Belle and Sebastian songs, as well as re-recorded versions of classics ‘Get Me Away From Here I’m Dying’, originally appearing on 1996’s If You’re Feeling Sinister, and ‘I Know Where The Summer Goes’, from 1998’s This Is Just a Modern Rock Song EP.” (adapted from amazon.co.uk)

Rubberband. / Davis, Miles
“The legendary ‘Lost’ Miles Davis album recorded after signing with Warner Bros. has now been completed by the original producers Randy Hall and Zane Giles, and Davis’ nephew Vince Wilburn Jr.. Miles Davis shocked the music world in 1985 when he left Columbia Records after 30 years to join Warner Bros. Records. In October of that year, he began recording the album Rubberband in Los Angeles. The musical direction Davis was taking during the sessions marked a radical departure, with the inclusion of funk and soul grooves; with plans to feature guest vocalists Al Jarreau and Chaka Khan. Eventually, the album was shelved and Davis went on to record Tutu, leaving the Rubberband songs unheard and untouched for over 30 years.” (adapted from amazon.co.uk)

Box sets

Ágaetis byrjun : a new beginning. / Sigur Rós
“In 1999 Sigur Rós released ‘Ágætis Byrjun’ (‘A Good Start’), which Q magazine deemed ‘the last great record of the 20th century’. By the end of the year, it had won the inaugural US Shortlist Prize for Artistic Achievement in Music. This 20th Anniversary edition of the album features demo and archive versions of the songs, plus never-before-heard newly-unearthed material from the time, rare b-sides and the full 95-minute concert played in Reykjavík on the day the record was released.” (adapted from amazon.co.uk)

Kankyō ongaku : Japanese ambient, environmental & new age music 1980-1990.
“Double CD edition in custom 7″ x 7″ hardbound book. Light In The Attic’s Japan Archival Series continues with Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyo ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.” (adapted from amazon.co.uk)

Afrofuturism in the world of music

Afrofuturism is an intersection of imagination, technology, the future, and liberation. ‘I generally define Afrofuturism as a way of imagining possible futures through a black cultural lens,’ says Ingrid LaFleur, an art curator and Afrofuturist.”

― Ytasha L. Womack, Afrofuturism: The World of Black Sci-Fi and Fantasy Culture

One of the most exciting genres emerging in science fiction, film, art and music at the moment is Afrofuturism. But whilst this dynamic and rather fabulous genre is having a real explosion of creativity, it’s by no means new. Indeed especially in the world of music Afrofuturism has a long and distinguished past, commonly accepted as emerging in the music world in the 1950s. This blog is a very brief look at some of Afrofuturism’s key musical proponents both old and new.

One of the first musical explorers in this universe was the legendary jazz musician Sun Ra. In the late 1950s Sun Ra created his own new synthesis of jazz, designed to reflect and link both the leading edge of the space age and African culture–especially that of African Egypt.

His ideas were taken up in the 1970s in the funk world by George Clinton’s funk outfits Parliament and Funkadelic. Reggae and hip hop also embraced these ideas, with artists like Lee “Scratch” Perry, Scientist and Afrika Bambaataa. And in the world of rock, Jimi Hendrix was also regarded by some reviewers as an Afrofuturist.

In the 21st century artists as diverse as Solange, Rihanna, Beyoncé, Erykah Badu, Missy Elliott, Kendrick Lamar, Flying Lotus and the Wu-Tang Clan have been influenced by this movement, with perhaps  Janelle Monáe the best known for embracing the genre. Enjoy!


Flamagra. / Flying Lotus
“Fire’s positive and negative associations are referenced by many of Ellison’s other collaborators here. While the album begins with a crackle and ends with a poetic epilogue about its lasting effects, fire’s role in the album elsewhere is either nonexistent or negligible.” (Adapted from catalogue)

Dirty computer. / Monae, Janelle
“Monáe and her Wondaland partners twist and flip new wave-leaning pop with booming bass drums and rattling percussion. They transmit defiant jubilance in response to those ‘from the traphouse to the White House who make the lives of little brown girls so damn hard.’ Almost every track is densely packed with quotables delivered in approaches that shift from easygoing elegance to hard-fought, triumphant conviction.” (Adapted from Catalogue)

Rainford. / Perry, Lee
“‘Inclues Cricket on the moon’, ‘Run evil spirit’, ‘Let it rain’, ‘House of angels’, ‘Makumba rock’, ‘African starship’, ‘Kill them dreams money worshippers’, ‘Children of the light’ and ‘Autobiography of the upsetter’.” (Adapted from catalogue)

New CDs at Arapaki

Check out some of these newly catalogued CDs, including new albums by Thom Yorke and Bruce Springsteen. A couple of box-sets; the 50th anniversary version of Woodstock and the Scottish independent music story is simply fantastic. Come on down to Arapaki at 12 Manners Street and to check them out!

Woodstock : back to the garden : 50th anniversary collection.
“Summer 2019 marks the 50th anniversary of Woodstock, the defining event of a generation and one of the most iconic moments in popular music history. Between August 15-18, 1969, more than 400,000 people converged on Max Yasgur’s 600-acre dairy farm in upstate New York for Woodstock. This box set features 42 tracks performed during the legendary festival.” (adapted from amazon.co.uk)

Big gold dreams : a story of Scottish independent music 1977-1989.
“BIG GOLD DREAMS documents the vibrant independent music scene to emerge in Scotland across the late 70s and 80s. Initially ignited by punk, labels sprang up in Glasgow, Edinburgh and elsewhere to give a voice to the explosion of new acts across the country.” (adapted from amazon.co.uk)

Western stars. / Springsteen, Bruce
“Bruce Springsteen’s first new studio album in five years takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late ’60s and early ’70s. The 13 tracks on ‘Western Stars’ encompass a sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope.” (adapted from amazon.co.uk)

Let’s rock. / Black Keys
“Lighter and leaner than Turn Blue — and, ironically, considerably more colorful, too — Let’s Rock doesn’t so much find the Black Keys trying new recipes as revisiting old favorites with fresh, elevated ingredients. Blues, garage, and old soul remain at the foundation of the group’s sound, but they’ve swapped jammy excesses for over-saturated fuzz guitars and stacked vocal overdubs.” (Catalogue)

Anima. / Yorke, Thom
“Third solo album from the Radiohead frontman, Thom Yorke. Produced alongside Nigel Godrich, ‘Anima’, sees Yorke experimenting with electronic sounds once again.” (adapted from amazon.co.uk)

The book of traps and lessons. / Tempest, Kate
“Third studio album by the acclaimed British poet and rapper. The album was crafted with Rick Rubin and Dan Carey over the course of the previous five years. Since her emergence in 2011, Tempest has redefined what it means to be a wordsmith in the Modern Age and, to date, has published three poetry collections and staged three plays.” (adapted from amazon.co.uk)

Years to burn / Calexico
“Calexico and Iron & Wine first made an artistic connection with ‘In the Reins’, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s ‘Rolling Thunder Revue’ that cemented the bond. Their metaphorical roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could.” (adapted from amazon.co.uk)

Shepherd in a sheepskin vest. / Callahan, Bill
“Eighth solo studio album by the American singer-songwriter. Bill’s gentle, spacey take on folk and roots music is like no other; scraps of imagery, melody and instrumentation tumble suddenly together in moments of true human encounter.” (adapted from amazon.co.uk)

Staff Pick CDs: July

Here are some Staff Picks CDs from our collection at our new Arapaki Branch on Manners Street.

Anoyo. / Hecker, Tim
If you read Carlo Rovelli’s incredible book, ‘The Order of Time’, you will learn that the force that drives the universe is not energy but entropy, and ‘Konoyo’, the ninth record from Canadian electronic artist Tim Hecker, is a sublimely beautiful work that could be heard as a soundtrack to that ever inexorable process of decay. Like lifting a veil to expose atomic and sub atomic processes at work, this grand, complex and absorbing music is quite unlike anything else, including previous Tim Hecker records. The source material is provided by a Japanese Gagaku ensemble playing some of the most ancient instruments known, and it’s highly appropriate that this was recorded in Japan, as, if one closes one’s eyes, it is almost possible to see the cherry blossoms drifting away on the spring breeze. A few months later he released the accompanying ‘Anoyo’. Konoyo translates as ‘this world’ and anoyo as ‘the other world’ and the second release reflects that meaning, featuring six spacious and ambient pieces titled “That World”, “Is But A Simulated Blur”, “Step Away From Konoyo”, “Into the Void”, “Not Alone”, “You Never Were” if you get the drift. (John)

>>>. / Beak>
This is the third record from the krautrock project of Portishead’s Geoff Barrow (the first was ‘>’ and the second ‘>>’) and features music quite unlike any other. Metronomic drumming, ominous synths, glitchy electronics, deep vocals, throbbing basslines, processed strings, sci-fi keyboards and much more all feature in various combinations across ten tracks to create something otherworldly and quite engrossing. (John)

Coltrane ’58 : the Prestige recordings. / Coltrane, John
This release features all 37 tracks (across 5-discs) that saxophonist John Coltrane recorded as a leader or co-leader for the independent Prestige Records label in the twelve months of the year 1958 – which when released would comprise 8 albums in his discography. After finally cleaning up his drug & alcohol addiction in 1957, the period that followed saw him working and recording with pianist Thelonious Monk, whose unique compositions were an influence on Coltrane. Spilling over with new musical ideas and possibilities, Coltrane choose a series of old ballads & standards to see how far his new style and improvisational techniques could push against the traditional structure of existing tunes. The Prestige years are one of the distinctive periods in his career in which he honed a beautifully full & rich style, fast and slashing, yet tender and poignant, which Jazz journalist Ira Gitler would famously dub “sheets of sound”. These tracks are all remastered from the original analog tapes and the box includes extensive liner notes by Grammy-winning American music historian Ashley Kahn. A great box containing some of Coltrane’s most iconic albums. (Mark)

Bitter sweet / Ferry, Bryan
Bryan Ferry is a clever chap and a genuine artist and here he recreates a selection of tunes from his extensive back catalogue in the big band style of the 1920’s. What could too easily be regarded as a gimmick turns out to be anything but as these tunes take on a strange and mysterious new lustre when interpreted via Duke Ellington style trumpets, Sidney Bechet style clarinet and the Kurt Weill homage of the title track that even includes a line in German. Bryan Ferry’s voice has matured into that of a classic crooner and carries this project off perfectly. As the cover notes state: “This art recognises that the past was once our present, even our future, and this moment too shall melt away into the past”. (John)

Double negative. / Low
This really should have made it to the library ‘2018 Best of’ as it featured on pretty much every other best of list, and rightly so. After maintaining cult status for 25 years, the US indie trio appear to have now become famous on the strength of this, their 12th album. Ironically, this is the record on which they have taken things a step beyond, slowing their famous minimalist ‘slowcore’ sound down a notch even further and incorporating glitched out dissonant electronics and loops to produce the distorted, frazzled edges of things dissipating into the ether – an approach that has been recognised by both critics and audiences as highly appropriate for our current times. There are still lovely songs here to be found though within a superb, audacious, and deeply atmospheric contemporary indie record. (John)

Why hasn’t everything already disappeared? / Deerhunter
Bradford Cox leads his band through their eighth album with a collection of thoughtful and confident songs, building on the radio-rock direction of their previous release ‘Fading Frontier’. Co-produced by Cate Le Bon, who contributes some guest vocals and instrumentation, this album finds an excellent balance between the experimental sounds of their early releases and the slightly more user friendly approach of the later albums. The result is an excellent take on, for want of a better word, pop, but a distinctive and mature version of that genre, incorporating all of the elements one may expect from this highly creative band. (John)

Some rap songs. / Sweatshirt, Earl
Among the Tswana people of South Africa, the composition of the “praise poem” in honour of chiefs and important figures has traditionally been a part of the ritual initiation of boys. On Some Rap Songs, Earl Sweatshirt reflects on his recently deceased father, the South African poet Keorapetse Kgositsile. In many ways, this album constitutes the 25 year old Earl’s praise poem to his father. The album is a sprawling journey through Earl’s psyche as he grapples with his recent grief and also his past experiences with anxiety and depression, seemingly finding cathartic closure. Earl’s voice is magnetic and mesmerising with its often simple cadence and bouncing syncopation. The album is built around tightly-looped soul and jazz samples by the likes of Curtis Mayfield. Far from its ironically self-effacing title, Some Rap Songs is an innovative masterwork. (Joseph)

DJ-kicks : Robert Hood.
The Detroit techno veteran, a founding member of Underground Resistance and who pretty much laid down the template for minimal techno with his 1994 release ‘Minimal Nation’, finally gets around to a DJ Kicks entry. Discretely acknowledging that interest in the minimal sub-genre is on the wane, here the sound is bigger and more banging than may be expected as he seamlessly mixes from one well curated driving floor filler to the next, including Berghain favorites such as Truncate and Marcel Fengler, in addition to U.K. techno mainstays like Slam and Mark Broom. Listeners either enjoy techno or they don’t, and for fans this is a solid, focused and satisfying mix, while for the curious this would be a good introduction. (John)

Future ruins. / Swervedriver
The UK band that sat on the rockier edge of the early ‘90’s shoegaze movement made a welcome return in 2015 after an 18 year hiatus, receiving favourable reviews for their fifth album, “I Wasn’t Born To Lose You”. “Future Ruins” is their sixth and the second of their ‘comeback’ albums and finds them in an assured mode, forging their warm, driving, melodic rock with great confidence. Its great hearing a band regaining their stride after such a long break and with this record they could very well find a fresh audience for their lovely harmonies, propulsive rhythms and vast guitar swathes. (John)

Echoes in blue. / City Calm Down
For some odd reason OZ bands rarely bridge the Tasman very well, which is unfortunate because, well, everyone misses out. City Calm Down are pretty big in OZ, headlining festivals and selling out tours, and this, their second album, is a great introduction. They are an obviously ‘80’s influenced band, which is not necessarily a bad thing, paying homage to Ian McCullough’s heartfelt vocals for Echo and the Bunnymen and New Order’s upper register bass lines and brooding synths. Their songs are suitably morose reflections on 21st Century life that potentially offer similar comfort that the early ‘80’s indie bands offered the first wave of indie rockers. (John)

You’re the man. / Gaye, Marvin
Marvin Gaye’s ‘lost album’ between two mega hit masterpieces ‘What’s Going On’ (1971) and ‘Let’s Get It On’ (1973) should excite a lot of music fans. Although some of the songs here have made it out in various forms before, the full album (plus some extra tracks) appears for the first time. He was at his peak after the success of ‘What’s Going On’ but very apprehensive at the same time, and a lack of the cohesion on this CD may show it. However, the quality of the songs and his distinguished vocal style are nothing short of brilliant and timeless. 47 years down the line, “You’re The Man’ can only emphasise how great Marvin Gaye is. (Shinji)

A tree with roots : Fairport Convention & friends and the songs of Bob Dylan. / Fairport Convention
An interesting compilation that gathers all of the cover versions UK folk rockers Fairport Convention performed of Bob Dylan songs. Including live recordings, John Peel Sessions and studio recordings, the songs are all from the ‘70’s and most feature Sandy Denny. The cover notes are comprehensive and clearly illustrate what a surprising influence Bob Dylan had on the UK folk revival. The performances are great and it is fascinating to hear these songs, firmly placed as they are in Americana, performed by a band that were central to the UK folk revival. This not only shows that cultural boundaries are far more fluid than often perceived but is also a keen reminder that the distant roots of Americana were actually folk songs taken to the USA by early settlers from England, Scotland, Wales and Ireland. What goes around truly does come around. Track 7, “Percy’s Song” is a great illustration of this. (John)
[/booklist]

New Popular Music CDs at Arapaki

It’s very good news that physical CDs are back on our shelves. Our first pop-up library Arapaki offers a small but varied range of music including new releases by our very own Aldous Harding and Vampire Weekend. Come on down to Arapaki at 12 Manners Street and check them out!

Designer. / Harding, Aldous
“An artist of rare calibre, Aldous Harding does more than sing; she conjures a singular intensity. Her body and face a weapon of theatre, Harding dances with steeled fervor, baring her teeth like a Bunraku puppet’s gnashing grin. Her debut release with 4AD, 2017’s Party (produced with the award-winning John Parish) introduced a new pulse to the stark and unpopulated dramatic realm where the likes of Kate Bush and Scott Walker reside. In April, Aldous Harding returns with Designer less than two years after the breakthrough album.” (adapted from amazon.co.uk)

I am easy to find / National (Musical group)
I Am Easy To Find is the band’s eighth studio album and the follow-up to 2017’s GRAMMY-award winning release Sleep Well Beast. A companion short film with the same name will also be released. The film was directed by Mike Mills (20th Century Women, Beginners), and starring Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, and the album features vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more.” (adapted from amazon.co.uk)

U.F.O.F. / Big Thief
“U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era.” (adapted from amazon.co.uk)

Father of the bride. / Vampire Weekend
“Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014. Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna etc.). The album features 18 songs, including “Harmony Hall,” “Big Blue,” “2021,” and “Sunflower.” (adapted from amazon.co.uk)

Why hasn’t everything already disappeared? / Deerhunter
“What they spend their time doing instead is reinventing their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth. The result is as thrilling, haunting, and unpredictable as anything in their roughly 15 year career.” (adapted from amazon.com)

On the line. / Lewis, Jenny
“Jenny Lewis’ fourth solo album, featuring 11 original songs written by Lewis and recorded at Capitol Records’ Studio B. Lewis is joined on the album by such legendary artists as Beck, Benmont Tench, Don Was, Jim Keltner and Ringo Starr.” (adapted from amazon.co.uk)

Ripples. / Brown, Ian
“2019 release from the former Stone Roses vocalist. Ripples is Brown’s first solo album in 10 years and serves as the long-awaited follow-up to 2009’s My Way. Brown self-produced and wrote a majority of Ripples, as well as created the artwork and played most of the instruments heard throughout the record. His sons have co-writing credits on three songs and provided additional instrumental contributions.” (adapted from amazon.co.uk)

From Auckland to Mississippi: Check out these CDs

Voices of Mississippi

Check out some of these newly catalogued CDs, including new albums by Tiny Ruins and James Blake. Legendary artists such as Bryan Ferry and Mark Knopfler also released the wonderful new albums. And finally, don’t miss the Grammy winner, Voice of Mississippi, which is a historically significant and amazing document of the American south.

Olympic girls. / Tiny Ruins
“A rare blend of eloquent lyrical craft and explorative musicianship, the songs of Tiny Ruins are etched into the memories of crowds and critics worldwide. Traversing influences that cross-genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop. Production by David Lynch, Olympic Girls bring ebullient psychedelia to the album.” (adapted from amazon.co.uk)

Assume form. / Blake, James
“James Blake’s arrival in the early 2010s was exciting, in no small part because no one sounded quite like him. His collision of ghostly, dubstep-informed production and quiveringly sad piano balladry should have been jarring and awkward, but it worked so well it catapulted Blake into near-iconic status. Fourth album Assume Form finds Blake shedding much of his older self, leaving behind distant melancholy and spacious production and offering his most emotionally open, hopeful, and at times almost cheerful work.~ Fred Thomas” (Catalogue)

Rich kid blues. / Faithfull, Marianne
“Produced by Mike Leander, who had produced and arranged much of Faithfull’s Decca material, Rich Kid Blues is an intriguing album of spare, largely acoustic readings of folk/rock songs, including several Bob Dylan covers, as well as songs by Phil Ochs, George Harrison, Cat Stevens, Tim Hardin, James Taylor and Sandy Denny.” (adapted from amazon.co.uk)

Springsteen on Broadway. / Springsteen, Bruce
Springsteen on Broadway is the new album of music and stories by Bruce Springsteen, and the soundtrack to the Netflix film of the same name. The album is the complete live performance of the show. Springsteen on Broadway is the solo acoustic performance written and performed by Tony Award, Academy Award, and 20-time Grammy Award winner Bruce Springsteen. Based on his worldwide best-selling autobiography Born to RunSpringsteen on Broadway is a unique evening with Bruce.” (adapted from amazon.co.uk)

Down the road wherever. / Knopfler, Mark
“Mark Knopfler’s ninth solo studio album Down The Road Wherever features unhurriedly elegant new songs inspired by a wide range of subjects, including his early days in Deptford with Dire Straits, a stray football fan lost in a strange town, and the compulsion of a musician hitching home through the snow.” (adapted from realgroovy.co.nz)

Bitter sweet / Ferry, Bryan
Bitter Sweet, the latest record from Bryan Ferry, is inspired by his work on the Sky Atlantic/Netflix television series Babylon Berlin a German period drama based on the books by Volker Kutscher set in the 1920s. It takes the musical stylings from that era and puts a new twist on well-loved Roxy Music and Bryan Ferry tracks including While My Heart is Still Beating, Sign of the Times and Dance Away. The record breathes new life into songs that fans have been enjoying for over 20 years.” (adapted from amazon.co.uk)

Red rose speedway / McCartney, Paul
“Consequently, Red Rose Speedway winds up being a really strange record, one that veers toward the schmaltzy Aor Mor (especially on the hit single “My Love”), yet is thoroughly twisted in its own desire toward domestic art. As a result, this is every bit as insular as the lo-fi records of the early ’90s, but considerably more artful, since it was, after all, designed by one of the great pop composers of the century.~ Stephen Thomas Erlewine” (Catalogue)

The Chic organization 1977-1979. / Chic
“Produced with the involvement of Nile Rodgers and approval from the estate of partner Bernard Edwards, this box set remasters and recirculates Chic’s first three albums and the contemporaneous We Are Family, in essence a Chic LP fronted by labelmates Sister Sledge. Another disc compiles edits and mixes of Chic-headlined singles of the same era. During this period, the band surfaced and instantly reigned in clubs and on the Billboard dance chart, and with ‘Le Freak’ and ‘Good Times,’ took their slick and funky disco-soul hybrid to the top of the Hot 100. ~ Andy Kellman” (Catalogue)

Voices of Mississippi: artists and musicians documented by William Ferris.
“This watershed release represents the life s work of William Ferris, an audio recordist, filmmaker, folklorist, and teacher with an unwavering commitment to establish and to expand the study of the American South. William Ferris was born in Vicksburg, Mississippi in 1942. Growing up on a working farm, Ferris began at a young age documenting the artwork, music, and lives of the people on the farm and in his local community. The archive of recordings that he created and the documentary films that he had a hand in producing have served as powerful tools in institutions of higher learning for decades.” (adapted from amazon.co.uk)

To the outside of everything: a story of UK post-punk 1977-1981.
“Named after a lyric from Magazine’s ground-breaking hit, ‘Shot By Both Sides’, To the Outside of Everything tells a musical story of how the UK’s post-punk scene evolved from the spirit of 1977 and the arrival of key labels such as Fast, Rough Trade, Zoo, Factory and Cherry Red. It includes landmark singles by Joy Division, PiL, Wire, Gang Of Four, The Slits, Killing Joke, Echo And The Bunnymen, Scritti Politti, The Pop Group, Human League, The Fall and many more.” (adapted from amazon.co.uk)

Monochrome Masterpieces

In this post we take a look at some of the iconic albums and hidden gems in our CD and vinyl collection. All of these titles have black and white photographs as album art. Check out these excellent and eclectic albums.

Nite flights by the Walker Brothers (1978)
The Walker Brothers were the three non-biologically-related kings of baroque pop in the 1960s, best known for their moody hits The Sun Ain’t Gonna Shine Anymore and Make it Easy on Yourself. In the late 60s, Scott Walker, the group’s most acclaimed member, went solo and released a series of heavily orchestrated albums filled with ennui and references to art-house movies. Scott is cited as one of David Bowie’s foremost influences, and it shows. On this 1978 album The Walker Brothers explored uncharted territory. This project was apparently inspired by Bowie’s Heroes, and that also shows.

The album’s opening track Shutout is a masterpiece: the hauntingly avant garde vocal harmonies pare well with the raw propulsion of the incandescent guitar solo. The song is distinguished by a driving baseline that sounds like it came from an alternate universe where disco was a dark and nihilistic genre. Then the Electrician turns the dread up to unprecedented heights before breaking into an overture of blissful strings. The first four songs are effectively a Scott Walker solo EP and stand together as a monumental statement. The production on the other tracks is certainly worth perusing, but those first four songs ShutoutFat Mama KickNite Flights and The Electrician are incomparable. This album can also be considered somewhat rare, and it isn’t available on Spotify, so make sure to pick it up next time you come into the library!

TA1300 by Denzel Curry (2018)
Denzel Curry’s most ambitious project to date is full of aggressive SoundCloud anthems, including Sumo and Clout Cobain. On this album Curry has clearly carved out his own corner of the hip-hop world. Curry generally raps forcefully on lo-fi trap influenced beats, but still leaves some space for r&b tinged instrumentation whether of the soulful or synth-pop variety on tracks Black Balloons and Cash Maniac respectively. Standout track, Vengeance, is a terrifying vision featuring an extremely malicious verse from avant-garde rapper JPEGMAFIA and a visceral shouted feature from trap-metal rapper Zillakami.

If you still need convincing of Denzel Curry’s merit and skill, check out his pumping cover of Rage Against the Machine’s Bulls on Parade.

Party by Aldous Harding (2017)
Gothic tones and the misty port hills linger over Harding’s spellbinding sophomore effort. Harding’s lyrical subject matter is every bit as entrancing as her folk guitar. Unique song titles like What if Birds Aren’t Singing, They’re Screaming punctuate a superb New Zealand album. Another underrated highlight is the album closer, Swell Does the Skull. Harding’s distinctive voice is memorable, cohesive and enchanting. With Harding’s upcoming Designer album due for release shortly, now’s the perfect time to catch up with her discography.

Songs for Drella by Lou Reed and John Cale (1990)
Upon the death of Andy Warhol, two illustrious alumni of the Velvet Underground reunited to produce this sublime record amidst a temporary detente in their relationship. The production is excellent, the biographical subject matter is engaging and the album stands up as a testament to two incandescent chemistry of two of the greatest musical minds of the 20th century. Recommended tracks include Open House and Style it Takes.

Rest by Charlotte Gainsbourg (2017)
Gainsbourg weaves together traditional French pop sounds with contemporary palettes to create a grand statement. The drums, pianos and synthesizers summon dark and foreboding dirges on tracks like Lying With You and Ring-A-Ring O’ Roses. Federico Garcia Lorca once wrote “I am the elephantine shadow of my own tears.” Similarly, Rest appears to be an immense product of Gainsbourg’s own grief, as Pitchfork writer Olivia Horn notes. The album highlight is Deadly Valentine, a dreamy pop song punctuated by a funky baseline and a richly arranged chorus.

R.I.P. Mark Hollis- Lead vocalist of Talk Talk

It's My Life album cover

Mark Hollis, the lead vocalist of Talk Talk, has died.
Talk Talk were one of the finest bands of the 1980’s starting life as slightly left-field synth popsters. They swiftly moved into much more Avant Garde territory- their later works being powerfully moving pieces embracing a dizzying array of musical forms, from Debussy to free form Jazz, whilst still remaining resolutely original. Their later albums The Colour of Spring, Spirit of Eden and Laughing Stock are all rightfully regarded as classics. After the band split up he moved away from the music industry releasing only one self-titled album Mark Hollis. This solo album was a sparse, deep piece, melancholic and strangely uplifting at the same time; an album that has a real power to move the listener emotionally. (Neil J)

 

 

 

 

Staff Picks CDs: Best of 2018 -Part 2

Some more of our favourite sounds from last year. Hopefully you will find a new artist to explore, or something you missed the first time around.

Neil J’s Picks:
Ponguru / Al Fraser, Phil Boniface.
Ponguru is a truly unique album fusing seamlessly the sonic worlds of acclaimed jazz bassist Phil Boniface and leading Nga Taonga Puoro player Al Fraser . The resulting album has many faces and facets its Jazz tinged rather than Jazz, ambient in places and like a complex sonic landscape in others, throughout all its pieces it’s always fiercely original , rewarding and hugely atmospheric. Phil’s bass work is of the highest calibre imbuing the whole piece with a core of beautiful rhythmic structure. And Al’s emotive, nuanced playing shows that he is rightfully regarded as one of the finest musicians working in NZ today.

Tranquility Base hotel + casino.
Sometimes bands find it difficult to stay fresh and new musically especially after initial massive success. This however has never been a problem for the Artic Monkeys. And Tranquillity Base Hotel & Casino there sixth album is easily their densest, most experimental and carefully crafted release to date. In this work they’ve invented their own brand of psychedelia. It’s like the bands own musical reaction to 60’s and 70’s science fiction films like Silent Running or 2001 a space Odyssey in places it does sound like an Alex Turner solo album. All in all it’s a brave and interesting and in places an exhilarating new direction for a band who have never sat on their laurels and are constantly in search of somewhere else to go.

Future me hates me / The Beths.
The Beths are at the moment the hottest band in New Zealand. No less than The Rolling stone magazine listed them in their top 100 bands to watch out for and described their album The future me hates me as a “ power pop monument’ . So what’s all the fuss about? It’s true that the power pop format is a tried and tested formula that has been done many times before, but the Beths bring a joyous ear worm infectiousness and exuberance to the party making The future me hates me sound not only new and fresh but fun and bright and it’s this attitude and approach to the music that’s carrying all before them.

Singularity.
Singularity is defined in the Oxford English dictionary as: “A point at which a function takes an infinite value, especially in space–time when matter is infinitely dense, such as at the centre of a black hole.” Now that’s a big concept to get your head round but it does serve as a superb road into Singularity the fifth album by Jon Hopkins. Singularity the album is a vast self-visualised glacial electronic landscape or even cosmos of an album. There’s ambient elements in it, there’s acid house elements in it , there’s certainly beats in there but through it all is a singular unique vision and a real feeling that Hopkin’s is on a trace like sonic journey of discovery that reaches inwards and outwards at the same time.

I can feel you creep into my private life.
For this reviewer one of the most interesting and important releases of 2018 was I Can Feel You Creep Into My Private Life by tUnE-yArDs (aka Merrill Garbus).The album is an extension of her previous works which at its core fuses solid rhythmic structure, influenced in places by dance music with lyrics that are simultaneously personal and global and definitely contain a radical political overtone. In many ways for this reviewer it was the album that summarised the spirit of our age its Zeitgeist.

Here if you listen / David Crosby, Becca Stevens, Michelle Willis, Michael League.
In 1982 David Cosby had fallen far, his personal life and finances were in ruin. He was struggling with very serious drug and alcohol abuse problems and was to spent nine months of that year in a Texas prison on cocaine and heroin charges. Yet in the late 60s and early 70’s he had been one of the brightest and biggest creative forces in the hippie folk rock movement. Since then he has had a liver transplant that was paid for by Phil Collins and slowly and gradually rebuilt his life and career welding these dark moments of his life as all true artists do into his work. His 2014 solo album Croz was amongst his finest work. And just recently he released Here If You Listen. It’s a beautiful piece of work, melodic, contemplative, and melancholic at times, uplifting at times occasionally touching the darkness of his past sometimes the light it finds Crosby meditating on his own death . For me this is one of David Crosby’s essential works and ranks up there with his 1971 death of the hippy dream album If I Could Only Remember My Name.

My design, on others’ lives.
It must be one of the most difficult gigs a musician can do. Being the warm up act to a huge star who hasn’t toured for ages and has legions of passionate fans. Estere’s support slot for Grace Jones in Queenstown was a stunning success for this new artist. She handled her time with poise and aplomb gaining a fair few fans in the process. Her self-produced debut album is a lush hybrid beast, a unique combination of sonic elements from pop/jazz melodies to sensual electronica and serious rhythmic cores. She also has a beautiful soaring voice and a fine turn in lyrics, and whilst it is definitely a mainstream album it certainly has some experimental leanings too. This album marks the entrance of a vibrant new voice and sounds to this reviewer, like the kind of album a future superstar would release.

Aviary.
Julia Holter’s fifth studio Aviary is a dazzling nonlinear joyous sprawl of a work. She says she was inspired to create it from a line in a book by Lebanese-American writer Etel Adnan—“I found myself in an aviary full of shrieking birds”. It simultaneously exudes chaos and calm, structure and randomness there is occasionally the slightest hint of the more experimental Kate Bush about it. It’s a menagerie of sonically beautiful moments swarming and swirling around in some sort of abstract obtuse sonic prayer conceived and created by the artist.

The gristle of knuckles.
Eve de Castro-Robinson is one of New Zealand’s foremost composers and performers amongst her numerous prizes and awards she won The 2018 Best Classical Artist/ Te Kaipuoro Inamata Toa at the Vodafone New Zealand Music Awards. The award was in part a recognition of her most recent work The Gristle of Knuckles .However The Gristle of Knuckles is far from a solo creative work it features a whole raft of collaborators who took Eve’s original compositions as their starting point and reimagined the pieces in their own way. There’s a real diversity to the range of pieces, yet the finished album sounds totally unified and cohesive thanks in no small part to the fabulous production work of Steve Garden. It’s a work classified as classical but in reality it defies genre categories. The pieces range sonically from powerful and muscular to intimate and vulnerable yet thought out the whole piece there’s a real air of exuberant, free spirited experimentation.

Mark’s Picks:
Record.
Tracey Thorn returns with another album of mature pop, her female worldview taking on the on-going struggle for equality (Sister), musical beginnings (Guitar), motherhood (Babies) & the impact of Social Media (Face). Beats merge with the sombre, and her ageless voice never loses its warmth.

Honey.
The Queen of melancholy dance beats returns with her first proper album in 8 years. Repeated plays reveal the interlocking layers of the tracks with overlapping lyrics, melodies and themes. Motivated by the tragic death of friend and collaborator, producer Christian Falk, the breakup of a relationship and several years of intense therapy, this release sees her following her own path once again.

Best local CD & Vinyl releases:
A quiet divide.
Rhian Sheehan returns with a cinematic album that melds post-rock soundscapes with lush ambient warmth, creating an emotional journey in a cascading series of beautiful and reflective moods. Lovely.

 

Mirror.
A wonderful combination of strange Jazz sounds, funky guitar, Swirling vocals, weird noises.

 

 

My design, on others’ lives.

 

 

 

Raconteur / The Frank Burkitt Band.
A musical-meld of influences from both continents – UK folk meets American bluegrass/Western Swing, with touches of his early Jazz influences. From toe tapping workouts to sincere ballads, all the seemingly disparate elements combine into a thoroughly enjoyable set of melodic narratives. It all seems effortless and simple but that belies the skill of his tight backing band, the consistently high levels of song writing and the sophisticated arrangements. No surprise it picked up a Tui for Best Folk album.

Too many millionaires.
The first all-acoustic album for Darren Watson is an artistic triumph on every level. Watson has always been a champion of the underdog, whether in the context of love or social commentary, and his authentic, pointed and gritty songs traverse the songwriting spectrum from the personal to the political.

We light fire.
Six years is a long time in the ever shifting music world and the catchy guitar pop of her last album Modern Fables has shifted into a heavier synth based sound with more layers of production on the tracks. But all the flourishes don’t detract from another set of great songs and that amazingly powerful voice, with its crystal clear range. Beginning with a slow ballad ‘Clandestine’ the album builds up, as gentle guitar strings alternate with washes of synth and grungier beats. Most albums taper off but all the best tracks are stacked towards the end.

Nine centuries.
Third album from Wgtn’s top Metallers marks Bulletbelt’s final album with vocalist Jolene Tempest and guitarist Seth Jackson, who left after the album had been recorded. Guests include Midnight’s Vanik, (solo on Cloak the Night), and Massacre vocalist Kam Lee (vocals on ‘Show Me Your Throat). Lyrically the album focuses on the witch trials of the Dark Ages, the examination of such brutal & violent themes paying off with some intense and aggressive tracks. A punk energy in a Metal framework, raw and powerful.

Seeing things.
Most bands first albums are the result of many years hard work, often resulting in the pinnacle of their sound – which subsequent albums then try to recapture. It’s a rare band that grows better with each release, but Eb & Sparrow were in that category. ‘Seeing things’ shifts their sound from Country/Americana of the first few releases into a more sophisticated lush soundscape. The lap steels are replaced with a more shimmery guitar sound that evokes the languid lines of The Cowboy Junkies or Mazzy Star, all focused around Ebony Lamb’s burnished vocals. A beautiful collection of songs that finds you reaching for the repeat button as soon as the last track fades out.

The hill temple.VINYL
Awesome new album from the ‘witches’ of Hex, with new cohort Jason Erskine. Beautifully soaring harmonies, delicious melodies, crunching guitar lines. All the best elements of indie rock surrounded by a fierce female empowerment aesthetic. Bewitching.

 

Like splitting the head from the body.VINYL
The debut full length album from the fabulous Womb. Every track swirls in and out of beautiful dreamy vocals and layers of languid guitar and synth lines. Music with a sense of grandeur that uplifts the listener on swelling waves of lush sound. Completely sublime.

 

Axels’s Picks:
How to solve our human problems.
Melancholic. Intimate. Pop.

 

 

Jassbusters.
Groovy. Soulful. Eccentric.

 

 

Tell me how you really feel.
Genuine. Stoner. Raucous.

 

 

Sex & food.
Vintage. Mind-altered. Catchy.

 

 

Marble skies.
Melody. Harmony. Energy.

 

 

Nothing is still.
Emotional. Ambient. Deep.

 

 

All melody.
Experimental. Gentle. Sentimental.

 

 

Snow bound/ The Chills.
Uplifting. Bright. Easy peasy.

 

 

Isle of dogs : original soundtrack / music composed by Alexandre Desplat.
Instrumental. Rhythmic. Quirky.

 

 

Suspiria : music for the Luca Guadagnino film.
Ominous. Atmospheric. Hypnotic.

 

 

Make way for love.
Sensitive. Bittersweet. Mellow. Continue reading “Staff Picks CDs: Best of 2018 -Part 2”

Staff Picks CDs: Best of 2018 -Part 1

A round-up of our favourite sounds from last year. Hopefully you will find a new artist to explore, or something you missed the first time around.

John’s Picks:
Konoyo.
The ninth record from Canadian electronic artist Tim Hecker is a sublimely beautiful work that sounds like lifting a veil to expose atomic and sub atomic processes at work, and is quite unlike anything else, including the previous Tim Hecker records.

 

Brainfeeder X : a 36-track compilation showcasing the past, present and future of the label.
With influences ranging across jazz, hip-hop, r ’n’ b, house, and electronica, the Brainfeeder sound is genuinely ground-breaking and this tenth anniversary double disc set shows why the label has grown from a small L.A. based underdog into a global cult phenomenon.

Wide awaaaaake!
The post punk influences are still plentiful, but the new album has a gloss of production that manages to expand their musical palette without losing the bands’ angular garage rock stance.

 

7.
Their most immersive, and possibly their most engaging, album to date with the usual gentle drum programming replaced by a thunderous live drummer that helps move this record into the deeper realms of dream pop inhabited by bands such as My Bloody Valentine.

 

Music for installations.
Brian Eno re-affirms his standing as the Grand Master of ambience with a stunning six disc set filled with gorgeous washes of bells and drones and unidentifiable luminous shimmers moving across widescreen stereo fields, beautiful, always different, yet always the same.

 

No sounds are out of bounds / The Orb.
The driving dub bass lines that propel each track are the only constants over a record that touches many bases, all peppered with The Orb’s distinctive humorous vocal samples, to create, arguably, the most commercially accessible and one of the best releases of their long and befuddling career.

 

Listening to pictures : pentimento volume one.
The former jazz trumpet player, who initiated the idea of the “Fourth World” alongside Brian Eno on 1980’s ‘Possible Musics’, has released, at 81 years old, a remarkable record when most others so long into their career are merely re-treading old ground.

 

The loneliest girl.
Difficult to pin down, AK pop chanteuse Chelsea Nikkel confounds with her fourth album of thoughtfully produced bitter sweet songs within which lurks a deceptively subversive baroque take on the pop format that is entertaining from start to finish.

 

The animal spirits / James Holden & the Animal Spirits.
UK electronic producer James Holden has been pushing the boundaries of electronica for most of his career and his most recent album, recorded live in the studio, treads a path far more akin to the wild transcendence of free jazz greats such as Pharaoh Sanders than any current electronic artists.

 

Infinite moment / The Field.
Swedish electronic producer Axel Willner, aka The Field, continues his musical pilgrimage chasing endless repetitive loops to an infinite beyond, creating a masterful album by one of the most original electronic producers active today.

 

Bottle it in.
Kurt Vile’s highly characteristic slacker Americana has by now become expertly crafted and, via the unusual sense of intimacy he is able to create, he maintains interest throughout this long album, which validates his cultural niche as the new millennium’s equivalent of artists such as R.E.M and Neil Young.

Suspiria : music for the Luca Guadagnino film.
This is definitely not sunday bar-b-que music, but the fine orchestral and choral arrangements, the creepy electronica and the gentle, sad, guitar based songs make for some great late night uneasy listening.

 

Toitū te pūoro.
Al Fraser, the Wellington musician and instrument maker takes the listener on a deep, dreamlike and evocative journey into the mysterious, mystical and unique sound worlds created by the ancient taonga puoro.

 

Shearwater drift / Al Fraser, Steve Burridge, Neil Johnstone.
A fully immersive sonic collage that, over 18 tracks, features Taongo Puoro within soundscapes created by synthesisers, percussion, treated samples and other instruments that is not an easy listen, at times it can be quite eerie, but the dark and ethereal ambient atmosphere is the perfect vehicle by which the mystery of these ancient instruments can be experienced.

Collapse.
This five track ep is the latest in a series of EPs that have followed Aphex Twin’s triumphant 2014 return with the album ‘Syro’ and is his most familiar so far, bearing all of the hallmarks of classic Aphex Twin electronica – frantic stuttered beats, rubbery bass lines, beautiful submerged melodies, evocative vocal samples and complex shifting arrangements.

Switched on volumes 1-3.
The UK post-rock pioneers, who have been on indefinite hiatus since 2010, are well on the way to becoming a cult band, with a worldwide dedicated fan base who refuse to accept that they are no more and re-releases like this help keep their myth alive, collecting the band’s three ‘90’s compilations of singles and rarities in one nifty box set.

Singles 1978-2016 / The Fall.
Made especially relevant by Mark E Smith’s 2018 demise, this excellent box set compiles, over seven discs, every single – both A and B sides – from one of the greatest indie bands ever – The Fall.

 

 

 

 

Enclosures 2011-2016.
South Island electronic composer Clinton Williams, aka Omit, is considered by many to be the perfect reclusive genius and this beautifully presented five disc box set, with a written intro from Bruce Russell, contains Omit’s most recent output, previously released as limited run CDRs all hand made by the artist.

The dreaming [2018].
‘The Dreaming’ was her fourth record sitting right in the middle of her transition from ‘pop star’ to ‘serious artist’ and both audiences and critics were slightly baffled at the time (it is referred to as her ‘mad’ album); she suffered nervous exhaustion after the year it took to make, but she produced an unrecognised masterpiece.

Shinji’s Picks:
Snow bound/ The Chills.
Thankfully Martin Phillipps’s health seems better now. Only 3 years after the widely acclaimed ‘Silver Bullets’, the Chills provides another stellar album. A quirky mysteriousness is still there but Phillipps is more mature and optimistic. He keeps his pop-craftmanship in great form and offers the melancholic yet bouncy sound with glorious melodies. It’s The Chills as good as it gets. Brilliant.

Lean on me.
Hello like before : the songs of Bill Withers.
To celebrate Bill Withers’ 80th birthday, two fantastic tribute albums came out late 2018 and they both offer wonderful listens. A star artist of Blue Note Records, Jose James has been performing Withers’ songs on stage, and the album ‘Lean on Me’ features his stoic vocal with deep, slow grooves created by his band. A neo-soul singer, Anthony David, who is often compared with Withers, takes a more straight forward approach, showing full love and respect to Withers. It’s been more than 3 decades since Withers walked away from the music industry, but his honest, caring-for-others songs may be something we need in the state of the world today.

Ventriloquism.
From the big names such as Prince, Tina Turner and Sade to the typical 80s hit by Lisa Lisa & Cult Jam, they are all songs from ‘85 to ‘90 (except TLC’s Waterfalls in ‘94). A cover album of the 80s R&B classics is rare and what Meschell Ndegeocello does with them is totally original. With the minimal arrangements, she and her band display superb performances and colour them with a murky textured otherworldly ambience. This is an exceptional cover album by the extraordinary artist.

Vortex / Sonar with David Torn.
Swiss jazz-progressive rock quartet Sonar has established an utterly unique sound – often playing in irregular time and creating a minimal stoic groove – and with this album featuring the one-of-a-kind guitarist David Torn, they seem to move to another level. Torn originally worked as a producer but ended up playing on all tunes as well, and brings a sonically inventive soundscape with huge improvisations on some tracks. It’s stoic yet dynamic, a marvellous risk-taking music.

Contra la indecisión / Bobo Stenson Trio.
This album was released in January 2018 but remains one of the best jazz recordings of the year. Swedish pianist Bobo Stenson is now in his 70s but his graceful lyricism shines more than ever and provides one of his finest albums. The trio shows a great cohesion and versatility and weaves beautiful stories. It’s music that grows inside of you like a good wine. Exquisite.

Mi mundo.
Cuban shining new star Brenda Navarrete infuses the traditional Afro-Cuban music with the modern stylish sound, and her debut album ‘Mi Mundo’ (My World) is full of thrilling moments. Navarrete’s expressive voice and her percussions lead the charge throughout, and the Cuban all-star supporting band shows amazing skills, creating smooth yet rich, dynamic grooves. Sensational.

All melody.
Plus.
German composer/pianist Nils Frahm has been a prominent post-classical music artist, and ‘All Melody’, which started with building his new studio, shows his exceptional talent as a producer as well as a player, exquisitely assembling a great variety of musical elements. Somewhere between techno, ambient and classical, it’s a beautifully executed, kaleidoscopic music. Frahm also joined the Danish electronica trio System with graceful keyboard plays. This is a wonderful collaboration, and System masterfully blends Frahm’s organic tones with their minimal yet rich soundscape, and makes it a mesmerising, ambient album.

Johann Sebastian Bach / Vikingur Olafsson.
As if making an ultimate Bach playlist, a young Icelandic pianist Vikingur Olafsson excellently juxtaposes Bach’s compositions, and tackles them from a variety of angles with fresh ideas. His pianism is sophisticated and refreshing, and brings out astonishingly colourful faces of Bach. This incredible Bach should reach beyond the classical music lovers like Glenn Gould did.