“Reality ….. up for grabs” Our exclusive interview with author David Keenan

We think we’re walking into the future. We fool ourselves! But every last damn one of us is walking straight into the past.

David Keenan, in This Is Memorial Device

We are very excited to welcome (in an electronic sense) multi-award-winning Scottish author David Keenan for a wide-ranging online interview, exclusive to Wellington City Libraries.

David is one of the most innovative, exciting and dynamic authors writing in English at the moment, with huge ambitions for his work way beyond the conventional parameters of fiction. His fiction output is truly extraordinary — vibrant, visceral, genre-breaking and immersive. It could easily be said he’s a pioneering visionary when it comes to what fiction is and can be — and his many past lives are just as interesting.

A self-confessed music evangelist, David was a long-time writer for the legendary and hugely influential Wire magazine. He also ran — along with his wife —  the now sadly closed Volcanic Tongue record emporium which also served as a distribution company and record label. Volcanic Tongue was so legendary in alternative music circles that the British Library recently harvested its entire online output of over two million words for posterity.

We wish to extend to David our deepest and most sincere thanks for sharing his time with us, and for such a fabulous interview — which you can now view below.

Enjoy!

Books by David

This is Memorial Device : an hallucinated oral history of the post-punk scene in Airdrie, Coatbridge and environs 1978-1986
“David Keenan’s debut novel is a love letter to the small towns of Lanarkshire in the west of Scotland in the late 1970s and early 80s as they were temporarily transformed by the endless possibilities that came out of the freefall from punk rock.” (Catalogue)

For the good times
“Sammy and his three friends live in the Ardoyne, an impoverished, predominantly Catholic area of North Belfast that has become the epicentre of a country intent on cannibalising itself. They love sharp clothes, a good drink, and the songs of Perry Como – whose commitment to clean living holds up a dissonant mirror to their own attempts to rise above their circumstances. They dream of a Free State, and their methods for achieving this are uncompromising, even as they fully indulge in the spoils of war. Keen to make a difference, the boys find themselves in the incongruous position of running a comic-book shop taken over by the IRA.” (Catalogue)

England’s hidden reverse : a secret history of the esoteric underground : Coil, Current 93, Nurse With Wound
“An obsessively researched biography of the three seminal music groups Coil, Current 93, and Nurse With Wound that also illuminates the history of the English underground scene.” (Catalogue)

As well as:

  • Xstabeth
  • The Towers The Fields The Transmitters
  • To run wild in it: A handbook of Autonomic Tarot with Sophie Hollington
  • Monument Maker (Forthcoming in June)

Books mentioned

Below are just a few of the many books David mentions in the interview:

Cities of the red night / Burroughs, William S.
“While young men wage war against an evil empire of zealous mutants, the population of this modern inferno is afflicted with the epidemic of a radioactive virus. An opium-infused apocalyptic vision from the legendary author of Naked Lunch is the first of the trilogy with The Places of the Dead Roads and his final novel, The Western Plains.” (Adapted from Catalogue)

The man in the high castle / Dick, Philip K
“The United States has lost World War II and subsequently been divided between the Germans in the east and the Japanese in the west. In this world, we meet  Frank Frink, a dealer of counterfeit Americana, Nobusuke Tagomi, the Japanese trade minister in San Francisco, and Juliana Frink, Frank’s ex-wife, who may be more important than she realizes. These seemingly disparate characters gradually realize their connections to one another other just as they realize that something is not quite right about their world. ” (Catalogue) Also available as an eBook. 

Kidnapped / Stevenson, Robert Louis
“On a stormy night off the coast of Scotland, young David Balfour faces his most terrifying test yet. He’s been double-crossed by his wicked uncle, tricked into a sea voyage, and sold into slavery. When the dashing Alan Breck Stewart comes aboard, he finds a brave friend at least, and the pair fight back against their treacherous, blackhearted shipmates. But then the ship hits a reef, it’s every man for himself, and David must battle against the raging sea itself” (Catalogue) Also available as an Audiobook.

Shakedown / Dicks, Terrance
“A classic novel starring the seventh Doctor and the Sontarans, back in print For thousands of years the Sontarans and the Rutans have fought a brutal war across the galaxy. Now the Sontarans have a secret plan to destroy the Rutan race — a secret plan the Doctor is racing against time to uncover. Only one Rutan spy knows the Sontarans’ plan. As he is chased through the galaxy in a desperate bid for his life, he reaches the planet Sentarion — where Professor Bernice Summerfield’s research into the history of the Sontaran-Rutan war is turning into an explosive reality.” (Adapted from Catalogue)

I, robot / Asimov, Isaac
” In these stories Isaac Asimov creates the Three Laws of Robotics and ushers in the Robot Age. Earth is ruled by master-machines but the Three Laws of Robotics have been designed to ensure humans maintain the upper hand: 1) A robot may not injure a human being or allow a human being to come to harm. 2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law. 3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. But what happens when a rogue robot’s idea of what is good for society contravenes the Three Laws?” (Adapted from Catalogue) Also available as an eBook.

Desolation angels / Kerouac, Jack
 Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life–the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London. Duluoz attempts to extricate himself from the world but fails, for one must “live, travel, adventure, bless, and don’t be sorry.” Desolation Angels is quintessential Kerouac.” (Catalogue)

Arthur Rimbaud : complete works / Rimbaud, Arthur
” The complete works of the French poet I1854-1891)  whose works  pre figured surrealism and whose influence on modern culture remains huge. Rimbaud produced the vast bulk of his works in adolescence famously quitting writing literature at age 20. A restless explorer who lived life to the full in all senses of the word both personally and physically. He is credited as being the precursor to modernist literature, who works remain vibrant and vital. ” ( Adapted from Catalogue).

The hero with a thousand faces / Campbell, Joseph
“In these pages, Campbell outlines the Hero’s Journey, a universal motif of adventure and transformation that runs through virtually all of the world’s mythic traditions. He also explores the Cosmogonic Cycle, the mythic pattern of world creation and destruction. As part of the Joseph Campbell Foundation’s Collected Works of Joseph Campbell, this third edition features expanded illustrations, a comprehensive bibliography, and more accessible sidebars. As relevant today as when it was first published — and continues to inspire all those interested in the inherent human need to tell stories.” (Adapted from Catalogue)

Songbooks at Te Awe

Calling all musicians and aficionados of musical theatre! Did you know that we have a collection of Songbooks at our newest Central City branch, Te Awe Library on Brandon Street?

Before Central closed, it was home to a large collection of Songbooks and music Scores. These are all now available to reserve from our warehouse. But if you would like to browse some Songbooks in person, you can find them upstairs at Te Awe, nestled amongst the CD collection, and next to the music magazines. There is a great selection of songs held there including, rock, pop, standards, musicals, folk, and movie songs, with instructions for piano, vocal and guitar.

You can find our Te Awe branch just off Lambton Quay at 29 Brandon Street, or you can enter from Panama Street. In addition to the Songbooks and CDs upstairs, you will find young adult books, non-fiction and Māori books, DVDs and Blu-ray. On the ground floor there are magazines, a children’s area, adult fiction, large print, audiobooks, bestsellers, and a café! So take a look today!

Wellington electro acoustic trio live

Part one Feat Ross Harris, Steve Burridge and Neil Johnstone.

Arts laureate and New Zealand classical composer Ross Harris is regarded widely as one of the leading musical lights of his generation. In his time he has worn and still wears many musical hats : – from teaching at Victoria University, to Tuba playing, being the regular accordion player with the phenomenal Klezmer outfit The Kugels.  And in the past has dived deep into the World of electro acoustic music esp. with the iconic eighties outfit The Free Radicals with fellow sonic explorer Jonathan Besser.

Click here to hear an interview with Ross talking about his days in the Free Radicals and what it was like to be an electronic musical pioneer in the 1980’s.

These days Ross can be seen regularly playing Klezmer with The Kugels or in the audience at the Michael Fowler listening to one of his classical compositions being played but very rarely does he perform in the Electro acoustic World so when we were offered the chance to record an ultra-rare live performance of Ross playing experimental accordion at an electroacoustic gig at  the launch of poet Janis Freegard’s latest poetry collection Reading the Signs we jumped at it  .

So below our exclusive video of Ross Harris playing with Steve Burridge and Neil Johnstone from the Album Shearwater Drift featuring the above and also  ngā taonga pūoro player Al Fraser. Enjoy.

Part Two feat Steve Burridge and Neil Johnstone. 


Shearwater drift / Fraser, Alistair
“Shearwater Drift is a vast sonic collage that explores real and imagined landscapes.Over 18 tracks,it features Taongo Puoro within soundscapes created by synthesisers, percussion, treated samples and other instruments that is not an easy listen, at times it can be quite eerie, but the dark and ethereal ambient atmosphere is the perfect vehicle by which the mystery of these ancient instruments can be experienced.” (Adapted from Catalogue)

Symphony no. 5 ; Violin concerto / Harris, Ross
“Ross Harris’s Symphony No.5 uses as its core poems by Panni Palasti.  The moving poems in the piece are based on the personal experiences of the poet during World War Two and the subsequent Hungarian Revolution. The work creates complex orchestral movements around these poems. This particular recording has conductor Eckehard Steir steering the orchestra and he judges well the balance between the moments of ferocity and the work’s sonic ebb and flow.” (Adapted from Catalogue)

Free Radicals / Free Radicals (Musical group)
“Wellington based Free Radicals :-Ross Harris and Jonathan Besser were active in the early 80s, described by one reviewer as ‘Eno meets industrial punk meets Stockhausen’. This compilation of archival recordings show the full range, scope and ambition of the pioneering outfit.” ( adapted from Catalogue.)

Requiem for the fallen / Harris, Ross
“Requiem for the fallen honours the memory of soldiers who died in the First World War. Poetry by Vincent O’Sullivan is woven through the Latin of the Requiem Mass and carries many homespun New Zealand references. Horomona Horo’s taonga pūoro improvisations add a haunting beauty that could only be from Aotearoa (New Zealand)” (Adapted from Catalogue)

Cathedral / Besser, Jonathan
“Cathedral is a recording of a concert originally performed live in 1984 in front of an audience wearing eye masks, and this re issue includes one new track called “Ruins (2084)”. And features Jonathan Besser playing on Dunedin’s St Paul’s Cathedral pipe organ and Greg Fox on electric guitar and treatments. The work is an innovative, immersive, atmospheric and ambient piece.” ( Adapted from Catalogue)

Ponguru / Fraser, Alistair
“Ponguru is a truly unique album fusing seamlessly the sonic worlds of acclaimed jazz bassist Phil Boniface and leading Nga Taonga Puoro player Al Fraser . The resulting album has many faces and facets its Jazz tinged rather than Jazz, ambient in places and like a complex sonic landscape in others, throughout all its pieces it’s always fiercely original , rewarding and hugely atmospheric. Phil’s bass work is of the highest calibre imbuing the whole piece with a core of beautiful rhythmic structure. And Al’s emotive, nuanced playing shows that he is rightfully regarded as one of the finest musicians working in NZ today.” (Adapted from Catalogue)

Toitū te pūoro. / Fraser, Alistair
Al Fraser, the Wellington musician and instrument maker takes the listener on a deep, dreamlike and evocative journey into the mysterious, mystical and unique sound worlds created by the ancient taonga puoro.” (Adapted from Catalogue)

Reading the Signs / Freegard, Janis
Reading the Signs is Janis Freegard’s most recent poetry collection. The work is a prose poetry sequence which explores our inner and outer world’s through various means such as divination and the rich diversity of life as viewed through a poet as biological scientist lens. The core themes behind this often humorous but also serious collection are loss and recovery, climate change and gender fluidity not to mention spiders, piglets and Tasseography (tea leaf reading) . The publication includes accompanying art works by Neil Johnstone” ( Adapted from catalogue)

Free Radicals: An interview with Ross Harris

Free Radicals were a Wellington-based art music duo active in the early 80s, described by one reviewer as ‘Eno meets industrial punk meets Stockhausen’.

“The music of Free Radicals still, years later, sounds like no other, two experimental classical composers using technology developed primarily for pop music.” – Elizabeth Kerr

Free Radicals is one of four inaugural releases to mark the launch of a new Rattle Records imprint, Rattle Echo. This new label will present New Zealand art-music recordings from the past that have either never been commercially released or made available digitally, or that simply deserve to be more widely known.

Free Radicals were a Wellington-based art music ensemble that offered an outlet for the creative musical sensibilities of Ross Harris and Jonathan Besser in the early 80s. Ross and Jonathan recorded their music together in the electronic music studio at Victoria University of Wellington, which was established and run by Douglas Lilburn. It was a room fitted out with multi-track tape recorders, filters, ring modulators, and a classic reverberation plate mounted in one of the walls. Their initial recordings involved basic sound transforming techniques, such as speed changes, pitch shifts, cutting and splicing tape, and feeding sounds through various effects. They sought to create sounds that were of New Zealand by incorporating and manipulating environmental sounds into their recordings, but they also worked with voltage-controlled synthesizers such as the Putney VCS3 and 2 Synthi A.

In previous years, such machines were clock-synced, but in 1983 a new industry standard called MIDI appeared on the scene, which enabled a sophisticated connection and control of audio technologies that is still in use today. Machines such as the Roland TR-606, TR-303, and JX3P seduced the duo into creating rock-influenced textures and sequences to improvise over. Jonathan added a Roland RS 202 Keyboard, which brought string and organ sounds to their palette. Pre-recorded tapes of voices and industrial sounds were often added, but the creative possibilities increased dramatically in 1985 with the addition of The Drumulator (the most advanced drum machine at that time) and the Ensoniq Mirage, a “sampling” unit that enabled any sound to be recorded then played back at different pitches across the length of a triggering keyboard. In performance, everything (including voices) was processed through AKS synthesizers to produce often barely controllable chaos, which, in essence, was one of the defining characters of the Free Radicals.

Staff Picks – The Best Of 2019: CDs Part 1

While we are looking forward to presenting a larger collection of AV material at our next Pop-up Library, here are some of our Library Staff’s favourite picks from lat year – all of which can be found at our Arapaki Branch on Manners Street.


Neil J’s Picks:
Songs from the bardo / Anderson, Laurie
A deeply Meditative and gorgeous album with Laurie Anderson reading excepts from The Tibetan Book of the Dead over minimalism musical backgrounds some of which are provided by Patti Smith’s daughter Jesse Paris Smith .

Ghosteen / Cave, Nick
On lots of peoples best of 2019 list and rightly so. This is their / his most personal album subtle , carefully crafted and in some aspects experimental without the joyous veneer of drama found in some of the bands previous albums.

Anima. / Yorke, Thom
His third solo album Anima is another interior electro acoustic work. It is one of his most fully realised works one in which he has totally escaped the long shadow of his Radiohead work. Ever since Radiohead’s giant leap into new musical territory with Kid A, Yorke has been exploring the world of what is loosely described as electro acoustic music Anima continues this trend. This album feels like he has fully found his solo voice free from any Radiohead influences.

Flamagra. / Flying Lotus
This album has a lot of everything guest musicians, styles, approaches to the sound. And in some cases this could sound confused and muddled. Where it really comes together is its creative free formed explosion of sounds it is so immersed in pushing the contributor’s creative boundaries that it is impossible to leave out of any best of 2010 list.

Rainford. / Perry, Lee
U Sound’s the legendary dub outfit are behind the latest release from maverick reggae legend Lee “Scratch” Perry. Rainford contains all of Lee Perry’s unique stylings his wonderful iconic unmistakable vocal drawl and his trade mark free form lyrical style superbly combined with U Sounds musical production. The later dub remixed version Heavy rain is also worth a mention it is weirder and warmer and arguably an even better version of the material in Rainford.

Shinji’s Picks:
Jaime. / Howard, Brittany
Dedicated to her sister Jaime, who taught her piano and poetry but died young, Alabama Shakes’ lead singer Brittany Howard’s solo effort is a triumph. She presents a very personal, deeply emotional world, touching complex subjects such as mixed-race, sexual minority and religion. However, her remarkable voice and the edgy arrangements make it standout pop music of today.

The gospel according to water. / Henry, Joe
Joe Henry found out that he had stage 4 Prostate cancer late 2018, but only a year down the line, he released this marvellous album. This intimate and compelling collection of songs show that he still has a lot of stories to tell, and will be remembered as his masterpiece. Sublime.

Love will find a way. / Bailey, Philip
What a pleasant surprise! One of the founders of Earth, Wind and Fire, Philip Baily’s first solo release in 17 years is a superb jazz soul album. Employing accomplished jazz musicians on the scene, including Robert Glasper and Kamasi Washington, seems to rejuvenate him and he is leading the charge with his signature falsetto voice. Younger than yesterday.

Kiwanuka. / Kiwanuka, Michael
In his music, there are a lot of retro feelings and the shadows of the likes of Marvin Gaye, Terry Callier, Curtis Mayfield, Bob Dylan and above all Bill Withers. The London soul singer excellently updates the musical essences of these legends and makes it organic yet emotional modern music.

Characters on a wall. / Sclavis, Louis
French clarinetist Louis Sclavis has a long association with ECM records, which celebrated their 50th anniversary in 2019. His 13th album for the label is inspired by the paintings of urban artist Ernest Pignon-Eenest. It’s one of the ESM’s most low-key albums in 2019 but exquisitely executed chamber jazz and gets better with every listen, which is very ECM.

Circuits. / Potter, Chris
One of the most prominent jazz musicians of today, the saxophonist Chris Potter’s new album is not from ECM, where he made his home for last few albums, but a brilliant one. Infusing funk, electronica etc., the album abounds in ample creative energy and features vibrant grooves and intense improvisations. Superb.

The undivided five / Winged Victory for the Sullen
Moving to Ninja Tune was surprising but this ambient duo deepened their well-established cinematic, dream-like music world. From the simple yet intricate compositions, they create the soundscape of shimmering beauty, somewhere between post-classical, drone and ambient.

All encores. / Frahm, Nils
German post-classical, electronica artist Nils Frahm nicely compiles his three EP releases; ‘Encores 1’ (featuring solo piano and harmonium),’Encores 2’ (ambient) and ‘Encores 3’ (dub, house-ish). It makes a great pair with the brilliant 2018 album ‘All Melody’, and showcases his exceptional talent as a sound creator.

Drift series 1 : sampler edition. / Underworld
In November 2018, Underworld set out on a project called ‘Drift’ and released music, videos, essays etc. every week for a year. Now this ambitious project has been completed and published in various mediums. This sampler shows that this veteran duo is still in a top form and offers a joyous listen.

Losst and founnd. / Nilsson, Harry
The wait is over. Harry Nilsson died in 1994 at the age of 52 just after finishing recording new materials, which was never released. This lost gem has finally come out thanks to producer Mark Hudson who did a great job to make it a complete album. The result is a wonderful pop album showcasing ‘classic’ Nilsson world; strong melodies and unique humour. Wish you were here, Harry!

Jonathan’s Picks:
Ghosteen / Cave, Nick
All mirrors. / Olsen, Angel
Designer. / Harding, Aldous
Magdalene. / FKA twigs
Anima. / Yorke, Thom

Neil’s top vinyl picks

Resident music expert Neil has put together his favourites of our vinyl collection, launching this Saturday (see all the event details here). Browse his picks below, and check out our previous blog posts for more staff vinyl picks.

The EpicThe epic.
This beautifully packagedthree-disc album by saxophonist Kamasi Washingtonis indeed Epic. After playing on albums by Kendrick Lamar and Flying Lotus, Washington has gathered a fine ensemble of musicians for his debut, which embraces elements of the past as well as contemporary funk and hip hop and a taste of the future,. Plus, there’s a bass player called Thundercat. What else do you need?

TigermilkTigermilk.
Taking their name from the French children’s televison programme, Stuart Murdoch and his Glasgow chums released this album on vinyl only as a school project in 1996, but by the time it got a general release three years later, it was changing hands for huge sums. Strong tunes and quirky lyrics frame the lush and bittersweet songs, peopled by outsiders, dreamers and misfits. An instant classic.

Brothers and Sisters of the Black LagoonBrothers and sisters of the black lagoon.
Third album by the Wellington psychedelic funsters, this showcases their wide range of styles from funk to Latin to electro to prog to fuzzed-out rock, all in a broad kiwi accent. If New Zealand ever get their space programme together, this album would be the perfect soundtrack, as well as providing a handy packing list.

Songs in the Key of LifeSongs in the key of life.
A sprawling double album, encompassing funk, gospel, love songs and social comment, reflective songs and insanely catchy party music, with liberal doses of his newly-discovered synthesizer, this finds Stevie at the peak of his powers and is probably the greatest soul album of the seventies. Nothing he’s produced in the ensuing 40 years has come anywhere close to this, and it was certainly all downhill from here, but this album contains more classic tracks than most artists manage in their entire career.

Wolf PartyWolf party : New Zealand werewolf sounds from Stink Magnetic / compiled by D. Thomas Herkes.
Subtitled “New Zealand werewolf sounds from Stink Magnetic”, this is a brilliant and warped collection of surf music, primitive fuzzy rock and psychobilly from Boss Christ, The Damned Evangelist, Delaney Davidson, The Chandeliers and many other local talents. The perfect soundtrack to a tripped out full moon costume party, or for just getting the blood flowing on a cold winter’s morning…