Our last lot of Staff Picks DVDs for the year has plenty to keep you entertained over the Christmas period. Our picks feature blockbuster visuals with ‘Atomic Blonde’, ‘Baby Driver’ & ‘Valerian and the city of a thousand planets’; foreign drama with ‘Land Of Mine’ & ‘Things to Come’; noir-ish crime with ‘Wind River’ & ‘A Conspiracy of Faith’; and quality foreign television shows with ‘Trapped’, ‘The Frozen Dead’ & ‘Salamander’.
A conspiracy of faith.
Another solid entry in the Department Q series from the novel by Jussi Adler-Olsen, that is setting Danish Box Office records. An old note is found in a bottle in Jutland which has been in the sea a long time, but its suspicious nature leads it to land on the desk of Department Q. The note is hard to decipher, but analysis seems to suggest it is a note from a kidnapped child who went missing 14 years before. Carl & Assad track the missing child to a remote Religious community, and with the disappearance of another pair of siblings realise they are tracking a killer who targets the faith of others. Intense, gripping and dark. Recommended for fans of the Sandi-noir genre. (Mark)
Valerian and the city of a thousand planets.
I loved the Fifth Element Luc Besson’s previous Science Fiction mega blockbuster science fiction movie I loved its quirky, idiosyncratic, humorous distinctly non Hollywood style. And like that movie Valerian and the city of a thousand planets is chock full of bonkers, wildly inventive, weird candy coloured neon eye popping visual effects. Besson has stated it’s his labour of love movie and it shows. On its release it got very mixed reviews and fared poorly at the box office largely due to its weak script and the lack of chemistry between the lead actors. For me though it has a very 30s/40s Flash Gordon serial style and feel and at its core is basically an innocent, good natured, action packed romp with a truly unique French comic book sensibility and stunning stylish visuals. (Neil J)
The wrong girl. Season one.
Probably one of the funniest Aussie comedies to date! The Wrong Girl is Bridget Jones’ Diary for Aussie TV! Poor Lily Woodward is approaching 30 and can’t seem to catch a break whether it is climbing up the career ladder, finding Mr. Right and is the epitome of a walking disaster. My favourite moment is her mad dash across Melbourne to intercept a hate email slamming the new hot chef on her TV segment that she sent to her boss in the heat of ‘burn out’ moment – Hilarious! Further complications arise when she has to ‘make nice’ and work with the chef, Jack and ends up falling in love with him! Another moment is when she talking to her best friend about how she feels about Jack… while the microphone is on, hence all her work colleagues know! Haha! Lily is adorable, lovable and relatable to women. She is the type of character that women feel better about themselves. So if you are interested in drama-based show with spice of a comedy, but which highly focuses on emotions and emotional conflict, this show is for you! (Katie)
From director David Leitch (John Wick) based on the 2012 graphic novel The Coldest City this action spy-thriller is set in Berlin in 1989 against the backdrop of the rising chaos that preceded the collapse of the Berlin Wall. Charlize Theron is a lethal MI6 agent sent on a covert mission to recover a microfilmed list with the identities of all Western agents operating in Berlin. Theron is nothing short of fantastic and the gritty action sequences rival anything from the Jason Bourne series. Super stylish fun. (Mark)
Edgar Wrights slick, smart and incredibly cool film Baby driver watches in a way like one of car chases that are central to its plot. One moment it’s the still before the storm the next full pedal to the metal adrenalin .It also sports an ace soundtrack that is central to the storyline. In many ways it’s also a homage to films like ‘Vanishing point’ or Walter Hill’s 1978 film The Driver both well worth checking out but that for me and a lot of other people is in itself no bad thing. (Neil J)
Things to come.
A leading young French auteur Mia Hansen-Love has dealt with ‘devastating loss’ in a variety of stages of life – loss of a father (Father of my Children), first love (Goodbye first Love), creative young days (Eden) – in her works. It continues in her latest effort and a 50-something female philosophy teacher is the subject this time. Nathalie (played by delightful Isabelle Huppert) has what appears to be a good life which suddenly becomes turmoil; her long-time husband leaves her for a younger woman, she is confronted with professional setbacks and her mother’s death. Showing her fine aesthetic and intelligence, Hansen-Love tackles this potentially melodramatic material in a modest manner, just subtly constructing small moments of everyday life, and thanks to its light tempo and Huppert’s effortless performance, it appears that almost nothing happens while everything happens. In fact, in her film’s ‘loss’ is the starting point of ‘new hope’, and this film ends with the lovely scene; Nathalie cradles her new born grandchildren, accompanied by The Fleetwoods’ ‘Unchained Melody’. Life goes on. (Shinji)
The frozen dead.
Adaptation of French crime writer Bernard Minier’s debut novel, which became a bestseller, the first in his Commandant Servaz series. A thoroughbred horse is found hanging from a cable car station in a Pyrenees town, St Martin de Comminges. The horse belongs to Eric Lombard, one of the richest men in France and so Commandant Martin Servaz is sent from Toulouse to investigate. He is not happy to be there, and things gets progressively worse as the dead horse is just the beginning in a complex set of crimes that lead back to a mysterious mass suicide in the towns past and one of his former colleagues, a murderer now housed in a local asylum for the criminally insane near the town. Servaz is perhaps a bit too much of a typical hard drinking, ruffled middle aged cop with a messy personal life, but the story is a tense and the location atmospheric. Shades of Hannibal Lector echo in the shows manipulative villain. Worth a watch. (Mark)
Broadchurch. Series 3.
UK crime/drama, Broadchurch ends with a bang with the third and final season! Three years has passed since the last season of Broadchurch. The peace and tranquillity of the town is disrupted once again when a gruesome crime, (Sexual assault) has been committed. Once again Hardy and Miller, (David Tennant and Olivia Coleman), are on the case, where they will both be tested, professionally, personally and emotionally. This season was heart-breaking. It will leave you emotionally wrecked and paint a vivid picture of modern masculinity gone wrong. However there were humorous moments in the form of playful banter between Hardy and Miller. As always their partnership, banter and bickering, mainly on Hardy’s part, is funny, entertaining and the embodiment of mutual trust and respect. It was nice to see a different of Hardy in this series. Normally portrayed as an emotionally unavailable, rigid, by-the-book police detective, you get see a loving, empathetic and emotional side. I loved the moments where he takes the “initiative” of “instructing” teenage boys on how to treat young women after they ‘disrespected’ his teenage daughter and comforting Miller when they finally catch the culprit, gently telling her that the rapist is an aberration and does not represent all men. Overall this season was a great to finish an entertaining and gripping crime series. (Katie)