Comicfest 2015 is almost here! Head over to the Facebook event for all the details and to receive event updates. There are panels and workshops for comic-lovers of all ages, and don’t forget to come along to the Central Library on Saturday 2nd May to pick up a free comic book on Free Comic Book Day, courtesy of GRAPHIC!
Today we’re talking to Tim Gibson about his comic work, and what we can look forward to at his Comicfest panel and workshop. Tim Gibson has produced illustrations for clients as diverse as Garage Project to the School Journal, Peter Jackson to Steven Spielberg. In 2012 he was awarded Creative New Zealand funding to write and illustrate his debut comic series ‘Moth City’ which has since gained a substantial digital readership, the support of leading American creators and was named as one of Comixology’s Top Comics for 2013. This year he took part in the Le Monde’s COMICS ZUR LAGE DER WELT exhibition in Berlin, and visited Taiwan as part of a comic residency exchange.
What is the first significant comic related job or project you remember working on?
I did some comic book colouring (painting under someone else’s pencils) for Christian Gossett’s Red Star comic series when I worked at Weta Workshop. It was my first professional taste of making comics, and it was a long time between drinks before I got another one.
Can you tell us about your current, or most recent project?
I completed the art for a small comic project for the School Journal last year which told the story of front-line Kiwi miners in WWI. It was interesting not being responsible for the story as a whole, but artists still have to make very ‘directorial’ decisions with regard to placing the viewpoint, the expressions (or acting) of the characters and the general pace and flow of things.
It was great to be included in a piece of NZ reading history like the School Journal, so a bit of a milestone there.
What is your favourite part of your working process?
Playing with the characters in my head, having them interact with one another or their world. The further the story gets to being readable by others, the less avenues and options the characters and I have, so there’s always a bit of a bittersweet conclusion to finishing something. There’s nothing better than having an idea that changes the entire world that exists in your head.
What are you excited to share with ComicFest attendees? Just a taster!
I’m hoping to share my passion for digital comics and animation during my Digital Comics Workshop. It should give people a few tools to tell comic stories differently now that creators don’t have to default to paper. That said, there’ll still be tree-flesh at the workshop, so bring pens.
Do you have another job outside of comic creation, or any significant hobbies you enjoy?
I subsidise my modest life-style with freelance illustration and design work, and the two worlds play very well together and often influence each other. It probably means that my commercial work is more vibrant and experimental, and my experimental comic work is more polished and commercial looking than it might be otherwise.
You can catch Tim at his Comicfest workshop and panel at these times:
Friday 1st of May 5 – 6.30pm – Digital comics workshop with Tim Gibson
Friday 1st of May 7 – 8.00pm – Panel: The current and future state of New Zealand comics