Martin Phillipps is back: New CDs

Piano & a microphone 1983.

Martin Phillipps’ The Chills is back with the fantastic new album! Also amongst the recently arrived CDs are new albums by Paul Weller and Kurt Vile as well as the David Bowie’s 11-CDs box set. Check them out!

New Albums

Chills – Snow bound
“The latest postcard from The Chills’ epic journey is an album about ‘consolidation, re-grouping, acceptance and mortality,’ claims the chief Chill. ‘Hopefully a kind of Carole King Tapestry for ageing punks.’
Wow! Are rock bands allowed to grow old gracefully and assess the world’s and their shortcomings in the process? Is it possible to swerve the obvious and make something that’s bittersweet in tone but harmonious on the ear? Of course it is. In Snow Bound lost heroes are lamented, relationships are re-evaluated, atonement is sought, mortality is mulled over and fake news is undercut.” (adapted from amazon.co.uk)

Prince – Piano & a microphone 1983
“Archive release from the late soul/funk icon. Recorded in 1983 at Prince’s Kiowa Trail home studio in Chanhassen, MN and engineered by Don Batts, Piano & A Microphone 1983 is a nine track, 35-minute album features a previously unreleased home studio cassette recording of Prince at his piano. The private rehearsal provides a rare, intimate glimpse into Prince s creative process as he worked through songs.” (adapted from realgroovy.co.nz)

Paul Weller – True meanings
“‘To put it simply, True Meanings, the fourteenth Paul Weller solo album, the twenty sixth studio album of his entire career, is a record unlike any he has ever made before. On the 25th May this year, Paul Weller turned 60: a milestone that has unquestionably had an impact on the feel, both lyrically and musically, of True Meanings which comes across being the most singer-songwriter-style album he has ever made. However, it is also the most collaborative: with more guests than any record he’s been involved in before.” (adapted from amazon.co.uk)

Paul Kelly – Nature
“Australia’s greatest and most enduring songwriter Paul Kelly returns with his new studio album Nature. Nature brings together poems from five literary greats – Dylan Thomas, Walt Whitman, Sylvia Plath, Gerard Manley Hopkins and Phillip Larkin – alongside poems that Kelly wrote himself and later put to music, and his own original songs that came along in the usual way, as sounds sung to chords that then turned into words.” (adapted from realgroovy.co.nz)

Wayne Shorter – Emanon
“Featuring a double-album and its companion piece – a self-penned, 84-page graphic novel – Wayne Shorter’s Emanon is the definitive look into his artistic multiverse. The standard three-CD set includes four studio tracks performed by Shorter’s quartet (pianist Danilo Perez, bassist John Patitucci and drummer Brian Blade) and the expansive, 34-piece Orpheus Chamber Orchestra, in addition to a 6 track live album featuring the quartet itself.” (adapted from realgroovy.co.nz)

Kurt Vile – Bottle it in
“The first solo album in three years from the acclaimed indie musician. Bottle It In includes the single “Loading Zones.” Contributors include Kim Gordon (who plays acoustic guitar on “Mutinies”), Mary Lattimore, Cass McCombs, Warpaint’s Stella Mozgawa, and Lucius’ Holly Laessig and Jess Wolfe, among others.” (adapted from realgroovy.co.nz)

Box-Sets

Tom Petty – An American treasure
An American Treasure-A 4-CD set that features all 60 tracks. All newly released recordings on An American Treasure have been mixed by Ryan Ulyate from pristine transfers of the original studio multitrack masters. All 60 recordings have been re-mastered for this collection by Chris Bellman at Bernie Grundman Mastering.” (adapted from amazon.co.uk)

Chicago – VI decades live : this is what we do
“Limited four CD + DVD set. The Rock ‘n’ Roll Hall of Famers celebrate their live legacy with a collection of previously unreleased concert recordings, which includes several deep cuts that have never appeared on any of the band’s live albums. Chicago: VI, Decades Live (This Is What We Do) was recorded between 1969 and 2014, including the band’s entire performance at the Isle of Wight Festival in 1970. The DVD features a concert that was originally broadcast on the German music television show Rockpalast in 1977.” (adapted from realgroovy.co.nz)

David Bowie – Loving the alien [1983-1988]
“Limited 11 CD set including 128-page hardcover book. David Bowie’s Loving The Alien (1983 – 1988) is the fourth in a series of box sets spanning his career from 1969. Among the studio and live albums from the period, the set contains an exclusive new production of the 1987 album Never Let Me Down.” (adapted from realgroovy.co.nz)

Stereolab – Switched on volumes 1-3
“Anthology box set of Stereolab’s Switched On compilations of singles and rarities, originally issued between 1992 and 1998. Contains Switched On, Refried Ectoplasm [Switched On Volume 2], and Aluminum Tunes [Switched On Volume 3].” (adapted from amazon.co.uk)

New CD Arrivals

The Beths album cover

New CDs in our AV collection feature awesome new releases from Aotearoa artists; the wonderful collaboration album by Neil and Liam Finn, and the new Auckland band The Beths’ debut album which Pitchfork gave 7.9 points. Some of the biggest names in the industry such as Paul McCartney and Paul Simon also issued superb new albums. Check them out!

Neil Finn – Lightsleeper
“Neil Finn of Crowded House fame and the newest member of Fleetwood Mac, needs no introduction. After Liam Finn moved to London with his band Betchadupa, they split and he began a solo career, attracting worldwide acclaim with the I’ll Be Lightning album, and touring with Eddie Vedder, The Black Keys and Wilco. In 2005 father and son came together onstage, including a show at Shepherd’s Bush Empire, following which they worked together to create this their debut album, sharing writing duties equally.” (adapted from amazon.co.uk)

The Beths – Future me hates me
“The Beths from New Zealand occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me, forthcoming on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard The Breeders/Jale/Veruca Salt.” (adapted from amazon.co.uk)

Paul Simon – In the blue light
In The Blue Light is legendary songwriter, recording artist and performer Paul Simon‘s 14th studio album. Produced by Simon and Roy Halee, who have worked together since the 1960s, the album features a talented cast of musicians who have joined Simon to lend fresh perspectives on 10 of the artist’s favorite (though perhaps less-familiar) songs, drawn from his unparalleled body of work.” (adapted from amzon.co.uk)

Paul McCartney – Egypt station
“Paul McCartney invites you on a musical journey to Egypt Station. Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping album New. The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now–with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.” (adapted from realgroovy.co.nz)

Alice in Chains – Rainier fog
Rainier Fog marks a few firsts for the band: in addition to being their first album in five years, it’s their first album with BMG and their first time recording in their hometown of Seattle in more than 20 years (worth noting that the album title is a tribute to Seattle). They recorded at Studio X, the same facility where they tracked 1995’s self-titled Alice in Chains album (back when the studio was known as Bad Animals).” (adapted from amazon.co.uk)

Aphex Twin – Collapse
“Mythical electronic producer Richard D James aka Aphex Twin returns on Warp Records with the new 4-track EP Collapse which follows-up his 2016 Cheetah EP and 2014 full-length Syro. The cryptic release is introduced by the pummeling lead cut, ‘T69 Collapse’ whose mind-bending video premiere was pulled from Adult Swim at the last minute for failing the Harding epilepsy test.” (adapted from realgroovy.co.nz)

Charles Lloyd – Vanished gardens
“At 80 years old, NEA Jazz Master Charles Lloyd remains an intrepid musical pioneer, entering his ninth decade at a creative peak in what now stands as a mountainous and formidable career. Now on Vanished Gardens, he and his band The Marvels add a new dimension by collaborating with revered singer-songwriter Lucinda Williams to pioneer a new genre of Americana Jazz that draws on the musicians many influences and experiences.” (adapted from realgroovy.co.nz)

Nick Mason – Unattended luggage
“Nick Mason is one of the biggest selling artists of all time. A co-founding member of Pink Floyd, he is the only constant member of the group, performing on all of their albums as well as all of their live shows. Unattended Luggage is a further celebration of Nick Mason and his undeniably significant contribution to music. The set contains the albums Fictitious Sports, Profiles and White Of The Eye.” (adapted from realgroovy.co.nz)

Staff Pick CDs – Aug/Sep

Some new Staff Pick CDs, of new releases and older material. We hope you find something to enjoy!

Bon voyage.
The French alt-pop artist’s second album, coming six years after her great debut, is a challenging and rewarding listen. To imagine putting classic French pop, exotica and psych rock into a blender may give some idea of the fertile ideas behind these songs. Driven by standard drums, bass and guitars, the songs evolve and mutate minute by minute, some morphing from what could be a Francoise Hardy pop song, through classic exotica, laden with flutes and strings, to end up as an indie rock out. Somehow it all works in a beguiling and strangely immersive way and fans of imaginative psych pop should be intrigued. (John)

Alterum.
Born and raised in Scottish island North Uist, Gaelic singer Julie Fowlis has well established herself as a leading artist of its kind, and this alluring fifth album would give her international fame. The project began to explore Gaelic songs of the ‘otherworld’ or supernatural and it grew to the idea of reaching out to other world while celebrating her own culture. This album features a couple of English language songs for the first time which sit nicely among Gaelic songs, and everything – the well thought out arrangements, the excellent performance by the band, and above all, her gentle yet effective voice and modern interpretation – hit the right note. Although rooted heavily in tradition, her music has a universal charm, and this album should appeal to a wider audience. (Shinji)

No sounds are out of bounds / The Orb.
Thirty years after their debut, UK electronic chillout stalwarts The Orb, throw a real curveball by releasing an album on Cooking Vinyl featuring a host of guest artists that works so well it’s hard to believe it’s the same band that made 2016’s ambient “Chill Out World”. The driving dub bass lines that propel each track are the only constants over a record that touches so many bases, including female vocalists, dub melodica, ambient piano, house beats, mellow grooves and jazz guitar, all peppered with The Orb’s distinctive humorous vocal samples. It’s a wild ride and, against all odds, is arguably the most commercially accessible and one of the best releases of their long and befuddling career. (John)

A deeper understanding / The War on Drugs.
I absolutely love this album. I didn’t know The War on Drugs and came by them from a various best of 2017 cd. “In chains” and “Pain” are highlights but each song has its own interest. Not in any way innovative or surprising but the songs are full and lush and sometimes long, but are complete. Someone called it Dad rock, but who cares, I’m a dad and it is just lovely. (Martin)

I’m all ears.
The second album by the UK teenage duo is receiving rave reviews worldwide and rightly so. That two 19 year old girls making music for teenagers about being a teenager can have appeal across all age groups is remarkable and this is due to the standard of the song writing, the great instrumentation and the original and creative arrangements. Their vocals can take a bit of getting used to – think early Kate Bush – but, once you are tuned in, the journey through their bold and intense contemporary pop is hard to resist. (John)

We light fire.
I recently went to see Julia Dean’s album release and loved it! She was amazing! I highly recommend her album – a must listen! (Lisa)

 

 

Weather diaries.
Remarkably, almost 30 years on the early ‘90’s UK shoegaze sound appears to be in fine form and, following the excellent recent new release from Slowdive, we now have the first new Ride album in 20 years and, yes, it’s pretty good. Come back albums are challenging when you helped create an entire musical sub-genre, however, Ride fare pretty well. Their vocal harmonies haven’t changed at all, the big guitars are in full force and the song writing is up to scratch – the only nod to a new century is the inclusion of London DJ Erol Alkan on production duties who sharpens their classic jangle pop and shimmering guitars for a new era. Turn it up and party like it’s 1989! (John)

Sassafrass!
At the moment I can’t get enough of Sassafrass! by Tami Neilson. She was amazing in concert and this album rocks just as much! Perfect listening for those who love that old-time country/lounge/touch of rockabilly vibe. A great collection of touching songs about family, and brilliantly getting her own back on those who unashamedly tout judgements and double standards. Available on CD and vinyl, it’s most definitely sassy and frassy. (Belinda)

Knock knock.
The German electronic artist who started out as a DJ/remixer has grown into a respected artist and now runs his own label – Pampa Records. His new release is a good intro to the small unique sub-genre he has helped create that generally features warm bass, gently alluring beats and imaginative use of sampling and electronics underpinning a range of guest vocalists. He has a strong sense of the whimsical but manages to balance this, through this collection of lovely wonky downbeat grooves, with a genuine emotional resonance too often absent from electronic music. (John)

Soar / Catrin Finch, Seckou Keita.
Prominent Welsh classical harpist Catrin Finch and Senegalese kora (often described as Africa harp) player Seckou Keita first collaborated together in 2013 and made an acclaimed album Clychau Dibon which won the best album of 2014 in both Froots and Songlines magazine. Four years down the line, their unique bond gets stronger and this sophomore album finds both artists in sublime form, showcasing the elegant, seamless conversations. Their dazzling virtuosities allow the two string-instruments from Africa and Europe to blend into each other and create beautifully textured, glorious soundscape. Most of the music is original but taking also from African griot’s number and Bach’s Goldberg Variations, they are searching for a new musical language by looking back at their traditions. Brilliant. (Shinji)

Shearwater drift / Al Fraser, Steve Burridge, Neil Johnstone.
The delicacy and sublime power of Taongo Puoro (traditional Maori instrumentation) is explored beautifully on this recent release by three Wellington musicians. What is created here is a fully immersive sonic collage that, over 18 tracks, features Taongo Puoro within soundscapes created by synthesisers, percussion, treated samples and other instruments. Its not an easy listen, at times it can be quite eerie, but the dark and ethereal ambient atmosphere is the perfect vehicle by which the mystery of these ancient instruments can be experienced. The whole thing is beautifully packaged in a thick cardboard case that features evocative art by Neil Johnstone. (John)
This is the voyage of a shearwater as it ventures into enigmatic scenery; familiar yet vague, both disturbing and comforting. Alistair Fraser’s deep connection with taonga pūoro sets the backdrop of this story with great sensibility, establishing the melancholic mood that Māori instruments so readily evoke. Over this panorama you’ll encounter the mysterious electronics of Neil Johnstone piercing through the organic weave, juxtaposing the nature of the ever changing reality with those aspects that belong to the future and the beyond. In the midst of this seamless movement are motifs of humanity embodied by accordions, pianos, and other familiar noises which serve as geographic beacons. At times submerged into deep water, at others flying high and fast through the forest, the shearwater glides with grace, undisturbed by the weather or the metropolitan traffic. There is a cyclical aspect to this album, easily lending itself to sound installations or an environment of discovery and inspiration. The overall tone invites you to slow down and ponder, paying attention to the nuances that crop up from all angles thanks to a high quality production. My recommendation is to let the music permeate your surroundings, allowing yourself to drift into what lies in your depths, waiting to be found. (Axel)

Listening to pictures : pentimento volume one.
The former jazz trumpet player, who initiated the idea of the “Fourth World” alongside Brian Eno on 1980’s ‘Fourth World Vol. 1: Possible Musics’, has released, at 81 years old, an incredible record on Ndeya, a sub-label of the UK’s Warp Records. Fusing hi-tech minimalism with world rhythms he has collaged a dream world marked by a flickering, hallucinatory energy and built around stuttering beats through which dense, treated layers of trumpet, synth, piano, and violin edits cascade and undulate. Its a remarkable release from an artist so late in his career, when most others are merely re-treading old ground. This album also features a cover art sampled from Mati Klarwein, the artist responsible for the cover of Miles Davis’ ‘Bitches Brew’. (John)

The dark side of the moon [remaster].
The Dark Side of the Moon is one of the bestselling albums of all time. It was PF’s 8th album, and spent 11 consecutive years in the top 100 and 14 years lodged in the same place. It was recorded at Abby Road studios between May 1972-January 1973, and rather than separate tracks the album is one continuous piece of music. With estimated sales are over 45 million, the themes it explored include greed (Money track) conflict and time. (Max)

Box-set Bonanza: New CDs

We have an extensive box-set-CD’s collection and they keep coming! Check out some of these newly catalogued box-sets, including the Robert Plant’s 10 discs-set, and the 13 CDs-set by Ben Folds. They cost merely a dollar. Reserve them now or come in to check our big display.

Robert Plant – Nine lives
“Legendary vocalist Robert Plant’s extraordinary post-Led Zepplin career is celebrated in an inspired 10-Disc box encompassing his nine solo albums – expanded and remastered – plus a DVD with a one hour documentary.” (adapted from amazon.co.uk)

Public Image Ltd – The Public Image is rotten (Songs from the heart)
“To celebrate their 40th Anniversary, John Lydon’s Public Image Ltd (PiL) are pleased to announce The Public Image is Rotten (Songs from the Heart) Box Set will be released on 20th July 2018, coming in the form of a staggering 5CD/2DVD, 6LP and Digital. The box set will feature the PiL Singles Collection (1978-2015), B-sides, Rarities and Radio Sessions, 12” Mixes, Unreleased Mixes and Tracks and a Live concert from New York Ritz in July 1989.” (adapted from amazon.co.uk)

Ben Folds – Brick : the songs of Ben Folds 1994-2012
Brick – The Songs of Ben Folds, 1994-2012 features 13 CDs housed in a unique brick box set. This collection of 192 tracks spans the career to date of one of the most adventurous and exciting songwriters and performers of his generation, who has not only worked with a diverse range of artists including William Shatner, Sara Bareilles and Regina Spektor, but authors Nick Hornby and Neil Gaiman.” (adapted from amazon.co.uk)

Bruce Springsteen – The album collection. Vol. 2, 1987-1996
“Cardboard sleeve box set release from Bruce Springsteen contains five albums released from “Tunnel of Love” (1987) through “The Ghost of Tom Joad” (1995) as well as two EP works “Chimes Of Freedom” & “Blood Brothers.” All albums are remastered for this release by Bob Ludwig and Toby Scott. Comes with a deluxe booklet. Each mini LP faithfully replicates its original vinyl design. Comes with lyrics and a description.” (adapted from amazon.co.uk)

Flaming Lips – Seeing the unseeable : the complete studio recordings of The Flaming Lips 1986-1990
“Limited six CD set. Seeing The Unseeable: The Complete Studio Recordings Of The Flaming Lips 1986-1990 brings all four studio albums that the band released on Restless Records between 1984 and 1990. This set is also packed with rare recordings originally released as b-sides, flexi discs, and on various compilations.” (adapted from realgroovy.co.nz)

Def Leppard – CD collection volume 1
“Def Leppard brings a box set with seven discs total, focusing on their recordings from the 1970’s to the 1980’s. Features SHM-CD format, except for Disc 7. Disc 1-4 are the original albums (“On Through the Night” to “Hysteria”). Disc 5 features their concert in 1983 at LA Forum. Disc 6 is a compilation with 10 rare tracks compiled by Joe Elliott. Disc 7 (standard CD format) is their commemorative debut EP (1979), becoming as CD format for the first time.” (adapted from amazon.co.uk)

Rolling Stones – No security : San Jose ’99
“DVD-Video + 2CD. TRACKLISTING for 2CD+DVD: 1. Jumpin’ Jack Flash 2. Bitch 3. You Got Me Rocking 4. Respectable 5. Honky Tonk Woman 6. I Got the Blues 7. Saint of Me 8. Some Girls 9. Paint It Black 10. You Got the Silver 11. Before They Make Me Run 12. Out of Control 13. Route 66 14. Get Off of My Cloud 15. Midnight Rambler 16. Tumbling Dice 17. It’s Only Rock ‘N’ Roll (But I Like It) 18. Start Me Up 19. Brown Sugar 20. Sympathy for the Devil” (adapted from amazon.co.uk)

Grateful Dead – Anthem of the sun
“The CD includes two versions of the original album – one fully remastered from the original 1968 mix, and the other remastered from the more well-known 1971 mix. The set also includes a bonus disc with a previously unreleased complete live show recorded on October 22, 1967 at Winterland in San Francisco, this is the first known recording of the Grateful Dead with Mickey Hart, who joined the band in September 1967.” (adapted from amazon.co.uk)

Fab gear : the British beat explosion and its aftershocks 1963-1967
“BRITISH BEAT was the term adopted to describe the exciting new sounds out of Liverpool and other cities in the wake of The Beatles’ explosion onto the world stage in 1963/64..Named after the slang term forever associated with The Beatles, this mammoth 6-CD box set offers around 180 tracks in chronological order from the mid-1960s, many of which are new to CD and some of which are previously unissued.” (adapted from amazon.co.uk)

Spotlight on new classical CDs

This week we bring together some 21st century works and a couple of Baroque masters.

Circles: Piano Concertos, Bach, Glass. Performed by Simone Dinnerstein and A Far Cry.
A Far Cry is a Boston-based string orchestra that performs without a conductor; no mean feat! Together with pianist Simone Dinnerstein they perform two pieces composed 280 years apart, the Glass concerto, composed in 2017 for Dinnerstein, featuring here in its world premiere recording. The Bach concerto (BWV 1058) is a transcription (by the composer) of the violin concerto in A minor (BWV 1041).

The Händel Album. Performed by Artaserse and Philippe Jaroussky.
“This album, which focuses on arias from Handel’s more rarely-performed operas, is the first that Philippe Jaroussky has devoted entirely to the composer … Jaroussky brings his impeccable Handelian credentials to an entire album devoted to arias by the composer, who produced thirty-five operas for the London stage between 1711 and 1741… Jaroussky’s new album puts the emphasis on operas we are less likely to hear in the theatre or concert hall: Amadigi di Gaula; Arianna in Creta; Flavio, re di Longobardi; Giustino; Imeneo; Radamisto (represented by no fewer than four arias); Riccardo primo, re d’Inghilterra; Siroe, re di Persia and Tolomeo, re di Egitto” (Catalogue).

Doctor Atomic, John Adams. Performed by Gerald Finley and other soloists with the BBC Singers, BBC Symphony Orchestra, conducted by John Adams.
“In this first recording of John Adams’s 2005 opera, Doctor Atomic, the composer leads the BBC Singers and the BBC Symphony Orchestra, with a cast led by Gerald Finley, who originated the role of J. Robert Oppenheimer. Longtime Adams collaborator Peter Sellars created the libretto, drawing from original sources to explore the final hours leading up to the first atomic bomb explosion at the Alamagordo test site in New Mexico in July 1945. ‘A magnificent accomplishment that easily takes its place alongside the other Adams-Sellars triumphs,’ exclaims the Los Angeles Times. ‘It contains music of unearthly splendor.'” (amazon.com).

New Classical CDs

Aimi Kobayashi album cover

Today’s selection of new classical music CDs features a couple of compilations of religious choral music book-ending three centuries, from Vivaldi and Vaughan Williams. We have also added our first recording from Aimi Kobayashi, a successful young pianist and Chopin-expert.

Gloria, Vivaldi. Performed by Julia Lezhneva, Franco Fagioli with Coro Della Radiotelevisione Svizzera.
“The brightest stars of Italian baroque combine in a dream team for Vivaldi’s ever-popular Gloria in D major. Julia Lezhneva’s ‘serene, sleek voice’ (The Financial Times) is also heard in the sacred motet Nulla in mundo pax sincera, while Franco Fagioli’s ‘distinctive and almost feminine sound’ (The Guardian) is perfectly matched to Vivaldi’s psalm setting Nisi Dominus with its haunting ‘Cum dederit’.” (cover)

Solo Piano, Chopin, Liszt. Performed by Aimi Kobayashi.
“A teenage gold medallist in both the Asia-Pacific and ASIA International Chopin competitions, and a finalist in the ultimate Chopin Competition in Warsaw 2015, just past her 20th birthday, young virtuoso Aimi Kobayashi has enjoyed a close relationship with the music of the Polish composer throughout her skyrocketing career. Here she pairs the great Second Sonata with dazzling works by Chopin’s contemporary and friend Franz Liszt on a programme showcasing the musicianship she would share with the world…” (cover)

Mass in G Minor, Vaughan Williams. Performed by The Choir of St John’s, Cambridge.
Marking the centenary of the 1918 Armistice is this recording of Vaughan Williams choral works performed by The Choir of St John’s with Andrew Nethsingha at the helm. Many of these works were composed shortly after the end of the First World War, perhaps in response to the composer’s experience.

New Classical Music CDs

Mozart in London cover image

This week in new classical CDs we highlight the child genius of Mozart and his inspirations, Debussy on period instruments, and an American treasure (Aaron Copland).

Mozart in London. Performed by The Mozartists.
“The ensemble The Mozartists presents an unprecedented survey of Mozart’s childhood stay in London from 1764-65. The wide-ranging programme includes Mozart’s remarkable first symphony (composed when he was eight years old), along with his two other London symphonies and his first concert aria. The repertoire also explores music that was being performed in London during Mozart’s stay, including works by J.C. Bach, Thomas Arne, Abel, Pescetti, Perez, George Rush and William Bates.” (Catalogue)

Préludes du 2e Livre, La Mer, Debussy. La Mer transcribed by Debussy. Performed by Alexander Melnikov and Olga Pashchenko.
Harmonia Mundi describes Debussy as “the magician of melody and timbre, the great ‘colourist’ and father of modern music.” Alexander Melnikov performs on a “‘period’ piano (an Erard piano) that he breathes new life into Book II of the Préludes, but also – with the help of Olga Pashchenko – the extraordinary transcription of La Mer by the composer himself.” (Back cover)

Orchestral Works 3 – Symphonies, Copland. Performed by BBC Philharmonic.
The Chandos retrospective of Copland orchestral works continues with volume three, including Symphony No. 1, Dance Symphony, interspersed with two interludes, An Outdoor Overture, and Statements.

New and remastered: Fantastic new CDs

Check out some of these newly catalogued CDs in our AV collection, including Florence + The Machine’s fantastic new album, and the first solo album in more than a quarter century by Roger Daltrey (The Who). See also the 18-album set by Chet Baker and the wonderfully remastered Mixed Up from The Cure.

Florence + The Machine – High as hope
“Fourth studio album by the English indie group, fronted by Florence Welch. The record features more stripped-down and minimalist recordings than some of the band’s previous albums, and includes the singles ‘Sky Full of Song’ and ‘Hunger’. The album peaked at #2 in the UK Albums Chart.” (adapted from amazon.co.uk)

Kali Uchis – Isolation
Isolation is Kali Uchis’s debut album and features an impressive cast of featured artists and collaborators. Jorja Smith, Damon Albarn, Tame Impala’s Kevin Parker, Tyler, The Creator, Bootsy Collins, Steve Lacy, Two Inch Punch, BADBADNOTGOOD, Thundercat all appear on the American Colombian’s debut LP.” (adapted from amazon.co.uk)

Nine Inch Nails – Bad witch
“Ninth studio album by the American rock band comprising Trent Reznor and Atticus Ross. The album was influenced by the final studio record by the late David Bowie (Blackstar), who Reznor previously collaborated with. It peaked at #12 in the UK Albums Chart and features the single ‘God Break Down the Door’.” (adapted from amazon.co.uk)

I Am Giant – Life in captivity
“After a decade of dominating mainstream rock radio and playing some of the biggest festivals around the world, I Am Giant are releasing their third and final album. Features ‘Playing With Fire’ and new single ‘Don’t Look Back’ – both strong airplay singles across The Rock network.” (adapted from amazon.co.uk)

Roger Daltrey – As long as I have you
“The album is a mixture of self-penned tracks such as ‘Certified Rose’ and the soulful ballad ‘Always Heading Home’ along with songs that have inspired Daltrey over the years including Nick Cave’s ‘Into My Arms’, ‘You Haven’t Done Nothing’ by Stevie Wonder, Stephen Stills ‘How Far’ and the title track originally recorded by Garnet Mimms in 1964; the year that Daltrey, Townshend, Entwistle and Moon changed their name from The High Numbers and became The Who.” (adapted from amazon.co.uk)

Chet Baker – Portrait in jazz by William Claxton
“A definitive set compiling 18-CDs divided into 12 deluxe digipack volumes. Each volume presents carefully selected top Chet Baker recordings from his classic years, and features splendid photographs of the trumpeter by the great William Claxton. All of the digipacks on this collection showcase specific liner notes, as well as detailed discographic information.” (adapted from amazon.co.uk)

Buffalo Springfield – What’s that sound? : complete albums collection
“Five CD set. Digitally remastered set that contains stereo mixes of all three albums plus mono mixes of the first two albums. May 5th marked the 50th anniversary of Buffalo Springfield’s final show, a performance which capped a two-year period which saw the band releasing three studio albums: their debut album Buffalo Springfield, their sophomore effort, Buffalo Springfield Again, and their swan song, Last Time Around.” (adapted from realgroovy.co.nz)

Garbage – Garbage
“20th Anniversary remastered reissue of Garbage’s acclaimed second album. Charted at #1 in the UK + certified double platinum with over 500k sales. Nominated for two Grammys + three MTV Europe Awards. Includes the Top 10 singles ‘Push It’ (No 1 most added track at European radio and top 20 European radio airplay hit) + ‘I Think I’m Paranoid’. Single CD format includes an 8-page booklet.” (adapted from amazon.co.uk)

The Cure – Mixed up [deluxe]
“Digitally remastered and expanded three CD edition includes two bonus CDs: Disc Two features additional remixes from 1982-90 while Disc Three – titled Torn Down – includes 16 new remixes by Robert Smith. Mixed Up is a remix album by British band The Cure originally released in 1990. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s.” (adapted from amazon.co.uk)

Changes to Compact Disc music and audiobook collections

Over the next month, we’re making changes to our Adult CD, Adult Audiobook and Young Adult CD collections. These changes are reflective of changing listening habits for the Compact Disc format, and consistent drops in usage for these collections over recent years. The changes are:

  • Adult CDs – we are removing Adult CDs from all branch libraries, and consolidating them into the CD collection at Central library.
  • Adult Audiobooks – we are removing Adult Audiobooks from branch libraries and consolidating them at Central library. In addition, we are removing the $3.00 rental fee, starting from the 31st of August. If you have a concession card for audiobooks, please talk with staff.
  • Young Adult CDs – all CDs in the Young Adult collections will be removed from all libraries.

These changes will be in place from the 31st of August, providing branch libraries with more display space and the option of promoting other branch collections.

We will continue to support Central library collections for Adult CDs and Audiobooks, with customers being able to reserve titles from the Central library as required.

Please note, these changes do not affect other library Audio Visual collections such as DVDs.

 

Recent favourites: Staff-picked CDs

Superorganism album cover

While we’re not busy with library duties, many of us here at Wellington City Libraries are avid music listeners. Here are a few recent highlights from our extensive CD collection.

Superorganism.
Wellington band The Eversons moved to London in 2015 and have grown into an eight piece collective consisting of members from Lancashire, Japan, South Korea, Australia and Aotearoa, that all now live together in a big house in London. They have created media waves with their fun, kooky and excellently produced debut album, which is loaded with crazy samples, playful beats, fat basslines, swirling synths and great guitar hooks, all underpinned by the oddly deadpan vocals of 17 year old Japanese vocalist Orono Noguchi who they auditioned on Skype. Sounding like the children of The Go Team! and MGMT, this is a technicolor rush of fun and densely layered quirky pop that sounds as though it was made by the band members emailing each other ideas from their rooms in the house – which it actually was! For an idea of where this extremely contemporary band are coming from check out the video for their hit ‘Everybody Wants To Be Famous‘. (John H.)

Mi mundo.
An exciting music by a shining new star – a young Cuban singer and percussionist Brenda Navarrete infuses the traditional Afro-Cuban music with the modern stylish sound, and her debut album Mi Mundo (My World) is full of thrilling moments. Opening with Navarrete’s expressive voice and her percussions, which lead the charge throughout the album, music here is intricate and touches a range of musical styles. However, she and her Cuban all-star band show amazing skills and masterfully treat them, often with jazz idioms, and present smooth yet rich, dynamic sound. The album lasts only 37 minutes but shows Navarrete’s enormous talent and character. Sensational. (Shinji)

Wide awaaaaake!
It’s fitting that Texan indie rockers Parquet Courts are on Rough Trade Records as that label was the prime mover of the original early 80’s UK post punk sound and Parquet Courts arguably continue that tradition better than any other current band. Their sixth album is produced by Danger Mouse, who helps shape their characteristically spiky shambolic sound into a semblance of fun, danceable grooves. The post punk influences are still plentiful but the new album has a gloss of production that manages to expand their musical palette without losing the bands’ angular garage rock stance. With song titles such as ‘Normalisation’ and ‘Before the Water Gets Too High’ it’s reassuring to know that urgent and quizzical music such as this is being made. (John H.)

Rewa / Tania Giannouli, Rob Thorne, Steve Garden.
Rewa fuses the musical cultures of Western Greece, courtesy of Greek classically trained musician Tania Giannouli, and that of traditional Taonga Pūoro instrumentation, courtesy of Rob Thorne. The whole album was improvised over a two day recording session. The resulting album transcends musical boundaries whilst having both a classical and experimental feel. The individual pieces are often dark, brooding and intense with Steve Garden’s treatments, and delicate, thoughtful mixing making this album a rich, complex and rewarding listen. (Neil J)

Top gear.
Wellington based muso Stef Animal took time out from bass playing duties with The Golden Awesome to record this beguiling collection of 15 ‘song-in-a-day writing exercises’, each using sounds from a different piece of cheap or unfashionable musical equipment. The pieces are short – ranging from 30 seconds to 4 minutes – but are equally engaging, gradually drawing the listener deeper in to Stef Animal’s unique and intriguing sound world. The result is an unusual release that stands up as a bold and wholly successful experiment. (John H.)

Vortex / Sonar with David Torn.
Swiss jazz-progressive rock quartet (twin guitars, bass and drums) Sonar has established an utterly unique sound – often playing in irregular time and creating a minimal stoic groove which at times is as if 80s king Crimson is playing Steve Reich-ish minimal composition – and with this new album featuring the one-of-a-kind guitarist David Torn, they seem to move to another level. Torn originally worked as a producer but ended up playing on all tunes as well, which is very welcome. Torn brings a sonically inventive soundscape with huge improvisations on some tracks. Their chemistry is fantastic and Sonar has sharpened their trademark polyrhythmic groove, and makes the whole sound even more dynamic. This is risk-taking music and marvellously executed. (Shinji)

Englabörn & variations / Jóhann Jóhannsson.
Icelandic composer Jóhann Jóhannsson passed away earlier this year at the early age of 48. His story was a very successful one, growing from the fringes of the electronic / neo-classical world with his early releases on Touch and 4AD to worldwide acclaim providing soundtracks for films such as Arrival and The Theory of Everything. His use of electronics and treated voices within ambient / chamber pieces was radical in 2002 and had become familiar by 2018, but he was a true pioneer. This remastered re-issue of his first record, 2002’s Englaborn remains impressive and features 16 relatively short works of beautiful and stately contemporary ambient music, predominantly featuring strings and delicate electronics, with an accompanying disc of remixes by a range of current ambient musicians. (John H.)

5.
The first release on Prins Thomas Musikk, the new label started by the popular Norwegian electronic producer and remixer, is his fifth album and finds him expanding his by now predictable space disco sound. Apparently inspired by Teenage Fanclub, American jazz guitarist Pat Metheny and UK duo Plaid, he here presents a set of pared down, predominantly downbeat compositions featuring sweet basslines, guitars, bubbling synths and ambient flourishes to create warm and intimate grooves that lovingly reference the IDM sound of the mid ‘90’s. (John H.)

In Paris: the definitive ORTF recording.
Another classic Jazz concert receives it’s first official release, after being previously available in bootleg form. Montgomery hated to fly, so it was a rare opportunity for European audiences to see him perform in 1965 at the Théâtre des Champs-Élysées in Paris, featuring an all-star band with pianist Harold Mabern, bassist Arthur Harper and drummer Jimmy Lovelace, & special guest tenor saxophonist Johnny Griffin. Montgomery delivers a searing set of tunes with one amazing solo after another, in what is considered one of his best live performances ever, melodic, inventive and endlessly swinging. Listening to this reissue, it’s easy to see why he is still regarded as one of the most influential Jazz guitarists in history. (Mark)