Staff Picks DVDs: Best of 2018

Some more of our favourite Films & TV Shows from last year. Hopefully you will something you missed the first time around.

Shinji’s Picks:
Faces places.
This is a celebration of people and places as well as creativity. A legend of French new wave cinema, 88 year old Agnes Varda teams up with a photographer and muralist JR, who is 55 years her junior, to hit the road on a tour of rural France. On the way, they learn the histories of communities, some of which are long abandoned, and of people they encounter, and bring new lives to them with gigantic mural photos. This odd couple makes a great team and their friendship, curiosity and vision make it wonderfully charming. Life is beautiful.

Leave no trace.
A remarkable new film from an American indie filmmaker Debra Granik (Winter’s Bone), ‘Leave No Trace’ is a subtle but powerful portrait of a post-traumatic-stress-disorder father and his teenage daughter, who cut themselves off from the world and have been living in the forests. Featuring the superb performances by Ben Forster and our very own Thomasin Mckenzie as the father and the daughter, Granik carefully presents just enough information and gracefully brings out deep emotions between them. This haunting tale will be remembered one of the best father-daughter relationship films in years to come.

The other side of hope
Seeing just one frame of a film, you can tell whose work it is. It doesn’t happen very often but Finnish veteran auteur Aki Kaurismaki is such a filmmaker. ‘The Other Side of Hope’, which nicely integrates stories of a Syrian refugee and a Finnish restaurateur, is his response to the humanitarian crisis in Europe. It treats the serious topic with warm humanism; it’s presented with his distinctive style; deadpan characters, droll humours, unique texture and hue based on blue, bluesy nostalgic rock played by old men etc. This is another memorable work but what is believed to be his final film. What a shame.

Sweet country.
The new Australian auteur Warwick Thornton’s marvellous ‘Sweet Country’ dominated the Australian Academy Awards (AACTA) of 2018, winning 6 awards including the best film, director, cinematography and actor. In the typical western-like setting, this manhunt drama exposes the dark side of Australian history; racism. It’s uneasy to watch at times but taking the majestic outback scenery as a part of narrative, it offers lyrical, mesmerising moments as well. Unique flash-forwards are also very effective. Poignant.

Lady Bird.
Actress-turned-writer/director Greta Gerwig’s first feature is a lovely adolescent tale.
With the mother-daughter relationship as its core, it’s about a17-year-old Christine ‘Lady Bird’ (dazzling Saoirse Ronan) who is eager for an escape to a big city after graduating from a Catholic school. Gerwig’s smart screenplay and unique aesthetic make it a charming, beautifully layered coming-of-age drama. It’s sweet, funny and affecting.

Blackkklansman.
Ironically the current state of the divided America seems to get Spike Lee; arguably the most important African-American filmmakers of our time, back in top form. This, his finest film in years, tells the incredible true story of the first black detective in the Colorado Spring, who infiltrated the KKK in the early 70s. This is heavy stuff and not surprisingly, it contains chilling moments, but Lee masterfully put them into a comedic narrative, and makes it a gripping yet entertaining drama. Denzel Washington’s son John David Washington shines as the detective. Invigorating.

Twin Peaks: a limited event series.
David Lynch’s ground-breaking series is back after 25 years’ absence, and it’s a much larger scaled extraordinary journey, which offers everything Lynch has made for cinema. At times it’s almost impossible to comprehend and mysteries bring more mysteries, but there are always humours. This nearly 1000-hours marathon epic can be challenging and demanding to consume, but gives you a joyous, rewarding watch. It’s another landmark work by this one-and-only filmmaker.

Neil J’s Picks:
Lucky.
Lucky was Harry Dean Stanton’s last work, it’s a wry and very deceptive piece. On the surface nothing that much happens it’s just a couple of days in the life of a fictional Harry Dean Stanton; true they are quirky, laconic and slightly strange days . However whilst the film is slender in narrative it is large in underlying meaning and through this strange domesticity of the main characters life the movie becomes a poignant meditation on life, memory, loss, accepting fate and coming to terms with one’s impending demise, all done in a light offbeat fashion. It is a truly marvellous performance by Harry Dean Stanton it might even just be his career best and all made the more remarkable since he was aware that this would probably be his last film. Which it turned out to be.

Lady Bird.

 

 

 

The death of Stalin.
Caustic, pitch black humour of the highest calibre is delivered in Armando Iannucci latest comedy. Set around the events and chaos surrounding the death of Stalin this star studded movie was so controversial that the Russian government banned it. Its wicked, hilarious, merciless and definitely not for the faint hearted. However if you enjoy satire of the very darkest and blackest in nature then this movie is a must watch. And the ever wonderful Jason Isaacs is mercurial as Field Marshal Zhukov.

Three billboards outside Ebbing, Missouri.
The starting point and in a strange way the catalyst for all the action in the film are three billboards by a road put up by a grieving mother with messages demanding justice for her murdered daughter. This multi award winning movie is occasionally funny, but more often it’s a bleak, raw look at loss, grief and vengeance. It boasts several fantastic performances from the lead Frances McDormand as well as Woody Harrelson, Peter Dinklage and several other cast members. It doesn’t take the easy path plot wise and contains several unexpected twists and turns. All in all the plaudits that have been heaped on it are well deserved.

Faces places.

 

 

 

McQueen.
McQueen is a career spanning but intimate documentary exploring the life and work of the iconic British fashion designer Alexander McQueen. Mc Queen rose from humble beginnings to become the enfant terrible of the fashion world his initial rise was I through hard work, native ability, desire to shock and raw talent. ( Though he did get more formal training as he went along ). He was the bright burning super star of the fashion world creating his own fashion house and courting controversy everywhere he showed, His fashion work was often closely inter linked with his own inner demons which were eventually rise up and tragically destroy him. The documentary makes for a fascinating, riveting watch and is a real insight into what drove and created one of the most important and controversial fashion designers of our time.

She shears
It goes without saying that in some areas of New Zealand sheep searing is an obsession, but historically this obsession has always been a very male dominated one. She Sears is a fabulous compelling documentary about a very small group of women shearers trying to break that mould. However what really makes this film work is the fact that it transcends its subject matter the film is far more than just a look at female shearers, it’s more about the shearers as complex individuals, as fully rounded people who shear for a whole range of different reasons, their back stories, their motivations, their drivers both as shears and beyond and the reasons they do what they do. It’s a great watch, a really well-crafted film and like any good documentary less about shearing and more the individuals involved.

Mark’s Picks:
The Good Place. The complete first season.
What actually happens when you die? For Eleanor Shellstrop (Kristen Bell) she finds the afterlife is a shiny happy friendly neighbourhood of frozen yogurt shops, amazingly accomplished people and pre-determined soulmates, all run by the super nice immortal architect Michael (Ted Danson). However the only problem is that she is the wrong Eleanor Shellstrop, and is in fact a very bad person, who scammed old people for a living and generally lived a completely reprehensible life. As she struggles to hide her true self from all around her and cope with her ‘soulmate’, university ethics professor Chidi, her true nature starts to affect the cosmic balance at play. Currently the funniest show on TV. Just genius.

Radius.
A man (Diego Klattenhoff, Homeland, The Blacklist) wakes from a car crash with no memory. Seeking help he soon discovers that anyone who comes within a certain radius of him instantly drops dead. Retreating to his home he attempts to avoid all contact until a woman (also suffering from amnesia) finds him. She is immune to what is happening and they soon realize that she can nullify the effect he has on others – but ONLY if she remains within 50 feet from him at all times. Together they attempt to get help and find out what has happened to them. The best indie Sci-Fi of the year proves that all you need is a really intriguing idea and a good script. Continue reading “Staff Picks DVDs: Best of 2018”

Staff Picks CDs: Best of 2018 -Part 2

Some more of our favourite sounds from last year. Hopefully you will find a new artist to explore, or something you missed the first time around.

Neil J’s Picks:
Ponguru / Al Fraser, Phil Boniface.
Ponguru is a truly unique album fusing seamlessly the sonic worlds of acclaimed jazz bassist Phil Boniface and leading Nga Taonga Puoro player Al Fraser . The resulting album has many faces and facets its Jazz tinged rather than Jazz, ambient in places and like a complex sonic landscape in others, throughout all its pieces it’s always fiercely original , rewarding and hugely atmospheric. Phil’s bass work is of the highest calibre imbuing the whole piece with a core of beautiful rhythmic structure. And Al’s emotive, nuanced playing shows that he is rightfully regarded as one of the finest musicians working in NZ today.

Tranquility Base hotel + casino.
Sometimes bands find it difficult to stay fresh and new musically especially after initial massive success. This however has never been a problem for the Artic Monkeys. And Tranquillity Base Hotel & Casino there sixth album is easily their densest, most experimental and carefully crafted release to date. In this work they’ve invented their own brand of psychedelia. It’s like the bands own musical reaction to 60’s and 70’s science fiction films like Silent Running or 2001 a space Odyssey in places it does sound like an Alex Turner solo album. All in all it’s a brave and interesting and in places an exhilarating new direction for a band who have never sat on their laurels and are constantly in search of somewhere else to go.

Future me hates me / The Beths.
The Beths are at the moment the hottest band in New Zealand. No less than The Rolling stone magazine listed them in their top 100 bands to watch out for and described their album The future me hates me as a “ power pop monument’ . So what’s all the fuss about? It’s true that the power pop format is a tried and tested formula that has been done many times before, but the Beths bring a joyous ear worm infectiousness and exuberance to the party making The future me hates me sound not only new and fresh but fun and bright and it’s this attitude and approach to the music that’s carrying all before them.

Singularity.
Singularity is defined in the Oxford English dictionary as: “A point at which a function takes an infinite value, especially in space–time when matter is infinitely dense, such as at the centre of a black hole.” Now that’s a big concept to get your head round but it does serve as a superb road into Singularity the fifth album by Jon Hopkins. Singularity the album is a vast self-visualised glacial electronic landscape or even cosmos of an album. There’s ambient elements in it, there’s acid house elements in it , there’s certainly beats in there but through it all is a singular unique vision and a real feeling that Hopkin’s is on a trace like sonic journey of discovery that reaches inwards and outwards at the same time.

I can feel you creep into my private life.
For this reviewer one of the most interesting and important releases of 2018 was I Can Feel You Creep Into My Private Life by tUnE-yArDs (aka Merrill Garbus).The album is an extension of her previous works which at its core fuses solid rhythmic structure, influenced in places by dance music with lyrics that are simultaneously personal and global and definitely contain a radical political overtone. In many ways for this reviewer it was the album that summarised the spirit of our age its Zeitgeist.

Here if you listen / David Crosby, Becca Stevens, Michelle Willis, Michael League.
In 1982 David Cosby had fallen far, his personal life and finances were in ruin. He was struggling with very serious drug and alcohol abuse problems and was to spent nine months of that year in a Texas prison on cocaine and heroin charges. Yet in the late 60s and early 70’s he had been one of the brightest and biggest creative forces in the hippie folk rock movement. Since then he has had a liver transplant that was paid for by Phil Collins and slowly and gradually rebuilt his life and career welding these dark moments of his life as all true artists do into his work. His 2014 solo album Croz was amongst his finest work. And just recently he released Here If You Listen. It’s a beautiful piece of work, melodic, contemplative, and melancholic at times, uplifting at times occasionally touching the darkness of his past sometimes the light it finds Crosby meditating on his own death . For me this is one of David Crosby’s essential works and ranks up there with his 1971 death of the hippy dream album If I Could Only Remember My Name.

My design, on others’ lives.
It must be one of the most difficult gigs a musician can do. Being the warm up act to a huge star who hasn’t toured for ages and has legions of passionate fans. Estere’s support slot for Grace Jones in Queenstown was a stunning success for this new artist. She handled her time with poise and aplomb gaining a fair few fans in the process. Her self-produced debut album is a lush hybrid beast, a unique combination of sonic elements from pop/jazz melodies to sensual electronica and serious rhythmic cores. She also has a beautiful soaring voice and a fine turn in lyrics, and whilst it is definitely a mainstream album it certainly has some experimental leanings too. This album marks the entrance of a vibrant new voice and sounds to this reviewer, like the kind of album a future superstar would release.

Aviary.
Julia Holter’s fifth studio Aviary is a dazzling nonlinear joyous sprawl of a work. She says she was inspired to create it from a line in a book by Lebanese-American writer Etel Adnan—“I found myself in an aviary full of shrieking birds”. It simultaneously exudes chaos and calm, structure and randomness there is occasionally the slightest hint of the more experimental Kate Bush about it. It’s a menagerie of sonically beautiful moments swarming and swirling around in some sort of abstract obtuse sonic prayer conceived and created by the artist.

The gristle of knuckles.
Eve de Castro-Robinson is one of New Zealand’s foremost composers and performers amongst her numerous prizes and awards she won The 2018 Best Classical Artist/ Te Kaipuoro Inamata Toa at the Vodafone New Zealand Music Awards. The award was in part a recognition of her most recent work The Gristle of Knuckles .However The Gristle of Knuckles is far from a solo creative work it features a whole raft of collaborators who took Eve’s original compositions as their starting point and reimagined the pieces in their own way. There’s a real diversity to the range of pieces, yet the finished album sounds totally unified and cohesive thanks in no small part to the fabulous production work of Steve Garden. It’s a work classified as classical but in reality it defies genre categories. The pieces range sonically from powerful and muscular to intimate and vulnerable yet thought out the whole piece there’s a real air of exuberant, free spirited experimentation.

Mark’s Picks:
Record.
Tracey Thorn returns with another album of mature pop, her female worldview taking on the on-going struggle for equality (Sister), musical beginnings (Guitar), motherhood (Babies) & the impact of Social Media (Face). Beats merge with the sombre, and her ageless voice never loses its warmth.

Honey.
The Queen of melancholy dance beats returns with her first proper album in 8 years. Repeated plays reveal the interlocking layers of the tracks with overlapping lyrics, melodies and themes. Motivated by the tragic death of friend and collaborator, producer Christian Falk, the breakup of a relationship and several years of intense therapy, this release sees her following her own path once again.

Best local CD & Vinyl releases:
A quiet divide.
Rhian Sheehan returns with a cinematic album that melds post-rock soundscapes with lush ambient warmth, creating an emotional journey in a cascading series of beautiful and reflective moods. Lovely.

 

Mirror.
A wonderful combination of strange Jazz sounds, funky guitar, Swirling vocals, weird noises.

 

 

My design, on others’ lives.

 

 

 

Raconteur / The Frank Burkitt Band.
A musical-meld of influences from both continents – UK folk meets American bluegrass/Western Swing, with touches of his early Jazz influences. From toe tapping workouts to sincere ballads, all the seemingly disparate elements combine into a thoroughly enjoyable set of melodic narratives. It all seems effortless and simple but that belies the skill of his tight backing band, the consistently high levels of song writing and the sophisticated arrangements. No surprise it picked up a Tui for Best Folk album.

Too many millionaires.
The first all-acoustic album for Darren Watson is an artistic triumph on every level. Watson has always been a champion of the underdog, whether in the context of love or social commentary, and his authentic, pointed and gritty songs traverse the songwriting spectrum from the personal to the political.

We light fire.
Six years is a long time in the ever shifting music world and the catchy guitar pop of her last album Modern Fables has shifted into a heavier synth based sound with more layers of production on the tracks. But all the flourishes don’t detract from another set of great songs and that amazingly powerful voice, with its crystal clear range. Beginning with a slow ballad ‘Clandestine’ the album builds up, as gentle guitar strings alternate with washes of synth and grungier beats. Most albums taper off but all the best tracks are stacked towards the end.

Nine centuries.
Third album from Wgtn’s top Metallers marks Bulletbelt’s final album with vocalist Jolene Tempest and guitarist Seth Jackson, who left after the album had been recorded. Guests include Midnight’s Vanik, (solo on Cloak the Night), and Massacre vocalist Kam Lee (vocals on ‘Show Me Your Throat). Lyrically the album focuses on the witch trials of the Dark Ages, the examination of such brutal & violent themes paying off with some intense and aggressive tracks. A punk energy in a Metal framework, raw and powerful.

Seeing things.
Most bands first albums are the result of many years hard work, often resulting in the pinnacle of their sound – which subsequent albums then try to recapture. It’s a rare band that grows better with each release, but Eb & Sparrow were in that category. ‘Seeing things’ shifts their sound from Country/Americana of the first few releases into a more sophisticated lush soundscape. The lap steels are replaced with a more shimmery guitar sound that evokes the languid lines of The Cowboy Junkies or Mazzy Star, all focused around Ebony Lamb’s burnished vocals. A beautiful collection of songs that finds you reaching for the repeat button as soon as the last track fades out.

The hill temple.VINYL
Awesome new album from the ‘witches’ of Hex, with new cohort Jason Erskine. Beautifully soaring harmonies, delicious melodies, crunching guitar lines. All the best elements of indie rock surrounded by a fierce female empowerment aesthetic. Bewitching.

 

Like splitting the head from the body.VINYL
The debut full length album from the fabulous Womb. Every track swirls in and out of beautiful dreamy vocals and layers of languid guitar and synth lines. Music with a sense of grandeur that uplifts the listener on swelling waves of lush sound. Completely sublime.

 

Axels’s Picks:
How to solve our human problems.
Melancholic. Intimate. Pop.

 

 

Jassbusters.
Groovy. Soulful. Eccentric.

 

 

Tell me how you really feel.
Genuine. Stoner. Raucous.

 

 

Sex & food.
Vintage. Mind-altered. Catchy.

 

 

Marble skies.
Melody. Harmony. Energy.

 

 

Nothing is still.
Emotional. Ambient. Deep.

 

 

All melody.
Experimental. Gentle. Sentimental.

 

 

Snow bound/ The Chills.
Uplifting. Bright. Easy peasy.

 

 

Isle of dogs : original soundtrack / music composed by Alexandre Desplat.
Instrumental. Rhythmic. Quirky.

 

 

Suspiria : music for the Luca Guadagnino film.
Ominous. Atmospheric. Hypnotic.

 

 

Make way for love.
Sensitive. Bittersweet. Mellow. Continue reading “Staff Picks CDs: Best of 2018 -Part 2”

Staff Picks CDs: Best of 2018 -Part 1

A round-up of our favourite sounds from last year. Hopefully you will find a new artist to explore, or something you missed the first time around.

John’s Picks:
Konoyo.
The ninth record from Canadian electronic artist Tim Hecker is a sublimely beautiful work that sounds like lifting a veil to expose atomic and sub atomic processes at work, and is quite unlike anything else, including the previous Tim Hecker records.

 

Brainfeeder X : a 36-track compilation showcasing the past, present and future of the label.
With influences ranging across jazz, hip-hop, r ’n’ b, house, and electronica, the Brainfeeder sound is genuinely ground-breaking and this tenth anniversary double disc set shows why the label has grown from a small L.A. based underdog into a global cult phenomenon.

Wide awaaaaake!
The post punk influences are still plentiful, but the new album has a gloss of production that manages to expand their musical palette without losing the bands’ angular garage rock stance.

 

7.
Their most immersive, and possibly their most engaging, album to date with the usual gentle drum programming replaced by a thunderous live drummer that helps move this record into the deeper realms of dream pop inhabited by bands such as My Bloody Valentine.

 

Music for installations.
Brian Eno re-affirms his standing as the Grand Master of ambience with a stunning six disc set filled with gorgeous washes of bells and drones and unidentifiable luminous shimmers moving across widescreen stereo fields, beautiful, always different, yet always the same.

 

No sounds are out of bounds / The Orb.
The driving dub bass lines that propel each track are the only constants over a record that touches many bases, all peppered with The Orb’s distinctive humorous vocal samples, to create, arguably, the most commercially accessible and one of the best releases of their long and befuddling career.

 

Listening to pictures : pentimento volume one.
The former jazz trumpet player, who initiated the idea of the “Fourth World” alongside Brian Eno on 1980’s ‘Possible Musics’, has released, at 81 years old, a remarkable record when most others so long into their career are merely re-treading old ground.

 

The loneliest girl.
Difficult to pin down, AK pop chanteuse Chelsea Nikkel confounds with her fourth album of thoughtfully produced bitter sweet songs within which lurks a deceptively subversive baroque take on the pop format that is entertaining from start to finish.

 

The animal spirits / James Holden & the Animal Spirits.
UK electronic producer James Holden has been pushing the boundaries of electronica for most of his career and his most recent album, recorded live in the studio, treads a path far more akin to the wild transcendence of free jazz greats such as Pharaoh Sanders than any current electronic artists.

 

Infinite moment / The Field.
Swedish electronic producer Axel Willner, aka The Field, continues his musical pilgrimage chasing endless repetitive loops to an infinite beyond, creating a masterful album by one of the most original electronic producers active today.

 

Bottle it in.
Kurt Vile’s highly characteristic slacker Americana has by now become expertly crafted and, via the unusual sense of intimacy he is able to create, he maintains interest throughout this long album, which validates his cultural niche as the new millennium’s equivalent of artists such as R.E.M and Neil Young.

Suspiria : music for the Luca Guadagnino film.
This is definitely not sunday bar-b-que music, but the fine orchestral and choral arrangements, the creepy electronica and the gentle, sad, guitar based songs make for some great late night uneasy listening.

 

Toitū te pūoro.
Al Fraser, the Wellington musician and instrument maker takes the listener on a deep, dreamlike and evocative journey into the mysterious, mystical and unique sound worlds created by the ancient taonga puoro.

 

Shearwater drift / Al Fraser, Steve Burridge, Neil Johnstone.
A fully immersive sonic collage that, over 18 tracks, features Taongo Puoro within soundscapes created by synthesisers, percussion, treated samples and other instruments that is not an easy listen, at times it can be quite eerie, but the dark and ethereal ambient atmosphere is the perfect vehicle by which the mystery of these ancient instruments can be experienced.

Collapse.
This five track ep is the latest in a series of EPs that have followed Aphex Twin’s triumphant 2014 return with the album ‘Syro’ and is his most familiar so far, bearing all of the hallmarks of classic Aphex Twin electronica – frantic stuttered beats, rubbery bass lines, beautiful submerged melodies, evocative vocal samples and complex shifting arrangements.

Switched on volumes 1-3.
The UK post-rock pioneers, who have been on indefinite hiatus since 2010, are well on the way to becoming a cult band, with a worldwide dedicated fan base who refuse to accept that they are no more and re-releases like this help keep their myth alive, collecting the band’s three ‘90’s compilations of singles and rarities in one nifty box set.

Singles 1978-2016 / The Fall.
Made especially relevant by Mark E Smith’s 2018 demise, this excellent box set compiles, over seven discs, every single – both A and B sides – from one of the greatest indie bands ever – The Fall.

 

 

 

 

Enclosures 2011-2016.
South Island electronic composer Clinton Williams, aka Omit, is considered by many to be the perfect reclusive genius and this beautifully presented five disc box set, with a written intro from Bruce Russell, contains Omit’s most recent output, previously released as limited run CDRs all hand made by the artist.

The dreaming [2018].
‘The Dreaming’ was her fourth record sitting right in the middle of her transition from ‘pop star’ to ‘serious artist’ and both audiences and critics were slightly baffled at the time (it is referred to as her ‘mad’ album); she suffered nervous exhaustion after the year it took to make, but she produced an unrecognised masterpiece.

Shinji’s Picks:
Snow bound/ The Chills.
Thankfully Martin Phillipps’s health seems better now. Only 3 years after the widely acclaimed ‘Silver Bullets’, the Chills provides another stellar album. A quirky mysteriousness is still there but Phillipps is more mature and optimistic. He keeps his pop-craftmanship in great form and offers the melancholic yet bouncy sound with glorious melodies. It’s The Chills as good as it gets. Brilliant.

Lean on me.
Hello like before : the songs of Bill Withers.
To celebrate Bill Withers’ 80th birthday, two fantastic tribute albums came out late 2018 and they both offer wonderful listens. A star artist of Blue Note Records, Jose James has been performing Withers’ songs on stage, and the album ‘Lean on Me’ features his stoic vocal with deep, slow grooves created by his band. A neo-soul singer, Anthony David, who is often compared with Withers, takes a more straight forward approach, showing full love and respect to Withers. It’s been more than 3 decades since Withers walked away from the music industry, but his honest, caring-for-others songs may be something we need in the state of the world today.

Ventriloquism.
From the big names such as Prince, Tina Turner and Sade to the typical 80s hit by Lisa Lisa & Cult Jam, they are all songs from ‘85 to ‘90 (except TLC’s Waterfalls in ‘94). A cover album of the 80s R&B classics is rare and what Meschell Ndegeocello does with them is totally original. With the minimal arrangements, she and her band display superb performances and colour them with a murky textured otherworldly ambience. This is an exceptional cover album by the extraordinary artist.

Vortex / Sonar with David Torn.
Swiss jazz-progressive rock quartet Sonar has established an utterly unique sound – often playing in irregular time and creating a minimal stoic groove – and with this album featuring the one-of-a-kind guitarist David Torn, they seem to move to another level. Torn originally worked as a producer but ended up playing on all tunes as well, and brings a sonically inventive soundscape with huge improvisations on some tracks. It’s stoic yet dynamic, a marvellous risk-taking music.

Contra la indecisión / Bobo Stenson Trio.
This album was released in January 2018 but remains one of the best jazz recordings of the year. Swedish pianist Bobo Stenson is now in his 70s but his graceful lyricism shines more than ever and provides one of his finest albums. The trio shows a great cohesion and versatility and weaves beautiful stories. It’s music that grows inside of you like a good wine. Exquisite.

Mi mundo.
Cuban shining new star Brenda Navarrete infuses the traditional Afro-Cuban music with the modern stylish sound, and her debut album ‘Mi Mundo’ (My World) is full of thrilling moments. Navarrete’s expressive voice and her percussions lead the charge throughout, and the Cuban all-star supporting band shows amazing skills, creating smooth yet rich, dynamic grooves. Sensational.

All melody.
Plus.
German composer/pianist Nils Frahm has been a prominent post-classical music artist, and ‘All Melody’, which started with building his new studio, shows his exceptional talent as a producer as well as a player, exquisitely assembling a great variety of musical elements. Somewhere between techno, ambient and classical, it’s a beautifully executed, kaleidoscopic music. Frahm also joined the Danish electronica trio System with graceful keyboard plays. This is a wonderful collaboration, and System masterfully blends Frahm’s organic tones with their minimal yet rich soundscape, and makes it a mesmerising, ambient album.

Johann Sebastian Bach / Vikingur Olafsson.
As if making an ultimate Bach playlist, a young Icelandic pianist Vikingur Olafsson excellently juxtaposes Bach’s compositions, and tackles them from a variety of angles with fresh ideas. His pianism is sophisticated and refreshing, and brings out astonishingly colourful faces of Bach. This incredible Bach should reach beyond the classical music lovers like Glenn Gould did.

WCL’s Most Wanted of 2018

It’s that time of year for us to unveil the most wanted of 2018! Check out the top 10 most read books by the whole city of Wellington. Fiction, Non-Fiction, Children’s and Young Adult – here are your favourites.

Fiction

This year was all about thrillers for Wellington readers with Lee Child and John Grisham taking out 1st and 3rd place for most borrowed books, and newcomer A.J Finn sweeping in to take 2nd place for the most read fiction titles this year! For a fuller list broken down by genre and hand picked by our Fiction team check out ‘Ring out the old, ring in the new: the best novels of 2018!’.

Non-Fiction:

Drawn out takes the number 1 spot this year followed closely by Chelsea Winter’s and Dr Libby’s cookbooks coming in at 2nd and 3rd place. The top 10 was dominated by cookbooks with only few exceptions including the international best-seller Fire & Fury and local favourite Nikau Cafe by Kelda Hains.

Children’s

Children’s author Jeff Kinney takes out our number one place with his book the Last Straw and a further 7  places of our Top 10 this year, with popular children’s author Andy Griffiths managing to squeeze in for 2 spots taking out 6th and 10th place. For any parent this year’s top 10 will come as no surprise to see that the Diary of a Wimpy Kid series and those multi-storied tree houses are as popular as ever!

Young Adult Fiction

Movie adaptions have dominated the Young Adult top 10 this year with 7/10 either out or coming out any minute included on the list, with classics classics like  The Fault in Our Stars and The Hunger Games remaining in the top 10 for another year! John Green’s new novel has taken the coveted number 1 spot though, with Mortal Engines following closely behind in second place spurred on by the upcoming release of Peter Jackson’s new action packed film and The Maze Runner taking out 3rd place.

Biographies

New Zealand author Diana Wichtel has taken the 1st place for Biographies 2018 with her book Driving to Treblinka with fellow NZ author Lilia Tarawa coming in 5th place with her book Daughter of Gloriavale. 2nd place went to the ever popular Educated : a memoir by Tara Westover with Shaun Bythell’s hilarious account The diary of a bookseller rounding out the top 3.

eBooks

Bestsellers dominated the eBook top 10 list this year with Margaret Atwoods The Handmaid’s Tale tand Lee Child’s The Midnight Line taking out 2nd and 3rd place respectively, but they couldn’t take the crown of 1st place from the charming little memoir Flat Broke with Two Goats from Jennifer McGaha, the only non-fiction book to make the ebook Top 10!

Overdrive cover Overdrive cover Overdrive cover

Stay tuned for the Best of 2018 – eLibrary edition… Coming Soon!