From the street to surrealism: an eclectic selection of amazing new art books for May 2013.
New street art / Claude Crommelin (ClaudeLondon).
“Street art is part of every cityscape. By street art, we mean the crazy and wonderful stencils, paste-ups, paintings and little sculptures that decorate our urban landscape, catching our eyes and surprising us with their beauty, humour or pithy comment on society. It is, however, ephemeral and the work can disappear very quickly or be damaged by the elements or vandalism. Through his website, ClaudeLondon has documented thousands of works by artists active in the city.” (adapted from amazon.com description)
Drawing Surrealism / Leslie Jones ; with contributions by Isabelle Dervaux, Susan Laxton.
“An exhibition catalogue for a show at the Los Angeles Country Museum of Art and the Morgan Library and Museum, this volume features a text by LACMA curator Jones and two accompanying essays by Dervaux and Laxton. The publisher describes it as the “first large-scale loan exhibition to focus on drawing as a prevailing form of expression for surrealist artists.” …” (CHOICE) (adapted from Syndetics summary)
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss / edited by Richard Shone and John-Paul Stonard.
“Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature …” (adapted from amazon.com description)
Chagall : modern master / Simonetta Fraquelli ; with contributions by Angela Lampe … [et al.].
“Though his paintings of Russian village life, floating figures, flying cows, and roosters are instantly familiar, Marc Chagall (1887–1985) remains one of the least understood artists of his generation. Bringing together more than 60 paintings and a selection of works on paper, this lavishly illustrated book focuses on the artist’s time in Paris before World War I, his visit to Berlin and his exhibition there in 1914, and the years he spent in his native Russia around the time of the Revolution in 1917, all experiences that reinforced his highly personal visual language.” (adapted from amazon.com description)
Treasuring the gaze : intimate vision in late eighteenth-century eye miniatures / Hanneke Grootenboer.
“The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one’s hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures—and their abrupt disappearance—reveals a knot in the unfolding of the history of vision…” (adapted from amazon.com description)
What was contemporary art? / Richard Meyer.
“Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In What Was Contemporary Art? Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture…” (adapted from amazon.com description)