From the 28th of June, you’ll be able to issue hundreds of new Pan Macmillan titles through our OverDrive eBook service. eBook titles by authors like David Baldacci, Sue Grafton, Ann Cleeves and Andy Griffiths will be available for the first time on OverDrive.
In the past, we’ve hosted Pan Macmillan eBooks through our other supplier of eBooks, BorrowBox. In response to customer demand though, and in an effort to consolidate our eBook collections, we’ve transferred this content across to OverDrive.
From the 26th of June, Pan Macmillan eBooks will no longer be available through BorrowBox.
There’s plenty of amazing and exclusive eAudio content on BorrowBox, so we still encourage you to check in with BorrowBox for new audiobook titles by authors like Lee Child, James Patterson, Eleanor Catton and Andy Griffiths. We’ll also host a smaller collection of eBooks on BorrowBox into the future.
If you’d like to get started with either our OverDrive or BorrowBox eBook and eAudio collections, go to our eLibrary Help page.
For more information or direct help with this change, please leave us a message with our Technical Support form.
Libraries are no longer just places to get books. Need a PA system for a party, a speaking engagement, or a wedding? Playing a live or studio gig? Need to do some recording in the field, or hook up some gear to your laptop and make a new album at home? The new Library Music Equipment collection has what you need. We love Wellington music at Wellington City Libraries and we are here to help you make it.
The Deluge is an all-in-one, stand-alone, portable synthesizer, sequencer and sampler designed for the creation, performance and improvisation of electronic music, created by Wellingtonian Rohan Hill, and developed by Synthstrom Audible Limited, a boutique electronics manufacturer from Wellington, and is the latest addition to our Music Equipment Lending Collection.
Our Deluge has been launched with the new 2.0 firmware, which has some exciting new features like Song arranger mode.
• Synthstrom Audible Deluge
• Instruction booklet
• USB Cable $50 for 7 days/Overdue charge: $10 per day
Terms and Conditions to borrow this equipment are in place to ensure the safe use of the equipment and its timely return. A library fee ($50) will be payable to borrow for this equipment and borrower discounts (e.g. Community Services Card), do not apply. If the equipment is returned late, overdue fines will be payable ($10 per day).
To make a booking, fill out the Music Equipment form, telling us your details, specify the Deluge Kit (agreeing to the terms and conditions) and a staff member will contact you to confirm your pickup time.
Local Wellingtonian author Pip Adam has won the top fiction prize at the Ockham NZ Book Awards with her fantastic novel The New Animals. Published in 2017, this is Pip’s second novel. The award win includes a $50,000 cash prize and has been won previously by Catherine Chidgey, Eleanor Catton, Emily Perkins and other fantastic writers.
In November we interviewed Pip about The New Animals, so make sure to give the blog post a read if you haven’t already. We have the book in our collection in both print and ebook formats, so be sure to reserve it now!
The new animals / Pip Adam.
“Carla, Sharon and Duey have worked in fashion for longer than they care to remember, for them, there’s nothing new under the sun. They’re Generation X: tired, cynical and sick of being used. Tommy, Cal and Kurt are Millenials, they’ve come from nowhere, but with their monied families behind them they’re ready to remake fashion. They represent the new sincere, the anti-irony. Both generations are searching for a way out, an alternative to their messed-up reality. Pip Adam’s new novel walks the streets of Auckland city now, examining the fashion scene, intergenerational tension and modern life with an unflinching eye. From the the wreckage and waste of the 21st century, new animals must emerge.” (adapted from Syndetics)
You can browse Joy’s many books for children and adults on our library catalogue. Some favourites are below:
Snake and lizard / Cowley, Joy
“Snake and Lizard are a lovable, foolish pair. They are always arguing, embarking on unlikely enterprises and telling one another hotly contested tales. But none of this behaviour lessens their affection for one another. The International Youth Library has awarded this book with a White Raven, a prize given to 250 notable childrens books published internationally each year.” (Catalogue)
The silent one / Cowley, Joy
“The Silent One is Jonasi, sent from the sea as a baby to grow up in an isolated Pacific village. Separated from the villagers by his silence and their prejudices, Jonasi finds solace in his underwater world where he develops a special relationship with a huge white turtle. However, the superstitious villagers see both Jonasi and the turtle as evil spirits. A series of natural disasters and a struggle for leadership within the village sweep Jonasi toward his strange destiny.” (Children’s Bookshop)
Mrs. Wishy-Washy’s farm / Cowley, Joy
“Mrs Wishy-Washy is at it again, rubbing and scrubbing all the animals on the farm. But this time they are not standing for it. Duck, cow and pig run away to the big city – but they get lost. Maybe Mrs Wishy-Washy and her farm aren’t so bad after all.” (Catalogue)
Helper and helper : Snake and Lizard / Cowley, Joy
“We should have a new sign, said Lizard. Exactly what I was thinking! cried Snake. A huge sign at the entrance of our burrow! Snake and Lizard, Helper and Helper. Big help one egg. Little help one beetle. Lizard lifted his chin in defiance. ‘Lizard and Snake! Lizard and Snake! “My dear friend, we can’t have that. Creatures are used to Snake and Lizard. They’ll think Lizard and Snake is a new partnership.” (Catalogue)
A reminder that the Zinio for Libraries app will be replaced by RBdigital tomorrow (April 17 2018). Your login will remain the same and you won’t lose titles you’ve already checked out.
Have you tried the new RBdigital app? It’s available to download from your app store and is the new app for reading our Zinio (now-renamed RBdigital) magazine collection. It has some great features — see our previous blog post.
If you open your existing Zinio for Libraries app, you will be prompted to download the new app, or depending on your device, visit your app store from these links: iOS | Google Play. Alternatively, search for “RBdigital” in the app store, if you’re not reading this on your device.
Originally, RBDigital planned to stop access to Zinio to Libraries in 2017, but to give library patrons more time to make the switch, they extended the changeover period.
Download the new app and have a look round. There is a basic, but comprehensive help feature inside the app to get you started, or click on the image below for a quick guide to getting started.
We are counting down to NZ Dance Week (5, 6, 7, 8… get it?) and are getting SO excited for what’s happening at Central Library that week, that librarians have been started tapping and jiving through the shelves! So in the lead up to Dancing Through The Pages we quizzed our upcoming performers about their favourite books and current reading habits!
In order of the week’s performances, we kicked things off with choreographer and Artistic Director of Java Dance Theatre Sacha Copland.
So Sacha, tell us what are you reading at the moment? “I usually have a few books on the go at any one time. For fun I am reading The Sun and Her Flowers by Rupi Kaur. For research for my next work I am reading The Brilliant History of Colour in Art by Victoria Finlay and Chocolate Nations, Living and Dying for Cocoa in West Africa by Orla Ryan. I am really interested in exploring colour more. There is too much monochrome! Also my next work is about chocolate so I have to research every aspect of it before I make it, the good, the bad and the ugly.”
Next up we have contemporary dancer and choreographer Lucy Marinkovich along with saxophonist and composer Lucien Johnson who answered our questions with the same creative partnership that we will hear more about at ‘A Song & Dance’!
Want to know more about Dancing Through the Pages and what’s happening for NZ Dance Week? Check out wcl.govt.nz/danceweek for all of the info, add the Facebook Event to your calendar and follow the hashtag #nzdw2018! We hope to see you there!
Pro-tip: don’t miss our most recent biographies booklist! We’ve hand-picked a selection of some of the prominent dancers in history, from Gene Kelly to Michael Jackson. We couldn’t resist making a list of our favourite dance movies as well, what better reason to relive Footloose is there! Take a look!
We have just renewed our RBdigital magazine subscriptions for 2018. We always use this time as an opportunity to review our collection and look at what new magazines are on offer. There’s always some cancellations too – either by us (due to performance), or by RBdigital as sometimes magazines are no longer available to renew (which is beyond our control).
This year you can expect to see five new magazines – UK House and Garden; Australian Men’s Fitness; Minecraft World, W magazine and New Zealand’s Metro magazine.
The titles that are no longer available are – Australian Rolling Stone; Australian Metro; Girlfriend; Horrible Histories, Vanity Fair and Renegade Collective.
All changes will kick off from March 1st, so expect to see the new magazines from then. All back issues of the cancelled magazines will still be available to read and download for a while after that date.
If you haven’t used RBdigital before then now is the time! They provide us with lots magazines that you can read for free and if you download them to your device you can keep them forever. You can find the RBdigital homepage in our elibrary or through our Mygateway pages. There’s a helpful userguide to get you started, all you’ll need is your library card. The RBdigital app is available to download for free from the Play or Apple stores and it allows you to read magazines offline. So check it out and if you need any help, pop in to your local library for assistance or fill out our technical support form to put you in touch with our elibrary team.
Wellington City Libraries have entered into a valuable partnership with Wellington Airport, aimed at promoting our digital collections through the hosting of an OverDrive eKiosk at Wellington International Airport. Our OverDrive selection has over 40,000 eBooks and eAudio titles to choose from and in the last financial year, has increased by over 30%, making it a much-liked and enjoyed collection.
By placing a promotional eKiosk in a busy, prominent location like Wellington Airport, we’re hoping to increase access and exposure to our OverDrive collection with the wider Wellington population.
Through the eKiosk, you can get started with our OverDrive collection through the OverDrive app, search and browse titles, listen to and read, eBook and eAudio samples, and have temporary access to digital titles for a limited time.
By using our eKiosk, you’ll be able to send temporary membership links through either text or email, enabling 3 free downloads to your smart phone or tablet, courtesy of Wellington City Libraries. After being given temporary access to OverDrive, simply join Wellington City Libraries to gain permanent membership and full borrowing entitlements.
If you’d like to get started with our OverDrive collection (or other eLibrary services) try our eLibrary Help page here, or contact us through our Technical Support link here . We look forward to getting you started!
We’re delighted to introduce you to our catalogue, please give it a try.
Supplied by the same company as our Classic Catalogue, it’s smartphone-friendly and presents a lot more information to help you choose what you want to borrow. It still has all the main searches – by title, author, or subject, but it’s easier to see if the book (or DVD etc) is available in the library.
Once you’re logged in, you can save your favourite searches, make lists (for your summer holiday reading), or even opt in to save your borrowing history.
Spacious open plan living. Nest or invest. Classy urban retreat. If you’ve spent a bit of time browsing real estate brochures, you’ve probably read these words before. But there’s another, darker story of renting and home ownership in New Zealand, one without floor plans or glossy full-page photos: The New Animals, by Pip Adam.
Adam’s work has appeared in a range of journals and anthologies, with her short story collection Everything We Hoped For published in 2010 and her debut novel I’m Working on a Building in 2013. She’s been described as “the woman who is making literature subversive fun in this country again… The most wired-in to the seething discontent below the housing bubble.” So put down the brochure and get a copy of The New Animals today!
The blurb for The New Animals references intergenerational tension, however the story also looks at tensions of class, wealth and gender. What was it like shaping a story around these conflicts?
I always think conflict and complexity give ‘life’ to stories. It seems like a boringly obvious thing to say but it is also constantly a surprise to me. I often use writing to sort out things that confuse me about life and I guess confusion is often a state of conflict for me – one idea against another, or maybe things acting in ways that don’t gel with my world view that cause a disruption to the things I believe and understand. For me it is always scary writing about people who I am not, but I have always loved the idea of trying to imagine myself into a mindset that seems confusing to me. Like often I might see someone do something and I have this idea that people always act in ways they see as ‘good’ or ‘right’. I’ve met lots of people and no one ever seems to make decisions by thinking ‘this is wrong thing to do’, even people who have broken the law. So yeah, I am always interested in trying to imagine myself into a mindset that would see decisions I see as odd as the ‘right’ decision. I enjoyed it particularly in this work because it was a bit like Sudoko or those tile puzzles, where someone would act and there would be a domino tumble of other people being forced to act.
You recently talked about your relationship with fashion – its power and ability to answer societal questions, but also its environmental impact. How did you approach this in The New Animals, especially with fashion playing such a large role in the story?
I am really interested in design of all types, particularly the form and function, or form versus function. Before I started the book I had this love of fashion which I think was a hangover from my hairdressing days. Like I loved seeing how fashion changed and yeah, also I really like looking at beautiful things. For this book I started taking a more intense interest. I became a rampant follower of fashionable people and people in the fashion industry. I just consumed everything I could. I visited shops as well, touched the clothes, saw them on the hangar and on people. I was also really interested in the history of fashion and some of the theories around fashion. I am especially obsessed with the work of Rei Kawakubo and the way she deconstructs the human form. I love the play of her work but also the real seriousness and almost horror of some of her work. I am also quite obsessed with Alexander McQueen’s life and work – in a lot of cases the violence of it. One of the hard things about writing about fashion is that it is often talked about in quite ‘light’ ways. I had to read very deeply to find the language that had weight and importance. There is a risk that fashion can seem shallow because, I think, it is ephemeral and seems to be about adornment when often it is about so much more.
The New Animals is very grounded in Auckland. How do you think the city’s geography helped with the story?
I really love Auckland. I grew up there and I visit a lot. It’s interesting you ask about geography because I think it is a really interesting city that way. Like you have that massive volcanic basin that is the harbour and then you have that network of volcanoes that have formed Mt Wellington and Mt Eden and, yeah, I often think of Auckland as this volatile place. My parents live close to Stonefields which is a development built on the site of an old quarry. Auckland has this feeling for me of land acted on. Land in flux, land in change and to me this book is a lot about that, about change and fluidity and evolution and I think walking around Auckland, travelling over it which I did heaps of for this book it’s impossible not to feel that. For instance, the train I catch a lot from Glen Innes travels over the Orakei Basin, this incredibly changeable place. If the tide is in, it looks like a body of water, but when the tide is out it transforms into this muddy almost wasteland. Everything that was covered by the water is exposed. I like that as an image as well, the way things can be exposed by changes in environment. Tides are a big part of my thinking around this book. The way the moon pulls these huge bodies of water around, the way they kind of create these weather patterns deep below us. And then don’t even get me started about how humans began as fish, how the ocean must have some strange pull on us still.
One aspect that really stood out was the friendship between Carla and Duey, with the contrast between their interactions and their personal thoughts, and their awareness of the friendship’s decline. Was this relationship a difficult one to write?
For a long time, in the writing process, Carla and Duey had been lovers and it just wasn’t doing what I wanted it to do. We so often place the ‘sex’ relation above all other intimate relationships. I am really interested in friendship. I find it so interesting. What keeps friendships alive is so complicated but also so purely unselfish. I liked the idea that Carla and Duey were at a stage where the relationship (as if it were a separate thing from the two people in it) was in decline, like despite all their care and thought for each other nothing was going to save it. It was difficult to write because I don’t read many books about friendships that are like that, so in a way the models I had were very much about love and sex relationships. So it took some sorting out, like some real close work. The other thing that I loved about writing that relationship is that I think it is pretty cool how humans can think one thing and then act in a better way. I love how we do that for each other. I guess also, finally, I was interested in deconstructing some of the ‘work’ we do in human relationships. Like, I find people pretty confusing sometimes, a lot of the relating stuff doesn’t come automatically to me. So, I am often thinking a lot about what the right thing to say is or what a person is saying (like actually saying). It was fun to make some of that work apparent, to sort of uncover that and show it.
Reviews of The New Animals have generated some discussion about New Zealand literature and the reviewing process. What has it been like seeing the passion your work has brought out in people?
Writing is a weird thing. I really like the part of writing that takes place in a room by myself. I love working on something, like really working on something – crafting it and messing it up and having to fix it and living with it. I find I get so ‘into’ that work (like I literally feel like I climb inside the story) that I forget that other people will read it. So yeah, sometimes publication is a bit of a shock. Like I remember after my first book was published someone I didn’t know said to me, ‘I read your book,’ and I was like, ‘I never said you could.’ I just forget that people will read it. So, it’s pretty amazing when people I respect say they like what I’ve written. People will email me and tell me in person and it means heaps because I’ve sort of ‘shown my hand’ as a human. I’ve said, ‘I made this. I think this is how life is awesome,’ and when someone says, ‘I see what you’ve made and it made me think this is how I think life is awesome,’ that is just incredible. I love how art can do that and I’m not sure much else can. I put a lot of stake in passion. I love the way, in my life, I have been granted the opportunity to come into contact with many people who make me feel passionate and I just get fired up about the idea that our work sort of sparks off each other. Like no matter what is going on. No matter what other people are saying about our work, we can sustain ourselves. It’s like the biggest collaboration. Because although I love those times by myself working, I am never far from the work of others, I will be reading those writers to keep me going, to keep me passionate.