ComicFest 2019 – 5 minutes with Sarah Laing

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

We are pleased to have Sarah Laing for our next “5 minutes with…” feature. Sarah is a Wellington-based writer and illustrator who has had novels, short stories and the graphic memoir Mansfield and Me published. A collection of comics from the past ten years is forthcoming from VUP – Let Me Be Frank will be published late 2019. She also the co-editor of Three Words: An Anthology of Aotearoa/NZ Women’s Comics and has illustrated a number of children’s books.


Q: What first got you interested in comics?

A: My dad was a big comics fan – he’d grown up on the war comics you could buy at the dairy – so we always had comics lying around. Tintin, Asterix, Garfield, Charlie Brown. My cousins had a big stash of Disney comics and I particularly liked tales of Uncle Scrooge and his mountains of money. I also used to read Bogor in the Listener, and wrote some fanmail to him, with my own fanart of hedgehogs and snails. He offered me a job when I grew up – I wonder if that offer is still on the table?

Q: What is your average day like?
A: Up until recently I’ve been finishing off my Let Me Be Frank manuscript – a collection of my comics over the past ten years, to be published by VUP in late 2019. I’ve got to be an almost fulltime cartoonist thanks to a CNZ grant. Almost fulltime, I say, as I have three kids and various part-time gigs, including mentoring creative writing students, and illustrating for a number of publications. Right now, since I have submitted my manuscipt, I am lookng for a proper job to pay my bills – feel free to hit me up!

Q: Can you tell us about a current or recent project you’ve worked on?
A: My most recent project I talked about in the previous question, but I worked on a great project last year, in collaboration with Dr Giacomo Lichtner, the Italian Embassy and the Holocaust Centre of New Zealand – it was an adaptation of Denebedetti’s account of the SS raid of the ghetto in Rome. You can read that comic here.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I waste an awful lot of time and feel incredibly guilty about it, and then sometimes I’m freakishly productive. I have to check Facebook, Instagram and Twitter each morning before I start work, and I also have to make myself coffee and a piece of toast and peanut butter. When I’m in my productive phase, I allow myself to draw badly and make mistakes, focussing instead on the shape of the story and actually completing it. The drawings may look terrible at the time, but when I go back to them, they have a looseness and a spontaneity that I like, and I often wonder if they are better than my final illustrations.

Q: Who/what is your biggest influence or inspiration?
A: I have so many influences and inspirations! I am a huge fiction reader, so always have a novel on the go. I love all the women I follow on instagram and support on patreon, like Gabrielle Bell and Sarah Glidden, Mimi Pond Lisa Hanawalt, Summer Pierre, Glynnis Fawkes and of course the indominatible Jillian Tamaki. I am also a big music fan, and my latest discoveries include Nilüfer Yanya and Charlotte Adigéry. Nature, films, TV (Russian Doll! So good!), art, foreign cities, family, friends, random encounters… all of this feeds into the psychic soup I take ladles from to make my work.


Q: What or who are your favourite NZ comics or creators?
A: Again, there are so many people I like and I always scared of making these lists for fear of missing someone off! I really love Sophie Watson’s comics, and I’m excited about her larger project she’s working on. Ross Murray’s latest book, Rufus Marigold, is great – I’m looking forward to hearing him talk about it at ComicsFest. Giselle Clarkson makes hilarious, beautifully drawn comics, and I really admire Zoë Colling’s autobio works. Indira Neville is hilarious and arresting, and Kirsten Slade is unmissable. Sam Orchard makes great comics about his life as a transman, which always hit the spot. The greats are still great – Dylan Horrocks, Ant Sang, Toby Morris – and I really love the irreverant lo-fi nature of Brent Willis’s comics. Austen Milne is an up-and-coming cartoonist who I’m sure we’ll be seeing a lot of, and I wish I could see more of Meng Zhu’s comics, who was in Three Words…. Arrgh, gotta stop now!

Q: What is your dream comic project?
A: I have a few graphic novels bubbling away in my head… my dream involves being published by Drawn and Quarterly and being invited to all those American and Scandanavian comics festivals!

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: This time I’m here as a chair rather than a guest so I am excited to tease as much out of my panel, including Roger Langridge and Katie O’Neill, as possible!

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Hmm, tough call. Tove Jansen? Rita Angus? Or maybe Vivienne Westwood. Or am I meant to be choosing a fictional character? In that case I’ll go as Little My or Rachael in Bladerunner.

You can find Sarah online in the following places:
Instagram: @sarahelaing
Twitter: @sarahelaing
Blog/Website: sarahelaing.com

ComicFest 2019 – 5 minutes with Roger Langridge

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

 

Our star artist, directly from the UK in this edition of the ComicFest, is next on our “5 minutes with…” feature. Meet Roger Langridge, a New Zealand-born comics writer, artist and letterer who lives in the UK. Notable works include The Muppet Show Comic Book, Thor: The Mighty Avenger and his own self-published Fred The Clown, which was nominated for  Eisner, Harvey, Ignatz and Reuben awards. Roger Langridge appears at ComicFest with the support of Creative New Zealand.

 

Q: What first got you interested in comics?
A: I pretty much learned to read from Carl Barks’ Uncle Scrooge and Donald Duck comics, which my mum used to buy for my brother and me to keep us quiet on long car journeys when we were very small. I had a sort of epiphany when I was around 6 or 7 years old, when our classroom art assignment was to draw a comic strip – most of the class drew three or four panels, but I covered both sides of the paper with these dense 16-panel comics. I’d found my thing.

Q: What is your average day like?
A: I tend to get up early – if I have a writing job to do I’ll put in an hour or two before the rest of the family wake up, otherwise I’ll catch up on paperwork and correspondence. Then I’ll have breakfast, get the kids off to school and start drawing – usually for the rest of the day, with a break for lunch and dinner. If I don’t have an urgent deadline I occasionally watch TV in the evening with my family, otherwise it’s back to the drawing board after dinner to make sure I hit the day’s target.

Q: Can you tell us about a current or recent project you’ve worked on?
A: Currently juggling a couple of things: I’m doing a serialised graphic novel for IDW’s Full Bleed anthology featuring my Fred the Clown character – it’s called Arizona Daisy, and it’s a western of sorts, about the relationship between a man and his cow. I’m also working on another serial – it’s for the anthology Meanwhile, published by Soaring Penguin, with a rural New Zealand setting. It’s called Taniwha. I’m hoping to do some research for it while I’m in New Zealand. My pitch was “Hunt for the Wilder People meets Alice in Wonderland”, which should either give you some idea of the tone I’m striving for or else utterly confuse everyone.

Q: Do you have any traditions or rituals that help you when you get to work?
A: Ideally I like to start before I’m properly awake, to kind of trick myself into getting something done before I’ve had time to realise that’s what I’m doing – there’s a flow established by the time I’ve caught up with myself enough to realise what’s going on.

Sometimes I’ll play instrumental music (jazz or classical, usually) when I start – it’s a way to help me focus and drown out any distractions. It has to be something without words, though. A human voice takes me right out of it.

Q: Who/what is your biggest influence or inspiration?
A: I think my holy triumvirate would be E.C. Segar, Carl Barks and Kurtzman & Elder.

 Q: What or who are your favourite NZ comics or creators?
A: From before I moved to the UK: I adored Barry Linton’s comics; I was so sorry to hear he’d passed away. I’ve followed Dylan Horrocks’ stuff since his university days. Karl Wills does some amazing work. Trace Hodgson’s comics need some sort of collection.

More recently: I like the bits I’ve seen from Ned Wenlock & Sarah Laing. Jared Lane’s stuff is very accomplished. Ant Sang is a world-class cartoonist. Ben Stenbeck gets better and better all the time. There’s always a ton of great work coming out of New Zealand, it definitely punches above its weight in terms of the talent it produces. I’m missing loads of people. I’m a bit out of the loop these days so I’m hoping to educate myself on who’s current or up-and-coming while I’m visiting.

Q: What is your dream comic project?
A: I’d really like to try my hand at a daily strip for a sustained period – some absurdist character-based thing with a Goon Show sort of feel to it. To do it well at my current rate of production it would totally have to be a full-time job, though, so either I need to find a way to draw a lot faster or find some way to get paid for it.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I’ve been asked to do a workshop about using formal constraints as a creative instigator, so there’s that! Should be fun for people who want to get involved. I’ll try to keep it silly.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Maybe I could be the back end of Barney Google’s horse, Spark Plug?

You can find Roger online in the following places:
Twitter: @hotelfred
Blog/Website: hotelfred.com

ComicFest 2019 – 5 minutes with Sharon Murdoch

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

Meet Sharon Murdoch, a political cartoonist with Stuff Media. Her cartoon series Munro, about an orange cat, also appears in Stuff’s daily newspapers. Murdoch won Canon Media Awards Cartoonist of the Year in 2016 and 2017, and Voyager Media Awards Cartoonist of the Year in 2018 (formerly the Canon Media Awards). Two collections of Sharon’s work have been published – one on her political work written by Dr Melinda Johnston, and another of her Munro cat cartoons, which came out in late 2018. Of political cartooning, Sharon says she can’t think of another job she would rather do. Even on a bad day.

Q: What first got you interested in comics?
A: After I finished Design School I lived with Trace Hodgson, who at the time was a political cartoonist for The Listener, so cartoons were a normal part of the day, and he had lots of comics around – mainly underground. Later I worked with a Xhosa Women’s Community Development group in South Africa, and we used comic strips as a way to communicate information about AIDS prevention and early childhood development. I also helped put together a kids paper for the Evening Post newspaper, called Presto. Gradually I started doing political stuff. And so it went…

Q: What is your average day like?
A: On days I have to do a political cartoon I turn on the radio as soon as I wake up and listen to RNZ and trawl through news sites. If I’m lucky my partner will bring me a cup of tea – which may be straight kindness, or may be because he likes the kitchen to himself. Our cats Munro and LaLuna usually clamp me to the bed, so it takes a bit of manouvering to extricate myself. I walk into town and have another cup of tea at a cafe while I read the newspaper, and rough out ideas. Then some more walking is usually involved while I try to sort out what the characters are saying. Most days I draw at my desk in the Stuff newsroom. It’s a great place to be, because there’s more tea, and I get to hear what’s happening about the place.

I usually work till around 6.30 or so, and then I walk home again. If I have other projects on, I try to do them on the weekends, or if I’m on a deadline I’ll work in the evening, but I find as I’ve gotten older working in the evening is more exhausting than it used to be, and also takes time away from being with my partner, my teenaged daughter, the two cats and the dog, Iris.

Q: Can you tell us about a current or recent project you’ve worked on?
A: My regular political cartoons for Stuff newspapers and Stuff.co.nz. A book of my cat cartoons, Munro, came out late last year, and I’ve been drawing penguins for South Cider cider cans. At the moment I’m doing drawings for a book by Mike White about dogs.

Q: Do you have any traditions or rituals that help you when you get to work?
A: Lots of tea. Lots of walking. A favourite dip pen handle that I got off Trademe – it’s quite old and has it’s own reservoir, and Hunt and Brause nibs. The sketchbooks I use are from Japan City. When I found out that Japan City was closing I went in and bought about 50 of them. I use one a month, so I figure when I run out of those sketchbooks my cartooning career will be over. If not before.

Q: Who/what is your biggest influence or inspiration?
A: JJ Grandville, Lynda Barry, Edward Gorey, Edward Lear, Chris Blain, Mervyn Peake, Mathieu Sapin, Ben Shahn, Wanda G’ag, Kate Beaton.

Q: What is your dream comic project?
A: Something with animals.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: Excitement about drawing stories, whether that’s single panels or pages.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Dressing as myself is challenge enough.

You can follow Sharon on Twitter @domesticanimcal

ComicFest 2019 – 5 minutes with Jesse Barratt

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

 

Next on our special “5 minutes with…” feature we have Jesse Barratt. He is a Senior Artist at Weta Workshop’s gaming studio and was instrumental in shipping Weta Workshop’s first and multi-award nominated title Dr. Grordbort’s Invaders for the Magic Leap One. Jesse’s talents were used to develop the 3D aspect of Dr. Grordbort’s Invaders including the creation of spaces and objects, and increasing immersion within the world of Mixed Reality.
Jesse Barratt appears at ComicFest with the support of Weta.

 

Q: What first got you interested in comics?
A: Art, definitely the Art. my older brother, Brad, used to buy comics all the time – he’d buy half a dozen or so a fortnight so we had plenty in the house when I was young. Much to my mum’s worry, I would sit for hours at a time, pouring over the images in comics such as Hellraiser, Tales from the Crypt, Ironman, Wolverine and Hellboy.

Q: What is your average day like?
A: I wake up early and go to bed late so my days are long. Most days I work around the 10 hour mark. Once you add portfolio work and life’s other commitments, my sleep schedule is usually shortened to the 5-6 hour mark. Healthy eating and exercise becomes important to an artist at that point. Who knows what could happen otherwise – your hands might drop off!

At Weta Workshop, I usually start my day around 7:30am, make a nice coffee in the staff kitchen and begin reading my emails and talk to a few people. This helps me prioritize my workload for the day. Once I’ve got the utmost deadlines out the way, I get stuck into a day’s worth of development. On any given day, this could consist of modeling, texturing, etc. at Weta Workshop every day is varied and interesting.

Q: Can you tell us about a current or recent project you’ve worked on?
A: Last year Weta Workshop released its first mixed reality game, Dr Grordbort’s Invaders set in the retro-science fiction universe of rayguns, rocket ships and deadly robot miscreants. This was also my first time working in mixed reality and it came with a host of new and exciting challenges. I certainly learnt a lot from the project. Now I continue to work within this inspiring new medium – it’s a little different from traditional comic book drawing and I relish the work.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I think the only tradition I have regarding helping me at work is to just really focus. People speak about “focus” like this mystical or difficult to obtain phantom. But I think that focus is more about building it over time. I usually just say to myself, Ok, from 9am to lunch I don’t get off this seat and I work. As creative people, I think we all get distracted easier than others. But by being prepared and organised you can really force yourself to shoot some goals.

Q: Who/what is your biggest influence or inspiration?
A: Honestly? It’s the people around me. People like our Lead Artist, Stephen Lambert, our Game Director, Greg Broadmore, and the rest of the amazing team at Weta Workshop’s gaming division. These people inspire me on a daily basis.

Q: What or who are your favourite NZ comics or creators?
A: Have to shout out to the best boss I’ve had and one of the most amazing artists on the planet, whether he thinks that or not, Greg Broadmore. Incredible. Check out his stuff.

Q: What is your dream comic project?
A: I’d actually love to work in a style like Clive Barker’s Hellraiser. Something dark and gritty, terrifying and beautiful.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I’ll be giving attendees at ComicFest a look into the weird world of an artist’s mind. I’ll be showing and discussing how we analyse imagery and extract the information we use to recreate or spark inspiration. Using the world of Dr.Grordbort’s and Greg’s comic book work I’ll introduce the audience to principles such as line, color, form and more.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: My go to is John Bender from the Breakfast Club because I can rock a denim jacket. But for comic fest it’s a tie between Jareth the Goblin King from Labyrinth or a yellow banana.

You can find Jesse online at jetty218.artstation.com

ComicFest 2019 – 5 minutes with Ant Sang

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

 

Next up on our special “5 minutes with…” series is Ant Sang. He is the author of celebrated graphic novels The Dharma Punks, Shaolin Burning, and co-author of Helen and the Go-Go Ninjas. Ant was the designer for the animated television show bro’Town. When not writing and drawing, he teaches ‘Comics and Graphic Novels’ at Manukau Institute of Technology. Ant Sang appears at ComicFest with the support of Penguin Books.

 

Q: What first got you interested in comics?
A: My childhood was filled with comics and I’ve loved them for as long as I can remember. I’ve always loved the way a comic can magically transport a reader to an imaginary world.

Q: What is your average day like?
A: My days vary a lot. When I’m working on a big project like a graphic novel, I’ll spend long hours writing or drawing all day (and often into the late night). I juggle this with freelance work; book illustrations, storyboards for television commercials etc. Twice a week, I teach comics at Manukau Institute of Technology, as part of the Creative Arts programme.

Q: Can you tell us about a current or recent project you’ve worked on?
A: The most recent comics project I’ve completed is the graphic novel Helen and the Go-Go Ninjas, which was a collaboration with author Michael Bennett. It’s a wild sci-fi, time-travel, dystopian future story.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I usually get into the mood by choosing music to listen to while I work. I might listen to the same song a couple of times to get myself into the right mood for the scene or artwork I’m going to work on.

Q: Who/what is your biggest influence or inspiration?
A: I’ve had so many influences at different stages of my life. When I was a kid I’d spend hours copying Asterix and Disney drawings. As a teenager I was a huge Frank Frazetta fan. More recently I love the brush work of Paul Pope; the detail, energy and speed lines of James Harren; and also the storytelling of manga comics from classics like Akira to more contemporary stuff like Goodnight Punpun. Independent and alternative comics are a big influence on me also, in terms of subject matter and creating personal stories which have emotional impact; artists like Chester Brown, Dan Clowes, and Julie Doucett really float my boat.

Q: What or who are your favourite NZ comics or creators?
A: There’s too many to mention aren’t there. Off the top of my head Dylan Horrocks, Tim Kidd, Karl Wills, Sarah Laing, Indira Neville, Ross Murray, Ben Stenbeck and the late (and great) Barry Linton and Martin Emond.

Q: What is your dream comic project?
A: I think my dream comic project is always the next comic I’m thinking up. I’m super excited about my next idea, which is far from fully-formed. I’m exploring the idea of doing a wild, no-holds-barred, web-comic. I want to do a short comic (maybe 60 pages, I’m calling it a ‘graphic novella’) – a simple story with an emphasis not so much on plot but on the experience itself.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: At MIT I’ve been teaching a way to learn (and make) comics using individual panels, which was inspired by the way Chester Brown makes his comics. I’m keen to show this method in my workshop.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: I can’t imagine ever doing cosplay lol.

You can find Ant online at
Instagram: @antasang_art
Blog/Website:  www.antsang.co.nz/

ComicFest 2019 – 5 minutes with Michel Mulipola

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.


Next on our “5 minutes with..” is Michel Mulipola. He is a self taught comic book artist from Auckland, New Zealand. Michel has been immersed in the world of comic books from the tender age of five and has wanted to draw comic books from that moment on. He has also done work for BOOM! Studios’ line of WWE comics, various anthologies and is currently working on the U.S comic book, Headlocked: The Last Territory.

Q: What first got you interested in comics?
A: I fell in love with comics before I started school. I stumbed across my Uncle’s collection and instantly fell in love with the bright colours and bold characters.

Q: What is your average day like?
A: My average day is usually spent drawing comics, answering e-mails, scolling through social media and playing video games. Some days, you could find me at Arkham City Comics in Auckland or visiting schools as part of Duffy Books in Homes’ Role Model program.

Q: Can you tell us about a current or recent project you’ve worked on?
A: I’ve recently finished up a comic book for the NZ School Journals which should be in schools later this year and am currently working through the next volume of the Headlocked graphic novel series.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I don’t have any traditions or rituals. I kind of play the day by ear and go with the flow.

Q: Who/what is your biggest influence or inspiration?
A: I don’t really have ONE person who is the biggest influence for me. The medium of comic books itself is the inspiration. In terms of artists, as a kid growing up in the 80s and 90s, I can’t go past Jim Lee’s X-Men run as an influence on my art.

Q: What or who are your favourite NZ comics or creators?
A: Funnily enough, Roger Langridge and Dylan Horrocks are some of my favourite NZ comic creators. I also will have to say Toby Morris and Ant Sang are very good friends of mine and Ben Stenbeck’s work is always freakin’ awesome!

Q: What is your dream comic project?
A: I’ve had an opportunity to do short dream projects with BOOM! Studios’ WWE comics, drawing some of my favourite wrestlers. I would love to be able to illustrate a Green Lantern comic sometime as he is my all time favourite superhero.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I’m excited to share my story as a Polynesian comic book artist. And maybe I’ll show off some art too…

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: As someone who constantly dresses up in tights and beats people up, I am no stranger to cosplay.
I have cosplayed as Spider-Gwen, Star-Lord, Green Lantern, Bane and the Green Power Ranger in the past. As for now, I would love to cosplay as Thanos. I’ve got the Infinity Gauntlet, I just need to paint my skin purple and grow a scrotum chin.

You can find Michel online in the following places:
Instagram: @bloodysamoanart
Twitter: @bloodysamoan
Blog/Website: bloodysamoan.com

ComicFest 2019 – 5 minutes with Katie O'Neill

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

 

Next in our “5 minutes with..” series we have Katie O’Neill. Katie is an Eisner, Harvey and McDuffie-winning illustrator and graphic novelist from New Zealand. She is the author of Princess Princess Ever After, The Tea Dragon Society, and Aquicorn Cove, all from Oni Press. She mostly makes gentle fantasy stories for younger readers, and is very interested in tea, creatures, things that grow, and the magic of everyday life. Katie O’Neill appears at ComicFest with the support of the New Zealand Book Council.

 

 

Q: What first got you interested in comics?
A: I was fortunate to have dial-up internet early enough to be deep into the neopets.com craze as a kid, and a big part of that was the rich creative community that formed around the virtual pet-raising game. The in-game weekly digital newspaper featured both ongoing storylines and one-off gag comics, and really got me started viewing comics as a natural way of expressing stories and characters from a young age.

Q: What is your average day like?
A: I’m a full time freelance illustrator at the moment, so it’s really important to me to have structured days with clear down time. Mornings give me good energy, so I try to get up at around 7.30 and have a solid, uninterrupted morning of work until lunch. Then I take a few hours off to make food, go for a walk, do yoga, or get coffee with friends. After that I either continue working on a different project, or do some studies or research depending on how much energy I have left. Evenings are a work-free zone! I love to cook, and relax with reading, podcasts or TV.

Q: Can you tell us about a current or recent project you’ve worked on?
A: I’ve recently wrapped up a couple of graphic novels for Oni Press- one is the second book in the Tea Dragon series, which is due out in September, and the other is yet to be announced but was for much younger readers, which was a ton of fun! I also took a few months off at the end of last year to decompress and spend some time experimenting and growing my skills in a new direction.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I live by the Pomodoro technique- working for 25 minutes, then taking a break for 5. I notice a huge difference in my focus, productivity, and mental and physical health when I get up to stretch, drink water, and bother my cat frequently.

Q: Who/what is your biggest influence or inspiration?
A: At the moment, I’m looking for a lot of inspiration and motivation outside of the art world. I love hearing stories of older people who have lived active, engaged and meaningful lives through their daily activities, connection with nature, and community.

Q: What or who are your favourite NZ comics or creators?
A: New Zealand webcomic authors are making incredible things at the moment! Rachel Smythe, Jem Yoshioka, Chelsey Furedi and Kale de Wild just to name a few.

Q: What is your dream comic project?
A: I’m very lucky in that I’ve already pretty much made it- The Tea Dragon series is exactly what I wanted it to be, with so much wonderful support from my publisher and readers. I’ve never needed to compromise anything, and it’s full of the elements and themes I love most. That said, I’d love to work on something collaborative in future!

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I’m really excited to design some dragons with our younger attendees! Kids always come up with such wonderful ideas, and it’s really fun to be able to bring them to life with them.

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Howl from the Ghibli movie version of Howl’s Moving Castle.

You can find Katie online in the following places:
Twitter: @strangelykatie
Blog/Website: www.ktoneill.com/

ComicFest 2019 – 5 minutes with Giselle Clarkson

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

 

We caught up with Giselle Clarkson, a Wellington-based freelance illustrator and cartoonist who is also interested in rock-pooling, foraging, and doing crosswords. She has a monthly comic about children’s books being published by NZ website The Sapling, covering topics that range from why John Burningham is responsible for the millennial avocado crisis to a review of species that are named after fictional characters. She also makes comics about science and conservation issues for scientists, a zoo, and the NZ School Journal.

 

Q: What first got you interested in comics?
A: When I was a kid I loved Tintin, The Far Side and books by Raymond Briggs, but it wasn’t until I was at university and discovered webcomics that I realised how broad and accessible the medium was. Discovering stuff like Hark! A Vagrant, Hyperbole and a Half and xkcd gave me the idea that I could do it too.

Q: What is your average day like?
A: I work full-time as an illustrator/cartoonist and my studio is at home, so there are a lot of pyjamas and cats involved. I try to keep pretty regular 9-5 hours because most of my clients are in offices, but the best part is never having to set an alarm clock. I think my job is only about 40% drawing, the rest is emailing. So much emailing.

Q: Can you tell us about a current or recent project you’ve worked on?
A: Last year I worked with the Tawaki Project to condense their scientific paper on the extraordinary feeding habits of tawaki penguins into a short comic for sharing on social media. It was better recieved than we could have hoped for, and even retweeted by Diana Gabaldon of all people! It was super exciting to see how comics can work effectively as a science communication medium.

I also make a monthly comic for The Sapling (a NZ site for adults about children’s literature). Sometimes I review new picture books or write biographies of authors and illustrators, or share weird and cool facts I find out about classic kid’s books.

 

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: The pink character from Alex Norris’ comic strips (the ones that always end with “oh no.”)

You can find Giselle online in the following places:
Twitter: @giselledraws
Facebook: GiselleDraws
Blog/Website: www.giselledraws.com

ComicFest 2019 – 5 minutes with Ross Murray

ComicFest is back for 2019! On Thursday, Friday and Saturday, 2 to 4 of May at the National Library there will be panels, talks and workshops all day long for comic-lovers of all ages. You can also pick up a free comic from us on May the 4th and celebrate Free Comic Book Day, courtesy of GRAPHIC! For full programme click here and follow our updates on our Facebook event.

First up on the blog we have an interview with Ross Murray, an illustrator and comics maker from the Bay of Plenty. His comics ‘Strange Tales From Summer Bay’ and ’Star Wars 90210’ have appeared in VICE and his first graphic novel, ‘Rufus Marigold’, was published in 2019. See more of his work at www.rossmurray.com
Ross Murray appears at ComicFest with the support of the New Zealand Cartoon Archive

 

Q: What first got you interested in comics?
A: Growing up in rural New Zealand in the 1980s, the number of comics that were widely available was very small. Of those, Asterix made the biggest impression. There was something simple and utopian about that small Gaulish village that I still dream of today. I was also an avid reader of the Woman’s Weekly and for awhile they excerpted Star Wars comics within. They had a pink border and I still remember the crushing disappointment I felt when they stopped printing them.

Q: What is your average day like?
A: I arrive at my studio at about 9am after dropping my kids at school. Usually I’ll start with any emailing I need to do, then waste some time on the internet before I start work. To ensure the aforementioned children don’t starve, this will usually involve some form of commercial project – stuff for advertising, publishing, packaging, whatever. In between these jobs or during them when I’m waiting to hear back from clients is when I make comics and personal work. I usually work until 4:30-5pmish but I often end up doing a little more after everyone else has gone to bed, squinting at my laptop until late in the evening and making valuable ground on my path to complete blindness.

Q: Can you tell us about a current or recent project you’ve worked on?
A: This year saw the launch of the collected and extended edition of ‘Rufus Marigold’, published by Earth’s End. ‘Rufus’ was originally a webcomic I made in 2016 but I received a grant from Creative New Zealand last year to expand it into a book. The launch in February doubled as an opening for an exhibition of book-related artwork so I spent time over summer working on material for that which included drawings, paintings and screenprints. It was a lot of work but a really fun experience. I even came close to breaking even which feels like an epic victory.

Q: Do you have any traditions or rituals that help you when you get to work?
A: I usually start with choosing something to listen to while I work. Depending on the task at hand, it’ll either be some kind of music or a podcast. I’m helplessly addicted to American political podcasts. The age of Trump is so distressing and I find some comfort in listening to reports on the resistance and to the sound of the gears of justice grinding ever closer to everyone responsible for that big orange stain. But often it just makes me feel even more depressed. I make myself a plunger of coffee at 10:30am on the dot. I’ll take some kind of break at about 1pm and either walk up Mauao (Mount Maunganui) or go for a swim. Sometimes both. But never at once.

Q: Who/what is your biggest influence or inspiration?
A: Other artists telling deeply personal stories. Those who use their art to share something vital about themselves. David Foster Wallace, David Bowie, David Lynch. Basically, people named David.

Q: What or who are your favourite NZ comics or creators?
A: There are way too many to name but here are a few: Karl Wills, Dylan Horrocks, Sarah Laing, Ant Sang, Mat Tait, Alex Cara, Zoë Colling, Theo McDonald, the late great Barry Linton, Anthony Ellison, Toby Morris, Rachel Smythe, Jem Yoshioka, Ned Wenlock, Ralphi, the awesome Team 3000 Press. Aotearoa has so many wonderful creators.

Q: What is your dream comic project?
A: Perhaps a one-man anthology? Something with extremely wide parameters and space for experimentation across different genres and different types of storytelling. Artistically I like to work across a range of styles too so something like this seems like it would be fun.

Q: What are you excited to share with ComicFest attendees? Just a taster!
A: I guess I’m excited about sharing ‘Rufus Marigold’. In the book, Rufus feels conflicting impulses about sharing his own art and I do too! But every creator knows the thrill of showing something you’ve made to others so I’m hoping that thrill will prevail over wanting to hide in a corner!

Q: If you were to enter our cosplay contest, who/what would you dress up as?
A: Rusty Brown.

You can find Ross online in the following places:
Instagram: @rossmurrayillustration
Blog/Website: www.rossmurray.com

Comics to Television – Graphic Novel showcase.

Television has long looked to other sources for creative inspiration for its programmes, the world of classic novels has been regularly plundered.  And there has also been a long standing tradition of adapting comic books. As far back as the 1950’s and 60’s the small screen created series featuring many famous comic creations such as Superman,  the archly camp Adam West’s  Batman and in the 1970’s Linda Carter made the role of Wonder woman her own . More recently there has been a whole raft of graphic novels that have been given the green light for small screen adaptation. And to celebrate both past and present we have created a graphic novel showcase to celebrate the rich and diverse contribution graphic works that are either showing, regarded as classics or are in development for the small screen . Below is just a small taster of this fabulous Graphic novel showcase to whet your appetite. Enjoy.

Now showing.

The Umbrella Academy. Volume 1, Apocalypse suite / Way, Gerard
“Way, of the East Coast rock band My Chemical Romance, makes his comics writing debut in this outrageous superhero epic that Grant Morrison calls “an ultraviolet psychedelic sherbet bomb of wit and ideas.” (Catalogue)

Doom Patrol. Vol. 1, Brick by brick / Way, Gerard
“Casey Brinke is a young EMT, working the graveyard shift and dealing with a past so bizarre, she’s not sure what’s real and what’s make-believe. With her partner, Sam Reynolds, she’s about to blaze a path through the darkest alleys and blackest hours of the city. The people she finds there–Robotman, Crazy Jane, Negative Man, and Flex Mentallo– will blow your mind. Together, these incredible beings have redefined what it means to be a superhero. Now their power rests in eager new hands.” (Catalogue)

Happy! / Morrison, Grant
Meet Nick Sax, a corrupt, intoxicated ex-cop turned hit-man, adrift in a stinking twilight world of casual murder, soulless sex, eczema, and betrayal. With a hit gone wrong, a bullet in his side, the cops and the mob on his tail, and a monstrous child killer in a Santa suit on the loose, Nick and his world will be changed forever this Christmas — by a tiny blue horse called Happy Collects issues #1-4 of the mini-series.” (Catalogue)

Coming soon.

Watchmen / Moore, Alan
“Exceptional graphic artwork brings to life the story of the Watchmen as they race against time to find a killer, with the fate of the world hanging in the balance.” (Catalogue)

Y : the last man [1] : unmanned / Vaughan, Brian K
“This is the saga of Yorick Brown—the only human survivor of a planet-wide plague that instantly kills every mammal possessing a Y chromosome. Accompanied by a mysterious government agent, a brilliant young geneticist and his pet monkey, Ampersand, Yorick travels the world in search of his lost love and the answer to why he’s the last man on earth.” (adapted from Catalogue)

Invincible : ultimate collection, Volume 1 / Kirkman, Robert
“Mark Grayson is just like most everyone else his age. He’s a senior at a normal American high school. He has a crappy part time job after school and on weekends. He likes girls quite a bit but quite doesn’t understand them. He enjoys hanging out with his friends and sleeping late on Saturdays (at least until the good cartoons come on). The only difference between Mark and everyone else his age is that his father is the most powerful superhero on the planet, and as of late, he seems to be inheriting his father’s powers. But that’s only the beginning of Mark’s problems (Catalogue)

Classics. 

Batman ’66. Vol. 1 / Parker, Jeff
“Put on your go-go boots and get ready to “Batusi” back to the Swingin’ 60s as DC Comics reimagines the classic Batman TV series in comics form for the first time These all-new stories portray The Caped Crusader, The Boy Wonder and their fiendish rogues gallery just the way viewers remember them.” (Catalogue)

Astro Boy. Volume 6 / Tezuka, Osamu
“In the wake of the critical acclaim of the incredible Metropolis animated feature, interest in the work of Osamu Tezuka, creator of Metropolis and the godfather of Japanese comics and animation, has never been greater, and Astro Boy is the flame that ignited the modern manga and anime industries. Perhaps the most endearing, and enduring, character to emerge from Tezuka’s volcanic imagination, Astro Boy thrills, amuses, and warms the hearts of readers of all ages. ” (Catalogue)

Ghost in the shell : stand alone complex. Episode 1, Section 9 / Kinutani, Yū
“Stand Alone Complex takes place in the year 2030, in the fictional Japanese city of New Port. When a high-ranking government official is kidnapped, the Prime Minister must call in his top crime fighting force known as Section 9. Lead by the beautiful (and deadly) Major Kusanagi, the cybernetically enhanced squad must use all their skill to take down the kidnappers and rescue the hostages. But that’s only half of the mission; can Kusanagi and company find out who’s behind the kidnapping, and, more importantly, just what they’re after?” (adapted from Catalogue)