Arapaki Manners Library is now in its third week! It’s been great to see plenty of familiar faces, and to sign up many new patrons. In case you haven’t been in yet, here’s a rundown of the core parts of our collection.
Our shelves are packed with the best new fiction and a range of brilliant titles that will keep you turning pages throughout the day and all through the night.
We have a diverse array of travel books, poetry, cook books, science, history, economics, politics, self-help, health, and computer guides! Fuel your passion, engage your curiosity and learn from some of the greatest minds.
Arapaki holds a range of the most popular magazines covering topics from aviation to photography to home décor.
Film and television on DVD
We have hundreds of the latest and greatest DVDs of all genres for your perusal.
Plenty of popular and recent releases from around the globe, as well as some of the best new music from Wellington and Aotearoa await you.
Located within the non-fiction collection, we have a section of titles exploring Te Ao Maori. The collection offers a great opportunity to learn about Māori art and culture and the history of Aotearoa.
Audiobooks on CD
Popular authors include David Baldacci and Camilla Läckberg amongst others!
Adult graphic novels
Keep up-to-date with the latest titles, or cast your eyes over the modern classics we have at Arapaki.
Arapaki holds the current issue only of the Dominion Post, the New Zealand Herald the Sydney Morning Herald and the Guardian.
Young adult fiction and comics
Riveting reads lurk amongst the YA shelves. Find tales of adventure, struggle and self-discovery.
We have a bounty of gorgeous picture books, eager to read learner’s books, junior comics, audiobooks, fiction and some remarkable non-fiction titles! There’s plenty here for kids to browse.
Arapaki Manners Library is open:
Saturday and Sunday, 9:30am– 5pm
Nau mai, haere mai. Come in today, and look out for more blogs highlighting interesting and quirky parts of our collection!
In this post we take a look at some of the iconic albums and hidden gems in our CD and vinyl collection. All of these titles have black and white photographs as album art. Check out these excellent and eclectic albums.
Nite flights by the Walker Brothers (1978) The Walker Brothers were the three non-biologically-related kings of baroque pop in the 1960s, best known for their moody hits The Sun Ain’t Gonna Shine Anymore and Make it Easy on Yourself. In the late 60s, Scott Walker, the group’s most acclaimed member, went solo and released a series of heavily orchestrated albums filled with ennui and references to art-house movies. Scott is cited as one of David Bowie’s foremost influences, and it shows. On this 1978 album The Walker Brothers explored uncharted territory. This project was apparently inspired by Bowie’s Heroes, and that also shows.
The album’s opening track Shutout is a masterpiece: the hauntingly avant garde vocal harmonies pare well with the raw propulsion of the incandescent guitar solo. The song is distinguished by a driving baseline that sounds like it came from an alternate universe where disco was a dark and nihilistic genre. Then the Electrician turns the dread up to unprecedented heights before breaking into an overture of blissful strings. The first four songs are effectively a Scott Walker solo EP and stand together as a monumental statement. The production on the other tracks is certainly worth perusing, but those first four songs Shutout, Fat Mama Kick, Nite Flights and The Electrician are incomparable. This album can also be considered somewhat rare, and it isn’t available on Spotify, so make sure to pick it up next time you come into the library!
TA1300 by Denzel Curry (2018) Denzel Curry’s most ambitious project to date is full of aggressive SoundCloud anthems, including Sumo and CloutCobain. On this album Curry has clearly carved out his own corner of the hip-hop world. Curry generally raps forcefully on lo-fi trap influenced beats, but still leaves some space for r&b tinged instrumentation whether of the soulful or synth-pop variety on tracks Black Balloons and Cash Maniac respectively. Standout track, Vengeance, is a terrifying vision featuring an extremely malicious verse from avant-garde rapper JPEGMAFIA and a visceral shouted feature from trap-metal rapper Zillakami.
If you still need convincing of Denzel Curry’s merit and skill, check out his pumping cover of Rage Against the Machine’s Bulls on Parade.
Party by Aldous Harding (2017) Gothic tones and the misty port hills linger over Harding’s spellbinding sophomore effort. Harding’s lyrical subject matter is every bit as entrancing as her folk guitar. Unique song titles like What if Birds Aren’t Singing, They’re Screaming punctuate a superb New Zealand album. Another underrated highlight is the album closer, Swell Does the Skull. Harding’s distinctive voice is memorable, cohesive and enchanting. With Harding’s upcoming Designer album due for release shortly, now’s the perfect time to catch up with her discography.
Songs for Drella by Lou Reed and John Cale (1990) Upon the death of Andy Warhol, two illustrious alumni of the Velvet Underground reunited to produce this sublime record amidst a temporary detente in their relationship. The production is excellent, the biographical subject matter is engaging and the album stands up as a testament to two incandescent chemistry of two of the greatest musical minds of the 20th century. Recommended tracks include Open House and Style it Takes.
Rest by Charlotte Gainsbourg (2017) Gainsbourg weaves together traditional French pop sounds with contemporary palettes to create a grand statement. The drums, pianos and synthesizers summon dark and foreboding dirges on tracks like Lying With You and Ring-A-Ring O’ Roses. Federico Garcia Lorca once wrote “I am the elephantine shadow of my own tears.” Similarly, Rest appears to be an immense product of Gainsbourg’s own grief, as Pitchfork writer Olivia Horn notes. The album highlight is Deadly Valentine, a dreamy pop song punctuated by a funky baseline and a richly arranged chorus.
The Central Library is offering to library members its hard-copy vintage collection of The Times, dating from 1946 through to the start of 1976. Each issue is for sale at $5 per copy but there is only one copy of each date. Please note that this collection excludes the Sunday Times which was, and remains, a separate newspaper editorially.
This is an ideal quirky gift for anyone born between 1946 and 1976; please pre-order your copy by visiting or phoning the 2nd floor reference desk at the Central Library on 04 801 4114.
Major historical and cultural events covered during this period include:
You can still access and read this entire date-range of The Times for free via the Times Digital Archive on My Gateway.
Just in time for Christmas, come in, grab a copy and delve into the past.
The place I have measured out shall remain sacred for my people… I tell the assembled tribes that they shall not be lost.” – Te Whiti-o-Rongomai 
A kuia once showed me a piece of pounamu wrapped up underneath black netting. The opulence of the stone was obvious, but it was partially obscured by its binding. She told me that the stone represents Parihaka. The 19th century Parihaka story is one of New Zealand’s most important historical narratives, yet it is still under-recognised. Parihaka today is one of the most important communities in New Zealand, so it is crucial to become aware of its ongoing contributions, ambitions and significance.
The story of Parihaka is centred in Taranaki, but the struggles and trials of its people covered much of the length of the country. In this blog post we will focus on the places in Wellington entwined with the history of the people of Parihaka, and take a look at the ways Wellingtonians can recognise and remember Parihaka this year.
During the 1860s, the prophets Te Whiti and Tohu rose to national prominence among Māori. They were recognised as “the two birds of knowledge” by King Tawhiao.  Their community at Parihaka became a haven for Māori, and a place of peaceful resistance to unlawful land confiscation and encroaching settlement. One of those that found their home at Parihaka was Titokowaru, the great military leader of the Māori forces in the Taranaki War of 1868 – 1869. Titokowaru laid down his gun, and took up the plough and the raukura (albatross feather, symbol of peace).
Te Whiti, Tohu, and also Titokowaru led a peaceful campaign of resistance that consisted of ploughing up confiscated land, removing surveying pegs and placing fencing. In response, the government arrested the successive waves of protestors. On 5 November 1881, Parihaka was invaded by a military force of 1600 armed constabulary. Those Māori who were not originally from the Parihaka area were scattered, the buildings were damaged, violence was inflicted against the people and their leaders were arrested. Te Whiti and Tohu were held without trial for two years, before returning home in 1883.
The community Te Whiti and Tohu nurtured still thrives today. It is a place for reconciliation. It is a place to contemplate where we have been and where we are going. Recently, in 2016, the Mayor of New Plymouth, Andrew Judd, led a hikoi walk of peace from New Plymouth to Parihaka.
Prisoners in Mt. Cook
In 1879, 195 arrested ploughmen were held in the Mt. Cook Police Barracks. The peaceful protesters were never tried. Instead, they were shipped to the South Island, to take them further away from the influence of Te Whiti. Government legislation enabled indefinite detainment without trial or punishment. But, ploughmen were put to work on infrastructure in the South Island.
The Prophet in Wellington
In the mid-1880s, there was discontent among coastal Māori, around policy on land the government leased from them. They were especially concerned with the large surveying costs that were deducted from the rent due to them. Māori also desired the return of the lands unlawfully confiscated from them.
In 1886, Te Whiti sent men to plough some of the confiscated land. In response, the government arrested Te Whiti and other leaders. After trial in New Plymouth, Te Whiti, Titokowaru and eight others were sent to Wellington aboard the Hinemoa. Te Whiti was held in the Terrace Gaol for two and a half months before his Supreme Court trial. Te Whiti appeared before Chief Justice Sir James Prendergast, the same Chief Justice who called the Treaty of Waitangi a “simple nullity” in 1877. Te Whiti maintained that he had merely entered onto his own land.
Te Whiti was sentenced to three months’ imprisonment and fined £100. While in prison, Te Whiti was frequently visited by Taare Waitara, a rich Atiawa part-European landowner from Wellington. Waitara married Te Whiti’s daughter and helped develop Parihaka with his finances. Te Whiti’s return journey to Parihaka was “leisurely” and “royal” as he passed through Waikanae , Otaki and Whanganui.
Te Whiti remained an advocate for Māori land rights and peace until his death in 1907.
A Place to Remember
At Pukeahu War Memorial Park, on the north-west corner of the old Dominion Museum building, there is a memorial dedicated to the people of Taranaki and Parihaka who were imprisoned in the Mount Cook barracks. The memorial represents a prisoner wrapped up in a blanket. The base of the monument is formed of stones from Taranaki. As you wander through the city, this is the perfect spot to take a moment to reflect on the Parihaka history of struggle and on the legacy of peace.
National Library of New Zealand, Corner Molesworth and Aitken Streets, Thorndon, Wellington
Join Taranaki kaumātua and Treaty negotiator Hon. Mahara Okeroa (Taranaki, Te Ātiawa) and Dr. Rachel Buchanan (Taranaki, Te Ātiawa), author of BWB Text Ko Taranaki Te Maunga, at the National Library for the anniversary of te pāhuatanga, the invasion of Parihaka.
 G. W. Rusden History of New Zealand (Melville, Mullen and Slade: 1895), p.218. quoted in Bernard Gadd, ‘The Teachings of Te Whiti O Rongomai, 1831-1907,’ The Journal of the Polynesian Society Volume 75 (1966).
In the 1890s, Māori women seeking the vote fought on two separate fronts; nationally for the New Zealand parliament, and also within Kotahitanga Māori parliament. Many Māori women dedicated themselves to their retaining ancestral lands and sought political power to aid their aims. Between 1886 and 1896, forty petitions around land issues were presented to the New Zealand parliament, signed by Māori women on behalf of themselves or their Iwi..
Historian Tania Rei notes that the Māori women who signed the Women’s Christian Temperance Union (WCTU) petition appeared to all have pākeha connections. During the 1890s, a number of Māori women worked with both the WCTU and Kotahitanga.
Meri Te Tai Mangakāhia was an eloquent speaker with excellent organisational flair. In 1893 she helped establish Ngā Kōmiti Wāhine, committees connected to kotahitanga that discussed issues such as family violence, smoking and retaining traditional Māori skills. She co-authored the significant Māori newspaper column Te Reiri Karamu (‘The Ladies’ Column’) in the Te Tiupiri (The Jubilee.)
Mangakāhia advocated for Māori women gaining the vote in Kotahintanga, which they eventually did in 1897. Mangakāhia’s connections to the WCTU are unclear, but the organisation’s initials were engraved into her beautiful wooden chest or “parliamentary cabinet”.
Here’s a transcript of her 1893 address to kotahitanga.
“I move this motion before the principle member and all honourable members so that a law may emerge from this parliament allowing women to vote and women to be accepted as members of the parliament.
Following are my reasons for presenting this motion that women may receive the vote and that there be women members:
There are many women who have been widowed and own much land.
There are many women whose fathers have died and do not have brothers.
There are many women who are knowledgeable of the management of land where their husbands are not.
There are many women whose fathers are elderly, who are also knowledgeable of the management of land and own land.
There have been many male leaders who have petitioned the Queen concerning the many issues that affect us all, however, we have not yet been adequately compensated according to those petitions. Therefore I pray to this gathering that women members be appointed. Perhaps by this course of action we may be satisfied concerning the many issues affecting us and our land. Perhaps the Queen may listen to the petitions if they are presented by her Māori sisters, since she is a woman as well.”
Sadly, considering how influential she was, little information is known about Mangakāhia. As her great-grandniece Emma Frost recently noted in an interview, “Māori women who shaped our nation were very invisible. There wasn’t a lot written about them.”
This year, with Radio NZ coverage, promotion from Members of Parliament and a feature at the Auckland War Memorial Museum’s Are We There Yet? exhibit, it seems we are moving towards Mangakāhia finally getting the recognition she deserves.
Tania Rei, Māori Women and the Vote (1993, ) p.13 .
Rei, pp.39-40, 47.
‘Meri Mangakāhia addresses the Kotahitanga Māori parliament’, URL: https://nzhistory.govt.nz/page/meri-mangak%C4%81hia-addresses-kotahitanga-m%C4%81ori-parliament, (Ministry for Culture and Heritage), updated 24-Jul-2018
Mana : the Maori news magazine for all New Zealanders, Dec 2007/Jan 2008; n.79: p.76.
Adapted from a translation by Charles Royal in Charlotte Macdonald, Merimeri Penfold and Bridget Williams (eds), The book of New Zealand women Ko kui ma te kaupapa, Bridget Williams Books, Wellington, 1991, p. 413.
Schools are a focal point for the history of communities — the past and present are bound together by the educational institutions that transmit knowledge between generations. Schools often play important and formative roles in historical movements and in the lives of important New Zealanders. Wellington Girls’ College (known as Wellington Girls’ High School until 1905) is one such hub of activity in our Wellington community.
In the late 19th century, a number of individuals connected with Wellington Girls’ College signed the 1893 suffrage petition, which directly preceded women gaining the vote in New Zealand. Three of these women are profiled below in this article. Their passion for their chosen vocation, their skill and influence on those around them is plain to see. With Suffrage Day on September 19th it is crucial to remember those women and the taonga of life stories.
Maria Elsie Allman Marchant
Above is a studio group portrait of Form VI, Wellington Girls College. Back row standing: Ada F Carrol. Amy Meek. Ethel Maud Wilson. Mary Grubb. Jessie Nairn. Seated from left: Margaret Paterone. Harriet Day. Ella Marchant. Georgina Stack. Photographed by Connolly and Herrmann (Wellington) in 1887.
Maria Elsie Allman Marchant, known as Ella, was a talented and extremely capable pupil of Wellington Girls College. In 1887, she became the dux of her school. Just a few years later, Marchant returned to Wellington Girls College as a teacher whilst also studying extramurally towards a BA and an MA from Canterbury University. In 1893, an ‘E A. Marchant’ signed the suffrage petition, making clear her commitment to extending suffrage to all New Zealanders.
Marchant went onto become the Principal of Otago Girls’ High School where she took an independent and insightful approach on a range of issues (which sometimes brought her into conflict with the board of governors). She had a strong conviction to do the best for her girls. On Saturday nights, the boarders would gather at Marchant’s home to read from her well stocked bookshelf — they especially enjoyed her copies of Charles Dickens. Her untimely death in 1917 curtailed her plans to establish a religious teaching order in Dunedin. The Evening Post noted that Marchant was “an eloquent speaker, and from her wide experience and knowledge often charmed and delighted audiences.”
Louisa Marion Herrmann
In the photograph of Marchant above, it is important to note not just the individuals present, but also the photography business involved in the image. Louisa Marion Herrmann arrived from the UK in New Zealand aboard the Piako in 1880. Louisa worked in Wellington as an assistant for Herrmann photography studio on Lambton Quay. She went onto marry Richard Herrmann, one of her employers. After his death in 1892, she took sole charge of the business, and for 16 years she ran the photographic studio, now based on Cuba Street, and employed many workers. Herrmann’s business was described as “the most up-to-date and complete studio in the colonies.”
During this time, Herrmann became an advocate for suffrage by signing the 1893 petition. On her retirement, Herrmann offered for sale 35,000 photographic negatives of New Zealanders. Tragically, we no longer know where these are — at least for now, these images, and their stories, are lost. As Te Papa staffer Lissa Mitchell recently noted, “it is a sad reflection on New Zealand’s historical record that Louisa’s story of self-determination and resilience and her photographic work have been lost, and a strong reminder of the need to keep including the work and stories of women in our histories.”
Mary Jane McLean
Mary Jane McLean was one of New Zealand’s most significant educationists. Especially later in life, she was a prominent advocate for women’s rights. She signed the 1893 petition and went onto become Principal of Wellington Girls’ College in 1900.
McLean was an experienced teacher, but she had to face tough international competition to attain her role. She immediately took an independent approach, making her mark on the school, where her legacies continue to this day. McLean directed Wellington Girls’ College as it expanded from a small school for a wealthy elite into a modern institution with a roll of 850. As the roll swelled, McLean helped establish Wellington East Girls’ College in 1926.
In 1929, after her retirement from education, McLean founded the Women’s Social Progress Movement which campaigned for women’s representation and provided aid and relief during the Depression in the early 1930s. McLean demonstrated a lifelong passionate commitment to improving the position of women, and Wellington remained McLean’s home till she passed away in 1946. Today, the year 13 Wellington Girls’ College prize for first in physical education is named after McLean.
Marchant, Herrmann and McLean are just three of the signatories to the 1893 petition. All in all, thirteen separate petitions carried the signatures of 31,872 women. On the 19th of September, let’s celebrate all of those women with their unique lives, impressive achievements and their lasting influences upon us today.
Come along to Suffrage Day celebrations
We’ll be celebrating Suffrage Day at the Central Library on the 19th September. Come along and help us celebrate!
Library Planned activities
From 10am-2pm, you can:
Have fun experiencing the times with our photo booth
Try your hand at making a celebration camellia or badge
Write some messages about what being able to vote means to you
Watch a historical film (screenings are on the 1st floor)
Electoral Commission staff will also be with us from 12-2pm help you register for the electoral roll and answer any questions you have about voting in the present day!
Another event happening in the city, is the Kate Sheppard Ride — see details below from the organisers:
Dress to impress and get your wheels spinning by joining us at 1.30pm on Saturday, 22 September 2018 (wet weather day will be the next day) at Old St Paul’s in Mulgrave Street. The Suffrage 125 bicycle ride will take you through the streets of old Thorndon and Wellington’s CBD.
Date: Saturday, 22 September, 2018 Time: 1:30pm to 4:30pm Cost: 1 x Kate Sheppard $10 note Location: Old St Paul’s, 34 Mulgrave Street, Thorndon ,Wellington
Maori women and the vote / Rei, Tania
“In the last decade of the nineteenth century, Māori women were involved in two suffrage movements at the same time. Māori women supported the Women’s Christian Temperance Union (WCTU) in seeking the right to vote for members of the New Zealand House of Representatives, and they also sought the right to vote and to stand as members of the Māori Parliament – Te Kotahitanga. By the turn of the century both these goals had been achieved. Their involvement in the suffrage movements was a significant development in the story of Māori women and the ways in which they organised at a national level to deal with issues of importance to them and their communities.” (Summary from the Royal Society – Te Apārangi)
The Women’s Suffrage Petition = Te Petihana Whakamana Pōti Wahine, 1893.
“In May 2017 the exhibition He Tohu opened at the National Library in Wellington. This celebrates three founding documents in New Zealand’s history – He Whakaputanga: The Declaration of Independence (1835), the Treaty of Waitangi: Te Tiriti o Waitangi (1840) and the Women’s Suffrage Petition (1893). The originals of these documents are on display at the National Library, in a wonderful exhibition that tells the history of the times and the story of the documents themselves.” (Library Catalogue)
Women’s suffrage in New Zealand / Grimshaw, Patricia
“First published in 1972, Patricia Grimshaw’s account of the New Zealand suffrage movement remains the definitive study of New Zealand’s radical role as the first country in the world to give women the vote. In clear, lively prose, this revised edition tells the fascinating story of the courage and determination early New Zealand feminists demonstrated, focusing particularly on the remarkable leadership of Kate Sheppard, whose ideas remain relevant today.” (Catalogue)