This week we highlight three additions to the classical CD collection that bounce from a cornerstone of the Baroque vocal music tradition, the cantata, to 20th century treatments of grand orchestral works, the symphony and the concerto for violin.
Cantata: Yet can I hear…. Performed by Bejun Mehta.
“A selection of solo cantatas, both secular and sacred, from the Italian, German, and English traditions. Including works by Handel, Vivaldi, and Bach in settings large and small, with obligato instruments ranging from oboe to chimes, the magnificent cantatas on this album create a portrait of this intimately transcendent repertoire” (cover).
Symphony No. 5, Symphony No. 6, Vaughan Williams. Performed by the Royal Liverpool Philharmonic Orchestra.
“Andrew Manze’s interpretations of Vaughan Williams’ symphonies have met with acclaim from audiences and critics alike. This third album in the series contains two masterpieces. The 5th Symphony of 1943, displaying a ‘greatness of soul’, as one commentator at the time wrote, draws on material for The Pilgrim’s Progress from 1906. The 6th Symphony of 1948 stunned the audience at its premiere… The composer, shocked by the nuclear wasteland talk, commented, ‘we can get in words nearest to the substance of my last movement in “We are such stuff as dreams are made on, and our little life is rounded with a sleep” from The Tempest’.” (cover).
Violin Concertos Nos. 1 & 2, Bartók. Performed by Renaud Capuçon and the London Symphony Orchestra.
“Renaud Capuçon expands his wide-ranging concerto discography with Bartók’s two violin concertos. Composed almost three Decades apart, they are highly contrasted, inhabiting very different emotional and musical worlds. Partnering Capuçon is the London Symphony Orchestra under its Principal Guest Conductor, François-Xavier Roth.” (amazon.co.uk).