This week in classical music we have three new CDs featuring a wealth of well-loved composers, from Tchaikovsky through Rameau to Schumann, and Piazzolla and Scott Joplin for good measure.
Intuition. Performed by Gautier Capuçon.
“Intuition, a captivating album of short pieces for solo cello with piano or orchestra, has been conceived by Gautier Capuçon to ‘reflect the story of my life and follow the various stages in my emotional development’. It brings together much-loved numbers by composers such as Saint-Saëns, Fauré, Massenet, Tchaikovsky, Rachmaninov and Elgar with newer music by Astor Piazzolla, the Italian cellist Giovanni Sollima and the pianist Jérôme Ducros, who also appears on the album. As Gautier Capuçon says: ‘In music,in life, communication is the essence of everything and of anything … You share something.'” (amazon.co.uk).
Quartets Nos. 2 & 3, Schumann. Performed by the Elias Quartet.
“‘We have always had a special affection for Robert Schumann’s Third Quartet. It’s one of the first works we played together. Since then we have often come back to it, as if to a splendid and familiar region that we think we know thoroughly, but which yields up new secrets with each visit. The Second Quartet, on the other hand, was a much later and more complicated discovery for us. The writing is so personal, so unidiomatic for the instruments, so full of nuances, that to begin with we found it hard to come up with a unanimous voice for this work. The enthusiasm of the first movement can easily turn into anxiety if you push it a bit too far. In the slow movement, the texture is sometimes so bare that to convey its tenderness you have to sustain it with great fervour. The capricious Scherzo is bristling with rhythmic pitfalls and requires a diabolical mastery of the instruments,while the Finale is an endless explosion of joy!'” (Elias Quartet via amazon.co.uk)
Enfers: Famous Opera Scenes & Pygmalion, Jean-Philippe Rameau, Christoph Willibald von Gluck, Raphaël Pichon. Performed by Stéphane Degout.
“Raphaël Pichon has invited Stéphane Degout to make his recording debut for Harmonia Mundi in a multifaceted exploration of the underworld. The French baritone reincarnates the figure of Henri Larrivée, the famous tragedian of Rameau and Gluck. Around a reconstruction of an imaginary Mass of the Dead, sacred and secular merge, revealing some of the most extraordinary pieces from the operatic repertory of the enlightenment. Music of death and mourning on an epic scale that inspires Pygmalion to overwhelming heights of pathos.” (cover).