This week our classical recent additions focus on French/Belgian and French-inspired performances and compositions, courtesy of Alpha Classics and Erato music labels.
Dixit Dominus, Handel & Magnificat, Bach. Performed by Vox Luminis.
A finalist for Presto Classical recording of the year, this album is beautifully produced by Belgian group Vox Luminis, directed by Lionel Meunier. “Bach and Handel are often presented as antipodes, whose musical output has little in common. … Even though their later careers could hardly be more different, it must be acknowledged that… both men were rooted in the musical culture of central Germany with its uniquely rich tradition” (booklet).
L’Homme de Génie, Haydn. Performed by the Kammerorchester Basel.
Volume 5 of the Haydn 2032 project, which aims to produce a complete set of recordings of Haydn’s symphonies before the 300th anniversary of his birth. Played on period instruments, this recording also includes the C minor Symphony by lesser-known Classical composer Joseph Martin Kraus.
Mirages. Performed by Sabine Devieilhe.
“Since the nineteenth century the coloratura soprano voice has been associated with female characters as alluring as they are exotic. This album focuses on French composers’ love affair with this exceptional voice, by means of which they draw the listener far from the real world” (back cover).
Quatuors Parisiens, Telemann. Performed by “Nevermind”.
The quartet of Anna Besson (flute), Lous Creac’h (violin), Robin Pharo (viola da gamba) and Jean Rondeau (harpsichord) combine to produce this recording of Telemann’s Nouveaux Quatuors Parisiens.