Read around the globe: New translated fiction

Translated novels feature in this month’s selection of ‘Other Genres’ fiction. With some wonderful novels, translated from Swedish, Mandarin, Norwegian, Japanese, Spanish, French, Turkish and Hungarian, many hours of reading pleasure are guaranteed.

Syndetics book coverNevada days / Bernardo Atxaga ; translated from the Spanish by Margaret Jull Costa.
“A fictionalised account of the author’s nine months’ stay as writer-in-residence at the Centre for Basque Studies at the University of Nevada. He is accompanied by his wife, Angela, who is also doing research there, and by their two daughters. During their first few weeks, the family encounter a strange mapache (racoon), which is always staring at them from the garden, a flight of helicopters immediately overhead, a black widow spider, a warning about bears, a party of prisoners in the desert, a lake that is somehow far too calm and too blue, and, not long into their stay, the kidnap and murder of a young girl living in the house right next door.” (Adapted from Syndetics summary)

Syndetics book coverPenance / Kanae Minato ; translated by Philip Gabriel.
“The tense, chilling story of four women haunted by a childhood trauma. When they were children, Sae, Maki, Akiko and Yuko were tricked into separating from their friend Emili by a mysterious stranger. Then the unthinkable occurs: Emili is found murdered hours later. Sae, Maki, Akiko and Yuko weren’t able to accurately describe the stranger’s appearance to the police after the Emili’s body was discovered. Asako, Emili’s mother, curses the surviving girls, vowing that they will pay for her daughter’s murder.” (Adapted from Syndetics summary)

Syndetics book coverWaiting for Monsieur Bellivier / Britta Röstlund ; translated from the Swedish by Alice Menzies.
“Are you waiting for Monsieur Belliver, madame? Helena Folasadu should of course say no. She doesn’t know the man talking to her, she doesn’t know Monsieur Bellivier, and she certainly isn’t waiting for him. But, bored of life, and sparked by a whim, she says yes. The go-between leads her to a deserted floor in an office building and offers her a large sum of money to sit at a computer and forward emails to Monsieur Bellivier. The emails turn out to be in code, and the bouquets Helena is handed every evening entangle her in an even greater mystery.” (Adapted from Syndetics summary)

Syndetics book coverThe history of bees / Maja Lunde.
“England, 1852. William is a biologist and seed merchant, who sets out to build a new type of beehive one that will give both him and his children honor and fame. United States, 2007, George is a beekeeper fighting an uphill battle against modern farming, but hopes that his son can be their salvation. China 2098, Tao hand paints pollen onto the fruit trees now that the bees have long since disappeared. When Tao’s young son is taken away by the authorities after a tragic accident, she sets out on a grueling journey to find out what happened to him. Three very different narratives lead into one gripping and thought-provoking story that is just as much about the powerful bond between children and parents as it is about our very relationship to nature and humanity.” (Adapted from Syndetics summary)

Syndetics book coverSundays in August / Patrick Modiano ; translated from the French by Damion Searls.
“Stolen jewels, black markets, hired guns, crossed lovers, unregistered addresses, people gone missing, shadowy figures disappearing in crowds, newspaper stories uncomfortably close and getting closer, this ominous novel is Set in Nice. A young couple in hiding keeps close watch over a notorious diamond necklace known as the Southern Cross, with its provenance murky, only they know it’s whereabouts, who find themselves trapped by its potential value, and its ultimate cost.” (Adapted from Syndetics summary)

Syndetics book coverThe red-haired woman / Orhan Pamuk ; translated from the Turkish by Ekin Oklap.
“On the outskirts of a town thirty miles from Istanbul a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, the two will develop a filial bond neither has known before. In the nearby town, the boy will find an irresistible diversion. The Red Haired woman, an irresistibly alluring member of a travelling theatre company, catches his eye and seems as fascinated by him as he is by her. The young man’s wildest dream will be realized, but, when in his distraction, a horrible accident befalls the well-digger; the boy will flee, returning to Istanbul. Only years later will he discover whether he was in fact responsible for his master’s death and who the redheaded enchantress was.” (Adapted from Syndetics summary)

Syndetics book coverThe children / Carolina Sanín ; translated from the Spanish by Nick Caistor.
“One day, as she enters her local supermarket, Laura Romero has a startling encounter with a beggar, who seems to offer her a child. A short while later, in the middle of the night, she discovers a mysterious young boy on the pavement outside her apartment building: Fidel, who is six years old, a child with seemingly no origins or meaning. With few clues to guide her as she tries to attach significance to his presence, Laura find herself swept into a bureaucratic maelstrom of fantastical proportions.” (Adapted from Syndetics summary)

Syndetics book coverKatalin Street / Magda Szabó ; translated from the Hungarian by Len Rix.
“In prewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. Their lives are torn apart in 1944 by the German occupation, which only the Elekes family survives intact. The postwar regime relocates them to a cramped Soviet-style apartment and they struggle to come to terms with social and political change, personal loss, and unstated feelings of guilt over the deportation of the Held parents and the death of little Henriette, who had been left in their protection.” (Adapted from Syndetics summary)

Syndetics book coverThe postman’s fiancée / Denis Thériault ; translated by John Cullen.
“Tania moves from Bavaria to Montreal to fine-tune her French and fall in love. Finding work as a waitress at a low-key restaurant in a working-class area of the city, she meets Bilodo, a shy postman who writes haiku and who is passionate about calligraphy. The two become friends. One stormy day their lives take a dramatic turn, and as their destinies become increasingly entwined the two are led into a world where nothing is as it seems.” (Adapted from Syndetics summary)

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