This week we feature some large-scale recordings – a new recording of a Handel opera, and Mendelssohn’s complete symphonies for full orchestra – and a collection of concertos for multiple instruments by Telemann.
“Handel’s Ottone, re di Germania is presented here in a new recording by Max Emanuel Cencic and a superb cast, under the baton of George Petrou with Il Pomo d’Oro. Premiered in London in 1723, Ottone was one of Handel’s most successful operas in his lifetime. This rare recording breathes new life into one of the master’s greatest works and also features three ‘bonus’ arias performed in the 1726 revival” (cover).
Symphonies 1-5, Mendelssohn. Performed by the Chamber Orchestra of Europe.
“In 2016 the firebrand Canadian conductor Yannick Nézet-Séguin led the Chamber Orchestra of Europe in a complete cycle of Mendelssohn’s five symphonies for full orchestra. Captured live in the magnificent acoustic of the Philharmonie de Paris, this album is a tangible record of those outstanding performances, praised internationally as much for the unity of spirit between conductor and performers as for their exquisite sensitivity and revelatory insight” (cover).
Concerti Per Molti Stromenti, Telemann. Performed by the Akademie für Alte Musik Berlin.
“It has been said that Vivaldi wrote the same concerto 300 times. Could anyone possibly say that of Telemann? Not only do the specimens here feature every kind of weird and wonderful instrumental combination – three trumpets, three horns, two flutes and a calchedon (a kind of lute), and even mandolin, harp and dulcimer – they also display the most amazing variety of styles, from Vivaldian exuberance to elegant Ancian Régime dances by way of learned German counterpoint. If you ever wondered where Bach got the idea for the Brandenburg Concertos, you could do much worse than explore the concertos of Telemann…” (cover).