The selection of new contemporary fiction this month includes many much acclaimed, award winning authors. After her brilliant success with the novel The Girl on the Train, Paula Hawkins returns with another thriller, titled Into the Water. Highly recommended is The Forensic Records Society by the brilliant Magnus Mills.
Stay with me / Ayò̦bámi Adébáyò̦.
“Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything, arduous pilgrimages, medical consultations, appeals to God. But when her relatives insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of 1980s Nigeria, this is the devastating story of the fragility of married love, the undoing of family, the wretchedness of grief, and the all-consuming bonds of motherhood. It is a tale about our desperate attempts to save ourselves and those we love from heartbreak.” (Adapted from Syndetics summary)
New boy : Othello retold / Tracy Chevalier.
“Arriving at his fourth school in six years, diplomat’s son Osei Kokote knows he needs an ally if he is to survive his first day, so he’s lucky to hit it off with Dee, the most popular girl in school. But one student can’t stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players, teachers and pupils alike, will never be the same again. The tragedy of Othello is transposed to a 1970s’ suburban Washington schoolyard.” (Adapted Syndetics summary)
Sunday morning coming down / Nicci French.
“Psychotherapist Dr Frieda Klein once again finds herself in the midst of a criminal investigation when the rotting body of an ex-policeman is found beneath the floorboards of her house. The corpse is only months old but the main suspect, murderer Dean Reeve, died over seven years ago. As the killer picks off his next victims and her home is turned into a crime scene, Frieda’s old life seems like a hazy dream. With eyes of the world upon her and no answers from the police, Frieda realises that she will have to track this killer before he tracks down those she loves.” (Adpated from Syndetics summary)
Into the water / Paula Hawkins.
“A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.” (Adapted from Syndetics Summary)
The shadow land : a novel / Elizabeth Kostova.
“A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes. As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by political oppression and she will find out all too quickly that this knowledge is fraught with its own danger.” (Adapted from Syndetics summary)
White tears / Hari Kunzru.
“Two twenty-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America’s great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it’s a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter’s troubled sister Leonie, spiral down into the heart of the nation’s darkness, encountering a suppressed history of greed, envy, revenge, and exploitation.” (Adapted from Syndetics summary)
The blood miracles / Lisa McInerney.
“Like all twenty-year-olds, Ryan Cusack is trying to get his head around who he is. This is not a good time for his boss to exploit his dual heritage by opening a new black market route from Italy to Ireland. It is certainly not a good time for his adored girlfriend to decide he’s irreparably corrupted. And he really wishes he hadn’t accidentally caught the eye of an ornery grandmother who fancies herself his saviour. There may be a way clear of the chaos in the business proposals of music promoter Colm and in the attention of the charming, impulsive Natalie. But now that his boss’s ambitions have rattled the city, Ryan is about to find out what he’s made of, and it might be that chaos is in his blood.” (Adapted from Syndetics summary)
The forensic records society / Magnus Mills.
“Two men with a passion for vinyl create a society for the appreciation of records. Their aim is simple: to elevate the art of listening by doing so in forensic detail. The society enjoys moderate success in the back room of their local pub, The Half Moon, with other enthusiasts drawn to the initial promise of the weekly gathering. However, as the club gains popularity, its founder’s uncompromising dogma results in a schism within the movement and soon a counter group forms. Then the arrival of a young woman called Alice further fractures the unity of the vulnerable society.” (Adapted from Syndetics summary)
In extremis / Tim Parks.
“Thomas knows there is something he needs to say to his mother before she dies. But will he reach her in time? And will he have the courage to say what he couldn’t say before? His phone is buzzing, his mind is racing, and he can’t concentrate on the significance of what is happening. Should he try to solve his friend’s family crisis? Should he reconsider his separation from his wife? Why does he feel so utterly confused and paralyzed? (Adapted from Syndetics summary)
Death of a she devil / Fay Weldon.
“Ruth Patchett, the original She Devil, is now eighty-four and keen to retire. But who can take up her mantle? Enter Tyler Patchett, our new kind of heroine and Ruth’s grandson. He’s an ultra-confident, twenty-three-year-old man: beautiful, resentful and unemployed. Tyler won’t be satisfied until he can transition into the ultimate symbol of power and status, a woman. (Adapted from Syndetics summary)