This week we feature three discs fresh off the courier:
Missa Defunctorum, Scarlatti. Performed by Odhecaton.
“This recording is a discovery of Alessandro Scarlatti’s heretofore unknown sacred music, where Renaissance tradition meets Baroque sensibility. At its core is the Missa defunctorum for four voices and basso continuo… The Miserere for nine voices… follows Allegri’s model only outwardly, as Scarlatti moves steadily away from it through his harmonic originality, formal richness, and expressivity. Finally, the Magnificat displays a unique synthesis of the Palestrinian model and the expressive language of the eighteenth century for a unique and compelling recording” (Cover).
Cantatas 52, 54, 82, 170, Johann Sebastian Bach. Performed by Iestyn Davies, with Arcangelo.
“Bach’s Ich habe genug is a timeless, transcendental masterpiece. This profound expression of Christian faith at the very end of life demands artistry of a special order. British countertenor Iestyn Davies, accompanied by Jonathan Cohen and Arcangelo, now joins the likes of Dietrich Fischer-Dieskau and Lorraine Hunt Lieberson in the work’s distinguished discography. The couplings are equally ravishing performances of two other great solo cantatas, and two refreshingly familiar orchestral sinfonias” (amazon.com).
Rostropovich Encores. Performed by Alban Gerhardt and Markus Becker.
“For the young Alban Gerhardt, Rostropovich was ‘a reason to become passionate about the cello.’ In the liner notes he recalls being ‘blown away’ on first hearing Slava play live in Berlin. This splendid follow-up to his program of Casals Encores sees Gerhardt paying homage to his great predecessor with an eclectic program of shorter works, including two by Rostropovich himself” (amazon.com).
Coming soon: the Brodsky Quartet performing Mozart flute quartets with Lisa Friend; Vivaldi’s concertos for two violins performed by Giuliano Carmignola and Amandine Beyer with Gli incogniti; and some organ music courtesy of Olivier Latry and the organ of the Paris Philharmonie.