For our last spotlight for 2016 we highlight some contemplative church music, gender-bending arias, and some “evocative” 21st century instrumental music.
Kanon Pokajanen, Arvo Pärt. Performed by Cappella Amsterdam.
“The Kanon Pokajanen (Canon of Repentance), premiered in March 1998, is Arvo Pärt’s most monumental composition. Its prolonged genesis, a meticulous process of assimilation of the text in Church Slavonic, the austerity and subtlety of its style embody the same sincerity, the same spiritual and contemplative radiance as icon painting. A dialogue with the sacred in which time stands still.” (Cover)
Oh, Boy!. Performed by Marianne Crebassa.
“‘One of the most important voices of our time,’ is how the young French mezzo-soprano Marianne Crebassa is described by Marc Minkowski, the distinguished conductor for her debut album, Oh, Boy! Comprising arias for young male characters who are sung by a woman – the so-called ‘trouser roles’ – it offers an alluring programme of Mozart, Chabrier, Gluck, Gounod, Hahn, Massenet, Meyerbeer, Offenbach and Thomas. Crebassa – praised by Le Monde for her ‘incredibly beautiful timbre and transcendent presence’ – shows why she has already made an impact at the Paris Opéra, La Scala, Milan, the Berlin Staatsoper and the Salzburg Festival…” (amazon.com)
Orphée, Jóhann Jóhannsson.
The first new studio album in a while from experimental/orchestral composer Jóhann Jóhannsson. “Jóhannsson’s genre-blending score represents all facets of his previous works from intimate string quartet pieces, to large string orchestra works, featuring electronics, drones, organ, piano, choir, as well as enigmatic shortwave broadcasts to create an evocative & immersive sound.” (amazon.com)