Writing inspiration: Interview with a published Nanowrimo writer Randi Janelle

Nanowrimo is almost over and the last stretch might be a bit of a struggle. Here is a very inspiring interview with a published Nanowrimo writer Randi Janelle that should keep you going until you have hit the 50,000 word mark! And for all those who have been wondering about Nanowrimo, read on!

Randi Janelle 3a

Hello Randi, can you tell us a bit about you and what brought you to New Zealand?
I came to NZ from Australia, as a friend lives in Sydney and told me about the Working Holiday. Before that, I was unaware of the opportunity for Americans to take that sort of “gap” year. What I initially thought would be five months in Sydney, became a year there and two and a half in Wellington!

Where do you live now?
Asheville, North Carolina.

Did you take part in Nanowrimo when you were in New Zealand?
Yes, albeit briefly. Ever since I did Nanowrimo the first time in 2009, November became a mental marker to get back to the book, even if I couldn’t go the distance to complete the challenge.

Did you take part only once or did you have a go several times?
A few times. My first was in Asheville, in 2009, and I got the idea for my book series, which was meant to be a “break” from the book I had been writing ever since university. That “break” became 64,000 words for Nanowrimo, a single book into a trilogy, and six years to complete the first book! I won again in 2010 and 2011, but just. Nothing like that first spill of ideas for the original draft!

How was your experience of writing 50,000 words in 1 month? Was it difficult?
Yes and no. The first time, the momentum of the new story propelled me to write lots with ease. The subsequent Nanowrimos were more disjointed, as I was changing the story, wanting to do research, and so I left the holes be as they were for later and tried to focus on new content. It took more brain-wrangling to weave the writing into an increasingly complicated plot and number of characters than pure imagination for a first draft.
It also takes time and dedication. I never found the story itself to be difficult, at times challenging, but not difficult. The getting my butt in the chair to write for long enough to put down 50,000 words…now that’s a task!

Were you tempted to give up?
Oh, yes. Hopefully this reaches you when you’re in that last stretch. Keep going! The beauty of Nanowrimo is that the writing doesn’t have to be gold. Let it be bad, or drivel, or something you may later cut. Just get words down. I’m a firm believer that the story’s there, you just have to relax and bring yourself to the writing mechanism. Give yourself enough time to warm up as well, even if it’s a character sketch, or a journal entry to the character, scene, etc. Then it lifts the pressure of picking up the story perfectly, and I find I have more longevity after this process.

Did it help you in your writing life?
Most certainly! It helped to gag and bind the critic while in those glorious (if not, tender) drafting stages! I’m also a performance poet, and writing first draft of poems became easier, especially on tight deadlines. All it takes is the time to sit down, and trusting the creative process.

Did you meet with other Nanowrimo participants while you were writing? If not, was it a choice (i.e. you prefer to work alone) or did you not have the opportunity/time?
Yes, I had a wonderfully supportive group that first Nanowrimo in Asheville. I did meet a few people at write-ins in Sydney, but I went when I was feeling social, as by that time I had to stay truly focused to manipulate the story the way it deserved. Doing social events can be awesome when you’re starting and you need others to remind you why you’ve bitten off such a task! But I think it’s okay, too, to take time to work it by yourself in whatever peace and quiet you can muster. Everyone has a different style, and I say work with what supports you and your writing the most.

We have dedicated spaces in the Central Library these days to welcome Nanowrimo writers during the month of November. Would that have been helpful?
I believe I took advantage of this once or twice! It would’ve been 2012 perhaps? Again, it was near the beginning of the challenge and I sat down to look at a jumble of notes, and perhaps utilize the library for some good research books. I didn’t complete the challenge that year, but I added to the manuscript and used the time to ensure I didn’t give up on the book!
These spaces are immensely helpful, because there are times you cannot get a lot down at home. There are always distractions that divide your time. I liked to split my writing time between going out and/or joining write-ins and getting it done when I could at home (weekends, lunch breaks, etc).

You have just published a book.
Yes!

Is this the result of Nanowrimo?
Oh, yeah. Like I said the book was first written during Nanowrimo, and before this last year, most of my word count came from pushing myself to add to the book during Novembers. Nanowrimo is spectacular for getting those first drafts down, but it’s also good to prompt us to keep writing when busy life picks up again. November still prods me, but considering my book came out October 31, I think this November deserved a break!

What is it called? Can you tell us a bit about it? How long did it take you to write it?
It is called The Story: Deviation. I pose the question: what would you do if you were transported to a time and space where you had to learn someone’s story outside his or her stereotypes? I do this with high school kids on a bus, with elements of New Orleans Voodoo and other cultural fascinations.
It took six years to write. Considering the scope of the work, I had to spend the past ten months really dedicated to splitting the one book into three. I wrote pretty much full time and had to create new content for about half of the first book. It will be a similar process for the second book, and the third book will be all new!

What is it about?
Here is the blurb! “When Dan encounters The Anger, he supplements his day job as a high school math teacher with writing a novel. The Anger, a product of feeling enslaved to his job, recedes as the inspiration for his story emerges, but little does he know.
He’s not in control. Neither are his characters.
This rich and complex novel, populated with intriguing characters of differing nationalities and beliefs and orientations, takes the reader deep into the world of “What if?”
What if you were transported to a time and space to learn the story of a person outside his or her stereotypes?
If you had to relive a series of moments, would you continue in habitual patterns, or would you deviate from them?
Who’s is in control? Are you?”

Where can we read it? 
It will soon be available from Wellington City Libraries. Keep an eye out.

What have you learnt from being a Nanowrimo?
That I can do it! Repeatedly! I really do work well with a challenge. Writing is a long, and sometimes very lonely process. You know the excitement, scope, and depth of the story, but it takes a while and serious dedication to get that story out in book format. Having the Nanowrimo support and community is immensely helpful. And keep with it. If you feel strongly about your story, then find a writing group, continue with Nanowrimo’s challenges beyond November and keep with it. The reward is not just having the book out and being read, but the process. Enjoy the process; it’s thrilling!

In fact, I revere Nanowrimo so much, it’s mentioned in my book a few times.

How does it feel to be published?
Incredible. It’s been a dream from the time I was ten. It feels like destiny realized.
I also loved very much living in Wellington and left a few amazing communities there. They have been supportive still, even after being gone almost a year and a half. I left largely because I knew I needed to finish this book(s) and it would be easier for me to do it back in the States. So I have much gratitude to those Kiwis and Wellingtonians who understand why I chose that transition. I can’t wait to return for a book tour/visiting friends!

Thank you so much for answering these questions and all the best!
You’re very welcome. Thank you! Enjoy your surroundings of words…

New Zealand in German Samoa

On 29 August 1914, New Zealand troops arrived in Samoa and seized it from German control. This turned out to be a reasonably simple expedition but at the time it was regarded as potentially risky, with unknown consequences.

Samoa had been under German rule since 1900, but the presence of Germany in Samoa predates this. In 1855 Germany expanded its trading into the Pacific, initiating large-scale production of coconut, cacao and hevea rubber in Samoa (then known as the Navigator Islands). America and the United Kingdom also had business interests in the Pacific and opposed the German activity, which lead to the Second Samoan Civil War in 1899. Following this war, the Samoan islands were divided between the three opposing powers, with Germany being awarded what is today known as Western Samoa. It became regarded as the ‘jewel’ of German colonialism.

At the outbreak of war in 1914, Samoa was of moderate strategic importance to Germany. Using the radio transmitter located in the hills above Apia, German troops were able to send Morse code signals to Berlin, as well as communicate with the 90 warships in Germany’s naval fleet. Britain wanted this threat neutralised and New Zealand agreed to seize Samoa from Germany.

officers
Officers attached to the New Zealand Expeditionary Force, Samoa. Tattersall, Alfred James, 1866-1951 :Photographs of Samoa. Ref: PAColl-3062-3-18. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23195986

New Zealand troops departed from Wellington on the morning of Saturday 15 August in two ships, Monowai and Moeraki. These two ships had been requisitioned from the Union Steam Ship Company as transports, and were therefore slow and unarmed. These two unlikely war ships left the New Zealand convoy extremely vulnerable as they travelled to Samoa, especially as the location of the German East Asia Squadron was unknown to the Allies throughout their two week journey.

moeraki
S S Moeraki leaving Wellington. Dickie, John, 1869-1942 :Collection of postcards, prints and negatives. Ref: 1/1-002258-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22460165

When the New Zealand convoy reached French New Caledonia, they were joined by the Royal Australian Navy’s battlecruiser HMAS Australia, the light cruiser HMAS Melbourne and the French armoured cruiser Montcalm. While the landing at Gallipoli on 25 April 1915 is acknowledged as the birth of the Anzac legend, the first Australian–New Zealand military operation of the First World War was actually the capture of German Samoa in August 1914.

landing
Tattersall, Alfred James, 1866-1951. New Zealand troops landing in Samoa during World War I. Making New Zealand :Negatives and prints from the Making New Zealand Centennial collection. Ref: MNZ-0366-1/4-F. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22716395

Upon reaching Samoa, it became known to the New Zealand convoy that the German defences there were in fact quite weak; they had only 20 troops and special constables armed with 50 aging rifles. The Samoa Advance Party of the New Zealand Expeditionary Force landed at Apia on 29 August with no opposition. It was later discovered that the German administration had received orders from Berlin not to oppose an Allied invasion.

camp
Part of camp, Malifa, Western Samoa. Hackworth, Philip Vernon, d 1960 :Photograph album. Ref: PA1-q-107-36-2. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22806414

A fortnight later, on 14 September, the Scharnhorst and Gneisenau arrived off Apia and the New Zealand garrison braced itself for large-calibre gunfire. Luckily, the cruisers left once their skippers realised that Samoa was no longer in German hands. Samoa was then declared to be under a New Zealand-run British military occupation. The British flag was raised outside the government building in Apia and Samoa became the second German territory, after Togoland in Africa, to fall to the Allies in the First World War.

troops
Star Boating Club :Photograph of members of the club who went to Samoa with Expeditionary Force, 1914.. Ref: PAColl-5216. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22348195

If you would like to learn more about New Zealand in German Samoa, we have some materials available:

Syndetics book coverFighting for empire: New Zealand and the Great War of 1914-1918 / Christopher Pugsley.
“One hundred thousand New Zealanders sailed to war between 1914 and 1918, and at the end of four years of conflict the country had suffered 60,000 casualties, including 18,000 dead. Dr Chris Pugsley’s account of the First World War (first published as a section in Scars on the Heart: 200 Years of NZ at War, Bateman, 1996), is a tale of learning about war the hard way, by bitter and costly experience, drawing on photographs, letters and diaries to examine the impact of war through the eyes of those involved. This lively mix of text, photographs and soldiers’ own accounts covers all aspects of the war: from NZ’s seizing German Samoa five days after war was declared, ANZAC Cove and Gallipoli, patriotism at home, Mounted Rifles in Sinai and Palestine, the role of our nurses, the Western Front, and ‘Sea Dogs and Flying Aces – how our sailors and airmen fought the war’.” (Syndetics summary)

THE SAMOA (N.Z.) EXPEDITIONARY FORCE
We have this book in our New Zealand Rare books collection. Published in 1924, it is in a fragile condition but may be viewed by request at the 2nd floor enquiries desk.

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Information sourced from NZ History and Wikipedia
Images sourced from Timeframes