New ‘Other Genres’ fiction for October featuring New Zealand writers

An amazing selection of new fiction from New Zealand writers, that reveals their skill and talent, over a wide range of different genres. We promise hours of entertaining and very satisfying reading.

Syndetics book coverA crooked rib / Judy Corbalis.
“A compelling novel based on the disastrous and scandalous marriage of New Zealand’s Governor Sir George Grey and his lively young wife, Eliza Lucy. Trapped in an increasingly loveless union, Sir George and his wife, Eliza Lucy, each sought affection elsewhere. Lady Grey’s indiscretion caused her to be cast off by her husband and vilified throughout colonial and domestic Victorian high society. Meanwhile the nature of Sir George’s liaison with his young Maori protégé was to remain only the subject of speculation.” (Adapted from Syndetics summary)

Syndetics book coverR.H.I. : two novellas / Tim Corballis.
“A researcher sits in the archive of the British Psychoanalytic Society in London, examining fragile pieces of paper, small notebooks, and diaries. A writer in Berlin finds himself haunted by the city’s socialist-era buildings, and by their designer. Each begins to sketch the historical figure at the heart of his fixation. Joan Riviere was an early English psychoanalyst and Sigmund Freud’s earliest translator. Hermann Henselmann was a German architect, famous for many of the post-war buildings of the German Democratic Republic. The two novellas about their lives form an incomplete history of Europe’s 20th century-its wars, its politics and thought.” (Adapted from Syndetics summary)

Syndetics book coverTrust no one : a thriller / Paul Cleave.
“A famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page. Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter–a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes.” (Adapted from Syndetics summary)

Syndetics book coverThe lost one : the Romanov legacy / by Penelope Haines.
“She is an orphan, independent, unattached and free of any personal ties. So why is Purdie Davis, an unexceptional nurse from New Zealand, receiving unsolicited gifts? They are nothing ordinary but unusual, valuable antiques that must have a story behind them. Purdie doesn’t know their source, and has no idea of their significance. Is she wrong to find this attention menacing? A romantic saga spanning three generations, The Lost One begins as Kyril Komarov flees Moscow, escaping the Russian Revolution. The story crosses the globe as Purdie learns about her family and of the treasure entrusted to their protection at the dawn of the twentieth century, a treasure that now could put Purdie’s own life in danger.” (Adapted from Syndetics summary)

Syndetics book coverJames Cook’s lost world / Graeme Lay.
“On his third and tragic voyage of discovery Captain James Cook traverses the world yet again, increasingly and uncharacteristically brutal toward his crew, and on a fateful course with destiny.” (Adapted from Syndetics summary)

Syndetics book coverThe antipodeans : a novel / Greg McGee.
“Beginning with the return to Venice of an old and sick man determined to confront his past, and accompanied by his daughter who is escaping hers, The Antipodeans spans three generations of a New Zealand family and their interaction with three families of Northern Italy. From Venice to the South Island of New Zealand, from the assassination of a Gestapo commander in the last days of Italian resistance in WWII to contemporary real estate shenanigans in Auckland, from political assassination in the darkest days of the Red Brigade to the vaulting cosmology of particle physics.” (Adapted from Syndetics summary)

Syndetics book coverThe battle of Messines Road / J.K. & W.J. Moloney.
The Battle of Messines Road is a commentary on the changing perception of war over time amongst New Zealanders, and is an invitation to remember what is slipping away from public consciousness, to explain to today’s generation (in this case exemplified by young Zac) the reason why medal-bedecked old men huddle around war memorials to the sound of the Last Post each year.” (Adapted from Syndetics summary)

Syndetics book coverRoad from Rosehall / Mike Munro.
“When rural labourer George Munro, the author’s great-great grandfather, departs the family croft in the Scottish Highlands in 1851 and begins an emigrant’s journey, he joins an outflow of Scots who are seeking better lives in Britain’s colonies. With countless weeks of confinement in a sailing ship, vast and perilous oceans, the risk of falling victim to disease or skulduggery, and the uncertainty of what he will find in the far-off land where he plans to settle.” (Adapted from Syndetics summary)

Syndetics book coverThe party line / Sue Orr.
“Set in a vividly drawn farming community in 1970s New Zealand. The Baxters do not know their place. On the first of June every year, sharemilkers load their trucks with their families, pets and possessions and crawl along the highways towards new farms, new lives. They’re inching towards that ultimate dream, buying their own land. Fenward’s always been lucky with its sharemilkers: grateful, grafting folk who understand what’s expected of them, until now, when grief-stricken Ian Baxter and his precocious daughter, Gabrielle, arrive.” (Adapted from Syndetics summary)

Syndetics book coverTrifecta / Ian Wedde.
“Martin Klepka was one of the refugees of Nazism who famously brought Modernist architecture and ‘real coffee’ to New Zealand. Many years after his early death from a heart attack, his children are struggling in their different ways with the difficult legacy of their charismatic, overbearing father. Sandy, who was disliked by his father, is a cultural historian in the twilight of his career, disgraced, divorced and reduced to a .2 position at Auckland University. Veronica, who bored her father, is struggling with a failing art deco Napier tour company and an alcoholic husband. And Mick, Martin Klepka’s favourite, a gambling, methamphetamine and sex addict, is still living alone in the Red House, his father’s plagiarized masterpiece.” (Adapted from Syndetics summary)