Six wonderful new art books including: Street art, Chinese art, art scandals, and Breakfast with Lucian [Freud].
The museum of scandals : art that shocked the world / Éléa Baucheron, Diane Routex.
“Art scandals are as old as art itself. Centuries ago, the liberal representation of naked flesh and all-too-obvious hints at political injustice broke many a taboo. In modern and contemporary art, too, provocative actions regularly attract attention. In this stunning book Éléa Baucheron and Diane Routex have collected the most outrageous scandals of art history from the Middle Ages to the present day, from Michelangelo to Ai Weiwei.” (Cover)
The Chinese art book / contributors, Colin Mackenzie, Keith Pratt, Jeffrey Moser, Katie Hill.
“Taking on a dauntingly vast topic, this book attempts to survey discrete images and historical contexts from the long history of Chinese art while maintaining threads of cohesion. China is widely considered the oldest extant civilization, and the visual arts that emerged from Chinese cultures remained intricately entwined with their attendant politics, spiritualties, and material realities. Rather than organize this immense visual history along chronology or medium, the authors present the generously reproduced images in suggestive pairings on opposing pages, each work receiving its own page and a brief contextualization… The necessary concision of the prose, the lavish beauty of the images, and the accompanying timelines of Chinese and world history all aid in creating a pleasurable, heuristic read, worth the distraction regardless of the reader’s familiarity with calligraphic techniques or dynastic histories.” (adapted from Syndetics summary)
Painted on 21st street : Helen Frankenthaler from 1950 to 1959 / curated by John Elderfield ; in cooperation with the Estate of Helen Frankenthaler.
“Helen Frankenthaler (1928-2011) came to New York City in 1949 at age 21 and created many of her most original paintings in the 1950s, in a studio on East 21st Street. This handsome book includes many superb reproductions of her paintings from the period and follows Gagosian Gallery’s spring 2013 exhibition of her ’50s work-the first time these paintings had been shown together in more than 40 years. An informative and thoughtful essay by Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art, introduces the collection, convincingly arguing that it’s crucial to go beyond painter Morris Louis’s description of Frankenthaler as “a bridge between Pollock and what was possible”; we must instead view her work as “its own destination,” he writes” (adapted from Syndetics summary)
The art of drawing : British masters and methods since 1600 / Susan Owens.
“This beautiful book reveals works from the Victoria and Albert Museum’s rich collection of drawings ranging from the early 17th century right up to the present day. Reproducing, often for the first time, works by foremost British artists, this book offers fresh insights into the wide range of ways in which these artists have used drawing to think on paper, build up ideas, and make finished exhibition pieces. Including examples from the greatest masters—William Blake, Thomas Rowlandson, John Constable, Dante Gabriel Rossetti, Edward Burne-Jones, Paul Nash, Lucian Freud, David Hockney, John Piper, Grayson Perry, and others—author Susan Owens discusses the art and craft of drawing, materials, and techniques, and why artists chose them.” (adapted from amazon.com description)
Breakfast with Lucian : a portrait of the artist / Geordie Greig.
“For ten years Geordie Greig was among a very small group of friends who regularly met Lucian Freud for breakfast at Clarke’s restaurant on Kensington Church Street. Over tea and the morning papers, Freud would recount stories of his past and discuss art. It was, in effect, Freud’s private salon. In this kaleidoscopic memoir, Greig remembers Freud’s stories: of death threats; escaping from Nazi Germany; falling out with his brother Clement; loathing his mother; painting David Hockney; sleeping with horses; escaping the Krays; painting the Queen; his controversial role as a father; and why Velazquez was the greatest painter. It is revelatory about his art, his lovers, his children, his enemies and his love of gambling.” (adapted from Syndetics summary)
The world atlas of street art and graffiti / Rafael Schacter ; foreword by John Fekner.
“Since its genesis on the East Coast of the United States in the late 1960s, street art has travelled to nearly every corner of the globe, morphing into highly ornate and vibrant new styles. From Steve Powers (Espo) in New York to Kid Zoom in Australia, taking in Banksy’s London, Paris as transfigured by Honet and OX, and the gargantuan murals of the Brazilian twins ‘Os Gêmeos’, The World Atlas of Street Art and Graffiti is the first truly geographical history of the form. Featuring specially commissioned works from major graffiti and street art practitioners, The World Atlas of Street Art and Graffiti offers the reader an insider’s view of the urban landscape as the artists themselves experience it. This beautifully illustrated book, produced with the help of many of the artists it features, dispels the idea of such art as a thoughtless defacement of pristine surfaces, and instead celebrates it as a contemporary and highly creative inscription upon the skin of the built environment.” (adapted from amazon.com description)